Music, Arts, Physical Education and Health (MAPEH)

Focus: The Visual Arts

Competencies:
1 !istin"uish and analy#e the di$$erent elements, principles, and mediums o$ di$$erent %isual
arts
& 'denti$y and classi$y the di$$erent themes o$ %isual arts in the Philippines
( Appreciate and )e proud o$ Philippine %isual art masterpiece as part o$ cultural enrichment
PA*T ' + C,-TE-T .P,!ATE
' !e$inition o$ terms:
1 Paintin" + re$ers to the application o$ color, pi"ment, or paint to a sur$ace or support
These sur$aces may include paper, /ood, can%as, metal or /alls Paint is made o$
pi"ment mi0ed in a )inder
& 1culpture + a three dimensional art/or2 /hich may )e throu"h di$$erent processes,
such as car%in", modelin", assem)lin" or castin" 't may )e e0ecuted as a $ree3
standin" o)4ect, in relie$, or in en%ironments, and a %ariety o$ media may )e used
( Architecture + the art and science o$ desi"nin" and constructin" )uildin"s
(structures), and other en%ironmental $eatures
'' The elements o$ Visual Arts
1 5ine + the most )asic o$ all elements A line is an identi$ia)le path traced )y a mo%in"
point 5ines %ary in types They can )e hori#ontal, %ertical, dia"onal, strai"ht or cur%ed
thic2 or thin !i$$erent lines are used to si"ni$y, di$$erent $eelin"s For e0ample:
Hori#ontal line + su""ests a $eelin" o$ rest, serenity, or per$ect sta)ility
Vertical line + dominance, hei"ht, po/er
!ia"onal line + uncertainty, unrest, mo%ement or action
Cur%ed line + $lo/, so$tness, $le0i)ility, "race
& 1hape + shapes and $orms are $i"ures /hich de$ine o)4ect s in space A shape is a t/o3
dimensional $i"ure Circles, trian"les, and s6uares are common e0amples o$ shapes
Forms e0ist in three dimensions E0amples o$ $orms include cu)es, cylinders and
pyramids amon" others
( Value + it is the relati%e de"ree o$ li"htness or dar2ness in anythin" that is %isi)le 't
"i%es an impression o$ solidity, distance, and depth Early European artists used a
techni6ue /hich de$ined )y a stron" contrast )et/een li"ht and dar2 This is called
chiaroscuro.
7 Color it is the product o$ li"ht re$lected o$$ o)4ects 8e see di$$erent colors )ecause o$
li"ht9s %arious instinct 6ualities, specially )ecause o$ its di$$erent /a%elen"ths 'n %isual
arts, the relationship o$ colors is )est seen in a color /heel
Primary color + red, yello/, and :lue (*ed, ;reen, :lue in li"ht)
1econdary colors + ,ran"e, ;reen, Violet
Tertiary colors + yello/ "reen, )lue "reen, )lue %iolet, red %iolet, red oran"e,
and yello/ oran"e
Artists usually use color harmonies These are com)inations o$ colors /hich the artist
uses con%ey his or her messa"es throu"h the element o$ color
Monochromatic 3 the use o$ a sin"le color tint in di$$erent %alues or shades
Analo"ous + ( to 7 nei"h)orin" colors /ith one color in all mi0tures
Complementary + any t/o opposite colors on the /heel
1plit Complementary + any three colors /herein t/o o$ /hich are )eside the
complement o$ the third color
!ou)le 1plit complementary or tetradic + this color scheme uses $our colors
arran"ed into t/o complementary pairs
Triad + three colors that $orm an e6uilateral trian"le in a color /heel
Properties o$ color:
Hue + identity or the 6uality )y /hich /e distin"uish colors
Cool colors + colors /hich possesses the dominance o$ )lue
8arm colors 3 colors /hich possesses the dominance o$ red or yello/
Value + li"htness or dar2ness o$ a hue
'ntensity or 1aturation + re$ers to the stren"th o$ a hue
< Te0ture + re$ers to sur$ace characteristics A sur$ace may )e rou"h, smooth, "lossy,
coarse, irre"ular, etc
= 1pace + re$ers to the area in /hich an artist arran"es elements in a composition 1pace
can )e t/o3dimensional (&!) such as in paintin" and photo"raphy, or three3dimensional
((!), such as in sculpture and installations !epth can also )e su""ested in t/o3
dimensional /or2s, )y the application o$ linear perspective + a "raphin" o$ distances
)et/een o)4ects
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2
Types o$ perspecti%e:
,ne point + a representation o$ distance )y means o$ con%er"in" lines
T/o point + there are t/o points in line /ith each other in a hori#ontal position All
lines con%er"e on these t/o points
Foreshortenin" + the modi$ication o$ an esta)lished scale in a dra/in" o$ the human
$i"ure to represent perspecti%e
''' Principles o$ !esi"n
1 :alance + the idea o$ %isual e6uili)rium /hich "i%es an impression o$ sta)ility or
insta)ility
1ymmetrical :alance + it has e6ual %isual /ei"ht on either side o$ the can%as 't is
%isually sta)le
Asymmetrical :alance + an une%en )alance
*adical :alance + a symmetrical )alance /herein elements are distri)uted e%enly
around a central point
& Proportion (or scale) + re$ers to the si#e relationships o$ one part to another, and o$ the
part to /hole
( *hythm 3 a %isual rhythm is characteri#ed )y the repetition or alternation o$ elements
*hythm can )e:
*e"ular + repetition o$ a sin"le moti$
Alternatin" + use o$ t/o di$$erent moti$s alternately
Pro"ressin" + moti$s may )e presented in a "radual shi$t in
characteristics, li2e si#e ($rom small to lar"e)
7 Emphasis and 1u)ordination + to emphasi#e means to dra/ attention to certain parts o$
a composition An emphasis is the $ocal point that rests on the su)ordinate space and
easily attracts the attention o$ the %ie/er
< .nity 3 (also called Harmony) re$ers to the coherence o$ the elements o$ a /or2 to the
/hole
'V The Visual Arts (Paintin", 1culpture and Architecture)
A Paintin"
Early Medium in paintin"
Encaustic + this is a mi0ture o$ pi"ment, /a0()ees/a0) and resin
Fresco + pi"ment mi0ed /ith /ater and applied to thin layers or either dry plaster
or /et plaster
Tempera + a $ast3dryin" medium /hich pi"ment mi0ed /ith "lutinous material
(usually e"" yol2)
Common mediums used in contemporary paintin"
,il paint + consists o$ pi"ment mi0ed /ith oil (linseed oil) as its )inder 't dries
slo/ly, )ut lasts lon"
8atercolor + consists o$ pi"ment com)ined /ith /ater and "um ara)ic Colors are
less luminous and transparent
Acrylic + a 6uic23dryin" synthetic medium /ith emulsion as its )inder 't is $a%ored
)y a lot o$ artists )ecause o$ its ease o$ use and its %ersatility
1tyles>Mo%ements in 8estern Art
*ealism + a naturalistic approach to su)4ect matter
'mpressionism + paintin"s are usually done outdoors :rushstro2es are $ast and
colors used are li"ht or pastel
E0pressionism + a style that centers on the e0pression o$ inner emotions Colors
used are more %i)rant and artists use distortion
A)stract + non + representational or non3$i"urati%e ima"ery 't could also )e a
simpli$ication o$ $orms
!ada or !adaism + an a""ressi%e reaction a"ainst con%entional art !adaists
produced ?art o)4ects@ )y uncon%entional methods
1urrealism + an art mo%ement /here artists "athered inspiration $rom depths o$
the su)conscious mind
Pop art + an art mo%ement /hich is centered on, or inspired $rom $amiliar ima"es
o$ popular culture, such as ad%ertisements, comics, and commercial products
1ocial *ealism + an art mo%ement /hich portrays social and racial in4ustice and
economic hardship, mar2ed )y its realistic deciption o$ social pro)lems
-ota)le Philippine painters and their /or2s:
1A
th
Century
Bose Honorato 5o#ano + 2no/n $or paintin"s o$ letras y figures
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 2
!amian !omin"o + he headed the Academia de !i)u4o y Pintura in 1C&1 he is
2no/n $or his paintin"s o$ tipos del pais.
Buan 5una + His /or2 Spolarium /on the "old medal in the 1CC7 E0posicion
-acional de :ellas Artes
Feli0 *esurreccion Hidal"o + Las Vigenes Expuestas al Popoulacho (1CC7)
&D
th
Century
;enre painters
Fa)ian dela *osa + 8omen /or2in" in a *ice Field (1AD&)
Fernando Amorsolo + Fruit ;atherer (1A<D), 1unday Mornin" "oin" to church
(1A<()
The ?Truim%irate o$ Modern Art@
Victorio Edades + The :uilders (1A&C)
;alo ,campo + :ro/n Madonna (1A(), The *i%er o$ 5i$e (1A<7)
Carlos ?:oton"@ Francisco + Harana (1A<E)
,ther Modernist
Hernando ,campo + Homa"e to Tandan" 1ora (1AEE)
!iosdado 5oren#o + 'lo" Ca)iao (1AED)
Vicente Manansala + Madonna o$ the 1lums (1A<D)
Cesar 5e"aspi + ;ad"ets '' (1A7A)
Anita Ma"saysay3Ho + Fruit Vendors (1AE<)
Bose Boya + Pa"diri/an" (1AE=)
Arturo 5u# + :lac2 Form, 8hite 1pace(1AE=)
1elected contemporary artists
Antipas !elo%ato + 'ta2 sa Puso ni Man" Buan(1AEE)
:anedicto Ca)rera + E!1A E%ent (1AC=)
!anilo !alena + Fomedya sa Pa2il
,ni) ,lmedo + Mother and child
:renda Fa4ardo + :araha n" :uhay Pilipino (1ACA)
: ,ther related Visual Arts
Mosaic + small pieces o$ colored stone or "lass "lued on the sur$ace
Tapestry + $a)rics /ith colored desi"ns /hich are /o%en in a pattern
T9nala2 + an inde"ineous /o%en $a)ric made $rom a)aca )y the T9)oli tri)e o$
1outh Cota)ato
Printma2in" + creation o$ a picture or desi"n )y printin" $rom a pate thast holds
in2 or color
Photo"raphy + the art o$ creatin" pictures )y recordin" li"ht into a sensiti%e
medium, such as $ilm
C 1culpture
Medium used in 1culpture
8ood, metal, stone, "ranite, mar)le, 4ade, i%ory, )rass, "old, lead, aluminum,
"lass, clay, plastic, )ron#e and others
Processes>techni6ues used in 1culpture
Additi%e
Modelin" + process o$ creatin" a $orm throu"h alterin" the $i"ure o$ a
medium, such as clay
Moldin" and Castin" + a comple0 process o$ creatin" a ne"ati%e and a
positi%e replica $rom a model 't ideal $or mass production
Assem)la"e + puttin" to"ether $ound o)4ects
8eldin" + process o$ 4oinin" metals
Mo)ile + 2inetic or mo%in" sculpture
Pottery + the process o$ shapin" a material to produce earthen/are,
stone/are, or porcelain
1u)tracti%e
Car%in" + cuttin" a/ay pieces o$ material until the desired $orm is reached
-o)le Philippine sculptors
Mariano Madrinian 3 a santero $rom Paete, 5a"una
;uillermo Tolentino + :oni$acio Monument, .P o)lation
-apoleon A)ue%a + Budas9 Fiss(1A<<), Alle"orical Harpoon (1A=7)
5am)erto Hechano%a + Cruci$i0
A)dulmari 'mao + 1arimano2
Eduardo Castrillo 3 Pieta (1A==)
1olomon 1aprid + Ti2)alan" (1AE1)
*amon ,rlina + Venus V (&DD=)
*o)erto Feleo + Taru3taro (1AA7)
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 "
! Architecture
Architecture styles depend on di$$erent conditions such as re"ional climate, "eo"raphical
location and di$$erent aspects o$ li$e + social, political, economic, spiritual, ideolo"ical and
technolo"ical
Commonly used materials:
,r"anic + /ood, )am)oo, ya2al, sa/ali, etc
Construction + cement, sand, "ra%el, rein$orced concrete
1tone + ado)e, "ranite
Fa)ricated materials + )ric2s, tiles, "lass
Metal + structural steel, steel )ars
1ynthetic materials + plastic
:rie$ history o$ Philippine architecture:
Pre3colonial period
-ati%e houses /ere sin"le3room constructions )uilt usin" indi"enous materials
()am)oo, palm lea%es, etc) roo$s /ere typically pyramidal, /indo/s /ere /ide
and the $loor /as raised a)o%e the "round
1panish colonial period
The 1paniards introduced European styles in architecture and started the
construction o$ numerous churches 1ome o$ today9s $amous churches include the
1an A"ustin Church in 'ntramuros, the Paoay Church in 'locos, and the Mia"ao
Church in 'lo3ilo
The ?)ahay na )ato@ /as also $ormed
This period also mar2ed the construction o$ the /alls o$ 'ntramuros
American ,ccupation
The arri%al o$ the Americans si"naled the emer"ence o$ monumental neo3classical
structures
!aniel H :urnham /as sent )y the .1 "o%ernment to create ur)an plans $or
Manila and :a"uio
Buan Arellano desi"ned the Manila Post o$$ice, 5e"islati%e )uildin" and the Manila
Metropolitan Theatre
Antonio Toledo desi"ned the Manila City Hall, and the A"riculture and Finance
)uildin"s at the A"ri$ina circle in 5uneta
Tomas Mapua desi"ned the Philippine ;eneral Hospital and the -ormal 1chool
Buan -a2pil + responsi)le $or the re)uildin" o$ the Guiapo Church in 1A(D
Middle to late &D
th
century
5eandro V 5ocsin /as commissioned )y the Marcos administration to desi"n
numerous edi$ices $or the "o%ernment Amon" these are: The Cultural Center
o$ the Philippines (CCP), and the Philippine 'nternational Con%ention Center
(P'CC)
5ocsin also desi"ned the Church o$ the Holy 1acri$ice at .P !iliman
Froilan Hon" + Manila Film Center
Francisco MaHosa + Coconut Palace
MaHosa :rothers + 1an Mi"uel :uildin", ,rti"as
1ome $amous architecture in Asia
Cam)odia + An"2or 8at (Hindu temple)
'ndonesia + :oro)u2ur (:uddhist Temple) Pram)anan (Hindu temple)
Thailand + 8at Phra Fae/, 8at Aryn (:uddhist temples)
Myanmar + 1h/eda"on Pa"oda (:uddhist pa"oda, also a stupa)
'ndia + Ta4 Mahal (Mu"hal architecture)
China + The For)idden City (Palace Comple0), The ;reat 8all o$ China
Bapan + Hime4i Castle, traditional Bapanese "ardens
Malaysia + Iahir Mos6ue ('slamic)
PA*T '' + A-A5JI'-; TE1T 'TEM1
1 -eeds o$ people are pro%ided $or in hi"h3rise )uildin"s )ut %ery minimal space Ho/ is space
ma0imi#ed in the most comprehensi%e mannerK
A *ein$orced concrete, structural and pre3$a)ricated units are assem)led /ith $inishin"
touches li2e plastic, "lass and other synthetic materials
: Hi"h3rise structures contain technolo"ical e6uipment li2e air3conditionin" units,
ele%ators, and $ire protection systems
C The )uildin" is )uilt /ith all $unctional needs li2e commercial esta)lishments, o$$ices,
residential areas, par2in" spaces, and other multi3$unctional $eatures
! Massi%e and monumental structures are e%idences o$ pro"ress and moderni#ation
& 8hen a paintin" cate"ori#ed as ?Art $or People@, /hat particular issue is the main $ocus o$ the
artistK
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 4
A Early reli"ious art commissioned )y the church
: Traditional $orms re4ected )y Modernist trends
C An adaptation o$ impressionistic and a)stract idioms
! The connection o$ art /or2s to %arious nationalistic stru""les, social realism, and
acti%ism
( From the di$$erent techni6ues in sculptin", car%in" is considered the most painsta2in" and time
consumin" process 8hat ma2es it soK
A !i$$erent tools are used and the artist slo/ly chips o$$ pieces o$ the medium little )y
little until the desired ima"e is achie%ed
: 't in%ol%es addin" or )uildin" up pieces o$ the medium to $orm the desired ima"e
C Firin" and "la#in" are needed at the end o$ the /hole process
! The process is composed o$ t/o sta"es: creatin" a ne"ati%e then a positi%e
7 '$ perspecti%e helps to "i%e the position o$ an o)4ect in a space, /hat 2ind o$ perspecti%e
represents distance )y means o$ con%er"in" linesK
A Foreshortenin" perspecti%e
: Aerial perspecti%e
C ,ne3point perspecti%e
! T/o3point perspecti%e
< Perspecti%e has many $unctions in art particularly in the use o$ space 8hat type o$ linear
perspecti%e is applied /hen /e dra/ or illustrate a $i"ure on a sur$aceK
A ,ne3point
: T/o3point
C Aerial
! Foreshortenin"
= 'n dra/in" the human $i"ure, /hat is the term $or the modi$ication o$ an esta)lished scale to
represent perspecti%eK
A ,ne3point
: T/o3point
C Aerial
! Foreshortenin"
E 5ines, /hen used )y an artist, may su""est meanin"s 8hat meanin" may )e associated /ith a
%ertical lineK
A !epression
: !ominance
C Motion and mo)ili#ation
! Continuity and "race
C 8hat is the resultin" color i$ /e com)ine o$ all primary3colored li"htsK
A ;ray
: :lac2
C 8hite
! :ro/n
A '$ an artist uses yello/ and %iolet $or his composition, /hat type o$ color harmony is he usin"K
A Triad
: Complementary
C !ou)le complementary
! 1plit complementary
1D The use o$ one color /ith di$$erent tints or shades in seen in some /or2s arts 8hat is the term
$or usin" one color /ith di$$erent shadesK
A 5i"ht and shado/
: Analo"ous
C Monochromatic
! Complementary
11 Volume adds )eauty to an art /or2 8hat is %olumeK
A Area, si#e and distance o$ an o)4ect
: The radius, diameter and arc o$ an o)4ect
C The thic2ness, hei"ht and /idth o$ an o)4ect
! The an"le, de"ree and $eature o$ an o)4ect
1& 8hen an architect desi"ns a )uildin", he /ants to ans/er LLLLLLLLLLLLL
A The needs o$ men
: The satis$action o$ men
C The demands o$ men
! All can )e considered
1( There are many mediums used in paintin" 8hat 2ind o$ paint uses e"" yol2 as its )inderK
A 8ater color
: Fresco
C ,il paint
! Tempera
17 T/o processes are used in sculptin" ,ne is additi%e and the other is su)tracti%e 8hat type o$
additi%e techni6ue is used i$ you put to"ether di$$erent o)4ects or scrapsK
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 5
A Castin"
: Moldin"
C 8eldin"
! Assem)la"e
1< 8hat 2ind o$ style in the arts is an unem)ellished, naturalistic approach to su)4ect matterK
A 'mpressionism
: Modernism
C *ealism
! E0pressionism
1= A$ter 8orld 8ar ', there /ere artists /ho started an a""ressi%e reaction a"ainst esta)lished
con%entions in art and aesthetics 8hat is the name o$ this ?art mo%ement@K
A Fau%ism
: Modernism
C E0pressionism
! !adaism
1E 8hich /estern art mo%ement /as inspired $rom $amiliar ima"es o$ popular culture, such as
ad%ertisements, comics, and commercial productsK
A E0pressionism
: Pop art
C *omanticism
! Commercialism
1C Philippine modern sculptors use di$$erent mediums and styles in their pieces 8ho is the sculptor
/ho usually $inished his /elded sculpture /ithout smoothenin" its sur$ace, as seen in his /or2s
?Ti2)a2an"@ and Penitensiya@K
A -apoleon A)ue%a
: Arturo 5u#
C 1olomon 1aprid
! Eduardo Castrillo
1A A painter> muralist $rom An"ono, *i#al, /ho is $ond o$ $ol2 scenes He is also 2no/n as
?:oton"@
A Fernando Amorsolo
: Victorio Edades
C Vicente Manansala
! Carlos Francisco
&D A sculptor $rom Mindanao 2no/n $or his sculpture ?1arimano2@
A A)dul Mohammed
: A)dulmari 'mao
C Ha4i Aram
! A)dul Feate
&1 The small an"el $i"urines $or sale in malls are sculptures /hich are identically produced 8hat
process is used to create these itemsK
A 8eldin"
: Modelin"
C Castin"
! Mo)ile
&& The Trium%irate o$ Modern Art composed o$ three popular artists /ho are promoters o$ mural
paintin" T/o $ /hom are Carlos Francisco and Victorio Edades, 8ho is the third oneK
A Fa)ian dela *osa
: ;alo ,campo
C Arturo 5u#
! Vicente Manansala
&( This is a multi3storied reli"ious structure ori"inatin" in China /here each le%el diminishes as it
"ets hi"her This structure is al/ays poly"onal in $orm
A 1tupa
: Temple
C Pa"oda
! Castle
&7 8hich Filipino sculptor /as 2no/n $or the :oni$acio Monument in Caloocan, and the .P o)lationK
A -apolean A)ue%a
: 1olomon 1aprid
C ;uillermo Tolentino
! *amon ,rlina
&< Paintin" in China is populari#ed /ith the use o$ t/o paintin" instruments 8hat are these mediaK
A Pen and in2
: ,il and can%as
C 1tencil and tempera
! 1il2 and )rush
PART III ENHANCING TEST TALKING SKILLS
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 #
1. 8hen you create a three3dimensional art/or2 throu"h di$$erent processes such as car%in",
modelin", assem)lin", or castin", the %isual art )ein" considered is LLLLLLLLLL
A Architecture
: 1culpture
C Paintin"
! Printma2in"
2. 8hich is the most )asic o$ all the elements o$ artsK
A 1hape
: Color
C 1pace
! 5ine
3. 5ines may )e used to create an impression o$ $lo/ and "race$ulness 8hich line )est suits the
characteristics mentionedK
A !ia"onal
: Hori#ontal
C 1trai"ht
! Cur%ed
4. Colors can )e cool or /arm 8hich color dominates cool colorsK
A Jello/
: ;reen
C :lue
! *ed
5. The element o$ art /hich helps create an illusion o$ depth is LLLLLLLLLL
A 1hape
: Value
C Te0ture
! 5ine
. This principle o$ desi"n is the most important o$ all 't re$ers to the coherence o$ the elements o$
a /or2 to the /hole
A *hythm
: Proportion
C :alance
! .nity
!. 8e li2e to see thin"s in proper scale 8hen /e see o)4ects ha%in" the proper relationships to
each other (in si#e), the principle o$ art that /e are re$errin" to is LLLLLLLLLLL
A *hythm
: Proportion
C :alance
! Harmony
". To attract attention, the emphasis should rest or lie on the su)4ect The space that helps to
intensi$y $ocus on the emphasis is called LLLLLLLLLL
A 'nterest
: 1u)ordinate
C Action
! Attraction
#. This paintin" medium is a mi0ture o$ pi"ment and /ater, applied to /et or dry plaster
A Fresco
: Tempera
C ,il
! 8ater Color
1$. 1ome contemporary artists pre$er this ne/ paintin" medium )ecause o$ its ease o$ use 't is
synthetic and uses emulsion as its )inder 8hat medium in paintin" are /e re$errin" toK
A Encaustic
: Acrylic
C 8atercolor
! Charcoal
11. 't is a )road mo%ement in the arts /hich encompasses the acti%ities and output o$ those /ho
$elt that ?traditional@ $orms o$ art are outdated
A *ealism
: Cu)ism
C 1urrealism
! Modernism
12. This is style is totally $ree in $orm The artist can drip or thro/ colors to $ill space, or roll on a
can%as /ith paint on the )ody
A 'mpressionism
: E0pressionism
C A)stract e0pressionism
! Pop art
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 !
13. A$ter classical trends in the Philippines sculpture, later sculptors )e"an to em)race the styles o$
modernism in their art/or2s 8hich modern sculptor /as 2no/n $or his /or2s %udas& 'iss and
(ransfiguration)
A Eduardo Castrillo
: ;uillermo Tolentino
C -apoleon A)ue%a
! *o)erto Feleo
14. Filipinos are /idely 2no/n $or s2ills in /ood car%in" '$ Paete and Pa2il are $amous $or their
cra$ts in the south, /hich to/n in Central 5u#on is reco"ni#ed $or its e06uisite /ood/ordsK
A :ocaue, :ulacan
: ,rani, :ataan
C :etis, Pampan"a
! ')a, Iam)ales
15. 1tyles and desi"ns o$ architectural /or2s re$lect the demands o$ di$$erent aspects in li$e 8hich
are considered )e$ore desi"nin" a structureK
A 1ocial and Economic
: Political and 'deolo"ical
C Technolo"ical an "eo"raphical
! All o$ the a)o%e
1. :am)oo, palm lea%es, and /ood are e0amples o$ /hat classi$ication o$ architectural materialK
A Hy)rid
: ,r"anic
C Metal
! 1ynthetic
1!. 1ome nati%e Philippine architecture possesses moti$s, li2e the *aga, /hich may )e seen in other
countries 8here did /e "et this in$luenceK
A 1outheast Asia
: 1pain
C America
! Bapan
1". The desi"n o$ the 1an A"ustin church in 'ntramuros is hea%ily in$luenced )y /hich 8estern
architectural styleK
A *omanes6ue
: *enaissance
C ;othic
! :aro6ue
1#. ,ne o$ the pioneers in Philippine architectureM he /as responsi)le $or the re)uildin" o$ the
Guiapo Church in 1A(D He is LLLLLLLLLL
A Buan Arellano
: Buan -a2pil
C Bose Manosa
! 5eandro 5ocsin
2$. 8hat is the term in art used $or a techni6ue in paintin" /hich is utili#ed to illustrate a stri2in"
contrast )et/een li"ht and dar2K
A Contrapposto
: Chiaroscuro
C Cara%a""io
! 1$umato
21. 8hich amon" these Filipino painters is not a modernistK
A Victorio Edades
: Arturo 5u#
C !amian !omin"o
! Vicente Manansala
22. 'n the 1C7Ds, Bose Honorato 5o#ano /as 2no/n $or this uni6ue Filipino art $orm, /herein a name
is painted /ith letters contri%ed /ith people and o)4ects
A Miniaturismo
: 5etras y Fi"uras
C ;enre paintin"
! Modernist paintin"
23. '$ you /ere to )uild a structure in accordance /ith the Modernist style, /hich o$ the $ollo/in"
/ould )est descri)e your desi"nK
A 't possesses ;reco3*oman Moti$s
: 't is strai"ht$or/ard and minimal
C 't is ener"etic and ornamented
! All o$ the a)o%e
24. This is a 2ind o$ /o%en $a)ric made )y the T9)oli tri)e 1outh Cota)ato
A Ha"a)i
: T9nala2
C :ulul
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 8
! Fulintan"
25. 1ome artists paint ima"es $rom their dreams 8hich is a 8estern art mo%ement /here artists
"athered inspiration $rom the depths o$ the su)conscious mindK
A 1urrrealism
: E0pressionism
C A)stract
! Cu)ism
St. Louis Review Center, Inc-Davao Tel. no. (082) 224-255 or 222-8!"2 $