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1937) set in ancient Rome during the last days of the old Roman Republic it primarily chronicles the lives and careers of !aius Marius" #ucius Cornelius $ulla" %ompeius Magnus" !aius &ulius Caesar" and the early career of Caesar 'ugustus. (t spans from &anuary 1" 11) *C through to &anuary 1+" ,7 *C. -ther ma.or historical figures /ho appear and play prominent parts in the series include Mithridates 0( of %ontus" Marcus 'emilius $caurus" %ublius Rutilius Rufus" 1uintus $ertorius" Marcus #ivius 2rusus" &ugurtha of 3umidia" $partacus" Marcus #icinius Crassus" Marcus 4ullius Cicero" Marcus Calpurnius *ibulus" Marcus %orcius Cato" %ublius Clodius" 4itus 'nnius Milo" 0ercingetori5" Marcus &unius *rutus" !aius Cassius #onginus" Marcus 'ntonius" Cleopatra 0(( of 6gypt" Caesarion and Marcus 0ipsanius 'grippa. 6ach boo7 in the series features a detailed glossary" hand8dra/n illustrations of the ma.or characters" and notes by McCullough detailing her reasoning for portraying certain events in certain /ays. 4he series has a thesis9 as Rome became more po/erful /ithin the Mediterranean /orld" the old /ays of doing things : through the deliberation of various interests" mainly aristocratic and mercantile : became impossibly cumbersome. (t became more and more difficult to govern an empire /ith institutions originally designed to administer a city8state. Certain po/erful leaders (especially Marius" $ulla" and Caesar on a populares tic7et) tried to create a state in /hich they had autocratic po/er but also preserved the e5ternals of the old /ays. 4hey /ere opposed by the conservatives (called the optimates by classical historians" though they themselves preferred the title boni or ;good men;). 4he obtuse or simply ignorant resistance of these reactionaries" /ho are all (e5cept for Cato) presented as degenerate or self8serving" made the creation of an autocracy necessary. 4he result /as the birth of an imperial monarchy" and a radically different organi<ation of po/er.=citation needed> 4he novels have been critici<ed for their ideali<ation of military dictators and strong men li7e Caesar and -ctavian. =citation needed> McCullough portrays Caesar as being an autocrat but also a great military man" populist and reformer" /hich is some/hat controversial. $he does not portray the death of the Republic as a positive thing but rather portrays Caesar as being a great man and his crossing of the Rubicon as being inevitable" given that the alternative /as e5ile and disgrace and the violation of his dignitas" /hich /as an unthin7able anathema to a Roman %atrician of consular ran7. 'ccording to McCullough?s portrayal" Caesar?s crossing of the Rubicon /as his last option" his last roll of the dice" as best illustrated by the timeless @uote from Caesar9 ;4he die is cast.;. McCullough points out that the translation of the alternative !ree7 version of his /ords is ;#et the dice fly high.;" /hich characterises not fatalism (as /ith the former) but rather ris78ta7ing" the crossing of the Rubicon being Caesar?s last gambit. 4he novels of the series are 1. ,. 3. B. C. +. The First Man in Rome (199)) spanning the years 11):1)) *C The Grass Crown (1991) spanning the years 97:A+ *C Fortune's Favourites (1993) spanning the years A3:+9 *C Caesar's Women (1997) spanning the years +7:C9 *C Caesar (199A) spanning the years CB:BA *C The October Horse (,)),) spanning the years BA:B1 *C and Antony and Cleopatra (,))7) spanning the years B1:,7 *C
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McCullough originally decided to end the series /ith The October Horse because in her opinion the ultimate fall of the Roman Republic too7 place after the *attle of %hilippi" /ith the death of Caesar?s assassins. Do/ever" most historians place the end of the Republic a decade later" after the final sho/do/n bet/een 'ugustus and Mar7 'ntony at the *attle of 'ctium" in 31 *C.