Joe Pass - Wikipedia, the free encyclopedia

11/28/13 3:16 PM

Joe Pass
From Wikipedia, the free encyclopedia

Joe Pass (born Joseph Anthony Jacobi Passalacqua, January 13, 1929 May 23, 1994) was an ItalianAmerican jazz guitarist of Sicilian descent. He is generally considered to be one of the greatest jazz guitarists of the 20th century.[1][2] His extensive use of walking basslines, melodic counterpoint during improvisation, use of a chord-melody style of playing and outstanding knowledge of chord inversions and progressions opened up new possibilities for the jazz guitar and had a profound influence on future guitarists.

Joe Pass

Contents
1 Early life 2 Discovery and subsequent career 3 Legacy 4 Discography 5 Selected bibliography 6 References 7 External links
Born

Joe Pass in 1975 Background information Birth name Joseph Anthony Jacobi Passalacqua January 13, 1929 New Brunswick, New Jersey, United States Johnstown, Pennsylvania, United States May 23, 1994 (aged 65) Los Angeles, United States Jazz, bebop.

Origin Died

Early life
Born in New Brunswick, New Joe Pass, the son of Mariano Passalacqua, a Sicilian-born steel mill worker, was raised in Johnstown, Pennsylvania. He received his first guitar, a Harmony model bought for $17, on his 9th birthday. Pass' father recognized early that his son had "a little something happening" and pushed him constantly to pick up tunes by ear, play pieces not written specifically for the instrument, practice scales and not to "leave any spaces" - that is, to fill in the sonic space between the notes of the melody. Jersey,[3]
Genres

Occupations Guitarist, composer Instruments Guitar Years active 19431994 Labels Associated acts Concord, Pablo Pacific Jazz Ella Fitzgerald, Oscar Peterson, Zack Charette, Niels-Henning rsted Pedersen

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As early as 14, Pass started getting gigs and was playing with bands fronted by Tony Pastor and Charlie Barnet, honing his guitar skills and learning the music business. He began traveling with small jazz groups and eventually moved from Pennsylvania to New York City. In a few years, he fell victim to drug abuse, and spent much of the 1950s in relative obscurity. Pass managed to emerge from it through a two-and-a-halfyear stay in the Synanon drug rehabilitation program. During that time he played guitar nonstop and further honed his skills. In 1962 he recorded The Sounds of Synanon. It was about this time that Pass received his trademark Gibson ES-175 guitar as a gift, which he subsequently used for touring and recording for many years.

Discovery and subsequent career

Pass recorded a series of albums during the 1960s for the Pacific Jazz label, including the early classics Catch Me, 12-String Guitar, For Django, and Simplicity. In 1963, Pass received Downbeat magazine's "New Star Award." Pass was also featured on Pacific Jazz recordings by Gerald Wilson, Bud Shank, and Les McCann. Pass toured with George Shearing in 1965. During the 1960s however, he did mostly TV and recording session work in Los Angeles. He was a sideman with Louis Bellson, Frank Sinatra, Sarah Vaughan, Joe Williams, Della Reese, Johnny Mathis, and worked on TV shows including The Tonight Show Starring Johnny Carson, The Merv Griffin Show, The Steve Allen Show, and others. In the early 1970s, Pass and guitarist Herb Ellis were performing together regularly at Donte's jazz club in Los Angeles. This collaboration led to Pass and Ellis recording the very first album on the new Concord Jazz label, entitled simply Jazz/Concord (#CJS-1), along with bassist Ray Brown and drummer Jake Hanna. In the early 1970s, Pass also collaborated on a series of music books, and his Joe Pass Guitar Style (written with Bill Thrasher) is considered a leading improvisation textbook for students of jazz.

Ella Fitzgerald and Joe Pass, 1974

Norman Granz, the producer of Jazz at the Philharmonic and the founder of Verve Records signed Pass to Granz's new Pablo Records label in 1970. In 1974, Pass released his landmark solo album Virtuoso on Pablo Records. Also in 1974, Pablo Records released the album The Trio featuring Pass, Oscar Peterson, and Niels-Henning rsted Pedersen. At the Grammy Awards of 1975, The Trio won the Grammy Award for Best Jazz Performance by a Group. As part of the Pablo Records "stable," Pass also recorded with Benny Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, Count Basie, and others. Pass and Ella Fitzgerald recorded six albums together on Pablo Records, toward the end of Fitzgerald's career: Take Love Easy (1973), Fitzgerald and Pass... Again (1976), "Hamburg Duets - 1976" (1976), "Sophisticated Lady" (1975, 1983), Speak Love (1983), and Easy Living (1986). In 1994, Joe Pass died from liver cancer in Los Angeles, California at the age of 65.

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Speaking about Nuages: Live at Yoshi's, Volume 2, Jim Ferguson wrote: "The follow up to 1993's Joe Pass & Co. Live At Yoshi's, this release was colored by sad circumstances: both bassist Monty Budwig and Pass were stricken with fatal illnesses. Nevertheless, all concerned, including drummer Colin Bailey and second guitarist John Pisano, play up to their usual high levels.... Issued posthumously, this material is hardly substandard. Bristling with energy throughout, it helps document the final stages in the career of a player who, arguably, was the greatest mainstream guitarist since Wes Montgomery."[4]

Legacy
In addition to his ensemble performances, the jazz community regards Joe Pass as an influential solo guitarist. New York Magazine said of him, "Joe Pass looks like somebody's uncle and plays guitar like nobody's business. He's called "the world's greatest" and often compared to Paganini for his virtuosity. There is a certain purity to his sound that makes him stand out easily from other first-rate jazz guitarists."[2] His solo style was marked by an advanced linear technique, sophisticated harmonic sense, counterpoint between improvised lead lines, bass figures and chords, spontaneous modulations, and transitions from fast tempos to rubato passages. He would regularly add what he called "color tones" to his compositions, to give what he believed was a more sophisticated and "funkier" sound. He would often use melodic counterpoint during improvisation, move lines and chords chromatically or play melodies by solely shifting chords, and descending augmented arpeggios at the end of phrases. Pass' early style (influenced by guitarist Django Reinhardt and Joe Pass in concert in 1974 playing saxophonist Charlie Parker), was marked by fast single-note lines his famous Gibson ES-175 guitar and a flowing melodic sense. Pass had the unusual lifelong habit of breaking his guitar picks and playing only with the smaller part. As Pass made the transition from ensemble to solo guitar performance, he preferred to abandon the pick altogether, and play fingerstyle. He found this enabled him to execute his harmonic concepts more effectively. His series of solo albums, Virtuoso (volumes 1 through 4) are a demonstration of Pass' refined technique. Epiphone has produced an edition of the Emperor line of archtop electric-acoustic guitar in his honour. Previously Ibanez had a Joe Pass model jazz guitar, as they continue to for influential jazz guitarists George Benson and Pat Metheny.

Discography
Further information: Joe Pass discography

Selected bibliography
Mel Bay Presents Joe Pass "Off the Record." Mel Bay, 1993. ISBN 1-56222-687-8 Complete Joe Pass. Mel Bay, 2003. ISBN 0-7866-6747-8
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Miyakaku, Takao. Joe Pass. Tokyo: Seiunsha, 2000. ISBN 4-434-00455-7 (photograph collection)

References
1. ^ Holder, Mitch (16 January 2006). The Jazz Guitar Stylings of Howard Roberts (http://books.google.com/books? id=D9GRIUU83C8C&pg=PA2). Mel Bay Publications. p. 2. ISBN 978-0-7866-7409-1. Retrieved 22 November 2011. 2. ^ a b New York Media, LLC (17 September 1979). New York Magazine (http://books.google.com/books?id=-ACAAAAMBAJ&pg=PA62). New York Media, LLC. p. 62. ISSN 00287369 (http://www.worldcat.org/search? fq=x0:jrnl&q=n2:00287369). Retrieved 23 November 2011. 3. ^ "Joe Pass, 65, a Jazz Guitarist Who Performed With the Stars - New York Times" (http://www.nytimes.com/1994/05/24/obituaries/joe-pass-65-a-jazz-guitarist-who-performed-with-the-stars.html). Nytimes.com. 1994-05-24. Retrieved 2011-09-16. 4. ^ JazzTimes review of Nuages: Live at Yoshi's, Volume 2 (Joe Pass Quartet) (http://jazztimes.com/articles/10088nuages-live-at-yoshi-s-volume-2-joe-pass) by Jim Ferguson (retrieved 3 October 2011)

Joe Pass Unedited (http://www.fergusonguitar.com/joepass.html) article by Jim Ferguson

External links
Joe Pass guitar tab (http://www.jazzguitar.be/joe_pass_licks.html) Joe Pass Memorial Hall (http://www.asahi-net.or.jp/~UX5T-OOIS/) A 1974 interview on his early guitar development (http://www.gould68.freeserve.co.uk/Joe%20Pass%20Int_view.html) Retrieved from "http://en.wikipedia.org/w/index.php?title=Joe_Pass&oldid=583499951" Categories: Bebop guitarists New Brunswick, New Jersey American jazz guitarists Joe Pass albums People from Johnstown, Pennsylvania Musicians from Pennsylvania 1929 births 1994 deaths Grammy Award-winning artists American people of Italian descent American people of Sicilian descent Cancer deaths in California Deaths from liver cancer American jazz musicians This page was last modified on 27 November 2013 at 07:07. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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