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Solvor Vermeerw
Heads Up
New term, n
ew music
Solvor Vermeer
There’s something magical contained in
the music of Norway’s Solvor Vermeer – a
singer-songwriter from the north of Norway,
who after playing in varying styles of bands
for seven years is recording her own music to
be released on Lazy Acre Records at the start
of next year.
If the bedroom-demo’s currently doing the
rounds are anything to go by then her new
release could well be one of the albums of
2010.
We grabbed the Scandinavian chanteuse
for a chat.
On her myspace page the description
states, ‘When I was a little girl I once told my
mother there was so much music inside my
Gaggle
There aren’t many bands that get a full-page feature in the NME
before they’ve released a single song, so it’s a testament to the
combined power of 24-part (at the last count) all-girl choir Gaggle
that they managed it so quickly. To see Gaggle live is to submerge
yourself in a fierce spectacle... a wall of women in brightly coloured
shamanic cowls, spread across all age groups and ethnicities, and
all baying for vodka, cigarettes, and the blood of anything with a
Y-chromosome.
They belt out misandric chain-gang shoutalongs (“tie his legs
together/throw him in the river”) and draw the attention of even the
most chatty room like an electromagnet.
‘Crows’ is the best song on offer, with a sinister, bassy backing
track - it illuminates a way forward for a band that must change to Simon Bookish
thrive. Gaggle is a teetering, many-headed monster with a life of it’s Simon Bookish is an elusive and fascinating
own, so make sure you see the spectacle live in case they break composer and pop star from London via Leices-
apart and vanish back into the ether. ter. He came on the same prodigious wave as
troubled alterna-diva Patrick Wolf, but don’t let
myspace.com/gagglespace that put you off - the most recent Simon Book-
Moggz ish album Everything/Everything offers a unique
brand of mind-boggling sonic pointillism that far outstrips Wolf’s
Moggz flit with abandon between dark,
glitch heavy electronica and downright sorry recent efforts. You may have noticed that record not exactly
filthy drum and bass breakdowns – breaking down the door of the mainstream media, but for the
spearing sub-bass runs with mental keen-eyed music geeks among us the steadily mounting critical
percussion as sparks of melody fly applause has comefrom all the right places. In fact, if you Google
from the wreckage blinking in the dark ‘Dumb Terminal Pitchfork’ you might find a taster. Everything/
before being swallowed whole by Everything is a loosely woven concept album based around the
swathes of glitchy drums and insane themes of knowledge, science and information overload and, by
bass attacks. extension, the stuff of modern life.
Listening to them is like following Intelligent arrangements, whimsical humour, arch delivery,
endless neon strip lights through the shards of autobiography and vivid poetry combine into a stun-
brain of a madman before arriving in a ningly ambitious construction. Simon Bookish is a singular artist
candy coated control booth – all flash- who deserves to stand alongside the best of his generation...
ing LEDs and overflowing ashtrays on richly-deserved recognition can’t be far away.
the console.
Great darkly menacing electronica. simonbookish.com
mogzz.co.uk
Compiled by Ben Mainwaring,
John Brainlove and James Thornhill
New term, New music
H e
PENS
a dws U p
Confession: we ab-
solutely love those
TV shows like ‘When
Pets Go Bad’ and
‘Americas Dumb-
est Criminals’ – the
screech of tyres,
the shattering bone,
blood-sprayed idiots
getting their come-
In June we launched our Heads Up new music blog. With so much great new music blasting from our
office stereo we needed to share....These are just some of the picks of our recent new music finds....
Richard Walters
Former Oxford resident (now full time Parisian) Richard
Walters has since his early releases on Big Scary Mon-
sters developed into one of the most feted songwriters
on the scene. Recent album The Animal collects
everything that that is great about the man’s work
– the spidery webs of acoustic guitars, the gentle
swathes of strings and pianos adorning the
mournful alt-folk on show.
The highlight of Walters work has always
been that tremulous falsetto - as easy and
wafer thin as it is emotive and powerful
- and so it is that it takes centre stage
throughout; tiptoeing gently around
hushed acoustic guitars and a shuf-
fling lo-fi beat, best exemplified by
‘Brittle Bones’ a 3-minute calling
card that seems set to see him
firmly at the front of the pack in
the race to become this years
thinking mans songwriter of
choice.
richard-walters.org
Internet Forever
Internet Forever are one of those bands that seem to arrive on a silver platter, fully formed
and already totally awesome. They gigged heavily in London throughout 2009 with a set
containing all five of their compulsive, lo-fi fuzzpop songs, cherry picking sought-after slots
at Upset The Rhythm, White Heat and Club NME, to name just a few. Vice magazine, 20
The Little Hands of Asphalt
Anyone of an Elliot Smith or Bright Eyes bent will find much
Jazz Funk Greats, Pinglewood, Pitchfork and Fader all queued to bury them in critical to love with this band - dealing as they do in a similarly
garlands. Quite what they did so, so right is hard to fathom, but their songs speak forthem- hushed brand of melancholic alt-folk.
selves. Signed to How Is Annie Records in Norway the band
‘Cover The Walls’ is anthemic indie-pop that carries a lo-fi sensibility alongside a John recently played the Oya Festival along with the likes of Wilco
Hughes-y teen triumphalism. ‘3D’ is a hyper-catchy paean to meeting 2.0 people IRL. and Arctic Monkeys and have seen many “album of the year”
‘Break Bones’ is such a fearsome earworm that an unfinished demo was played on Radio style plaudits through Europe.
1, and it had a fan-started cover versions page on MySpace before it was even released (it You can check out a free EP available from the bands
still isn’t). The world seems to lie at Internet Forever’s feet right now... it’ll be very interest- UK label (Lazy Acre) but their new album Leap Years is well
ing to see where the road leads them. worth a listen too - a perfect late night summer soundtrack.
internetforeverandever.blogspot.com myspace.com/thelittlehandsofasphalt
Implosion Quintet Dancer vs Politician
Implosion Quintet is singular fivesome James Baker, a British musician
now residing in Norway. The music of Dancer vs Politician,
Following a scattering of tracks on the Cookshop label, he released quite literally spans the globe.
his highly ambitious and accomplished debut album, The Future Sound The brainchild of Sanni Baumgaert-
Of Yesterday this summer. ner, a Berlin native who has made a
Driven by a short attention span and a love of prog, proto-metal, home for herself in Athens, Georgia,
jazz, electronica, klezmer, tango and everything in between, Implosion USA for the past 10 years, the music
Quintet takes us on a bizarre journey through said styles infused with a is bathed in the cultural ambience of
cinematic quality lending it the feel of a soundtrack to some long forgot- her two homes.
ten cult eastern European flick. Sanni chats to me on a rainy
So you’ve got tango, electronica, stoner rock, prog, jazz, beats, Athen’s morning via internet chat,
blues, glitch, bossa nova, DnB and more besides squished together in whilst strangely the sun blazes in the
a way that won’t drive you insane. usually damp Midlands of the UK.
Maybe it’s the fact that Dancer vs
implosionquintet.com Politician’s optimistic, summery indie-
pop is blasting from my computer
speakers that has brought out the
sun.
Sanni explains how the project
developed, “Dancer vs. Politician
was born when I started recording
the album A City Half-Lost in Athens,
GA. For a while I lived in Berlin and
Athens, flying back and forth a lot,
so I had a band in both places. It
became a bit of an international col-
laboration that I think also influenced
the music.”
For any musician Athens is
undoubtedly a place to draw you in,
considering the musical talent that
this small town has spawned (REM,
the B-52s and the Elephant 6 col-
lective to name a few) but was it the
musical heritage that drew her to the
Georgia town?
“No, originally I came to Athens
as an exchange student at the
University of Georgia. During my stay
here I started to get more and more
involved in the Athens music scene
and it has drawnme back to Athens
again and again. It is really quite
special for such a small town.”
The Euro-American cross-
fertilisation is apparent in the sound keyboards, drums, bass. I play accor- enced some bizarre and over-the-top
Sanni has created with lyrics sung dion, guitar, and musical saw. Overall reactions to their performance: ““Well,
in both English and German and the I like to keep the feel pretty close to we have had the best time recently
music built of the foundation of her the album.” in New Orleans when someone we
influences. Having recently signed to new UK met at a show invited us to stay at
“I love Belle & Sebastian, their in- label Mono Music and releasing the his place which was this fantastic loft
strumentation and beautiful melodies. beautiful debut single ‘Justin Fair- and we had the best time. Then I also
On the darker side I am also drawn born’ back in September we should remember this guy in Richmond, who
to The Velvet Underground. Other expect Dancer vs Politician to make told me that he was going to go home
bands that influenced me on this their first ever live excursion to these and masturbate to my CD now.”
album are The Postal Service and shores.
Azure Ray, a former Athens band.”
When taking Dancer vs Politi-
“I am really looking forward to com-
ing over there and checking out the myspace.com/
cian into the live arena drawing on
the Athens scene gave Sanni a
music scene. Touring is my favourite
way of discovering new bands,”
dancerversuspolitician
smorgasbord of talent to add to an explains Sanni.
ever-changing band of musicians, to This comes as no surprise as
her multi-instrumental base. her sound owes much to the
Graffiti Island “The band line-up is always a bit twee-ness and innocence of
East London trio Graffiti Island have a deceptively simple sound. different, depending on who is avail- British indie-pop as much as it
Through a fog of tape hiss they transmit a swampy tangle of able to tour, but usually we are 4-6 does to Berlin and the US.
minimal Americana; a dirty, heavily stylized racket populated by people with some strings and horns, Live the band have experi-
werewolves, demonic cats, headhunters and satanists. It’s an eerily
perfect concoction, from the slightly atonal bass to the schlock-
horror subject matter and deadpan delivery. But their magpie-like
tendency for plucking up reference points gives their music a rich,
almost conceptual edge. Like an über-fashionable patchwork made Loz Koleszko
of 80’s VHS sleeves, Cramps records, 3D glasses, dusty effects
units and cracked 50’s garage band vinyl, Graffiti Island don’t have Back in 2003 the sugar-coated digital distortions of Koleszko’s
a hair out of place. debut EP The Monkey’s Danced Like Cuboids blew our minds and
They released a 7” earlier in the year on San Francisco lo-fi label he really should have climbed to the top of the electronica tree. But
Art Fag that sounded like it could have been recorded 40 years various problems and record label dithering meant that his amazing
ago or 40 minutes ago. Live, their sound is about as striped back follow-up album ‘’ has never seen a proper release.
as you can get. After gaining a devoted following supporting the likes of Cylob,
‘Wolf Guy’ featured simple, pounding bass, loose drumming and Mike Dred, Plaid and Jimmy Edgar, Koleszko disappeared from the
the monotone drawl of the vocals. Headhunters is as simple as the live scene.
Ramones and as catchy as the ebola virus. If you’re the type who New tunes on his myspace mark the return of aural excretions
goes looking for scuzzy finds in vintage vinyl bins, skip the queue from Koleszko’s twisted mind and early offering ‘Piblokto’ remains
and get Graffiti Island while they’re hot. one of our fave electronic tunes this decade.
myspace.com/graffitiisland
myspace.com/lozkoleszko
headsupblog.blogspot.com
FUNfun
Double the fun! Derby’s FUNfun are one of the best new rock outfits we have heard in while.
Built from the ashes of two great bands YouNoGoDie and Plans and Apologies in December
2008, the Midlands quartet fuse the best elements of their former acts – which is no bad
thing at all.
The four tracks on their brilliant debut EP The Hitchcock EP make it our top tip for the best
indie-rock debut of 2010! ‘The Trouble With Harry’ (on our free MP3 sampler) is more catchy
than Swine Flu, and a lot more enjoyable.
They are looking for more gigs and contacts ‘at this moment in time to Spread the Fun’ –
and trust us a little bit of FUNfun is well worth spreading.
Heads Up
New term, n
shoesandsocksoff.blogspot.com
Track a Tiger
Taking in shades of electronica, folk, country, indie Track A Tiger combine
the lot to forge amazing swoon-pop.
Taking much from the likes of Anathallo, Modest Mouse et al there’s a
healthy smattering of genres abound here all wrapped up around some
elegantly understated song-writing.
trackatiger.com
2009’s compilation Fear of the Wack Planet is no less amazing, covering 27 acts teeming with the kind of positivity, sonic
invention and skewed pop sensibility that has seen the label gather fans and supporters far and wide over the last six years.
Taking in bands from Brainlove’s roster such as pop maverick Napoleon IIIrd (who’s been covered many a time on these
pages), and a selection of other amazing independent artists Fear of the Wack Planet is a must-have new music release.
These are our pick of the Wack Planet pops: revolving cast of helpers and bandmates - a ments of bands like Broken Social Scene and Full Fear of the Wack Planet tracklist:
system befitting their membership in the Arcade Fire.
Ace Bushy Striptease all-conquering Wilkommen Collective of like- The Fly described their music as “larger- 1. Mat Riviere - FYH*
Birmingham’s Ace Bushy Striptease weave minded Brightonians bands. If you’re aware of than life orchestral, hymnal masterpieces and 2. Napoleon IIIrd - Your God*
ramshackle indie magic. The latest in a line of Wilkommen you’ll no doubt have some idea round-the-campfire folky sing-alongs.” 3. Stairs To Korea - Boy Bear It In Mind*
great Brum-based guitar pop bands, there’s what to expect... and if not, then get on it! weaeronauts.com 4. Internet Forever - Break Bones
5. A Scholar & A Physician - Stand Tall*
something shambolically wonderful about their Curly Hair are the “cutest” on offer from the 6. Penny Broadhurst & The Maffickers -
self-named ‘cuddlecore’. Collective by quite some way, but for them Kippi Kaninus Comenzo (live)
A wonderfully shambolic collision of musical to stand alongside emerging bands like The As Kippi Kaninus, digital composer Gudmun- 7. Curly Hair - Hully Gully
ideas the sound of Ace Bushy Striptease is one Leisure Society and Sons Of Noel And Adrian dor Vignir Karlsson creates multilayered, 8. We Aeronauts - The House On Ash Tree
that should be added to your record collection is an accolade in itself. They make a virtue of subtle, downbeat and melodic electronica. Lane*
foraging enough quirks and foibles from the 9. Christopher Alcxxk - Halo
immediately. Manipulated voices, found-sounds and soft-
10. The Bear Driver - No Time To Speak
acebushystriptease.com increasingly crowded DIY-folk scene to stand click percussion offset the downplayed use 11. Kippi Kaninus - Sygyt With Me*
out. Aesthetically, you might find Curly Hair bor- of acoustic instruments to form Kippi Kaninus 12. Thee Oracle - A/I/M/Y*
Pagan Wanderer Lu rowing facepaint and glitter from DIY veterans panoramic, supernatural soundtrack. 13. Pagan Wanderer Lu - Nintendo Folk*
We like our pop of the quirky, DIY variety and Bearsuit and twee sensibilities from Peggy Sue He is also part of renowned string quartet 14. Ratface - Fruit An Veg
that’s why we love Pagan Wanderer Lu. or Slow Club. Amiina’s live show and has done choral work 15. Trademark - At Loch Shiel
Honest and poignant lyrics add a meaningful Musically, they are as bright eyed and fresh with Sigur Ros and Bjork. 16. Fidel Villeneuve - Two Of The Beatles Have
Died
socio-political backbone to the catchy tunes all as it’s possible to be,singing nice, clean little kippikaninus.com 17. Ace Bushy Striptease - Post Hummus
over Lu’s recently released debut album Fight songs about life, love and the last bus home. 18. Planet Earth - 4 23
My Battles For Me, indeed Virtual Debris called Curly Hair have already made a big splash Mat Riviere 19. Sparky Deathcap - Winter City
it ‘witty and often ascerbic lyrical goodness with on the radio with a Mark Riley session under Mat Riviere forges sparse but intense songs, 20. Keyboard Choir - Tachikoma
increasingly pop sensibilities’. their belt and plays from such luminaries as heavy on atmosphere and melody colliding 21. Kid Carpet - Go Get Yourself A Hammer
Self described as an ‘electronica fuelled Huw Stephens and Bethan Elfyn. Watch this analogue instruments with digital techniques 22. Laura Wolf - Love Was Dead
23. gwEm - Ancient Art Of Chiptune
indie-pop songwriter’ playing ‘indietronica’- space to see how far their tinfoil wings will take creating sounds that are steeped in tradition 24. Braindead Collective - Untitled #1
PWL is an eclectic interbreeding of pop sound them... but have one foot in pops future. 25. Heartbeeps - Glacial Valleys
- taking in noisey alt. rock, danceable rhythms, myspace.com/wearecurlyhair A definite pop maverick for the future! 26. MRBLKRSHRRRR - Jackie Collins
punk attitude, techno blips, piano pop, moody myspace.com/matriviere 27. Jam On Bread - Wikipedia Says I’m Dying
synths and introspective acoustic folk. If there’s We Aeronauts * Brainlove records bands
not something in there for every one we’ll eat Folky eight-piece We Aeronauts have been Jam on Bread
our collective hat. turning heads on the live circuit for a while now, Steve performs as Jam on Bread, and we Getting your hands on these 27 amazing
paganwandererlu.wordpress.com blowing our collective minds at Truck Festival like Steve. We love his simple, innocent and tracks is just a few clicks away. Get on that
a few years back. This year has seen a new knowingly twee ditties. Lyrics fraught with there interweb and make a purchase at:
Curly Hair spate of stunning recorded offerings which self-deprecating humour and that are never
Curly Hair are Ben & Jessica from Brighton. brilliantly illustrate the sheer optimistic beauty self-indulgent or annoying. brainloverecords.com/order
They’re an art-school folk-pop duo with a of their country folk, tinged with the dark ele- myspace.com/jamonbreadyay
Nodzz
Despite losing a drummer to
the peace corps during the
making of it, Noddz self titled
debut album (out on the ex-
cellent What’s Your Rupture
label) is a scuzzy lo-fi affair
that for all its rattles and
hums is a blissfully summery
slice of alt pop.
We’re going to have to
name drop Pavement and
their alternative-leaning
ilk, there’s a quirky edge
throughout their breakneck
tracks that means that rather
than just rehashing their influ-
ences the guys have created
something fresh, immediate
and cool as fuck.
Exlovers
myspace.com/ When we heard Exlovers last year we were hooked im-
mediately with their loping lo-fi pop.
nodzzz For fans of a Pavement, Elliot Smith and The Smiths
there is so much to fall in unrequited indie love with here…
The hooks are subtle but with repeated listens these songs
will be under your skin in no time.
We have to confess that the indie snob part of us will be
Smoke Fairies a little bit sad when these guys invariably go from being my
Smoke Fairies are literally swimming in critical acclaim and little secret to chart- bothering indie types but their Belle
quite rightly too. Their juxtaposition of deep-south blues, tra- and Sebastian-esque rise to awkward NME cover stars will
ditional English Folk all mixed together with a genre defying be richly deserved.
bravado is pushing all the right buttons.
Katherine and Jessica, first got together at school in Sus- myspace.com/weareexlovers
sex, before decamping to Vancouver and New Orleans. Since
returning to the UK they have started to get public and critical
recognition for their unique, ethereal and hypnotic
music.
Smoke Fairies simply play some of the most magical
and beautiful music possible.
myspace.com/smokefairies
My Little Pony
If you like your indie-pop on the fey side of feel good
(think Belle and Sebastian’s later work, The Con-
cretes even a bit of Vampire Weekend) then your go-
ing to absolutely love My Little Pony deploying gently
lulling folk-pop adorned with washes of piano, guitars,
horns and the odd glock for good measure.
Like the bands mass produced namesake, there’s
something almost childlike and innocent about this lit-
tle lot only enforced by the way they will hug your ipod
the same way a child might cling to your leg come the
Monotonix first day of school.
Joyously wonderful!
Every now and again you see a band that kicks you
full on in the balls, wrecks your head and leaves you a
spent, sweaty mess. myspace.com/mylittleponyoslo
Israel’s Monotonix are one of THOSE bands. Their
unhinged, uninhibited garage rock madness has been
laying waste to audiences all over the world.
Monotonix are unfashionable, uncool and totally un-
hinged. They are not big, they are possibly not clever but
they are 100% total rock and roll!
Check out Monotonix at your first opportunity and join
the carnage.
monotonix.com
Spokes
This Manchester lot are something
a bit special effortlessly forging their
sound from a massive array of genres
(slow-core, post-rock, indie, folk, shoe-
gaze, pop – you name it!). Counter are
reissuing their amazing debut album
People Like People Like You released
on their own imprint, Everyone, in 2008
– which is a good thing as all of us who
missed it the first time round can now
add it to our collections. And we all
should.
Ape School
Michael Johnson is Ape School, and
came to Counter’s attention with the
vocal for “Make It So” on Daedelus’
‘Love To Make Music To.’ Formerly a
member of Holopaw (Sub Pop) as Ape
School Johnson peddles dreamy, hazy
The Death Set psychedelia which has a warm but oth-
erworldly atmosphere that owes much
counterrecords.com
before finding ‘home’ by living out a
Kenneth Anger merciless punk-rock racket.
movie in Dickiemop, Dannymop and
LA. Jacobmop have been turning heads
at gigs up and down the country.
Their recently released 5-track EP
You need this compilation! Get online and get tracks from all the acts on Coun- has been gaining critical plaudits
ter on CD or MP3 for the bargain price of just £2.99. Search for STRIKE and radioplay.
and make one of the best new music purchases you’ll make all year If you like your music raucous and
on the wrong side of unhinged Dol-
ninjatune.net/ninjashop
lymops tick all the boxes.
myspace.com/dollymops
Kambodsja
In a word - brutal. Kambodsja play a head on collision between post rock and
bone crushing post hardcore.
Hailed as the “greatest
hardcore band to come
from Norway” by a fellow
countryman, that remains
to be seen but all the same
new album Marionette You
Are Mine is well worth a
listen.
kambodsja.com
Dials
Formed by members of several defunct bands from the Shrewsbury area DIALS
have been together just over a year and they have been making waves with debut
Mimas EP Fix This Imbalance which hit the streets back in August.
This Danish five piece pirouette with ease through Rock Sound have been ‘particularly nice’ about it, which is understandable as
all manner of musical territory moving from post rock it kicks some serious ass. Considering the short period of time they have been
breakdowns to blessed out choruses with wild aban- together the accomplished tunes they have turned out point to a lot of potential for
don – underpinned with some mesmerising musician- the future.
ship and stunning melodies that is never once lost in Dials music is a multi-layered rock beast taking in the expansive hardcore of At
the complexity of their sound. The Drive In, the stadium rock of Brand New and the post-rock noodlings of Minus Crocodiles
Their debut The Worries is a mind-blowing affair, the Bear. You could use any number of words to
slowly burrowing its way to the back of your brain – it Describing their live performances as ‘30 minutes well spent’ their dynamicism describe Crocodiles sound: “Visceral”, “throb-
is an absolute must hear and you should track down on stage has seen them support the likes of Twin Atlantic, Fei Comodo, Failsafe, bing”, “nihilistic”, “sexy”, “raw”, “unashamed”
a copy immediately. Amusement Parks on Fire and Will Francis of Aiden in the last few months. … but to do so would almost be contradicting
Currently working on new material for release in 2010 and touring relentlessly. the their very essence; to dissect these songs
mimassite.com Dials look set to deliver on their early promise – check them out! at anything other than face value is almost
antithesis to the very being of what is es-
dialsmusic.com sentially just an achingly cool no bullshit rock
n roll band. Crocodiles distil equal parts of the
Jesus and Mary Chain feedback
laden maginificence and the
spacey swagger of Spaceman 3.
Sharks Took The Rest Shrouding their hooks in
Coming on like a cross between Joanna New- swathes of feedback and stutter-
som fronting an unplugged Cocteau Twins, the ing guitars but with a melody is
band have just two have but two songs on their always close at hand – elevat-
myspace right now but both are worthy of your ing them above their krautrock
immediate attention. tinged peers and into genuine
We are in love with the track ‘Isobel’ and it classic rock n roll territory.
has been on constant rotation, the gossamer
whisper and sighing piano drag us in every time. killkillkillcrocodiles.
At present completely unsigned (although
surely not for long) these guys could be your blogspot.com
new favourite band within five minutes.
sharkstooktherest.com
thenationalstudent.co.uk/tranmissionsone