Otis Redding- I've Been Loving You Too Long (live, 1967) <iframe width="420" height="315" src="//www.youtube.com/embed/Fk !

"u#$%&'(re)=0" frameborder="0" a))owfu))scree*+</iframe+ I've Been Loving You Too Long ,sometimes issued as "-./e %ee* 0o/i*g 'ou 1oo 0o*g ,1o "to2 3ow4"4 is a so*g writte* by $tis 5eddi*g a*d 6erry %ut)er. -t a22eared as the 7side of a 1895 hit si*g)e by $tis 5eddi*g 7 a*d subse&ue*t)y a22eared o* his third a)bum: $tis %)ue; $tis 5eddi*g "i*gs "ou). Cover versions 1he first co/er of the so*g was a recordi*g by 1he 5o))i*g "to*es i* 1895 < short)y after 5eddi*g.s origi*a) /ersio* became a hit. -t was i*c)uded o* the "to*es. first )i/e a)bum: !ot 0i/e -f 'ou =a*t -t>: a)though the track was a studio recordi*g that had bee* o/erdubbed with audie*ce *oises. 5eddi*g.s 2rofi)e amo*g white audie*ces< es2ecia))y i* ?uro2e<was co*siderab)y ad/a*ced by the e@2osure gi/e* to o*e of his com2ositio*s by the "to*es. 5etur*i*g the com2)ime*t: $tis 5eddi*g co/ered the 5o))i*g "to*es so*g ",- Aa*.t !et 3o4 "atisfactio*": writte* by #ick 6agger a*d Beith 5ichards. Cercy ")edge 2erformed the so*g o* his 189D a)bum 1he Cercy ")edge =ay. 6erry %ut)er 2erformed the so*g o* his 189E a)bum 1he "ou) !oes $*. 1he most wide)y k*ow* co/er /ersio* of the so*g was by -ke F 1i*a 1ur*er i* 189E. -t was the )ead track from their 189E %)ue 1humb a)bum e*tit)ed $utta "easo*. 1he 1ur*ers ca* be see* 2erformi*g the tu*e at #adiso* "&uare !arde* i* the co*cert fi)m of 1he 5o))i*g "to*es. !imme "he)ter. 1he 1ur*ers. /ersio* differs from the origi*a) great)y. Guri*g the )i/e co*cert: a*d brief)y o* the audio: the 1ur*ers i*sert a 2ro/ocati/e: seducti/e co*c)usio* of the so*g. 1his is the ca))7 a*d7res2o*se sectio* do*e by the duo; -ke; 'ou ca* make me do a*ythi*g you wa*t me to doH 1i*a; 'ou ca* make me do a*ythi*g you wa*t me to do. -ke; *d -.)) sayH 1i*a; *d -.))H -.)) e/e* say a*ythi*g you wa*t me to say. -ke; %uy youH 1i*a; -.)) buy you a*ythi*g you wa*t me to buy you. -ke; -f yaH 1i*a; -f you Iust stay a*d make..a*d make )o/e to meH fter this dia)ogue: 1i*a 1ur*er is ha*d)i*g the micro2ho*e i* a rau*chy way. -ke is maki*g suggesti/e: 2or*ogra2hic s)ur2i*g *oises whi)e 2)ayi*g the guitar. 1he so*g e*ds with 1i*a ha/i*g a simu)ated

"orgasm": whi)e ye))i*g: "Aome o* baby: sock it: sock it: sock it to me baby7$h $h $hhhh baby>". 1heir /ersio* 2eaked at *umber 23 o* the 5F% charts a*d *umber 9E o* the Co2. *other co/er of the so*g ,i* 18984 was %arbara #a*dre)).s debut si*g)e as a* artist. retha Fra*k)i* recorded a co/er for her a)bum 'ou*g: !ifted a*d %)ack ,18D24. 6ay !raydo* recorded a guitar7i*strume*ta) co/er for a com2i)atio* a)bum !uitar =orksho2 7 1ribute to $tis 5eddi*g ,18EE4. ?tta 6ames co/ered it o* her 188D a)bum: 0o/e.s %ee* 5ough o* #eJ ,she a)so co/ered the %7side: "6ust $*e #ore Gay" of the origi*a) 5eddi*g si*g)e: i* her "$tis 5eddi*g #ed)ey" o* the a)bum 0i/e From "a* Fra*cisco ,18844. ustra)ia* so)o artist: 6oh**y Giese): co/ered the so*g o* his 1882 a)bum 1he 0obbyist. -t was issued as a si*g)e i* the same year: a*d became a Giese) fa/ourite: a)so a22eari*g o* his com2i)atio* a)bum: 5ewi*d 7 1he %est $f. 1he so*g was a)so co/ered by the %ritish ba*d: 1i*dersticks: a*d a22eared o* their a)bum: Go*keys 8278D. 1he track a)so a22eared as 2art of a med)ey: with "Grow* i* #y $w* 1ears" a*d "=he* "omethi*g -s =ro*g with #y %aby": o* 6oe Aocker.s #ad Gogs a*d ?*g)ishme* a)bum. 1he Chi)oso2her Bi*gs wou)d a)so use it as 2art of their ow* med)ey: which i*c)uded " t 0ast" a*d "0et.s !et -t $*" 2)us their ow* origi*a) so*g "Kurts to 0o/e 'ou": to c)ose their )i/e show: recorded for their 1888 a)bum: $*e 3ight "ta*d. -* 188D: ?.!. Bight recorded her /ersio* of the track o* the Aome i*to the %)ues a)bum. -* 200D: !uy "ebastia* tra/e))ed to #em2his: 1e**essee: to record this so*g for his tribute sou) c)assics a)bum: 1he #em2his )bum. "-./e %ee* 0o/i*g 'ou 1oo 0o*g" is a sta*d7out track a*d was recorded to a*a)ogue ta2e )i/e o* the studio f)oor at rde*t "tudios with ma*y of the origi*a) "ta@ music ba*d members: i*c)udi*g "te/e Aro22er: Go*a)d Guck Gu**: 0ester "*e)): "te/e Cotts ,most of %ooker 1. F the #!.s: though without %ooker 1 himse)f4 backi*g the /oca)s of "ebastia*. "ea) recorded this so*g for his 200E a)bum "ou): a*d his 2008 a)bum: "ou) 0i/e. The l ri!s; -./e bee* )o/i*g you too )o*g 1o sto2 *ow 'ou are tired a*d you wa*t to be free #y )o/e is growi*g stro*ger s you become a habit to me $oh: -./e bee* )o/i*g you too )o*g

- do*.t wa**a sto2 *ow: oh =ith you my )ife has bee* so wo*derfu) - ca*.t sto2 *ow 'ou are tired a*d your )o/e is growi*g co)d #y )o/e is growi*g stro*ger s our affair: affair grows o)d -./e bee* )o/i*g you oh too )o*g Go*.t wa*t to sto2 *ow: oh: oh oh -./e bee* )o/i*g you a )itt)e too )o*g - do*.t wa**a sto2 *ow: oh: oh Go*.t make me sto2 *ow: oh baby -.m dow* o* my k*ees C)ease: do*.t make me sto2 *ow - )o/e you: - )o/e you - )o/e you with a)) my heart *d - ca*.t sto2 *ow C)ease: 2)ease: 2)ease 2)ease *o Go*.t make me sto2 *ow: yeah oh #y heart a