Documente Academic
Documente Profesional
Documente Cultură
Dramatic Publishing
c ata l o g of p l ay s a n d m u s i c a l s
Arcana
ARCANA
Short
playS and
monologueS by
John longenbaugh
Cast: 2 to 7m., 4 to 14w. Bare stage. Approximate running time: 90 minutes (8 to 10 minutes
per piece). Plays may be performed individually or in any combination.
Six short plays and two monologues explore a variety of themes and genres, inspired by the Major
Arcana figures in the Tarot. In Byzantium, a woman trying speed dating is frustrated by the fact
that most men are intimidated by a strong femaleparticularly Empress of the Holy Roman Empire. In Petting Sounds, sounds of sex from a mans apartment turn out to have an unexpected
source. The Picnic features a tableau from a Manet painting that comes to life. In Balance, a
vegetarian tries to explain to her carnivore date why she agreed to go out with him. A Cry in the
Forest concerns an intrusive aunt who finds out its best not to poke too far into her nieces imagination, while Affairs With the Moon reveals the thoughts of four women in different places as
they talk to a debonair Moon. In A Wild River a reporter from Rolling Stone gets an interview with
the new pope, whos got some pretty radical ideas, and Stardust slowly reveals the connection
of two universal rites of passage between two different couples. Royalty: $75/performance.
Individual royalties: $20/performance. Price: $8.95. Code: AK4.
ARK 5
An IRT/Bonderman semifinalist
AATE Playwrights In Our Schools selection
ARK 5
Drama by
Sandra Fenichel Asher
Aura
Drama. By Tommy Lee Johnston.
Cast: 2m., 1w., 32 to 46+ either gender (doubling possible for smaller cast). Area staging. Approximate running time: 60 minutes.
This play presents the classic fairy tale in delightful simplicity and then turns the same story into an
urban fairy tale. In the classic fairy tale, a donkey, a dog, a cat and a rooster are kicked out of their
homes as worthless. The animals find new strength and purpose as they band together, becoming
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an orchestra with their bray, bark, mew and cock-a-doodle-doo. The cacophony of an impromptu
concert frightens a robber so much that he abandons his ill-gotten gold, and the animal musicians
retire happily. The urban fairy tale takes the same story but makes the characters human and sets
them on the streets of a big city, where Jakes decrepit old junkyard is being condemned. Junkyard
Jake takes in Fiona, a homeless woman, Sherri, a deaf girl selling flowers, and Pop-Head, a street
kid. The street people band together playing junkyard instruments and fend off city bureaucrats determined to turn them out as worthless. Belief in their own worth and music allows them to convince
the mayor that their junkyard is really an art park. Just like in the classic fairy tale, the four look to
live happily ever after. Royalty: $75/performance. Price: $8.95. Code: BK7.
Cast: 11 to 19m., 8 to 9w., several minor roles either gender. One ext. set. Approximate
running time: 75 minutes.
This modern-day Brady Bunch blends two nearly grown families when a Cherokee man, John, and
a white woman, Emma, get married and move into his small community, surrounded by his family.
Before the wedding decorations are down, the two groups are thrown into planning the biggest
family reunion in Cherokee N.C., complete with a historical reenactment! Looking for acceptance,
Emma hopes that playing out the story of Henry Timberlake, a white explorer visiting the Cherokees
in the 1700s, will help the kids realize what it is like to fit into a foreign world. Instead, cultures
clash, young love blooms and history threatens to repeat itself. Through music, dance and some wild
fights, everyone learns what it really means to be a family. Royalty: $75/performance. Price:
$8.25. Code: CP7.
Musical. Book by Joseph Robinette. Music and lyrics by Benj Pasek and Justin
Paul. Based upon the motion picture A Christmas Story, distributed by Warner
Bros., written by Jean Shepherd, Leigh Brown and Bob Clark, and upon the book In God
We Trust: All Others Pay Cash written by Jean Shepherd.
Cast: 15m., 10w. May expand to 20+m., 15+w. Area staging. Approximate running time:
2 hours.
This musical, which received rave reviews on its Broadway run, is based on the movie classic that
runs round-the-clock on television every Christmas. Set in the 1940s in the fictional town of Homan,
Indiana, the musical follows 9-year-old Ralphie Parker and his quest for the Holy Grail of Christmas
giftsan Official Red Ryder carbine-action 200-shot Range Model air rifle. Rebuffed at every turn
with a similar echoing response, Ralphie plots numerous schemes to achieve his desperate desire for
the coveted BB gun. All the iconic scenes from the movie are here: Ralphies friend, Flick, getting his
tongue stuck to the flagpole; his brother, Randy, getting dressed in his snowsuit; the bullies, Farkus
and Dill; the leg lamp award; the bunny suit; the Chinese restaurant; Christmas dinner; and many
others. The delightfully versatile score ranges from gentle ballads to show-stopping full-ensemble
numbers such as Ralphie to the Rescue, A Major Award, Up on Santas Lap, and the inevitable
Youll Shoot Your Eye Out! A true gift! A sparkling new stage musical adaptation with a surefire
charmer of a score. (New York magazine) Royalty on application, plus music rental. Price:
$9.50. Code: CD2.
Photo: Leg Lamp Productions, LLC at Lunt-Fontanne Theatre, New York City., featuring Jeremy Shinder and Ensemble. Photo: Carol Rosegg.
The Color
of Stars
The Edge
of
Peace
By Suzan Zeder
Find
HELIUM
By
Julian Wiles
Helium
Comedy. By Julian Wiles.
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Kingsleys grandsons, watch in wonder and amazement as their mischievous grandmother, once
a brilliant teacher of chemistry, slips away day by day into the mysterious and unfathomable
clouds of dementia. Royalty: $75/performance. Price: $8.95. Code: HF9.
I Am Grock
I Am Grock
Comedy. By Amanda Rogers.
Cast: 3m., 4w. Unit set. Approximate running time: 90 minutes.
Family therapist, Dr. Phoebe Gardner, has written a groundbreaking book entitled Brutal Honesty, which is about to be released nationwide. Anticipated to be the newest rage in pop psychology, a high profile television newsmagazine is planning a one-hour special at her home. A
notoriously ruthless newswoman will interview Phoebe, her husband, Paul, and their 9-year
old son, Jasper. Cameras will reveal them to the nation as the preeminent example of an emotionally and psychologically healthy familythe result of Phoebes work promoting uncensored,
brutal honesty within the family unit. The morning of the interview, Phoebe is shocked by the
unexpected arrival of her parents, grandmother, sister and brothers pregnant Japanese girlfriend. When the television newswoman finds out that Phoebes extended family is visiting, she
insists that everyone must participate in the interview. Phoebe faces her family with all their
amassed neuroses, psychoses and family secrets, and she is left with no choice but to heal her
own family before the newswoman and cameras arrive. The problem is that she has only an hour
and 20 minutes to do it. Intelligent, laugh-aloud theatre. (The Herald-Times, Bloomington,
Ind.) Royalty: $75/performance. Price: $8.25. Code: ID7.
An Identified Enemy
Comedy by
Amanda Rogers
An Identified
Enemy
Cast: 9 to 10 or more m., to 7 or more w. One ext., two int. sets. Approximate running
time: 1 hour, 40 minutes.
In 2009, Jamie Foster, age 23, an Iraq war veteran now enrolled in a university, tries to piece
together the truth about what happened one day in Baghdad with his friend Jalil, a local Iraqi
national. In flashbacks to 2007, during The Surge, we see the developing friendship between
the 20-year-old American Army Private Foster and 21-year-old Jalil Khalifa Al-Majid, who operated as a street vendor just outside the patrol base. Jamie replays scenes from that day over
and over, looking for clues as to what exactly happened. He searches U.S. videos of that day,
captured enemy videos and videos of terrorist interviews. He contacts people who knew Jalil
including an American corrections officer who encountered Jalil in an Iraqi black-site prison.
Jamie is particularly interested in an Al Arabiya interview with Shehedah Jawhar, a Palestinian
terrorist who trained insurgents in Iraq during the time Jamie knew Jalil. Did Jalil know there
was a roadside bomb? Did Jalil set it? Did Jalil train with Shehedah Jawhar? Was Jalil an ally?
Did Jalil save Jamies life that day? Della, Jamies girlfriend, also an Iraq war veteran, seems
convinced that Jalil is not as innocent as Jamie believes him to be and urges him to let it go
and focus on his classes. But Jamie, struggling to believe in something, needs answers. First
he must find Jalil, who seems to have disappeared. Royalty: $75/performance. Price: $8.95.
Code: ID6.
Inga Binga
Cast: 4m., 2w. One int. set. Approximate running time: 2 hours.
Intrigue, espionage and forbidden romance abound in Inga Binga, based on the amazing true story of Ensign Jack Kennedys World War II romance with a suspected Nazi agent and former Miss
Denmark, Inga Arvad. When rumors that Kennedy was seen in the company of a beautiful blonde
bombshell and alleged Nazi agent began to circulate around wartime Washington in 1942, the
FBI was soon on the case. Jack and Inga arrange for a secret liaison in Charleston, S.C., checking into a hotel under assumed names. But FBI agents are in hot pursuit, setting up recording
devices in the next room, where they begin to listen in on Jack and Ingas steamy tryst. When
reporters from LIFE magazine show up, eager for a photo of the clandestine couple, the makings of a full-blown farce are soon in the works. Based on declassified FBI files that were held
in secret in the offices of J. Edgar Hoover for more than 50 years, Inga Binga is a fictional and
farcical romp through this steamy footnote in American history. Royalty: $75/performance.
Price: $8.95. Code: ID5.
Inga Binga
Comedy
By Julian Wiles
My Fair Share
of the Sun
My Fair Share
My Fair Share
Drama. By Gordon LePage.
of the Sun
of the Sun
Cast: 8m., 14w., 1 to 8 either gender. Area staging. Approximate running time: 60 minutes.
Uncle Fy and his niece Zoe plant 14 white birches long the lonely dirt road to his cabin in the
woods. Shortly thereafter, a violent storm destroys the house and uproots the elder trees, who
were the beloved caretakers of these 14, leaving them to fend for themselves. Despite the best
efforts of a few of the trees, the group splits into two rival groups, each living on opposite sides
of the road, as they race to grow to the sky and crowd each other out in an insatiable hunger for
sunlight. They descend into chaos and treachery but, in a momentous climax, achieve an ironic
peacechained to the tiny society that defines their entire world, trying to decide who owns the
sun. This is a symbolist play about usall of usand our struggle to be the social creatures we
all know we have to be in order to live together on both sides of the road. Royalty: $75/performance. Price: $8.95. Code: MP1.
Cast: 6m., 5w., with a chorus of 3m. (expandable to 20) and 3w. (expandable to 20). Area
staging. Accompaniment CD available. Approximate running time: 2 hours, 15 minutes.
Jam-packed with gunfights, a hangin, a half-million-dollar bank heist, saloon girls and cowhands,
a good-hearted Madam, hilarious dialogue and a wagonload of strummable, hummable tunes, The
Singin Cowboy tells the tale of how the Singin Cowboy tames the fierce Tumbleweed Tammy
and converts her gang of outlaws to the ways of goodness. Singin, as hes usually called, is the
finest shot and the best musician in the Wild Wild West. When Singin is captured by Tumbleweed
Tammy and her ragtag band of bandits, they force him to help them pull off Tammys biggest
caper yetstealing a half-million-dollar payroll from the safe down at the town saloon. One by
one, however, Singin converts Tammys gang from a life of thievin and killin to a life of song and
harmonyusing nothing but his innate musical talents and his aw-shucks charm. However, Sheriff
Potts is forced to do his sworn duty and hang his best friend Singin for taking part in the robbery. Has Singin sung his last stanza? One things for sure: your audience will go home singin the
foot-stompin, shoot-em-up saloon and trail songs as well as the tender ballads from The Singin
Cowboy. Royalty on application, plus music rental (scores or CD). Price: $8.95. Code: S1Q.
Cast: 8m., 5w., 1 either gender. Two int. sets. Approximate running time: 90 minutes.
In this dark comedy based on the classic cult movie A Bucket of Blood, Walter Paisley is a put-upon bus boy at a beatnik caf whose greatest dream is to be an artist. When he accidentally kills
his landladys cat, he covers it in clay and passes it off as sculpture. Finding himself an overnight
artistic success, Walter feels the pressure to produce more work and a deadly accident with an
undercover cop provides him with a human sculpture and even greater fame. As the police close
in and the murders escalate, Walter zeroes in on the girl he loves, determined to make her his
wife or his next sculpture. Tongue-in-cheek post-modernism gets a thorough workout [in this
adaptation of] a horror flick that satirized beatnik culture and the modern art world. (Kansas City
Star) Royalty: $75/performance. Price: $8.25. Code: TT8.
Cast: 3m., 5w. One int. set. Approximate running time: 90 minutes.
Arlene Marcus and her sister, Elzbeth, are known far and wide in South Texas as friendly, charitable and a little eccentric. This is understandable, because it is also known that they are witches.
At least, thats the story, especially the one spread by housekeeper, Opal Dunn, just before she
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vanished without a trace. Sheriff Jeb Abercrombie seems a little shy about investigating for some
reason, which bothers Elzbeth, who has a crush on the lawman. Arlenes son, Jeremy, tries to keep
a lid on things by trying to get the sisters to sell their house. And who wants desperately to buy the
property? Eustace Sternwood, his fiancs father. Of course, Sternwood didnt reckon on dealing
with people who read bumps on his head, a recipe book full of spells and potions and getting lost
in Elzbeths mystery room. Jeremy already has his hands full, so what happens when he seems
to be falling in love with Bonnie, the new housekeeper? And just who is she? And why does she
keep making reports to someone over her cellphone? Its a heady brew of twists and turns, where
barn owls spy on people through windows, closets fly open and even the house itself seems alive.
Of course, its all par for the course, especially when you have Two Witches, No Waiting. Royalty:
$75/performance. Price: $8.95. Code: TU1.
Waste Mismanagement
Comedy. By Dan Doyle.
Cast: 7 to 9m., 3 to 4w., 1 either gender. Two int. sets. Approximate running time: 1 hour,
50 minutes.
J.B. Hornsby, a marginally successful criminal defense attorney, pins his hopes for a brighter future
on a fast-talking advertising agent. Then in walks a new client, Stacy Jenkins. Her stockbroker
husband, Arnold, has vanished, and the cops, suspecting homicide, are breathing down her neck.
Hornsby attempts to pin the murder on Vinny Varconi, a ruthless mob loan shark and hit man. He
is shocked when, without explanation, the judge suddenly drops all charges against his client. In a
startling twist, Beulah, the wildly eccentric psychic, employs her supernatural and mystical powers
to bring about an astonishing conclusion! Royalty: $75/performance. Price: $8.95. Code: WG8.
Under a
Midsummer
Moon
Drama by Claudia Haas
Walking Toward
America
Waste
Mismanagement
edy
A gritty com
id
that isnt afra
dirty.
to get down and ord, Ill.
, Rockf
The Rock River
Times
Comedy by
Dan Doyle
House of Cards
Cast: 7m., 8w., 3 either gender. Minimal set. Approximate running time: 50 minutes.
Seventeen students arrive at school in the morning and go through their day from opening their
lockers, to passing in the hallways between classes, to lunchroom encounters, to their exit at the
end of the day. Each character is a number representation from a deck of cards, and that number
is their character name and value in the hierarchy of the student body. With ace being the lowest
and king being the highest, we see, through intermingled scenes and monologues, the characters
expressing their individual positions and feelings as to what it is like to be the value of the card
that they represent. The entire action of the play is controlled by a joker who serves as the narrator. Royalty: $75/performance. Price: $8.25. Code: HG2.
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Cast: 3m., 1w.with doubling. May be expanded to 4m., 2w. with extras. Unit set. Approximate running time: 50 minutes.
Its 1954, and even though he has just become a Badger Scout, young Skipper McCreadys life is
a big mess. His grumpy next-door neighbor is upset with him all the time; his friend Sally Ann is
obsessed with being a girl detective; and his best friend, Lucky, a dog, has gone missing. To top
it all off, his mother wants him to befriend the new weird kid in Rolling Meadows, Jonathan Van,
a bookish boy with outlandish tales of his monster-hunting father. With his scout survival guide in
hand, Skipper sets off with his friends to solve the mystery of Luckys disappearance. Is it really
possible theres a werewolf loose, or are Jonathans monster-filled tales too incredible to believe?
Exploring the topics of friendship, self-reliance, loss and grief, Skipper begins to wonder if the
answers to lifes uncertainties may be found in his Badger Scout survival guide or if anythingor
anyoneis truly what they seem. Royalty: $75/performance. Price: $8.95. Code: LK7.
A Lonely Boys
Guide to Survival
(and Werewolves)
Drama with music. By Mara Ins Falconi. Translated and adapted by Manon van de
Water and Andy Wiginton.
Cast: 3m., 1w., up to 18 either gender. Area staging. Approximate running time: 50 minutes.
Pedro and the War: A Cantata transports young audiences to a world in which young people negotiate with war in order to grow up. When the village learns that their country is at war, the
villagers first continue with their daily routines in spite of the war planes passing overhead. The
children play ftbol, pull ponytails, attend school, pick tomates and help their parents raise ovejas (sheep). After a bombing raid that destroys the only school, a frightened Pedro finds himself
trapped in the rubble with an elderly neighbor, Don Jos. Through a tender exchange of stories
with Don Jos, Pedro learns about the resiliency of the human spirit and the power of imagination
to restore and sustain humanity even in times of crisis. When Pedro awakes in the hospital, he
searches high and low for Don Jos, but he doesnt find him. Was Don Jos really there? Did he
imagine the stories underground? Did he dream the entire poignant exchange? The play artistically peppers in Spanish language from a variety of countries and pan-Latin traditions in order to
establish a realistic, yet highly theatrical setting where kids and adults alike learn that even in
the horrors of war, the human imagination is a powerful tool for both physical and psychological
survival. The unscored songs and loose stage directions offer much creative freedom for a tight
ensemble cast. Royalty: $75/performance. Price: $8.25. Code: PL2.
Pedro and
the War:
A Cantata
Adapted by
Manon van de Water and Andy Wiginton
The
Pied Piper
of Hamelin
Book and lyrics by
Ric Averill
Music by
Adrian Rees
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(800) 448-7469 www.DramaticPublishing.com
The Transition of
Doodle Pequeo
Comedy by
Gabriel Jason Dean
Cast: 4 to 8m., 5 to 8w., 5 either gender. Unit set. Approximate running time: 90 minutes.
Dont judge a man until youve walked two moons in his moccasins. Walk Two Moons is lovingly
adapted for the stage with the same nuance and surprises offered by the original book. Utilizing
multiple narrative frames, the play leaps back and forth through time and memory as 13-year-old
Sal tells the story of the disappearance of her best friend Phoebes mother. Determined to find
her, the two girls begin seeing murderous plots and schemes around every corner. Sal shares these
conspiracy theories with her Gram and Gramps during a cross-country road trip to confront her
own mother, who left her and her father a year ago. But it is only through telling Phoebes story
that Sal truly understands why her mother left and whether or not theyll ever be together again.
By employing both present-tense action of the trip Sal takes with her grandparents (which has
a dramatic conclusion) and Sals memories of her experiences with Phoebe, Tom Arvetis allows
the audience to see not only how Sal is processing her mothers absence but also how she accepts
it. (Time Out Chicago Kids) Flawlessly adapted from strong source material, Walk Two Moons
challenges [its viewers] to examine their own reactions and emotions, to look outward into a world
where everyone suffers but has the immense power to help one another. (Chicago Theater Beat)
Royalty: $75/performance. Price: $8.25. Code: WG3.
Book by
Scot Copeland, W.S. Gilbert and Kenneth Grahame
Music by
Paul Carrol Binkley and Sir Arthur Sullivan
Adapted from the book by
Kenneth Grahame and the songs of Gilbert and Sullivan
Book by Scot Copeland, W.S. Gilbert and Kenneth Grahame. Music by Paul
Carrol Binkley and Sir Arthur Sullivan. Adapted from the book by Kenneth
Grahame and the songs of Gilbert and Sullivan.
Cast: 7 to 10 either gender, extras as desired. Area staging. Accompaniment CD available. Approximate running time: 65 minutes.
Had Gilbert and Sullivan adapted Grahames classic book for the stage it would have lookedand
soundeda lot like this bubbling confection of a musical. Little Mole tries to tend to his cleaning,
but it is spring, the wind is sighing in the willows and the piper at the Gates of Dawn calls him to
dance! Embracing the reawakening world, Mole is introduced to the delights of life along the river
by his new friend, Rat. Together, they trot off to Toad Hall to visit Mr. ToadToady, if you please!
But, just as they are about to embark in a canary-yellow gypsy wagon to see the wide world, an
unfortunate collision with an automobile has Toady off on yet another dangerous craze, careening
down the byways in motorcar after motorcar, disrupting the peace in joyful delight. Young Mole
and Rat venture into the Wild Wood to enlist the help of wise old Badger, but despite all of their
best efforts to save him from himself, Mr. Toad is condemned to prison, and Toad Hall is taken
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over by weasels. One clever jailbreak and a daring midnight raid later, and the world is once again
set aright. Its Toads Great Day, sings Mole. No, its Moles great day, says Ratty, and what
a fine fellow youve turned out to be! [The] libretto and music are a mix of [original] work and
the light-opera larks of Arthur S. Sullivan and W.S. Gilbert. [Their] sparkling melodies along with
original compositions and words for this version, add just the right lyrical flourishes. Nashville
Childrens Theatre has once again shown its the jewel in Nashvilles theatre crown. (ArtsNash.
com) Royalty on application, plus music rental (scores or CD). Price: $8.95. Code: WG7.
Cheaters
Drama. By Don Zolidis.
Cast: 18 either gender. May be cast with mixed genders or all women or all men. Area
staging. Approximate running time: 40 minutes.
Someone cheated on the test. And if the cheater doesnt confess, the entire class will fail. Those
are the rules set out by the assistant principal and their teacher as the students walk out of the
room. Now the entire class is forced to play detective and discover the cheater before its too
late. But what if everything isnt as it seems? Who are the liars and who is telling the truth? Was
the cheater working alone? Was there more than one? And how can they possibly get a confession?
With the pressure on, the class fragments into warring factions with each student trying to figure
out the mystery. But with each revelation of cheating, the fissures grow wider, and the simple
act of trying to discover the truth might rip the entire class apart. A Kafka-esque nightmare of
betrayal and conflict under extreme circumstances. Royalty: $35/performance. Price: $5.95.
Code: CP6.
With Two
Wings
s
ater
Che
Drama
by
Don Zolidis
The
ker
crac
Fire
ent
Incid
Comedy / Drama
by
Don Zolidis
The
F i rs t n
o
P e rs e r
hoot
S
Drama
by
Don Zolidis
Cast: 7m., 6w., doubling or extras possible. One int. set. Approximate running time: 35 minutes.
High above the city, on a tall column, stands the statue of the bejeweled happy prince overlooking a once
shining city whose residents no longer believe in Christmas or themselves. The people of the city are
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despondent. Many are leaving, as is a young minister who has been offered a prosperous parish far
away. The prince, once a selfish man, now turned to stone, implores of a migrating swallow, Little
swallow, will you not stay and be my messenger to the good people in this city? The swallow delivers the ruby from the princes
sword, the gold leaves that cover the princes body and the sapphires that are his eyes before the freezing weather takes her
life. This kindness has a far-reaching effect on the residents of the city, especially the disillusioned minister, who decides to
stay and help make it, once again, a shining city on the hill. This expanded version of the Oscar Wilde classic has a larger, more
encompassing story with an uplifting ending, and the swallow, on its way to a warmer climate, is now a female. Royalty: $35/
performance. Manuscript: $12.50. Code: HG1.
Carrying On
One-Act Drama/Comedy. By Harry Bagdasian.
Cast 3m., 3w. Unit set. Approximate running time: 45 minutes. Royalty: $35/performance.
In 1964, his family and friends in rural Edgewater, Maryland, dismiss 20-year-old Davey Woodfield as borderline retarded. Davey
may be a little slow, but hes a genius with automobiles. He is resilient and he believes in himself. Davey is very frustrated
with peoples misperception of him and with being oppressed by his guardian, his Aunt Augusta. He wants to take his savings,
leave this small town auto repair shop and move to the city, where he is positive that he will be well paid for his talents. On
this particular afternoon, however, he finds that his boss has sold the repair shop, taken all of the money (supposedly including
Daveys money in the payroll savings plan) and left for Alaska. The situation is complicated by family politics and Daveys domineering Aunt Augusta. Then a customer arrives at the shop. Who would have thought that Daveys savior would be a cosmetics
saleswoman with a broken down VW Beetle? Royalty: $35/performance. Price: $6.95. Code: CP9.
Musical. Story, book and lyrics by Jonathan Gillard Daly. Music by Gregg Coffin and
Larry Delinger. Musical arrangements by Gregg Coffin.
Cast: 3m. and an on-stage pianist (or 3 m., 2 of whom play piano). Unit set. Approximate runFind Out More
ning time: 1 hour, 35 minutes.
The Daly News is a musical memoir about love and distance between fathers and sons. The source material is Martin J. Dalys
World War II-era newsletter The Daly News, written from 1943 to 1946 and distributed to Martins children, who were scattered
all over the globe in the service of their country. The story of the play derives from letters from the home front, as well as
missives from the boys overseas. Throughout the play, a contemporary character, Martins grandson, Jon, relates personal remembrances of his own relationship with his father, Bob, Martins oldest son. Martins dogged determination to hold his family
together during wartime, while at the same time widening the emotional distance from his sons, provides the tension in this
warm, gentle play. Jons own relationship with his father mirrors Martins relationships with his sons, and provides the link that
transports this story into the current time. Fourteen original songs range from wartime boogie-woogie to vaudeville patter and
contemporary ballads and up-tempos. Royalty on application, plus music rental. Price: $9.50. Code: DF5.
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Grand Rapids Civic Theatre, Grand Rapids, Mich. Photo by Max Bush.
Fairy tale. Adapted by Max Bush from a story by the Brothers Grimm.
Cast: 6 to 12m., 8 to 16w., 3 to 6 either gender. One ext., two int. sets. Approximate running time: 65 minutes.
Here is a magical tale of dance and romance. A mystery threatens the security of the kingdom: where do the princesses escape to
every night, and why are their dancing shoes worn out each morning? Why do they sleep through their princess duties each day?
The king, who was wounded in the war, desperately tries to solve the mystery by proclaiming that any man who can solve it will
marry the daughter of his choice and become the future king. An old woman servant, Ursula, who is much more than she appears
to be, decides to act to solve the mystery and restore balance and security to the kingdom. Ursula seeks out a suitable husband
and heir for Amalia, the oldest daughter. She chooses Gunter, a simple soldier with a good heart, and provides the information
he will need to solve the mystery. As Amalias affection for Gunter grows, he follows the princesses down into the underground
where he witnesses the dreamlike dances of the princesses. The script focuses on six dancing princesses, although there can be
more or fewer. The suggested music comes from the time period of the tale and includes pieces by Handel, Gluck and Stamitz.
The choreography aboveground focuses on classical dance, while the dances in the underground reflect less the baroque style and
much more the romantic fantasies of the princesses. Royalty: $75/performance. Price: $8.25. Code: DF4.
Free Shipping when you order 5 or more scripts by April 1, 2014 (use code: SP14DPC at checkout)
Great Expectations
Highly Recommended
Exit Laughing
Comedy. By Paul Elliott.
Cast: 1m., 4w. One int. set. Approximate running time: 90 minutes.
When the biggest highlight in your life for the past 30 years has been
your weekly bridge night out with the girls, what do you do when one
of your foursome inconveniently dies? If youre Connie, Leona and Millie, three southern ladies from Birmingham, you do the most daring
thing youve ever done. You borrow the ashes from the funeral home
for one last card game, and the wildest, most exciting night of your lives involves a police raid,
a stripper and a whole new way of looking at all the fun you can have when youre truly living.
Royalty: $75/performance. Price: $8.95. Code: E86.
Dramatic Publishing
311 Washington St.
Woodstock, IL 60098
www.DramaticPublishing.com
Phone: (800) 448-7469
Fax: (800) 334-5302
You can order these and any other Dramatic Publishing titles 24 hours a day, including holidays and weekends. If we receive your online, fax or phone order before 2 p.m. Central Time (M-F), we can usually send out
your order the same day. If you phone after business hours, youll reach a recorder where you are welcome
to leave your order. Please speak clearly with all your informationbe sure to tell us both the titles and code
numbers of the items you are orderingand well fill orders the next business morning. Using the code numbers speeds your order and eliminates confusion when there are several versions of a title.
When you place your order via our website, you should receive an email confirming your order shortly after
youve placed it. If you dont receive an email, please check your spam folder and see if you can locate
it. This is especially important because, if you dont receive the order confirmation email, you also wont
receive the email with your shipment notification and tracking information.
You can place your order online, by phone, or via fax or mail. If you are ordering for a school or organization,
we will invoice you. We also accept purchase orders and Visa, MasterCard and American Express. Individuals
may order with a credit card. Sorry, no C.O.D. Please note that Dramatic Publishing has a No Return Policy.
Plays cannot be sent on approval, nor can they be exchanged except in special circumstances through our
customer service department.
If you are ordering multiple copies of any title, you will need to provide performance information or confirm
that they are for classroom use only. The number of scripts you need to purchase for production varies: at a
minimum you will need to purchase a minimum of a cast set of scripts, ordering more than that is up to you,
but keep in mind that you will also want scripts for members of your crew. Once your production is licensed
,you will be invoiced for royalties, which are due 10 days prior to your opening performance (see Performance Information for complete information).
Backorders and
prepublication
manuscripts
All backordered items are shipped to you with no additional postage and handling charges. You will not be
charged for the backordered item until it is ready to be shipped. For new titles and backordered titles, you
will find that we offer a prepublication manuscript. You can either choose to pre-order the item or purchase
the prepublication manuscript for $35.00.
Performance
Information
All performances before an audience are subject to a royalty. Royalty prices quoted are intended for K to
12 schools with a standard curriculum only. Once you have chosen your organizations play/musical, you will
need to purchase your playbooks. All of our published works, including scripts, scores and supporting materials, whether digital or printed, are protected by copyright, which prohibits the reproduction, distribution,
performance and derivation of any work without permission from the copyright holder. Please note that
performance rights are subject to restriction and availability limitations.
K to12 Schools
When ordering for production, you will need to purchase a cast quantity of scripts and provide performance
information. For titles that are On Application you will need to submit a completed application and make
arrangements for rental materials when required. Royalties are due in full 10 days prior to your first performance.
All other producing groups will need to submit a completed royalty application (http://www.dramaticpublishing.com/RoyApp.php), purchase a cast quantity of scripts, obtain written permission prior to planning,
a production and make arrangement for rental materials when required.
General
Information
Information and prices in our catalogs are intended for use until July 31, 2014. All prices are quoted in
U.S. currency and are subject to change without notice. Terms for television, radio, or professional performances, when available, are on application. No one is authorized to quote or receive royalties for our plays
other than ourselves and our representatives in Australia, New Zealand and South Africa. Music scores (subject to deposit) are available for perusal and rental purposes only and MUST be returned via insured method.