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Prof. univ. dr.

Monica Spiridon
monica_spiridon@yahoo.com

STIINTELE COMUNICARII SI STUDIILE CULTURALE .
POPULAR CULTURE : MODELE REPERE SI PRACTICI MEDIATICE.
In!rod"c#r#
CONCEPTUALI$AREA O%IECTULUI
D#schi&a!ori d# dr"m r#p#r# !"rnan!#.
Teoriile critice
Studiile culturale britanice
Semiotica continentala
Pop"'ar C"'!"r# ca A'!#ri!a!# si Di(#rir#.
Polaritati, intersectii, false sinonimii :cultura de masa, industria culturala
Intre orizonturi de referinta polare: cultura postmoderna,
cultura traditionala
SEMNALMENTE ALE POPULAR CULTURE CONTEMPORANE
Carac!#r"' cons#r)a!or si mim#!ic
Genul ca angajament meta-discursiv
Prefabricate reciclabile
Serializarea ca interactiune para-sociala
D# 'a in!#r!#*!"a'i!a!# 'a !ransm#dia'i!a!#
inamica unui transplant
Transmedialitatea ca barter
Transmedialitatea subalterna
Incursiunea in cotidian: !iper- realitatea
+N#"!ra'i&ar#a ,
"n concept de fabricatie proprie.
Modelul # du-te, vino $ : istorie si conte%t
P'ac#r#a di)#r!ism#n!"'
"n concept multidimensional : placerea.
ivertismentul intre libertate si control


%I%LIO-RA.IE
Spiridon, Monica, Popular Culture. Modele, repere si practici mediatice, &raiova, 'd.
Scrisul (omanesc, )*+,
- -dorno, T!., .orc/!eimer, Ma%, The Culture Industry : Enlightenment as Mass
Deception in uring, Simon 0ed.1, The Cultural Studies Reader, 2ondon, (outledge,
+33,, pp. 4*5-4+6
- 7audrillard, 8., Societatea de consum. Mituri si structuri, 7ucuresti,
'd.&omunicare.ro, )**5, pp. +)5-+45
- &uller 8onat!an , 9T!e Semiotics of Tourism:, in Framing The Sign Criticism and Its
Institutions, "niversit; of </la!oma Press, +33*,pp.+-+*
- a!lgren, Peter, Spar/s, &olin 0eds.1, urnalismul si cultura populara, Iasi, Polirom,
)**4, pp. +5-=4> +?4-)**
- uring, Simon, Introduction, in uring, Simon 0ed.1, The Cultural Studies Reader,
2ondon, (outledge, +33,, pp. +-++
- 'liade, Mircea, !specte ale mitului, 7ucure@ti, 'd. "nivers, +3=?, pp.+-? >+=*-+=5
- 2ipovets/;, Gilles, Fericirea parado"ala. Eseu asupra societatii de hiperconsum,Iasi:
Polirom, )**=, pp.+=3-+?6 > )+3-))=
Pro(#sor"' s!a 'a dispo&i!i# p#n!r" oric# a'!# r#p#r# /i/'io0ra(ic#.
CONDITII DE PROMO1ARE
2 Pr#&#n!a minima 'a c"rs d# 345
2 Es#" cons!ind in ap'icar#a "n#i 0ri'# an"n!a!# d# pro(#sor p# "n ma!#ria' a'#s d#
mas!#rand si apro/a! d# pro(#sor in c"rs"' s#m#s!r"'"i. D"pa cor#c!ar# pro(#sor"'
poa!# #)#n!"a' d#cid# ca #s#"' !r#/"i# pr#&#n!a! si ora'.