British Forum for Ethnomusicology

Back Matter
Source: British Journal of Ethnomusicology, Vol. 11, No. 1, Red Ritual: Ritual Music and
Communism (2002)
Published by: British Forum for Ethnomusicology
Stable URL: http://www.jstor.org/stable/4149896
Accessed: 06/01/2009 19:46
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Notes for contributors
Submissions should be sent to the Editors:
Dr Caroline Bithell, School of
Music, University
of
Wales, Bangor, Gwynedd,
LL57
2DG;
e-mail:
c.bithell@bangor.ac.uk
Dr Janet
Topp Fargion,
British
Library
National Sound Archive, 96 Euston Road,
London
NW1
2DB;
e-mail:
janet.topp-fargion
@bl.uk
The order of
preference
for submission format is:
1. a Rich Text Format
(.RTF) file, either as an e-mail attachment or on a PC
disk, plus
one hard
copy;
2. two hard
copies.
When
saving
final versions of their files in RTF format authors should disable "fast save" and should
"accept
tracked
changes".
Hard
copies
must be
printed
on one side
only
on A4
paper,
with
ample
margins
and
double-spacing throughout.
Authors must also
supply
a list of words
requiring
diacritical
accents.
Tables,
maps, photographs,
music
examples
and other illustrative materials should be
presented
on
separate
sheets. Authors must
eventually supply "camera-ready" copy
to
professional
standard of all
illustrative materials; the editors will advise on the
preparation
of such materials if
necessary. Graphics
may
be
supplied
in
digital
form as
EPS,
PDF or TIFF files
(not
GIF or
JPEG).
A list of
captions
must be
provided
on
separate
sheets. Authors must obtain
approval,
before submission,
for
reproduction
of
any
material not their own.
All
manuscripts
must be
accompanied by
an abstract of 50 to 80 words and a short note on the
contributor
(including
contact
address),
both to be included in the Journal. Authors of articles will
receive one
copy
of the Journal and five
offprints
free of
charge;
authors of reviews will receive a
single
offprint.
Purchase of further
offprints may
be
possible
on
request.
Style
It would be
helpful
if contributors were to bear in mind the
following points:
I.
Quotations:
Use double
quotation marks,
but
single
within
quotations.
2.
Figures:
All
figures, tables,
charts and musical
examples
should be referred to as
"Figures",
numbered
successively
and referred to in the text.
3.
Spelling
and
terminology:
UK
spelling
and
usage
will be
employed.
4. Initial capital
letters: Use
upper
case as seldom as
possible
in
bibliographies, mostly
as initial letters
in
proper
nouns and in
journal
titles. In the
text,
use
upper
case in
referring
to
"Figure
3", and lower
case for "section 1.2", "verse
2",
etc.
5. Numerals: Use elided numbers for
pages
and dates,
e.g.
25-8, 136-42,
but
12-16; 1980-81,
1914-18.
Use numerals for
percentages,
measurement and for
ages, e.g.
25%, 12
km,
5 m, 10
years
old. For other numbers in text, write out in full between one and
ten;
thereafter use numerals.
6. Italics: Use
mainly
for book titles and
foreign
words and
phrases.
Do not italicize et
al., e.g., c., i.e.,
ibid. and similar short elements.
7. Footnotes:
Keep
footnotes to a minimum
by including
materials within the main text where
possible.
8.
References:
should be cited within the
text,
listing
the author's last name,
year
of
publication
and
page
number,
e.g. (Blacking 1973:52);
where an author's name has
just
been cited in the
text,
references need be made
only
to date and
page, e.g. (1973:52).
Two works of identical date
by
one
author should be
distinguished as, e.g.,
1987a and 1987b. Avoid the
expressions op.
cit. and
loc.
cit..
Full references should be
given
on a
separate
sheet
alphabetically by
author and
chronologically
for
each author,
using
the
style
shown
below,
giving
authors' full
names, publishers'
names for
books,
and
page
numbers for articles and book
chapters.
Blacking,
John and Keali'inohomoku, Joann
W.,
eds
(1979)
The
petforming
arts: music and dance.
The
Hague:
Mouton.
Jairazbhoy,
Nazir
(1977)
"The
'objective'
and
subjective
view in music
transcription."
Ethno-
musicology
21.2:263-73.
Keali'inohomoku,
Joann W. (1979) "Culture change: functional and dysfunctional expressions
of
dance, a form of affective culture." In J.
Blacking
and J.
W.
Keali'inohomoku (eds) The
performing
arts: music and dance, pp.
47-64. The
Hague:
Mouton.