Documente Academic
Documente Profesional
Documente Cultură
Overview
Contents
6. Declination
Intonation
Intonation
1. Pitch contours 2. Generalized patterns 3. Possible sample presentations of different patterns (Sixteen possible varieties in utterances:
http://web.ntpu.edu.tw/~ckliu/pronunciation/intonation2/intonation2.htm)
Intonation
1.3504
John's sick.
9
3.15162
10
1.16553
5000
3.04458
11
Contrast
5000
1.16553
5000 500
12
Stress
Section 1
13
Stress
1. English speakers focus very much on stressed vowels and usually blur unstressed vowels in their speech. Mandarin speakers focus more on the tone than on the stress.
2. English speakers focus very much on the relationship between the local stress and the global stress in an utterance. Mandarin speakers focus more on each individual word.
14
Stress
1. Iambic (Pentameter)
Iambic or trochee
To strive, to seek, to find, and not to yield. (Alfred Tennyson, "Ulysses") A horse! A horse! My kingdom for a horse! (William Shakespeare, Richard III)
2. Trochee
Peter, Peter pumpkin-eater Had a wife and couldn't keep her (Children's rhymes) Tyger, Tyger, burning bright In the forests of the night (William Blake)
15
Stress
Read the following expressions (containing different number of syllables) in about the same length of time
1. broad view broad review broader review 4. quick call quick recall quickly recall
16
Stress
Read the following expressions (containing different number of syllables) in about the same length of time
1.
fire kitchen fire in kitchen fire in the kitchen a fire in the kitchen Its a fire in the kitchen
17
Stress
2
Practice: a. I can understand. b. Give me the book. c. He wants to leave. d. I did it as quickly as possible. e. He was sick.
18
Stress
Old MacDonald had a farm, E-I-E-I-O. And on his farm he had some cows, E-I-E-I-O. With a moo, moo here and a moo, moo there, Here a moo, there a moo, Everywhere a moo-moo, Old MacDonald had a farm, E-I-E-I-O.
19
Stress
Old MacDonald had a farm, E-I-E-I-O. And on his farm he had a cow, E-I-E-I-O. With a moo, moo here and a moo, moo there, Here a moo, there a moo, Everywhere a moo-moo, Old MacDonald had a farm, E-I-E-I-O.
20
Stress
5000
0 0
1.29172
The
5000
Time (s)
his
home.
0 0 Time (s)
1.29686
5000
0 0 Time (s)
1.29326
5000
0 0 Time (s)
1.34813
21
Stress
5000
Frequency (Hz)
0 0 5000 Time (s) 4.984
Frequency (Hz)
0 0 Time (s)
22
8.322
Stress
Lexical stress can be easily found in any dictionary right now. But lexical stress can be very complicated if a word is used in different speech contexts. For example,
1. Fourteen people were killed last night. 2. The number of the victims is fourteen. 3. I have sixteen patients waiting for me. 4. The last patient is only sixteen.
Most of the time, the lexical stress serves as different accented stresses in an utterance. For instance,
1. Armani knew the millionaire.
23
Practice
StressStressStress
Three blind mice. Please sit down. Come back soon. John cant go. Dont drive fast.
24
Practice
StressweakweakStressweakweakStress / wSwSwS
Hickory dickory dock. Do it according to plan. Give me a burger with cheese. Who is the man I should see. The mouse ran up the clock. Id like to cash a check. Hed rather take the bus. Ill have her call you back.
25
Practice
SwSwSwS
Twinkle, twinkle little star. Let me help you find your keys. Dont forget the bread and milk. Tell me why you dont agree. How I wonder what you are. Find a space and park your car. Thanks a lot for all your help. Dont forget to leave a tip.
26
Practice
software
steakhouse
software packages
a Japanese steakhouse
shoe polish
convention center
27
Practice
outrun his teammate overlook the error withdrew fifty dollars overheard the argument
print out the document shut down the factory put off the meeting
28
Practice
Practice:
1. 2. Can you project our profits for the next quarter? You will need a permit to do the construction.
29
Liaison
1. -cv- or ccvlook at me pick it up I couldnt figure it out. I wouldnt accept it. He looked at me.
2. -cca big girl walks slowly Kiss me. Its a great book.
30
Liaison
hand it in hand them in now throw them out throw it away call him up
figure it out clean it up pick her up look them up turn them off
31
Liaison
1. Vowels that follow /i/ Chart 1; Chart 2 reality be active playoff pay off triangle my ankle annoyance the boy and me
2. Vowels that follow /u/ Chart 1; Chart 2 ; Chart 3 fluid do it snowy go out flour how is it newest a few apples
32
Liaison
1.
2.
3.
Suprasegmental
Assimilation
1. Progressive assimilation look looks love loves like liked love loved 2. Regressive assimilation input have to 3. complete assimilation cupboard 4. Coalescent assimilation this year; would you; set you up
34
Suprasegmental
1.
2.
a rose /z/
Josh //
3.
4.
5.
35
Suprasegmental
1. When voiceless consonants are followed by s or es a ship /p/ two ships /ps/ they visit /t/ he visits /ts/ Dick /k/ Dicks house /ks/ clock /k/ The clocks broken /ks/.
2. When voiced consonants are followed by s or es a job /b/ good jobs /bz/ Sam /m/ Sams friend /mz/ Buy the book /bay/. He buys books /bayz/. He /hiy/ Hes here /hiyz/. 3. When /s/ is clustered with other sibilants: one month two months the earth the earths circumference
36
Suprasegmental
1.
2.
3.
4.
Read the following expressions: a. He filled out the application b. I checked in this morning.
37
Suprasegmental
p1
/s/
Examples this year miss you How is your day? He loves you. next year last year Who set you up? Thats your problem. Did you do that? What would you do? My dads your partner.
38
/z/
/t/ or /ts/
/j/
/ /
/d/ or /dz/
/ /
Suprasegmental
39
Suprasegmental
1.
Deletion
Loss of /h/ sound ask him did he
Loss of // sound tell them something
2.
3. Loss of /t/ or /d/ before // sudden sentences 4. Loss of a syllable family temperature camera potato
40
IU
Intonation Units
41
IU
so we had to know these tendons, and ligaments, and the, all the bones, and, you know, all the way up, from the shoulder down, and then from the hip down. You know, all the way down to the hood, and then, the bone in the hoof, and, then all the wall, and you know, of the hoof, and what everything was called there, and then, he went over on how to trim it, and where youtheres a white line, that you go by, and a horse has this little white line, and you clean it out with the
42
IU
43
IU
44
IU
0.5715
had to
know these
ten- dons
Time (s)
and li-
ga- ments
2.7
we
2.7
45
IU
0.638
And then
all
the
Time (s)
bones
4.581
4.581
46
IU
0.6606
you all the up the shoulder down then the down know way from Time (s) and from hip
9.069
Frequency (Hz)
9.069
47
IU
0.5021
the way
down
Time (s)
to the
hoof
10.86
Frequency (Hz)
0 9.154 Time (s)
10.86
48
IU
0.567
and then
the
bone
Time (s)
in the hoof
and
13.17
Frequency (Hz)
13.17
49
IU
982 98 Zoe
50
IU
0.225 0.586 1.245 2.660 3.872 4.471 6.223 6.698 8.134 9.848 10.935 11.718 13.036 14.690 16.260 16.696 18.502 19.153 20.671
IU
--
Time (s)
3.935
Frequency (Hz)
0 0.1543 Time (s)
3.935
52
IU
Time (s)
9.396
Frequency (Hz)
0 3.985 Time (s)
9.396
53
IU
Time (s)
Frequency (Hz)
0 9.81 Time (s)
14.32
54
IU
Time (s)
17.52
Frequency (Hz)
0 14.57 Time (s)
17.52
55
IU
23.43
Time9(s)
Frequency (Hz)
0 18.43 Time (s)
23.43
56
Break index
Section 3
57
Break index
5000
0 0
5000
L+H* This 0 is 0 a 1
!H* fatal
0 0
!H* mistake
L-L
2.62971 Time (s)
0 Time (s)
this H* 2 2 2 is a fatal L*+H 2
1.43673
mistake r 1p mistake L+!H* L-L 4
what to do with the number "2"? Subjects make more of a in break regards between to the rwords notation than above; in English not sure and if so restart I am using is appropriate the 2 notation. here. Subject restarts at same plac 0 Time (s) 2.62971
58
Break index
2 2 4
2 2
Time (s)
2 2
3.6223
Frequency (Hz)
59
Break index
Time (s)
0.8812
60
Break index
Time (s) 1 4 1 2 01 1 1 1 4 1 2 1 4
9.396
Frequency (Hz)
0 3.985 Time (s)
9.396
61
Break index
0.6606
4
Frequency (Hz)
you all the up the shoulder down then the down know way from Time (s) and from hip 1 4 1 0 0 1 01 1 4 1 1 01 1 4
9.069
9.069
62
Liaison
1. Vowels that follow /i/ Chart 1; Chart 2 reality be active playoff pay off triangle my ankle annoyance the boy and me
2. Vowels that follow /u/ Chart 1; Chart 2 ; Chart 3 fluid do it snowy go out flour how is it newest a few apples
63
Liaison
1.
2.
3.
Pitch
Section 4
65
Pitch
(1) Native speakers of English may have very different concepts or habits of where to put their pitch accents when they speak English.
(2) Results of the study: AESs and MSs differ significantly in putting their pitch accents on different parts of the words (t = -5.37, p < 0.01).
AESs
article 0 infinitive
MSs
0.12
infinitive
conj
0
0.03
article
conj
0.20
0.43
prep
auxiliary
0.32
0.33
prep
v
0.66
0.82
v
n
0.63
0.64
auxiliary
n
0.83
0.91
adv
adj
0.78
0.90
adv
adj
0.92
1
66
Pitch
This figure shows a clear discrepancy between American English speakers and Mandarin speakers in where to put pitch accents.
120% 100% 80% 60% 40% 20%
AESs MSs
infinitive
auxiliary
0%
article
conj
prep
adv
adj
67
Pitch
5000
0 0 Time (s)
2.35683
!H* ill
L-H so 4 1 I 1
L* took 1 her 1
H* place
L-L
68
Pitch
HL*
LH*
L- HL*
3.6223
L-L%
Frequency (Hz)
69
Pitch
!H* very 1
L-L
0 Time (s)
2.754
70
Pitch
!His 3 1
H* very 1
L-L
0 Time (s)
3.158
71
Pitch
0.2083 0
-0.4358 0 5000
H*
!H*
!H*
L-
H*
3.383 L-L%
Time (s)
Frequency (Hz)
0 0 Time (s) 3.383
72
Pitch
Speakers of English produce certain words in an utterance with special intonational prominence. These pitch-accented words typically are realized with increased duration, intensity, and/or fundamental frequency (F0). Duration > intensity / fundamental frequency
73
Pitch
74
Pitch
75
Pitch
76
Pitch
Hthen theres no 3 1 1 1
H* argument 1 about 1
L-L it 4 <SIL>
breath< breath
Time (s)
77
Pitch
L* can
Hthen theres no 3 1 1
L-L it 4
5 Time (s)
78
Pitch
Section 5
Mismatched patterns
Between English speakers and Mandarin speakers
79
Numbers
450
360
270
Pitch (Hz)
7
180
O Key
7 1
90
450
0 0 5.011 Time (s)
360
4 1 4 4 4 1 6
270
180
Pitch (Hz)
90
80
Numbers
400
300
Pitch (Hz)
200
100
4 3 9 2 5 4 2
500
0
400
0 Time (s)
3.649
300
Pitch (Hz)
200
4 3 9 2 5
4 2
100
81
Numbers
500
400
300
Pitch (Hz)
200
100
4 3 9 2 5 4 2
400
320
0 Time (s)
3.649
240
Pitch (Hz)
ber numMy is
4 9
2 5 4 2
160
80
10.3
82
Numbers
500
400
300
Pitch (Hz)
200
100
4 3 9
450
4 2
0 0 3.649
360
Time (s)
4 1 4 4 4 1 6
270
180
Pitch (Hz)
90
83
Numbers
400 320
80Hz
ber numMy is 4 9 3 2 5
Pitch (Hz)
360
180 Hz
7
240
Pitch (Hz)
270
160
180
O Key
7 1
90
80
0 0 Time (s) 5.011
0 4.755
180 Hz
Time (s)
360
450
10.3
4 1 4 4 4 1 6
270
180
Pitch (Hz)
90
84
Utterances
400
300
Lit tle
by
lit
tle <SIL>
of
200
100
0 0 Time (s)
0 2.89637
400
400
what kind
300
of
200
100
0 0 Time (s)
0 1.79383
85
Utterances
400
learns
300
200
100
0 0 Time (s)
0 1.57302
400
400
300
Lit
tle
by
lit
tle
he
learns
200
100
0 0 Time (s)
0 1.4327
86
Declination
Section 6
Declination
87
Intonation
A: B: A: B: A: B: A: B: A: B:
88
Intonation
A: B:
A:
89
Intonation
A: Excuse me. How much is this? B: Its sixteen dollars. A: Sixteen? I thought its ten. Isnt it 40 percent off today? B: The big sale starts on Tuesday. Thats tomorrow. A: What? Today is Monday, not Tuesday? B: Yeah. Sorry about that. Do you want me to keep this for you?
90
Intonation
A: B: A: B: A:
Whos gonna help us today? Well, Mary said shed help, but Good. Where is she? She is in her room, If shes in her room, ask her to get ready. Were leaving in two minutes. B: Ok. But you know, she has to leave early, though. A: No. She cant. She has to be with us until the work is done.
91
Intonation
Yesterday we defined pollution.Today well talk about the impact of pollutionits far-reaching effects. Many
people think pollution is just a problem for scientists but its not just a problem for scientists. Its a problem
that affects everyonesince it affects human lives, its a health problemsince it affects property, its an
economic problemand since it affects our appreciation of nature, its an aesthetic problem.
92
feeling doesnt develop suddenly, does it? All of this takes will power.
93
Intonation
The Frog
There once was a slimy, green frog with a very big mouth. That frog drove everybody crazy. He was always going up to others and shouting. Who are you? Im the big, wide -mouth frog! One morning, he decided to find out what everybody else ate for breakfast. He hopped out of his frog pond, went straight to the zoo, and began to bother the animals. First, he met the giraffe. Who are you? And what do you eat for breakfast? The giraffe looked down. Im a giraffe, of course. I eat leaves for breakfast. The big, wide-mouth frog bellowed, Well, Im the big, wide-mouth frog! I eat flies for breakfast! Next he visited the elephant. Who are you? And what do you eat for breakfast? Im an elephant, of course. I eat plants for breakfast. Well, Im the big, wide-mouth frog! I eat flies for breakfast! Next he went to visit the crocodile and shouted in his usual, obnoxious way, Who are you? And what do you eat for breakfast? With a sly, hungry look in her eyes, the crocodile answered, Im a crocodile, of course. And I just love to eat big, wide-mouth frogs for breakfast. Have you seen any big, wide-mouth frogs about? When the big, wide-mouth frog heard that, suddenly his wide mouth closed up and got very, very small. Then he said with a squeak, Nope, Ive never heard of a creature called a big, wide mouth frog. Hope you find one. Sorry, Ive got to go now. The big, wide-mouth frog hopped all the way back to his pond as fast as he could. And after that, he always remembered that sometimes its better to keep your big, wide mouth shut.
94
Intonation
Three mice
In a small town by a lake, there lived three little mice. They were the happiest mice in the world. They learned to fish in the river, play with natural toys, and had fun every day. They painted their house red like the sun, and thanked the Lord for giving them food. One day, a big cat with long fangs and sharp claws came into the woods to look for three little mice, who were sleeping by the lake. They snored so loudly that the cat just followed the sound and soon found them. When the cat was about to catch the mice, an owl called out. Wake up! Run for your lives! The mice woke up and ran. Luckily, they got away. Its my fault! cried Mother Mouse, we shouldnt have fallen asleep. Father Mouse thanked the owl, who just said, my pleasure.
95
Conclusion
b. Intonation units c. Pitch accents (The invariable quality of the stressed syllable/sound)
d. The break index
96
Intonation
5000 600
Learned or innate?
0 0 Time (s)
5000 600
4.921
97
The End
Thank you!
Thank you!
98