C=Carpenter P=Packer IEP = Internet Encyclopedia of Philosophy =ilson! E"erson#s Metaleptic Style $=$anella %HEMES & indi'idualis"&$( & )elief in de"ocracy&$( & support of the ordinary&$( & opti"is" * $( & reliance on spontaneous! intuiti'e insi+ht&$,, & ulti"ates- truth! )eauty! +oodness&$,, & intuiti'e insi+ht superior to pedestrian lo+ic&$,, & opposition to rituals of or+ani.ed reli+ion&$,, & opp to Cal'inistic e"ph on innate depracity and predestination&$,, & opp to neoclassical for"alis"&$,, & faith in pro+ress&$,/ & faith in di'inity of "an and potential for his +enius to flourish&$,/ & focus on the ri+hts and prero+ati'es of each person&$,/ & di+nity! 0orth! responsi)ility! authority of each sin+le! separate person&$,/ &distrust of philanthropy&$,1 &+ro0in+ co""it"ent to a)olitionis"! esp )y "id ,234s&$,3 &opposed "any Recon policies5 ada"antly supported ri+hts of freed sla'es&$,6 &"oral authority of indi'idual intellect and conscience o'er institutions&B,/ &authority of indi'idual e'en o'er the Bi)le&B,/ &li)eration fro" inherited past offered )y hu"an in'enti'eness and pol freedo"&B,/ &spiritual truth deri'ed fro" nature! not fro" "iraculous! supernatural re'elations&B// &e'erythin+ can )e disco'ered fro" the close study of nature! )roadly construed&B//&/7 &influences- Plato! neo&Platonic! eastern! natural history&B/1 &transparent eye&)all in 0ho" all e+otis" has 'anished5 uni'ersal )ein+ circulates&B/1 &)reak 0ith dependence on i"itation of classical! Eur "odels&B/3 &accused of producin+ unclear! pantheistic +i))erish&B/3 &e'erythin+ in uni'erse stands in funda"ental rel to e'erythin+ else&B/( &all is unified )y thou+ht or "ind&B/( &infinitude of the pri'ate "an&B/( &nature#s or+anicis"&/( &indi'idual is part of a uni'erse strun+ to+ether )y "ultiple relational threads&B/( &essays / nd - idealis" yields to realis" and fatalis"8&B/2&/9 &nature! idealis"! rels 0ith friends and fa" no0 struck E" as cold and e"pty&B/9 &death of son affected tone of second 'olu"e&B/9 &re:ected creatin+ disciples&B77 &Rep Men- not heroes! )ut "en of unco""on a)ility )ut 0ith fla0s&B7( &Rep Men- struck conte"ps as reflectin+ concession of ideal to real&B72 &;look for the per"anent in the "uta)le and fleetin+<&B79 &;)ear the disappearance =of re'ered thin+s> 0ithout losin+ ? re'erence<&B79 &nature#s! culture#s! indi'idual#s persistent e'olution to0ard perfection&B19 &0riter as prophet and priest&B34 &"aterial pro+ress alone neither ar)iter nor "easure of culture#s 'alue@sA&B34 &re'ered force and ener+y5 results fro" his instincti'e faith in hi+her cause&B34 &essential dualis"- finite and infinite5 real and ideal&B3, &a)uses! fla0s transitory! not per"anent5 pro+ressi'e e'olution&B3/ S%$BE CND %ECHNIEFES & his style operates )est at le'el of indi'idual sentence *IEP &essays )ound to+ether neither )y stated the"e nor pro+ression of ar+u"ent * IEP &essays )ound to+ether )y syste"atic coherence of his thou+ht alone * IEP & titles of essays do not li"it su):ect "atter * IEP & eGplores contrary poles of particular idea5 si" to poetic antithesis * IEP & hi+hly fi+urati'e style * IEP & hi+hly Huota)le style *IEP &clear in sentences! o)scure in para+raphs&NNDB &sporadic o)ser'er 0ho sa0 )y flashes&NNDB &coherence of his 0ritin+ lies in his personality&NNDB &states his opti"is" "oderately&NNDB &ha)it of close o)ser'ation&Outline of C"Bit &influenced )y the aphoristic +enius of Montai+ne&OCB &essays a++lutinati'e rathan or+anic&HIMIJones &strikin+ thou+hts recorded in :ournals! then used in essays&HMJones &his style less a piece of architecture than a pile of )locks&HMJones &the 'er)al "otion is circular! not for0ard&HMJones &the accuracy and pun+ency of his diction are )eyond praise&HMJones &ai"s not at persuasion )ut transport& &0anted a hi+hly char+ed 0ritin+ style& &0anted his 0ords to )e as dyna"ic as nature& &co"pression! density! contraction& &"etalepsis- one trope or fi+ure added to another 0ith eGtre"e co"pression& &se'eral fi+ures! tropes! allusions fused& &use of allusion5 echo of past lit teGts& &co"pleG! co"pressed style reflects co"pleG! interrelated nature of Nature& &crosses nature and scripture! 0ords and thin+s! "ind and "atter5 chias"us& &anaphora- s0ift succession of )lo0 on )lo0& &intoGicated lan+ua+e& &epi+ra""atic &)rief utterances of poetic prose&$/2 &a)sence of linear! lo+ical pro+ression&$/9 &his 0illin+ness to eGperi"ent and re:ect con'entional rhet&$74 &personal e"ph&$ ¬hin+ tentati'e5 tone of certainty5 e"phatic5 declarati'e5 eGhortatory * rce & anthropo"orphis" * rce & little effort at proof or ar+u"ent5 "ainly assertions&rce &concrete i"a+ery! si"plicity of sy")ols and 0ords! for" follo0s function *StIJa"es &spontaneous or or+anic&C &so"e think he a)andoned all "ethod or for" in later essays&C &E constantly conde"ned his o0n 0ritin+ for its for"lessness&C &Carlyle co"pared E#s essays to can'as )a+s of )uckshot&C &his philosophy of intuition and indi'idualis" :ustified this ato"ic literary "ethod&C &isolated flash on insi+ht is all i"portant&C &yet so"e 0orks are "ethodically or+ani.ed! 0ith nu")ered parts&C &Matthiessen- his "ethod 0as an a)straction instanced )y indefinite K of e")odi"ents&C &defines an idea and then illustrates it in 'arious 0ays&C &descri)es or illustrates an idea fro" t0o or "ore POLsMrealistic and idealistic&C &considered e'ery idea fro" POL of God and "an&C &thus his essays or+ani.ed as pole"ic state"ent and counterstate"ent&C &so"eti"es de'eloped an idea )y eGpandin+ it in "ore and "ore +eneral ter"s&C &so"eti"es "o'es fro" specific to +eneral&C &the essays do lack ;art!< in the sense of aesthetic for"&C &hi+hly personal and infor"al style&C &so"e critics ha'e decried eGcessi'e use of ;I<&C &colloHuial5 'itality of the spoken 0ord5 spoken rathan 0ritten&C &so"eti"es sounds a )it preachy! rhetorical&C &feelin+ for the natural rhyth"s and e"phases of co""on speech&C &feelin+ for the natural "eanin+ of indi'idual 0ords&C &so"eti"es pro'er)ial5 so"eti"es epi+ra""atic&C &aspired to )e intense! or+anic * to "ultiply si+nificance and treats 0ords as thin+s&C &Bandor praised E for ;the "erit of not eGplainin+<&P &E- ;C little +uessin+ does =the reader> no har"5 I ? assist hi" 0ith no connections<&P &a)andoned stock properties of colle+e rhet for pun+encies of ,(c prose "asters&P &atte"pted to rein'i+orate lan+ )y returnin+ it to its nati'e roots&P &su++ests rather than tells5 refuses to defend5 co")ines eGcess 0ith reticence&P &refusal to "odify or eGplain his "ore shockin+ assertions&P &accused of 0itless opti"is"&P &o)scurities! eni+"as! lacunae test reader#s intelli+ence and +enerosity&P &a ;deep< teGt is one that challen+es the reader to intellectual acti'ity&P &a")i+uities! paradoGes! understate"ents&P &deli)erately re:ected careful intros! +raceful transitions5 )e+innin+s! trans a)rupt&P &indeter"inacy of tone also "akes his prose difficult&P &his sentences can usually )e read in "ore than one 0ay&P &his essays )elon+ to the oral! not 0ritten! trad&P &adopts the stance of the sa+e 0ho can +i'e ad'ice in li'in+&P & NC%FRE &archetypal state"ent of transcendentalis" * StIJa"es & reflects Col#s distinction )et0 reason and understandin+5 reason=intuition&SJ &one of the "ost carefully or+ani.ed of his 0orks&SJ &doesn#t decide 0hether nature eGists outside the "ind&SJ &strikin+ epi+ra"s and startlin+ "etaphors to +oad readers into thinkin+&SJ &its infl on 0riters has )een out of proportion to its popularity&C &in it he tried to eGpress a ne0 phil of life all at once5 not surprisin+ that he failed&C &)ut he su++ested or outlined all his "a:or ideas&C &0rote in a poetic )ut concentrated style that challen+ed attn e'en if e'adin+ definition&C &Hol"es called it a reflecti'e prose&poe"5 )eco"in+ "ore and "ore rhapsodic&C &a )ook of opti"is" and youthful enthusias"5 increasin+ly critici.ed )y "oderns&C &its popularity has tended to decline "uch "ore rapidly than less rhapsodic 0orks @SRA&C &a ;crack< occurs )et0 the chaps on discipline and idealis"&C &failed to sol'e phil pro)le" of "ind and "atter5 "erely :u"ps to ideal&C &fla0 is that he +i'es the i"pression of ha'in+ sol'ed the pro)le"&C &o'ere"phs the ;analo+y that "arries "atter and "ind<5 too si"plistic&C &"akes "any eGtre"e! eGa+ state"ents5 also su++ests "any uniHue! se" ideas&C &style 0as fresh and challen+in+ &diffs )et0 first and later eds5 "otto of second i"plies e'olution&C &second ed less transcendental! "ore realistic than first&C & =,> Cn essay )y NIRO RCBPH CBDO EMERSON NPIRO on 0hich he )e+an 0orkin+ in ,277I Pu)lished anony"ously in ,276! it 0as E"ersonQs first "a:or 0orkI E"erson sees nature as RCo""odityR in its practical functions! as RBeautyR in the deli+ht it arouses! as RBan+ua+eR in its sy")olical si+nificance! and as RDisciplineR in the education it +i'es the Fnderstandin+ and the ReasonI hen "an is in co""union 0ith nature he says to hi"self! RI )eco"e a transparent eye)all5 I a" nothin+5 I see all5 the currents of the Fni'ersal Bein+ circulate throu+h "e5 I a" part or parcel of GodIR =BENE%> &e"ph on pro+ress&CliffsNotes &each person "ust de'elop personal understandin+ of uni'erse&CN &re:ection of recei'ed 0isdo"&CN &unity of God! "an! nature&CN SEBS&REBICNCE &E#s +reatest essay5 )rilliant lan+5 uni'ersal applica)ility of ideas&C &appeal has al0ays )een to the youn+ in spirit&C &o'er&states its case5 only at the end does it Hualify its radicalis"&C &essays takes for +ranted that indi'id is schooled and relies on conscience! God&C & CMERICCN SCHOBCR &E#s "ost fa"ous speech&C &alon+ 0ith SR! his "ost pop piece of prose&C &enor"ously influential&C &Hol"es called it ;our intellectual Declaration of Independence<&C ¬ chau'inistic )ut independent&C &the ideas of the piece 0ere not ne0&C REPRESEN%C%ILE MEN