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Editorials
Vandalism: Sickness or Symptom?
It is difficult to determine the committed acts of vandalism...but We believe that overcrowding, with is almost understandable why the
relationship between university now, back to Stony Brook. other factors, has made the halls administration placed freshmen in
policies and vandalism in G and H Student protests here have rarely, if oppressive. Drug incidence and the halls. Unfortunately, freshmen
quads, and the rest of the University. ever, had long lasting effects. alcohol abuse are highest in heavily who must get used to new freedom at
There are two basic schools of Students are told that if they do not populated urban areas, and this college can too easily abuse the bars.
thought:either students are wanton in abide by all of several hundred rules, suggests that the halls are oppressive Freshmen are also nervous and
their destruction of property, or they they may be exiled to community because many sources contend that anxious when they arrive here. So
are reacting to conditions in their college. And, of course, the ad- drug use is a form of escape, or what is done? They are packed in like
environment. It seems to us the latter ministration claims it is doing emotional outlet, from problems. the cargo of slaveships with people
is true. everything in its power for students. they have never met before, and are
One binding point which most The key idea is oppression, in And the administration will not end told, This is Stony Brook.
groups cite concerning vandalism is various degrees. But it must be tripling because the more students it Vandalism can be curbed on the
that it is senseless, and those perceived through a broad per- has, the more revenue it gets from the halls and elsewhere. One suggestion
responsible for it have emotional spective. And one must also consider state. Aside from tripling and alcohol has been to triple upperclassmen,
problems. With this in mind, it is another point: groups can oppress abuse, there are problems with ad- requiring them to live on the halls.
interesting to look at peasants in themselves. ministrative policies. According to a This would help freshmen in their
Russia and slavery in America. Many Comparing the halls to the suites report done in 1973 by Charles transition and, probably, make it
parallels can be drawn from a shows the following: There are three Perrow, a Sociology professor, there more difficult for them to obtain
comparison of slavery and Soviet bars in the halls, and one in the suites. are many problems relating to alcohol. But this would never work. In
communism, and at least one com- Tripling is unheard of in the suites, student services, which to some the past, when upperclassmen were
parison can be made with these and but omnipresent in the halls. Most degree result from the policy of top forced to be tripled and live on the
vandalism at Stony Brook. halls, they resolved these problems
Plantation owners were angered through protests.
because their slaves abused animals. It is expected that today the Stony
The Soviet government is furious Brook Council, the University's local
because its peasant farmers abuse governing board, will suggest that
machinery. University officials are bars be removed from the halls to cut
appalled by vandalism in the halls. down on vandalism. If liquor and
And there is a fundamental problem vandalism were the problems, this
with each institution: the governing solution would work; but they are not.
body has degraded its constituents, They are only indicators that there is
and given them little, if any, means to :·; oppression.
control their lives. There is i:
:::· We feel the administration must
i:
speculation that slaves and peasants :· rank campus life high on its priority
were reacting to an oppressive en- list, and halt tripling throughout
vironment, and there is documen- ":
j:
i.
campus, particularly on the halls.
tation which seems to prove that ::z
There are two ways to stop tripling:
university policies have contributed i'
either obtain more housing, or limit
to a similar environment in the halls. the number of residents. The former
Statistics show that the halls have :·.·'I;·` :··t
'~L
ii::
:r is expensive, but the latter, we
:n
been hit hard with vandalism: Over i
believe, will cost more because it
the past calendar year, G Quad had would result in a drop in enrollment.
almost $4,800 in damage, and H Quad hall residents are freshmen, who have administrators. Because the ad- Although vandalism is correlated
had over $9,000. The total damage in special problems with which to ministration geared budget priorities with alcohol intake, we wonder if
other quads was less than $3,700. This contend. towards itself, Perrow showed in closing bars would cut down on
data is not questioned, but it causes There are empirical data which in- several examples that little was done vandalism. There are probably
are. dicate a strong correlation between for students. students who "drown their sorrows"
Before analyzing Stony Brook's alcohol consumption and vandalism, In a recent interview, a spokesman in the bars, and thus have an outlet,
problems, however, let us look at in addition to other crimes. Alcohol from Student Affairs said that his though not a constructive one, for
slavery and Soviet work conditions. releases inhibitions, and some office has had severe cutbacks which their problems. But without this
Slave rebellions were few; none students say it makes them rowdy. affect operations in almost every area outlet, we ask what they would turn
worked on a mass scale, and none had Law enforcement officials claim of student services. While the to.
long lasting effects. Slaves who did vandalism would drop if there were situation may be changing now, the In the 1960's, the campus was being
not do what they were told were no campus bars. But we do not believe priority of former University built at an astounding speed. Students
tortured. But they went about their that closing campus bars is a valid President John Toll was to build Stony complained that the University was
daily lives, hating it. They struck answer. Brook in terms of concrete and ugly and impersonal, for the same
back, however, by hurting their For several years, tripling has been girders. From 1963 to 1978, he got reasons students cite today. But even
owners financially: killing animals by limited to the halls. There were 1,200 millions of dollars for building, but more disheartening today is the
neglect, and later by sabotaging triples last semester, and it is ex- spent little time or money on other buttons which were worn almost two
equipment. This was done skillfully, pected there will be even more this areas. decades ago: Now, not 1980.
so that slaveowners believed merely fall. It took a semester to detriple With its priorities placed poorly, it Apologies to Alan E. Oirich, writer of
that slaves were ignorant. 1,000 students, which means massive "Amityville Herring" for misplacing his
Similar circumstances existed in tripling existed much of the fall. byline. Many thanks to Norvel Mungin.
the Soviet Union. The communist Several years ago, the psychology
party would not allow peasants to own department did an experiment with
land, but forced them to farm parcels.
The government supplied them with
overcrowding at Stony Brook. An
experimenter would tell a campus
The Stony Brook Press
equipment, which in turn was abused. resident to wait in a room before Executive Editor ... Chris Fairhall
For example, peasants ran starting an experiment. A member of
machinery without oil until it was the psychology department would Managing Editor Associate Editor
ruined. For many years, the com- also be in this room when the student Melissa Spielman
munist party assumed that the walked in. The conclusions indicated
Eric Brand
peasants were just stupid. But the that hall residents, as compared to Arts Editor .......................................... ....... . Mike Konfeld
government proved itself wrong when suite residents, seemed less likely to Photo Editor ................... ........ ......................... Dana Brussel
it gave land to the peasants, who then strike up conversation with the Business Manager ......................................... Gary Angiuli
took care of machinery. surrogate, and that they sat further News and Feature: Lindsay Biel, Fred Friedman, Robert Hayes, Greg Hullander,
The point here is not to show that away from the person. Jesse Londin, Ron Rein, Ed Silver
A broad conclusion is that over- Arts: Patrick Giles, Larry Feibel, Vivienne Heston, Mike Jankowitz, Alan Oirich,
the administration is attempting to Steve Tiano, Paul B. Weiner
undo the Emancipation Proclamation crowded people are less social. Other
studies have indicated this, and some Photo: Spunky Cullen, Steve Daly, Steve DiPaolo, Issa Khoransanchi, Marty Marks,
or adopt communist policies, but Vincent McNeece, Mike Natalli, Eric Wessman, Roy Zeidman
rather to give examples of oppressive experiments involving overcrowded Office: 020, Old Biology Building
environments, and what those who rodents show that they tend to fight Mailing Address: P.O. Box 591, E. Setauket, N.Y., 11733
lived under them did in retaliation. It among themselves and destroy their Phone: 246-6832
seems that slaves and peasants both environment.
January 31, 1980 Stony Brook Press Page 5
'Electric Horseman:
Not Just Another Prettvaff Movie
by Stephen Tiano
I cannot imagine easily a tougher ordeal
than being pretty. The pain of a
continuously empty stomach must hurt in
a fiercer, more immediate way. And
surely one look in the mirror, if it reveals a
total lack of anything which even suggests
beauty, serves up directly a. harsher
disturbance than being pretty might. But
hunger, in driving a person to grow, earn
or steal food, and ugliness, in determining
a person to prove that physical
characteristics bear no relation to ability,
can lead one to assume responsibility for
one's own life. Being pretty does not. A
woman who has ever been the subject of
worshipful glances may know what it is to
be watched touched, and tasted-but,
probably, no one ever listens to her words.
When it comes to pretty, Robert Redford
stands very near the top of the heap. His
good looks inspire a kind of lusty
breathlessness in many women who
cannot help desiring the golden god they
see on the big screen, and also in men who
can appreciate those good looks the way
only a pauper can appreciate a prince's
palace. As for being taken seriously,
Redford has gone a-begging. Who will pay
any mind to an actor who seemed to Redford and Fonda: Beauty and brains.
actually describe himself when, playing a
writer in The Way We Were: he said of one
of his own creations something like, "The In the opening scenes, Redford excels as payment exacted for a champion's a purely aesthetic note. Jane Fonda is the
trouble was everything always came too Sonny Steele, ex-champion. It happens triumphs. In the same way, Sonny Steele first actress since Natalie Wood in Inside
easily for him"? that Steele's labor was rodeo; but appreciates that while he prostitutes Daisv ('lover to play opposite Redford and
In The Electric Horseman, Robert Redford's portrayal treads a certain himself in the name of a breakfast cereal, not get lost beside his golden looks-in
Redford finally emerges as the kind of real universal line, one which extends far he forfeits the right to complain about it as fact, her beauty and presence blend
man that no amount of raising on a beyond rodeo. Steele could easily have long as he sits in the lap of luxury which his ideally with his.
pedestal can obscure. Sadly, it comes as performed any work requiring the support breakfast cereal contract pays for. The appearance of two such fine actors,
such a grand revelation that any fair- of one's animal nature. Valerie Perrine, as For Redford, the acceptance of imagery whose talents at times take a back seat to
minded filmgoer must feel some shame at the ex-champion's ex-wife, comments ably must have proven difficult to negotiate. He their superstar status, might have leveled
overlooking Redford's humanity for so on the abuse he has always heaped upon is known as one movie idol who does not whatever chance the story of The Electric
long. "The Electric Horseman tells a story his body. She tells him that he could never relish much of what his successful Horseman had to demonstrate its own
about cracking through larger-than-life walk naked through an airport without the transition from human being to image firepower. But director Sydney Pollack
images and finding the humanity beneath, traces of all the surgery he has undergone implies. But since he wielded an active operates with such a disciplined hand that
a story which the actor himself holds a triggering a metal detector. The humor in hand in the politics which allowed The no actor makes a bigger splash than his or
stake in. For this reason, one cannot her remark strikes one, at best, as an Electric lorseman to be produced, one her character, or the parts their
wonder that Redford's persistence, more unintentional by-product of the image. But can only believe that Redford has come to characters play in the story.
than his "bankability," deserves thanks for Steele, all the bodily abuse that rodeo terms with how much he owes his success To Pollack also belong kudos for the sure
for the fact of this fine movie's existence. demanded, and the remaining scars, is the to illusion-and this movie may be seen as way in which all the characters impact on
a statement of what those terms are. In the screen. Valerie Perrine, as Steeie's ex-
Sonny Steele's initial acceptance of his use wife, is honest. Her concern for Steele at
as an image, Redford begins such a the same time that she seeks his signature
statement and somehow achieves flesh- on their final divorce decree reeks of the
and-blood personhood on the big screen. very real tearing apart many of us feel
Steele's development as a character inside when we do what is best, and not
takes off almost immediately. Even what we would prefer. John Saxon's
though he acknowledges how well his corporate head may seem brittle, but he
breakfast cereal contract provides for displays personality and motivation-
him, his actions and appearance indicate especially in the scene in which he learns
displeasure with the way he allows himself that Rising Star had been drugged.
to be part of a marketing package. Upon Finally Alan Arbus restores dignity to the
meeting another ex-champion, a role of the long-haul truckdriver, the
racehorse which he must ride onstage in a dignity that disasters like Convoy stripped
Las Vegas promotion, Sonny Steele away.
reaches the outer bounds of his willingness If a single scene in The Electric
to participate in that same marketing Horseman can stand as the film's nutshell
package. His decision rests on the fact that or theme, it will have to be decided in a
the horse. Rising Star, has nothing to show heavily-contested vote. But two
for the role it plays. Rising Star is drugged possibilities deserve immediate
to avoid any commotion under the bright consideration, a scene in the middle, and
stagelights. The horse's injured tendon is the movie's finale. First comes the scene
not bandaged properly, or supported, in which Hallie exults in Steele's
because it would tarnish the corporate revelations about the territory they pass
image. Rising Star has been "muscled up" through. He counters her wonder with the
through the injection of steroids, drugs remark, "You know all about the
which inauce sterility. Steele's actions subway." He implies some kind of
seem rooted in the fine old American responsibility for being aware of where
ethic that places natural limits on one's and how one exists. The end of The
rights the moment they impinge on the Electric Horseman is troubling. How nice
rights of others. He steals the horse. it would have been for Steele and Hallie to
Redford's co-star, Jane Fonda, gives stroll off together, hand-in-hand. In a way
further evidence that she deserves some they do, but not literally. For true
title of recognition as the pre-eminent romantics, there is no question but that the
American actress of the day. Her two must part and continue their separate
portrayal of Hallie Martin, the spirited lives. Others will have to think about it and
New York-based television reporter who grow respectful of twc people who know
tracks down Steele and Rising Star, when to separate. And most everyone will
positively glows. She plays a wish that it could have worked out
professional woman the way no one else differently.When awards are handed out,
can: as a person who thrives on excellence The Electric Horseman will be in the
at what she does and in her human running for best picture, best actor and
relationships. All at once, she projects actress-in both starring and supporting
intelligence, strength, confidence, roles-best script, best director, best
sensitivity, and vulnerability-the way camera and editorial work. It is fitting that
real people tend to. Fonda's role, and her the last movie I should see during the
handling of it, merit special praise at a seventies was one of the very finest, as the
time when the vision of women which decade itself was one of mediocrity,
filmgoers are usually presented still punctuated by periodic peaks, plateaus,
reminds one of cut-out paper dolls. And on and plummets.
Page 6 Stony Brook Press January 31, 1980
'Kramer vs. Kramer' vs. Realit
by Paul B. Wiener
w
qw
Don't be fooled by all the hype. Kramer vs. Kramer is make room for daddy. And Hoffman is a good daddy, after many years out of work, with nothing evidently
nothing more-nor less-than a new-fashioned tearjerker, flailing about in a sea of makeshift, strangely going for her but those famous eyes and cheekbones, lands
gratifying those glands about as often as o1addresses babysitterless parenting, and relating well to an a well-paying, trendy job? Have we seen any of her skills?
those of the groin. It is cinematically boring, consisting unusually versatile child actor, Justin (is there any name Any of Hoffman's? Who's to say Hoffman's new job
primarily of close-ups and dull, indoor, TV commercial- more Central Park West?) Henry, who is so delicious he (secured in a poorly-written but affecting scene of
framed shots in visually rich Manhattan. It has almost no practically drops chocolate sprinkles all over the first two desperate determination)-and his new loss of self-
story, depending on its emotionalism and the viewer's rows. esteem, job autonomy and familiar routines-won't be
biases and expectations for continuity (unlike writer- How can a movie starring Dustin Hoffman and Meryl even more time and morale consuming than the one he
director Robert Benton's previous effort, The Late Show, Streep, made by an experienced filmmaker, hosannahed lost for-get this!-rushing off to a conference with
which used droll parody and Art Carney's wonderfully dry by all of New York, and dealing with a perfectly Justin's first grade teacher? And why is child custody
characterization to carry it beyond its flaky plot). And understandable, apolitical dilemma be so cheap, made the issue when the real issue is, how do separated
worst of all, the film simplifies and trades on an issue-- unimaginative and pandering? Why are all its flaws being parents care separately for their child? Isn't that
child custody-without illuminating it in any way, though overlooked? If men's jobs take them away from their problem, with its greater anguish, ingenious solutions,
it does its best to show modern, liberal, upper-middle- families, why do we never see this happen with Hoffman tremendous variety and painful limitations, far more
class, neurotic, urban moral confusion as a responsible until it's too late? If he is different from other men, thenr interesting than the civilized, comfortable suffering of
picture of the issue's actual confused complexity. why make this a feminist issue? And how come Str-!: Mr. and Mrs. Midtown Manhattan?
Is there any need to repeat the primitive story outline? The fact is, it has been a very poor year for American
Wife leaves successful husband-and cute child-to find films (Saint Jack was about the best I saw)-and for
self. Husband is shocked, hurt, angered, loves wife, loves America. The New York critics, of course, love most films
child more, has hard time of it. Father becomes mother, set in Manhattan. Not only did they need something to
has wife's best friend's guarded, sexless support. Scenes rave about, after The Seduction of Joe Tynan, with Alan
of tenderness, ignorance, joy, terror, and pride with child. Alda's intellectual uptightness and self-righteous
He copes, can't cope, loses job. Wife finds self, job, posturing, proved to have no staying power, but they
reappears to challenge father's custody. He tears hair out, needed something to feel good about, a movie that seemed
finds worse job, fights wife in court, loses, wins. As with affirmative, serious and adult without being too
most modern films of this ilk, no explanation of a mate controversial or offensive to the Gene Shalits of America.
suddenly splitting the scene is offered-or expected. This, Apparently, as TV viewing increasingly shapes our
of course prejudices the viewer, deliberately, against ideas of visual narrative and dramatic technique, as
such a cowardly, selfish person, and this most personal feeling for New York diminishes to the full volume of a
abdication becomes instead impersonal and bumper sticker, and as critical thinking becomes
symptomatic-of our selfish age? Of women's pent-up indistinguishable from quoting opinion polls, the need for
anger? craft and depth in modern filmmaking is being slowly
Meryl Streep as the wife is of course impossible to hate forgotten. If Kramer vs. Kramer is any indication of
and needs no story, film editing or other actors to display quality, we can expect films of the eighties, when not like
her Liv Ullman-like talents. Dustin Hoffman as the Star Trek:The Movie, totally controlled by mindless,
husband, with his usual controlled frenzy and thumb-sucking, rip-off technicians, to be showcases for
monomania, is capable of many things: he can be a slick mythmaking, compulsive, desperate idealism, and
graduate, a petty criminal, an ancient quasi-Indian, and a aggressive personalities with the same kind of
ratso. But a contemporary, ambitious, high-rise, urban commitment to the individual as Parent Effectiveness
advertising executive he cannot be. No matter, for the Training.
Hoffman and Streep in 'Kramer vs. Kramer":
credible world of work and work skills is glossed over to
Pretentious and pandering.
A Future
disagree," he said, adding, "if
the students and the University
can work together to identify the
Staff Artists
in Question
The naming of names and a
subsequent arrest came out of the
problem and extract those that
have created the problem." It is
an important point, for though as
and Cartoonists.
first of several planned refoi-ms
in student-administration
Hanes stated, 'The University
would certainly not wish to move
a- I-IIJAe ^fta d. "-
Call 246-6832
a riass nIllum er oLsUr;lesa, 11C
relations: the comprehensive
Crime Prevention Unit,
consisting of seven officers, each
admitted, "It is an option."
other words,: those responsible a
In ,I
or
for the vandalism must be found.
with 80 hours of extra training in
crime prevention. On the night of
the Benedict meeting, student
So amidst the shaky dawning of
a cooperative age at Stony Brook,
Come down to the basement b
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