Author/Directors notes

Originally the concept was for each character in the bookstore to

perform the lead in their fantasies. However, it became
problematic when working in costume changes and whatnot.
Here are some of the solutions we came up with
!indsey and Audrey must be two separate actors.
!indsey and "ellitri# should be the same actor.
$ichelle and %est &ub'ect should be the same actor.
%he opening se(uence should be left ambiguous whether it really
happened or if its )ens fantasy.
*or the original production we ran + pro'ectors that displayed
erotic imagery during most of the scenes, displayed a bookstore
setting for $atties store scenes, and a camera feed pro'ected the
%est &ub'ects image in real time as she masturbated in the final
fantasy scene.
$ultiple O + ,omen on %op -age .
&cene . / Honey Im Home / interior house / late evening / stage
starts in blackout. !O01 $A)234 &O53D& start softly and get
louder. %he lights slowly fade up.
H1362
71nters87&peaks *rench8
"onsoir, ch9rie :
7%akes off 'acket while love making sounds continue8
;uelle 'ourn9e difficile au bureau : <e suis vraiment impatient
pour ce week/end. =h9rie >
Honey I'm home!
(Takes off jacket while LOVE MAKIN !O"N#! contin$e%
It was a &'$elin& (ay at the office) I'm so lookin& fo'wa'( to this weeken()
Honey*
$2=H1!1
7*rom onstage bedroom87&peaks 1nglish with heavy *rench
accent8
2t?s my husband: He?s home from work.
)13
7Only speaks 1nglish8
@our husband> 2 thought you said he was working late>
$2=H1!1
7in 1nglish8 &illy, it is late. 7=alls out to Henri in *rench8 On est
dans la chambre mon cAur : 7%o )en in 1nglish8 3ow why have
you stopped, my so se#y American student >
(in En&lish% !illy+ it is late) (,alls o$t to Hen'i in -'ench% .e''e in the /e('oom
(a'lin&! (To Ken in En&lish% Now why ha0e yo$ sto11e(+ my so se2y Ame'ican
st$(ent*
$2=H1!1 crawls on top of )13 and they continue their lovemaking
)13
Are you sure this is okay> &hould we stop>
$2=H1!1
!over, it is more than okay, you are fantastic. Am 2 hurting you>
)13
3o, it 'ust that your husband/
$ultiple O + ,omen on %op -age +
$2=H1!1
%here is nothing to worry about. 2 told you, we have an
arrangement.
)13
2 didnt know he was going to be home.
$2=H1!1
He lives here, no> &top your fretting.
)13
2m 'ust a little nervous.
$2=H1!1
@our lips say you are nervous, but this cock inside me says you are
very comfortable.
)13
@ou feel nice.
$2=H1!1
3ice> How nice does it feel>
)13
6eally nice.
$2=H1!1
$ore nice than your girlfriends back in America>
)13
2 think 2 might have to stay in *rance longer than 2 had planned.
$2=H1!1
@ou know, *rench people are known for our mouths as well.
)13
2s that right>
$2=H1!1
2 could do things with my mouth that would make you craBy.
H1362
7=rosses to bedroom8Ah tu es lC : 7Henri and $ichele kiss8
$ultiple O + ,omen on %op -age D
(,'osses to /e('oom%(In -'ench%
Ah Michele+ the'e yo$ a'e) (HEN3I an( MI,HELE kiss%
$2=H1!1
7=ontinues to grind on )en8 7%o Henri, in *rench8 <e taime. Ea y
9tait, ta 'ourn9e >
(,ontin$es to &'in( on KEN%(To HEN3I+ in -'ench% I lo0e yo$) How was wo'k*
H1362
=es longues 'ourn9es vont me tuer. <e croyais ce nouveau poste C
%oulon voulait dire moins dheures au bureau.
(in -'ench% These lon& ho$'s a'e &oin& to kill me) I tho$&h takin& the new jo/ in
T$lon wo$l( mean less ho$'s)
$2=H1!1
<e tai pr9par9 (uel(ue chose C manger. =est dans la cuisine. 2l
faut le r9chauffer, peut/Ftre.
(in -'ench% I ma(e (inne' fo' yo$) It's in the kitchen) 4o$ mi&ht want to heat it
/ack $1)
)13
5m...
H1362
;ui est/ce >
.ho is this*
$2=H1!1
=est l9tudiant am9ricain dont 'e tai parl9. )enneth. )enneth, 'e
te pr9sente mon mari Henri. 7)en looks confused8 Oh, 2m sorry. 2
forget you dont speak *rench. 7%o Henri in *rench8 2l ne parle pas
franGais. =est )enneth. 7to )en in 1nglish8 )enneth, this is my
husband Henri. Henri, )enneth.
(-3EN,H% This is that Ame'ican colle&e st$(ent I was tellin& yo$ a/o$t)
Kenneth) Kenneth+ this is my h$s/an( Hen'i) (KEN looks conf$se(% (ENLI!H%
Oh+ I'm so''y) I fo'&et yo$ (on't s1eak -'ench) (To HEN3I in -3EN,H% He
(oesn't s1eak -'ench) This is Kenneth) (to KEN in En&lish% Kenneth+ this is my
h$s/an( Hen'i) Hen'i+ Kenneth)
H1362
$ultiple O + ,omen on %op -age H
!es touristes arrivent dans notre pays, au moins ils pourraient
apprendre notre langue. <e suis content de faire ta connaissance,
)enneth. 7offers hand for a handshake8
(In -3EN,H% These to$'ists come to o$' co$nt'y5 yo$6( think they6( at least
lea'n the lan&$a&e) I'm 1lease( to meet yo$ Kenneth (offe's han( fo' a
han(shake%)
$2=H1!1
72n 1nglish8 Henri says he?s happy to know you.
)13
7&hakes hand cautiously8 2t?s )en. <ust )en.
$2=H1!1
2l pr9fIre )en.
(In -'ench% He j$st likes to /e calle( Ken)
H1362
<e suis rentr9 et 'ai faim. 1t si toi et ton amuse/bouche faisieB une
petite pause pour manger >
(In -'ench% I'm home an( I'm h$n&'y) May/e yo$ an( yo$' 1lay7thin& can take
a /'eak to eat*
$2=H1!1
On va bientJt terminer. &i tu peu# attendre un petit moment, 'e
peu# r9chauffer ton dKner. &inon, tu peu# le r9chauffer et 'e peu#
te re'oindre aprIs.
(In -'ench% .e'll /e finishe( soon) If yo$ can wait+ I'll wa'm (inne' fo' yo$)
Othe'wise+ heat it $1 yo$'self an( I'll join yo$ in a little while)
H1362
%u as fait (uoi C manger >
(In -'ench% .hat (i( yo$ make to eat*
)13
&hould 2 leave>
$2=H1!1
2l veut savoir sil devrait partir.
$ultiple O + ,omen on %op -age L
(In -'ench% He wants to know if he sho$l( lea0e)
H1362
6este. *aut 'ouir, )en. !a bouffe peut tou'ours attendre
'us(uaprIs le se#e. AprIs avoir goMt9 a la cuisine de ma femme,
tu seras content davoir dabord 'oui. %u as d9'C 'oui en moi >
(In -'ench% 4o$ sho$l( stay $ntil yo$ come) -oo( can always wait $ntil afte'
se2) Afte' yo$60e ha0e some of my wife6s cookin&+ yo$6ll /e thankf$l yo$ waite(
$ntil afte' yo$' o'&asm) Ha0e yo$ come in he' yet*
$2=H1!1
He wants to know if youve come inside of me yet. 1t puis ces
commentaires C propos de mon savoir/faire culinaire >
(In En&lish% He wants to know if yo$'0e come insi(e of me yet) (-3EN,H% An(
what is that comment a/o$t my cookin&* I6m a 0e'y &oo( cook+ thank yo$)
)13
3o: 2 haven?t come inside her.
H1362
%u es une cuisiniIre splendide. =9tait une blague. !a seule chose
(ue tu fais mieu# (ue la cuisine, cest le se#e. <e ne veu# pas (uil
man(ue loccasion de goMter ta cuisine, cest tout. !a bouffe peut
attendre. 1t cest bon, le se#e >
(-3EN,H% 4o$ a'e a ma&nificent cook) I was only jokin&) The only thin& yo$6'e
/ette' at then cookin&+ is se2) I wo$l(n6t want him to miss o$t on the
o11o't$nity+ that6s all) The foo( can wait) How is the se2*
$2=H1!1
Oui, super.
It6s 0e'y &oo()
H1362
2l est bien mont9 >
Is he la'&e*
$2=H1!1
Oui. 1t trIs 9pais. %out comme Ga me plaKt.
La'&e /$t also 0e'y thick) 8$st how I like it)
$ultiple O + ,omen on %op -age N
H1362
2l a mis une capote >
Is he wea'in& a con(om*
$2=H1!1
$ais oui. %u connais ces Am9ricains et leurs pr9servatifs.
Of co$'se) 4o$ know the Ame'icans an( thei' con(oms)
)13
O 5mO
$2=H1!1
$ais 'uste avant (uil 'ouisse, 'e vais enlever le pr9servatif et le
branler pour (uil 'ouisse sur ma bouche et mon visage P comme
dans les pornos (ue tu aimes tellement.
9$t when he6s a/o$t to o'&asm+ I6m &oin& to clim/ off of him+ 1$ll the con(om
off an( st'oke him $ntil he comes all o0e' my mo$th an( face : j$st like those
1o'no&'a1hic mo0ies yo$ like so m$ch)
H1362
$mmO <adore Ga.
Mmm) I lo0e that)
$2=H1!1
2l est si bonO Ga m9tire C lint9rieur
He feels so &oo( insi(e me) !t'etchin& me)
H1362
2l a d9'CO tu saisO
Has he; yo$ know;
$2=H1!1
2l a d9'C (uoi >
Has he what*
)13
O 5mO
$ultiple O + ,omen on %op -age Q
H1362
"on. %u sais.
4o$ know)
$2=H1!1
$a/t/il d9'C ni(u9 par derriIre >
Has he f$cke( my ass*
H1362
OuiO 1t alors >
4es+ has he*
$2=H1!1
1t Ga te plaira > %u aimes cette id9e, sa grosse bite dans mon cul >
.o$l( yo$ like him to* #o yo$ like that tho$&ht) His ha'( cock insi(e my ass*
H1362
Ah oui :
Oh yes!
$2=H1!1
Ou bien, peut/Ftre, sa bite dans ton cul >
O'+ may/e yo$6( like his ha'( cock $1 yo$' ass*
H1362
$ichele:
$2=H1!1
%u sais (ue Ga te plaira. Dis/moi donc (ue tu ne le veu# pas.
4o$ know yo$6( like that) Tell me yo$ (on6t want it)
H1362
1t lui, est/il partant >
.o$l( he (o that*
$2=H1!1
$ultiple O + ,omen on %op -age R
$ais oui. On en a d9'C discut9. )en est bise#uel et te trouve trIs
beau. 7%o )en8 )en, dont you think my husband is attractive >
Of co$'se) .e60e /een talkin& a/o$t it) Ken is /ise2$al an( he6s 0e'y att'acte(
to yo$) (To KEN in ENLI!H% Ken+ (on6t yo$ think my h$s/an( is att'acti0e*
)13
@es 2 do. Oh, yes 2 do.
$2=H1!1
7=limbs off of )13, and smoothes her skirt down, grabs a pair of
panties and puts them on while shes talking.8
,hy dont the two of you have some fun> 2ll 'ust stand over
there a watch for a little while. 1n'oy yourself cowboy: And
dont be afraid to roll him over and take him from behind. @ou
could do that and stroke him at the same time. 2d bet hed really
like that.
7=rosses D& and sits. H1362 and )13 begin to make love audibly.
H1362 crawls under a blanket and the lights fade on the
bedroom.8
1t puis aprIs, on peut se faire un sandwich, et lC, 'e ne parle pas
de la nourriture. )en dun cJt9, et toi de lautre cJt9. %u peu# me
tirer les cheveu#. %u me prends par les hanches. 1t 'e rebondirai
sur toi, vers lui, comme un match de tennis se#uel. Oui, cest Ga.
%a bite m9touffe, 'e peu# pas respirer. <essaie de crier, mais tes
mains me forcentO 7$ichele reaches into her panties and plays
with herself8. %u me dit daller au fondO Oui, au fond. %u aimes Ga,
non. %u laimes (uand cest hard. %u laimes (uand nous te
baisons tous les deu#. =est si bon. %u es si co(uine. 5ne petite
chatonne co(uine.
An( then may/e late'+ the th'ee of $s can make a san(wich : an( I6m not
talkin& a/o$t foo() Ken on one en(+ yo$ on the othe') 4o$ 1$llin& my hai') 4o$
&'a//in& me /y the hi1s) 9o$ncin& me /ack an( fo'th like a &ame of se2$al
tennis) 4eah) That6s the ticket) 4o$' /i& fat tool chokin& me) I can6t /'eathe) I
t'y to call o$t+ /$t yo$' han(s fo'ce me ;
(MI,HELE 'eaches into he' 1anties an( 1lays with he'self%
4o$ tell me to take it) Take it all) 4o$ like that (on6t yo$) 4o$ like it 'o$&h) 4o$
like it when we /oth take yo$ at the same time) It feels so &oo() 4o$6'e so
na$&hty) 4o$6'e a na$&hty little kitty)
H1362
7H1362 enters / He looks like a slob. He speaks 1nglish without an
accent.8
$ultiple O + ,omen on %op -age S
$ichele: ,hat are you doing:
$2=H1!1 71nglish, no accent8
H136@: @oure home: 2 thought youd be at work:
H136@
*uck that. %he boss said 2 had a bad attitude and should take the
rest of the day off. Hows that for stupid. 2 tell a customer to go
fuck himself and 2 get to leave early. &hit, got to do that more
often. ,ere you 'ust 'erking off>
$2=H1!1
2O umO
H136@
,hat, 2 dont give you enough of the ol &weet ,illy> %hought
youd be picking up the house.
$2=H1!1
2 was 'ust daydreaming.
H136@
Daydreaming>: @ou mean you were having one of your fantasies.
<esus $ichele. ,hat was it this time>
$2=H1!1
2t was the *rench one.
H136@
Oh, <eeB.
$2=H1!1
Henri, 2 know its only a fantasy, but do you think some day you
mightO
H136@
3o.
$2=H1!1
2t doesnt have to be with anyone we know.
H136@
3o: 2 aint sharing you with some other man. %hats sick:
$ultiple O + ,omen on %op -age .T
$2=H1!1
,hat if it was another woman> A second woman> ,e could
both take care of you. 2d bet Ol &weet ,illy would like that.
H136@
%wo women>
$2=H1!1
%wo women.
H136@
2ts perverted.
$2=H1!1
2t might be funO
H136@
2ll think about it.
$2=H1!1
@ay:
H136@
%hats not a yes. 2m going to go upstairs and think about it.
,here do you come up with this stuff> 71#its.8
$2=H1!1 7%o Audience.8
@ou know hes going upstairs to masturbate.
H136@ 7Offstage8
2 heard that:
$2=H1!1
Oops. "ut it is true. 2ts not a big secret, and it certainly isnt a
huge deal. -eople masturbate. !ook around at the people ne#t to
you. %hey masturbate. And when they masturbate, they
fantasiBe. $en fantasiBe. ,omen fantasiBe. ,e all do it. And its
completely normal. *antasies are the batteries that make
masturbation work. *or the ne#t ST minutes, the girls and 2 are
going to open up your minds to what makes us tick. ,ere going
to share with you our dirtiest, darkest fantasies. 2ts going to be a
./STT type of show, but without the per/minute charge.
$ultiple O + ,omen on %op -age ..
UUU "room &treet %heater Only UUU
2f you en'oy yourself, you can tip the actors, by leaving something
in the Actors "o# on the way out. ,ere all volunteers. ,e do
this 'ust because we want to give you a toe/curling, mind blowing
orgasm tonight. 2f you dont think you can handle ST minutes of
steamy fun and you want to go rub one off right away, the
bathrooms are located right behind the risers. "ut please go now,
because during the show the actors are running around backstage
in the dark, and its none of our fantasies, to smash head first into
someone in the middle of the show. And while youre backstage,
grab yourself a cream soda or some popcorn.
"efore we start, were also going to pass a couple of baskets
around. 2f youd like to see "room &treet %heater, continue to do
this type of material, you can help by putting a donation in the
basket. *or H. years, this theater has done everything it can to
make live theater available to everyone by keeping ticket prices
low, and they can only do that by asking those that can afford to
pay a little more, to donate. &o, if you can, please give
generously.
Also, in these baskets, youll see paper and pencils. %his is my
favorite part. -ut your cell phones on vibrate 7you need to do
that anyway8, and write your phone number on a slip of paper
and put it back in the basket. During the really se#y parts of the
show, 2, or someone else in the show, will give you a private buBB
Vor to buBB your privates. Dont answer your phone: <ust make
sure youve tucked it away someplace that youd like to be
vibrated, and en'oy. 2ts my way of giving you a special personal
thank you. "ut, someones phone rings, 2m going to have to stop,
so make sure its on vibrate.
UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU
$2=H1!1
$eet the ladies of the ,ashington &treet "ook =lub. %wice a
month, 'ust after closing, these women gather at "osom "ooks to
discuss their latest read. Armed with glasses of wine and all the
best intentions, the conversation rarely stays focused on the
book, but (uickly dissolves into social chit/chat. $attie, the clubs
president, and proprietor of "osom "ooks, in an attempt to keep
everyone a bit more focused, selected 3ancy *ridays ,omen on
%op for this weeks discussion.
$ultiple O + ,omen on %op -age .+
&=131 + P %H1 "OO) =!5"
$A%%21
!adies: !ets get this party started: @ou too )en and welcome
back. How was *rance>
)13
2t was unlike anything 2 have ever done before. 2t really blew my
mind like you could not imagine.
=O56%31@
2ts good to see you again )en. Did you go to -aris> 2ve always
wanted to go to -aris:
)13
Hey =ourtney. 3o. 2 was thinking about it, but 2 ended up
spending most of my time on the *rench 6iveraW %ulon, 3ice,
$onte =arlo, that area.
D2A31
2 dig *rench chicks. %hey dont shave:
$A%%21
2m sure *rench women shave, Diane.
=O56%31@
@ou should have gone to -aris. &omeday 2m going to go. And 2ll
ride one of those long boats down the canals with those 2talian
singing matador guys. 2t would be so romantic.
D2A31
&ome probably do, but its big in 1urope not to shave.
)13
2talian singing matador guys>
=H!O1
=ourtney, 2 think you mean a gondola.
=O56%31@
Oh, thanks =hloe, but 2m not that into health food. 2 brought
cookies and muffins tonight though. Does anyone want a cookie>
!23D&1@
$ultiple O + ,omen on %op -age ..
3o, =ourtney, =hloe means the boat in the canal P its called a
gondola and thats in 0enice. 7%o Diane8 @ou dont like women
who shave> 2 thought you liked it when 2 shaved.
=H!O1
%hats e#actly what 2 meant. %hanks !indsey.
=O56%31@
,hatever. Does anyone want a muffin or a cookie>
D2A31
Of course 2 like it when you shave, baby. 2m 'ust saying that 2
have a lot of respect for women who dont bow to public pressure
to alter themselves. Hair is natural. 2 dont shave.
!23D&1@
&o you dont respect me because 2 shave>
$A%%21
2ll have one of your cookies, =ourtney.
=O56%31@
Okay.
D2A31
"aby, 2 love you. 2 wasnt talking about us. 2 was about *rench
women. %hey 'ust do whats natural.
)13
%his is why 2 came back. 2 miss the lesbian brawls.
D2A31
*uck off, -enis.
!23D&1@
&o you want me to stop shaving>
$A%%21
$aybe we should start the book discussion soon.
D2A31
2 love it when you shave. 2 dont like getting your hair stuck in my
teeth.
$ultiple O + ,omen on %op -age .+
$A%%21
Oh, dear. $aybe we should start the book discussion right away.
=H!O1
%his smells really good =ourtney. @our muffin is so soft and warm.
D2A31
2ll put my mouth on your muffin, =ourtney.
=O56%31@
%hanks =hloe. 2 put it in $atties funny microwave oven for a
little bit. )en, can you 'ust tell us more about -aris before we
start>
$A%%21
2 dont have a microwave.
=O56%31@
%he one with the H and the - on it.
!23D&1@
2 dont care what we talk about as long as its not *rench women.
$A%%21
HO-O @ou mean my fa# printer> %hats not a microwave.
=H!O1
Okay. 2ve had enough.
=O56%31@
,hatever. 2t was still warm.
D2A31
=ourtney, where are you from, originally>
=O56%31@
Alabama, why>
D2A31
%hat e#plains a lot.
=O56%31@
1#plains what a lot>
$ultiple O + ,omen on %op -age .D
)13
2 can talk about my trip to *rance if youd like.
$A%%21
,hy dont we hold that thought for a bit and talk about this
weeks book>
)13
2 didnt get the book.
=O56%31@
6eally> 2t was pretty simple.
)13
2 mean 2 didnt read it. 2 didnt get one. 2 wasnt sure what book
we were reading since 2 missed the last meeting.
=O56%31@
@ou werent here last meeting>
)13
2 was in *rance.
=O56%31@
%hats right. @ou went to *rance. Did you ever go to -aris>
$A%%21
2n honor, of you not being with us, we decided to try something a
bit different. And 2 guess 2 should make sure that everyone is okay
with )en being here for the discussion. 2 have a feeling the
discussion might get a little personal.
!23D&1@
)en fine, hes one of us girls.
D2A31
!esbian 3ation:
$A%%21
%hank you, Diane.
=H!O1
And you might get some insight on what women really want.
$ultiple O + ,omen on %op -age .H
D2A31
2 know 2 did.
)13
,hat was this book>
$A%%21
Our book this week was 3ancy *ridays ,omen on %op. Did
everyone, besides )en, read it>
=H!O1
2 only made it to about LT pages.
!23D&1@
LT pages>
=H!O1
2 didnt realiBe 2d be masturbating every page. 2t was like porn.
=O56%31@
2t was porn.
$A%%21
=hloe, 2 warned you, all of you, that it was a book about womens
fantasies.
=H!O1
@es, but when you said fantasies, 2 thought you meant getting my
husband to wash the dishes, or to put the toilet seat down or
things like that. %hats what 2 fantasiBe about. 2 didnt think 2d be
reading -enthouse !etters.
$A%%21
2t isnt (uite -enthouse !etters.
=O56%31@
@ou read -enthouse, $attie>
$A%%21
2ve looked at it.
=H!O1
6eally>
$ultiple O + ,omen on %op -age .L
$A%%21
2 run a book store. 2ts my 'ob to look at things 2 might sell.
!23D&1@
$attie, dont sell yourself short. 2 notice you do that a lot. @ou
dont run this bookstore, you own it. @oure a powerful woman.
@ou own "osom "ooks. @ou should be proud of that.
$A%%21
2 am proud of that.
!23D&1@
4ood. And that, leads into my fantasy.
D2A31
@ou want to own a feminist bookstore>
!23D&1@
3o. ,ell, sure. "ut thats not my fantasy. $y fantasy is about a
powerful woman.
D2A31
2m a powerful woman.
!23D&1@
@es you are. And thats one of the reasons why 2m with you.
=O56%31@
&o you your fantasy is about Diane> %hats sort of lame.
D2A31
1#cuse me>
=O56%31@
3o offense. 2ts 'ust that its a fantasy. =ouldnt you have picked
someone else>
D2A31
1very woman should fantasiBe about me. 2ve got maneuvers.
)13
$aneuvers>
D2A31
$ultiple O + ,omen on %op -age .N
Oh, yeah:
$A%%21
2 think what =ourtney is saying is what it says in the book. %hat
fantasies arent generally about your partner. %hey can be about
anyone. %hats what makes them a fantasy.
=O56%31@
6ight. ,hy does every guy 2m with think that if 2 fantasiBe at all,
its about him> 2 already have him, 2 dont need to fantasiBe about
him too.
=H!O1
And they probably dont even think you fantasiBe at all.
!23D&1@
,ell, my fantasy isnt about Diane. 2ts not about you. 2 fantasiBe
about you a lot, dont get me wrong. 2 really do. "ut my main
fantasy is about me.
=H!O1
,hat about you>
!23D&1@
*irst 2 want to say that 2m really glad you chose this book, $attie.
2 used to think there was something wrong with me. Diane and 2
talk about this every once in a while.
D2A31
,e do>
!23D&1@
2 think 2 mentioned it to you once. "ut thats not important.
,hen 2 imagine powerful images, the first thing that comes into
my mind is a penis.
=O56%31@
Dicks are huge.
D2A31
,hat:>
!23D&1@
$ultiple O + ,omen on %op -age .Q
And 2 know what youre going to say. %hat the power of the penis
is mans fabricated dominance over women. 2ts their
bludgeoning weapon used to suppress our feminine
independence while beating us into gender submission and
flavoring that subservience with the insatiable desire for more,
creating a continued demoraliBing assault on our very e#istence.
2n effect, by granting the penis power, we ordain our own self/
destructive perpetual motion of indentured servitude.
$A%%21
2 wasnt going to say that.
D2A31
2 was totally going to say that:
=O56%31@ 7%o )en8
Oppressor:
!23D&1@
"ut in my fantasy, the tables are turned. 7!24H%& shift to reveal
A5D61@. &he is dressed very plain, during !23D&1@& monologue
Audrey demonstrates what is being spoken.8
2 come home from work, a lifeless corporate building, with a
lifeless corporate philosophy. 2m the picture of gender/
neutrality. -lain face, plain hair, unemotional, detached. ,hen 2
get home, 2 look into the mirror and start to remove my corporate
clothes. 2 look different. %he air around me is alive. 2 can feel my
soul returning it its body. "ut its more than that. $y face is
different. $y body is different. 2 look like my first girlfriend,
Audrey. 2 risk a smile at myself. 2t looks good on me. Audrey is so
beautiful. 2m so beautiful. 2 strip out of my corporate shoes and
pants. 5nderneath, 2m woman. 2 model in front of the mirror.
&e#y. Desirable. !ace stockings P the works. 2 got it going on. 2
put on lipstick. 6ed lipstick. 0ery red lipstick. %onight 2m out for
the kill. 2 need to be ready. 2 run my fingers through my hair
giving it attitude. %onight 2m the boss. %onight 2 have the power.
%onight 2m in leather and lace. 2 grab my harness and slide it up
my legs. 2m transforming. *rom corporate drone, to woman.
*rom woman, to se#y Audrey. -owerful Audrey. Do anything 2
want and dont give a shit Audrey. Audrey with a cock. %hats
right. ,ith a cock. 3ot a penis, thats too medical. 3ot a dick or
a prick, too weak. =ock has strength. As 2 insert the cock into its
harness and look at myself in the mirror againO2 fist it. 2t feels
$ultiple O + ,omen on %op -age .R
good. 2t looks even better. Out of the corner of eye, 2 see
someone watching me. 2 smile. %hey want a show> 2ll give them
a show. %he cock is warm and heavy in my hand. %he cock
connects with me and becomes a part of my body. $y cock. $y
big fucking cock. 2m getting so wet. =an 2 have a cock and get
wet at the same time> 2t must be possible because its
happening. $y nipples are hard. 2 pinch them and roll them in
my fingers. 2 drop one hand to my erection. 2t throbs. 2 need to
fuck someone. &omething takes over me. &omething powerful. 2
put on a leather 'acket...
7A5D61@ takes over control of the scene.8
A5D61@
,hats your name> 7-ause.8 2 know youre watching me. ,hats
your name> 7-ause.8 Do 2 turn you on> 7-ause.8 &tep out of the
darkness. 7"O""@ enters.8 ,hats your name>
"O""@
"obby.
A5D61@
"obby. 3e#t door neighbor "obby. 2 thought that might be you.
2ve seen you watching me before, from your window. @ou like
watching me, dont you "obby>
"O""@
2 O uhO
A5D61@
%urn around. 2 want to look at you. 7"obby spins.8 @eah, youll do.
"O""@
2ll do what>
A5D61@
!ook at us in my mirror, "obby. 7Audrey presses against "obby
from behind and runs her hands over "obbys face, neck and
body.8 @ou like what you see, dont you>
"O""@
@es.
A5D61@
$ultiple O + ,omen on %op -age .S
Do you like how that feels too, "obby>
"O""@
@es.
A5D61@
@es. =an you feel my cock pressing against you> @oure one se#y
bitch, you know that>
"O""@
@ou have a dick> 2 O uhO
A5D61@
@ou uh> @ou know 2 have a cock. @oure always watching me
touch it. ,hy dont you grab hold of it, "obby> @ou know you
want to.
"O""@
@oure a womanO with a dickO
A5D61@
3o. 2ts not a dick. 2ts a cock. &ay it.
"O""@
2 dont use that word.
A5D61@
&ay cock, "obby.
"O""@
2 cant.
A5D61@
@ou like my cock pressing against your ass, "obby>
"O""@
@es.
A5D61@
&ay it.
"O""@
$ultiple O + ,omen on %op -age +T
2 like it pressing against me.
A5D61@
@ou like what>
"O""@
2 like yourO
A5D61@
&ay it.
"O""@
2 like yourO
A5D61@
@ou can do it.
"O""@
2 like your 7faintly8 cock.
A5D61@
,hat was that>
"O""@
Oh 4od.
A5D61@
2 couldnt hear you.
"O""@
2 like your cock pressing it my ass.
A5D61@
%ake it. !ook at it up close. &troke it. @es. %hats what its like to
have a cock. Do you like my cock, "obby>
"O""@
@es.
A5D61@
@esO
"O""@
$ultiple O + ,omen on %op -age +.
@es, 2 like your cock.
A5D61@
-ut it in your mouth.
"O""@
2n my mouth>
A5D61@
2n your mouthO slowly. 2 want to en'oy this. 2m going to fuck you
"obby. "ut first youre going to put my big fat cock in your pretty
mouth. And 2 want you to watch yourself in my mirror.
7!ights shift back to bookstore.8
!23D&1@
"obby moves her mouth so slowly towards me that by the time
she makes contact, 2ve reach my own orgasm.
$A%%21
Oh boy.
=H!O1
%hat was hot.
=O56%31@
2 want a cock:
)13
2 am so glad we chose this book:
=H!O1
=an 2 have your cock>
$A%%21
=hloe:
=H!O1
,hat> Oh: 2 didnt mean it like that. 3ot that youre not very
attractive, but 2 am married. Happily married. 2t was 'ust a 'oke.
!23DA
$aybe you should read a swinger book.
$ultiple O + ,omen on %op -age ++
=H!O1
3o. 2m not into swinging:
)13
2 know a story about swingers.
D2A31
%ake a chill pill =hloe. ,e knew you were 'oking.
$A%%21
!indsey, that was really brave of you to share that fantasy, thank
you. 2n 3ancy *ridays first book, she talks about how difficult it
was to find women who were willing to share their fantasies with
her.
=O56%31@
&he obviously didnt talk to anyone in this group.
D2A31
@eah, =hloe could have told her about her swinger fantasies.
=H!O1
2ll tell you one of my fantasies. 2 have a lot of them. And no, 2
dont think 2 have any swinger ones. "ut 2 do have a whole lot of
them. $y husband -aul and my se# life isO amaBingO lyO non
e#istent. @eah.
$A%%21
2m sorry.
=H!O1
Oh, no. Dont be sorry. ,hen we did have se# life, it sucked. And
not in a good way. &o 2m much happier without it.
=O56%31@
%hat cant be true.
=H!O1
2 always told -aul that he was ahead of his time. He should have
been around in the revolutionary war days, when it was a good
thing to be a minute/man.
$ultiple O + ,omen on %op -age +D
!23DA
2t was guys like that, who helped me realiBe 2 was a lesbian.
D2A31
-unani -ower:
=H!O1
%hey say that bad se# is better than no se#. @eah, well, whoever
came up with that, never fucked my -aul. On the positive side,
2ve come up with incredible fantasies.
=O56%31@ 7acts out fantasy8
About big burley gladiators> And theyre tied up in chains to your
bed and theyre huge and you crawl on top of their hot sweaty
bodies and you ride them for hours>
=H!O1
5m, no.
=O56%31@
Oh, what then>
$ultiple O + ,omen on %op -age +H
Scene 3 A CASE OF THE HOGWARTS
=H!O1
$y favorite fantasy has nothing to do with beefy gladiator type
men, or anyone tied up in my bed. 2t takes place a long way from
here. 2n a magical land far away.
=O56%31@
A magical land>
=H!O1
@es. And the only way to get there is by train, which stops at
platform S X at )ings =ross &tation, !ondon.
)13
,hat are you talking about>
=H!O1
%hats the only platform where you can catch the train to
Hogwarts.
D2A31
&o this is a Harry -otter playing with his wand fantasy.
=H!O1
2t is not a Harry -otter playing with is wand fantasy, thank you
very much. 2n fact, in my fantasy there are no boys, or men, or
penis at all.
D2A31
Okay, 2 can get into this one.
=H!O1
2 thought you might. &ometimes my fantasy takes place on the
train before we get to Hogwarts.
=O56%31@
2 have a train fantasy too: "ut go ahead:
)13
Are there gladiators on the train, =ourtney>
=O56%31@
&hh. Dont interrupt. Have some respect. Dont interrupt.
$ultiple O + ,omen on %op -age +L
=H!O1
2n the train fantasy, 2 slip inside one of the riding compartments
and sitting all alone is Hermione 4ranger. &hes looking a little
sad, so 2 offer her a cup of hot tea.
!23DA
,hy are you carrying tea around on a train>
=H!O1
"ecause its my fantasy.
=O56%31@
=hloe, no offense, but that was a pretty lousy fantasy. %hat
wasnt se#y at all.
=H!O1
3o, =ourtney, thats not my fantasy.
=O56%31@
"ut you 'ust said it was your fantasy.
)13
%o be fair, 2m pretty sure you did say that.
=H!O1
2 meant to say that 2 dont know why 2m carrying tea, 2 'ust am.
And its not really tea anyway, its 0eritaserum.
=O56%31@
&o you were lying about the why you were carrying the tea and
that it was even tea in the first place. 2ts okay to tell the truth,
you know. 3obodys going to think you weird 'ust because you
have a tea fetish or whatever.
=H!O1
2ts not a tea fetish.
$A%%21
,hat is 0eriaserum>
=H!O1
2ts a powerful truth serum.
$ultiple O + ,omen on %op -age +N
=O56%31@
HA:
=H!O1
,hat>
=O56%31@
@ou were carrying truth serum.
=H!O1
@eah>
=O56%31@
Am 2 the only one who thinks thats funny> 7-ause.8 2ts truth
serum. 7-ause.8 And she lied about it being tea.
)13
2 dont get it.
=O56%31@
3ever mind.
=H!O1
,ell anyway. &o Hermione starts to confess why shes sad. And
she tells me that shes been forced into this relationship with 6on
to appear normal.
!23DA
6on is her boyfriend>
=H!O1
@es. &ort of. Anyway her hidden desire is to be with a woman.
!23DA
As any woman should wish:
D2A31
!esbian -ower:
$ultiple O + ,omen on %op -age +Q
=H!O1 7%eases Diane8
2 confess to Hermione that 2ve always wondered about being with
another woman too. 0ery slowly we start kissing. Her mouth
opens and we start to e#plore each others bodies tenderly. As if
were afraid that if our touch is too heavy, 2tll break the magic of
the moment. 7%urns away from Diane8 "ut most times, 2m not in
the mood to go slow and in my fantasy.
D2A31
"itch:
=H!O1
2 skip past the train part and 2 find myself in Hogwarts &chool of
,iBardry and $agic. Only this time 2m Hermione.
7!24H%& shirt to reveal Hogwarts8
4233@
-rofessor %relawney: -rofessor %relawney:
-6O*1&&O6
Oh hello dear. !et me get a look at you. Are you one of my
students>
4233@
3o professor, 2m 4inny ,easley. 2m not taking Divination.
-6O*1&&O6
-ity then. %hank you for your time.
4233@
Okay. ,ait. 2 was the one that wanted to ask you a (uestion.
-6O*1&&O6
Of course you were dear. !et me see your hands> Oh there they
are. 2ll be able to see your (uestion in a moment.
4233@
2 could 'ust ask you, -rofessor.
-6O*1&&O6
3o need to ask dear, 2m already doing it. 2ll tell you what your
(uestion is in 'ust a moment. 2m starting to see something.
$ultiple O + ,omen on %op -age +R
4233@
2 meant to say, 2 could simply ask the (uestion and then youd
know.
-6O*1&&O6
Hush child. Oh no. Oh 3O: 2 fear you are in grave danger.
4233@
Oh brother.
-6O*1&&O6
@es. @ou and your brother. @ou are both going to die a terrible
death.
4233@
Okay. &o, 2 heard that youre conducting a special class today for
some of the girls, by invitation only.
-6O*1&&O6
Oh, yes. ;uite right. As young witches mature, their bodies yearn
for certainO attentions.
4233@
2 know. %rust me, 2 know.
-6O*1&&O6
And with the boarding areas of this school segregated, when
these ladies are looking to have their O urges met, they have a
tendency to turn to their classmates for help.
4233@
2 understand. 2 didnt receive an invitation.
-6O*1&&O6
How unfortunate. 2 would have liked to personally instruct you.
@ou must be slated for ne#t year. -ity youll be dead by then. 2
should be off.
4233@
,ait -rofessor. -erhaps its not too late to receive an invitation>
-6O*1&&O6
2 dont need an invitation, dear. 2m instructing the class.
$ultiple O + ,omen on %op -age +S
4233@
2 mean an invitation for me.
-6O*1&&O6
2 dont think thatd be possible. =hoosing which witches are
invitedO 7!aughs8 2 said Ywhich witchesZ:
4233@
*ocus, -rofessor.
-6O*1&&O6
%he spells well be using are (uite advanced and difficult to
master.
4233@
%heres spells>
-6O*1&&O6
Of course. !ook over there. !umos. 7!24H%& up to reveal
H16$2O31 and !53A talking8 ,hat do you see>
4233@
3othing really. <ust Hermione and !una talking by the stairs.
-6O*1&&O6
Are they lovers>
4233@
7!aughs8 3o. %heyre 'ust friends. 2ve caught my brother 6on
snogging with Hermione in the library. And !una has always
beenO well, a bit peculiar.
-6O*1&&O6
&o they have no romantic inclination toward each other>
4233@
Definitely not.
-6O*1&&O6
7Draws out a wand.8 @et with a flick of my wristO umO what is
that spellO 3oO ,aitO.
4233@
-rofessor>
$ultiple O + ,omen on %op -age DT
-6O*1&&O6
Oh yes. =umulonimbus:
7&O53D of a %H53D16=!A-8
H16$2O31
2s it starting to rain in here>
4233@
@oure going to make it rain.
-6O*1&&O6
Drat: ,rong spell. 2m a bit rusty at this. =unnilingus: Ah. %hats
it. =unnilingus.
!53A
2 think 2m getting wet.
H16$2O31
2ts the rain.
4233@
3othing is happing.
-6O*1&&O6
4ive it a moment. 2t takes a bit of time to take effect.
H16$2O31
2s it getting warm in here>
!53A
2 heard thunder. $aybe 3ards are coming.
H16$2O31
3ards. 2ve never heard of 3ards.
!53A
%hey usually only torment boys, slowly draining the blood from
their brains and rendering them incapable of thinking logically.
H16$2O31
!ike the =onfundus =harm>
!53A
$ultiple O + ,omen on %op -age D.
2 believe so. 2ve heard it creates a sense of euphoria.
H16$2O31
Does it ever make people want to do this>
7H16$2O31 and !53A begin to kiss each other.8
!53A
2t must be true. 2ve heard it can make your knees grow weak.
H16$2O31
,e should lower you. 2 wouldnt want you to fall.
!53A
As you wish.
H16$2O31
And what about this>
7H16$2O31 lowers !53A into a kneeling position and kneels
behind her. H16$2O31 raises !53A& skirt and spanks her several
times.8
!53A
%his is definitely 3ard behavior.
H16$2O31
,hat can we do to make them go away>
!53A
Do you want them to go away> %hey generally roll over and go to
sleep shortly after they come. &ome boys are affected only for a
minute or two.
H16$2O31
How dreadfully sad.
!53A
2 never thought the sensation would be (uite this en'oyable.
H16$2O31
-erhaps you will like this. 7!owers her head and simulates
cunnilingus.8
$ultiple O + ,omen on %op -age D+
4233@
2ts a beautiful spell.
-6O*1&&O6
2t is. And a very mature spell as well. @ou are a bit too young to
use it.
4233@
%each me something else.
-6O*1&&O6
2 really should be going.
4233@
-lease -rofessor. &how me a less powerful spell. @ou are such an
incredible teacher.
-6O*1&&O6
@ou think so>
4233@
<ust a little bit more>
-6O*1&&O6
Alright. Do you see that woman there>
4233@
"ellitri#: ,hat is she doing here>
-6O*1&&O6
%his is a fantasy and shes hot.
4233@
*air enough.
-6O*1&&O6
,atch. Osculum Dare:
7"1!!2%62[ approaches Hermione and !una and 'oins them, kissing
!una passionately8.
4233@
2ts a kissing spell.
$ultiple O + ,omen on %op -age DD
-6O*1&&O6
@es.
7%hey watch the women in silence for a few moments8
4233@
-erhaps we should give them some privacy. 3o#: 7!ights on
H16$2O31, !53A and "1!!A%62[ e#tinguish.8
-6O*1&&O6
@ou know the 1#tinguish !ight spell>
4233@
$ay 2 please attend your private class, -rofessor %relawney>
-6O*1&&O6
Oh dear. 2 think 2 may have shown you too much already.
4233@
Do you think there may be 3ards near us>
-6O*1&&O6
,hat makes you ask that>
4233@
2 have an irresistible urge toO Osculum Dare: )iss me professor.
$ultiple O + ,omen on %op -age DH
Scene 4 WHO WEARS HEELS ON THE SUBWAY: A RAPE
FANTASY
D2A31
3ow thats more like it.
!23D&1@
@ou approve of =hloes fantasy>
D2A31
%he whole wiBard thing doesnt do much for me, but 2 like that
"ellatri#.
!23D&1@
2 feel an oddly familiar connection to her too.
D2A31
Oscullum whatever. 7!indsey and Diane kiss.8
=O56%31@
2 dont get it.
$A%%21
,hat dont you understand =ourtney>
=O56%31@
A lot of it, 2m thinking.
=H!O1
2 guess 2ve always wondered what it would be like to be with a
woman.
D2A31
@ouve come to the right place. ,e can enlighten you.
=H!O1
2d never really do it though.
)13
,hy not>
=H!O1
"ecause 2m not interested in that.
$ultiple O + ,omen on %op -age DL
)13
"ut its what you fantasiBe about.
=H!O1
2 know. 2 cant e#plain it. 2 like thinking about it, but 2 wouldnt
ever want to live it out.
$A%%21
2s that what youre confused about, =ourtney>
=O56%31@
,hat> 3o 2m not confused about that. 2 actually get that part. 2
have a fantasy, 2d never want to happen for real.
!23D&1@
,ell, what dont you get>
=O56%31@
2 dont understand what that had anything to do with tea
fetishes>
=H!O1
2 dont have a tea fetish.
!23D&1@
Are your fantasies always involving other women>
=H!O1
Oh no. "ellatri# and !una are common features, and sometimes 2
substitute one or both of them with !avender "rown or )atie "ell. 2 like
)atie a lot. 2 think she represents athletic women for me since shes the
=haser on the 4ryffindor ;uidditch team. "ut sometimes 2 imagine
men. 2 have this wicked fantasy about &everus &nape trying to
impregnate Hermione, who is of course, me. ,hen 2m really feeling it,
2 imagine 0iktor )rum. Hot: Hes the victim of the 2mperius curse and
hes being forced to satisfy me right on the ground of )nockturn Alley
outside "orgin \ "urkes for the amusement of 1rnie -rang and Argus
*ilch:
D2A31
-rang and *ilch>
$ultiple O + ,omen on %op -age DN
=H!O1
2 know: 2ts creepy and super se#y at the same time.
D2A31
,ho the hell are -rang and *ilch>
=H!O1
1arnie -rang is the driver of the knight bus and/
D2A31
2 dont want to know. 2t was rhetorical. ,ho in their right mind even
cares>
)13
2t might be very important otakukin.
D2A31
%ater/tot on your what>
)13
Otakukin.
$A%%21
Dont look at me.
=H!O1
Do you believe in that too> 2 dont know how else to e#plain it.
&ometime when 2ve been riding the bus, 2 step off and feel like 2m
walking down Diagon Alley. %he smells downtown turn into the fumes
wafting from &lug and <iggers Apothecary, 2 can hear the screeching of
1eylops Owl 1mporium and 2 can even taste the flavors *lorean
*ortescues 2ce =ream -arlour. 2ts as if 2ve walked down that street a
million times before.
D2A31
,hat the hell is tater/tots>
$ultiple O + ,omen on %op -age DQ
=O56%31@
%heyre like hash browns that you smash up into a little balls. %hey look
likeO fried potato O turds.
)13
Otakukin is broadly defined. "ut commonly its a belief that in a past
life you were a fantasy creature or fictional character.
=H!O1
@es. @ou feel that way too, )en>
)13
3o, 2 think Otakukin are mostly psychotics.
7%here is about D seconds of silence and then everyone shifts further
away from =hlole.8
=H!O1
Hey:
=O56%31@
2 have a friend who feels shes like $arge &impson, but she doesnt
think she really is $arge &impson.
!23D&1@
2 like the idea of having a past life as a fictional character.
$A%%21
2 wonder who 2d have been.
=O56%31@
@oud be a saint because you have so much patience.
)13
2 dont think saints are fictional.
D2A31
2d be [ena, warrior princess. @ou could be 4abrielle.
$ultiple O + ,omen on %op -age DR
!23D&1@
@oud 'ust like to see me all dressed up in leather.
D2A31
2d like to see you all undressed from leather.
!23D&1@
,hat would you do with me if 2 was all undressed from leather>
=H!O1
@ou two should get a room.
=O56%31@
@eah, really. ,ere talking about fantasies, not your se# stuff.
)13
2s there a difference>
$A%%21
$aybe we should stick to discussing the book. Did anyone else find that
many of fantasies seemed to contain se#ual symbolism>
!23D&1@
,hat do you mean>
$A%%21
=hloes fantasy of a train is a good e#ample.
!23D&1@
"ut that wasnt in the book.
$A%%21
$ultiple O + ,omen on %op -age DS
2 know, 2m 'ust showing you an e#ample. %he train might easy
represent an erect penis. 2ts long and its powerful, its (uite phallic.
D2A31
And theyre both one/track minded.
)13
Didnt you say you had a train fantasy, =ourtney>
=O56%31@
@es. "ut it takes place in an office building.
D2A31
Of course it would.
$ultiple O + ,omen on %op -age HT
=O56%31@
2 mean the fantasy 2 have most often starts off in an office. 2ts the
end of my first day.
&O3@A
;uitting time:
DA6!A
&onya, are you going to bring your new girl over to =onnors
tonight>
&O3@A
2 can suggest it to her.
DA6!A
<ack and -aul wanted me to ask. @ou can imagine why.
&O3@A
<ack and -aul are pigs.
DA6!A
2ts mostly -aul. He was saying that we havent hired any fresh
meat lately and his YpersonalZ life has been suffering because of
it.
&O3@A
2m pretty sure that man thinks this company is his own personal
dating service.
DA6!A
Hes mostly harmless.
&O3@A
$ostly harmless> Did you and -aul everO>
DA6!A
&onya, this is a working environment. @ou shouldnt be asking me
about that. "ut if the phrase Yits really none of your businessZ
really meant, Yyoud better believe it and hes an awesome layZ
thenO 2ts really none of your business.
&O3@A
$ultiple O + ,omen on %op -age H.
2snt he though>
DA6!A
Oh my 4od, you did him too>
&O3@A
O 2ts really none of your business.
DA6!A
2 cant believe it. 2 will see you at the pub tonight, then>
&O3@A
2ll be there. 2m 'ust waiting for =ourtney.

DA6!A
2ll see you there. 71#its8
&O3@A
;uitting time, =ourtney: <ack and -aul and some of the other
guys are stopping at =onnors -ub for a brewski. ,ant to 'oin us>
=O56%31@
5mO &onya, right>
&O3@A
@es. 2tll give -aul a chance to hit on you. Hes always hitting on
the new girls.
=O56%31@
&ounds like a blast, but 2 think 2ll pass this time. $y feet are
killing me.
&O3@A
@ou know, you dont have to wear heels.
=O56%31@
%omorrow, 2ll flats. 2 'ust wanted to make a good impression the
first day.
&O3@A
4ood. 2 think youre really going to like it here. ,ere a very close
group.
=O56%31@
$ultiple O + ,omen on %op -age H+
2 hope so. 2 was nervous about taking the subway. 2ve never
done that before.
&O3@A
6eally> ,ow, welcome to the city. %he subways are fine this
time of day. =rowed, and not the most comfortable, but youll be
safe. Have a good night, =ourtney. 2ll see you in the morning.
=O56%31@
4ood night, &onya. 2 leave work and head down to the subway
station. &onya was right. 2ts hot and its crowded with strangers.
*or a moment 2 consider turning around and finding this =onnors
-ub place. "ut, the train arrives and 2 follow rest of the lemmings
smashing their way into the closest car.
-A&&13416 .
Hey: ,atch it, thats my foot.
=O56%31@
&orry.
-A&&13416 +
,ho in their right mind wears heels on the subway>
=O56%31@
2m really sorry.
-A&&13416 .
%heyre my feet. <ust because 2 walk on the bottoms of them
doesnt mean you can walk on the tops.
=O56%31@
%he doors close and 2m trappedW a sardine trapped in a tight
metal can, packed in so closely that 2 can hardly move.
-A&&13416 D
2ll let you sit on my lap if you show me your tits.
=O56%31@
,hat>:
-A&&13416 D
2 said if you show me your tits, 2ll let you sit on my lap.
$ultiple O + ,omen on %op -age HD
=O56%31@
2 heard you the first time. 3o thank you.
-A&&13416 D
&uit yourself. "ut you shouldnt ride the subway with heels.
=O56%31@
-lease dont talk to me. %he creep smells like the floor of a mens
bathroom. Dont ask me how 2 know. 2 try to take a wide stance
to keep my balance a bit better. %he air is thick and sticky. 2 close
my eyes and try to block out the heat, and the smell and the pain
in my feet. 2 drift away to a nicer place. $y peaceful spot. @es.
3ice. %hats when 2 feel the pressure on my stomach. 2t feels like
someones hand touching me, feeling me. At first 2 think its 'ust
the cramped car and someones accidental touch. 2 dismiss it as
accidental. "ut the hand is still there. 2t begins to caress me.
,hat should 2 do>
%he car is too crowded to move, let alone turn around. 2ts hot.
&o hot. 2 can barely breathe.
-A&&13416 +
"reathe, bitch.
=O56%31@
2 feel diBBy. %he hand is at my breasts, pawing at me.
-A&&13416 +
%ouch her.
=O56%31@
2 want to scream.
-A&&13416 +
&cream.
=O56%31@
2 want to run,
-A&&13416 +
,here are you going to go>
=O56%31@
but theres no place to go,
$ultiple O + ,omen on %op -age HH
-A&&13416 +
%hats right.
=O56%31@
and my voice fails.
-A&&13416 +
Dont say a word.
=O56%31@
%he hand is at my throat.
-A&&13416 +
@oure mine, bitch.
=O56%31@
2 feel the heat of breath on my neck. And then the whisper that
sounds like screaming in my ears.
0O2=1
2 have a knife.
=O56%31@
,hy isnt anyone doing anything> ,hy are they 'ust sitting
there> i-ods stuck in their fucking ears. Dont they see whats
going on>
-A&&13416 .
]&ings.^ ,hats going on> ,hats going on>
=O56%31@
%he hand drops to my breasts. $y nipples harden.
-A&&13416 +
@ou like that bitch>
=O56%31@
2 cant be en'oying this. 2 cant. 2ts my fight or flight instinct.
"lood is flowing faster, so 2m ready. *or whatever. %he hand
s(ueeBes my breast. Oh 4od. ,hy isnt anybody doing anything>
-A&&13416 +
&omebody is doing something.
$ultiple O + ,omen on %op -age HL
=O56%31@
2m frightened.
-A&&13416 +
,hat are you frightened of>
=O56%31@
2 cant stop trembling.
-A&&13416 +
,hat are you frightened of>
=O56%31@
2m afraid.
-A&&13416 +
Afraid>
=O56%31@
Afraid.
-A&&13416 +
Of ,hat>
=O56%31@
%hat he O
-A&&13416 +
@es>
=O56%31@
%hat he O
-A&&13416 +
4o on.
=O56%31@
%hat he might O
-A&&13416 +
%hat he might what>
=O56%31@
%hat he might stop.
$ultiple O + ,omen on %op -age HN
-A&&13416 +
Ah.
=O56%31@
2 cant help it. %he fingers are soO and its soO but 2O Oh 4od.
-A&&13416 +
&o you like it.
=O56%31@
%he hand is at my blouse. %he buttons strain, and pop. %he hot
air is cool on my skin and this chilling bastards touch sets my skin
ablaBe. 3obody pays attention. 3obody cares. And it feels so
good. ,hen is my stop coming up> &hould 2 run> ,here will it
take me if 2 stay> ,hy does it feel so good> %he hands move over
my body, everywhere holding, s(ueeBing. %hen comes the
moment of truth. 2 feel the back of my skirt being raisedW inch by
inch. 2ts going to happen. 2m grasping the handrails with such
force that my knuckles turn white. Over the noise of shuffling
bodies and the rhythmic pounding of the subway, over coughs
and muttered conversations, over the screaming in my own mind,
it pierces the moment P the unmistakable sound of a Bipper
coming down. His hand reaches under me and pulls my panties to
the side. %he bastard isnt even going to take them off. He 'ust
pushes them aside. 2 feel something hard on his finger. $aybe
its a ring. 2 wonder if hes married. Do you want to fuck me,
married man> 2 feel his dick, hot between my legs, inside my
panties, rubbing against me. He rubs it back and forth. Or maybe
its me, working my hips. "ut he doesnt enter me. He 'ust slides
his dick against me, pressed between my panties and my pussy.
*uck me fucker:
&uddenly 2m not in the subway any longer. 2m a waitress in a
diner, one of those bottomless cup places and all the patrons are
men. 1very time 2 bend over to fill their cups, somebody comes
up behind me and starts to fuck me. -ushing me forward across
the table, while the customers keep talking, ignoring that 2m even
there. Over and over at every table 2 go to. -ushing me over,
fucking me. %heir coffee cups and silverware bouncing as the
table shakes.
%hen back on the subway. 2m leaving over the man who wanted
to see my tits. 2 stare into his eyes while the rapist continues to
rub his dick against me. @ou wanted to see my tits fucker. %here
they are. %he rapist is picking up speed. He still hasnt entered
$ultiple O + ,omen on %op -age HQ
me. 2 want him to. *uck me. *uck me. *uck me. *uck me you
fucking fuck. @ou miserable, married fucking fucker. 4et your
fucking dick in me. 2 need you to fuck me.
And then 2m falling forward onto the ground. 1veryone is
leaving, getting off at this stop. 2m there alone. $y breath
comes in gasps. $y rapist is gone. 2 feel his cum between my
legs. 2m too tired to move. $y breasts are sore. 2ve been
mauling myself while masturbating. "ack in my fantasy, 2 know
the subway will pull into a depot soon. &omeone, maybe the
driver will wall through the cars and see me lying here. 2 know
hell offer a hand to help me up. "ut before he does that, hell
stand over me. Hell look down at my battered body, my torn
clothes, the evidence of my rape. Hell look at me with pity in his
eyes. And then hell say, Ywho the fuck wears heels on the
subwayZ as he starts to pull down his pantsO
&cene L P "5%%O3& %H1 $5&2=A!
=H!O1
Anyone else taking the subway home tonight> 7)13, $A%%21 and
!23D&1@ raise their hands8.
D2A31
&eriously> 2ts a penis fantasy.
!23D&1@
@eah, but its 'ust a fantasy. =H!O1 has fantasies about women
and shes straight.
D2A31
%hats because all women are lesbians or in denial.
=O56%31@
2m not in denial.
D2A31
,elcome to the sisterhood, =ourtney.
=O56%31@
Okay, thanks. Hey wait. 2m not gay.
$A%%21
%hats silly Diane. How could every woman be a lesbian> How
could we propagate our species>
$ultiple O + ,omen on %op -age HR
D2A31
2ts 'ust like doing dishes.
=O56%31@
7!A54H& !O5D!@8 7-ause8 2 dont really get it.
=H!O1
2m afraid to ask.
D2A31
,hen you wash, you take the dish and wipe off all the nasty
disgusting grime and then you put it in the dish/water.
)13
,ouldnt that be food> ,hy is it that when youre done eating,
the food becomes grime> 2t would have to be grime in the first
place.
D2A31
$y point is, -rofessor -enis, is that no matter how disgusting the
plate, we still have to wash the dishes. 2ts for a higher purpose.
%he same holds true for women. 3o matter how disgusting
procreating with you is, we still have to do it.
=H!O1
"ut you dont do it, Diane. @oure not a plate that gets washed.
D2A31
%hats because 2m a paper plate.
=O56%31@
&o youre 'ust trash>
D2A31
Hey:
)13
@ou did suggest that. -aper plates are thrown away.
D2A31
,hat is this / "eat 5p on !esbians $onth>
!23D&1@
@oure the one that brought up the whole plates thing.
$ultiple O + ,omen on %op -age HS
D2A31
@ou too>
!23D&1@
3o. 3o. &orry.
$A%%21
,hy dont we get back to the book and stop sticking our hands in
disgusting lesbian things.
D2A31
$attie:
$A%%21
@ou know what 2 mean.
)13
2 think =ourtneys fantasy brings up an interesting point.
=O56%31@
%hank you, )en:
)13
5m, youre welcome. ,hen it comes toO um, rapeO it would
seem to me that its O not somethingO thatO you girlsO wouldO.
!23D&1@
,omen.
)13
,hat>
!23D&1@
,omen. 3ot girls.
)13
&orry.
D2A31
,ith a Y@Z.
)13
,hat>
$ultiple O + ,omen on %op -age LT
D2A31
,omen, but with a Y@Z.
)13
@imen>
D2A31
2 will punch you in the lip.
$A%%21
2 think )en is wondering why we can fantasiBe about something as
brutal and horrible as rape.
)13
1#actly.
$A%%21
%hats easy. A rape fantasy is as freeing as a martini.
=H!O1
$aybe we should skip all the food metaphors.
=O56%31@
2ts not a metaphor, its a simile. 7-ause.8 ,ell it is. A simile is a
figure of speech that directly points out the connection between
two things, often using the words as or like.
D2A31
3ot doubting youW 'ust amaBed. 2 didnt think you could walk and
chew gum at the same time.
=O56%31@
2 cant do that. %he gum gets stuck in my hair.
)13
2 dont understand.
=O56%31@
%hats because when 2 chew gum, 2 like to blow bubbles and O
)13
$ultiple O + ,omen on %op -age L.
3o. 3ot that. 2 dontO my brain will burst. 2 dont get the martini
metaphor.
=O56%31@
&imile.
$A%%21
6ape does for a womans se#ual fantasy what a cocktail does for
her in real life. 2t e#cuses her sense of responsibility and feelings
of guilt. ,hen she fantasiBes about an assailant, she can blame
him for being forced to do the very thing that she actually wants
to do.
=O56%31@
%his is really deep.
$A%%21
3ot really.
=H!O1
"ut in my fantasy, 2m not being raped, and 2 dont have any
feeing of guilt.
$A%%21
@ou werent raped, but you were the victim of a spell, right> &o it
wasnt really your fault. @ou couldnt help yourself.
=H!O1
2 guess 2 never thought of it like that.
!23D&1@
,hat about me> 2 wasnt the victim. 2n my fantasy 2m the
aggressor.
$A%%21
%hats true. "ut it does seem like you fall under the control of
your YpenisZ.
!23D&1@
=ock.
$A%21
=ock.
$ultiple O + ,omen on %op -age L+
D2A31
And besides, you sort of cant help yourself. Our neighbor "obby
is nothing if not hot.
=O56%31@
@ou really have a neighbor named "obby>
!23D&1@
@es. And she is cute.
D2A31
AmaBing. "ig, big boobs. And !indsey watches her from the
bedroom window.
!23D&1@
2 do not.
D2A31
Oh thats right. 2 watch her from the bedroom window.
!23D&1@
@ou do>
D2A31
=an you fault me>
!23D&1@
,ell, other than it being a little bit creepyO
D2A31
2d love to be the conductor who punches her ticket on the lesbian
e#press. 4oing down to ,omyn %own.
=O56%31@
%hat doesnt make any sense.
)13
&o what about you, Diane>
D2A31
,hat about me>
)13
$ultiple O + ,omen on %op -age LD
2f =ourtney fantasiBes about rape, but wouldnt really want to do
it, and =hloe thinks about se# with another woman O
=H!O1
4roup of women.
)13
And !indsey has her penis...=ock. =ockO
D2A31
,hat do 2 fantasiBe about> 2s that want you want to know> 2
fantasiBe about men.
)13
@ou do>
!23D&1@
@ou do>
D2A31
&ure. About men who 'oin book clubs. And 2m at a meeting and
hes there. Hes looking all penis/y and 2 walk up behind him and
start rubbing his shoulders and pressing my breasts into his back.
Oh baby.
)13
Okay. Okay.
D2A31
=mon )en. @ou want me. @ou know you do.
=H!O1
&eriously Diane, do you fantasiBe about se# with men>
D2A31
3o.
=O56%31@
&e# with women then>
!23D&1@
Duh.
D2A31
$ultiple O + ,omen on %op -age LH
Actually, no.
=H!O1
Oh my 4od: Dogs and horses> Are you one of those "east $aster
people> %here are a lot of fantasies about dogs and horses in the
book.
D2A31
3o.
=H!O1
@eah, there are. %here was that oneO with theO siBe thing. "ig.
1#plodedO all stickyO you know... the one.
D2A31
2 read the book, 2 know some women fantasiBe about dogs and
horses. 2 was saying Y3o 2 dont fantasiBe about them.Z
=O56%31@
=an you imagine getting raped on the subway by a horse with a
giant horse thing>
$A%%21
$aybe you should have some more wine, =ourtney.
=O56%31@
Okay.
)13
2 think 2ll have some too.
$A%%21
&o what do you fantasiBe about, Diane.
!23D&1@
2m dying to know too.
D2A31
3aw. @ou guys are going to laugh.
!23D&1@
"aby, 2 would never laugh at you. 74ives Diane a peck of a kiss.8
"ut you dont have to tell us if you dont want to.
$ultiple O + ,omen on %op -age LL
D2A31
2 dont want you to think 2m weird.
=O56%31@
%oo late:
=H!O1
=ourtney:
=O56%31@
*uck. Did say that out loud>
$A%%21
One of the most common sentiments the women in 3ancys book
shared was that they were afraid something was wrong with
them. %hat their fantasies were so _out/there everybody would
think they were weird for having them.
!23D&1@
%hats right. "ut everyone has them.
D2A31
Okay. @ou promise you wont think 2m weird>
$A%%21
Of course we will. 2 mean, of course we will promise not to think
youre strange.
D2A31
And nobody is going to laugh.
!23D&1@
,e promise not to laugh.
D2A31
3o everyone needs to promise.
$A%%21
1veryone promise that you wont laugh at Dianes fantasy.
7!23D&1@, =H!O1, =O56%31@ and )13 mutter promises not to
laugh8
$ultiple O + ,omen on %op -age LN
D2A31
%heyre going to start laughing two seconds after 2 tell them.
!23D&1@
3o they wont. %hey promised.
D2A31
$y fantasies dont usually involve se#. 7!ooks to see that nobody
is laughing.8 And they change from time to timeO
$A%%21
%hats completely normal.
D2A31
"ut right nowO 2m fantasiBing a lot aboutO "uttons.
7)13 and =O56%31@ and =H!O1 snicker.8
!23D&1@
@ou guys:
D2A31
2 told you. %wo seconds.
)13
On the button.
7$ore snickers8
=H!O1
Okay, guys. !ets stop laughing. =mon. "utton it up.
74iggles.8
D2A31
&ee. %hey think its weird.
!23D&1@
3o they dont. %hey think its cute. Dont you guys>
=O56%31@
=ute as a button>
7!aughter.8
$ultiple O + ,omen on %op -age LQ
D2A31
@ep, yep, yep.
$A%%21
Okay everyone thats enough. 6eally buttons> 7D2A31 nods.8
&oooO 74ales of laughter.8 2 couldnt help it. 2ts the wine.
D2A31
Alright, 2 can see 2 need to e#plain this to you all. ,hen 2 am
playing with myself P
=H!O1
6ubbing your button>
D2A31
@es. And when 2m doing that, 2 put on headphones and turn up
the music and 2 get lost in it. %here are a couple of songs that 2
listen to, but with one in particular, 2 close my eyes and imagine
2m part of the performance.
!23D&1@
-erformance>
D2A31
@es. 2t always starts off the same way. 2m all alone on a stage,
and the lights go dark. 71veryone e#its e#cept for Diane.8 2 can
hear the scattering of feet as the other performers take their
places. &ometimes they crash into things. &ometimes 2 wonder
why 2 didnt 'ust let the lights come back on for themO but fuck
_em. %heres the usual rustling of costumes and sometimes the
sound of e(uipment being moved. And still this is all in the dark.
And slowly everything gets settled and the stage starts to go
(uiet. 2 begin to feel a nervous energy brewing up inside me. 2ts
a tingling of anticipation. 2 hear a voice in the darkness.
0O2=1
&tandby.
D2A31
&tand by.
0O2=1
Dancers to their places:
$ultiple O + ,omen on %op -age LR
D2A31
Dancers to their places. And then the sound of a spotlight being
turned on 7&O53D of electrical breaker being thrown8 and 2 can
feel the heat of the lamp, even though 2m 'ust outside of the
lights throw. 2 start to breathe more heavily. $y hands between
my legs move faster. 2 begin to grind there in the almost
darkness, surrounded by people who probably cant see me.
%hen, another spotlight lights up a man with a hat. And then the
music.
`` "5%%O3& P -5&&@=A% DO!!&aa
&3OO-
@eah, little mama you lookin? good
2 see you wanna play with a player from the hood
=ome holla at me,
you got it like that
"ig, &noop Dogg with the lead -ussycat
2 show you how it go down,
yeah, 2 wanna go down
$e and you, one on one, treat you like a showdown
@ou look at me and 2 look at you
2?m reachin? for your shirt what you want me to do
-5&&@ =A%&
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
%ypical and hardly
%he type 2 fall for
2 like it when the physical
Don?t leave me askin? for more
2?m a se#y mama 7mama8
$ultiple O + ,omen on %op -age LS
,ho knows 'ust how to get what 2 wanna 7wanna8
,hat 2 wanna do is bring this on ya 7on ya8
"ackup all the things that 2 told ya 7told ya8 7told ya, told ya8
@ou?ve been sayin?
All the right things all night long
"ut 2 can?t seem to get you over here
%o help take this off
"aby can?t you see 7see8
How these clothes are fittin? on me 7me8
And the heat comin? from this beat 7beat8
2?m about to blow, 2 don?t think you know
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
@ou say you?re a big boy
"ut 2 can?t agree
?=uB the love you said you had
Ain?t been put on me
2 wonder 7wonder8
2f 2?m 'ust too much for you, wonder 7wonder8
2f my kiss don?t make you 'ust wonder 7wonder8
,hat 2 got ne#t for you, what you wanna do 7do8
%ake a chance to recogniBe
%hat this could be yours
2 can see 'ust like most guys
%hat your game don?t please
"aby can?t you see 7see8
$ultiple O + ,omen on %op -age NT
How these clothes are fittin? on me 7me8
And the heat comin? from this beat 7beat8
2?m about to blow, 2 don?t think you know
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
&3OO-
3ow you can get what you want
"ut 2 need what 2 need
And let me tell you what?s crack/a/lackin ?fo 2 proceed
2?ma show you where to put it that
-=D on me, yeah, 2 thought 2 saw a puddy cat
@ou roll with the big dog
All si# of y?all on me
3ow tell me how ya feel babydoll
Ashley, 3icole
=armit, <essica, )imberly, $elody
@ou tellin? me
-5&&@=A%&
Ha, ha... hot:
Ha, ha... loosen up
Ha, ha... yeah...
Ha, ha... 2 can?t take this
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
$ultiple O + ,omen on %op -age N.
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
2?m telling you to loosen up my buttons babe 7uh huh8
"ut you keep frontin? 7uh8
&ayin? what you gon? do to me 7uh huh8
"ut 2 ain?t seen nothin? 7ah8
D2A31
After 2 orgasm, the music dies down. One by one the lights turn
off and 2m left in my single spotlight once again. 2 hear the
dancers rushing offstage to change costumes for the ne#t
number. %heres the moving of set pieces into place and the
sounds of performers and technicians scurrying about the stage.
,hen the noise fades, the spotlight goes out and 2m left in near
darkness. $y heavy breathing subsides and 2 open my eyes.
7!ights back to "ookstore.8
!23D&1@
Do you know what we should do> ,e should get one of those
things that split the headphones so we could both listen at the
same time.
D2A31
$aybe you could loosen up my buttons, babe>
=O56%31@
"uttons: 2 get it.
D2A31
=ongrats.
=O56%31@
!ike when you hit the button to start the music.
!23D&1@
Didnt you listen to the lyrics> !oosen up my buttons, babe.
=O56%31@
Oh. 2 thought they were saying !otion up my butt and spank. 2
need more wine.
$ultiple O + ,omen on %op -age N+
$A%%21
,ell 2m glad youre helping me polish off the wine tonight,
=ourtney.
!23D&1@
2 think $attie is getting a little sloshed.
=H!O1
2 know why $atties getting drunk.
$A%%21
2m not drunk. 2m happy.
=H!O1
1veryone one else has shared their fantasies.
D2A31
1#cept for you.
$A%%21
2 dont need to be drunk to share my fantasies, but you might
want to be drunk to hear them.
=O56%31@
2m drunk, you can tell me.
$A%%21
@es you are. "ut the rest of youO 2 dont know if youll be able to
handle what goes on in my mind.
!23D&1@
6eally, 2 cant imagine you having wild fantasies.
$A%%21
,ell let me tell you. ,hen you get to be my age, youve pretty
much done everything there is to do, so theres no sense
fantasiBing about that stuff.
D2A31
&o are you into kinky fantasies, $attie>
$A%%21
Oh, hell no. 2 did all that years ago.
$ultiple O + ,omen on %op -age ND
=O56%31@
"ut youre sweet little $attie.
$A%%21
&weet little $attie my ass. 2ve been spanked, whipped, had
=hampaign bottles shoved up inside me.
D2A31
&e# with women>
$A%%21
2ve tasted more pussy than you could even imagine.
=O56%31@
2 cant be hearing this. $y ears are going to die.
$A%%21
2 started a new fantasy this week. "ecause of this book. 2 dont
think youre ready to hear this.
)13
2m sure 2m not. 2m going to the restroom.
$A%%21
=hicken.
D2A31
2 want to hear this.
=H!O1
,hat about the book.
!23D&1@
2m with Diane.
D2A31
!esbian 3ation forever.
=O56%31@
2m scared.
$A%%21
As 2 was reading the book this week, 2 remember how it felt when
2 first read it years and years ago. 1verything was so new then.
$ultiple O + ,omen on %op -age NH
"ut by this time, 2 had either seen or done half of what was in the
book. 2 began to wonder what itd be like to pass on all my
e#periences, all my fantasies to one young woman, all at once.
$ultiple O + ,omen on %op -age NL
&cene N P A!! ,O$13 1016@,H161
$A%%21
7During the following, a %1&% &5"<1=% is led to a chair. A vibrator
is lowered from the ceiling. &13&O6& are placed on the %1&%
&5"<1=%& chest.8
2n this fantasy, 2 am a scientist conducting research on female
se#uality with a team of other women scientists. Our test sub'ect
is led to a chair and she sits down. &hes given a vibrator and told
that she will be masturbating herself while we study from
monitors in another room. At that point, 2 sometimes become the
test sub'ect, but usually 2 remain the scientist. Her face appears
on my monitor. As she begins to pleasure herself, the other
researchers and 2 begin to fill her head with thoughts. ,e start by
slowly putting se#ual images into her mind. ,e start with the
thoughts that turn us on, and gradually we supersaturate her with
fantasies from every woman weve ever interviewed. 2 tell the
sub'ect to listen to our voices and to rela#.
]Authors note the following se(uence may be reduced as the
director feels.^
.
2 am a woman and 2 have se#ual fantasies.
+
2 am a woman and 2 have se#ual fantasies.
D
2 am a woman.
H
2 fantasiBe.
L
2t is perfectly normal.
N
,e are women.
$ultiple O + ,omen on %op -age NN
Q
1veryone does it.
R
2 am a woman and 2 have se#ual fantasies.
.
$y fantasies are sometimes brutal.
+
$y fantasies are sometimes tender.
D
2 have many lovers.
H
2 am a housewife.
L
2 am a student.
N
2 am a doctor.
Q
2 am a woman and 2 have se#ual fantasies.
R
Do you want to know my fantasies>
.
2 think my husband would be surprised to know that 2 think about
other men when we are having intercourse.
+
2 am thinking about my boss at work.
$ultiple O + ,omen on %op -age NQ
D
2 am thinking about our neighbor.
H
2 am thinking about your brother.
L
2 am thinking about a faceless stranger.
N
2 am thinking about a tall dark man.
Q
2 am thinking about the women at the -%A meeting.
R
2 am a woman and 2 have se#ual fantasies.
.
Do you want to know my fantasies>
+
,e are at this -hiladelphia 1agles football game. *our or five of
us are huddled under a big blanket.
D
2 find myself at the door of a big houseW the door opens and a very
big black man with a bu#om black woman are inside.
H
2 am made to turn around and suck the dogs cock as the man
watches me to make sure 2 really suck it.
L
He tells the attendants that 2 am aroused by anything cold and
wet and suggests they rub ice cubes on my breasts.
N
$ultiple O + ,omen on %op -age NR
2 peek through the planks. %hey are standing facing each other,
their cocks out, stroking each other.
Q
2 imagine that an entire fraternity house has kidnapped me for an
orgy. 2 am the only girl there.
R
2 imagine that the other man is fucking me while my husband puts
his penis in my mouth.
.
2 am a woman and 2 have se#ual fantasies.
+
Do you want to know my fantasies>
D
2 have never confided my se#ual fantasies to a living soulO
H
,e are at a party. 2 am talking with two men. One puts his hand
underneath my skirt.
L
%he three of us are in the living room, me, "en, and my friend
Helen.
N
2 visualiBe my husband screwing another woman while 2 am
screwing another man. ,ere all in the same room.
Q
2 stand at the front of the classroom with my shirt unbuttoned.
R
$ultiple O + ,omen on %op -age NS
2 roll down the window and am surprised that the officer is a
woman. 2 tell her 2ll do anything to get out of the ticket.
Anything.
.
2 am laid down across the table, my dressed pushed up and my
legs spread. 2 am fucked by every man in the room, last of all, my
husband.
+
2 am a woman and 2 have se#ual fantasies.
D
Do you want to know my fantasies>
H
2 want that big black octopus to take me in every way all at once,
with every tentacle going full force at the same time.
L
He, the ra'ah, never leaves his throne. He sits there while my
mother begins to seduce me.
N
%he apes penis makes huge throbbing movements as his come
s(uirts into my cunt in huge globs.
Q
He ties my hands behind my back, tapes my mouth shut, and
proceeds to be the best fuck 2 ever had.
R
2 gaBe for a few loving seconds at my dads beautiful monster. 2ll
be your whore daddy. 2ll be your whore.
.
He comes in me and 2 lose control of my bladder, pissing all over
him.
$ultiple O + ,omen on %op -age QT
+
&o the son and 2 begin, the father sitting there watching as 2
undress the boy, caress him, totally initiate him.
D
2 am a woman and 2 have se#ual fantasies.
H
Do you want to know my fantasies>
L
2 proceed, with the help of 0aseline, to introduce him to the world
of fist/fucking.
N
Hes been beaten, raped, starved, prostituted and humiliated
e#tensively before 2 get to him.
Q
2 am on my knees in the clubs bathroom. $y boyfriend waits
outside as the line of men wanting to take me forms.
R
His hard, virginal prick is staring beautifully at me, teasing me.
.
2 grab and s(ueeBe each cheek, and bury my face in his ass, licking
and kissing it all over.
+
%ake me, 2 tell him, and pretend its our daughter.
D
He sucks and sucks on my nipples while 2 seductively rub my legs
along his diapered penis
H
$ultiple O + ,omen on %op -age Q.
2 am a woman and 2 have se#ual fantasies.
L
Do you want to know my fantasies>
N
2 pin his arms down with my feet and 2 pin his legs down with my
arms and fuck him like hes never been had before.
Q
He has the opportunity to watch as 2 degrade his little whore.
R
$y fantasy is that we are a demonstration couple for a class of
young couples being instructed in the art of intercourse.
.
2f two girls want to make love or masturbate they may do so at
any time, provided they do it in the corridor so that everyone who
wants to can watch
+
2 remind him that 2 am in control now, not him.
D
2 am .D, still technically virginal, but well built and a cheerleader.
H
Hes trying to look normal, eating and drinking while 2m under
the table with his cock in my mouth.
L
2 am a woman and 2 have se#ual fantasies.
N
Do you want to know my fantasies>
Q
$ultiple O + ,omen on %op -age Q+
$y older sister and 2 sneak off on evening to (uell our curiosity
about the boys camp.
R
2 kneel under the horse to stroke his huge cock, to lick on his big
head and massage his massive balls.
.
@ou both massaged the cum all over our cheeks and all over our
cunt lips and what remained on your hands was smeared on our
faces.
+
$y ass is up in the air while being fucked in the mouth. Another
friend comes up from behind and slams his big cock into me.
D
2 am in a mansion, dressed in a ball gown with wide skirts and a
tight bodice.
H
&omething cold lies against my wristsW there is an audible click and
2 realiBe hes handcuffed me to the bedpost.
L
2 picture him making love to me using only his words.
N
2 am a woman and 2 have se#ual fantasies.
Q
Do you want to know my fantasies>
R
,e take turns slipping the bratwurst in and out, finally we ram
them in again and begin to nibble away at them after pulling them
from our vaginas.
.
$ultiple O + ,omen on %op -age QD
2 wake up having been placed naked on a magnificent dining room
table as a centerpiece during a party.
+
%he big guy inserts his enormous penis into the smaller ones
anus. %he smaller man begs not to be hurt.
D
2 have turned out to be a beautiful classy whore for a man who
throws orgies day and night.
H
He puts the end of his shotgun into my cunt and slowly works it
back and forth.
L
2 notice a young bellboy in his early +Ts eyeing my legs and high
slit skirt.
N
2 am begging him not to come inside me when he tells me to rela#,
he wont be the only one filling my pussy with come.
Q
2 am a woman and 2 have se#ual fantasies.
R
Do you want to know my fantasies>
.
2 am strapped on a YrackZ with padded cushions placed on each
thigh to spread my labia.
+
2 arrange with a teenage boy 2 know to meet with him and a
couple of his friends in a secluded place.
H
$y lover is peeing inside me, on me P my face, my hair, my
mouth.
L
2 am a man and my niece is coloring on the floor in front of me.
$ultiple O + ,omen on %op -age QH
N
2m in the gym shower when the coach comes in and sees me
washing my boobs.
Q
2 massage my clitoris, imagining it grows larger and larger and
larger until it is the siBe of a penis.
R
2 am a woman and 2 have se#ual fantasies.
.
Do you want to know my fantasies>
+
%he constrained space means were banging against the walls,
arching our bodies together, slippery with sweat.
D
A man becomes the property of two older men, both much larger
and strong than he is.
H
2 notice 2m being watched by a big brawny hunter in a red/and/
black checked shirt.
L
2m comfortable, but completely at his mercy as my ass and cunt
are spread wide open and 2m unable to move.
N
$e lying there with the man, or men, and while we are fucking
2m talking on the telephone to my mother.
Q
Hes naked on the ladder and 2 reach up with my roller dripping
grey paint and slather his bouncing balls.
$ultiple O + ,omen on %op -age QL
R
2 catch most of his semen in the bottle as 2 bite down on his lower
lip.
.
2 am strapped to an altar and the ob'ect of their lust.
+
0ery tenderly 2 hold him over my lap and slowly slide the noBBle
up his ass. He sobs and wiggles but 2 keep him down, and
eventually he submits.
D
,ith my arm around him 2 start masturbating his cock through his
uniform pants.
H
6ight here in the middle of this dance floor 2m about to come:
L
2 am a woman and 2 have se#ual fantasies.
N
2t begins to build, and my insides feel like theyre coming unglued.
Q
He tells me to bite my finger P hard. 2f 2 stop biting hell stop
fucking me.
R
2t wont be long now. 2 dig my fingernails into the bed sheet.
.
,ere in a NS position, and 2 feel his tongue on my swollen clit.
+
$ultiple O + ,omen on %op -age QN
Hes starts fucking me harder and faster and harder. 2 am about
to come.
D
2 am wearing stockings held up by garters plus crotchless black
lace panties under a very short skirt.
H
$y breath comes in gasps. $y arms and legs tremble.
L
%he whipped/cream on my breasts has turned into a hot slippery
mess.
N
2m 'ust slapping him, pulling his hair, and am about to come like
craBy.
Q
2 could imagine how aroused he must be. 2ts not every day you
have someone showing you their cunt in the middle of a crowded
public place.
R
"ecause of stage lights 2 cant see the audience, but 2 know theyre
out there.
.
He tells me that he wants to be a good girl and hell do anything 2
say.
+
,e are in the middle of a cemetery and his teeth bite into my
flesh.
D
2 hear myself beg, Oh please suck them, suck them, such them,
please.
$ultiple O + ,omen on %op -age QQ
H
%he camera flashes as she begins to take doBens of -olaroid shots
of me as an orgasm washes over me.
L
2m bound to the bed so securely 2 cant move. He places the
vibrator against my clit and turns to leave saying, 2ll be back in an
hour.
N
$y orgasm hits so hard 2 my legs buckle under me.
Q
2m screaming in ecstasy, my body shaking, 2 cant stop coming.
R
2 want to run over and grab it, feel it spurt, wrap my lips around it,
but 2m froBen to the spot and can only watch him.
%1&% &5"<1=% 7Orgasms loudly8
Oh my 4od:
7-ants loudly with afterglow and all other leave.8
H136@ 7Off &tage.8
$ichele> ,here are you>
$2=H1!1 71nters.8
2m downstairs, Henry.
H136@ 71nters.8
%here you are.
$2=H1!1
Hey baby.
H136@
2ve been thinking about that fantasy of yours.
$ultiple O + ,omen on %op -age QR
$2=H1!1
,ith the two men>
H136@
,ith the two women.
$2=H1!1
Oh, right. *or ol &weet ,illie:
H136@
,hat about =laire>
$2=H1!1
=laire>
H136@
Oh, yeah. %hatd be so hot. %he two of youO Oh. 2 can see that.
%he three of usO Ooo. %hats nice. =an you see it> Huh> =an
you see it>
$2=H1!1
=laire> 7-ause.8 $y sister, =laire>
H136@
@eah: And you two already love each other, so theres no
'ealousy. %hats a plus. 6ight> Honey>
$2=H1!1
,ell, 2 was thinking what about your brother back>
H136@
,hat>
$2=H1!1
@es. @ou two are about the same build. He must have an
impressive &weet ,illy too.
$ultiple O + ,omen on %op -age QS
H136@
%hats out of the (uestion. 2 already said it cant be another guy.
"ut you think about =laire. 2t could be a lot of fun. %hink about it:
71#its.8
$2=H1!1
%hink about it> ,ell, 2 suppose if 2 'ust think about it, its only a
fantasy. 7%o audience.8 "efore 2 run off, 2 'ust want to take a
moment to thank you all for coming. 2 hope you all come again
real soon, maybe shortly after you get home tonight. After that,
come back again to see us again and again. ,e are, after $ultiple
O. 2 can tell you without (uestion 72ndicates %est &ub'ect8 that the
cast had very en'oyable time. ,e hope you en'oyed the show.
7=56%A23 =A!!8
7$usic P "uttons8

$ultiple O + ,omen on %op -age RT