Standards: MU:Cr1.1.2a: Improvise melodic patterns and musical ideas for a specific purpose. RL.2.4: Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.
Objective: After examining Antonio Vivaldi's concerto Spring and identifying how music can represent the sounds of seasons, animals, and weather, students will work in groups to perform designated parts of Vivaldi's concerto Spring to the rhythm using movement and stick puppets. After reading and discussion of the modified sonnet of Antonio Vivaldi's concerto Spring, students will read aloud the modified sonnet with rhythm and movement and verbally tell how words with rhythm give meaning to a story poem, or song.
Materials: Spring' from 'The Four Seasons-Violin Concerto in E Major, by Antonio Vivaldi Source: http://rhapsody.com Puppets on sticks, birds/flowers, water/streams, thunderstorms Crayons, popsicle sticks, tape Copies of the sonnet Spring, by Antonio Vivaldi
Background for teachers: This is a 2 day lesson for 2nd graders. This lesson is to show how music can represent seasons, animals, and weather using instruments only and without lyrics.
Steps in the lesson: DAY 1:
Introduction/Building Background Knowledge: Discuss with students how music can represent different sounds of different things, like the seasons, animals, and weather. Ask: How do you think music can do this? How would rhythm or tempo might change or the sounds change to represent these thing? Review the definitions for rhythm, tempo, and tone.
Rhythm: a strong, regular, repeated pattern of movement or sound. Tempo: the speed at which a passage of music is or should be played. Tone: a musical or vocal sound with reference to its pitch, quality, and strength.
Body:
1. Ask students what season it is now. What are the four seasons? Write these on the board, Ask you listen to this music, decide which season you think it is describing. Ask students to play the steady beat along with you as the Leader, gently and lightly in their laps, using spider fingers (the tips of their fingers), to the tempo of the music. Do what I do. Play part of the recording (0:001:15) and pat both hands to the macro-beat, beginning in your lap and then changing where both hands will pat to other places on the body such as shoulders; ears; nose; head; etc. Change body taps to fit the form of the music; change when a new section or phrase begins.
2. Which season do you think it is? (share responses) Why do you think that? (share responses)
3. Share that the music is about Spring. What kinds of things do you think of when you think of spring?
4. Listen to the music again, from 0:000:31, then pause the recording. As you listen to the next part, tell me what you think the music sounds like. Play recording beginning at 0:32; share responses. Tell the students that the composer wanted it to sound like birds singing.
5. Does anyone have an idea of how we could show these things by moving to the music? (Share responses.) Now lets stand to act it out with our whole bodies, but still showing the steady beat.
6. Help the class come up with ideas for what to do to show spring is here a movement everyone will use during the A Section. (Ideas: looking at flowers, planting flowers, or picking flowers to the beat) Next, help them come up with something that shows birds singing (silently) for the B Section. Doing the same for Sections C, D, and E.
Section A: Springtime is upon 0:00-0:31
Section B: The Birds celebrate Spring's return 0:32-1:14
Section C: Murmuring streams are softly caressed by the breezes 1:15-1:46
Section D: Thunderstorms roar, then die away to silence 1:47-2:23
Section E: The birds sing their springtime songs again 2:23-3:26 (Whole Class does this section)
7. Encourage the class to use different levels of motion (high, middle, crouched low to ground). Observe student movement responses and utilize the Assessment below as you play the recording again, pausing midway to switch roles. Have student use the stick puppets created previously to coincide with their motions.
8. Divides the classroom into the 4 sections, Sections A-D are individual, then Section E is the entire class. Decide on the one motion for each section to be done. Models motion chosen for the sections. Practice the motion. Models motion chosen with music. Practice motions with music for each section.
DAY 2
Warm-up the students with practicing the previous days movements with Vivaldi's Spring to refresh their memory.
1. Give students the modified copy of the sonnet of Spring. Read it to them. Have the students practice reading it by echoing each line.
Section A: Springtime is upon us.
Section B: The birds celebrate Spring's return with festive song
Section C: Murmuring streams are softly caressed by the breezes.
Section D: Thunderstorms roar, then die away to silence.
Section E: The birds sing their charming Springtime songs again.
2. Discuss and clarify the vocabulary in the modified sonnet .
3. Have students practice their designated parts of motions to the modified sonnet as the students read it aloud.
Closure: 1. Create a rubric with the class. 2. Have students practice without the music and also with the music. 3. Students perform to the music while it is being recorded. 4. Play back the recording for students to see what they looked like, and if they feel that their motions coordinated with the music. Ask the students if they would change anything, and if so, what?
Assessment (linked directly to objectives): Create a rubric with class. What elements demonstrate rhythm? Use this rubric for self, peer, and/or teacher assessment. Students will verbally tell how words with rhythm give meaning to a story poem, or song.
Adaptations/Extensions (include at least one strategy for differentiation): For students that may not be able to participate using the stick puppets, they can use body percussion to keep to the rhythm simply by tapping or even blinking their eyes. These students may also write, speak, or word process how the rhythm and music is able to represent the seasons, animals, or weather.
Rationale: Why is it important that students learn my lesson? What will they gain from my content? It is important for the students to learn about Antonio Vivaldi's concerto #1 Spring, from The Four Seasons through the texture of each concerto is varied to each resemble the particular season. Vivaldi composed over 500 pieces, but The Four Seasons was by far the most popular, to include particularly, Spring, concerto #1. This particular piece shows how music can create the feel and interpretation for the season Spring, the animals, and different weather without any lyrics and using rhythm.
Next Steps/ Connections to Other Subjects: What lesson will come next? How will you build on this learning? Based on Spring, and the modified translation, the three remaining seasons could be analyzed and the students could create poems, along with motions. Read The Tiny Seed by Eric Carle; use creative movement and percussion instruments for students to enact the story. Science and the study of the Seasons, weather, photosynthesis.
The Four Seasons, Spring, concerto #1, by Antonio Vivaldi
Section A: Springtime is upon us.
Section B: The birds celebrate Spring's return with festive song
Section C: Murmuring streams are softly caressed by the breezes.
Section D: Thunderstorms roar, then die away to silence.
Section E: The birds sing their charming Springtime songs again.