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Margaux Deutsch LIS 703 -- Final Exam

Instructions for Completing and Su mitting !our Exam - "LE#SE $E#D C#$EF%LL!& The Final Exam for this course is divided into two parts. In the first part, you will answer three (3) questions that require you to reflect upon and write coherently a out course content from throu!hout the semester. In the second part of the exam, you will create three (3) "#$% records for items I will !ive you (do not catalo! any other items&). 'se the varia le and fixed fields templates provided for each item to transcri e your answers. There are further instructions under each part of the exam ( please read these instructions carefully. )ou may use the followin! to complete the exam* $+# Tool,it ($+#) %atalo!er-s +es,top (./") %lassification 0e (1%./ and 1%%) 1% #uthorities we site 2%1% 3i lio!raphic Formats 4 .tandards we site 1I. 563 %ourse 1essons, 1ectures, +iscussion 7ostin!s, 3lo! 7ostin!s 4 #ssessments %ourse text oo,s and handouts

The course instructor has the followin! expectations for each question in "art '* #nswer each question fully usin! course content and resources %ite sources that you use, whether you quote directly or paraphrase For all questions except for 83, ,eep your answers etween 966(:66 words per answer. For question 83, your answer should e around 366(;66 words

The course instructor has the followin! expectations for each record in "art (* 'se the templates provided %reate each record usin! "#$% codin! %reate each record usin! $+# Fill(in all applica le fixed 4 varia le fields %onsult authority records to determine the preferred form of name and series access points

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%onsult 1%./ to construct valid su <ect headin!s=su <ect strin!s (as many as you deem appropriate for the item, ut there needs to e at least one (9) su <ect headin!=su <ect strin! per record) %onsult 1%% to construct one, full call num er per record

)ou are encoura!ed to consult the course 1essons and #ssessments, as well as resources such as $+# Tool,it and 2%1% 3i lio!raphic Formats 4 .tandards we site. If you have any questions a out the exam (a out the lo!istics of completin! the exam or if you need clarification on one or more of the items), you must contact the professor via email. )ou "#) >2T consult another person a out exam content (such as other students, li rarians, etc.) nor may you post questions a out the exam in the 3lac, oard discussion forum or outside email or discussion lists. #ny postin!s made a out the exam in the discussion forum for the duration of the exam period will e deleted. %omplete the Final Exam within this 0ord document. 7ut your name after ?)our >ame? at the top of the first pa!e and chan!e the file name of this document to* )our1ast>ame@FinalExam.doc (e.!., .now@FinalExam.doc). The file extension can e either .doc or .docx. 'pload the completed document to the #ssi!nment tool within 3lac, oard y 99*AApm %.T on the due date noted within the 0ee,ly .chedule. 7lease do not wait until the last minute to upload your exam. 7lease review the step( y(step !uide to uploadin! assi!nments in 3lac, oard. If you have any technical difficulties that prevent you from uploadin! your completed document to the #ssi!nment tool within 3lac, oard, email it to the professor-s outside email address (which can e found in the course .ylla us). It will not e counted as late as lon! as the exam is received in the professor-s in ox y 99*AApm %.T the day it is due.

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"art '
Answer the following questions within this exam. With the exception of question 3, each answer should be around 100-200 words if !ou are a little abo"e or a little below that amount, that#s fine$. % expect an answer of around 300-&00 words for question '3. (ite !our sources if !ou directl! quote or paraphrase a source. )se in-text citations and list !our sources at the end of !our answer. 9) $eview %harles %utter-s *b+ects and ,eans for a li rary catalo!. >ow consider $+# as a manual for achievin! those o <ectives. Identify two specific $+# rules (meanin!* include the $+# rule num er) that help ma,e %utter-s o <ectives an achieva le reality. 3riefly discuss your choices and how each will ma,e %utter happy.
One of Charles Cutters objects is, To show what the library has by a given author (Cutter). This means that the library shoul have some means of i entifying what items a creator has !ublishe that the library owns. "ith mo ern technology an #$%, the use of authors or creators as access !oints is es!ecially easy to i entify as a fulfillment of this object. #ule &.'.'.( in the #$% han boo) states that, *f an in ivi ual has more than one i entity, choose the name associate with each i entity as the !referre name for that i entity (#$% Tool)it). "hen we abi e by this rule, any item by any given author is file un er the same name, regar less of whether or not s+he changes his or her name or uses a !seu onym. %nother one of Charles Cutters objects that is fulfille by #$% is, To enable a !erson to fin a boo) of which,the subject is )nown (Cutter). #ule -../...0 in the #$% Tool)it e1!lains that it is im!ortant to !rovi e a summary of the item whenever !ossible. This means that if a !atron were to o a )eywor search for something on 2an as, for e1am!le, the librarys O2%C woul i eally be able to !ull u! any an all material !ertaining to !an as. "or)s Cite Cutter, C. %. (.&/3). Objects an means. #ules for a 2rinte $ictionary Catalog, 3th e . "ashington, $.C.4 5overnment 2rinting Office. #$% Co62ublishers. RDA Toolkit. '/./. '( %!r. '/.'. "eb. 7htt!4++access.r atool)it.org8.

:) %hoose one item from your personal collection or your local li rary (do not choose an item that has een used as a F$3$ example in this course). Thin, a out the item as it relates to the F$3$ Broup 9 Entities (0or,, Expression, "anifestation, and Item). +iscuss attri utes of your item at the 0or,, Expression, "anifestation, and Item level. +escri e how will the li rary user will enefit from descri in! the item in this way.

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9ryce Courtenays The Power of One is one of my favorite boo)s. *n :#9# terms, it is e1citing to thin) about where this item came from, since * have rea an re6rea the boo) so many times. *n the beginning, as they say, there was a wor). %ccor ing to the rules of :#9#, a wor) is, an abstract i ea, or istinct intellectual creation (;ibrarygee)y). :or The Power of One, the i ea of the !rotagonist 2ee)ay in 9ryce Courtenays hea woul be the start of this !articular wor). The first time Courtenay wrote own 2ee)ays story66the first !rinting of 2ee)ays life66woul signify the e1!ression of The Power of One (;ibrarygee)y). <y e ition of The Power of One is a '//( 9allantine 9oo)s Tra e 2a!erbac) = ition (Courtenay) an all of these e itions are a !art of the manifestation (;ibrarygee)y) of this wor). :inally my own co!y of The Power of One, with my name stam!e on the first !age an all of my notes an un erline !assages, is consi ere an item in :#9# terms (;ibrarygee)y). These four levels of i entification from wor) to item are an interesting way to loo) at the items we chec) out from the library. "hile the item * have rea an re6rea is an item, there are other co!ies out in the worl that are from the same manifestation that are not the same item. ;i)ewise, there are other manifestations of this wor) out there as well, inclu ing the original e1!ression of the wor). This wor) has also ta)en on other e1!ressions, as it was ma e into a movie in .&&'. *f a !atron logs on to a library atabase an e1!ects to fin this e1act manifestation, she will be sur!rise an maybe confuse if she i not reali>e that there were other e1!ressions of the same wor). ?owever, by narrowing own the search she can fin the e1act manifestation she nee s. "or)s Cite Courtenay, 9ryce. The Power of One. @ew Aor)4 #an om ?ouse, *nc., '//(. 2rint. ;ibrarygee)y. 9ram Bto)ers Dracula in :#9# Terms. LibraryGeeky. AouTube, .. Be!t. '//&. "eb. '( %!r. '/.0.

3) )ou <ust !raduated from li rary school and you were fortunate to e hired as a catalo!in! li rarian at your nei!h orhood li rary ( the 3liss 7u lic 1i rary. )our immediate supervisor thin,s you have done a !reat <o so far, ut there have een ma<or rum lin!s a out lac, of fundin! from the 1i rary 3oard. )our <o is on the line, due in lar!e part to the 3oard-s continuin! conviction that catalo!in! <ust isn-t worth it. In a rare moment of mercy, the 3oard has !iven you a chance to tal, to them directly. )ou have the opportunity to convince them that the wor, of the catalo!er is critical to the success of the li rary. In the space elow, discuss your presentation to the 3oard. %hoose two thin!s you feel ma,e the est case for the role of catalo!in!. $eflect upon the wor, you have done this semester and consider everythin! we discussed. 0hen choosin! your points to ar!ue, ,eep in mind the enefits for the catalo! user. .upport your case with specific examples and cite at least two of the readin!s (articles and=or text oo,s) in your answer.
Catalogers are an integral !art to any librarys infrastructure because they organi>e the information !atrons nee in or er to access items in the library. %ccor ing to %rlene 5. Taylor an $aniel @ Cou rey, DrEetrieval of information is e!en ent u!on its having been organi>e (Taylor '). This means that in or er for

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!atrons to get what they came for, someone has to organi>e the bibliogra!hic information about the items in the library. "ithout some means of accessing recor s of the items each library hol s, namely a catalog, !atrons woul mill aroun the stac)s until they foun the items they were loo)ing for. 9ecause of Charles Cutters Objects and Means, we have some stan ar s on how to organi>e our catalogs. "hether we retrieve items base on access !oints or subjects, the i eas set forth by Charles Cutter in .&/3 are still a!!licable to ay (Cutter). <ore recently, a survey !ut forth by OC;C in '//& !rove that now more than ever library !atrons are in nee of catalogers organi>ational s)ills. On to! of the necessity of accessing information base on access !oints an to!ics, !atrons are as)ing more of catalogers with their O2%C use. %ccor ing to OC;Cs survey, !atrons now want $irect lin)s to online content an evaluative content, such as summaries an abstracts, tables of contents an e1cer!ts (OC;C ..). This means that in or er to )ee! !atrons ha!!y, catalogers are increasingly e1!ecte to !rovi e summaries of each item in the library an lin)s to online co!ies of items on their library catalogs. *f anything, catalogers are of a greater value to a library than they ever have been in the !ast. Bome might argue that with share cataloging catalogers coul be re!lace with other librarians an library staff. ?owever, with this increasing wor) loa set u! by the !atrons want for more information on each librarys O2%C, the tas) of cataloging is more time consuming than ever. *f catalogers are cut, then the slac) woul be nearly im!ossible for the rest of the librarians an library staff to !ic) u!. "or)s Cite Cutter, C.%. Objects an <eans. Rules for a Printed Dictionary atalo!. "ashington, $.C.4 5overnment 2rinting Center, *nc., &nfor'ation. Office., .&/3. 2rint. '//&. "eb. "est!ort, Connecticut4 ;ibraries Fnlimite , '//&. 2rint. OC;C. Online atalo!s" #hat $sers and Librarians #ant . $ublin. Ohio4 OC;C Online Com!ute ;ibrary Taylor, %rlene 5. an $aniel @. Cou rey. Organi>ation of #ecor e information. The Or!ani%ation of

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"art (
%n this section, !ou must pro"ide bibliographic records for each of the items represented here. )se the information pro"ided for !ou for each item to create !our records. -ou will be pro"ided with a title page, title page "erso, co"er, and.or a table of contents, as well as further information about each item such as page numbers and dimensions$. Assume that each of items below is an actual boo/, written b! actual people. ,a/e sure !ou find the preferred forms of names, series titles, and sub+ect headings. )se the templates "ariable and fixed field$ pro"ided to transcribe !our answers. )se ,A0( coding for all answers1 -ou will not need to use e"er! field for e"er! record. 2ea"e the ,A0( field blan/ if !ou do not use it. -ou do not need to delete it. 3lease feel free to add fields as needed e.g., add an additional 2&4 for multiple "ariant title fields.$ %n ,A0( field codes, replace the x#s in with the appropriate ,A0( field code e.g., change 5xx to 50& for a note on the inclusion of a bibliograph!$. 6he underscores 7 $ represent the first 1 st$ and second 2nd$ indicators. 0eplace the underscore with the appropriate indicator "alue where needed. 3lease transcribe !our answers using blue font.

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Item 89 (3oo,)

Title 7a!e

#ndre) *ac+son, -is #ma.ing Life and "residenc/


+r. $o ert E. $emini
and "atthew 0arshauer

$andom /ouse 7aris (( >ew )or, (( To,yo F:66:

9st $andom /ouse %lassics Edition

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Ta le of %ontents Table of Contents


7reface.............................................................................................................................ii Introduction.....................................................................................................................iv %hapter 9 ( Hac,son and the #!e of the +emocratic $evolution......................................9 %hapter : ( # $oarin! Fellow...........................................................................................:: %hapter 3 ( ?Hac,son and $eform?...................................................................................3D %hapter ; ( First(term trou les........................................................................................AG %hapter A ( +emocracy and the "onster 3an,...............................................................53 %hapter C ( The >ullifiers'prisin!..................................................................................GA %hapter 5 ( The .econd 3attle of the 3an,.....................................................................9:6 %hapter D ( .lavery and +emocracy................................................................................9;9 %hapter G ( 7ushin! 0estward........................................................................................9C5 %hapter 96 ( Hac,son-s 1e!acy.........................................................................................9GD %onclusion.......................................................................................................................: :G

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3i lio!raphy....................................................................................................................:; 5 Index................................................................................................................................: CC

#dditional Information, This is a wor, of non(fiction (a io!raphy) Include the ta le of contents in your record& Includes a i lio!raphy (pa!es :;5(:CA) Includes an index (pa!es :CC(:5D) 7reliminary pa!es are num ered ii throu!h vii The rest of the item is num ered ; throu!h :5D Includes lac, and white illustrations and maps throu!hout the wor, In the middle of the item, there are 96 unnum ered leaves of plates Item is ::.5 centimeters hi!h Item is 9D.A centimeters wide I.3>* 9;33D6AC9D 1%%>* :66:D69A95C

0'0 0 0 0(0 0 0 010 0 2 '00 ' 0 (21 '0 (25 0 0 (10 0 0 (52 0 '

Ia :66:D69A95C Ia 9;33D6AC9D Ia %T:5A.H33 I .$;C :66: Ia $emini, $o ert E. 34 ($o ert Eincent), 3d 9G:9(:693 Ie author. Ia #ndrew Hac,son * I his amaJin! life and presidency = Ic +r. $o ert E. $emini and "atthew 0arshauer.

Ia 9st $andom /ouse classics edition. Ia 7aris * I $andom /ouse, Ic K:66:LM.

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(52 0 2 300 0 0 335 0 0 337 0 0 336 0 0 270 0 0 1020 0 101 00

Ia :66: Ia vii, :5D pa!es, 96 unnum ered leaves of plates * I illustrations, mapsN Ic :3 cm. Ia text I: rdacontent Ia unmediated I: rdamedia Ia volume I: rdacarrier

Ia Includes i lio!raphic references (pa!es :;5(:CA) and index. Ia Hac,son and the a!e of democratic revolution (( # roarin! fellow (( OHac,son and reformP (( First(term trou les (( +emocracy and the monster an, (( The >ullifiersQ uprisin! (( The second attle of the an, (( .lavery and democracy (( 7ushin! westward (( Hac,sonQs le!acy. Ia 7residents((3io!raphy IJ 'nited .tates Iv 3io!raphy Ia 3io!raphy Ia 0arshauer, "atthew, 3d 9GCA( Ie author.

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Item 8: (3oo,)

Title 7a!e

8he End of Eternit/


# 9o:el / Isaac #simo: Fore)ord / Stephen ;< -a)+ing

.tellar .cience Fiction .eries ( num er 3A

Title 7a!e Eerso

.tellar 7u lishin! %orporation >ew )or, 7u lished in 9GAA :nd 7rintin! 9GAD 3rd 7rintin! 9GC6 ;th 7rintin! 9G5A %opyri!ht 9GA; ( Isaac #simov

#dditional Information,

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This is a wor, of science fiction. Time travel is a ma<or theme. Item-s pa!es are num ered 9 throu!h :AC Item does not include any illustrations Item is 9C.D centimeters in hei!ht Item is 96 centimeters in width .ummary (from ac, cover of item)* #ndrew /arlan is an Eternal, a mem er of the elite of the future. 2ne of the few who live in Eternity, a location outside of place and time, /arlanQs <o is to create carefully controlled and enacted $eality %han!es. These %han!es are small, exactin!ly calculated shifts in the course of history made for the enefit of human,ind. Thou!h each %han!e has een made for the !reater !ood, there are always costs. +urin! one of his assi!nments, /arlan meets and falls in love with >oRs 1am ent, a woman who lives in real time and space. Then /arlan learns that >oRs will cease to exist after the next chan!e, and ris,s everythin! to snea, her into Eternity. 'nfortunately, they are cau!ht. /arlanQs punishmentL /is next assi!nment* ,ill the woman he loves efore the paradox they have created results in the destruction of Eternity. I.3>* 9AC36D95CA

0'0 0 0 0(0 0 0 010 0 0 '00 ' 0 (21 '2 (25 0 0 (10 0 0 (52 0 ' (52 0 2 300 0 0 335 0 0 337 0 0 336 0 0 270 '0 1(00 0 Ia >ew )or, * I .tellar 7u lishin! corporation, Ic 9G5A. Ia 9GA; Ia :AC pa!es N Ic 95 cm. Ia text I: rdacontent Ia unmediated I: rdamedia Ia volume I: rdacarrier Ia .tellar science fiction series N Iv num er 3A Ia O#ndrew /arlan is an Eternal, a mem er of the elite of the future. 2ne of the few Ia 9AC36D95CA Ia 7.3AA9..AEA3 I .#DA 9G5A Ia #simov, Isaac, 3d 9G:6(9GG: Ie author. Ia The end of eternity * I a novel = Ic y Isaac #simov N foreword y .tephen 0. /aw,in!.

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who live in Eternity, a location outside of place and time, /arlanQs <o is to create carefully controlled and enacted $eality %han!es. These %han!es are small, exactin!ly calculated shifts in the course of history made for the enefit of human,ind. Thou!h each %han!e has een made for the !reater !ood, there are always costs. +urin! one of his assi!nments, /arlan meets and falls in love with >oRs 1am ent, a woman who lives in real time and space. Then /arlan learns that >oRs will cease to exist after the next chan!e, and ris,s everythin! to snea, her into Eternity. 'nfortunately, they are cau!ht. /arlanQs punishmentL /is next assi!nment* ,ill the woman he loves efore the paradox they have created results in the destruction of Eternity.P ((3ac, %over.
1xx 0 0 510 0 0 5xx 0 0 700 '0 7xx 0 0 630 0 0 Ia .tellar science fiction series N Iv no. 3A. Ia Time travel((.cience Fiction Iv Fiction. Ia .cience fiction Ia /aw,in!, .. 0. 34 (.tephen 0.) Ie translator.

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Item 83 (3oo,)

Title 7a!e

An American Yarn: Patriotic Knitting Projects Created Throughout the United States
by Judith Durant Carri Hammett Clara Parkes Stephanie Pearl-McPhee J.B. Sharp

Title 7a!e Eerso

Albino Squirrel Press arntastic !dition - January "##$

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#dditional Information, This is a wor, of non(fiction. 2n the cover, the title is !iven as* 7atriotic Snittin! 7ro<ects of the 'nited .tates >o place of pu lication !iven on item and you cannot find anythin! a out the location of the pu lisher after performin! outside research. The item is unnum ered, ut you count that there are ;; pa!es. Includes illustrations ( all in color :: centimeters hi!h :C.3 centimeters wide I.3>* 6D3DG6D;:T

0'0 0 0 0(0 0 0 010 0 0 '00 '0 (21 '3 (25 '2 (10 0 0 (52 0 ' (52 0 0 300 0 0 335 0 0 337 0 0 336 0 0 270 0 0 1xx 0 0 1xx 0 0 510 0 0 5xx 0 0 Ia Snittin! IJ 'nited .tates. Ia ;; unnum ered pa!es * I %olor illustrations N Ic :: x :5 cm. Ia text I: rdacontent Ia unmediated I: rdamedia Ia volume I: rdacarrier Ia 6D3DG6D;:T Ia TTD9G.'C I .+D5 9GGA Ia +urant, Hudith, 3d 9GAA( Ie author. Ia #n #merican yarn * I patriotic ,nittin! pro<ects created throu!hout the 'nited .tates = Ic y Hudith +urant, %arri /ammett, %lara 7ar,es, .tephanie 7earl("c7hee, H.3. .harp. Ia 7atriotic ,nittin! pro<ects of the 'nited .tates Ia )arntastic Edition Ia K'nited .tatesLM * I #l ino .quirrel 7ress Ic 9GGA.

1I. 563 700 0 0 700 ' 0 700 ' 0 700 ' 0 6xx 0 0

Final Exam 3a /ammett, %arri, 3d 9GAC( Ie author. Ia 7ar,es, %lara, Ie author. Ia "c7hee, .tephanie 7earl( Ie author. Ia .harp, H. 3. 34 (Hoseph 3udworth) Ie author.

p. 95

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