EPISODE

THE DUMB ONE

TEASER: HOW YOOO DOIN? FADE IN: INT. LIVING ROOM - NEW YORK APT - EVENING We open on three familiar, hip, late 20s friends in the middle of a deep conversation.
MONICA: Joey, what would you do if you were omnipotent? JOEY: I'd probably kill myself. MONICA: Excuse me? JOEY: Hey, if "Little Joey's" dead, then I got no reason to live. ROSS: Uhh, Joey ... (Slowly) Omnipotent. JOEY: You are? Ross, I'm sorry.

Ohhhhh Joey, Joey, Joey. How many times while watching an episode of Friends (or Joey for that matter) do you find yourself smiling ear to ear and then laughing hysterically at the sweet, childlike naivete displayed by Matt LeBlanc? For many addicted viewers, he is the reason they watch. No matter what the situation, Joey Tribbiani approaches and looks at it in a different way. Thats because he hasnt got a clue. Still, what comes out of his mouth is often cute and sweet and almost always ridiculously funny. He is sincere, positive and childlike. He has no idea just how, well, stupid he can sometimes be, like in this scene from Friends where hes giving dating advice to Rachel.

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JOEY: Rach, you gotta find out if he's in the same place you are. Otherwise, it's just a moo point. RACHEL: A moo point? JOEY: Yeah. It's like a cow's opinion. It just doesn't matter. It's moo.

Good joke. But in the hands of Matt LeBlancs skillful characterization, that line becomes a great joke. Its because he has no clue how simple he is, and he is so genuine and sweet and innocent. He really believes what he says, even if it seems absurd to us (and for that, you cant help but love him). Plus, he can always be counted on to amp up the comedy in a scene just by opening his mouth. Almost everything he says is funny because he is The Dumb One. ACT ONE WHO IS THE DUMB ONE? The Dumb One is a character that has been around forever, almost exclusively as a best friend or sidekick. One need look no further than the 1950s and the wonderful, sweetly naive Gracie Allen of the husband and wife team Burns & Allen.
GEORGE: Say goodnight Gracie. GRACIE: (Waves) Goodnight, Gracie.

And this character continued to flourish in the 60s with the not so bright townsfolk like Gomer Pyle (Jim Nabors) and his cousin Goober (George Lindsey) on The Andy Griffith Show or goofball hicks like Jethro Bodine (Max Baer Jr.) on The Beverly Hillbillies. In the 70s, television gave us the dumb blonde like Chrissy (Suzanne Somers) on Threes Company and the dumb hunk like Vinnie Barbarino (John Travolta) on Welcome Back, Kotter. We also saw the likes of dumb older characters like Ted Baxter (Ted Knight) on The Mary Tyler Moore Show. This carried into the 80s with characters like Coach (Nicholas Colasanto) from Cheers or Rose (Betty White) on Golden Girls.

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In the 90s, there was Lowell (Thomas Haden Church) from Wings and the emergence of the dumb jocks like Joey Qoey Lawrence) on Blossom, Kelso (Ashton Kutcher) on That 70s Show and of course, Matt LeBlancs Joey. They are some of the most beloved characters of all time because actually, The Dumb One is really the comedic relief in a sitcom. Comedic relief? In a sitcom? Yes. You see, The Dumb One is often a character that can make people laugh with a line or a look or just by being in the scene. They are an important character for many sitcoms because they bring instant humor just by being who they are ... dumb. And thats why they almost always get the last laugh (or at least the biggest). They are usually supporting characters that dont have (or need) as much dialogue. But when they do open their mouths, its guaranteed to be a big joke. Want an example? In an early episode of Cheers, some of the regulars including Diane (Shelley Long) are talking about lifelong dreams. Then, loyal but lightheaded Coach decides to join the conversation.
COACH: I'm working on a novel. Going on six years now. I think I might finish it tonight. DIANE: (Surprised) You're writing a novel? COACH: No. Reading it.

Characters like Coach and later Woody (Woody Harrelson) are vital to keeping the funny in a show. But why are they mainly supporting characters? Perhaps because of the childish and simplistic nature of the character, there have not been many shows that have put The Dumb One in the lead. Sometimes, like in the case of Friends, The Dumb One will be part of an ensemble, but very rarely are they given their own show (that is why so many industry insiders were curious to see how Joey would do now that he didnt have his friends with him).

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The Dumb One is a wonderfully funny character (if played right). As an actor, it is one of the most difficult characters to play because there are a lot of easy traps to fall into (Ill discuss these in the following section). But, it is also an incredibly rewarding character because if played well, it can translate to instant and constant laughs. So lets show you how to play The Dumb One ... smart.

Commercial Break And a Dumb One shall lead them...

As I mentioned in this episode, there are only a few shows in history that have featured The Dumb One in the lead. And, interestingly enough, most of them took place in the 1960s. First there was (Shazam!) Jim Nabors in Gomer Pyle USMC, a spin-off of The Andy Griffith Show that featured that beloved, simple-minded hayseed in the Marine Corps. Then there was uGet Smart, starring Don Adams as Maxwell Smart. Not only was this show a big hit in its time, but it spawned numerous catch phrases including Missed vie by that much! For those of you who have never seen Get Smart, Max is a cross between James Bond and Austin Powers, but even dumber. And finally, there's The Munsters, a broad-humored but funny show, featuring Fred Gwynne as the sweetly naive Frankensteinesque Hetman Munster The series often revolves around the other members of the family constantly working to fix something Herman did, be it signing up for ten years of dancing lessons or taking a sleeping pill and getting himself locked in a sarcophagus at a museum of natural history. The show features many of the other Eight Characters of Comedy, including his wife Lily (Yvonne DeCarlo) as the ever-patient Logical Smart One. All the characters on the show have their plotlines, but Herman can be counted on week after week to do something dumb and to be adorable doing it.Back to our show ...

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CHARACTERISTICS OF THE DUMB ONE Affable Honest Childlike Imaginative Content Innocent Direct Naive Endearing No ulterior motive Enthusiastic Oblivious Excited Positive Friendly Sincere Genuine Sweet Good-natured Unselfish Gullible Warm Happy ACT TWO A PROFILE OF THE DUMB ONE Before we begin breaking this character down, let me reinforce the importance of one of the Four Cs of Comedy here: Commitment. While commitment is important in playing any of these characters, it is vital here. Actors playing The Dumb Ones must believe they are The Dumb Ones; which means they cant know they are dumb. Confused yet? Read on and hopefully the following profile will explain exactly where The Dumb One is coming from. Just keep the word commitment in the back of your mind as you read because only a truly committed actor can possibly pull this character off. Perpetual childhood Lets start with The Dumb One as a small child. As children, they are very imaginative. They can entertain themselves. They are happy and content to sit, eat Lucky Charms and watch Bugs Bunny cartoons. They always play well with others, not really understanding the concepts of greed, jealousy or being mean-spirited. They are affable and friendly kids who want nothing more than to be happy and to make you happy. Physically, they often have wide eyes, an open face and a huge smile. They are often the youngest child in the family.

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This could mean they are cushioned and protected from the harsh realities of life. Therefore, they never really develop common sense. But they always mean well. Thats why they are so easy to like. Now fast forward to adult Dumb Ones and youll see that they are exactly the same. Thats right. Thats because The Dumb Ones main characteristic is being childlike. Dont believe me? Read the above paragraph again. Doesnt it remind you of Joey? For The Dumb One, childhood is where it all begins and never ends. This is what makes these characters so fascinating, so likable and so funny. In the rest of this section, Ill talk about a lot of specific characteristics. But you should notice that all of these characteristics have something in common. They are all characteristics of a small child. And this is the MOST IMPORTANT trait for The Dumb One to embrace. Often, when am I getting newer actors to try to play this role, I have to grab them by the wrist and lead them back to their childhood. Unlike dramatic acting, I take them back to a specific happy time for themlike Christmas morning, riding a pony or getting a new bike. This is not easy for most adults to do, but it is vital if you want to play this role. Think of how excited a child can get when he or she finds something that fascinates them. Think of how innocent they can be when they discover something new. Think of how endearing they are when they try to tell a story or remember a joke. Much like The Lovable Loser, The Dumb Ones are always enthusiastic about their idea, the words theyre speaking, something theyve found, the scene, life in general. They are always very positive people and a source of joy for everyone who knows them. The adult Dumb Ones are the same way. Watch Art Carney as Ed Norton on The Honeymooners, like in this scene where hes trying to make Ralph feel better after he lost his job.
ED: Come on, boy, let's have a little smile. (Ralph forces a smile) There, that's my boy. Bigger, bigger, that's it! That's the way you gotta stay even if it takes a whole year to get a job. Even if you never get another job!

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RALPH: A fat lot I've got to smile about. Nine years on the job. Today I'm fired and by tomorrow I'm forgotten. They won't even remember what I look like. ED: That's great! (THEN) Go right back tomorrow morning and ask for a job!

Or check out Jean Stapleton as Edith Bunker on All in the Family. In this scene, the Bunkers are all having a family chat on capital punishment.
ARCHIE: Go ahead, ask your mother, she believes in capital punishment. GLORIA: Do you, Ma? EDITH: Well, sure. GLORIA: MA?! EDITH: Well, as long as it ain't too severe.

Art and Jean are amazing in showing exactly how to bring a childlike innocence to an adult character. Thats what you need to bring to the role instead of playing dumb. You need to be childlike in your acting if youre going to play The Dumb One well. You need to get excited over small things. You need to pout, not get angry. Find the disappointment (not the resentment) when things dont go your way. You need to always stay positive and show that sweet, warm side of you. It doesnt matter what the scene is about, you need to put aside your adult perception of it and approach it with the innocence of a child. And most successful actors, whether playing drama or comedy, are in touch with their inner childas they should be. Makes sense, right? Because in the craft of acting, you have to pretend, play dress up and escape to a make-believe land. And trust me, not only does this childlike nature keep you working as an actor, but if you play The Dumb One on a sitcom, it seems to keep you looking younger.

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Case in point, Tony Danza. He is a great example of an actor keeping in touch with his childlike spirit and still looking youthful. Twenty-five years on TV proves it. And it all goes back to his first character, Tony Banta on Taxi. Tony Banta is definitely not the brightest bulb in the socket, but more often that not, he is the one that many of the other characters will talk to when something is bothering them, be it Bobby (Jeff Conaway) having trouble with his acting career or Elaine (Marilu Henner) having boy troubles. The reason they confide in him is because of his sunny disposition. He is always positive, always happy and always there to cheer them up; usually by saying something stupid or flashing that goofy grin (that sunshine smile). His intention is always to help them, to reassure them the only way he knows how, even if we see it as silly or stupid. Danza later brought a similar character (with just a tad more common sense) to Whos the Boss?
TONY: I'm Tony Micelli. I'm here about the job. ANGELA (Judith Light): Oh, I'm sorry. There must be a mistake. This job is for a housekeeper. TONY: That's me, Mr. Goodmop! (Flashing grin). Ay-oh. Oh-ay.

Really, for you the actor to play The Dumb One, you need to harness that sunshine inside of you and let it out in the scene. The Dumb Ones are often very likable, and its because of these childlike qualities. If they were mean-spirited and dumb, you wouldnt be rooting for them. If you play the character with joy and enthusiasm, the audience will find you adorable and love you for it.

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Commercial Break The Dumb One as a Villain?

Although this is extremely rare, there have been cases where sitcom writers have wanted to use villains in their show premise. The way they often do this is by molding the villains after The Dumb One. Why? Because viewers will still be able to like them, at least a little. It makes these so-called villains less threatening, as is the case with Hogan's Heroes. Col. Wilhelm Klink (Werner Klemperer) and Sgt. Hans Schultz (John Banner) are the epitome of The Dumb One, even though they tiy to act like they know what they're doing in running the P.O.W. camp. Both are such bumbling goofballs, that you find yourselfalmost liking them ... which is weird considering they're Nazis!

Back to our show ...

Duh! I know this probably goes without saying, but The Dumb One is DUMB (even if they dont realize it). They are oblivious to life. Not consciously oblivious (like The Lovable Loser), but oblivious to what is happening around them. Think of one of the all-time greats, Homer Simpson (voiced by Dan Castellaneta). Check out this exchange where Homer is shocked by daughter Lisas decision to go vegetarian.
HOMER: Are you saying you're never going to eat any animal again? What about bacon? LISA: No. HOMER: Ham? LISA: No! HOMER: Pork chops? LISA: Dad, those all come from the same animal!

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HOMER: (Chuckling) Oh yeah, right Lisa ... a wonderful, magical animal. (Notice the Extended Triplet in Homers dialogue.)

Homer is a sweet, enthusiastic and immature teddy bear and oh- sodumb. Dumb, dumb, dumb. How dumb is he? He is soooo dumb that he prays to Superman, he invented a gun to shoot makeup on women and he has driven around Springfield collecting grease as a way to make money. And those are simply everyday plans for Homer. Although the writers constantly put him in Lovable Loser storylines, where he desperately and hopefully wants something week after week, at his core, Homer has all the characteristics of The Dumb One. And even though his brain tries to keep him out of trouble (yes, he talks to his brain like its a separate entity), Homer just cant avoid being dumb, especially when he tries to pull something over on Marge.
MARGE: (Knows he's been at Moe's bar) Homer, where have you been? HOMER'S BRAIN: Don't say the bar, don't say the bar, don't say the bar. HOMER: Pornography. I was buying pornography.

Oh Homer... "DOh!" I need to stress the difference between playing dumb and playing sweetly naive like Joey or innocent and gullible like Homer. Playing dumb is a major pothole that a lot of actors fall into. More often than not, new actors will play this role by adding uhhs to the dialogue or blankly staring into space while twirling their hair. Do not play dumb! If you play dumb, youre showing youre acting and nobody wants to see you acting. As I tell my students, if youre caught acting, then the Acting Police are going to take you away to SAG prison and you will be forced to watch beginning actresses of all ages perform Laura from The Glass Menagerie. Believe me, it aint pretty! Instead, to play The Dumb One, latch on to those things that you know nothing about (and use how you feel in those situations) for playing this character.

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For example, I know very little about rocket propulsion. If I were in the middle of a conversation I eagerly wanted to be a part of (because The Dumb One is always enthusiastic), how would I contribute to a conversation about rocket propulsion? What would come out of my mouth? Til tell you right now, it wouldnt be anything intelligent (by the way, if you know a lot about rocket propulsion and feel like you could participate in a conversation on this topic, you might want to jump back and read The Neurotic episode again). Just think of the show Coach with Bill Fagerbakkes take as Dauber, one of the assistant football coaches. Dauber is always throwing his two cents in, and the fact is, he never really knows what he is talking about ... even when it comes to football! But it doesnt stop him because he is just as enthusiastic as he is naive. Heres another great one ...
ROSE: Can I ask a dumb question? BLANCHE: Like no one else.

Enter Rose Nylund, played by Betty White. There are times you cant believe how naive she is. But she is so sweet and eager to join the conversation, that you always want to hear from her ... well that, and she makes you laugh.
ROSE: You know what they say ... You can lead a herring to water, but you have to walk really fast or he'll die.

Commercial Break Reality check

A good reality television example of The Dumb One would be the genuine and childlike William Hung on American Idol. He has no clue how bad his singing is, but his enthusiasm makes him endearing. Or, Jessica Simpson on Newlyweds. Though sweet and likable, she says and does some things that are just unbelievable.

Back to our show ...

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Never tell a lie Once again, chalk these qualities up to more reasons why most viewers love watching The Dumb One. There is nothing false about them. They are true to themselves and more often than not, they are proud of it. They always tell the truth, even if they say something that is obviously incorrect. But to The Dumb One, what they say is the truth. Once again, its about commitment. Actually, that makes for great comedy when The Dumb One is paired up with The Logical Smart One. There are scenes where the two will get into a tiff over something and its apparent to all that The Logical Smart One is right. But that doesnt stop The Dumb One from standing his or her ground. Its important for an actor to bring sincerity and honesty to this character. The Dumb Ones are very genuine people. The idea of lying or cheating never really occurs to them and if it does, it is well planned and done for a very important purpose (like saving the world from evil-doers). Even then, theyre not very good at it. They always get found out or admit to it before they get found out. The Dumb One often says whatever pops into their mind, even their subtext. They never edit themselves. This character can be very direct even if they dont realize what theyre saying is obvious or inappropriate. Think of that little niece or nephew who innocently blurts out that you have a weird head or that your breath smells funny. The Dumb One will often say something offensive without realizing its offensive, and if played right, it makes for a good laugh. This is another area where writers can have some fun and actors can feel some flexibility with the character. Youve got a friend in me Okay, okay, by now youre probably getting the point that The Dumb Ones are really easy to like. Everyone would like a Dumb One as a friend. You might not want them to operate on you or represent you in court or even watch your house while youre away. But you want them in your life. And why not? With their sunny disposition and their core desire to make everyone happy, they are a joy to be around.

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And even if theyre doing something wrong, chances are theyre doing it to help you. They are unselfish people who have no ulterior motive. They will easily give of themselves to make the world a better place. They are full of goodness and want everybody to be happy, just like them. They dont really understand why people get into long, drawn out fights or how people can be mean to each other. It actually stuns them. They might get mad at times, but its easily forgotten. They are simply friendly, good-natured and affable, meaning they really can get along with just about anybody (which makes it easy for writers to move them in and out of scenes and various storylines). Want proof? Try and think of a moment in Cheers where you ever found yourself annoyed with Coach or Woody. You cant, can you? The same can be said about all Dumb Ones. Even the ones who arent as sweet, like the pompous anchorman Ted Baxter (The Mary Tyler Moore Show) have something likable about them.
TED: It's actually tomorrow in Tokyo. Do you realize that there are people alive here in Minneapolis who are already dead in Tokyo?

How can you not like somebody that still has the zest for life and the innocence of a small child? Sure they might frustrate you with their ignorance or naivete and you wouldnt really want to trust them with anything important, but their enthusiasm and sweet demeanor make them a pleasure to know and fun to watch. Thats why we love them and root for them

Who in your life is the Dumb One?.

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THE DUMB ONE ... AND MORE The Dumb One is a character that seems to work well with most of the other characters because of the humor they bring by simply being themselves. They definitely work well with The Neurotic (think of how frustrated Monica gets with Joey at times). They also work well with a Logical Smart One who is trying to explain something The Dumb One cant comprehend. But there is one character that is a little harder to play opposite The Dumb One, and that is The Bitch / Bastard. Although it has been played out successfully in The Mary Tyler Moore Show and Gomer Pyle USMC, The Dumb One and The Bitch / Bastard are typically not paired up very often. Well get to that in the next episode. Unlike other characters, The Dumb One almost exclusively sticks to his or her own characteristics, not borrowing as much from other characters. You will rarely see The Dumb One act neurotic, as they are uncomplicated and content with their life. You will hardly see them as mean-spirited and you will only really see them in the role of The Logical Smart One if a specific scene calls for them to be the voice of reason. But know that they will return to their character on the blow of the scene. A good sign that they are unlike other characters is that The Dumb One is never sarcastic (even if they try to be from time to time). Sarcasm requires intelligence, something The Dumb One lacks. They are such honest and sincere people, they dont really understand the concept of sarcasm, and as such, it comes off as false. The Dumb One isnt good at lying and sarcasm is telling a lie. Also, sarcastic remarks are a way for some characters to lash out at the world. The Dumb Ones dont want to lash out, not even for a second. As a Dumb One, you have plenty of places from which to draw humor, so sarcasm doesnt need to be one of them. The only minor variation you might see in these characters is that they might be toned down if theyre showing up in a singlecamera comedy, like Frank Burns (Larry Linville) on MASH or Charlotte York (Kristin Davis) on Sex and the City.

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A multi-camera comedy is more heightened and open to a broader comedic interpretation (hyper-reality). But in these single-camera comedies, you simply cant be as dumb as Joey or Rose because singlecamera is more intimate. The feel of the show is more realistic, like a feature film. There are more close-ups. Therefore, the actors interpretationstheir intentions, thoughts, facial expressions and physicalitiesshould be more specific and less heightened. In singlecamera comedies, these actors play up the naivete, the gullibility and the innocence in a very funny, yet more realistic way. Kristen Davis, Larry Linville and other single-camera comedy actors are really playing The Naive One rather than The Dumb One.

Possible intentions for The Dumb One:

To Please To Make happy To Excite To Make proud To Play To Be honest To Create harmony To Encourage To Support To Comfort Final Thoughts On Playing The Dumb One Some of you might see some similarities between this character and The Lovable Loser. While they do both end up making dumb choices at times, there is a big difference in their approach. Remember, I called The Lovable Loser consciously oblivious, meaning they are aware that something is wrong or that their idea might not be the best one, but they are blinded by their own want. The Dumb One is actually the opposite. They arent aware in the least that this would be a bad idea. Otherwise they wouldnt do it. Their messes are a result of their simply being oblivious, not consciously oblivious to a situation. Thats a big difference and an important one between these two characters.

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So, there is a lot more involved in playing The Dumb One than you thought, isnt there? Dont worry, if its close to who you are, you can play it. Its just a matter of finding what part of you is in The Dumb One, meaning what part of you is sincere, genuine, enthusiastic and childlike. When I was an agent in New York back in the 80s, I worked with Matt LeBlanc. I got to be a part of the beginning of his career and I got to watch on TV as he developed this character that would make him so famous. When Friends ended, Barbara Walters interviewed Matt and asked him if he saw any part of himself in Joey I mean, Joeys a dimwit and youre certainly not, Walters said. And shes right. Matt is not a dimwit. He is a successful, talented, comedic actor. What I found most interesting was that Matt Le Blanc was looking for the right words to express what part of him is Joey Instead, he just smiled that childlike grin and said, I dont know. I just understand Joey. Matt is not Joey but he does possess many of these qualities. Matt was always a sweet, good-natured and sincere guy. When I last saw him, it was 1993 in L.A. (right before Friends). I was a commercial casting director, and I suggested him for a part. I remember after the session, I walked him outside and he showed me his new motorcycle with enthusiastic pride, much in the way Joey would. The point is that Matt, who is really an intelligent guy, was able to draw from his childlike qualities, just like every other classic Dumb One character has done since the start of sitcoms. He didnt decide he was going to play dumb. He tapped into his childlike nature and it worked. Check him out in this episode of Joey talking to his nephew Michael (Paulo Costanzo):
MICHAEL: What is the best news I could give you? JOEY: (Truly excited) They fixed the vending machine? Oooh, we got a ping pong table? Oh wait, Kool and the Gang got back together?

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Joey is excited about everything. He only wants everybody to be happy, to have fun and to live where he is ... in perpetual childhood. This is what you need to do. Whether youre acting this character or writing it, you need to go back to when you were six or seven years old and think of how the world looked and then apply that perspective to your character. This will help you make your Dumb One sweet, likable, naive, honest and very funny. And if youre still struggling, watch the classic episode of Friends where Joey introduces his Tribbiani Method of Acting.
JOEY: Okay, some tricks of the trade. Now, I've never been able to cry as an actor, so if I'm in a scene where I have to cry, I cut a hole in my pocket, take a pair of tweezers and just start pulling. Or ah, or, let's say I want to convey that I've just done something evil. That would be the basic 'I have a fish hook in my eyebrow and I like it.' (Raises one eyebrow and shows off pretend fish hook) Okay, let's just say I've gotten some bad news, well all I do there is try and divide 232 by 13. (Looks all confused) And that's how it's done.

FADE OUT TAG:

ANNOUNCER V.O.: In the next episode of "The Eight Characters of Comedy," The Dumb One has a dream to work at FAO Schwarz, but that dream doesn't sit well with his nagging, manipulative girlfriend or his bitter, mean-spirited father. Watch the carnage as The Dumb One defies The Bitch and The Bastard.

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ROLL CREDITS ... Here is a list of some of the great Dumb Ones in sitcom history. Character Actor Show Gracie Allen Tony Banta Vinnie Barbarino Ted Baxter Jethro Bodine Woody Boyd Blondie Bumstead Kelly Bundy Edith Bunker Gloria Bunker-Stivic Frank Burns Dauber Dybinski Hal Synclaire James-Jones Michael Kelso Lowell Mather Tony Micelli Herman Munster Ed Norton Rose Nylund Ernie Coach Pantusso Goober Pyle Gomer Pyle Joey Russo Sgt. Hans Schultz Homer J. Simpson Maxwell Smart Chrissy Snow Dick Solomon Joey Tribbiani Charlotte York Gracie Allen Tony Danza John Travolta Ted Knight Max Baer Jr. Woody Harrelson Pamela Britton Christina Applegate Jean Stapleton Sally Struthers Larry Linville Bill Fagerbakke Bryan Cranston Kim Coles Ashton Kutcher Thomas Haden Church Tony Danza Fred Gwynne Art Carney Betty White Nicholas Colasanto George Lindsey Jim Nabors Joey Lawrence John Banner Dan Castellaneta Don Adams Suzanne Somers John Lithgow Matt LeBlanc Kristin Davis The Bums and Allen Show Taxi Welcome Back, Kotter The Mary Tyler Moore Show The Beverly Hillbillies Cheers Blondie Married ... With Children All in the Family All in the Family MASH Coach Malcolm in the Middle Living Single That 70s Show Wings Whos the Boss The Munsters The Honeymooners Golden Girls Cheers The Andy Griffith Show The Andy Griffith Show Blossom Hogans Heroes The Simpsons Get Smart Threes Company 3rd Rock From the Sun Friends/Joey Sex and the City

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