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GEOMANCY

By G.H. FRATER D.D.C.F. ONE The figures of Geomancy consist of various groupings of o an even points in ! "ines. Of these the greatest possi#"e num#er of com#inations is $%. Therefore these si&teen com#inations of o an even points arrange on four "ines are the si&teen figures of Geomancy. These are again c"asse un er the hea s of the E"ements' the (igns of the )o iac' an the *"anets. T+o figures are attri#ute to each of the (even *"anets' +hi"e the remain er are attri#ute to Caput an Cau a Draconis the Hea an Tai" of the Dragon' or the North an (outh No es of the ,oon. Furthermore' to each *"anet an (ign certain ru"ing Genii are attri#ute . T-O Rough"y spea.ing' the mo e of o#taining the first four Geomantic figures' from +hich the remain er of the Divination is ca"cu"ate ' is #y mar.ing o+n at ran om on paper +ith a penci" he" #y a "oose"y tense han $% "ines of points or ashes' +ithout counting the num#er p"ace in each "ine uring the operation. /t shou" #e one very rapi "y. A"" the time thin. fi&e "y of the su#0ect of the 1uestion. -hen the $% "ines are comp"ete ' the num#er of points in each "ine shou" #e a e up' an if the resu"t #e o a sing"e point or cross shou" #e ma e in the first of the three compartments to the right of the paper. /f even' t+o points or crosses. These $% "ines are represente #e"o+.

These yie" four Geomantic figures. The resu"ts' o an 2or even' of "ines ito ! inc"usive comprise the first figure' of Fortuna ,inor. Of "ines 3 to 4 the secon figure5 of "ines 6 to $7 the thir 5 of "ines $8 to $%' the !th figure' as sho+n in the iagram. *9AN OF GEO,ANT/C D/:/NAT/ON

The sym#o" of a *entagram either +ithin or +ithout a circumscri#e circ"e shou" #e ma e at the top of the paper on +hich the ashes are ma e. The paper itse"f shou" #e perfect"y c"ean an shou" have never #een previous"y use for any other purpose. /f a circ"e #e use +ith the *entagram' it shou" #e ra+n #efore the "atter is escri#e . The *entagram shou" a"+ays #e of the ;invo.ing< type' as escri#e in the *entagram Ritua". (ince the *entagram concerns the e"ement of Earth' it shou" therefore #e ra+n #eginning at the top point escen ing to the "o+er "eft han point' carefu""y c"osing the ang"e at the finish. -hi"e s"o+"y tracing the *entagram' the ivine name associate +ith Earth shou" #e intone or vi#rate ADONA/ ha=ARET). /t cou" #e intone t+o or three times #efore procee ing +ith the ra+ing of the (igi". This +i"" he"p to concentrate the min an to e"evate it to the highest notion compati#"e +ith the metho . Do remem#er that in one of the Ritua" o#"igations' the aspirant s+ears that in a"" his magica" +or.ings he +i"" a"+ays invo.e the highest ivine names that he .no+s. Thus he +i"" a"+ays #e +or.ing un er the aegis of the ivine. -ithin the centre of the *entagram' the (igi" of the ;Ru"er< to +hich the matter of the 1uestion specia""y refers' shou" #e p"ace . /f the 1uestion #e of the Nature of (aturn' such as agricu"ture' sorro+' eath' etc.' the (igi" of )a>e" shou" #e p"ace in the *entagram. /f of ?upiter' concerning goo fortune' feasting' church preferment' etc.' the (igi" of Hismae". /f of ,ars' +ar' fighting' victory' etc.' the (igi" of Bart>a#e". /f of the (un' po+er' magistracy' success' etc.' the (igi" of (orath. /f of :enus' "ove' music' p"easure' etc.' the (igi" of @e eme". /f of ,ercury' such as science' "earning' .navery' etc.' the (igi" of Taphthartharath' etc.' /f of trave""ing' fishing' etc.' un er 9una' then the (igi" of Chasmo ai. /n the iagram appen e ' the (igi" of Hismae" is emp"oye .

During the mar.ing o+n of the points' the attention shou" #e fi&e upon the (igi" +ithin the *entagram' an the min shou" carefu""y consi er the 1uestion propose . A goo i ea to to repeat out "ou the name of the Ru"er as if to invo.e him. This shou" a"so #e fo""o+e #y a short statement repeate again an again concerning the topic of ivination. The han shou" not #e remove from the paper unti" a"" $% "ines of points have #een finishe . For e&amp"e if you +ishe to as. a 1uestion concerning the ac1uisition of +ea"th you +ou" use the (igi" re"ating to ?upiter' Hismae". Aou +ou" then' +hi"e ma.ing the ran om ots' repeat three or four times the name of Hismae"' fo""o+e #y' ;-i"" / ac1uire' such an such amount of moneyB< C(pecify time perio . The phrasing of the 1uestion shou" #e very efinite an specific.D The +ho"e phrase shou" #e repeate fre1uent"y unti" a"" $% "ines of ots have #een comp"ete .

A penci" is prefera#"e to a pen for this tas. of tracing the ots. Other+ise' use a contemporary fe"t pen or mar.ing pen +hich is i ea" for this purpose. /t is practica""y more convenient to ra+ or ru"e four "ines across the paper #eforehan to mar. off the space for such four "ines composing a Geomantic Figure as sho+n on the previous page. The first four Geomantic figures forme irect"y from the $% "ines of points are ca""e The Four ,others. /t is from them that the remaining figures necessary to comp"ete the Geomantic scheme of irection are erive . These shou" no+ #e p"ace in a ro+ from right to "eft' for the greater convenience of the necessary ca"cu"ation though much practice may

ren er this unnecessary. The first figure +i"" #e attri#ute to the (outh' the (econ to the East' the Thir to the North' an the Fourth to the -est.

From these Four ,others' four resu"ting figures ca""e the Four Daughters are no+ to #e erive ' thusE The uppermost points of the First ,other' +i"" #e the uppermost points of the First Daughter. The correspon ing' that is the first "ine of' points of the (econ ,other +i"" #e the secon points of the First Daughter. The same "ine of points of the Thir ,other +i"" constitute the thir points of the First Daughter. The same points of the Fourth ,other +i""" #e the fourth points of the First Daughter. The same ru"e app"ies to a"" the figures. The secon "ine of points of the four ,other figures +i"" comprise the (econ Daughter. The thir "ine of points of the Four ,others +i"" comprise the Thir Daughter' an the fourth "ine of points of the Four ,others +i"" comprise the Fourth Daughter an so on. App"ying the a#ove ru"e throughout' the fo""o+ing +i"" represent the Four DaughtersE

These' again for the convenience of the #eginner' are no+ to #e p"ace on the "eft han of the Four ,others in a sing"e "ine from right to "eft.

From these eight figures' four others are no+ to #e ca"cu"ate +hich may #e ca""e the Four Resu"tants' or the Four Nephe+s. These +i"" #e the 6th' $Fth' $$th' an $7th figures of the +ho"e scheme. The Ninth figure is forme from the points of the first an secon figures compare together. The Tenth from the 8r an !th figures5 the $$th from the 3th an %th figures' the $7th from the Gth an 4th figures. The ru"e is to compare or a together the points of the correspon ing "ines. /f' for instance' the first "ine of the First ,other consists of one point' an the first "ine of the (econ ,other a"so consists of one point' these t+o are a e together' an since they form an even num#er t+o points are mar.e o+n for the first "ine of the Resu"tant. /f the a e points are o ' on"y one point is mar.e for the resu"ting figure. The Ninth figure of Con0unctio is thus forme .

No+ the first figure has one point at the top' the secon figure has one point at the top=together they ma.e t+o' an even num#er' thus ma.ing 7 points for the ne+ figure. The first figure has one point on the secon "ine' an the secon figure has t+o points on the secon "ine. Together they ma.e three points' an o num#er' therefore represente #y one point in the ne+ figure. The rest fo""o+ simi"ar"y an is represente again #y the figure #e"o+.

CONJUNCTIO The other Resu"tants are ca"cu"ate in precise"y the same +ayE

/n this +ay are yie" e the four Resu"tantsE

/n this +ay are yie" e the four Resu"tantsE

An thus the T+e"ve *rincipa" Figures of the Geomantic scheme of Divination are comp"ete . These again correspon to the $7 Astro"ogica" Houses of Heaven' +ith +hich they +i"" "ater on #e compare . THREE For the greater assistance of the Diviner in forming a 0u gment upon the genera" con ition of the scheme of $7 figures thus far o#taine ' it is usua" to e uce from them three other su#si iary figures. These three are of "ess importance than the t+e"ve previous figures' an are not to #e consi ere at a"" in the "ight of component figures of the scheme' #ut on"y as ai s to the genera" 0u gment. These other figures are .no+n as the Right -itness' 9eft -itness' an the ?u ge. The t+o +itnesses are +ithout significance in the ivination' e&cept as they are the roots from +hich the figure .no+n as the ?u ge is erive . The Right -itness is forme from the 6th an $Fth figures #y comparing the points in the manner #efore sho+n in the formation of the Resu"tants. That is the correspon ing "ines of points in the t+o figures are compare together' an the a ition' +hether o or even' comprises the points of the -itness. The 9eft -itness represents the com#ination in a simi"ar manner to the $$th an $7th figures. The ?u ge again is forme in precise"y the same +ay from the T+o -itnesses' an is therefore a synthesis of the +ho"e figure. /f he #e goo ' the figure is goo an the 0u gment +i"" #e favoura#"e5 an vice versa. From the nature of the formation of the $3th figure' the ?u ge' it shou" a"+ays consist of an even num#er of points' an never of o . That is' a ing together the four "ines of points' comprising the ?u ge' the resu"t shou" #e an even num#er. For if the ?u ge +ere a figure of o points it +ou" sho+ that a mista.e ha #een ma e some+here in the ca"cu"ation. The Reconci"er is a $%th figure sometimes use for ai ing the ?u gment #y com#ining the ?u ge +ith the Figure in the *articu"ar House signifying the thing eman e . Thus' in the prece ing scheme' the ?u ge forme is *opu"us' an the (econ Figure' #eing Amissio' their com#ination a"so yie" s Amissio.

/n or er to iscover +here The *art of Fortune +i"" fa""' a together a"" the points of the first t+e"ve figures. Divi e that num#er #y t+e"ve' an p"ace the *art of Fortune +ith the figure ans+ering to the remain er. /f there is no remain er it +i"" fa"" on the $7th figure. The *art of Fortune is a sym#o" of rea y money' money in cash #e"onging to the Huerent' an is of the greatest importance in a"" 1uestions of money. FOUR The fo""o+ing is the signification of the $7 Houses of Heaven' in #riefE First House (Ascendant) 9ife' hea"th' 1uerent' etc. Second House ,oney' property' persona" +orth. Third House Brothers' sisters' ne+s' short 0ourneys' etc. Fourth House Father' "an e property' inheritance. The grave' the en of matter. Fi th House Chi" ren' p"easure' feasts' specu"ation. Si!th House (ervants' sic.ness' unc"es an aunts' sma"" anima"s. Se"enth House 9ove' marriage' hus#an or +ife. *artnerships an associations' pu#"ic enemies' "a+ suits. Ei#hth House Deaths' +i""s' "egacies5 pain' an&iety. Estate of ecease . Ninth House 9ong 0ourneys' voyages. (cience' re"igion' art' visions' an ivinations.

Tenth House ,other. Ran. an honour' tra e or profession' authority' emp"oyment' an +or" "y position genera""y.

E$e"enth House Frien s' hopes an +ishes. T%e$ th House (orro+s' fears' punishments' secret enemies' hospita"s or prisons' unseen angers' restrictions. The T+e"ve figures of the Geomantic scheme as previous"y ca"cu"ate are to #e attri#ute to a map of the $7 houses of heaven to #e p"ace therein thusE The irst i#ure #oes in the &'th house( The second i#ure #oes in the &st house( The third i#ure #oes in the )th house( The ourth i#ure #oes in the *th house( The i th i#ures #oes in the &&th house( The si!th i#ure #oes in the +nd house( The se"enth i#ure #oes in the ,th house( The ei#hth i#ure #oes in the -th house( The ninth i#ure #oes in the &+th house( The tenth i#ure #oes in the .rd house( The e$e"enth i#ure #oes in the /th house( The t%e$ th i#ure #oes in the 0th house( Thus the figures erive #y the ca"cu"ations provi e in the e&amp"e given previous"y +ou" occupy a Geomantic map as fo""o+sE

Fi"e Herein fo""o+s a set of genera" Ta#"es of the (i&teen figures in the T+e"ve Houses for the #etter convenience of forming a genera" 0u gment of the (cheme. In er the hea of each figure separate"y is given its genera" effect in +hatever House of the ,ap of the Heavens it may #e "ocate . Thus' #y ta.ing the House signifying the en or resu"t of the matter' the Fourth House' etc.' an #y noting +hat figures fa"" therein' the stu ent may fin #y these ta#"es the genera" effect in that position. AC1UISITIO Genera$$2 #ood or 3ro it and #ain( Ascendant - Ha3324 success in a$$ thin#s( Second House - 5er2 3ros3erous( Third House - Fa"our and riches( Fourth House - Good ortune and success( Fi th House - Good success4 Si!th House - Good4 es3ecia$$2 i it a#rees %ith the ,th( Se"enth House - Reasona6$2 #ood(

Ei#hth House - Rather #ood4 6ut not "er2( The sic7 sha$$ die( Ninth House - Good in a"" de8ands( Tenth House - Good in suits( 5er2 3ros3erous( E$e"enth House - Good in a$$( T%e$ th House - E"i$4 3ain and $oss( A,/((/O Goo for "oss of su#stance an sometimes for "ove5 #ut very #a for gain. Ascen ant - /// in a"" things #ut for prisoners. (econ House - :ery i"" for money' #ut goo for "ove. Thir House - /"" en ' e&cept for 1uarre"s. Fourth House - /"" in a"". Fifth House - Evi" e&cept for agricu"ture. (i&th House - Rather evi" for "ove. (eventh House - :ery goo for "ove' other+ise evi". Eighth House - E&ce""ent in a"" 1uestions. Ninth House - Evi" in a"" things. Tenth House - Evi" e&cept for favour +ith +omen. E"eventh House - Goo for "ove' other+ise #a . T+e"fth House - Evi" in a"" things.

FORTINA ,A?OR Goo for gain in a"" things +here a person has hopes to +in. Ascen ant - Goo save in secrecy. (econ House - Goo e&cept in sa things. Thir House - Goo in a"". Fourth House - Goo in a""' #ut me"ancho"y. Fifth House - :ery goo in a"" things. (i&th House - :ery goo e&cept for e#auchery. (eventh House - Goo in a"". Eighth House - ,o erate"y goo . Ninth House - :ery goo . Tenth House - E&cee ing"y goo . Go to superiors. E"eventh House - :ery goo . T+e"fth House - Goo in a"". FORTINA ,/NOR

Goo in any matter in +hich a person +ishes to procee 1uic."y. Ascen ant - (pee in victory an in "ove' #ut cho"eric. (econ House - :ery goo . Thir House - Goo ' #ut +rathfu". Fourth House - Haste5 rather evi" e&cept for peace. Fifth House - Goo in a"" things. (i&th House - ,e ium in a"". (eventh House - Evi" e&cept for +ar or "ove. Eighth House - Evi" genera""y. Ninth House - Goo ' #ut cho"eric. Tenth House - Goo ' e&cept for peace. E"eventh House - Goo ' especia""y for "ove. T+e"fth House - Goo ' e&cept for a"teration' or for suing another.

9AET/T/A Goo for 0oy' present or to come. Ascen ant - Goo ' e&cept in +ar. (econ House - (ic."y. Thir House - ///. Fourth House - ,ain"y goo . Fifth House - E&ce""ent. (i&th House - Evi" genera""y. (eventh House - /n ifferent. Eighth House - Evi" genera""y. Ninth House - :ery goo . Tenth House - Goo ' rather in +ar than in peace. E"eventh House - Goo in a"". T+e"fth House - Evi" genera""y. TR/(T/T/A Evi" in a"most a"" things. Ascen ant - ,e ium' #ut goo for treasure an fortifying. (econ House - ,e ium' #ut goo to fortify. Thir House - Evi" in a"". Fourth House - Evi" in a"". Fifth House - :ery evi".

(i&th House - Evi"' e&cept for e#auchery. (eventh House - Evi" for inheritance an magic on"y. Eighth House - Evi"' #ut in secrecy goo . Ninth House - Evi" e&cept for magic. Tenth House - Evi" e&cept for fortifications. E"eventh House - Evi" in a"". T+e"fth House - Evi". But goo for magic an treasure.

*IE99A Goo in a"" eman s' especia""y in those re"ating to +omen. Ascen ant - Goo e&cept in +ar. (econ House - :ery goo . Thir House - Goo . Fourth House - /n ifferent. Fifth House - :ery goo ' #ut notice the aspects. (i&th House - Goo ' #ut especia""y so for e#auchery. (eventh House - Goo e&cept for +ar. Eighth House - Goo . Ninth House - Goo for music. Other+ise on"y me ium. Tenth House - Goo for peace. E"eventh House - Goo ' an "ove of "a ies. T+e"fth House - Goo in a"". *IER Evi" in most eman s' e&cept in those re"ating to -ar or 9ove. Ascen ant - /n ifferent. Best in -ar. (econ House - Goo ' #ut +ith trou#"e. Thir House - Goo fortune. Fourth House - Evi"' e&cept in -ar an 9ove. Fifth House - ,e ium goo . (i&th House - ,e ium. (eventh House - Evi"' save in -ar. Eighth House - Evi"' save for 9ove. Ninth House - Evi" e&cept for -ar. Tenth House - Rather evi". But goo for 9ove an -ar. E"eventh House - ,ost other things me ium. T+e"fth House - ,e ium5 goo favour. :ery goo in a"".

RIBEI( Evi" in a"" that is goo an Goo in a"" that is evi". Ascen ant - Destroy the figure if it fa""s hereJ /t ma.es the 0u gment +orth"ess. (econ House - Evi" in a"" eman s. Thir House - Evi" e&cept to "et #"oo . Fourth House - Evi" e&cept in -ar an Fire. Fifth House - Evi" save for "ove' an so+ing see . (i&th House - Evi" e&cept for #"oo ="etting. (eventh House - Evi" e&cept for +ar an fire. Eighth House - Evi". Ninth House - :ery evi". Tenth House - Disso"ute. 9ove' fire. E"eventh House - Evi"' e&cept to "et #"oo . T+e"fth House - Evi" in a"" things. A9BI( Goo for profit an for entering into a p"ace or un erta.ing. Ascen ant - Goo for marriage. ,ercuria". *eace. (econ House - Goo in a"". Thir House - :ery goo . Fourth House - :ery goo e&cept in -ar. Fifth House - Goo . (i&th House - Goo in a"" things. (eventh House - Goo e&cept for -ar. Eighth House - Goo . Ninth House - A messenger #rings a "etter. Tenth House - E&ce""ent in a"". E"eventh House - :ery goo . T+e"fth House - ,arve""ous"y goo .

CON?INCT/O Goo +ith goo ' or evi" +ith evi". Recovery of things "ost.

Ascen ant - Goo +ith goo ' evi" +ith evi". (econ House - Common"y goo . Thir House - Goo fortune. Fourth House - Goo save for hea"th5 see the 4th. Fifth House - ,e ium. (i&th House - Goo for immora"ity on"y. (eventh House - Rather goo . Eighth House - Evi"5 eath. Ninth House - ,e ium goo . Tenth House - For "ove5 goo . For sic.ness' evi". E"eventh House - Goo in a"". T+e"fth House - ,e ium. Ba for prisoners. CARCER Genera""y evi". De"ay' #in ing' #ar' restriction. Ascen ant - Evi" e&cept to fortify a p"ace. (econ House - Goo in (aturnine 1uestions5 e"se evi". Thir House - Evi". Fourth House - Goo on"y for me"ancho"y. Fifth House - Receive a "etter +ithin three ays. Evi". (i&th House - :ery evi". (eventh House - Evi". Eighth House - :ery evi". Ninth House - Evi" in a"". Tenth House - Evi" save for hi en treasure. E"eventh House - ,uch an&iety. T+e"fth House - Rather goo .

CA*IT DRACON/( Goo +ith evi"5 evi" +ith evi". Gives a goo issue for gain. Ascen ant - Goo in a"" things. (econ House - Goo . Thir House - :ery goo . Fourth House - Goo save in +ar. Fifth House - :ery goo . (i&th House - Goo for immora"ity on"y. (eventh House - Goo especia""y for peace.

Eighth House - Goo . Ninth House - :ery goo . Tenth House - Goo in a"". E"eventh House - Goo for the church an ecc"esiastica" gain. T+e"fth House - Not very goo . CAIDA DRACON/( Goo +ith evi"' an evi" +ith goo . Goo for "oss' an for passing out of an affair. Ascen ant - Destroy figure if it fa""s hereJ ,a.es 0u gment +orth"ess. (econ House - :ery evi". Thir House - Evi" in a"". Fourth House - Goo especia""y for conc"usion of the matter. Fifth House - :ery evi". (i&th House - Rather goo . (eventh House - Evi"' +ar' an fire. Eighth House - No goo ' e&cept for magic. Ninth House - Goo for science on"y. Ba for 0ourneys. Ro##ery. Tenth House - Evi" save in +or.s of fire. E"eventh House - Evi" save for favours. T+e"fth House - Rather goo .

:/A /n0urious to the goo ness of other figures genera""y' #ut goo 0ourneys an voyages. Ascen ant - Evi" e&cept for prison. (econ House - /n ifferent. Thir House - :ery goo in a"". Fourth House - Goo in a"" save "ove. Fifth House - :oyages goo . (i&th House - Evi". (eventh House - Rather goo ' especia""y for voyages. Eighth House - Evi".. Ninth House - /n ifferent. Goo for 0ourneys. Tenth House - Goo . E"eventh House - :ery goo . T+e"fth House - E&ce""ent. for

*O*I9I( (ometimes goo an sometimes #a 5 goo +ith goo ' an evi" +ith evi". Ascen ant - Goo for marriage. (econ House - ,e ium goo . Thir House - Rather goo than #a . Fourth House - Goo in a"" #ut "ove. Fifth House - Goo in most things. (i&th House - Goo . (eventh House - /n +ar goo 5 e"se me ium. Eighth House - Evi". Ninth House - 9oo. for "etters. Tenth House - Goo . E"eventh House - Goo in a"". T+e"fth House - :ery evi". SI9 By essentia" ignity is meant the strength of a Figure +hen foun in a particu"ar House. A figure is' therefore' strongest +hen in +hat is ca""e its house' very strong +hen in its e&a"tation' strong in its Trip"icity' very +ea. in its Fa""5 +ea.est of a"" in its Detriment. A figure is in its Fa"" +hen in a House opposite to that of its E&a"tation' an in its Detriment +hen opposite to its o+n house. The Geomantic figures' #eing attri#ute to the p"anets an (igns' are ignifie accor ing to the ru"es +hich o#tain in Astro"ogy. Thatis to say they fo""o+ the ignities of their ru"ing *"anets' consi ering the T+e"ve Houses of the scheme as ans+ering to the T+e"ve (igns. Thus' the Ascen ant or First House ans+ers to Aries' the (econ House to Taurus' the Thir House to Gemini' an so on to the T+e"fth ans+ering to *isces. Therefore the figures of ,ars +i"" #e strong in the First House' #ut +ea. in the (eventh House' an so forth.

TA:;E OF <IGNITIES Ca3ut <raconis is stron# in the di#nities o Ju3iter and 5enus( Cauda <raconis is stron# in the di#nities o Saturn and Mars( NOTES The fo""o+ing notes +ere a#stracte from a paper on Geomancy circu"ate in the A.O.' +hich +as the name given to the rene+e Go" en Da+n #y ,athers years after the revo"t. /n it' the statement is ma e that it +as compi"e #y (.R.,.D. from ancient treatisesE $D Ye Geomancie of Maister Christopher Catton; a very o" +or. in #"ac. "etters. 7D The Theomagia #y ?ohn Hey on C$Gth centuryD. 8D An the Geomancia Astronomica of Gerar us CA, BREN(/( or Cremonensis.D /n each set of four "ines of print' the First or Top "ine is attri#ute to the e"ement F/RE Cas #eing the most su#t"e e"ementD' the secon "ine to the Air Cthe ne&t in "ightnessD' the thir to the -ater Cmore heavyD' an the fourth an "o+est "ine to Earth Cthe heaviest of a""D. Further that each set of Four points signifieth an e"ement' thusE The first Four 9ines signify F/RE5 the secon Four the e"ement A/R5 the thir Four "ines the e"ement of -ATER5 an the fourth Four "ines the e"ement of EARTH. /n Geomancy there are three points +hich may ten a "itt"e to confuse the *racticusE CaD -hy the Names an (ea"s of the (*/R/T( of the *"anets are emp"oye instea of those of the /NTE99/GENCE(' the former #eing sai to #e more Evi" in nature' an the "atter ,ore Goo . C#D This #eing so'

+hy the names an sigi"s of the Archange"s of the )o iaca" (igns' pure"y Goo in Nature' shou" #e a"so emp"oye 5 an instea of those of either the Ange"s' or Assistant Ange"s of the )o iac. CcD There #eing $% figures of Geomancy' an these un er the $7 (igns' ho+ are the ! e&tra to #e attri#ute in this c"assification. CaD Geomancy #eing a form of Divination especia""y attri#ute to the E"ement of Earth' an therefore more pure"y Terrestria" in operation' the (pirits an their Characters are more natura""y appropriate hereto than the /nte""igences' as representing the more +eighty an automatic force of the *"anetary Ray in its action upon the Earth. A"so the (igi"s emp"oye in Geomancy are ifferent from those of the same (pirits +hen ta.en from the @ameas of the *"anets' an this to affirm their more specia"i>e action in this Art. C#D The reason of the emp"oyment of such po+erfu" Names as those of ,a"chi ae"' etc.' is to #ring a strong ai ing Force of Goo into the Operation' again specia"i>e #y the (igi"s use in this connection. CcD The $7 Governors of the $7 )o iaca" / eas or Figures' have po+er over the face of the Earth in their Figures an *"aces' #ut the ! e&tra +hich #e Fortuna ,inor' :ia' Caput Draconis an Cau a Draconis' a"so natura""y have reference to the Four -in s an their Genii5 a fortunate phase of the ,oon Cespecia""y at Fu""D aspecting' is Goo . Gerar us Cremonensis sayethE But you must a"+ays ta.e hee ' that you o not ma.e a Huestion in a Rainy' very (tormy' c"ou y' or very -in y (eason5 that is +hen the E"ements #e Angry5 or +hen thou thyse"f art angry' or thy min over=#usie +ith many affairs5 nor for tempters nor eri ers' neither rene+ nor reiterate the same 1uestion again un er the same Figure or Form5 for that is Error. AE CO,*AN/E OF HOI(E(= From the GeomancieofMaister Christopher Cattan. -hen ye oe fin a Goo Figure in a goo House' it is ou#"e Goo ' #ecause the House is Goo an the Figure a"so5 an it signifieth that +ithout any ou#t the Huerent sha"" o#tain his Deman . By the "i.e reason if ye fin an /"" figure in an /"" House it is very /"" for the Huerent. But if ye fin a Goo Figure in an /"" House' it (ignifieth Goo to the Huerent #ut it +i"" not continue' #ut ta.eth a+ay part of the ,a"ice of the House. /n "i.e case if ye fin an /"" figure in a Goo House' it ta.eth a+ay the ,a"ice of the Figure' for he +ou" o harm' #ut he cannot5 yet .eeping #ac. a"+ays the Goo that it come not to the Huerent.
By ;/"" House< is meant that +hich in a Huestion she+s persons or things oppose to the

Huerent or to his interest in the Huestion' as in a 9a+suit' The House she+ing his Opponent5 in a case of (ic.ness' the %th an 4th +ou" #e hosti"e. ;Goo Houses< +ou" #e those she+ing Ai etc. -e might in a genera" sense consi er the %th' an 4th' C eathD an the $7th CFears' prison' private enemiesD' ;/"" House< #y Nature.

The ;Companie of the Houses< is after three mannersE (/,*9E' (E,/ (/,*9E' an CO,*OIND. An the House #e c"asse in *airs' thusE the (econ House is a"+ays the Companion of the First5 the Fourth of the Thir 5 the (i&th of the Fifth' an so on. The CO,*AN/E (/,*9E is +hen the same Figure is repeate in #oth Houses of any of the ;*airs.< Thus in our (cheme' :/A is repeate in the *A/R forme #y the Ascen ant an the (econ House an they are therefore in CO,*ANA together. /n this case she+ that the in ecision of the 1uerent re=acts on his #usiness. But though Caput Draconis is repeate in the Fourth an Fifth houses +hich #e ne&t each other' there is no CO,*ANA' for they #e"ong to ifferent pairs' the Fourth house #eing the Companion of the Thir an not of the Fifth' an the "atter #eing Company to the (i&th an not to the Fourth. An +ith regar to *ersons' the CO,*AN/ON Figure +i"" she+ the CO,*AN/ON( or Associates of a *erson in 1uestion' as a"so +i"" the CO,*AN/ON House. Goo Figures in CO,*ANA sho+ much Goo ' an as +e"" in the *resent as in the time to come5 an Evi" Figures the reverse. For a"so the First House Cof a *airD sho+eth the Time *resent' an the (econ the Time to Come. The CO,*ANA DE,/ (/,*9E is +hen the Figures in the T+o Houses forming a *air #e not i entica"' #ut #e un er the same *"anetary Ru"er as Ac1uisitio an 9aetitia +hich #e #oth un er ?upiter an Hismae"' Fortuna ,a0or an ,inor un er the (un' *ue""a an Amissio un er :enus' etc. The CO,*ANA CO,*OIND is +hen the *oints of the T+o Figures #e the e&act comp"ementary contrary one of the other in arrangement as *uer an *ue""a' A"#us an Ru#eus' Ac1uisitio an Amissio' 9aetitia an Tristitia' etc. A Reconci"er figure is then forme from them in the same +ay that the ?u ge is ca"cu"ate from the T+o -itnesses' an accor ing as this Figure is harmoni>e +ith such an Goo ' so is the nature of this ;Company Compoun '< #ut if iscor ant an evi" so is this form of CO,*ANA. There is a"so yet another .in of CO,*ANA +hich is that of the uppermost 9ine of the T+o Figures in the *air of Houses. /f this uppermost "ine in #oth cases #e o or even' there is CO,*ANA' an as in the case of the CO,*ANA CO,*OIND' a Reconci"er Figure is forme an the case 0u ge as in the "ast paragraph. But if the top "ine of the one #e o an the other #e even there is no CO,*ANA #et+een those Figures. /n our (cheme Tristitia is in the Thir an Caput in the Fourth House' an as the top "ine of each has even points there is CO,*ANA #et+een them. The Reconci"er Figure +i"" #e Con0unctio' +hich is Harmonious +ith Both an is an argument of Goo #eing signifie there#y. The reference in the a#ove to ;our scheme< on"y means that ,athers ha set up a ivination in fu""' +ith its comp"ete interpretation. / have not

inc"u e it here #ecause it +ou" #e re un ant5 one is a"rea y inc"u e in this te&t. the (econ are Fortuna ,inor' Con0unctio' A"#us +hich are not hosti"e to Career' therefore sho+ing ;opposition not great.< The figure in the Fourth House is Fortuna ,a0or +hich sho+s a goo en #ut +ith an&iety. 9et us no+ form a Reconci"er #et+een the figure of the (econ House +hich is Career an the ?u ge' *opu"us' +hich pro uces Career again' a sympathetic figure' #ut noting e"ay' #ut he"ping the HuerentKs +ishes. No+ "et us a a"" these togetherE $. 7. 8. 4. 3. %. G. 4. ,e ium. Evi" an O#stac"es' e"ay. 9oss through 1uerentKs se"f. (trength for evi"' me ium on"y. -e""=intentione ai of frien s. Not much opposition from enemies. En ing goo 5 #ut +ith an&iety. De"ay' #ut he"ping HuerentKs +ishes.

An +e can formu"ate the fina" 0u gment. That the HuerentKs "oss in #usiness has #een principa""y o+ing to his o+n mismanagement. That he +i"" have a "ong an har strugg"e' #ut +i"" meet +ith he"p from frien s. That his o#stac"es +i"" gra ua""y give +ay' an that after much an&iety he +i"" eventua""y recoup himse"f from his former "osses. (I,,ARA OF (TAGE( /N GEO,ANT/C D/:/NAT/ON $. /f Ru#eus or Cau a Draconis in Ascen ant estroy the figure. 7. Note the House to +hich the 1uestion #e"ongs. (ee if the figure there springs into another house. 8. Form the ?u ge from the t+o +itnesses. !. *art of Fortune that is' if a money 1uestion. 5. (ee if Figure in House concerne is ;strong< or ;+ea..< /f it pass or spring into any other house. %. (ee figures (e&ti"e an Trine' (1uare an Opposition. 7. Frien "y or unfrien "y. 4. Note the figure in Fourth House' signifying the en or outcome. 6. Form the Reconci"er from ?u ge an the figure in House to +hich the eman appertains.

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