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Jazz at Lincoln Centers

The Allen Room


Frederick P. Rose Hall
jalc.org
Please make certain your cellular phone,
pager, or watch alarm is switched off.
Friday and Saturday Evening, February 78, 2014, at 7:00 and 9:30
Wynton Marsalis, Managing and Artistic Director
Greg Scholl, Executive Director
Joshua Redman Quartet
JOSHUA REDMAN, Saxophones
AARON GOLDBERG, Piano
REUBEN ROGERS, Bass
GREGORY HUTCHINSON, Drums
There will be no intermission during this performance.
Please turn off your cell phones and other electronic devices.
Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers,
The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, MasterCard

,
The Shops at Columbus Circle at Time Warner Center, and SiriusXM.
Jazz at Lincoln Center
Notes on the Program
by Ted Panken
The sound of the tenor saxophone drew
me to it more than anything else. Its very
powerful and authoritative, yet incredibly
poignant, beautiful, sympathetic. But it took
me a long time before I realized that I needed
to work on my sound. As a young musician,
you want to play hip ideas and work out your
chops, and you forget that none of it means
nothing without a soul, without a voice.
Joshua Redman, 1994
A certain eclecticism is fundamental to my
musical nature. The love and desire to play a
lot of different styles of music is part of who
I am, and I feel no need to get rid of that.
Joshua Redman, 1995
When I got to New York in 1991, a major
topic of discussion was this faux contro-
versy of a conflict between tradition and
innovationeither you are embracing the
lineage, legacy, and history of acoustic jazz,
or youre doing something radical, revolu-
tionary, and new. Some musicians accepted
that view and chose a side. Others resisted
it and chose not to choose. They tried to
work within a variety of languages, to
immerse themselves in a variety of vocabu-
laries, and to express themselves in a nat-
ural, organic way. They hoped that over
time those would get synthesized, and
didnt consciously try to wear the mantle of
innovation, but certainly also not to be back-
ward-looking. As you might suspect, I con-
sider myself one of those musicians.
Joshua Redman, 2009
Over four sets this weekend at The Allen
Room, his first-ever Jazz at Lincoln Center
appearance with his own ensemble, Joshua
Redman presents the group that performed
on Beyond and Passage of Time. Recorded
in 1999 and 2001, respectively, these dates
capped a decade of increasingly accom-
plished saxophone and rhythm section
recordings, beginning with Redmans epony-
mous 1992 debut, and followed sequentially
by, among others, Moodswing, Freedom
In The Groove, and Timeless Tales (For
Changing Times).
In 2002 Redman began to document a
more open-ended sonic canvas, plugging in
on Elastic and Momentum with keyboardist
Sam Yahel and drummer Brian Blade, and
then exploring the open spaces of the sax-
ophone-bass-drums trio on Back East and
expanding to double-trio on Compass.
These formations coalesced on last years
Walking Shadows, an 11-tune ballad recital
that framed him in duo, trio, and quartet
contexts with a 16-instrument string
orchestra. Although the proceedings were
completely spontaneous and transpired
with barely a rehearsal, each of Redmans
improvised declamations was patient and
relaxed, with an aura of inevitability.
When Walking Shadows came out last
spring Redman decided to reconvene and
tour with Aaron Goldberg, Reuben Rogers,
and Gregory Hutchinson, his working band
from 1998 through 2001. Were playing
some ballads from the new record and new
originals I wrote for this band, as well as
older originals and standards, he says. We
always had a great connection, and weve all
grown so much since we disbanded. Its like
were picking up from where we left off, but
everyone has matured. Theyre all creative
virtuosos, and they come to play every
night, with no agenda.
In point of fact, coming to play every night,
regardless of the setting, is a constant trope
of Redmans distinguished two decades as a
professional improviser. I play my best
when I trust my instincts, he states,
describing his ongoing modus operandi.
Now, having played without piano for ten
years has helped me grow as a saxophonist.
I think my ideas have more clarity and
weight; I know more about harmony and
have more melodic freedom. But playing
quartet seems like the most natural instru-
mentation for me. If I had to play in only one
group setting for the rest of my musical life,
it would certainly be the quartet.
Jazz at Lincoln Center
Meet the Artists
Joshua Redman (Saxophones) was born in
Berkeley, California, and is the son of leg-
endary saxophonist Dewey Redman and
dancer Renee Shedroff. At an early age he
was influenced by his father, John Coltrane,
Ornette Coleman, and Cannonball Adderley.
In 1991 Redman graduated from Harvard
summa cum laude with a B.A. in social
studies and as a member of Phi Beta Kappa.
After moving to New York City and
immersing himself in the jazz scene,
Redman was signed by Warner Bros.
Records. He released his first self-titled
album in 1993 which subsequently earned
him his first GRAMMY

nomination.
Redmans second acclaimed quartetfea-
turing pianist Aaron Goldberg, bassist
Reuben Rogers, and drummer Gregory
Hutchinsonwas formed in 1998 and made
its recorded debut with Beyond in 2000.
Soon after, Nonesuch released Redmans
first piano-less trio record, Back East, fea-
turing three bass and drum rhythm sections.
He released Compass (Nonesuch) in 2009
and continued to explore the expansive
double-trio formats. In addition to his own
projects, Redman has recorded and per-
formed with musicians such as Dave
Brubeck, Chick Corea, The Dave Matthews
Band, Herbie Hancock, Roy Hargrove,
Quincy Jones, B.B. King, the Jazz at Lincoln
Center Orchestra, Joe Lovano, Branford
Marsalis, Brad Mehldau, Marcus Miller,
MeShell Ndegeocello, Dianne Reeves, The
Rolling Stones, The Roots, Clark Terry, Toots
Thielemans, The Trondheim Jazz Orchestra,
Mark Turner, McCoy Tyner, and Stevie
Wonder. Joshua Redman has been nominated
for two GRAMMY

Awards and has gar-


nered top honors in critics and readers polls
in DownBeat, Jazz Times, and Rolling Stone.
Aaron Goldberg
Aaron Goldberg (Piano) is a pianist per-
forming at the vanguard of jazz music. His
most recent albums are YES! (2012), a co-
led celebration with Omer Avital and Ali
Jackson; Bienestan (2011), with composer
Guillermo Klein; and Home (2010) and
Worlds (2006), both featuring his own trio
with Reuben Rogers and Eric Harland.
Goldberg has spent many of the last 15
years touring with the most brilliant voices in
jazz, including Joshua Redman, Wynton
Marsalis, Betty Carter, Freddie Hubbard, Al
Foster, Kurt Rosenwinkel, and the Jazz at
Lincoln Center Orchestra. Raised in Boston,
Goldberg spent a year at The New School
before graduating from Harvard College. In
2010 he received a masters degree in phi-
losophy from Tufts, and is the producer of
Jazz for Obama and Jazz for Obama 2012.
Reuben Rogers
Born November 15, 1974, and raised in the
Virgin Islands, Reuben Rogers (Bass) was
exposed to varieties of music that included
calypso, reggae, gospel, and jazz. At the
age of 14 he found his passion in the bass,
and this passion found its focus in jazz
through workshops conducted by fellow
Virgin Islanders Ron Blake and Dion
Parson. Numerous awards, grants, and
scholarships opened the door for Rogers
summer studies at Interlochen Arts Camp
in Michigan and in Boston at Berklee
College of Music, from which he earned his
bachelor of music degree in 1997. Rogers
command of electric and acoustic bass has
aided his adaptability to multiple genres,
and this versatility has led him to be one of
the most sought after bassists of his gen-
eration. He has enjoyed musical relation-
ships with world-renowned artists such as
Wynton Marsalis, Roy Hargrove, Joshua
Redman, Marcus Roberts, Nicholas
Payton, Mulgrew Miller, Jackie McLean,
Charles Lloyd, and Dianne Reeves. He has
toured extensively across the globe and
has recorded on more than 70 CDs. He per-
forms in 21st Century with Ron Blake and
Dion Parson.
Joshua Redman
J
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Jazz at Lincoln Center
Gregory Hutchinson
Described by Jazz magazine as the
drummer of his generation, Gregory
Hutchinson (Drums) is a musicians
drummer, soundly rooted in the jazz tradi-
tion and able to approach all musical styles
with supreme accuracy and imagination. In
high school he was mentored by Justin
DiCioccio, whose former students include
Omar Hakim, Kenny Washington, Marcus
Miller, and Steve Jordon. Hutchinsons
professional career began right out of high
school when he was introduced to Red
Rodney, and in his early twenties he was
performing with the likes of Rodney, Betty
Carter, and Ray Brown. He has since
worked with a virtual whos who of the
jazz world, including Dianne Reeves,
Wynton Marsalis, John Scofield, Roy
Hargrove, Charles Lloyd, Diana Krall, Harry
Connick Jr., Joshua Redman, Christian
McBride, and Maria Schneider. His time
signatures and beat compositions have
won him praise from the hip hop commu-
nity as well, leading him to work with
Common, producer Kareem Riggins, and
Questlove of The Roots.
Jazz at Lincoln Center
Jazz at Lincoln Center is dedicated to
inspiring and growing audiences for jazz. With
the world-renowned Jazz at Lincoln Center
Orchestra and a comprehensive array of
guest artists, Jazz at Lincoln Center advances
a unique vision for the continued
development of the art of jazz by producing a
year-round schedule of performance,
education, and broadcast events for
audiences of all ages. These productions
include concerts, national and international
tours, residencies, weekly national radio
programs, television broadcasts, recordings,
publications, an annual high school jazz band
competition and festival, a band director
academy, jazz appreciation curriculum for
students, music publishing, childrens
concerts and classes, lectures, adult
education courses, student and educator
workshops, and interactive websites. Under
the leadership of Managing and Artistic
Director Wynton Marsalis, Chairman Robert
J. Appel, and Executive Director Greg Scholl,
Jazz at Lincoln Center produces thousands of
events each season in its home in New York
City, Frederick P. Rose Hall, and around the
world. For more information, visit jalc.org.
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Irene Weiss Miller and
Jeffrey D. Miller
Lybess Sweezy and
Ken Miller
Jennifer and Scott D. Miller
Cheryl and Philip Milstein
Cheryl and Michael Minikes
Marcia and Richard Mishaan
Nancy and Joseph Misset
Adriana and Robert Mnuchin
Kimberly and Nicholas Moore
Susan and Alan Morris
John Morris
Kimberly and David Morse
Richard Moylan
Mary and Roger Mulvihill
Marion and Timothy Murphy
Gaya and Vinay Nair
Mary Katherine and
Alexander Navab
Metin Negrin
Brooke and Daniel Neidich
Judith E. Neisser
Lynn Nesbit
Michael Neuman
Susan and Peter Nitze
Josiane and Thierry Noufele
Joan O'Connor
Mary Oklesson
Jason Olaine
Laura and John Olson
Robert G. O'Meally
Paula and William
Oppenheim
Judy and Steve Orich
Abigail T. Panter
Pamela and Edward
Pantzer
Claudine and Bernard
Parisot
Janet Charles Parker
Susan and Alan Patricof
Margo Bridger and
Joseph G. Paul
Michael Peffer
Mary and Edwin Peissis
Dara Perlbinder
Paula and Dominic Petito
Caroline Wamsler and
DeWayne Phillips
Jerome and Christine Ponz
Jane Poole
Mark G. Prentiss
Robert Press
Harold Prince
Karen and Timothy Proctor
Judith Garson and
Steven Rappaport
Cheryl and Louis Raspino
Caryl Ratner
Pixie and Jimmy Reiss
Richard Reitknecht
Paula and Ira Resnick
Jennifer and Tim Rice
Megan and William Ried
Barbara J. Riley
Danea Riley
Ralph G. Roberts, Jr.
Alicia and William
Robertson
Donna and Benjamin M.
Rosen
Carla and H. David
Rosenbloom
Judith Zarin and
Gerald Rosenfeld
Laura and James Ross
James Rubin
Ethel Rubinstein
Susan Cluff and Neil Rudolph
James Ryan
Stuart Saal
George H. Sands, MD
Phyllis W. Bertin and
Anthony M. Saytanides
Cynthia and Brian Scanlan
Barabar and James Schadt
Amy Katz and Irving Scher
Karenna Gore Schiff and
Andrew N. Schiff
Irwin Schloss
Shari and Jay Schuster
Annette Mitchell Scott
Robin and Enrique Senior
Bennett Shapiro
Ronald Sheer
Robert B. Shepler
Dr. David Sherman
Patricia W. Shifke
Randall Eron Shy
Jerome Siegel
John Siffert
Carla Emil and
Richard Silverstein
Ann and James Sitrick
Carra Sleight
Dana Anderson and
Aaron Smidt
Elizabeth Smith-Malik
Helena and Steve Sokoloff
Yuriko and Leonard Solondz
Chang and Lisa Spaide
Robert E. Spatt
Jimmie E. Spears
Janet and Gilbert Spitzer
Louise A. Springer
Deirdre Stanley
Barbara and Mitchell Stein
Joan and Michael Steinberg
Leonore and Walter Stern
James Stevens
Jennifer and Joel Stevens
Audrey Strauss
Bonnie and Thomas Strauss
Sabin C. Streeter
Barbra Streisand
Foundation Inc.
Betsy Miller and
Stuart Sucherman
Joe Sullivan
Becky and Mark W. Swift
Mark Tallman
Gloria and Phillip Talkow
Jay Tanenbaum
Lynne Tarnopol
Kendall Thomas
Tiffany and Co.
Billie Tisch
The Wilma S. and Laurence
A. Tisch Foundation
Barbara and Donald Tober
Jean and Raymond Troubh
Michael Tuch Foundation, Inc.
Diane and Thomas Tuft
Sandra and Bruce Tully
Jade Netanya Ullman
Ann and Thomas Unterberg
Jacqueline T. Uter
Cheryl Vollweiler
Mary Ellen and Karl
Von der Heyden
Margaret and George
Vranesh
Tanna and Michael Wall
Cathy and James Wallick
Ellen and Barry Wagenberg
Faye Wattleton
Jane L. Overman and
Paul Weltchek
Joan and Howard Weinstein
Mildred Weissman
Robert C. Wesley, Jr.
Lola C. West
Western Oil & Gas J.V. Inc
Katherine C. Wickham
Maria and David Wildermuth
Michael E. Wiles
Shelley and Robert Willcox
Janice Savin Williams and
Christopher Williams
Richard M. Winn III
Benjamin Winter
The Craig E. Wishman
Foundation
Wolfensohn Family
Foundation
Karen Wood
Anne Youngblood
UPCOMING EVENTS
Jazz at Lincoln Centers
Frederick P. Rose Hall
February 2014
ROSE THEATER
Family Concert: Who Is Dave Brubeck?
February 8, 1pm & 3pm
When his sons (also professional musicians) were
young, the late great pianist-composer Dave Brubeck
used a variety of approaches to instruct them. The
Jazz at Lincoln Center Orchestra with Wynton
Marsalis brings forth two decades of experience in
presenting interactive, amusing, family-friendly
shows to introduce and illuminate Brubecks extraor-
dinary life to young and old alike, kicking off a festival
celebrating Brubecks incomparable contributions to
jazz, culture, and more.
Free pre-concert activities at 12:15pm & 2:15pm
Dianne Reeves
February 1415 at 8pm
Grandeur with refinement, the New York Times
wrote, describing the impact of Dianne Reeves
February 2012 performance in Rose Theater. On her
return to Jazz at Lincoln Center for Valentines Day,
the four-time GRAMMY

Award winner will demon-


strate that no singer is better equipped to captivate
and seduce you with songs of love and romance. Her
astonishing instrument is a given, but even more
impressive is her refusal to hide behind itwith
nuanced restraint and dynamics, she unfailingly
inhabits every story she spins into song. Reeves is
joined by Peter Martin and Raymond Angry on key-
boards, Peter Sprague on guitar, Sean Jones on
trumpet, Tia Fuller on saxophone, Reginald Veal on
bass, Terreon Gully on drums, and Nadia Washington
and Brianna Thomas on vocals.
JLCO Hosts: Kenny Garrett &
The Music of Mulgrew Miller
February 2122 at 8pm
For the first of two Jazz at Lincoln Center Orchestra
Hosts concerts of the 2013-14 season, JLCO trom-
bonists Chris Crenshaw and Vincent Gardner turn
their attention to the music of pianist Mulgrew Miller
and 2014 GRAMMY

Award nominee, saxophonist


Kenny Garrett, whose paths intersected during
tenures with Mercer Ellington, Woody Shaw, and Art
Blakey and the Jazz Messengers. As both masters
have primarily focused on small ensembles in pre-
senting their respective voices over the last two
decades (Miller with the Wingspan combo [of which
Garrett was also a member]; Garrett in quartet and
trio contexts after a long run with Miles Davis), it will
be fascinating to hear this music performed with the
Jazz at Lincoln Center Orchestra with Wynton
Marsalis unique sound and sensibility. These con-
certs will be performed in honor of Mulgrew Miller.
Free pre-concert discussion, nightly, 7pm.
Jack DeJohnette, Joe Lovano,
Esperanza Spalding, Leo Genovese:
The Spring Quartet
February 28March 1 at 8pm
Jazz at Lincoln Center convenes a cooperative all-star
quartet representing three generations, including 2012
NEA Jazz Master Jack DeJohnette on drums, serial
poll-winner Joe Lovano on tenor saxophone, 2011
Best New Artist GRAMMY

Award winner
Esperanza Spalding on bass, and Argentinean pianist
Leo Genovese. They will undoubtedly fulfill
DeJohnettes stated dictum of being open, prepared
for the unexpected, and willing to follow that where it
takes us and coming up with music thats different and
also makes sense and communicates. Opening the
proceedings is the 24-year-old Mack Avenue recording
artist and 2014 GRAMMY

Award nominee Ccile


McLorin Salvant, whose timeless conception of jazz
and blues expression spans Bert Williams, Bessie
Smith, Billie Holiday, Sarah Vaughan, Betty Carter, and
Abbey Lincoln styles she refracts in her own argot.
Salvant will perform a 35-minute opening set; the
quartet will follow with an approximately 70-minute set.
March 2014
ROSE THEATER
Tomatito: An Evening of Flamenco
March 15 at 8pm
In partnership with the New York Flamenco Festival,
Jazz at Lincoln Center presents an ensemble led by
the magisterial Andalusian Gitano guitarist and 2013
Latin GRAMMY

Award winner Tomatito, whose


thrilling performance blends the earthy sound of clas-
sical flamenco and the sophisticated harmonic tem-
plate of modern jazz. A teenage protg of the
legendary cantante Camarn de la Isla and the iconic
guitarist Paco DeLucia, Tomatitowhose 2010
release Sonata Suite earned him his second Latin
GRAMMY

Awardis a key figure in coalescing fla-


menco vocabulary with North African and Afro-
Caribbean idioms, and in extending flamencos range
via consequential collaborations.
0
Except where noted, all venues are located in Jazz at Lincoln Centers Frederick P. Rose Hall,
Time Warner Center, 5th floor
Tickets starting at $10
To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Office
is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.
For groups of 15 or more: 212-258-9875 or jalc.org/groups.
For more information about our education programs, visit jalc.org/learn.
For Swing University and WeBop enrollment: 212-258-9922.
Find us on Facebook, Twitter, YouTube, and Foursquare.
UPCOMING EVENTS
Jazz at Lincoln Centers
Frederick P. Rose Hall
In deference to the artists, patrons of Dizzys Club Coca-Cola
are encouraged to keep conversations to a whisper during the performance.
Artists and schedule subject to change.
Dizzys Club Coca-Cola is located in Jazz at Lincoln Centers Frederick P. Rose Hall,
Time Warner Center, 5th floor New York.
Reservations: 212-258-9595 or jalc.org/dizzys; Group Reservations: 212-258-9595 or jalc.org/dizzys/group-sales.
Nightly Artist sets at 7:30pm & 9:30pm.
Late Night Session sets Tuesday through Saturday at 11:30 pm.
Cover Charge: $2040. Special rates for students with valid student ID. Full dinner available at each artist set.
Rose Theater and The Allen Room concert attendees, present your ticket stub to get
50% off the late-night cover charge at Dizzys Club Coca-Cola Fridays and Saturdays.
Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater
and The Allen Room. Items also available in Dizzys Club Coca-Cola during evening operating hours.
Dizzys Club Coca-Cola gift cards now available.
Find us on Facebook, Twitter, YouTube, and Foursquare.
February 2014
Big Band Tribute to Terry Gibbs
Led by Gerry Gibbs
with special guests Tom Harrell (2/7), Nicholas
Payton (2/8), and Paquito DRivera (2/9), plus
Vince Herring, Eric Alexander (2/6), Victor Goines,
Mark Gross, Robin Eubanks, Conrad Herwig,
Steve Davis, Frank Greene, Lew Soloff,
Marvin Stamm, Joe Magnarelli, and Donald Vega
February 69
7:30pm & 9:30pm
Ulysses Owens
with Duane Eubanks, Michael Dease, Gilad
Hekselman, Christian Sands, Reuben Rogers (2/10
only), and Matthew Rybicki (2/11 only)
February 1011
7:30pm & 9:30pm
Kenny Rampton Organ Octet
with Bill Sims, Sherman Irby, Donny McCaslin, Brian
Charette, Elliot Mason, Dan Stein, and Tony Mason
February 12
7:30pm & 9:30pm
Tierney Sutton Band
with Christian Jacob, Ray Brinker, and Kevin Axt
February 1316
7:30pm & 9:30pm
Brianna Thomas CD Release
with Allyn Johnson, Yasushi Nakamura, Ulysses Owens,
Riza Printup, Marcus Printup, and Wycliffe Gordon
February 17
7:30pm & 9:30pm
Omer Avital
with Eli Degibri, Joel Frahm, and Yonathan Avishai
February 18
7:30pm & 9:30pm
Swinging Tribute to Joe Wilder
February 19
7:30pm & 9:30pm
Renee Rosnes Quartet
with Steve Nelson, Peter Washington, and
Lewis Nash
February 2023
7:30pm & 9:30pm
Monday Nights with WBGO
Catherine Russell CD Release
February 24
7:30pm & 9:30pm
T. Oliver Reid:
Drop Me Off In Harlem
with Tedd Firth, Trevor Neumann, Conrad Korsch,
and Damien Bassman
February 2526
7:30pm & 9:30pm
The Music of Dexter Gordon: A Celebration
The Dexter Gordon Legacy Ensemble
with George Cables, Dezron Douglas, Lewis Nash,
Jimmy Greene, Jerry Weldon, Joe Locke, and
Jimmy Heath (3/2 only)
February 27March 2
7:30pm & 9:30pm
March 2014
Combo Nuvo
with Dr. David Schroeder, Lenny Pickett, Billy Drewes,
Brad Shepik, Rich Shemaria, Mike Richmond, and
John Hadfield
March 3
7:30pm & 9:30pm
2
jack dejohnette, joe lovano,
esperanza spalding,
leo genovese: the spring quartet
ree zstn sr
With an opening by Ccile McLorin Salvant
maria schneider orchestra
tn as zr, : sor
Composer-arranger Maria Schneider and her award-winning
17-member orchestra
tomatito: an evening
of amenco
tn s sr
Andalusian Gitano guitarist and 2013 Latin

Award
winner Tomatito and Flamenco dancer Paloma Fantova
beyond jobim:
new voices of brazil
tn zzz zr, : sor
With vocalists Lusa Maita and Clarice Assad
Box Office Broadway
at 60th, ground oor
jalc.org
jazz at lincoln center
frederick p. rose hall
5th oor
march
Centercharge
212-721-6500
Leto conrontfe surronfen or
eevouo :oei: uew voices or entziL
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orchestra
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Preferred Card of
Jazz at Lincoln Center jalc.org
box of ce broadway
at 60th, ground oor
frederick p. rose hall
5th oor
centercharge
212-721-6500
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tomatito:
an evening
of amenco
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Preferred Card of
Jazz at Lincoln Center jalc.org
box of ce broadway
at 60th, ground oor
frederick p. rose hall
5th oor
centercharge
212-721-6500
rnofo s\ tnt rttit
free
dave brubeck listening party
trn e er
withhostSotonHowkinsondsociolguosts
the life & music of dave brubeck
trn oz sr
JozzotLincolnContorOrchostrowithWyntonMorsolis
dave brubecks
the real ambassadors
trn z zr, : sor
PotorMortinwithvocolistRobortoGomborini,
trumotorJomosZollor,ondmoro
Free live music and tastings
in the Atrium, nightly, 6pm
box ofce broadway
at 60th, ground oor
jalc.org
jazz at lincoln center
frederick p. rose hall
5th oor
dave brubeck
festival
centercharge
212-721-6500
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Lead Corporate Sponsor
get cool schooled.
eeott 1oetv jalc.org/swingu 212-258-9922
march 19 juoc ( s||op tc|o
jazz 301
with phil schaap
jazz 101
with vincent gardner
jazz 201
with vincent gardner
the chicagoans:
the rst garage band
with phil schaap
thelonious monk
with larry ridley
discography
with ed berger
cecil taylor
with ben young

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