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Starting this Autumn, Europes leading airline will be inviting some of the 42 million passengers it carries each year to fly its long-haul aircraft for a unique and thrilling taste of the future. As the long-awaited response to the many-facetted expectations of its customers and the outcome of a painstaking exploration of questions of space, comfort, materials and sensory perceptions, the newlyenhanced pleasure of travelling on board Air France planes reflects a world of luxury already strongly marked on the ground. Like a grand hotel that delivers a highly sophisticated mix of lounging refinement and the audacious line of the French slant in the design department, the elegantly exclusive lounges recently inaugurated at Paris-Charles de Gaulle Airports gleaming new Terminal 2E provide a foretaste of the new lEspace Premire and lEspace Affaires environments. Aboard the aircraft, seats transform into beds and individual space has been expanded, while inflight services have been propelled to new heights. Air Frances latest vision of travelling pleasure is quite naturally steeped in the constantly regenerated focus on hospitality that has forged the companys inimitable style over the past seven decades. As a flying showcase for contemporary French luxury, this new art of travelling lifts the name of Air France to the highest pinnacle of excellence.
Air France
1950s
Air France launched its first non-stop long-haul services operating the now legendary Lockheed Super Constellation
1957 1952
1969
2002
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1957.
Air France commissioned Charlotte Perriand to design its offices in Tokyo and London, as well as the Rue Scribe offices in Paris, destined to establish the companys brand identity for the general public.
Right from the outset, Air France consistently sought to have its aircraft express Frances douceur de vivre, which was the envy of the world. The company image was also projected in its ticket offices and it was one of the all-time greats of contemporary French design, the late Charlotte Perriand, who conceived some of Air Frances early groundbreaking architectural and decorative forays, like the Rue Scribe ticket office in Paris.
1969.
For many people, air travel seemed an unattainable luxury. The stars of stage and screen photographed boarding aircraft vicariously communicated some of the thrill. On Sundays, whole families crowded onto the observation platform at Orly to watch the planes arrive and depart. As an absolute symbol of modernity and of a future foretold at every fictional level, the aircraft radically changed the concept of travel and the idea of transport. It peaked with Concorde, which pulverized every speed record to date. And who else but industrial design supremo Raymond Loewy, the selfproclaimed industrial esthetician, could have woven together all these strands of new travel concepts? It was Loewy who was commissioned by Air France to design the passenger cabin of the first Concorde, and he left his mark on every detail, right down to the meal trays that collectors would kill for today, and which have often directly inspired a generation of younger designers. Another type of aircraft was also to revolutionize air travel in the shape of Boeings impressive double-deck jumbo-jet, the B747. Air France commissioned Pierre-Gautier Delaye to design the interior of its own B747 fleet. After working with Loewy as head of the Interior Design section of the CEI agency in Paris between 1951 and 1958, Delaye went solo from the late 1950s, forming a special professional relationship with Air France.
In 1969, Delaye began working on ground installations for Air France, designing the interior layout and furnishings of Air France ticket offices worldwide. In 1970, the city of New York even presented Air France with the award for the finest faade on Fifth Avenue! At that time, Delayes designs for the cabins of Air Frances B747s were at an advanced stage. He created not only the fabrics and seats, but also the upper-deck bar furniture, ordering exclusive fabrics from the textile designer, Sheila Hicks. It came as no surprise, therefore, that Delaye was asked by Air France to upgrade Concordes dcor in 1988. Five years later, the Company chose Andre Putman, the driving force behind the renaissance in French taste, to effect a complete makeover of its Concorde fleet. In 2000, a new cabin interior was chosen for all Air Frances aircraft, concentrating on the colours and a new graphic approach, along with the design of Tempo tableware by the French collective, Radi Designers. The results of this programme are still in place today throughout the entire Air France fleet.
1993.
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Since those heady early days, speed is within everyones reach and often has a bad press, while air travel has become a routine chore for some of us. The rapid emergence of new communication aids and equally fast democratization of the new technologies have combined to plunge present day society into a state of stress that is anything but conducive to well-being and leisurely activity. Emerging new approaches to passenger transport are also forcing the airline majors to consider their business from an unusual angle. As early as 1998, realizing that the years ahead would be fraught with large-scale upheaval, Air France began working on a programme to develop its travel amenities. This was the outcome of a major customer survey, an in-depth exploration of changing expectations with respect to travelling, comfort and efficiency, and of a tightly-focused study of new behaviour and consumption patterns. This latest attempt to address all the senses was also an exercise in deploying a characteristically French approach to luxury unfussy and unostentatious, and tending to launch new standards that would emerge as tomorrows classics. Several external contributors were involved in this project, including the Desgrippes Gob, Absolut Reality and Design Acumen agencies. To achieve the desired result, Air France also brought its own flight crews on board.
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The Air France brand image now contains this new built-in esthetic, which will be experienced on the ground and inflight in exclusive, relaxed environments, with new standards of travelling comfort in all cabin classes. The project has been something of a velvet revolution centered on materials, form, light and unobtrusive technology that epitomizes a specifically French slant on contemporary design and sets new standards for timeless French chic. The quest for straightforward passenger well-being has been superseded by one for out-and-out delight. Air Frances all-pervasive attentiveness means that all passengers in lEspace Premire and lEspace Affaires will be cared for with an aim of total personalization right from check-in. Redesigned for maximum indulgence and personal space, cabins will now be an extension of passengers personal territory where they will be free to decide their own privacy or sociability levels. By giving passengers back their individual status and social distinctions the cardinal virtues of the golden age of air travel Air France is launching a new era. From music to fine food, all our senses are invited to an individual cornucopia of luxury.
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> Air France has more lounges worldwide than any other airline a total of 54 distinct facilities, rising to 179 counting those shared with the SkyTeam Alliance. > Inaugurated on 25 June 2003, Terminal 2E features 160 check-in counters and will eventually handle 10 million passengers annually for the SkyTeam alliance, which comprises AeroMexico, Air France, Alitalia, CSA Czech Airlines, Delta, and Korean Air. > The lEspace Premire and lEspace Affaires lounges are located airside at Paris-Charles de Gaulle Airports Terminal 2E and have a respective capacity of 48 and 368 passengers in a surface area of 250 sq.m. and 1,800 sq.m. They are open from 6am to midnight.
Air France has inaugurated the new lEspace Premire and lEspace Affaires lounges in Terminal 2 E. Interior architecture and decor are reminiscent of the lobby of a luxury hotel. On the strength of its exploration of travel, rest, and relaxation, and underpinned by careful observation of how people move, Air France has sought to provide travellers with a new concept in furnishings and has created a new, contemporary French style that marks the first real new design departure of the early 21st century. Everything was designed to measure, from the banquettes to the Corian pedestal tables, and from the tables in the work areas to the wine bar, in a continually-improving, two-year programme.
Open from the early morning, the two lounges give passengers a pre-flight foretaste of Air Frances tranquil vision of lEspace Premire and lEspace Affaires passenger well-being. Oak, leather, carpeting and parquet flooring, glass, metal and Corian partitions and carefully-designed lighting all add up to an elegant, relaxed environment. A number of privacy areas are equipped with electronic massage beds. With its showers, make-up areas and extensive work spaces, the architectural concept and its component parts is easy to read and understand. For passengers wishing to take a breather or re-establish contact with the outside world, there is a bar stocked with plentiful snacks, a selection of international newspapers and magazines, and wifi Internet access by Orange at any time of the day. Add in a smoking area and magnificent views and you have a space that provides a soothing pre-flight interlude to take any stress out of waiting. The lounges also offer a foretaste of the new long-haul cabin environment in lEspace Premire and lEspace Affaires.
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2
Terminal 2E at Paris-CDG
Individual waiting area l'Espace Premire lounge Restaurant l'Espace Affaires lounge Make-up area l'Espace Affaires lounge Rest area l'Espace Premire lounge Work area l'Espace Affaires
to hotel suite
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> CV DESGRIPPES GOBE Founded in 1971 by Jol Desgrippes, the Desgrippes Gob agency is the world leading consultancy for image strategy and brand management, with offices in Asia, the United States and Europe. It is currently among the Top Five international design agencies. Desgrippes Gobs customers include Air France, MacDonalds, Coca-Cola, Versace, Boucheron, Lancme, Danone, ColgatePalmolive, Go Sport, Accor, MMA, and Sofinco. Alain Dor and Eric Gizard spent two years overseeing the creation and artistic direction of the new Air France cabin environment.
Real pleasure aboard can often come from the simpler things in life
the spirit of a lounge in the sky that can double up as a private study. Much of this is achieved via the new seat, which folds out into a real bed. The seat is a quintessence of multiple innovations whose technological complexity disappears behind a sophisticated upholstery combining leather and a mix of wool and cashmere in a range of beige, camel and grey-beige. Discreetly integrated into the furniture to ensure that they do not intrude when not in use and help preserve the tranquility of each individual space, the seats screens and trays match the overall colour scheme and are electrically deployed and stowed. The lines of the new seats are underscored by brick-red topstitched cushions, a red, 100% pure wool blanket, and headrest covers in grey-beige leather.
> CV DESIGN ACUMEN Design Acumen is an independent design agency based in London. It specializes in designing industrial products in the transport sector it was Design Acumen that invented the bed in the sky concept and in graphic design. The agency works on cabin interiors with aircraft manufacturers such as Airbus or Boeing and in conjunction with Britax, worked on the project and design for the new lEspace Premire seat, helping to define the external lines of the seat, its location in the cabin, and its multiple functions. It also designed the mock-up seats used in client testing. Design Acumens aim in designing this seat was to make it a unique artefact unlike any other traditional passenger seat. The spirit is resolutely that of the lounge so much so, in fact, that the seat would not look out of place in a luxury hotel lobby. The seat is low, upholstered in light colours, trim and elegant.
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to hotel suite
Nothing is quite so sacred for Air France as a passengers rest. Consequently, the new lEspace Premire seat, which folds out to an unprecedented two metres, transforms into a wide bed that flight attendants will rapidly equip with a real mattress, a soft duvet and a rectangular hypoallergenic feather pillow fitted with a Venice openwork pillowcase. Second only to rest is the moment of wakening. Sometimes, all it takes is the aroma of freshly-made coffee and toast to put passengers into a good humour in the minutes preceding touchdown. A real toaster and a new tea service go to
show that real pleasure aboard can come from the simpler things in life. Rounding off the refined environment of lEspace Premire, Air Frances attentive cabin staff provide passengers with a sure-footed personal service that also protects individual privacy. Second-guessing expectations and constant attention to passenger comfort are an integral part of the characteristic Air France service levels in lEspace Premire. The standard of service also owes much to Guy Martin, the Michelin-starred chef of the Grand Vfour restaurant in Paris. Guy Martin has already created a stir with his partnership with Air France on the Paris-Tokyo route and has here contributed not only as a consultant for the First Class environment but also designed the menus.
> CV ABSOLUT REALITY Set up in 1991 by Christophe Pradre, Absolut Reality is a Paris-based agency that spearheaded the explorations for the new Air France seat designs. Recently, the agency, which has also produced designs for NEC/Packard Bell, Matra and Lancme, was on hand for the launch of Bordeauxs new Alstom-built tramline for which it designed the interior and exterior.
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Rest, watch a film, eat, isolate oneself or quite simply stretch out completely for sleep.
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Air France - Corporate Communications Division - Press Office - 45, rue de Paris - F-95747 Roissy-CDG cedex Internet: www.airfrance.com/corporate - Tel.: +33 (0)1 41 56 56 00 - Fax: +33 (0)1 41 56 84 19
Item - 58, rue Charlot - F-75003 Paris - Tel.: +33 (0)1 42 77 61 75 - item@item-pr.com
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