By

OPHIEL

Authorof

ARTANDPRACTICEOFASTRALPROJECTION
ARTANDPRACTICEOFTHEOCCULT
ARTANDPRACTICEOFCLAIRVOYANCE
ARTANDPRACTICEOFCABALAMAGIC
ARTANDPRACTICEOFCONTACTINGTHEDEMIURGE
ORACLEOFFORTUNA
THE ART AND PRACTICE OF
GETTING MATERIAL THINGS
THROUGH CREATIVE
VISUALIZATION

Whowouldntlikethechancetoenjoysomeofthefinerthingsinlife?Especially
sincethesethingsarewithinthereachofalmostanyonewhocanreadthisbookand
followthesimpledirectionswhichOphieloutlines.Ophielsaysthat,withpractice,
anybodycandeveloptheabilitytobringalmostanydesirablethingsintohisorher
life,throughCreativeVisualization

Thistechnique,explainedinverysimplelanguage,isOphielsown.Hehasuseditfor
manyyears,ANDITWORKS!Allyouneedisthedesireforthethingsyouwant,plus
someelementaryOccultknowledge.OphielexplainslawsliketheSphereof
Availability,TheLawofE-motion,andtheLawoftheBarrier,aswellasgiving
youacompleteandeasyritualtofollowwhichcanopendoorsandbringenormous
dividendstoyourlife.

OphielisoneofAmericasbestknownoccultwriters.HisArtandPracticeseriesis
probablythefinesteverwrittenforbeginnerandintermediatestudent.Anyonewho
sincerelywantstostudyandusetheoccultwillbenefitbyreadingthesebooks.

SamuelWeiser.Inc.
740Broadway
NewYork,N.Y.10003
- DEDICATION -

OPHIELdedicatesthisbooktoallthosewhoareendeavoringtobetterthemselves,
mentally,physically,andmateriallythruthestudy,practice,andapplicationofTHE
OCCULT..

OPHIELhopesyouwillacquiretheknowledge,understandinganduseofthe
materialofferedinthisbook.And,throughitssuccessfulpractice,attainthe
happinessofyourdesires.

BYRAISINGYOURSELFBYYOUROCCULTBOOTSTRAPS!
FOREWORD AND INTRODUCTION

WithoutdoubtthegreatestmysteryonearthisthemysteryofourPhysicalExistence.
Wearestuckhere,andwhatdoweknowaboutwhywearehere;andwhatcanwe
doaboutit?

ThereareThosewhoSAYTheyknowwhatPhysicalExistenceisallaboutand
Theyarelistenedtobyallandsundry,andarefollowedbyallandsundry,who
hangonTHEIReveryword,andgesture,andbelieveeverythingTheySAY
completely.

FortunatelyithappensthatOphielhasadefect(?)inhischaracter(probablycomes
fromhisCapricornbirthsign)(CapricornruledbySaturn,thetester)(Ophielwishes,
manytimes,hedidnthavethisdefect(?))(thenhecouldliveinpeace,inafools
paradiseliketheothers!)

Ophielsdefectconsistsofnotbeingabouttoacceptself-styledprophetssayings,
andteachings,withoutraisingthefollowingawkardquestionandmakingthe
followingembarassingtest.ThequestionisISWHATTHEYSAYTRUE?Andthe
testisDOESWHATTHEYSAYWORK,ANDPRODUCERESULTS?Andifwhat
theySAYDOESNOTWORKTHENITISNOTTRUE,andintothegarbagecanwith
it!!

So,havingappliedthisquestionandthistest,toeveryReligion,Church,Philosophy,
OccultSchool,OccultTeachingetal:Ophielnowarrivesat1966,leavingatrailof
Religions,Churches,Philosophies,OccultSchools,OccultTeachingsetal,in
garbagecansbehindhim!!

ButoutofalltheseyearsofOphielsturmoil/searchhasCOMESOMETHINGFOR
YOU!(leavingthedetailsofthesearchforanotherbook)OphielhasfoundthatMen
ALLMENHAVECERTAINDEFINITEPOWERS.Powersofwhichheisoftennot
awareofhavingandwhichpowersseemalmostdivine!!

HENCEFORTHYOUROBJECTINLIFESHOULDBETHEDISCOVERYAND
DEVELOPMENTOFYOURPERSONALPOWERS,FORYOURUSEAND
BENEFIT,ANDTOBRINGYOUHAPPINESS,ANDENLIGHTENMENT,AND
ILLUMINATION.

OphielwrotethisbooktobringtoyouDEFINITEWORKABLEKNOWLEDGEABOUT
ONEOFYOURPOWERSTHEPOWEROFCREATIVEVISUALIZATION.

Ifyouwillstop,analyze,examine,andconsider,youmustfindthatourphysical
ExistenceconsistsalmostwhollyofthingscomingintoourPersonal-Life-Physical-
Existence-Surroundings.ThesephysicalIncomingThingsareoftwotypes/classes.
ThefirstclassofThingsareMental-Emotional-Circumstantial-Events;andtheother
classesofThingsareMaterialThings.WeOccultStudentsshouldbedeeply
interestedintheModusOperandiofourPowersofMental-Visualization-Creation-
Creating,andallitsramifications;moreespeciallyastohowthedevelopmentof
thesepowerspertainstoourownpersonallives:withemphasisupontheideaof
conqueringphysicalmatterbylearningtocontrolit,aswellasbringingintoour
personalpossessionthematerialthingsthatseemtobesonecessarynowforour
happinessandphysicalplanewellbeing.

Donotbeafraidtodothis.MansattemptsatCreative-Visualizations-Workingsare
nothingnewinmansevolutionarydevelopment.UntoldagesoftimesagoyourCave
Manancestorssecuredneeded-desired-circumstances-thingsbyvarioustypesof
CreativeVisualizationworkcombined,ofcourse,withendlessdevices,bothphysical
andmental,toassisttheCreativeVisualizationwork.

AsyouknowyourstoneageancestorsCreativeVisualizationworkconsistedof
picture-drawingsonthewallsofcavespicturesshowinghimsuccessfullyhunting
gameandsuccessfullydefendinghimselffromhisenemies;andhiscreative
visualizationsmusthaveworked,alsosuccessfully,becauseourancestorsdid
survive,andweareheretodayasaresultoftheirsurvival!Amodernapplicationof
thecavewallpictureswillbegiveninthisbook.Foryourownadvancementand
understandingIaskyoutostudycarefullythisancientapplicationofthismagicArt
andthemodernoneandmaketheconnectioninyourownmind/thinking.

Alsoforuntoldagesmankindhasengagedinaskingsupposedhigherpowersforthe
favorablecircumstanceswantedorneeded.Thesehigherpowersweresupposedto
beoutsideofman.TherearepowersoutsideofmanbutIcannotgointothe
questionoftheseoutsidepowers,calledGodorgods,inthisbook.ThissubjectIwill
againhavetoleaveforanotherbook.AllIwanttodointhisbookistodirectyour
attentiontoYOURLATENTPOWERS,THOSEPOWERSTHATYOUPOSSESS
NOW.IwillrepeatYOU,ALLOFYOU,POSSESSPOWERS,WHICHPOWERS
USEDPROPERLYAREABLETOHANDLETHECREATIONOF
CIRCUMSTANCESFAVORABLETOYOURPHYSICALBEINGONEOFTHESE
POWERSISTHEPOWEROFCREATIVEVISUALIZATION:

DonotworryaboutnotlearningtousetheLawsofthesepowersperfectly.Ifyou
learntheLaws,andusethem,aswellasyoucan,theywillwork,maybealittle
slower,buttheywillwork.Dorememberthatallthethingsyouhavenow,thatyoudo
notwant,youbroughttoyourselfbytheunconscioususeoftheselaws,andyoudid
nospecialpracticeonthatdidyou?

Alsohavenofearaboutusingtheselaws.TheseLaws,theembodimentofyour
Powers,areasmuchapartofyouasyourlifeis.Thereisnowronginusingthem.
TheonlywrongisinnotusingthemandallowingPhysicalLifetohurtyou.Ifyou
needhelpandadviceandassistancethencontactOphiel,attheaddressgiveninthe
backofthisbook,andhewillhelpyoutothebestofhisability.

NOWGOTOIT.MAKEYOURLIFETHELIFEYOUWANT.GO-GO-
GO.

SECTIONS


1.TheArtandPracticeofCreative
Visualization.................................11

2. LawsGoverningCreativeVisualization.............17

3. OccultLawNumberFour.
TheSphereofAvailability......................21

4. OccultLawNumberFive.
OccultLawofTechniqueofLimitation............29

5. OccultLawNumberSix.
LawofBinding...............................32

6. OccultLawNumberSeven.
LawoftheBarrier.............................34

7. OccultLawNumberEight.
LawoftheTreasureChart......................37

8. OccultLawNumberNine.
LawofE-Motion..............................41

9. OccultLawNumberTen.
LawoftheReversalofthePlanes................44

10. LEnvoiandFinality.............................54

11. Addenda.....................................56

12. Appendix.....................................58

13. BlankElementCards...........................62

FORWARD TO EIGHTH EDITION

Thetimehasarrivedforanotherprintingofthisbook.ThiswasthesecondofOphielsoccult
books.Myfirstbookwas,asyouknow,aboutAstralProjection.Itsoonbecameapparentto
OphielthatmanypeopledidnothavetheresourcessothattheycoulddevotetimetoOccult
study.Indeed,manypeoplelackedthesurplusofmaterialmeanstoleadagraciouslife.
OphielgatheredtogetherKnowledgesomeofitamillionyearsold!andputittogetherfor
youruseandbenefit,souseit!!!CreativeVisualizationsDOWORK.Theyhaveworkedfor
Ophiel,andOphielwasadifficultsubjectforthatsortofthing,soitcanworkforyou.Please
noticetheSymbolbeforethefrontispiece.NoticethattheSymbolisnotexactlythree
dimensional,butisin-between,hencein-betweenthisplaceandthenextplaneup.Givethis
ideayourattention.Ophielhaswritten,sofar,sevenotherbooks,eachpertainingtoavital
phaseofOccultKnowledge.Ifthesebooksarestudiedconsecutivelytheyshouldleadyouto
agoodbasicfoundationofOccultKnowledgethatshouldkeepyoubusyfortherestofyour
life!SeveralcorrespondencecoursesareavailableandEssaysontimelyOccultSubjects.If
youdonothave,atpresent,meanstoacquirethesebooks,writeOphielandhewillsendyou
acondensedversionthatshouldstartyouoffonthewayofGettingnecessaryMaterialThings
toenableyoutolivebetter,soyoucanhavetimetodevotetostudyandgetalong,physically,
better.ThiswholePhysicalLifeisadreamtypeofIllusion,anditisyourjobtosodemonstrate
it.SOMOTEITBE.

-OPHIEL


THE ART AND PRACTICE OF CREATIVE VISUALIZATION


Livingthismaterialphysicallifecanbeacruelthing.Millionsofhumanbeingssuffer
fromtheslingsandarrowsofoutrageousfortune,notknowingthattheyeach
possessmanypowerswhich,ifusedproperly,couldenableeachofthemtocontrol
hismaterialphysicalExistence,toalargeextent,andrelievehimselfofmuchtrouble.

Oneoftheunknown,unusedpowers,manpossessesisthePOWEROFCREATIVE
VISUALIZATION.

CREATIVEVISUALIZATIONisthenameforaMagical-Occult-Operationwhereina
mancreatesinhisMindseye,orinhisimagination,theidea-imageofsomething,
orsomecircumstance,orsomecircumstanceshefancieswouldbeofbenefittohis
Physical-Life-ComfortandaddtohisPhysical-Well-BeingtheWell-Beingusually
calledHAPPINESS.

Furtheruponthesuccessfulcompletion-creationofsuchanimage,bysuchaprocess
inthemansimagination,-theMental-Imagination-ImagewillbecomeREALand
comeintothedailylifeoftheman;andconfertheabovementionedHAPPINESSby
itspresenceinhisdailyLife-Possession.

Uptonowendlessbookshavebeenwritten,published,andsolddescribingthis
Magical-Occult-Process;callingitbyvariousnamesbutallnamesmeaningthesame
thing.SuchnamesasContactingGodforyourDailySupply,orCreating
Circumstances,orSevenSteps,asoneschoolputsit,andsoonthrumanyother
titles.

ThisbookisanotheroneofthosekindsofbooksaboutthosekindsofCreative
VisualizationSystems.

HoweverinthisbookitismyintentiontogomuchdeeperintothissubjectofCreative
Visualizationthanhaseverbeengoneintobeforebyanyone.Iintendtogiveyouall
theknowledgeandinformationandpracticesnecessarytoenableyoutounderstand
ANDUSEANDPRACTICESUCCESSFULLYTHEGREATARTOFCREATIVE
VISUALIZATION:

AndIdothiswiththesincerehopethatbyyourstudyofthisbookyouwillbeableto
usethisgreatARTsowellthatyouwillbeashappyasitispossibleforyoutobeby
arrangingthephysicalcircumstancesofyourlifetoyourheartsdesire.

ButbeforewegoanyfurtherintoastudyofasystemofCreativevisualizationIthink
itproperthatweshouldstophereandaskfirstabigquestionCANANDDOESA
SYSTEMOFCREATIVEVISUALIZATIONREALLYWORK?Andif,fornow,we
assumethattheanswerisYesthensomeotherquestionsareinorder.Questions
suchasHowdoesitwork?Doesitworkforbigthingsordoesitworkforlittlethings
only?Whatisthereasonabletruthaboutit?

Wecanstartourconsideration,oftheidea,oftheexistenceofsuchathing,asa
systemofCreativeVisualization,bygivingsomeweighttotheoldproverbwhichsays
Wherethereissmokethereisfire.Ontheonehand,inourmateriallifeonthis
earth,youwillusuallyfindthatifthereexistssomekindofanidea,evenasacrude
superstitionidea,thereisalwayssomekindofaTruthbehindit.Thereforeyoucan
takeit,tentatively,thatifasystemofMental-Creative-Visualizationhadabsolutely
nothingbehinditatalltheideaofsuchathingwouldnotevenbeinexistence.
1

Ofcourse,ontheotherhand,theotheroldproverbIfwisheswerehorsesbeggers
wouldride,cangivesomeweighttothecontraryideathata/anyVisualization
System(s)wouldnotworknomatterofwhattheywere,orofwhattheyconsisted.It
doesnotseemtoounreasonabletopointoutthatifsuchasimplelookingprocessas
merelyvisualizingwhatyouwantanditcomestoyou;atleastitappearsthatway,
wouldworkeasily,andthereisthesnag!,therewouldbenopoorpeopleintheworld
atall,noranyunhappinessifhappinessdependeduponamaterialsupplyofwanted
PHYSICALTHINGS,andthereisanothersnag!

InmyyearsofOccultresearchIhavefound,asseemstobenormalonthisdifficult-
not-understood-at-all-physical-plane,thatthetruepracticalworkingoutofMagical-
Occult-Knowledge-Principlestoandontothephysicalplane,fromtheInnerplanes,is
aboutinthecenter/middleofthetwoextremesWorkingNotWorking.

ApparentlyCreativeVisualizationSystemsworkforsomepeopleand,apparently,
donotworkforotherpeople!Ifavisualizationsystemdoesworkitwill,apparently,
workcertaintimesand,apparently,notworkcertainothertimes!Againa
Visualizationsystemwillwork,apparently,forsomepeopleinstantlyandagain,for
someotherpeople,apparentlyneverworkatall!And,tosumthisup,itcouldbe
truthfullysaidthatSystemsofCreativeVisualizationappeartobeapoorhitandmiss
propositionandcannotbedependeduponforconstantresults;especiallyonthe
physicalplanewhereRESULTSMUSTBEASEXPECTEDANDMUSTWORKOUT
PROPERLY-ALWAYSTOBEKNOWNASSOMETHINGSUCCESSFUL:

Now,aftermuchstudyandexperience,IbelieveIaminapositiontobeableto
elucidateanimportantStatementastotheapparentwhysoftheaboveworkingsand
non-workingsoftheOccult-Creative-Visualization-ProcessandthatStatementis
THEARTOFCREATIVEVISUALIZATIONDEPENDSFORITSSUCCESSFUL
OPERATIONUPONCORRECTKNOWLEDGE,CORRECTUNDERSTANDING,
ANDCORRECTRIGIDFOLLOWINGOFDEFINITERULES!!

TobealittlemorespecificTheArtofCreativeVisualization,ANDALLOTHER
OCCULTWORK,involvesWORKDONEONOTHERKINDSOFPLANESinaddition
totheworkdoneonthephysicalplane!!AndhowtodoInnerPlaneworkmeans
KNOWLEDGE,KNOWLEDGE,ANDMOREKNOWLEDGEandthenPRACTICE,
BASEDONTHATKNOWLEDGE,ANDMOREPRACTICE,ANDMOREPRACTICE.

InCreativeVisualizationworkalltheplanesinvolvedinourcosmicexistenceare
used,theEtheric,TheLowerAstral,TheHigherAstral,TheMentalPlane,andthe
CausalPlane,ANDALLTHESEPLANESHAVEDEFINITERULESANDLAWS
FROMWHICHTHEYWILLNOTDEVIATEONEIOTA.

Andsotherulesofalltheseplanesmustbefollowedcloselyifyouaretoexpect
good,final,physicalplaneendresultsfrompreceedingInnerPlaneoperations.Then,
evenwhenandiftheselawsarefollowedcloselyandintelligentlyandcorrectly,there
canbeotherlocalandcosmicconditionswhichcanpreventOcculttechniquesfrom
workingtemporarily.Someofthesewillbenotedlateroninthisbookandexplained
separately.

IamgoingtolistanumberofInnerPlaneLaws.Iintendtotreateachoftheselaws,
intheorderofitsimportance,ascompletelyasIcan.ThenIwillsetupthe
operationaltechniqueforeachlawascompletelyasIcan.MostofthetechniquesI
willputintoasectionbythemselvesandtreataspractices.Iwilltrytosumup
techniques/lawsandpracticesattheendinsuchawaythatyouwillunderstandthem
andbeabletodolikewise.Pleasepaycloseattentiontoeachlaw,techniqueand
2
practiceasitisintroducedinthebook.Makeaverystrongattempttounderstandand
mastereachinturn.Yourindividualmasteryoftheselaws,andtheirpractices,will
constituteyourfinalmasteryoftheGREATARTOFCREATIVEVISUALIZATION
andprepareyoutomasterotherOccultLaws.

ThefollowingLawsgoverntheArtofCreativeVisualization.....

IwilldevoteasectionsummaryofstudytoeachoftheseLaws.Theobjectofthese
studieswillbetochangetheLawintoapersonalTechnique,foryouruse.Makethe
besteffortyoucantomastertheseLaws.Nevergiveup.Intheeventyoudonot
succeedinpracticingthesetechniquessoperfectly,asamasterwouldpracticethem,
itwouldmeanonlythatitwilltakeyoualittlelongertoaccomplishdesiredresults.

IwillfirstgiveabriefdescriptionofeachoftheseLawsandoutlinesomedetailsofits
methodofstudy.

NumberNameofLawHowStudied

1.TheOccultLawofPhysicalDiscussedand
Visualization Described

2.TheOccultTechniqueofPracticewith
PhysicalVisualizationPhysical
Objects.
3. TheOccultTechniqueof
MakingtheabovePhysicalStudyand
VisualizationObjectsatendPractices.
ofbookbutconnectedwith
1and2Laws.

4.TheOccultLawofThe
SphereofAvailabilityStudy.

5.TheOccultLawofLimitationStudy.

6.TheOccultLawofBindingStudy.

7.TheOccultLawofthe
BarrierStudy.

8. TheOccultLawofthe
TreasureChartStudy.

9. TheOccultLawof
E-MotionsStudy.

10.TheOccultLawof
ReversalofPlanesStudy.

11.SummaryandPractices.Study.

LawNumber1.TheOccultLawofPhysicalVisualization.ForaCreative
Visualizationtobesuccessfulthefirstthingnecessaryisfortheoperatortomentally
createavisiblementalPICTUREofthething,orthecircumstance,wanted.Thiskind
ofMentalVisualCreationtheaveragepersoncannotdoeasilybutunlessthismental
3
creationisdonetheCreativeVisualizationWorkcannotproceedtoasuccessful
conclusion.

LawNumber2.TheOccultTechniqueofPhysicalVisualization.TheTechnique-Law
isdescribedanddirectionsgivenforcarryingitout.Mostofthelawsaredescribedin
thisfirstsectionandthepracticesaregiveninthelatterpartofthebookbutinthis
secondLawscasethepracticesaregivenimmediatelyafterthedescriptionofthe
technique.Idothissothatyouwillhavesomeworktodowhileyouarestudyingthe
restoftheLaws.ThatisIgiveonekindofpracticeandtherestofthepractices
pertainingtoothersymbolsaregiveninthelatterpartofthebook.

LawNumber3.Continuationofthefirsttwolawswithmoredetaileddirectionsfor
themakingofthesymbolsforvisualizationpracticeandsomeadditionalinstructions.

LawNumber4.TheOccultLawoftheSphereofAvailability.ThisLawisoneofthe
mostimportantfactorsinthemagicaloperationofCreativeVisualization.Tomy
knowledgethisLawhasneverbeentaughtbefore.ThelackofknowledgeofthisLaw
isthecauseofallfailuresinattemptingtousetheArtofCreativeVisualization.The
practicesofthisLawwillbefoundinthelatterpartofthisbookinconnectionwiththe
casehistories.

LawNumber5.TheOccultLawofLimitation.ThisisanotherimportantLawthe
lackofknowledgeofwhichpreventstheworkingoftheCreativeVisualizationArtbut,
perhaps,alittlelessthansomeoftheotherlaws.HoweverIguessIhadbetterstop
sayingthishasneverbeentaughtbeforebecausenoneofthesedistinctLaws
haveeverbeentaughtbeforethatIcanfind.IdonotmeanthatIamthesole
discovereroftheselawsortheyhaveneverbeenprintedbefore.Imeanthatthese
lawsexistedbeforebuttheirdirectconnectionwithMagicalOccultworkhadnever
beenestablishedasclearlyastheyarenowinthisbook.Alsothepracticesofthis
LawofLimitationwillbegiveninthelatterpartofthisbookinconnectionwithcase
histories,aswillalltherestoftheselawspractices.SoIwillnotrepeatthatagain.

LawNumber6.TheOccultLawofBinding.ThisisanotherunknownLaw,that
greatlyeffectsCreativeVisualizationwork.UnderstandingthisLaw,andworking
WITHit,cangreatlyassistyourCreativeVisualizations.

LawNumber7.TheOccultLawofTheBarrier.ThisLawgovernstheArtof
changingWordsintoEmotionsandEmotionsintoWords.Attemptingtowork
CreativeVisualizationwithWordsaloneorEmotionsaloneisadifficultprocess.
Understandingthislawcanmakeyourworkmoreeffective.

LawNumber8.TheOccultLawoftheTreasureChartATreasureChartorMap,as
itisalsocalled,isavisualaidtoCreativeVisualizationwork.ACorrectlymade
TreasureChartisoftremendousvalueinCreativeVisualizationwork.Fulldirections
aregivenformakingthismagicaltool.

LawNumber9.TheOccultLawofE-Motions.Thepartthatemotionsplayin
CreativeVisualizationworkisusuallyreferredtobutlittlemore.Hereafull
explanationisgivensothatyouwillunderstandthepartemotionsplayandcantake
fulladvantageofthem.

LawNumber10.TheOccultLawoftheReversalofPlanes.OrdinaryEnglishwords
arenotverygoodwhenitcomestoexplainingtheveryfinemetaphysicaloperations
ofInnerBeingThings.Thusthefactthatallplanesarereversedtoeachotheris
almostunknowntomanyOccultists.Whatisgoing,ononeplane,iscoming,on
another!!Andthenthisreversalalsobecomesreversedattimes!!Thelackof
4
knowledgeofthisreversalofplanesisanotherreasonwhymuchordinaryCreative
Visualizationworkfails.

SummaryandPractices.Mostlygiventhruthecasehistorytypeofinstruction.

IntheopeningpagesofthisbookIsaidendlessbookshavebeenwritten
describinganOccultprocesscalledCreativeVisualization.andthenIsaidThis
book,thatyouarenowreading,isanotheroneofthosekindsofbooksaboutthose
kindsofCreativeVisualizationSystems.

ThenextfewparagraphswillbeintheformofquestionsandanswersImagineyou
askingthesenaturalquestionsandIgivingtheanswers.

Thefirstnaturalquestionyouwouldaskisiftherearesomanyotherbooksonthis
subject,alreadywritten,whythenanotherbook?

AndthecorrectanswertothatquestionisYestherearelotsofbooksalready
writtenonthissubjectBUTTHEINSTRUCTIONSCONTAINEDINTHOSEBOOKS
DONOTALWAYSWORKSOWELLor,letussay,donotworksowellasto
precludetheintroductionofanotherbookonthissubject.

AndyournextnaturalquestionwouldbeIftheinstructionsgiveninthoseother
booksdidnotworksowellthenhowdidtheauthorsgetawaywithwritingbooksthat
containedinstructionsthatdidnotwork?

AndthecorrectanswerisThoseinstructions,asgiveninthosebooks,didwork!!
BUTONLYFORTHEAUTHORSOFTHOSEBOOKS!!!

Whatthesequestionsandanswersadduptoisthisduetoaparticularpersonality
quirk,whichtheseauthorsaloneautomatically,naturally,possessed,THESE
AUTHORSUNCONSCIOUSLYDIDALLTHETECHNIQUESOFTHECREATIVE
VISUALIZATIONWORKPROPERLYANDTHUSTHEPROCESSWORKSFOR
THEMSUCCESSFULLY!!!

Oncetheseauthorsgetacreativesystemworkingforthemselvestheyhastento
writeabookaboutitand,usuallyhavingmoney,theygetthebookprinted.Then
occultstudentshastentobuythebooktogettheMagicSystemtoworkforthem.And
theMagicsystemworkssometimes,andsometimesitdoesntDEPENDINGON
HOWCLOSELYTHESTUDENTISLIKETHEAUTHORINPERSONALITY
PECULIARITIESOFTHESAMETYPE.

Itneverseemstooccurtothoseauthorsthattheirprocessmightnotworkforothers
asitdidforthem.Theypublishtheirpersonal,empiricalsystem,ofCreative
VisualizationandnotawordissaidaboutTHEPRINCIPLESUPONWHICHTHEIR
SYSTEMISBASED.InfactsonaturalmighttheirworkingofCreative
VisualizationsbethattheydontevenKNOWaboutanybasicprinciples.Itisstrange
buttherearepeoplelikethatintheworld.Peoplewhodothingsrightthefirsttime
theytry,withoutanyprevioustrainingatall.

HoweverIwasneveroneofthosekindsofpeople.Ihadtolearnhowtodothings,
throughlearningtheirbasicprinciples,andthenworkthemthrough,andby,their
principles.Icannotlearnanyotherway.(Ifyouareoneofthenaturalworkersthen
youarelucky)

SonowIwillrepeatmyselfagainandsayInthisbookthelawsgoverningtheArtof
CreativeVisualizationarelisted;andeachofthemaregoingtobeexplainedtoyouin
5
detail:andthebasicprinciplesoftheselawslaidoutforyoutounderstand.Then,
throughunderstanding,youwillbeabletoadapttheselawstoyourpersonal
uses/needs.ANDUSETHEM.TheexistenceofPrinciples,Techniques,andRules,
whichcanbelearnedandpracticed/used,showsthatthisWorkofCreative
VisualizationISANART.ANDANARTOFWHICHWECANALLLEARN
SOMETHING,andmanyofusagreatdeal,andmanyofuscanBECOME
MASTERSOFTHISART.

MasteryoftheArtofCreativeVisualizationisabigsteptowardstheMasteryofthe
ARTOFLIFE.AsamatterofactualfactyouareusingCreativeVisualizationevery
secondofyourlivinglife!Noneofusareverysuccessfulinlivingandhavingthekind
oflifewewouldliketohaveandyeteverythingwehavethatwedonotwant,and
possessionofwhichmakesusveryunhappy,WECREATEDOURSELVES,FOR
OURSELVES,ANDBYOURSELVES,BYOUROWNMENTALPOWERS!

Naturallywedidthiscreatingignorantlybutwediditnevertheless.AsIsaidbefore
thetimecancome(andwehopethisbookwillhastenitforyou)thatyoucantake,
andwilltake,yourownPersonalDivinePowersintoyourownhandsanddirectthe
RightUseofthispower.ANDTHENONLYWILLYOUBEGINTOUSEYOUR
DIVINEPOWERSASTHEYSHOULDBEUSEDANDASYOUSHOULDUSE
THEMINTHERIGHTWAYANDFORYOUROWNBENEFIT!!!

WHATDOESUSINGYOURPOWERSFORYOUROWNBENEFITMEAN?

BasicallyitmeansthatwealluseourbasicCreativePowerseverysecondofour
lives.ButweusetheseCreativePowerswrongly.Whatdoesusingourcreative
Powerswronglymean?

ThemostoutstandingthingitmeansisusingourCreativePowersignorantly.Our
presentdailyuseofourCreativePowersislikegivingababyagallonof
nitroglycerinetoplaywith!

SomeothermisusesofourCreativePowersarespasmodicaluseofthePowers.No
definitesharpideaofknowingexactlywhatyouwanttodoortobeortohave.There
areotherendlessmisusesofourPowersbutthesetwoareenoughtothrowa
monkeywrenchintothebestlifeintheworld.

HowtohandleyourPowersproperlyisthesubjectofthisbook,andwillbeexplained
aswegoon.FornowallIwantyoutoknowandunderstandisthattherearetwo
thingsnecessaryforthesuccessfulUseofthisCreativeArtandtheyare1.THE
KNOWLEDGETHATYOUHAVEGREATCREATIVEPOWERSAND2.THE
KNOWLEDGETHATYOUHAVEHERETOFOREUSEDTHESEPOWERS
IGNORANTLY,ANDHENCEWRONGLY,ALLYOURLIFEBUTNOWYOUARETO
LEARNTOUSETHESEPOWERSCORRECTLY.Sonow,knowingthatthe
successfuluseoftheProcessofCreativeVisualizationispossibletoallofus,in
somedegree,thrutherightuseofbasicprinciples,wecangoonfromthere.
6
LAWS GOVERNING CREATIVE VISUALIZATION


ThefirstmainreasonwhytheCreativeVisualizationprocessdoesnotworkperfectly
(asitshouldwork)fortheaveragestudentisimpliedinthetitleofthisbookCreative
Visualization.HalfoftheCreativeVisualizationprocessConsistsofaprocedure
calledVISUALIZATION:NowexactlywhatisVisual-ization?

AGlanceintothedictionarygivesthefollowingdefinitionTomakeortobecome
visible,especiallyTOSEEORTOFORMAMENTALIMAGEOFTHENATURAL
ABILITYtobeabletoformaclearmentalimageofsome-thinginyourmind-memory
isanabilitythatnoteverypersonpossesses.Certainlythisisanabilitythatvaries
withdifferentpeopleandvarieswidelyevenwiththosewhopossesstheability
naturally.

HerethenisoneofthemainreasonswhythisMentalCreativeVisualizationProcess
doesnot,andcannotwork,forallpeople,asitshould.Becauseanabilitytocreate
clear,mental,pictureimages,inthemind,isrequired;andnotallpeoplepossessthis
imagecreationfacilitynaturally.IdidnothavethisfacilitymyselfandIhadtowork
hardtogetitinenoughdegreetogetpositiveresultsfrommyCreativeVisualization
work.Ihavenodoubtthatthosewriters,whowrotethosepreviouslyreferredto
booksaboutthiscreativevisualizationsubject,POSSESSEDTHOSECREATIVE
VISUALIZATIONMENTALIMAGEMAKINGABILITIESNATURALLY,anditprobably
neveroccurredtothemthatothersdidnothavethatabilitytointhesamedegreethat
theyhadit.*
_________

*Iwanttocallyourattentionagaintothisstrangeomissionofallpracticalexercisesondeveloping
mentalimagesmadebythepreviousteachersofthisArt.Obviously,astheArtsucceededwiththem,
theyjustassumedthatallotherpeoplehadthisabilitytooinlinewiththatrecentjokeWelldoesnt
everyone?Thelackofapositiveimagemakingfacilityisoneofthemostpotentfactorsinthefailureof
thiskindofcreativework;andtheomissionofanykindofexercisesinthosebookstodevelopthisability
inyouisinexcusable.Howcouldyoupossiblysucceedinthisworkifyoucannotvisualize?

IftheydidnotthinkthateveryonepossessedthesameabilityastheydidthenIamat
acompletelosstoaccountforthefactthatnoneofthesepeoplegaveanyexercises
todevelopthisabilityintheirstudents.OnethingIcansayforcertainisthatinall
thosebooksIresearchedonthissubjectnotoneofthemgaveanyofthefollowing
workthatIamgoingtogivetoyou.Worktoenableyoutodevelopyourvisualization
abilityasmuchasisneededforyourcreativework.

Inthebeginningofmyoccult-studies-workIwasnotabletoproceedinthisArtuntilI
discoveredanddevelopedthefollowingexercises.Practicewiththeseexercisesthen
enabledmetolearntocreateclearmentalimagesofthephysicalthingsI
needed/desired,andIcantellyouthatwhenmymentalcreationswerecleancutand
clearthenmyCreativeVisualizationwishsucceeded.

NowthatIhaveemphasizedtheimportanceofPhysicalVisualizationIwillgiveyou
someworkinit.(Itwasmyintentiontoexplainallthelawsonebyoneandthengive
thepracticesintheuseoftheLawsinthelatterpartofthebook.Iwilldothiswiththe
otherLawsbutIwillalsogiveyouthisVisualizationworknowsothatyouwillhave
somethingtoworkonwhileyouarelearningtherestoftheLaws.)

TheVisualizationwork-practice,inconnectionwiththisfirstpartofthemental-
physical-creative-visualizationwillbeaMagicalRitual.InthisMagicalRitualyouwill
useagreatdealofmental-imaginationinconnectionwithphysicalactions.Youwill
7
firstlearntoworktheritualPhysicallyandthenworkitMentally,visualizingitas
youworkit.Finallyyouwill1.FirstworkitPhysically.2.ThenworkitMentally.3.
ThenworkitbothPhysicallyandMentallyATONCE.

Thiswillbethefirstpartofpracticevisualizationinconnectionwithdevelopingthis
facultyinyou.Thesecondpartwillconsistofworkwithsymbolswhichyouwillfindin
thebackofthisbook.Ifyougotthebooksecondhandandthesymbolsaregoneyou
willfinddirectionsformakingyourownsymbolsandcoloringthem.Intheadvanced
partofthisworkyoushouldmakeupyourownsymbolsanyhow.

Startyourfirstworkinthefollowingmanner-*
_________

*AlltheworkIgiveyouisMagicalworkofacertaintype.Ifyoucontinuetobuymybooksandcontinue
todevelopyourself,asIamtryingtohelpyoutodo,youaregoingtofindmoreandmoreofthese
magicaloperationsinthesebooks.Bythetimeyouhavebeenthruseveralofmybooksyoushould
haveatyourcommandsomeveryuseful,practicalmagicaloperationsthatwillhelpyouthrulifeifyou
usethemcarefully.

ThefirstworkwillconsistofaverysimplelookinglittleRitual.Nowifyouwantto
makeabigmistakethatwillholdupyourmagicalproficiencyforalongtimejust
imagine,asIdid,thatbecausethisRitualissosimplelooking,andsounding,itdoes
notamounttoverymuch,andsoneglecttolearnanddoit.

ThissimplelookinglittlethingisveryhelpfulANDVERYPOWERFUL.LEARNIT
ANDUSEITALLTHETIME:

YouaregoingtofindthisRitualinmosteverybookIwritesoifyouhaverunacrossit
beforejustpretendthatyouneversawitandlearnitalloveragain!

Memorizethefollowingmaterialandmemorizeitsowellthatyouwillbeabletorecite
iteasilywithoutstoppingtothinkofwhatcomesnext.TheRitualsoundseasy,andit
iseasy,butitisabitcomplicatedinvolving,asitdoes,somemovementsandword-
actions.IfyoucontinueinOccultwork,andyoushould,youwilleventually
understandthemeaningsofthewords,andactions,butfornowworktheRitualasit
stands.Itwillstillwork.

1. TouchtheforeheadandsayATOR(ThouArt)
2. TouchthelowerbreastandsayMALKUTH
(TheKingdom)
3. TouchtherightshoulderandsayVE-GEVURAH
(andthePower)
4. TouchtheleftshoulderandsayVE-GEDULAH
(andtheGlory)
5. ClaspingthehandandfingerstogetherbeforethebreastsayLE-OLAHM
(foreverAMEN)

ThisritualexerciseisthepreambletothenextsectionwhichisasfollowsStandin
thecenterofaslargearoomasyoucanfindtoworkin.FaceEast.Visualizeasteel
daggerinyourrighthand.(Nowhereisyourfirstworktodo.Findapictureofa
dagger,orfindarealdagger,orborrowone,ordosomethingtogetyourselfareal
daggermodeltovisualize.Thenlook-concentrateonyourmodeluntilyoucanrecall
theimageofittomemory-mindeasily.)

8
Thecarefulnessandtheaccuracyofyourworkinsettingupthis,andtheother
modelsforvisualizationprocesses,isthedegreeofMagicalaccuracyyouwillattain
inyourMagicalwork.

Holdyourimagedaggerinyourrighthandandtrace,intheairinfrontofyou,alarge
staraccordingtotheoutlinegivenhere.Tracethestaraccordinglyasitisday,
morning:orevening,night.

Practicemakingthesestarsmany
timesuntilyoucanmake-traceastar
withoutanyjerkymotions.Youcan
practicemakingsomestarsona
pieceofpaper.Keeptheproportions
ofthestargood.Drawthestar
makingmovementsdeliberatelyand
slowly.

Afteryouhaveperfectedthesestarmakingmovementsaddthefollowingmaterialto
theritual.Takeaspoonfulofrubbingalcoholorwhiskeyandplaceitinasaucer.
Lighttheliquidandnotecarefullythebluecoloroftheflame.(Dontwastethe
whiskeyorburnthehousedown!)Getthisbluecolorflamefixedinyourmindand
alsothewaytheflamewavers.Practiceuntilyoucanvisualizethecolorand
waveringandrecallthemtomemoryperfectly.

Nowyoucanproceedwiththemainritual.FaceEast.Takeyoursteel-image-
daggerinyourrighthand,visualizethedaggeroutlinedinthewaveringblueflame.
Makeapentagramstar,accordingtothetimeoftheday,andvisualizethestar
outlinedintheblueflame.ThenpronouncethenameYHVH(YOD-HEH-VAV-
HEH).

Nowseethruthecenterofthelargeflameoutlinedstarabeautifuldawn!Pinkto
Rosyclouds.TheEastistheQuarterofAIR,SOFEELAIR.Imagine,andfeel,acool
softbreezecomingfromthedawncloudsandpassingoverandthruyou,andthru
youagainandagain.ThenameofthisEastWindisEURUS.Socallhimoutbyhis
name.

AfteryoufeelfilledandsatisfiedwithAIR,erasethescenegentlyfromyour
imaginationandcontinuearound,inacircle,withyourflamedaggertotheQuarterof
theSouth.Thelineofthecircle,betweenthestars,isalsocomposedofthewavering
blueflame.

WhenyouhaveturnedSouth,maketheStarandthenpronouncethenameADNI
(AH-DOH-NAI).ThruthecenterofthisSouthstarseethefollowingscene.Atropical
islandscene.Warmblueseawatersdashingoncoralreefs.Beyondthecoralreefs
lielongwhitebeachesandbeyondthebeachesgrowpalmtreesswayinggentlyin
thehottropicalwind.Feelthishotwindpouringfromthecenterofthestarintoyou
andwarmingyouthruandthru.ThenameofthissouthWindisNotus.Sonamehim
andcallhim.

WhenyouhavefinishedwiththeSoutheraseitgentlyfromyourmindandcontinueto
makethebluefirecirclearoundtotheWest.Theremakeyourblueflamestarand
pronouncethenameAHIH(EH-HE-YEH).Visualizeawaterfalltumblingdownovera
cliffanddashingonrocksatyourfeetsendingupacloudofmistandspray.Feelthis
9
mist-sprayonyourfacelikeagentlerain.Feelwetnessandcoolnessthruandthru.
ThenameofthisWestwindisZephyrus,sonamehimandcallhim.

WhenyouarethruwiththeQuarteroftheWestcontinue,withyourflamedagger,the
circlearoundtotheQuarteroftheNorth;tracethefire-flamestarandpronounce
AGLA(AH-GAL-LAH).TheNorthistheQuarteroftheElementofEarth.These
QuartershavenorelationtotheusualmaterialideasofAIR,FIRE,WATER,AND
EARTH,butareconcernedonlywiththeQUALITIESOFTHESEELEMENTS.Hence
NORTHtheQuarterofEarthisnottheNorthPoleoftheEarthbutisNORTH,THE
QUARTEROFEARTH.ItisintheNORTHQUARTEROFEARTHthatalltheother
ElementalForcesend.IwillrepeatthisAllforcescomingthrutotheOUTER
FROMTHEINNERendintheNorthQuarteroftheEarth.ThereforeEARTHisthe
greatENDstorehouseofALLFORCESWHICHFORCESAREALLTHINGS!!You
willfindinEARTHallthethingsthatyouarelookingforandwhichyouneedtomake
youhappy.

So,therefore,whenyouvisualizetheQuarterofEarth,thruthebluflamestar,you
firstvisualize,beforeyou,vastfieldsofripenedgrainandvastfieldsofripenedcorn
andothercereals.Beyondthesefieldsarevastorchardsoffruittreesloadedwithall
kindsoffruits.Beyondtheorchardsstretchgreatareasofgrassesonwhichgraze
greatherdsofanimals.Beyondtheherdsstartforestsoftreesandbeyondtheforests
aremountains.

Andthesemountainsarefullofminesofmineralswhichweuseinourdailylives;and
themountaintopsarecoveredwithsnowandice.Themeltingofthissnowandice
makesanabundanceofwaterwhichflowsdowntowaterandnourishtheliving,
growingthings,below.ALLISPEACEANDPLENTY.FULLOFALLTHETHINGS
YOUNEEDTOMAKEAFULLANDHAPPYLIFEFORYOURSELF.Thenameof
theNorthWindisBORUSsonamehimandcallhim.

WhenyouhavefinishedworkingwiththeQuarteroftheNorthcontinuetheflame
circleonaroundbacktotheEastandenditthere,whereyoustarted.Youshould
thenbecompletelysurroundedbyacircleofblueflameswithabluestarateach
quarter.

ClosetheritualbyrepeatingtheCabalisticCrossexercisefollowedbythesewords
andactionsYouarefacingEast.ThrowoutyourarmsintheshapeofaCrossand
say

BeforemeisRaphael,
BehindmeisGabriel,
OnmyrighthandisMichael,
AndonmylefthandisAuriel,
BeforemeflamesthePentagramandbehindme
shinesthesixrayedstar.

Theaboveritualconstitutesthefirstpartofthepracticesinconnectionwiththework
oflearningphysical-mentalvisualizations.

10
OCCULT LAW NUMBER FOUR.
THE SPHERE OF AVAILABILITY


WenowcometotheLawlistedasNumber4onourlist.IhavenamedthisLawTHE
SPHEREOFAVAILABILITY.Thisnamedesignatesoneofthemostimportant
OccultLawsevergivenoutinanyOccultbook.InallmyyearsofOccultresearchI
haveneverfoundanyoutrightexpostulationofthisLaw.Therewereafewvague
hintsbutthatisall.Alltheworkyouwilleverdonow,orinthefuture,alongthelines
ofCreative-VisualizationhangsontheKnowledge-Theory-BaseofTHESPHEREOF
AVAILABILITY.

NowIsuredohatetokeeponsayinggivethisnextsubjectyourutmostattention
etc.Butinthiscaseitismoretruethanotherwiseandthereasonisthatinthecase
ofsomeoftheotherLawsIwillgiveyouinspiteofthemyoucanstillaccomplisha
greatdealinCreativeVisualizationwork;butalackofknowledgeoftheSPHEREOF
AVAILABILITYisfatalwhenitcomestoaccomplishinganythingthruCreative
Visualization.TheonebigsinglereasonwhyMentalVisualizationsfailtocometrue,
ordonotreachPhysicalConsummation,isafailuretoknowabout-andunderstand-
andallowfortheexistenceoftheLAWOFTHESPHEREOFAVAILABILITY.Once
thisLawisclearlyunderstooditexplainswhysomestudentsvisualizationssucceed
easilywhileotherstudentsvisualizationsneversucceednomatterwhattheydoor
howhardtheyvisualize.(Exceptthosewhodotheworknaturally,asIsaidbefore.)In
theillustrationsfollowinglookfortheexampleswherecreativevisualizationworkwas
donenaturally.

Forthetechnique-theoryoftheLawIamabouttoexplaintoyou(asyouhaveno
doubtguessedbynow)IhavecoinedthenameTHESPHEREOFAVAILABILITY(I
didthiscoiningofnamesevenafterIcomplainedaboutothersdoingit).(Ifeel
guilty!)*
_________

*IfeelthatIshouldmentionherethatitwasmyrepeatedfailurestoachievesuccesswithVisualizations
thatledtomydiscoveryoftheLawoftheSphereofAvailability.

TheconceptoftheLawofTHESPHEREOFAVAILABILITYissosubtlethatIhave
decidedthatthebestwaytoteachtheunderstandingofthisLawisbymeansofcase
historiesaboutpeoplewhohavesucceededinCreativeVisualizationworkandthenI
willpointoutthecorrectuseoftheLawinthesecases.

IamgoingtogiveheretheveryfirststoryIeverheardaboutCreativeVisualization
work.ThefollowingisfromabookwrittenbyaMr.RichardIngalese.Mr.Ingalese
wasalecturerandOccultteacherinthiscountryattheturnofthecentury.He
apparentlydiedinLosAngelesabout1930asnearasIcanfindout.Heandhiswife
wrotesomebooksabouttheOccultandthesebooksarestillquitegoodforbeginners
inthisline;althoughalittleoutdatednow.Ifyouareabeginnerandwanttoget
copiesofthem,Ihavethem,bothnewandsecondhand.Contactmethruthe
addressgiveninthisbookandIwilladviseyouaboutthem.

InoneofhisbooksMr.IngalesetalkingabouttheLawofOpulencewhichwashis
nameforCreativeVisualizationtellsastoryaboutayoungmanwholivedinParis
manyyearsago.Thisyoungmancamefromafamilyofragpickers.Thatishemade
alivingbypickingoverthepilesofParisrubbishandsalvaginganythingusable;but
fromwhatIknowoftheFrench,andtheirthriftyhabits,Iwouldsaythatthepickings
wereslimindeed.
11

Thisyoungmanattractedtheattentionofaperson,whowasversedintheOccult
Arts,andthispersondecidedtohelptheyoungman.Hegavetheyoungmana
manuscriptandtoldhimtostudyandpracticetheknowledgecontainedtherein.And
thistheyoungmandid.ThemanuscriptcontaineddirectionsexplainingtheArtof
CreativeVisualizationor,asitwascalledinthemanuscript,Gettingthingsthru
thinking.

Afterreadingandstudyingtheknowledgecontainedinthemanuscripttheyoungman
decidedhewouldattempttopracticetheGreatArt.(Thefollowingisveryimportant).

Theyoungmandecided,forhisfirstvisualizationattempt,thatthefirstthinghereally
neededwasasmallpieceofcarpettoputbesidehisbedtoprotecthisfeetfromthe
coldstonefloorwhenhegotoutofbedinthemornings.HEPROCEEDEDTO
VISUALIZEFORAPIECEOFCARPETANDINASHORTCOURSEOFTIMEA
WOMANGAVEHIMAPIECEOFCARPET!!!

ThissimpledemonstrationsoconvincedhimofthevalueandpoweroftheArtof
CreativeVisualizationthatheproceededtopracticeitfortherestofhislifeandwhen
hepassedonhehadmanyhundredsofthousandsofFrancs,andFrancswere
Francsinthosedays.

WewillnowconsideracasethatIknowaboutpersonally.ManyyearsagoIlivedin
LaJolla,CaliforniaandIusedtoattendalittleTheosophicalmeetingthatwasheld
thereeachweek.AsissomewhatcommoninTheosophicalcirclestherewasa
mixtureofpeopletherewithdifferentbackgroundsandmanydifferentkindsof
differentideasabouttheOccult.

Irecalloneladywhowasactiveinsemi-occultwork.Sheusedtoteach,insomekind
ofaWPAgroupinSanDiego,howtomakeTreasureCharts(asyouwillgetlater)
suchasaretaughtbytheUnityPeopleintheirwork.Sheadaptedherownideasto
theseTreasureChartsandthentaughtthemasakindofCreativeVisualization
systemofherowntoamixedgroupofpeopleinherclasses.

Thepeopleintheclass,havingnothingbettertodoforthemoment,tookuptheidea
withagreatdealofnon-seriousnessand,muchinjest,onemanmadeupachartfor
abottleofwhiskeyandanothermadeupachartforaBlond.!!!!

Itturnedout,shortlyafterwards,thatsomeonegavetheonemanabottleofwhiskey
andtheothermanwasintroducedtoaBlond!!!!Thetwomenweresofrightenedby
thesehappeningsthattheyfledtheclassesandrefusedtohaveanythingmoretodo
withthisstuff!!!!

Fromtwoofmyowncases.AtonetimeIownedasmallroominghousethatIhad
gonetoalotoftroubletofixupverynicelyandyetIdidnotseemtobeabletoget
anyincomeoutofittoamounttoanything.ImadeupachartandIdecidedthatI
wouldbesatisfiedwithanincomeof$200.00amonthclearforthetimebeingANDI
SOONHADIT!

AtanotherearliertimethanthatIneededasmallhandpunchforsomeworkthatI
wasdoingbutIwasnotabletobuyoneforlackofmoneyatthattime.Ididsome
visualizationworkforapunch(franklywithoutmuchhopeasIwasnewtothegame).
AfewdayslaterIwasaccostedbyadrunkmanwhoofferedmeapunchforasmall
sumofmoney.Ididnotliketheideaofthemanbeingdrunkandsellingsomething
forlessthanitwasworthandsoIrefusedtobuythepunch,whereupontheman
12
threwthepunchdownatmyfeetandstalkedoffinhighdudgeon!Youcertainlycould
notaskformoreofamiraclethanthat!!

IamnotsurewhereIheardthenexttwostories,IdontthinkIreadthemanywhere
butIdidhearthem.SoifIamusinganyoneelsesstoriesIapologiseinadvance.
Bothofthesestoriesareaboutwomenandwomenshats!Aladysaw,inalarge
departmentstore,averybeautifulhatthatshedecidedshewantedforherown.She
couldnotaffordthepriceofthehateasilysoshedecidedtogetthehatthrough
CreativeVisualizationwork.InordertogettheCreativeVisualizationmentalpicture
correctinhermindshewentintothestoreand,leavingheroldhatonthecounter,put
onthedesiredhatandwenttoamirrortoseehowshelookedandtogetthe
visualizationpictureabsolutelycorrectinhermind.Whenshewasthruviewingthe
hatshereturnedtothecounterand,lookingabout,couldnotfindheroldhat!
Whereupontheupsetmanagersaidshecouldhaveanyhatshewantedinthe
departmentandsoshewalkedoutofthestorewiththehatshewantedand
visualizedfor!

Anotherladysawaveryexpensivehatinastorewindowandalsodecidedtogetthe
hatthruCreativeVisualization.Shestudiedthehatandthenvisualizedthehatonher
head.Thenshedidnotgonearthewindowagainbecauseshefeltthatifshedidlook
forthehatinthewindowitmightspoilthepictureshehadofthehatonherhead
already.Whichwasaverysensibleidea.

Someweekslatershewasvisitingarichfriendandthisfriendsaidtoheracouple
ofweeksagoIboughtahatandnowthatIhavegotithomeIhateitand,Iwouldnot
wearittoadogfightifIknewboththedogs!Ifyouwantityoucanhaveit.Andshe
broughtoutthehat!!Icouldgivemanyotherexamplesbuttheseareenoughto
illustratetheLawoftheSPHEREOFAVAILABILITY.

YouthinkoverallthesestoriesandconsiderWhatwasthemostoutstandingfeature
ofthesestories?WHATWASTHEONEDEEPTHINGTHEYALLHADIN
COMMON??

OTHERTHANTHEOBVIOUSFACTTHATTHEYALLGOTWHATTHEYWANTED
THRUAVISUALIZATIONPROCESSISNOTTHEHIDDENFACTTHATTHE
DESIREDTHINGWASWITHINTHENORMALREASONABLEREACHOFTHE
PERSON??ORSHALLWENOTCALLALLTHESETHINGSGOTTENBY
THESEPEOPLEWITHINTHEIRNORMALSPHEREOFAVAILABILITY????

ThesepeopledidnotaskforRollsRoyces,Mansions,Hugebagsofgoldpieces,and
theMoonwithafencearoundit;thingsnowhereneartheirpresentlivesorwayof
living.No!Thethingstheyaskedforwere,asmallpieceofcarpet,abottleof
Whiskey.ABlond,Ahandpunch,Womenshats.Thingsthataretherenow.

MyOccultresearchhasconvincedmethatthemainreasonwhyvisualizationsdonot
workforusallthetime,aswewantthemtowork,isthatweaskAMISSThatiswe
donotgetthethingswewantnotbecauseGoddoesnotwantustohavethembut
becausethosethingsARENOTINOURSPHEREOFAVAILABILITYATTHETIME.

TheTruthsofDivineMetaphysicsaresograndanddivineandsoundsorightthata
newstudent,hearingandreadingaboutthemforthefirsttimeinhislife,isgreatly
temptedtothrowcaution,andreason,outofthewindowandimaginethathecan
workmiracleseasily,especiallyafterreadingafewpagesofaCreativeVisualization
book.

13
ThenewstudentthenproceedstovisualizeforLARGETHINGS.BIGTHINGS.
VALUABLETHINGS.Thingsthatarefarbeyondhisabilitynottovisualize
imagine-desire,BUTFARBEYONDHISPRESENTABILITYTODEMONSTRATE-
VISUALIZE.Andallthisisespeciallysoifamanhasachampagneappetitewitha
beerincome.Wellachampagneappetite,withabeerincome,isnojoketotheone
whohasit.

ToreinforceyourunderstandingoftheLawoftheSphereofAvailabilityIamgoing
backtothestoryoftheyoungFrenchragpickerandcomparehisstorywithanother
storyIwillgive.

Youwillrecallthatthefirstthingtheyoungragpickervisualizedforwasapieceof
carpettoprotecthisfeetfromthecoldstonefloorinthemornings.Thisyoungman
hadnothingbutabsolutelynothing.(Inhiscasehavingnothingwasagreatblessing).
Hedidnothavesomethingthathecouldhavetradedforacarpet.Hedidnothavea
littlemoneysohecouldhaveboughthimselfapieceofcarpethehadnothing.

Sotherefore,havingnoresourcesatall,hewasabletodecideonthepieceofcarpet
aswhatheneededandwantedmostandtoconcentratefullonthecreative
visualizationofthispieceofcarpet.Andasthecarpetcametohimsoon,thruhis
work,itprovedamongotherthings,thattheCARPETWASWITHINHISSPHERE
OFAVAILABILITY.

NowIwilltellyouanotherstory.Thisstoryconcernsamanwhohadapositivegenius
forrunninglargedepartmentstores.Hehadaterrificabilitytosellgoodsandto
manageefficientlysuchabusiness.Hewasemployedinaverylargestorebutnotin
thetopcapacity.Thestorebeingafamilyaffairthetopjobswereheldbyfamilymen
whowerecontenttousethemansabilitywithoutgivinghimthetopresponsibilityand
salary.

Underthesecircumstancesthismanwasnotabletomovetothepositionhewas
entitledtonomatterhowmuchhetriedtogetaheadwherehewas.

Thismancameintocontactwithametaphysicalworkerwhomheallowedtodosome
workforhimandthruthismetaphysicalworkhesecuredapositioninoneofthe
largeststoresintheworldwherehewassoonattheverytopspotandmadeaterrific
successofeverythinghetouchedalonghisline.

NowIwantyoutothinkDOTHESETWOCASESHAVEANYTHINGINCOMMON
AND,IFSO,WHATISIT?

Atfirstthoughtthereseemstobenoconnectionbetweenthesetwocasesbuta
closerlookshowsthattheyhaveoneveryimportantthingincommon.BOTHOF
THESEPEOPLEHADTHETHINGSDESIRED,ORASCOULDBESAID,WERE
READYFORTHETHINGDESIRED,ORCREATIVELYVISUALIZEDFOR,IN
THEIRSPHEREOFAVAILABILITY.

Iwillrepeatandyoupleasereadthisoverseveraltimes,THETHINGSTHETWO
MENDESIREDANDWHICHWERECREATIVELYVISUALIZEDFORONEDOING
THEWORKHIMSELFANDTHEOTHERHAVINGITDONEFORHIMBUT
MEANINGTHESAMETHINGTHOSETWODIFFERENTTHINGSWEREIN
THEIRSPHEREOFAVAILABILITY.

InOrdertomakeabsolutelyclearwhatIamdrivingatletusassumethattheyoung
ragpickerhad,insteadofvisualizingforapieceofcarpet,visualizedforthetop
managersjobofthelargestdepartmentstoreinParis!
14

Now,althougheverythingtaughtaboutCreativeVisualizationistrueandtheworkis
verypowerfultobringuswhatwevisualizefor,quitecommonsense(Lawofthe
physicalplane)willtellyouthattheyoungmanwouldnotgetthejobeasily,orifhe
didgetithecouldnotholdit.Again,nomatterhowpowerfulthemagicalCreative
Visualizationworkwas,theFACTREMAINSTHATHEIS,WASNOT,FITTEDFOR
THEJOB!FORTHISREASON,ANDTHISREASONONLY,THEJOBIS
DEFINITELYNOTWITHINHISSPHEREOFAVAILABILITY.

ItwouldnotbetheCreativeVisualizationworkthatwouldbeatfaultbutthecomplete
lackofcommonsenseandthecompletelackofobediencetoTHELAWSOFTHE
PHYSICALPLANE:AllthethingsthatyouknowaboutthePhysicalPlaneandits
limitationsaretheLawsofthePhysicalPlaneandcertainlynottheleastofPhysical
PlaneLawsistheLawthattheyoungmanMUSTBEFITTEDFORTHATJOBandif
hewasnotfittedforthejobHECOULDNOTDOTHEWORKEVENIFTHE
CREATIVEVISUALIZATIONFORCESBROUGHTHIMTHEJOB.

Or,toputitanotherway,wecansaytruthfullythatbeforetheCreativeVisualization
workcouldhavebroughthimthejobsuccessfullyatremendousamountofwork
wouldhavetohavebeendonefirsttohavepreparedhimforthesuccessfulholding
ofsuchajob;andthiskindofworkwouldhavetakennoendofmaterialtimeno
matterhowyoulookatit.Inthecaseoftheyoungragpickerthisamountofworkis
solargethathecouldnothavegotitdoneinonelifetimeconsideringthelatestarthe
had.Mr.Ingalesespeaksofpeoplewhovisualizedforthingsbeyondtheirpresent
SphereofAvailabilityanddidnotgetthethingsuntiltheirnextreincarnationonearth;
andatthattimetheydidnotwanttheformerthingsanymore,butwantedsomething
elseentirelydifferent,andsolifewentoninaviciouscircle.

SonowyoucanaskanothernaturalquestionHowthendidtheCreative
VisualizationProcessworkfortheyoungmansowhenhepassedonhehadmany
thousandsofFrancsandFrancswereFrancsinthosedays?

VeryImportant.Studythefollowingveryhard.Whathappenedinhiscasewas,as
saidbefore,thefirstsuccessfuldemonstrationsoencouragedhimandconvincedhim
oftheworkabilityofCreativeVisualizationPowersthathedeterminedtopracticethis
Artfortherestofhislife.Thenextthinghedidwastoselectanotherthing-objecthe
needed-wanted,whichthing-objecthappenedtobeinhisSphereofAvailabilityand
whenthatthingwasdemonstratedhewentontoanotherandstillanother.

EACHSUCCESSFULDEMONSTRATIONADDEDSOMETHINGMATERIALTOHIS
LIFEANDTHUSENLARGEDHISSPHEREOFAVAILABILITY.

ASTHESPHEREOFAVAILABILITYENLARGEDINSIZEOTHERTHINGS
FORMERLYNOTPOSSIBLEBECAMEPOSSIBLEOR,ASSHOULDBESAID,THE
SPHEREOFAVAILABILITYINCREASEDINSIZEUNTILINFULLCOURSEOF
TIMEANDGROWTHENDLESS,FORMERLYIMPOSSIBLE,THINGSBECAME
EASILYAVAILABLEANDWEREONHANDALMOSTAUTOMATICALLY.For
heavenssake,andyoursake,readthisoveruntilyouunderstanditcompletelyand
absolutely.

ThefollowingsubjectmatterissoimportantthatIamgoingtoriskboringyoutotears
andrepeatit,someofit,inanotherslightlydifferentform.Pleaseabsorbitand
successfullyuseitforyourbenefit.

15
TosumuptheforegoingcasehistoryTheyoungragpicker,havingnomoneyor
resourceatall,andhavingdecidedtopracticetheArtofCreativeVisualization,
pickedout,withgoodcommonsense,anarticleheneededvizapieceofcarpet.

TheyoungmandidnotdoCreativeVisualizationworkforaPalace,oramillion
Francs,orforayachtorforanyofthoseotherthingsthatpersonssometimestryfor
thefirsttimetheyusetheCreativeVisualizationprocess.(Ohyesweareallguiltyof
thissortofthing)Alltheyoungmanaskedforwasasimplethingthathereally
needed.Apalace,forexample,wasnotneeded,andbecausethisthingheneeded-
wantedwaswithinhisSphereofAvailabilityhegotitinarelativelyshorttime.*
_________

*Ourlivesaresoconstitutedsothereisabigdifferencebetweenwhatwereallyneednowandwhatwe
wouldliketohaveordreamofhaving.Ourlivesarelikeapuzzleofmanypiecesthatwemustfit
togetherourselvesandonlywecanworkoutorlives.Youmuststarttobuildupyourlifeapieceata
timeandyoumustfindoutanddecidewhatpieceistobenextfittedintoyourpattern.Youcandream
aboutotherthingsbutthefirstworkyoudoshouldbeforwhatyouneednext.

Thesecondsteptheyoungragpickertookisequallyimportant.Hedidnot,upon
completionofhisfirstsuccessfuldemonstration,thenjumptopalacesandmillionsof
Francsorotherbigthings;butproceededtoselectanotherobjectthatheneededfor
hisimmediatecomfortandwellbeingandproceededtodemonstrateforandto
securethatthing.

Mr.Inglaesedoesnottell,inhisbook,whatthenextarticleactuallywasbutIam
assuming,fromthenatureofthefirstarticleselected,thatitwassomethingsimple
andnecessaryandveryprobablyofthesamenatureasthepieceofcarpet.

Assaidbeforetheyoungmancontinuedthisprocessfortherestofhislifeandhislife
becameaprocessofgradualgrowthandacquirement:thepossibilitiesoffurther
acquirementincreasingwitheachnewassetacquiredasexplainedbefore.

NOWWHATABOUTYOUANDIANDOURUSEOFCREATIVEVISUALIZATION?
Weshouldhaveareasonablebeliefthatthesystemdoesworkiffornootherreason
thanweuseitwronglyallthetime.Nowwewanttouseitrightsohowdowe,you
andI,goaboutusingit?

Letusgobacktotheragpicker.NowIdonotwanttousethissystemtogetapiece
ofcarpet.Idonotneedapieceofcarpet.Idonotneedtousethissystemtogeta
pieceofcarpet.Ihavelotsofpiecesofcarpetsaboutmenow.Ihavesomeextra
moneyavailablesothatIcanbuymanypiecesofcarpetifIwantthem.Sopiecesof
carpets,arenotmyproblemasitwastotheragpicker.

HoweverwhileIdohavesome-manythingsnowIamnotcompletelysatisfiedwith
whatInowpossessandIdowanttousethissystemofCreativeVisualizationtoget
thethings-circumstances-situations-possessionsofthingsthatIwouldliketohave,or
dowant,orthinkIwant.

Ontheotherhand,fromwhatIhavefoundoutabouttheSphereofAvailability,Ido
knowthatmanyofthebigthingsthatIwouldliketohavearenotinmySphereof
Availability,letsfaceit,atthistime.Alsoletusfacethefactthatwearedealingwith
definiteplanesofmanifestationseachofwhichhavedefinitelaws,eachlawofwhich
planemustbeobeyedand,ofcourse,thelawsofthelastplane,thephysicalplaneof
matterandthatplaneisveryhardtomove,tounderstand,andtooperateon.

16
WhatthenshouldIdoandmustIdo,andyoudotoo,inordertomaketheCreative
VisualizationProcessworkforus?Clearlyitwouldseemthattheveryfirstthingwe
middleclass(whateverthatis)peoplemustdoistodiscoverexactlywherewe
standandwhereweareinregardtowhatwewantonthephysicalplane.Wehaveto
pinpointourexactpositionandknowwherewestandEXACTLY.Wemustfind
exactlythethingswewantandFINDOUTEXACTLYWHERETHEYAREIN
REGARDTOOURSPHEREOFAVAILABILITY.WEMUSTFINDOUTEXACTLY
WHATTHINGSAREMISSINGINOURLIVESANDHOWTHESETHINGSSTAND
INRELATIONTOOURSPHEREOFAVAILABILITY.

TOSUMTHISUPTheintelligentandaccurateappraisalofyourpresentlifes
positioninregardtoyourwants,andneeds,anddesiresistheFIRSTSTEPINTHE
RIGHTUSEOFCREATIVEVISUALIZATIONANDTHESECONDISTHE
ACCURATEAPPRAISALANDUNDERSTANDINGOFTHESETHINGSIN
RELATIONTOYOURSPHEREOFAVAILABILITY.

Itcanbesaid,quitetruthfully,thatwemiddleclasspeoplearethemostdifficult
subjectsforCreativeVisualizationwork.Wehavemanythingsonhandnowand
manyotherthingsautomaticallycomingtous.IfweshouldstartCreative
Visualizationsforsomethingthatisautomaticallycomingtousitwouldbeawasteof
timeandeffort.InallOccultworkyouhavetolookoutforasituationwhereinyouuse
OccultPowerstoaccomplishsomethingthatcouldbeacomplishedinanother,more
natural,way.Forexamplebyusingordinaryplanningyoumightfindthatyoucould
tradesomethingyounolongerwantforsomethingyoudowantandneed.Tohave
doneotherwisethanthisnaturalmethodwouldhavebeenawasteoftheArtof
CreativeVisualizationandawasteoftimeandeffort.

Wemustusegood,common,senseandthinkhardofwhat,exactly,weshouldwork
forbyCreativeVisualizationmethods.Wemustconsiderthestateofgrowthweare
in,andthestateofgrowthourSphereofAvailabilityisin.Fewpeoplewilldemandtoo
muchofabeginner.SoDONTDEMANDTOOMUCHOFYOURSELFINTHE
EARLYSTAGESOFYOURWORK.Lateronwhenyouhaveachievedsome
successintheworkyouwillguideyourselfbytheDEVELOPMENTOFYOUR
SPHEREOFAVAILABILITY.Whatiswrongwithattainingyourgoalinseveralsteps
insteadofonebighardjump?

IwillreferagaintoMr.Ingaleseandhisbook.MrInglaeseistheonlyteacherIhave
everfoundthattaught,inconnectionwithCreativeVisualization,asystemofgradual
growth.HecalledhisideaCreatingaCenterfromwhichtodrawthethingsyou
wantandneed.EveryotherteacherthatIreadalwaysstronglystressedtheideathat
inyourvisualizationwork,undernocircumstance,mustorshouldyoudesignatefrom
whatsourceyourdesiredthingsshouldcome.Thatideaneverdidappealtome
becauseIamanaturalplannerandIliketoknowatalltimeswhereIstand,andwhat
Iamdoing.

Mr.Ingalesetellsinhisbookastoryaboutawomanwhobuiltupacentergradually.
SheissupposedtohavecametoSanFranciscoalongtimeago.Insomeway,not
explainedinthestoryasIreceivedit,thiswomanacquiredafacilityintheArtof
CreativeVisualizationandsheuseditfromthestarttoBUILDUPAGRADUAL
GROWTHCENTER.Shefirstgotajobthruvisualizingit.Thenshegotseveral
promotionsinthesameplace.Thenshevisualizedherselfgoingintometaphysical
workandafterthatshevisualizedherselfreceivingcompensationworthyoftheeffort
shehadspentindoingworkforothersandsomeonegaveheralargesumofmoney
ingratitudeforworkshedidetc.

17
Iwilladmitthatthisstorydoesnotfollowthepatternaslaidoutbymanyother
teachersbutitseemstomethatthissystemofgradualgrowthisfarmoresensible
thandoingalotofgeneralvisualizingwithoutanyideaofanythingdefiniteandnot
knowingifthethingdesiredisinyourSphereofAvailabilityornot.

ButIwillalsoadmitthatyoushouldnot,forexample,concentratethoughtsonsome
personwiththeideaofforcingthemtogiveyouachunkofmoney.Nordoesitseem
sensibletoconcentrateongettingthingsthatbelongtootherpeoplenow.Norshould
youvisualizeyourrichUncledeadsoyoucouldhavehismoneyetc.Ireallybelieve
thatthesearethesortofthingsthattheotherteacherswerethinkingofwhenthey
saidyoushouldnotdesignatewherethevisualizedobjectsshouldcomefrom.

Itwouldseemratherfoolishinthisdayandagetoattempttodesignatefromwhere
yoursupplyshouldcomefromexactlywhentherearesomanyunknownwaysin
existenceandmanymorecomingeveryday.Andthenagaininthisdayofmultiple
manufacturedprocessesitwouldseemsillytowanttheexactthingsothershave.
Thereisnothingthatcannotbeimprovedwhyshouldyouwanthiscarwhena
newermodelwouldbebetterinallways?

SothereforeIcannotfindanythingbasicallywronginbuildingupacenterofsupply,
accordingtoapprovedvisualizationmethods,aslongasyouleavethechannels
opensothingscanflowintoyourcenterofsupplycomefromwhatsourcetheymay.I
wouldsuggestthatyoudonotpictureyourselfdoingworkinexchangeforthingsas
youmightfindyourselfworkingmorethanyouwouldlike.Youcanstartoutatfirstby
doingsomekindofworkbutyoushouldshiftyourpatternquicklytodoingworkthat
youknowyouwillliketodoandthusnotseemlikelabortoyou.*
_________

*Iregrettohavetowarnmystudent-readersthatifyouhavegottensofardowntheSphereof
Possessionthatyouareinactualphysicalwantforfoodandshelternecessitiesoflife,thisprocessof
CreativeVisualizationisnotforyounow.Itwouldtakeastudentofterrificpowerstoinstantlycreate
thingsneededforyouandabeginnerinthisArtcouldnotdoitthisprocessistooslowforthateven
underthebestofcircumstances.Inthecaseofsuchdirephysicalnecessitytotrytousethisprocessof
CreativeVisualizationwouldbeliketryingtogrowatreeinafloodtogetwoodtomakeaboattoescape
theflood.IwishIdidnothavetosaythisbutyoumustmakeallowancesforthephysicalplane.Ifthe
arrivalofthisbookfindsyouindireneedyoumustbesensibleandaccepttheaidofthegovernmentfor
immediateassistance.ThatsteptakenthenturntoChristianScience,orUnitypractitioners,for
immediatehelp.Theyhavebeenintheworkformanyyearsandtheycanhelpyouuntilyoucanhelp
yourself.Whenyourimmediateneedsaretakencareofthencomebacktothisbookandworktomake
sureyounevergetintosuchastateagain.

ForGodssakecombineInnerSpiritualknowledgewithearthlycommonsense.The
twoareneededtomakeagoodwhole.

TheCreativeVisualizationMentalOperationisaTrueMagicalOperation.True
magicaloperationsarethingsthatarenottoowellknownandunderstood.Therehas
beennorealexpostulationofmagicaloperationsinbooksforstudentsandthemain
reasonforthisis,asIhavesaidbefore,thatpeoplequalifiedtoteachthesethings
arefewandfarbetween;becausetheyreceivedtheirtraininginsecretschoolsunder
oathsofsecrecyandcannotgivethemouttotheinterestedpeoplefreely.Onlya
person,likemyself,whogainedthesethingsthruhisownwork;thruhardyearsof
strivingandinnermeditationsandstudy,cangivethemoutfreelybecauseIam
underobligationstonooneforthem.ThereforeIamabletogiveyoutheformer
secretknowledge-teachingsfreely.ForHeavenssakeusethem.
18

OCCULT LAW NUMBER FIVE.
OCCULT LAW OF TECHNIQUE OF LIMITATION


Oneofthemainparts,andamostessentialpart,ofaTrueMagicalOperationisthe
partwhichiscalledTHELIMITINGOFTHEOBJECTOFTHEOPERATION.

Whatdoesthismean?Itmeansfirstofall.MagicalOperations,involvingastheydo
theforcesoftheInnerPlanes,dealonlywithFORCES.InnerPlaneForcesare
subjecttoInnerPlaneLawsandarecertainlynotsubjecttoPhysicalPlaneLaws.
Thisfactpracticallyeveryoneknows,ofcourse,butfewpersonsrealizethe
implicationsofthatfact.

BasicallywhenyoudealwithInnerPlaneforcesyouaredealingwithforcesTHAT
HAVENOCONFINEMENTOFANYKIND.TWOINNERPLANEFORCESOCCUPY
ASINGLESPACEATTHESAMETIME.INNERPLANEFORCESFLYOFFINALL
DIRECTIONSATONCE.TIME,ASWEKNOWIT,ISNOTTHESAMEFORTHEM,
THEYEXISTBOTHSTARTANDFINISHATONCE.BEGINNINGANDENDAT
ONCE.(nowdoyouseewhyitsaysintheBibleIamtheAlphaandtheOmega,the
BeginningandtheEnd)Andyetinordertoobtainyourouterdesired-physical-end-
plane-resultsyouhavetoworkwithInnerPlaneForcesfirst,andsotohandlethese
InnerPlaneForcesYOUMUSTKNOWSOMETHINGABOUTTHEIRNATUREAND
HOWTOWORKTHEM.

DionFortunedidsaysomethingaboutitbutdidnotexplainthefullimplications.You
havemuchtolearnandIwillgiveittoyouintime,andaswegoalong,butforthe
presentallyouhavetoknowisATTHESTARTOFANYMAGICALOPERATIONA
LIMITMUSTBESETTODESIGNATETHEEXTENTOFWHATYOUWANTTO
ACCOMPLISHINTHATPARTICULAROPERATION.UNLESSYOUDOTHISYOU
AREGOINGTOHAVETROUBLEINGETTINGTHEFORCESTOMAKETHE
TRANSITIONFROMTHEPLANEOFFORCETOTHEPLANEOFFORM,AND
STAYTHERE-PUT.

Youareable,bymeansofordinarymentalmagicaldailyoperations,tocontactand
gatherForcestogetherquicklyBUTUNLESSTHEGATHEREDFORCESARE
QUICKLYCONDUCTEDINTOAFORMHEREONTHISPHYSICALPLANETHEY
WILLFLYOFFASFASTASTHEYAREGATHERED.*
_________

*TheobjectdesiredbyyouinyourvisualizationworkistheFORMthatlimitstheforcesthatyourwork
gathers.

NowappearstwoofthoseseeminglyendlessfactorsthatinfluenceMagicalCreative
VisualizationworkandItrustthatyouarenotgoingtoblowupattheirendless
appearances.Wewillcometoanendofthemsometime,surelyattheendofthe
book!Itisthelackofknowledgeaboutthesethingsthatmakesourworksofutile
whenitcomestohelpingourselvesthroughmagicalwork.

WellwemightaswellgetitoverwithItisaLawoftheInnerPlanesthatONCEYOU
HAVESUCCEEDEDINGETTINGANINNERPLANEFORCETOWORKFORYOU,
ORTOFLOWINTOYOURLIFE,THEWAYYOUWANTITTOWORKTHIS
FORCETHENHASATENDENCYTOKEEPONFLOWINGWORKING.Andthis
flowingworkingwillkeepuplongafteryou,oranyotheroperator,hasachievedthe
originalobjectiveoftheoriginalstartingoftheflowingworking!Inoteanapparent
19
contradictionintheaboveandwhatIsaidbeforebutthereisnonereally.Itoldyou
thatInnerPlaneForcesdonotoperatethesameasPhysicalPlaneForces.Itistrue
thatInnerPlaneForcescanbegatheredtogetherquicklyandtheydoandcanfly
awayasquickly.BUTWITHLONGPERSISTENCE,ANDOTHERUNCONSCIOUS
MAGICTECHNIQUES,APERSONCANSUCCEEDINGETTINGTHEFORCESTO
FLOWFORHIM,ANDTHENTHEYKEEPONFLOWING!!(Considerflowthe
sameaswork)Thisautomaticoverflowcancauseasmuchtroubleand
disappointmentinresultsasnoflowatallcancause.Thesimplestformoftroublethis
over-flowcancauseistocreateaconditionoftensioninyouafteryouhavereceived
theoriginalthingvisualizedforandinthistensionyouarevaguelydissatisfiedwith
thewholecreativevisualizedmatter-operation,andyoufeelthatyouwanttogoon
demonstratingthesamething-objectoverandover.

Andtheotherfactoris.Many-somepeopledoyieldtothatcontinualflowing-in
pressureandgoonaccumulatingtheobjects,firstwanted,beyondallreasonable
needofthem.Thishappensinthecaseofpeoplewhowereonceverypoorandin
greatneedofmoneyalargepartoftheirlife;andwho,byasortofmentalnatural
personalCreativeVisualizationSystempertainingtothemselvesasexplainedbefore,
startedmoneycomingtothembut,havingsetnolimittotheirobjective,(atleastfor
thisonevisualizationcreation)theincomingflow,oncestarted,keptoncomingand,
intheend,theincomingflowtookovertheirlivesandtheycontinuedtodonothing
butgetmoney.Alltheirotherobjectivesinlifewerelostsightofandsomeofthese
peopleactuallystarvedtodeathbecausetheycouldnotcontroltheincomingflowof
moneytodivertsomeofittospendingpatternsTheyweregrippedbythepowerof
theforcestheyhadsetinmotion.Theycouldnotspendthemoneyforwhattheyhad
originallywanteditforagoodtimetobehadin,andout,oflife.

Inthepaper,thismorning,wasastoryofawomanwhodroppeddeadonaSan
Franciscostreet,ofstarvation,andoveronethousanddollarswasfoundonher
personbythepolice!AnotherexampleofthissortofthingisthestorybyCharles
DickensofEbeneezerScrooge.Thismanturnedtothemakingofmoneybecauseof
agreatlovedisappointmentinhislifeandhefeltheneededmoneytomakeupfor
whathehadlost.Scrooge,havinggottenaflowofmoneystartedhisway,wasnot
abletocontrolitthereafterandthemassingofmoneytookoverhislifetothe
exclusionofallelse.

ThisconcludesthetheoreticaldiscussionofTheOccultLawofLimitation.Iwillgivea
fewdirectionsheretoguideyouinpracticesnowandgivemoredetaileddirections,in
thelatterpartofthebook.

So,forthetimebeing,whathastobedonetomakeyourCreativeVisualizationwork
comeoutright?Thefirstthingtodoistofigureoutexactlywhatobject,orthing,or
circumstance(s)youwanttobringabout,oracquire,byCreativeVisualization
practices.

HavingmadethisdecisionyouthensetdownandWriteoutinexactdetaildescribing
theobjectorcircumstancedesiredANDSTATINGCLEARLYTHATTHISISALL
THATYOUWANTFROMTHISONEOPERATION.MAKETHEENDOFTHE
OPERATIONASCLEARASTHEBEGINNING.

AsanexampleletusassumethatyouareworkingforapieceofcarpetastheParis
ragpickerwas.Youwouldwritethisdownonpaperexactlywhatyouwantedand
whatyouwanteditfor.Youcanalsoaddadescriptionofhowyouexpectthecarpet
tobeusedandHOWYOUEXPECTITTOFEELINUSE(thispartisimportant
moreofthislater)NOWCONCLUDEYOURWRITINGBYPRONOUNCINGSOME
STATEMENTSUCHASANDFORTHEPURPOSESOFLIMITINGTHEEFFECTS
20
OFTHISOPERATIONIHEREBYSTATETHATTHESOLEPHYSICALDESIRED
RESULTOFTHISOPERATIONISTHISPIECEOFCARPETandalsoforapsychic
resultIexpectadeepsatisfactionfromtheuseofthispieceofcarpet!

21
OCCULT LAW NUMBER SIX.
LAW OF BINDING


Inmagicaloperationsofallkindstherearealwaystwokindsofforcesinvolved.

ACTUALLYANYKINDOFANOPERATIONANYACTIONOFANYKIND
PHYSICALORINNERPLANEMAGICALINVOLVESTWOKINDSOFFORCES.
Ortosayitanotherwaytomakeitasclearaspossible,ANYANDEVERYFORCE
INOURPHYSICALCOSMOSISREALLYADOUBLEACTINGFORCEEVERY
FORCEISDUALINNATUREALWAYSHASBEENDUALANDCOULDEXISTIN
NOOTHERFORMTHANDUAL.

ThereisnotathinginthePhysicalUniversethatdoesnothavetwosidestoit.Even
Godhastwosidestohim.

However,inourphysicallife,weusebothsidesofthings,sonaturally,thatwehave
completelylostsightoftheothersideofthethingsweuse.Doyoueverstoptothink
thateverytimeyoucoveryourselfwithbedclothesyouareusingonesideonlyand
thatthereisanothersidetothebedclothes?Couldthesheetexistwithouttheother
side,thesideyoudonotuse?(nottoogoodanillustrationbutitwilldotoenableyou
tothinkaboutit,andtokeeptheconceptassimpleaspossible.)

Hereisadifferentillustration.Doyourealizethateverytimeyoudriveyour
automobileforwardyouareexertinganequalforcebackward?Ifyouwillstudysome
physicsabouttheLawsofMotion,youwillfindthisistrue.

SoagainIsayWhenweuseaphysical-planeforcewedonotuseonlyonesideof
theForce,oronlyoneaspectoftheForce,butweUSEbothsidesoftheForceAT
ONCE.Asinthesimpleillustrationofthebedsheetandthemorecomplexoperation
oftheautomobile,weMUSTUSEbothaspectsofaforceorwecantuseitatall.In
factaforcecouldnotexist,evenontheInnerPlanes,ifitdidnothavetwosidestoit.

HoweverintheuseofInnerPlaneForcestoaccomplishsomethingonthephysical
planeWEWANTTOUSEONLYONEASPECTOFTHEFORCEANDNOTBOTH
ASPECTS.AndthereasonforthisisOneaspectofaForcewillbringathingtouse
andtheotheraspectofaForcewilltakeitaway!OrtosayitinanotherwayAForce
canbringsomethingtousandthesameForcecantakeitaway!

ItfollowsnaturallythenthatifwewantacertainthingthentheaspectoftheForcewe
wantistheaspectthatwillBRINGTHETHINGTOUS!!

THEREFOREITISIMPERATIVEINALLMAGICWORKS,ANDINALLKINDSOF
OTHERWORKS,THATYOUMUSTRECOGNIZETHEEXISTENCEOFTHE
OTHERSIDEOFTHEFORCETHATYOUAREINVOKING.REMEMBERWHEN
YOUCONTACTAFORCEYOUCONTACTBOTHSIDESOFITATONCE,ANDAT
THESAMETIME,ANDBOTHSIDESHAVEEQUALPOWER.Itisthelackof
knowledgeaboutthissecretfactthatcausessomuchtroubleinthemagical
workingsofwould-bemagicians.Eitheryourmagicaloperationworkslikemad(I
meanliterally)ordoesnotworkatall.

ThereforewhenyouwanttouseaForcetoaccomplishacertainkindofworkyou
mustusethesideoftheForcethatyouneedtoaccomplishtheworkthatyouwant
todo,beitconstructiveordestructive,ANDBINDTHEOTHERSIDEOFTHE
22
FORCETHATYOUAREUSINGSOITWILLNOTFUNCTIONINTHEOPERATION
YOUAREPERFORMING!

IfyoudonotbinduptheonesideoftheForcethatyouareusing,thesidethatyoudo
notwanttooperate,theninanyparticularoperationyouperformyouwillINVOKE-
CONTACTBOTHSIDESOFTHEFORCEATONCEANDTHEYWILLNICELY
CANCELEACHOTHEROUT.OrtoenableyoutounderstanditbetterIwillputitin
alittledifferentwayWhenyoustartaMagicalOperationwithoutabindingyoucan,
andoftendo,usetheaspectoftheForcethatyouwanttouse;butastimegoeson
theonesidedusewillbuildupastrain,orpressure,andthispressurewill,sooneror
later,bringtheopposingForce,nowconcentratedbytheremoveddilutionofits
balancingopposite,BACKINTOOPERATIONWITHTHERESULTS,HARMLESS
ENOUGHWHENSAIDTHISWAY,OFCOMPLETELYNEUTRALIZINGALLTHE
PREVIOUSLYDONEWORKANDBRINGINGBACKALLCONDITIONS,PHYSICAL
ANDOTHERWISE,TOTHESAMECONDITIONPREVAILINGBEFORETHE
MAGICALWORKSTARTEDOR,TOSAYINANOTHERWAY,MAKEAHASHOUT
OFTHEWHOLETHING.*
_________

*Awaytoseethisquickreversalinactionistowatchthepeopleatracetracks.Amanwillwinalarge
sumofmoneywhichwasdonebysuccessfullyinvokingpressureonInnerPlaneForces.Evenifitwas
doneignorantlythepoweroftheWill,evenofanignorantman,isverygreat(attimes)Andthenafew
minuteslaterthemanwillloseallthathewon.TheForcegaveandtheForcetookaway.

Ifyouwilllookcarefullyyouwillseethiscyclerepeatedtimeandtimeagaininthe
historyofNationsintheworldasfarbackasyoucaretogo.Youcanseeitoperating
inourdailyliveseverydayinallourlittledisappointmentsandbreakdownsindaily
living.

SonowthatyouknowabouttheOccultLawofBindingwhatmustyoudotomake
yourmagicaloperationscomeoutright?

TheoperationoftheMentalMagicworkyouwillbedoingbyusingtheArtofCreative
Visualization,asgiveninthisbook,tosetupaLimitontheextentofeachoperation
youperformwillhavethesameeffectasabindingoftheoppositeforceinthiscase.

Iftheworkyouareattemptingtododoesnotinvolvetoogreatadislocationofyour
surroundings;ifyourSphereofAvailabilityisreadytosupplyyouwithwhatyouare
workingfor,settingasensiblelimitonthesizeoftheoperationsyouareconducting
willbesufficientforallnormalpurposes.IfyouareCreativelyVisualizingfor
somethingreallybig,orifyouareattemptingrealMagicalworkofabigkinditwillbe
absolutelynecessaryforyoutobindtheopposingDualForce.Forbindingin
connectionwithanythingofanadvancednaturemorethanMentalMagicIgivehere
contactmethrutheaddressgiveninthisbookandIthinkIwillbeabletodirectyouto
thesourceofinformationyouneed.

Isuggestthatforalongtimeyouconfineyourselftothetypeofspecialized
operationsthatIhavegivenyousofar;goingonestepatatimeandgainingslowly
whatyouwant.IcantellyoutrulythatifyougettoolargeathingbytheseCreative
Visualizationmethods,unlessyouprotectyourselfbyabinding,youareapttoloseit
allbackagainwhenthereactiontakesplace.Buildupyourlifebytheslower,careful,
well-thoughtoutmethodsIhavegivenyou;onestepatatime,andyoucanexpectto
holdontoyourgainsandincreaseandusethemintherightway.Gainingathing
throughCreativeVisualization(nottoolargeathingastocausethedislocationas
aforesaid)andstartingtousethethingisanotherformofbinding.
23

OCCULT LAW NUMBER SEVEN.
LAW OF THE BARRIER


Again,inthissection,Iamintroducinganewsubject-LawwhichpertainstotheArtof
CreativeVisualization.IhaveneverfoundthisLawinthisexactformbefore.Ihave
nogoodnameforthisLawandsoIhavetogiveitanamemyself.Ihavenamedthis
seventhLawofCreativeVisualizationTheOccultLawoftheBarrier.An
understandingofthisLawwillenableyoutoworktheArtofCreativeVisualizationa
littlemoreperfectly.

IntheuseoftheArtofCreativeVisualizationmethodstogetwhatyouwant,much
confusionexistsabouttheuseofverbalwordsasagainstsymbolpictures.There
appearstobetwoschoolsofthoughtabouttheuseofverbalwordsasagainstpicture
symbolsandneitherofthetwoschoolsseemstoknowtoomuchaboutit
conclusively.

Inthepast30yearsofOccultstudy-workIranacrossfirstoneschoolofthoughtand
thentheotherschool.Theyseemedtorunincycles.Firsttherewouldbeschoolsand
booksdealingwithwords,mantrams,andchants,etc.Andthentherewouldbe
schoolsdealingwithmentalvisualizationspicturesetc.Certainlyyouhaveallheard
ofCoueandhisDaybydayIamgettingbetterandbetternoitisDaybyday,in
everyway,Iamgettingbetterandbetter.AlsoyoumusthaveheardofEastern
Mantrams.Chants,andfairytalesarefullofwordslikeen-chant-ment,(en-in,chant-
sing,ment-stateof.)andIn-voking,(In-in,voke-voicespeaking).Allthesethings
pertaintoword-sounds.Itappearsthatstateshavetobegottenbywords,and
thingshavetobegottenbymentalpictures.ItprobablycouldbesaidthattheEast
isinterestedinStateswhiletheWestisinterestedinThingsThereforeIpresume
thechoiceisuptoyou.IfyouwantThingsthenfollowtheinstructionsasgivenin
thisbookandifyouwantStatesthenfollowtheEasterntypeofinstructions,orwork
outyourownsystemoftheknowledgeyouhavebeengivenhere.

Speech,inthesensethatweusewordsoundstoconveyideastoeachother,is,in
theevolutionaryexistenceofman,arecentinvention.(inthinkingofspeechyoumust
neverconfusehumanspeechwiththeSPEAKINGOFGODas,forexample,where
inthescripturesitsaysGODSPOKETheSPEECHOFGODisanentirelydifferent
thingfromhumanvocalsounds,Butasthisistheonlykindofspeechweknowabout
weareapttomistaketheonefortheother.TheCreativeSpeechoftheDivinityis
connectedwiththeTattvaAkashasoundgranuleswhichsoundgranulesare
vibrationsandthesevibrationsshapetheAstralLightTheLogosintoallthingsand
thenchangethesethingstomaterialthingsbyanentirelydifferentprocess.However
asALLTHINGSARECONNECTEDTOGETHERINMORETHANONEWAYthese
connectionsaretreatedforanotherpurposeinanotherbookofminecalledThe
OracleofFortuna.Isuggestyougetthisbookandreadandusethedivination
systemthereintohelpyouthrulife.TheDivinationsystemthereinisgoodstrong
OccultKnowledgeandPractice)

Thusthishumanspeechofours,duetoitsrecentinvention,doesnotpertaintothe
depthofourbeing,ourinnersubconsciousmind,butratherspeechpertainstoour
outerconsciousmindonly.(YoushouldknowfromyourOccultstudiesthatyouhave
twominds,aninneroneandanouterone;theouteronecalledtheconsciousmind
andtheinneronecalledthesubconsciousmind)

24
Theexistenceofthesetwomindsinyouiswhatmakesallthetroubleintheworld.Or
maybeIshouldsaytheseparationofthesetwomindsmakesallthetroubleforyouin
theworld.*
_________

*ForthoseofyouwhoarereadyforhigherthingsIwilldropabigfatjuicyhintastowhatIllumination
reallyisbecomingaMaster,becominganAdept,BECOMINGLIKEAGOD,meansthetwomindsfuse
intoone!Enoughsaid!Somefurtherinformationisavailable-contactmethruaddressinbook.

Attendtothefollowingknowledgecarefully.WORDS-SPEECHARETHE
LANGUAGEOFTHECONSCIOUSMINDWHEREASFEELINGSARETHE
LANGUAGEOFTHESUBCONSCIOUSMIND.

SoIrepeatagainAllthetroublewehaveintheworld,inlivingthismateriallife
successfullyandfullycomesfromthedifferencesinCOMMUNICATIONSBETWEEN
THETWOMINDS.Theinabilityofthesetwomindstotalktoeachother.Toget
ideasandcommandsovertoeachother!Conscious-youtotalktounconscious-you!
Hardlyinyourwholelifehaveyoubeenabletotellyourselfwhatyoureallymean!

Instudyingthisbook,andlearningtherefromtheArtofCreativeVisualization,youare
enteringuponanewphaseinyourlife;aphaseinwhichyoucanlearnto
communicateproperlytoandwithyoursub-consciousmind.Youcanlearntogive
yoursub-consciousmindpositivedirectionsandhavethemobeyedbyitinorderto
getthingsdoneforyou.

AtthispointIbelieveIwillpartwithacoupleofbigOccultSecrets.BigOccultsecrets
thatyouwouldnevergetexceptfromsomesecretsocietyandthenonlyunderbig
oathsofmuchsecrecy;andyouwouldneverbeabletousethemforyourownbenefit
ortellthemtoanotherpersonsothatpersoncanhelpthemselves,ohHeavens!
Again,forheavenssake,usethesesecretsforyourbenefit,andthenforthebenefit
ofothers.

Firstbigsecret!YourINNERYOUISCONNECTEDALMOSTDIRECTLYWITH
THEINNERFORCESOFTHEPHYSICALCOSMOS!!!

Andthesecondbigsecret!THEINNERFORCESOFPHYSICALCOSMOSARE
THEEMOTIONS-FEELINGSOFGOD!

ThewordE-Motionmeansmoving(somethingmoving)MovementsontheInner
Planesarevibrationsofdifferentkindsandofdifferentforms.THESEINNERPLANE
VIBRATIONS,ASSOONASTHEYCOMEINCONTACTWITHYOURINNER
PLANESUBCONSCIOUSNESS,BECOMEVISIBLETOYOUASYOUR
EMOTIONS!

ANDTHECONVERSEISALSOMUCHMOREIMPORTANTLYTRUETOYOU.
YOURSUBCONSCIOUSNESSEMOTIONSGENERATEDBYYOUREACHOUT
ANDCONTACTTHESEINNERPLANEFORCESANDINFLUENCETHEMTO
YOURBENEFIT!

Nowwiththisimperfectandincompleteexplanationofthebasicfoundationofthis
CreativeVisualizationArtoutoftheway(ThereasonIusethewordsimperfectand
incompleteisthatmodestyforbidsmetoclaim,asothersdo,thatIhavegivenyou
thewholetruthandwholeTruthsofBe-ing.AllIhavegivenyouisenoughtheory-
knowledgetoenableyoutoproceedwithyourworkinthisArt)wecanproceed.

25
TheArtofCreativeVisualizationwouldbeaterrificallysimplematterifwecouldjust
talkourdesiredVisualizationsintophysicalexistance.Butthatsimplethingwe
cannotdo.Youcouldspendalifetimetalkingaboutwhatyouwantandstillnotget
onewordthrutothesub-mind.Talking,WordsmustbelinkedwithEMOTIONAL
FEELINGSINORDERTOWORK!YetwecannotTHINKorevenoperate-
communicateonthephysicalplanewithouttheuseofwordsanditisbyWORDSthat
theOUTERHASTOCOMMUNICATEWITHTHEINNER.

HoweverIamgladtobeabletoshowyouthatthruallthesecontradictionsbetween
wordsandemotionsandemotionsandwordsthereisapaththatdoesgorightthruit
all.ToexplainthispathIhaveinventedanameforit(apracticeIabhorredwhen
othersdiditandhereIamdoingitagain)ThenameIhaveinventedisTHE
BARRIER!

Imagineaplaceinsideyourmentalbeingwherethereexistsasortoffence.This
fence,orbarrier,separatesyourouterbeingfromyourinnerbeing,separatesyour
consciousmindfromyoursub-consciousmind.You,yourconsciousmind,isoutside
thebarrierandYOUyoursub-consciousmindisinsidethebarrier.(thisisnottoo
goodawayofexplainingitbutthisexplanationisonlytodescribeatheoryandthat
onlysoyourmindcanhavesomethingtograpplewithdontdemandtoomuchfrom
atheory,assoonasyougetusedtotheideayouwillnotusetheconception
anyhow).

ImaginethattheBarrierworksinthefollowingmannerWORDSCOMEUPTOTHE
BARRIERSTRIKETHEBARRIERSINKINTHEBARRIERANDTHEN
EMERGEONTHEOTHERSIDE,THEINNERSIDE,ASEMOTIONS!

CONVERSELYIMAGINEEMOTIONSCOMINGUPTOTHEINSIDEOFTHE
BARRIERHITTINGTHEBARRIERSINKINGINTOTHEBARRIERAND
EMERGINGONTHEOUTERSIDEASWORDS!

WHENYOUCANVISUALIZE-WORKTHISOPERATIONYOUHAVEMADEA
GREATADVANCEINTHEMASTERYOFTHEOCCULTARTS.

ThistheoryoftheBarriermaybeonlyaninventionofmymindtohelpyou
understandtheseimportantOccultoperations;butyoucanseeforyourselfthat
somethinglikethismustbesoinordertosealoffyourInnerBeingfromyourOuter
Being.IfthisBarrierdidnotexisttheleastlittlewordwouldraiseaperfecthellof
emotionsthatcouldnotbecontrolled;andifthebarrierdidnotexisttheleastlittle
emotionwouldraiseastormofwordsthatwouldbemeaninglesstoyouandall
others.

TheBarrierslowsdownbothofthesetransferactionsandallowsproperlivingto
proceedinahalfwayorderlymanner.Understandingoftheaboveinstructionsinthe
BarrierprocessenablesyoutodeliberatelycontroltheBarrieractions,goingand
coming,orasmightbesaidcontrolthetrafficbothways.Youcannowconsciously
linkyourwordswithemotionsandyouremotionswithwords.
26

OCCULT LAW NUMBER EIGHT.
LAW OF THE TREASURE CHART


TheOccultLawwewillstudyhereiscalledTheOccultLawoftheTreasureChart.

WewillnowconsideranothertoolwhichcanbeusedbyyouinyourCreative
Visualizationwork.ThisTreasureCharttoolisaratherwellknowndevicebeingan
applicationofsomeveryoldMagicalPrinciples.Ihavereasontobelievethatthe
picturesanddecorationsonEgyptiantombswereearlytreasurecharts.Assoonasa
royalchildwasborninEgyptatombwasimmediatelystartedforhim.Onthewallsof
thetombswerepaintedpicturesofhislifeuptohisdeathandthiswhilehewasstill
aninfant.Thesepicturesshowthechildashavingallthegoodthingsinliferightupto
hisdeathandevenbeyondthat!ThePicturesshowhimwinningallthewarsand
capturinglargenumbersofprisoners.InotherwordssettingupafinelifeforhimIN
ADVANCE.Thesepictureswerepaintedonthewallsofthetombandmadealive,
andpowerful,bytheMagicofthePriests.Inallcases,unlessthepriestswithdrew
theirmagicprotection,thesepicturespreservedhimthroughouthiswholelife,and
helivedthisprotectedpathhiswholephysicallife.

Stillearlier,inthehistoryofman,picturesofgameweredrawnontheinsidewallsof
caves.Thesepicturesshowedahunterkillingfoodgamesuccessfully,andbringingit
backforfood.ItcanbesaidthatTreasureChartsorMapsareoldestofmans
magicaldevicestohelphimthrulife.

AtthepresenttimeIfindthattheUnitypeopleareusingthismagictoolintheirwork.
ItseemsalittlestrangetofindtheUnitypeopleusingthismagicdevice,intheirwork,
asnoneoftheirotherteachingshaveanyconnectionwithMagic,thatIcanfind,
beingmostlyMetaphysical,Mentalteachings.Butbethatasitmaywecanbe
thankfulthattheMagicalTool,stillexists,andthatitsuseisopentousall.(Ijust
calledtheUnityofficeinthiscityandtheladytheretellsmethattheTreasureCharts
arestillusedintheirworkonlyshecalledthemTreasureMaps.Ifyoufeelsoinclined
getsomeoftheirmagazinesandseewhatadditionalthingstheyhavetosayabout
thetechniqueofthisMagicalTool.PerhapsyouwillfindadditionaldatathatIdonot
givewhichwillhelpyouinyourworkofgettingthebestoutofaTreasureChartfor
yourbenefit.IfitworksfortheUnitypeopleitshouldworkforyouasyouwillbeusing
additionalMagicalTechniquesthattheydonotuse.)

YouwillrecallthatintheearlierpartofthisbookItoldyouabouttheladyinLaJollaa
longtimeagowhohadtaughtaclassofpeoplethisTreasureChartsystemandhow
oneofherstudentshadmadeupachartforablondeandanotherstudentmadeupa
chartforabottleofwhiskey,andhowbothofthemgotwhattheywantedandit
scaredthewitsoutofthem.(thesestudentswerefarmoresensibleintheiraskings
thanmanyOccultstudentswhoaskfortheMoonwithafencearounditthefirsttime
theyuseaCreativeVisualizatiuontechnique)

TheTechniqueofpreparingandusingaTreasureChartisbasicallyrathersimple.
Thefirstthingtodoistogetalargesheetofpaperorcardboard,orsomeotherlarge
surfaceonwhichyoucanfastenthingssay,15x15orlarger.Thesurfaceofyour
chartshouldbekeptinasprivateaplaceaspossible.Thechartshouldnotbeina
locationwhereotherscanviewyourchartfreely;andyoushouldshowityourselfto
othersverysparingly,ifatall,andthenonlytothosewhoareincompletesympathy
withyouraimsinlife.Amanandwifeteammightmakeacharttogetherfortheir
27
mutualbenefitbutthatisabouttheonlyexceptiontothissecretrule.Soforyourchart
letitbeveryprivateandhidden.

Afteryouhaveselectedyourchartsurfaceandmounteditsomewhereawayfrom
pryingeyes,thefirstthingtodoistoplaceaboundarylinealongtheedgesofthe
chart.(why?)YouransweristoinvoketheLawofLimitationofcourse.Ithinkat
thispointIwilladdsomemorematerial

AsOccultstudentsyoushouldhavesomeknowledgeaboutplanes.TheInnerPlanes
aretreatedsomewhatmorefullyinmybookTheArtandPracticeofAstral
Projection.InthatbookyouwereshownhowtoentertheInnerPlanesandthus
becomefamiliarwiththemfirsthand.ButuntilyouarefamiliaryourselfwiththeInner
Planesyouwillhavetotakemywordforitnow.(Irespectfullysuggestthatifyoudo
nothavethebookTheArtandPracticeofAstralProjectionthatyougetacopyand
studyitthoroughly.ThereisalsomuchordinaryOccultKnowledgematerialinthere
whichyouwilluseinyourOccultWork,andOccultstudiesfortherestofyourlife.All
mybooksarewrittenforonepurposeonlyandthatpurposeistoHELPYOUHELP
YOURSELF.IhavesaidthisbeforeandImaysayitagainandIrepeatthisbecauseI
meanit)

Soplacingaborder-boundarylineonyourchartssurfacenotonlyplacesaphysical
boundarylinemarkonyourphysicalchartsbordersurfacebutalsoplacesanAstral
boundarylineontheAstralPlaneCounterpartontheInnerPlanes,wayuptothetop
ofCreation.Nowdoyouseewhyyoushouldplaceaboundarylimitationonyour
work?ForexampleIamtoldthatthedesignsofarugareallduplicatedontheAstral
PlaneanditseemslogicalthattheywouldiftheideaofCounterpartsistrue.In
Orientalcountries,wherethesethingsareautomaticallyknownorsensed,whena
rugisdesignedandwoven,breaksareleftinthepatternoftherugforany
elementals,whohappenedtogetintotheAstralpattern,toescapefromthedesignof
therug!!(thatisallIknowaboutit.Whytheelementalscannotgetoutofthedesign
sidewaysisbeyondmyken.Ihaveheardthattheycanmoveonlyinastraightline.
Doesntmakemuchsenseintheabsenceofpositiveknowledge.Maybetheyare
dumbasIhavealsoheard.)

Anyhow,placingaboundarylineonyourchartwilllimittheboundaryofyour
operations.ByplacingaboundaryontheCounterpartsofthepicturesthatyouputon
thecharttoexpressyourdesires.Rememberyourdesirepicturesareattachedtothe
realphysicalobject/thingsontheInnerPlanes,andthisattachmentisthebasic-why-
reasonyourchartwillworkandcanbeusedtobringyouthethingsyoudesire.

Aftertheforegoingpreparationsarefinishedyoucanthenstartyoursearchfor
desire-representing-pictures-materialtoplaceonthechart.WHATYOUARETO
LOOKFOR,ANDLOOKEVERYWHEREFOR,AREPICTURESTHATEMBODY
YOURDESIRES.

Wheredoyoufindthesepictures?Naturally,inourmoderncivilization,youwillfind
thesepicturesinMagazines,SalePamphlets,Brochures,IllustratedBooksandother
similarthings.Itisfortunate,foroursearch,thateverywellsoughtafterdesiredthing
inthislifeisrepresentedbysomekindofamagazineoftheTrade.

ForanexampleIfthethingsyoudesirearesomespecialkindofthingthenfindthe
Trademagazineforthethingyoudesire.Letussay,forexample,thatyouare
interestedinHorses.InwhichcaseyouwouldsecuretheTradeMagazinesforHorse
OwnersandinthosemagazinesyouwouldfindpicturesofHorseswhichpictures
wouldembodyyourdesires.WhatIwanttoemphasizeherenowisthatITISTHE
SEARCH,ANDRESEARCH,THATYOUDOTOFINDYOURBASICDESIRE-
28
OBJECTS-PICTURESTHATASSISTGREATLYININFLUENCINGYOURSUB-
MINDTOSTARTTHEINNERPLANECURRENTS-FORCESTOWORKINGTO
BRINGABOUTYOURDESIRES.Sowhenyoufindapictureorillustrationthatgives
youathrill,arousesdesireinyou,thenclipitoutandfastenittoyourchart.Ifound
thatthebestwaytofastenthesecutoutpicturestothechartwaswithasmallpiece
ofscotchtape.Useyourownpersonality-imagination-desires-ideas-emotions,and
everythingbasicallyYou,inmakingupyourchart.

HereareafewbasicdirectionsyoucanuseonyourchartasfollowsIfyoufeellike
followinganyoftheseideasyoucandosobutifyoudontfeellikeitthendoasyou
please.Youcanplace,atthetopofthechart,apictureofsomethinginspirational,
andplace,atthebottomofthechart,apictureofsomethingthatexpressesthanks.
Youmight,ingeneral,saythatbigthingsshouldgotothetopofthechartandsmaller
thingsneartothebottomofthechart.Youmightconsiderthebottomofthechartas
nearestthepresenttimeandthetopofthechartasfarthestawayfromneartime.
Youmightconsidertheleftsideofthechartaswherethingsmightcomefromandthe
rightsideasthethingsalreadyarrivedorneararrival.NowagainIwanttosayifyou
dontlikeanyoftheseideasthenfollowyourownideasaswhatyoufeelmightbe
rightforyouinaspecialway.

Thereforeselectpicturesofthethingsyoudesireandplacethemonthechart
accordinglybutdoremembertheSphereofAvailability.Alsokeepinthebackground
ofyourmindtheotherCreativeVisualizationLawsthatyouhavelearnedabout.

Now,inthecaseoftheTreasurechart,itwonthurttoputonthechart,somewhere,
picturesoffinethings,picturesofCadillacs,RollsRoyces,Jewels,fineHomesand
EstatesSOTHATYOUCANHAVESOMETHINGTOLOOKAT,ANDADMIRE,AND
AROUSEYOUREMOTIONALDESIRESFORBETTERTHINGS,ANDTO
DEVELOPYOURTASTEFORBETTERTHINGS,ANDTOGETINTHEHABITOF
THINKINGOFTHEBESTTHINGSONLYATALLTIMES.

Thinkingofthebestthingsintheworldisnotgoingtohurtyouaslongasyousee
thingsinthecorrectperspective.Callthissectionyourdreamsection,oradream
boat,oranythinglikethataslongasyoudounderstandwhatitis.REMEMBER
THATALLTHEFINESTTHINGSINTHEWORLDCANCOMETOYOUBUTTHEY
HAVETOCOMETHRUTHELAWSOFTHEPHYSICALPLANE;USUALLYIN
EXCHANGEFORMONEYWHICHMONEYCOMESTOYOUINSOMEWAY.ONE
THINGISCERTAINTHESETHINGSHAVETOCOMETOYOUTHRUAN
INCREASEDSPHEREOFAVAILABILITYBUTYOUHAVETOGIVETHIS
INCREASEDSPHEREOFAVAILABILITYACHANCETOGROW.TIMETOBUILD
UP.

IhavefoundthateverybodysetsuphischartdifferentlysothisisthereasonIam
givingyousomuchleewaytofollowyourownpersonalitypatterninthese
instructions.Themainideaistosearchoutandhuntforpicturesoftheobjectsof
yourdesires.Itisthehuntingoutandthesearchingoutoftheseembodieddesires
thatstiryourInnerBeingtoactivityfirst,andthenitistheconstantreviewingofthese
picturesafterwardsthatreinforcesandstepsupInnerPlaneactivitiestobringyouthe
thingsyoudesire.

Viewthecharteveryday.Inafewweekstimeyoushouldbeabletorecallthe
pictures-imagestomemoryveryeasily.Onceyourecallthesepicturesyoushouldbe
abletomanipulatethemabouttosuityourself.

ReferringagaintomybookTheArtandPracticeofAstralProjection,thelastsection
ofthisbookiscalledTheSymbolMethodofProjection.Afteryouhavestudiedthis
29
sectionIcallyourattentiontothefactthatyoucanusethissameprojectionmethod
toprojectyourselfintothesepicturesonyourTreasurechart.Youwillfindthisa
curiousandrewardingexperience.Thistypeofprojectioncanbeofgreatassistance
toyouinstirringyourInnerBeingintogreateractivityingettingyouwhatyouwant.

Ophielhasplanstowriteanotherbookassoonashecandealingwiththesubjectof
projectingyourconsciousnessintothesepicturesmorefullyandingreaterdetail;but
moreparticularlyprojectingintothoseotherkindsofpicturescalledTALISMANS.

HoweverTALISMANSaremorepowerfulinstrumentsthanthosepicture-symbolsyou
aretouseintheTreasurechartandtheseTALISMANSprojectionshavetobe
treateddifferently.Ophielsuggeststhatyoulookforthisbookandgetitwhenit
comesoutbutinthemeanwhilegetOphielsotherbookandstudyitanduseit.The
bookisTheArtandPracticeofAstralProjectionwhichcontainsmuchOccult
dynamite.Ophielsonlyobjectinwritingbooksistohelpyouandtogiveyouthe
meansofdevelopingyourHiddenPowersforyourbenefitfirst,and,then,whenyou
areallset,tohelpothers.DontworryaboutOphielmakingtoomuchmoneyfromthe
saleofthesebooksfortworeasons1.EverycentOphielgetsfromthebooksgoes
backintotheworkand2.Allthemoneyhecouldgetfromthesaleofthesebooks
wouldneverpayOphielforwhathehaslostandthetimehespentingettingreadyto
beabletowritethesebooks.Sogotoit.

30
OCCULT LAW NUMBER NINE.
LAW OF E-MOTION


ThewordEmotioncomesfromthesamerootasthewordMOVING,ANDE-MOTION
ISALIVE.

ThetruthisthatthereseemstobeevidencethatanEMOTIONisactuallyapartof
yourBEING.Therealyou.

Wecantgotoofarintopsychologyhere,andIneverdidfullyunderstandthe
psychologicalconnectionmyself,butitdoesappearthatastrongEmotionisreallya
deeplyconnectedpartofyouregoinsomeway.Forexampleifyoushouldhavea
strongEmotion,thatisrepellenttoyou,forsomereason,andyourejectit,splititoff
fromyourpersonality,youhavearealdemoninthebackgroundofyourmindthatis
raisingcainwithyoutogetbackinto-withyou.

Yearsago,whenIwasfirststudyingtheOccult,therewasmuchglibtalkinOccult
circlesaboutathingcalledtheDwellerontheThreshold.Nooneknewwhatitwas
exactlybutallspokeofitwithbatedbreathandwithgreatfear.Iwasneverableto
findoutexactlywhatitisandastimepassedIforgotaboutitandheardnomore
aboutituntilIstartedpracticingOccultworks.

WhenIhadcompletedthepreliminaryworkthatleduptothewritingofthebookThe
ArtandPracticeofAstralProjectionIhad,bythattime,settledmanyoftheconflicts
thatisIhadwelcomedbackintomemostofthethingsthatIhadformerlyrejected;
andthereforewhenIstartedtoproject,bythedifferentsystems,Iencounteredno
dwelleronmyThreshold.Ohtherewereafewthingsasdescribedinthebook;those
noisesandvariousimagescametomebutIrecognisedthemfordreamprojected
imagesandassoonasIstartedtoworkwiththemtheydisappeared,(whichwas
whenItookthembackintome)althoughIwilladmitthatIdidnotrecognisethemat
thetimeasprojectionsofme,whichIhadformerlyrejected,andIamjustnow
connectingthesedifferentthingsupsoIunderstandthem,andtheirrelationtoOccult
work.

IcannotgiveacourseinpsychologyasIamnotqualifiedtodothat;norcouldIdoit,
longdistance,inthislittlebook.ButinconsideringthisOccultLawofE-motionsIam
gettingclosetothisThresholdBusiness.ThisThresholdBusinessiswherethe
EMOTIONScomein.Ofcourse,inreferringtoCreativeVisualizationwork,Iam
referringtoNewEmotionsandnottooldonessuchasyourprojected-rejected
projectionswouldbe.IamconcernedhereleasttheOLDEMOTIONSshould
interferewiththeNEWEMOTIONS.

Nowforheavenssakedontbesuggestible,andyieldtoanysuggestions,fromwhat
Ihavesaidsofarandbeafraidofthiswork.Weprobablyallhavetheserejected
projections,tosomedegree,inourlives.WILLYOUDOTHIS?IFYOUFEELANY
DEEPSEATEDEMOTIONALUPHEAVALWHENYOUSTARTTODOTHISWORK,
ORENCOUNTERANUPHEAVALLATERON,YOUFEELTHATYOUCANNOT
HANDLETHENYOUHADBETTERSTOPOCCULTWORKANDGOTOA
PSYCHOLOGISTANDASKFORASSISTANCEASYOUMIGHTHAVESERIOUS
REPRESSIONSTHATYOUARECONTACTING.Thisdoesnothappenveryoften
and,infact,IcannotthinkofasinglecasethatIknowofpersonallybutsincethere
aresomanyscrew-ballsintheworldalwaysholleringaboutthedangersoftheOccult
Iwouldratherwarnyouthiswaythansaynothing.

31
ThewholeideaofdoingOccultworkistoclearup,orresolve,yourrejectedpartsof
yourpersonalityandgetthembackintoyourselfandthengoaheadtogreaterthings.
(asIsaidbeforeIdontunderstandtherejectionideaandneitherdoesanyoneelse
butthemainideaistogetclearedupand,nomatterhowmanydifferentwaysthey
sayit,thatisit.)Converselyifyoufeelonlyamildupheavalthenproceedtotryand
handleityourselfandgoonwithyourwork.Sotoproceed

OnemethodofusingE-motions,oftenadvocatedbyformerCreativeVisualization
teachersofthenaturaltype,wastoinstructthestudenttoFEEL(withouttellinghim
howtofeel)thathealreadyhadthethingdesired,andwasusingit,ANDhewould
getitinduetime.

Thisideaseemstohaveoriginallybeenbasedupononeofthefewgenuineportions
ofthenewtestament.

ThepurportedJesusissupposedtohavesaidWhateverthingsyouwantbelieve
thatyouhavethemalreadyandyouwillhavethem.(ThereforeIsayuntoyouwhat
thingssoeveryedesire,whenyepray,believeyehavereceivedthemandyeshall
havethemMARK11:23ERV.)

Ofcoursetheabovedirectionsaregreatlysimplifiedandaredirectedtothosewho
areabletoworktheCreativeVisualizationLawsnaturally.Younowknow,fromyour
readingstudyofthisbook,thattherearemanyotherfactors-lawstobetakeninto
considerationtomakeCreativeVisualizationsworkthantheuseofjustonesingle
Law.HowevertheseotherFactor-Lawsyounowalreadyknowandknowingthemyou
canusethemalltogetherproperlyandgetthebestreinforceduseoutofallofthem.

HowthendoyougoaboutusingtheE-motionTechniqueLawfully?(Thispart
properlybelongsinthesectionofpracticesbutIwillincludesomeofitherenowand
givesomemorelateroninthesectionofpractices)Wecangobacktothecaseof
theyoungParisragpickerashisstoryisthemostsimpletoillustratetheprinciple
whichisthesameinallcases.Yourememberthatwhattheyoungmanfirstworked
forwasasmallpieceofcarpettoputonthefloorbesidehisbedtoprotecthisbare
feetfromthecoldstonefloorwhenhegotupinthemorning.Heknewwhatthecold
stonefloorfeltlikesohedidnothavetoimagethefeelofTHAT.Thereforefromthe
standpointoftheOccultLawofE-motionasappliedtotheragpicker,havingallowed
foralltheotherLaws,theuseoftheLawofE-motionwouldconsist,inthissimple
case,oftheyoungmanFEELINGHISFEETALREADYPROTECTEDBYTHERUG
UNDERHISFEET.ANDALLOWINGTHATFEELINGTOGENERATETHE
FEELINGEMOTIONOFPLEASUREANDSATISFACTION.IWILLREPEATTHE
FEELINGOFPLEASUREOFTHEDESIREFULFILLEDISTOGENERATETHE
EMOTIONOFHAPPINESSANDSATISFACTION!

ThereismoretothisE-motionworkhowever.LetusconsiderE-motionintermsof
anotherkindofanemotionweareallfamiliarwith.LetusconsidertheEMOTION-
CALLEDDESIRE.

Awould-be-occult-teacheroncetoldmethatthisworddesiremeantde-of,sire-
Father,sothewordmeant,ofthefather.Thisisnottrue,etymologicallyspeakingas
aglanceatthedictionarywillshow,buttheideaisnotabadonetoconsider.

IthasbeenarguedthatalldesiresareBASICcomefromabasiccausewhichcan
beequatedwithacentralDivinityidea.ToextendthisideafartherthebasicDivinity
desiresallgoodforallanditimplantsthede-sireinallbeingstocausethemtoreach
outforthisgoodthingtheDivinityhasalreadycreatedforalltouseandtohave.
Certainlywithoutdesirewewouldalldonothing.
32

Itrustyouseethenthatdesireisanemotiongreatlytobedesired,tobecultivated,
anddevelopedandpracticed.

Naturallythebestandproperpracticeofdesireistolinkittosomething.Something
youwant.Youhaveideasallthetimeastothingsyouwant,circumstancestobe
broughtabout.Andthisiswhatyouhavebeenstudyinginthisbook.Useyour
TreasureCharttothelimit.Loaditwithpicturesofthingsyoudesireandfeastyour
eyesonthem.Everythinghelps.Theskyisthelimit.Gotoit.


33
OCCULT LAW NUMBER TEN.
LAW OF THE REVERSAL OF THE PLANES


ThisLawofReversalisofsomeimportance,enoughthatyoushouldknowaboutit;
butinactualpractice-useitwoulddolittlemorethanperplexyouasyounotethe
effectsofreversal,asyougothrutheplanes;ifyouareviewingthemclairvoyantly.
Youmighthaveflashesofthiswhileyouarefollowingtheotherdirectionsasgivenin
thisbook.

Incaseyoudohaveaclairvoyantflashandnoticesomethinglikeanameorasign
postonsomethingyouwillnoticethatthewordsarereversedasinamirror.Thisis
abouttheonlytimeyouwillnoticethereversalasthesceneisnotalwayssoclear.A
reversedstreet,forexample,looksverymuchlikeanordinarystreetandittakes
someexaminationtonoticethereversalofit,whichcloseexaminationyoudonot
usuallygiveadreamscene.

Thenagaininthisclairvoyantflashyouwillprobablybepassingthruaplaneandby
thetime(notimeoverthere)youstoptoseewhythesignisreversedyouwillbe
thruthatplaneandinthenextplanethewordswillberightagain.

NowthereasonforthisisInrelationtoourplanethenextinnerplaneisreversedto
thisone!!Thenthenextinnerplaneisreversedtothatone!!Andsoondowntothe
endoftheplanesasfarasthephysicalcosmosisconcerned!Ortosayitinamore
simpleway,eachinnerplaneisinsideouttoeachother.WHATISCOMINGHERE
ISGOINGTHERE!

Hereisasimpleillustration,rathertoosimpleinaway,buttrytounderstandit
thoroughly.Letus,forexample,saythatonourphysicalplaneweplantogofora
picnic.Asyouwellknowwewouldstartatthebeginningherelike1-2-3-4etc.We
planthepicnic,webuythefoodforthepicnic,wecookthefood,wethenprepareitin
otherways,wepackthefoodinbaskets,wetraveltothepicnicgrounds,wecarryon
thereallday,andthencomebackhome.

NowifthereweresuchthingsaspicnicsontheEthericPlane,theplanenexttothis
plane,togoonapicnicWEWOULDCOMEHOMEFIRST,SPENDTHEDAYAT
THEPICNICGROUNDS,PACKTHEFOODINBASKETS,PREPARETHEFOOD
INOTHERWAYS,WEWOULDCOOKTHEFOOD,WEWOULDBUYTHEFOOD
FORTHEPICNIC,WEWOULDPLANTHEPICNIC,ETC:YouseeIcanhardly
makesenseinwritingthisdownandyetthatisthewaytheplanenexttothisplane
functions.

InthesectionprevioustothisoneItoldyouthatinoneofthefewgenuineportionsof
thenewtestamentJesusissupposedtohavesaidWhateverthingsyouwant
believethatyouhavethemalreadyandyouwillhavethem.Now,inviewofthis
reversalprocesscanyouseewhyyoustartoutgettingsomethingbyFEELINGTHAT
YOUALREADYHAVEIT?Bydoingyourcreativevisualizationworkthiswayyou
areworkingwiththeLawsoftheInnerplanesandnotagainstthem.

ItcanbearguedthatTHINKINGbelongstothislowerphysicalplaneandFEELING-
EMOTIONSbelongstothenextplane(whateveryouaregoingtonametheplanes)
SonowItrustyouseehowyouusethinkingandfeelingtogethertogetwhatyou
want.

34
WehavenowcometotheendofthesectionsdevotedtothestudyoftheLawsofthe
ArtofCreativeVisualization.

Wenowcometothelastsectionofthebook.InthefirstpartofthisbookIdealtwith
theSubjectofCreativeVisualization.ThenIintroducedtendifferentdivisions-factors
whichIsaidwereOccultLawsandpracticesthatweredirectlyconnectedwiththeArt
ofCreativeVisualization.IfirstoutlinedtheseLawsandpracticesandthendescribed
themlateringreaterdetail.AlthoughIhadsaidthatIwouldgivethepracticesof
theseLawsinthelatterpartofthebookIdidgivesomepracticesinthefirstpart.In
ordertogofurtherintheuse-practices-illustrationsoftheseLawsIamgoingtohave
torepeatmany/someofthethingsIpartlycoveredbefore.

Myfriendshaveaccusedmeofrepeatingmyself,andIknowthatIdidrepeatmyself
inmylastbook(Iwassortofexpectingthebookreviewstosaysomethingaboutit
buttheydidntthankheavens!)Icanandwillsay,asIsaidbefore,thattheOccultis
averydifficultsubjectandnotfoolproofeasytoteachunderanycircumstances,
moreespeciallywhenthestudentisworkingalone,asyouare,whenworkingfroma
booklikethis.Iamnotwritinggloriousliteraturethatwillgodowninhistoryasperfect
proseexamplesforalltoreadandcopy.No.Iamwritingdownverydifficultmaterial
ofaverydifficultsubjectandIfeelthatImustputdownOccultKnowledgeandOccult
Practicesasexactlyasitispossibletodo,andinasclearlanguageasitispossible
todo.AndwhenIthinkthatthepresentationofsomeobtusesubject-pointisnottoo
clearthefirsttimeIwroteitdown,Irepeatthematerialinanotherformoranother
way,oninthesamewayuntilIfeelfairlycertainthatthematerialisunderstood
and/orcouldbeunderstoodbyrepetitivereadingonthepartofthestudent;whichis
whatIexpecthimtodo,andtodoasmanytimesasisnecessarytoMASTERIT.(At
leastheshoulddoitifhewantstounderstandandusetheOccultArtinaneffective
mannerforthedevelopmentofhistrueInnerPowers;tohelphimselfthruthishard
physicallifeandmakethisphysicallifeeasierforhim)

ThematerialthatIampresentinginthisbookhasneverbeengivenoutbeforeinthis
waytomyknowledge.WhentheoutlinesofthismaterialwereshowntosomeOccult
publishersIwasurgedtowritethreeorfourbooks,anddivideupthematerialamong
thosebooks,andnotgiveoutsomuchnewandvaluablematerial,andTechniques,
inonebook.HoweverIhavemuchmoreOccultMaterialonhandnowthanIwillever
beabletouseinmylifetimeandsoyougetallofitinthisonebookasyoualways
will.Iwillholdnothingback.

IwillnowgooversomeoftheTenLawsagainandgiveadditionalmaterialand
Practices.

TheOccultLawofPhysicalVisualization.Forthosewhowerenotgiftedwithnatural
visualizationpowers,andIcertainlywasnot,thepresentationofthisLaw,andits
practices,isaGodSend.Certainlytheabilitytomentallyvisualizeisabsolutely
necessaryforCreativeVisualizationandyetnotoneteacher,thatIknowof,has
treatedthismatterwiththeimportanceitdeserves,letalonegivenanydirectionsas
tohowtodeveloptheVisualizationAbility.Ihadtoworkthiswholevisualization
matteroutmyselffromthegroundup.Ifoundthattherewereseveralwaysthatyour
mentalimagemakingcapabilitycouldbeincreased.Ihavedevelopedseveral
differentmethodsofdoingthis.

ThesecondLawIcalledtheOccultLawTechniqueofPhysicalVisualization.One
andtwoLawsareverycloselyrelatedbutIdecidedtodividethemintotwoLaws
becausethewholematterofVisualizationhadneverbeentreatedbefore,andthe
importanceofclear,mentalpictures,neveremphasizedinthiswaybefore.Foryour
firstworkinpracticeofmentalvisualizationsyouweregivenaritualtolearnand
35
practicebothmentallyandphysically.Thisritualisveryoldandverypotentwhenitis
donerightbyastudent.Ihopeyoudidnotneglectyourworkonthatritual.Igavethis
toyouinthefirstpartofthebooksoyouwouldhavesomethingtobedoingwhileyou
werestudyingtherestofthebook.Ifyoufollowedmydirectionsanddidtheritual
youshouldhavedevelopedsomemarkedvisualizationabilitybynow.Youshouldbe
abletoworkthewholeritualwhileseated,thatisyoushouldbeabletorunoverthe
wholeritualinyourmindsimaginationeye,makingallthemotionsandmakingallthe
movementsbackandforthinyourimagination.Ifyouhaventdoneitthendontget
discouragedbutstarttodoitwhenyoufeellikeit.

NowIamgoingtogiveyousomemorevisualizationwork-practices.

Ontheinsidecoversofthisbookyouwillfind,inoutline,foursymbols.Elsewherein
thisbookyouwillfindthesesamefoursymbolsincolor.Youcancutoutthese
coloredsymbolsandpastethemtocardboard,foryourfirstworkwiththesesymbols.
Ifyougetthisbooksecondhandandthecoloredsymbolsaregoneyouwillfind
directionswiththeoutlinedsymbolsastohowtomakethemwithacompassand
rulerandinkpen.

Tokeepupyourworkwiththesesymbolsyoushouldmakethemyourself,firston
paperthenlateronparchment.Keepthemveryprivate.Keepthemprotectedsothat
otherpeoplewillnotseethemorhaveachancetohandlethem.Itshouldcome
about,asyoucontinuetouseyourownprivatesymbols,thatthesymbolsshould
increaseinpowerbecomingsuccessivelychargedwithyourmagnetismandthe
magnetismoftheforcesyouinvoke.Fornowyoucanusethecoloredsymbolsgiven
inthebookasvisualizationobjects,todevelopyourvisualizationabilityonlyandnot
fortheotherpurposes,themoreadvancedwork.(Someadditionalusesweregiven
forthesesymbolsinmybookArtandPracticeofAstralProjectionandIreferyouto
thatbookforworkofanadvancednature)

Theuseofthesymbolsforvisualization-practice-development-workisasfollowsIn
startingtheworkeachtimeIurgeyoutoworktheritualfirst,probablyphysicallyas
youaregoingtodotheotherworkmentally,andthephysicalritualwillserveasa
goodbalanceexercise.Ifyouhavetimetodotheritualdoit,andifyoudonothave
timedonotdoit,butdonotfeelguiltyifyoudontdoitallthetime.

Startyourworkbymakingyourselfcomfortable.Useatableandchairofconvenient
size.Youcanhavesomesoftmusicplayingbutitshouldbedefinitelysoftandnon-
stimulating,soothingandsoft.PlacetheYellow-square-blue-bordercard,TheCardof
theElementofEarth,beforeyouwithagoodlightfallingonthecardfrombehindif
possible.Lookatthecardquietly.Donotstrainorforceyoureyesinanywayshape
orform.Thefirstdaylookatthecardforaboutthreeminutesandthengradually
increasethetimetofiveminutesbutonlyonetimeaday.Ifyoufeelanystrainskipa
dayortwo.

Whenthetimeintervalisovercloseyoureyesandyouwillsee,onyourinnervision,
aduplicateimageofthesymbolincomplementarycolors.Watchthisimagequietly
andmakenomentalefforttointerferewithit.Itwillgrowstrongandthenfadeaway,
thenreappearagaineachtimeweaker.Watchituntilitisgone.Donotforceany
actionagainsttheimage,justwatchtheimagefadeaway.

Repeatthisworkwithallthesymbols,eachinturnforaweekeach,butdonotput
anypressureonyourself.

Afteryouhavedonethisworkforsomeweeksthentrytobringtheimagebackinto
yourmemory,yourmindseye.Iamsureyouwillbepleasedtodiscoverthatinabout
36
twoorthreeweeksofworkyouwillbeabletobringtheimagesbackinyour
imaginationvisioneasilyandincolor!

Whenyoureachthisresultyouwillknowthatyoucanvisualizeproperlyifyougo
aboutitright.AllthatyouhavetodoistoLOOKATWHATYOUWANTTO
VISUALIZELONGENOUGHTOGETITFIXEDINYOURMEMORY.(Thatisnot
whatreallyhappens,youdosomethingquitedifferentthanmerelylearntorecall-
visualizebyjustlookinglongenough.ThelookingaffectstheInnerPlaneforcesbut
fornowallyouhavetoknowishowtodoit.TheOccultreasonsforthisbelongto
advancedwork)

Youcannowpracticelookingatpictures,ortherealthings,ofthingsthatyouwant
usingthesametechniqueasgivenabove.YouhavebeentoldaboutTreasureCharts
anditisintheuseofthesechartsthatyoucanpracticeyourvisualizationwork
extensivelyandprofitably.Nothingistruerthantheoldsayingpracticemakes
perfect.Atleasthere.

NowletusconsiderthepresentationoftheconceptcalledTheSphereofAvailability.
ThisconceptopenedupanentirelynewdimensiontoCreativeVisualizationwork.
HeretoforetherawassumptionofCreativeVisualizationwasthatanythingwould
workifyouvisualizedforitorthoughtaboutitlongenoughandhardenoughAND
THISISTRUEBUTWITHDIFFERENTPEOPLETHECREATIVEPROCESS
WORKEDDIFFERENTLYSOMETIMESITWORKEDONEWAYAND
SOMETIMESANOTHERBUTITSEEMEDTOWORKFORDIFFERENTPEOPLE
INDIFFERENTWAYSATDIFFERENTTIMES!!

Sometimesitseemednottoworkatall.Othertimeswithsomepeopletherewouldbe
longdelays.Forotherpeopleshorttimeintervalswastherule.Anyofuswhohave
triedthesemethodsknowwhatIamtalkingabout.Andyetforsomekindofan
explanationfortheerraticbehavioroftheVisualizationLawtherewasnoonetoturn
to.TheNewThoughtteachers,whousedthisLaw,considereditblasphemyto
question,inanyway,anyoftheNewThoughtmethods;whichattitudemadeitvery
hardtogetareasonableanalysisofCreativeVisualizationanditslimitations;oreven
toworkoutsomekindofanOperatingTechniquetoexplainwhy,whenitdidnot
work.ThefactsseemedtobethatmanystudentsfoundtheCreativeVisualization
Methodsdidnotworkforthem,nomatterwhattheydid.

AfterIdiscoveredthisSphereofAvailabilityconceptIwasabletoresolvemanyof
theformerdifficultiesthatstudentshadhadwithCreativeVisualizationMethods.The
simplenon-occultansweristhatallpeoplearedifferentand,obviously,whatworks
foronedoesnotalwaysworkforanother.Peoplearenotmassproducedsothatone
partofapersonfitsintoanotherpersonexactlyallthetime;andthisismorethantrue
ofthelivesandexperiencesthatmakeuppeopleslives.Inspiteofallplatitudesto
thecontrarynotwithstandingALLMENARENOTCREATEDEQUAL.Everymans
lifeandresourcesaredifferentfromallotherlivesandresources.

Sothismeansthateachstudentsapproachtosecuringgoodresultsbymeansof
CreativeVisualizationhastobedifferent.Wemightgetmuchbetterresultswith
CreativeVisualizationMethodsifwewereallasdestituteastheParisragpicker.The
Parisragpickerwassodestitutethatheknewexactlywhathewantedbecausehe
neededathinglikeasmallpieceofcarpet!Andstartingfromthatexactneedhe
wasabletobuildup,stepbystep,aSphereofAvailabilitythat,intheend,wasable
tosupplyhimwithatremendousamountofmaterialthings.Ihopeyouwillreadthe
aboveoveruntilyouunderstanditcompletely.

37
NowwecometoyouandIandourworkwithCreativeVisualization.Aswearenot
thesameastheParisragpickerinthemannerofourresourcesOURPROBLEMIS
MUCHGREATERTHANHISWAS!HeKnewexactlywherehestoodandwedonot
knowexactlywherewestand.MostallofushaveSOMETHING.Isaidbeforethat
mostofusweremiddleclassalthoughthereisalotofargumentastowhatthat
means.Imeanthatweareneitherrichnorpoorbutallthewayfromfair-offto
affluent.IFYOUARENORMALTHENYOUWANTTOBETTERYOURSELF,THAT
ISBETTERYOURMATERIALCONDITIONS.Tomanyofushavingonlyalittleis
almostasbadashavingnothing.

Yourproblemthenisdifficultbutitisnotinsurmountable.Usingtheinformation
alreadygivenyoucanrestateyourpresentprobleminthiswayYOURPRESENT
SPHEREOFAVAILABILITYISSTATIC.YOUWISHTOINCREASEYOUR
SPHEREOFAVAILABILITYSOTHATITWILLGROWTOSUPPLYYOUWITH
THETHINGSTHATYOUNOWTHINKARENECESSARYFORYOURHAPPINESS
ANDPHYSICALWELLBEING.

Sotheproblem,nowrestated,becomesthisYOUARETOFINDTHEEXACT
POINTINANDFROMWHICHYOUARETOCONSTRUCT-ORGANIZEYOUR
WORK-ONYOURPRESENTSPHEREOFAVAILABILITYandthispointisJUST
SHORTOFTHISSIDEOFYOURFIRSTDESIREDBUILTUPOBJECTIVE.

InordertodothisthenyoumustfindoutexactlyhowyourpresentSphereof
Availabilitystands.YoumustsizeupyourpresentSphereofAvailability,inahard
headedmanner,andnotfoolyourselfbywishfulthinkinginanyway.Youaregoingto
havetostartwithyourpresentSphereofAvailabilityandBUILDITUPTOTHE
POINTWHEREITWILLSUPPLYYOUWITHTHETHINGSTHATYOUWANT.

Beforeyoucanstartthisworkthentherearetwothingsthatyouhavetoknowand
do.Thefirstthingis,youhavetoKNOWexactlywhatitisyouwanttodowithyour
lifeinthefuture,whatyouWANTTOHAPPENTOYOUfortherestofyourlife.At
leastinageneralwayifnotanexactway.Trywritingitalldownasbestyoucan.

Nowthatyouhavegotthiswrittendownand,asyoulookatit,youaretounderstand
thatWHATYOUWANTHASTOCOMETOYOUTHRUYOURSPHEREOF
AVAILABILITY.SonowyoutakealonghardlookatyourpresentSphereof
Availability.

YourworknowbecomessopersonalthatIcannotadviseyouanymoreaboutit.Iwill
havetoleaveituptoyouandyourexaminationtoshowyouwhereyoustand.Ifyou
needadviceyoucancontactmethrutheaddressgiveninthisbookandIwillattempt
toassistyouinanywaythatIcan.Butfirsttryandmakesomekindofanappraisal
yourself.

IcangiveyouafewexamplesasanillustrationLetussaythatyourappraisalhas
convincedyouthat,fortheimmediatetimebeing,YOURJOBISYOURSPHEREOF
AVAILABILITY.Obviouslytosupplyyouwiththethingsyouhaveoutlinedasyour
desiredobjectsinlifeYOURSPHEREOFAVAILABILITYHASTOBEINCREASED.
Makeacloseexaminationofyourjob.IknowthisisatritesayingBUTAREYOU
REALLYPUTTINGOUTAGOODJOB?AREYOUDOINGTHEVERYBESTYOU
CANONYOURJOB?Aslongasyouhave,forthepurposesofthisexample,decided
thatyourjobisyourpresentSphereofAvailabilitythenimprovementofthissource
supplyISTHESTARTofyourenlargementofyoursourceofsupply.

38
AsIsaidyourworkwithyourlifeandyourresourcesnowbecomessopersonalthatI
cannottreatitfurtherhere.ContactmeifyouneedmeandIwillhelptothebestof
myabilitytodoso.

Letusnowconsiderthe5
th
LawtheOccultLawofLimitation.

SomeofthepracticesconnectedwithmanyoftheseOccultLawsarelittlemorethan
gooduseofcommonsense,coupledwithsomeunderstandingofthenatureofthe
InnerPlanes.ThemainideaweallseemtogetabouttheInnerPlanesisthatthey
arefreeofthelimitationsofthisPhysicalPlaneandthatistruebutthatfreedom
pertainsonlytotheInnerPlanesandassoonastheseforcesareGROUNDED
ONTOTHISPLANETHEYTHENBECOMESUBJECTTOTHISPLANESLAWS
ANDTHATISWHATWEWANT.

SomeideasabouttheactionsoftheForcesoftheInnerPlanescanbegainedfrom
thefollowingwordsofanOccultwriteroftheturnofthecentury.Ihaveinmy
possessionabookwrittenbyArthurEdwardWaiteprintedinLondonin1898.Inthe
openingchapterofhisbookMr.WaitemakesthefollowingstatementabouttheInner
Planes,but,inaratherjocularmood(donottakethistooseriously)There(inthe
InnerPlanes)allparadoxesseemtoobtainactually,contradictionslogicallyexist,the
effectisgreaterthanthecause,andtheshadowmorethanthesubstance.Therein
thevisiblemeltsintotheunseen,theinvisibleismanifestedopenly,motionfrom
placetoplaceisaccomplishedwithouttraversingtheinterveningdistance,matter
passesthroughmatter.Theretwostraightlinesmayencloseaspace;spacehasa
fourthdimension,andfurtherpossibilitiesbeyondit;withoutmetaphorandwithout
evasion,thecircleismathematicallysquared.Therelifeisprolonged,youthrenewed,
physicalimmortalitysecured.Thereearthbecomesgoldandgoldearth.Therewords
andwishespossesscreativepower,thoughtsarethings,desirerealizesitsobject
therethehierarchiesofextra-mundaneintelligencearewithineasycommunication,
-TheretheLawofContinuityissuspendedbytheinterferenceofthehigherLawof
Fantasia.

AsIsaidMr.Waitewasspeakingratherjokinglybuttheabovestatementsdogive
someideaofthedifferencesthatareconsideredtobesobetweentheInnerPlanes
andthisone.

ForthepurposesofyourworkinCreativeVisualizationthemainideaforyouto
rememberisthatInnerPlaneforcesarenotsubjecttoanykindoflowerphysical
planeformofconfinementuntil,THEYAREGROUNDEDINSOMEWAY.Once
groundedinandonthephysicalplanetheyarethenconfinedandcribbedsoyoucan
handlethem.

IntheMentalMagictypeofworkyouwillbedoingyoucaneasilygathertheInner
PlaneForcesbuttheyflyoffinalldirectionsatoncejustaseasily.Howeverthereisa
wayyoucanholdthem.Forthepurposesofthesimpleworkyouaredoingitwillbe
sufficientifyouconducttheseforcesintoaFORMandtheFORMwillbeYOUR
VISUALIZEDPICTUREOBJECTFORM.

OrifyouwillmakeadeclarationbeforestartingyourCreativeVisualizationworkitwill
usuallybesufficienttobindtheforcestotheextentoftheparticularoperationyouare
performing.Trytogetintothehabitofwritingdownbeforehandwhatyouwantto
accomplishandputadefiniteendtoeachseparatesectionoftheworkyouaredoing.
DonotrunallyourCreativeVisualizationworktogetherwithnoendinsight.Splitup
yourdesires-workinsectionsandworktogeteachsectiondoneatatime,
completingeachsectionandclosingoffthatsection.Theseprocedureswillactvery
effectivelyasbindersoftheInnerPlaneforcesthatyoucaptureforyourwork.
39

KeepinmindthestoriesItoldyouaboutmiserswhogotmoneystartedtowardsthem
andthencouldnotspendthemoneyforanythingwhentheygotitnotevenforfood,
andendedupstarvingtodeath.Thisismoreorlesscommonwhenapersonhas
CreativelyVisualizedformoneyinsteadofforthingsorcircumstances.Trytodoyour
visualizationworkforthings,andcircumstances,andnotforjustmoneyasitcould
happenthatyoucouldgetmoneyandthennotbeabletouseitforthethingsyou
wantedasevenordinaryeventscankeepyoufromusingthemoneyforwhatyou
wanteditfor.

Ihadapeculiarexperiencealongtheselinesjustrecently.Iamwritingthismaterial
onanIBMexecutivetypewriter.EversinceIwasawareofthistypewriterIwantedto
ownone.IdidnotdoanyrealvisualizingworktogetonebecausemySphereof
Availabilitywasjustaboutabletosupplyone,thatisonenotfromtheCompany,but
onenotnew.SotheworkIdidwastofindthebestsecond-handtypewriterthatI
couldforthebestprice.Iworkedmyselfintoquiteapitchdoingthisanditbecamea
sortofenjoyablegame(whichisanotherthingyouwanttoincorporateintoyourwork,
makeitfun)IranacrossoneataplaceinHollywoodandIalmostboughtitbutI
didntquitelikeit,thepricewasjustoverthepriceIfeltIcouldpayforit.ThenI
discoveredthatthewomanwasnottheownerofthemachinebutwassellingitfora
storeforsomereasonandIsupposethereasonwasthatasaprivatepartythere
wouldbenoquestionofstatesalestaxwhichtheywouldsave.ThatisIsupposethis
wasthereasonthewomanamusinglyenoughusedsomeNewThoughtstatements
likeyouwereledhereitmusthavebeenforyouetc.

AftersomethoughtaboutthematterIdecidedtoletitgo.Howeveronmynexttripto
LosAngelesIdidfindasplendidtypewriterwithanextralongcarriage,whichiswhat
Ireallywanted,andatapriceveryclosetowhatIhaddecidedIcouldaffordtopay
andwouldpay.Now,however,Istillfindmyselflookingatthepapersandlookingat
pricesfortypewritersandsuchthingsandIstillhaveafeelingofbuyingatypewriter
whenIhavetwonow!!Inmycasethefeelingisnottoostrongbutitisthereandifit
ranawaywithmecouldmaketrouble.Icouldendupbygoingonbuyingtypewriters
withoutneedingthem.Imightevenbuysomemoretypewritersataverygoodprice
andresellthemataprofitwhichisanacceptablecoursetofollow.Sowatchoutfor
thecontinuationofyourdesirefeelingsafterthedesirehasbeenfilled.Turnitto
somethingelseasquickasyoucan.

LetusconsidertheOccultLawofBindingOurwholePhysicalCosmosisgoverned
byPolarityandmuchmorethanwerealize.Infactbeingabletorealizethepolarityof
thePhysicalCosmosandbeingabletorecognizeitisanArtofIllumination.For
HeavenssakelookaboutyoufromnowonandtakethedualnatureoftheUniverse
intoaccount.ForHeavenssakerememberthatwhatgoesupmustcomedown.It
takesawelldevelopedmantorecognizepolarityandastillmorewelldevelopedman
totakeadvantageofit.Evensuchamundanethingasthestockmarketshowsthis
effectveryclearly.Whenthestockmarketgoesupthelessdevelopedmanis
attractedbythateffectandisdrawnintotheraisingmarketandwhenthemarket
goesdownheisdeeplydiscouragedbythatfactandgetsout.Thepeoplefollow
effectsanddonotnotethecauses.Icannotrememberthenameoftheveryrichman
whosaidfranklythatthereasonhewassowealthywasthatHEBOUGHTWHEN
EVERYBODYWASSELLINGANDSOLDWHENEVERYBODYWASBUYING.Of
coursenoonebelievedhimandwentonjustastheyweredoing.

ThepointofallthisisthatallforcesthatinfluencethephysicalplaneareDUAL,
THEYHAVETWOSIDESTOTHEM.Everyforcethatyoucontacttodoworkforyou
hasthisdoublesidenesstoitandwhenyoucontacttheforceyoucontactbothsides
atonce.
40

Nowalthoughyoumaygettheforcetoworkforyouforsometimethewayyouwant
ittowork;thetimewillcome,soonerorlater,whentheoppositesideoftheforcewill
takeoverandyouwill,byitsreversal,loseallyouhavegained!Andthatwhenyou
leastexpectit.

Nowhowmayyouprotectyourselffromthisreversaleffectduetothedualnatureof
allForces?InyourCreativeVisualizationworkitwillprobablybesufficientif,keeping
thedualnatureofallforcesinmind,youadd,whenyouwritedownyourlimitations
statement,afurtherstatementsomethinglikethisIalsodesirethattheobjectof
thisparticularCreativeVisualizationworkhavingbeenattainedthatnoreversaltake
place,butthattheopposingforceoftheforcethatIaminvokingbebound,andthatI
possesstheobjectgainedaslongasIcanuseitprofitablyandsuccessfully.Itmight
bewelltoalsomakethestatementtotheeffectthatIamtopossesstheobject
gaineduntilitcanbereplacedwithabetterobjectetc.Mostanystatementlikethat
willactasabinding.

Almostanystatementliketheabovewillbeallrighttouseaslongasyouuseitwith
commonsenseandMEANit.Itisnotthepossiblepowerlessnessofanybinding
actionthatyoumighttakethatmakesthetroublebutITISTHEIGNORANCEOF
THEEXISTENCEOFTHEREACTIONOFDUALFORCES,ORTHATALLFORCES
AREDUAL,THATMAKESTHETROUBLE.

OneofthemostoutstandingcasesIeverheardofconcerningignoranceofthisdual
natureofForcesisthecaseofMrs.Eddy,thediscovererandfounderoftheChristian
ScienceChurch,towhomeverybelieverinMetaphysicsmustbegratefultooforher
pioneerworkalongtheselines.IthasbeensaidthatduringthelatteryearsofMrs.
Eddyslifeshesufferedfromstrangeattacksatnighttimesduringwhichshesuffered
acutelyandwithgreatdistress.Noonehaseverdiagnosedtheseattackscorrectly.
Mrs.EddyreferredtothemasMaliciousAnimalMagnetism.Ifeelrathercertainthat
thesestrangeattackswereduetotheothersideoftheforcessheinvoked,and
taughtotherstoinvoke,WITHOUTBINDINGTHEOTHERSIDEOFTHEFORCE.
Everythingpointstothatbeingtrue.THEMALICIOUSANIMALMAGNETISM
COULDHAVEBEENTHEUNBOUNDSIDEOFTHEFORCECALLEDDIVINE
LOVEWHICHSHEINVOKEDSOMUCH.ImeannodisrespecttoMrs.EddyandI
donotwanttostartanyargumentaboutthis.IregardMrs.Eddywithgreatrespect
andIgiveherfullcreditforthegreatworksheaccomplished.

TheOccultLawoftheBarrierWordsandEmotionsarethetwintoolsthatyouusein
CreativeVisualizationwork.YoushouldbewellequippedinWordsandwell
equippedinEmotionsforCreativeVisualizationwork!Howeverifyouhaveonlya
fewwordsatyourcommandthatisstillallrightaslongasthosefewwordsare
connectedwithSTRONGEMOTIONS.ItisthestrongEmotionsthatdotheInner
PlaneworkandnotsomuchWords.AstrongEmotionofDesireisverynecessaryfor
thiswork.Manypeopleareafraidtoallowthemselvestofeelstrongemotionsof
DESIRE.AndyetitisDesirethatisthedrivingforceofourlives.WithoutDesirewe
arenothing.Manypeoplewhentheylosetheirdesiretoliveactuallyliedownanddie
withoutmoreadoaboutit.

IntheuseofthenextLawuseDesireforallitisworth.IfyoufeelyourEmotional
Desiresshouldbewhippedupabitthen,aslongasyourecogniseitforwhatitis,do
alittleDayDreaminginconnectionwithyourTreasureChart.Findpicturesthatgive
youathrillandplayonandintensifythatthrill.

TheOccultLawoftheTreasureChartOneprettygoodOccultTeacherIknowof
teachesthatyoushouldconstructdramasofeventsthatyouwanttotakeplace.You
41
canusethisdeviceverywellinconnectionwiththepicturesthatyouputonyour
TreasureChart.Arrangethepicturessothattheytellsomekindofastory.Useyour
ingenuitytoconstructasequenceofpicturestorieswhichwillbringaboutthedesired
thingorcircumstancesthatyoudesire.Donotbetooconcernedwithgapsinthe
picturesbutsupplyyourownimaginationbridgestocrossthegaps.Themainideais
towhipupyourDESIREEMOTIONSsothattheyproduceaneffectonyour
subconsciousness.

Incarryingoutthesedreamsletyourselfgo.Makethecharactersinthepicturessay
anddowhatyouwantthemtodo.Howeveryouhadbetternotpictureactualpersons,
thatyouknow,doingthesethings.Realpersonsareapttofeelyourworkandthe
feelingwillsetupcurrentsofoppositiontoyourproposals.Workonlywithimaginary
personsandimaginarypicturesofthingsorrealpicturesofthingsbutimaginary
picturesofpersons.WhatyouaredoingisworkingwiththeCounterpartsofthereal
thingsandyoucanhavealargedegreeofcontroloverthecounterpartsthatyou
cannotgetovertherealpersonsandorthings.(Ihadpreparedalessononthis
subjectofhowtocontrolorinfluenceajob,lodge,town,smallcity,county,
corporation,companyorthingslikethat.Ifyouwillwritemeattheaddressgivenin
thisbookIwilltrytokeepthelessonsonhand,aswellasotherlessonsonvital
subjects)Thelessonreferredtoteacheshowtocontroltheabovementionedthings
thruworkingontheCounterpartsofthosethings.TheCounterpartsarefarmore
easiertocontrolthatthePhysicalThingstheyrepresentandmuchcanbedonein
workingwiththem.Sodonotworkwithrealpeopleasitcanbeveryunsatisfactoryin
results,notthatitiswikkid,justunsatisfactory.

TheOccultLawofE-motionsAsisusualinthisworktheOccultLawofE-motions
goesonoverintothenextLawtocome,thereversalLaw.AlltheseLawsarepretty
wellconnectedandespeciallywhenwegetoutintothesefinespundistinctionsaswe
aredoingnow.HereisanotherdefinitionofE-motion.ANEMOTIONISATHING
THATISOFTHENATUREOFNOW-NESS.THERECANBENOSUCHTHINGAS
AFUTUREEMOTION.ALLEMOTIONSARENOW!!!Youcanhaveanemotion
aboutathingthatyouthinkmightcometoyouinthefuturebuttheEMOTIONYOU
HAVEISRIGHTNOW!YOUCANNOTTHINKOFANEMOTIONWITHOUT
HAVINGIT!

Thepreviousreasoningisthebasisforworkingwithemotions.Anotherwayyoucan
lookatitisthisAsthenextplanetothisisreversedtothisoneyoucanregarditas
asortofmirrorandyoucanseeinthatmirrorthethingsthatyoualreadywant.
Supposeyoucomeuptothatplaneasyoudotoamirroronthisplaneandyouhold
upsomethingthatyouwanttothatplane-mirror(inyourimagination)Wellthereisthe
thingyouwantvisibleonthatreversed-Inner-Plane-mirror!!Andbeingasitexists
therenow,byyourworkofvisualizingitthere,THEMEANSOFITSEXISTENCEON
THATINNERPLANEHADTOCOMEINTOBEINGTOO,JUSTHADTOORYOU
COULDNOTEVENSEEITINYOURMINDPICTUREIMAGINATIONTHERE!
Therefore,byyourcreationoftheimaginationimage,youbroughtthemeansofits
existenceintobeingtoo!Andthereasonyoucandothisisbecauseofthereversed
natureoftheplanenexttothisplaneabove.

Nowlook!Ifyoudonotgettoofaroffthebeambydaydreaming,youcan,infantasy
tracebackapossiblelineofcreationofthemirroredobjectANDTHENWHENYOU
GETBACKFARENOUGHATTEMPTTOLINKTHATFANTASYLINEWITHYOUR
SPHEREOFAVAILABILITY!!

Youcantrythis.Iguessitwonthurtaslongasyoukeepyourperspective!Useany
sortofthinking,feeling,fantasy,daydreaming,planning,researchingwhateveritis
thatsuitsyournature.Feelfreetoexperimentallyoupleaseanddoitfreely,keeping
42
inmindthatyouaredaydreamingandyouknowit,butrememberthatbackofitall
liesyourSPHEREOFAVAILABILITYINREALITY.

HereatthispointwecouldgooffthedeependandstarttalkingaboutAtoms,
ElementalForces,Arethingsreallyreal?WhatdoesREALreallymean?Andsoon
butwemustbepractical.Youcansaythattheintenseemotionsthatyougenerate
throwsoutstreamersofdrawingforcethatdrawsthethingdesiredtoyou,your
possessionandthismustbetruebecauseyouusuallygetthethingthatyouemote
for.(Ofcourseinthisdayandageofmultipliedmanufacturingprocessesweactually
donothavetogetonecertainthing,aduplicateofthatthingwillsurelydo.Sotryto
keepthisideainmind,leaveitopen).Butonethingiscertainyoudohavetohavethe
DESIREwhichinturncreatedTHEEMOTIONCREATEDBYTHEDESIRE.

ActuallythewayIamstatingthisisallwrong.Thewayitsoundsisthatyoudonot
workonyourSphereofAvailabilityunlessyouwantsomethingandthenyouturnit
on.Thatiswrong.Ididnotmeantogivethatideaatall.Yourlifeshouldbeaplanned
GROWTHOFYOURSPHEREOFAVAILABILITYwithallinorderandnowildside
tripsasIseemtobeadvocating.Infactsonaturalshouldyourbuildingupofyour
SphereofAvailabilitybecomethatyousortofforgetaboutitasyougoaboutdoingit.

Remember(Iagainrepeat)theobjectofyourlifeshouldbetobuildupyourSphereof
Availabilitysothatitcanbringyouthethingsyouwantandwhatyouwantshouldbe
whatyousetyourgoalfor;andtosetyourgoalyoushoulddosomelongthinkingand
planning.

IfwhatyouwantisoftheRolls-Roycetypeofthingthenyoumustrememberthatto
getRolls-RoycesyoumusthaveaRolls-RoycetypeSphereofAvailabilityanduntil
youdohavethatyouwontgetthecar.Howeverthereisonepositivethingyoucan
sayandthatisthisthrusuccessivestepsofbuildingPROPERLYAND
CORRECTLYANDPERFECTLYANDAFEWOTHERTHINGSYOUCANBUILD
UPYOURSPHEREOFAVAILABILITYSOTHATYOUCANREACHTHEROLLS
ROYCETYPEOFSPHEREOFAVAILABILITYSUPPLYBASE!Idonotthink
anyonewillargueagainstthat.

43
LENVOI AND FINALITY


Iamreadingoverthesepagesforthelasttimebeforetheygototheprinterwhen,
fromthenon,changeswillbehardtomake,smallchangesyes,largechangesno.I
wonderdidIleaveanythingout?WhatobviousthingmoreshouldIhavesaid?(it
maycometomeinthedeadofnight)(IhopeIgotitallandmoredoesnotcome)
(WellIcantthinkofanythingmoretosayrightnow)

ForonethingIcouldhavewrittenbetterprose.ButifIdontstopsometimeIfindIcan
goonendlesslyimprovingthewordsandsentences,revising,revising,revising
endlesslyandifIdidthatIdontknowwhenIwouldevergetthruwithabookatall.

Iwillcover/hedgeup,again,formyselfbysaying,asIsaidinmyfirstbook,Iamnot
tryingtowritegloriousproseliteraturethatwillcarrymynamedowninhistoryasan
authorIwillneverbeagreatwriter/authorNoIamwritingonlytogetdownBasic
OccultKnowledgeandBasicOccultWorkingDirections,andthatonaverydifficult
subject,perhapsthemostdifficultsubjectinthewholeworldTHESUBJECTOF
MANANDHISPOWERS,andhowtousethemtoprotecthimselffromthehurtsof
thePhysicalPlane.Certainlythisisasubjecttostaggeranyonesability/confidence
astoknow,forsure,justhowtohandleproperly,andcorrectly,muchlesstoteach
properly.

IDOTHISWRITINGJOB,NOTTOHELPMYSELF,NOTTOHELPYOU,BUTTO
TEACHYOUTOHELPYOU,TOHELP,YOURSELF!!!

Ihavebeenexpectingtobeaccusedofwritingtoofewpagesonsuchalargesubject.
ImustadmitthatIdidnotpadoutthepagesofthebook,nordidIpadoutthepages
ofthefirstbook,tomakethebookslarger.(Pleasenotethatthepaperisquitethin
andthattherearemorewordsonapagethanisusualinbooksespeciallytheolder
booksinwhichathickerpaperwasusedandadifferentkindofinkhadtobe
absorbedbythatpaper)Itriedveryhardtogorighttothecore/heartoftheOccult
and,inassimplelanguageaspossible,explaintheBasicKnowledgeoftheArtof
GettingMaterialThingsthruCreativeVisualization.Ithenlaidoutthetoolsofthe
tradefollowedbyaspracticalworkingdirectionsofusingtheToolsaspossible.Itried
tokeepthingsclearandtothepoint,notgoingtoomuchintorapturousNuThotgush
aboutdivineloveetalasagainstcoldintellectualism,neitherextremeofwhichwill
getusanywhere.Iwrotefortheearnest,average,student-person,sohecould
understandthematerialANDUSEIT.SOFORHEAVENSSAKE,ANDYOUROWN
SAKE!LEARNTHEARTOFCREATIVEVISUALIZATIONANDUSEIT!!

Ophielwelcomescorrespondencefromthosewhoareinterestedinthesubjectofthis
book,andotherOccultSubjects.Ophielwillansweryourletters,andansweryour
questions,asquicklyashecan.Someoftheanswersmayconsistofprintedmaterial
butOphielwillalwaysattempttoaddapersonalnote.

OphieldoesaskthateveryonesendingaletterencloseadollarIFYOUCAN
AFFORDIT.Ifyoucannotafforditthenwrite,byallmeans,butstateyoucannot
donate.Foreignmoneycanbeaccepted.ALLMONIESGOFOREXPENSES,
BELIEVEME.NONEOFITISSPENTINRIOTOUSLIVING,NEVERFEAR.

PlanshavebeenmadetoopenanOccultMysterySchooltoteachtheOccultArts,
probablyinLosAngeles.ThisschoolwillteachtheOccultArtsfreelyandhold
nothingbacknorwillanysillyoathsberequiredofstudents.Studentswillbefreeto
usetheOccultKnowledgetheygaveinanywaytheychoose.Thefirstinstructionsto
44
begivenoutwillbeSTRICTLYSELF-HELP,SELF-DEVELOPMENT,SELF-
ATTAINMENT,MENTALMAGIC,ENTIRELYFORTHEBETTEREMENTOFTHE
STUDENTINALLWAYS,ANDFORTHOSEWHONEEDIT,IDOMEANPURSE
WISEFIRST,FIRST,FIRST!

IntimeotherMagicSubjectswillbeaddedsuchasCorrespondenceMagic,
SympatheticMagic,NaturalMagic,andfinallyRitualMagicandVariationsofallthese
kindsetcetera.

ANNOUNCEMENTItwasannouncedpreviouslythatabookwouldbeoffered
containinganextraordinarysimple,easytouse,SystemofDivination,NOT
FORTUNETELLING,whichwastobecalledTHEORACLEOFFORTUNA.
HoweverthisbookseemedtoarousesolittleinterestthatIputitasideforthetime
being.

IamunabletoaccountforthislackofinterestandtheonlythingIcanthinkofisthat
therearesomanyfakefortunetellingsystemsintheworldthattheOracleofFortuna
wasconsideredjustanotheroneofthem.

SincethenIhavetestedtheOracleofFortunamorethroughlyforallkindsoftest
questions-work.IHAVEFOUNDITSOGOODTHATIAMUNABLETOTAKE
ADVANTAGEOFITSPOWERSDUETOTHEFACTTHATIHAVENEVERBEEN
ABLEBEFORETOOBTAINADVANCEINFORMATIONABOUTEVENTSAND
CIRCUMSTANCESANDIDONOTKNOWHOWTOUSESUCHINFORMATION
TOBESTADVANTAGE.AndthisissomethingIhaveneverheardsaidaboutany
fortunetellingdevice.HoweverunlessmorepeopleexpressaninterestinthebookI
cannotputitout.IwouldappreciatehearingfromyouaboutyourideasastowhatI
shoulddowiththeOracleofFortuna.

DYNAMITEANNOUNCEMENT!!!Everyoneisclairvoyanttosomedegree!!
Clairvoyanceisoneofmansbasicpowers,oneofthenaturalpowersofallmen.

Increasedproper-controlleduseofClairvoyancecanbeofgreathelpinyourdailylife.
HoweverClairvoyancealonewillnotsolveallyourproblems,nosingledevelopment
ofanyoneOccultPowercandothat.(Youshoulddevelopallyourpowersasfastas
youfindoutaboutthemandthentheymustbeusedinconnectionwithyourPhysical
Powersnowlargelyunknownandnotunderstood.)Infactthebiggestobstacletothe
easyuseofClairvoyanceisnotbecomingClairvoyantorgettingnewinformationthru
Clairvoyance,butisinterpretingClairvoyantInformation/KnowledgeANDTHENTO
ACCEPTTHEEvidence/Information,sogivenorsoobtained!!!Oncethesetwo
hurdlesarepastyoushoudfind,thrutheuseofClairvoyance,yourlifestraightening
outinamarvelouswayandcircumstancesalsoworkingoutinthewayyoudesire.

OphielhasstartedworkonabooktobecalledTheArtandPracticeofClairvoyance.
InthisbookOphielwillgobacktofirstprinciples,ashealwaysdoes,andbuildupthe
mechanicsoftheArtofClairvoyancefromthem.Ifyouareinterestedinthisforth-
comingbookyourenquirycanhastenitsprintingandpresentation.

Hermes-PanarethenamesofthetwoGod-ForceswhoruletheEarthPlane.Ibid
youtolooktothemforguidanceuponyourEarthJourney.Accordingtotheteaching
oftheCaballasystemtheyrepresenttheHighestGodontheEarthPhysicalPlane.
OPHIEL
45
ADDENDA.


Asthisbook,mysecondbook,approachesthefinalstagesofbeingprintedthere
arisestheopportunityofaddingafewmorepagesandIherebydoso.

FirstofallIhaveanapologytomakeforthedelayintheappearanceofthisbook.
Thisbookwasreadythreeyearsagoandhadactuallygonetotheprinterwhena
seriesofhappeningsoccurredwhicheffectivelypreventeditsappearanceatthat
time.

Thefirstthingthathappenedwasthepassingonofmymother.Herdeathlefta
mass/messofproblemswhichwerenotsolvedforseveralyearsandthis,
unfortunatelytookmymindoffOccultworkwhichis,asyouknow,veryexactingand
demandingandisespeciallyforme.

Thesecondthingthathappenedwasthedeflectionofatrustedco-workerwho,
duringmyabsence,removedmanybooksandpreparedlessonsandtriedtosetupa
schoolforhimselfusinganamesimilartomineand,untilthiswasknown,receiving
mymailandmuchmoneysenttherein.Hefailed,naturally,butnotuntilhecaused
memuchembarassementinmanywaysandalsowiththePostOfficetowhom
peoplecomplainedinsteadofwritingtomedirectwhichsubjectwillbetreatedlater
oninthisaddenda.

AnaturalquestionyoucouldaskatthispointiswhydidnttheForcesoftheOccult
warnoftheimpendingtrouble?AndtheanswerisTheOccultForcesdidgive
plentyofwarningbut,duetolackofapplicationtosimplerudimentsofattentionthe
warnings,atthetime,passedmeby.Howeversoprofoundwasthislessonin
warningsthatIgotenoughmaterialoutofitforabooktobewrittenlateronthis
subjectofOccultwarnings.

PleasereadthefollowingcarefullyastheannouncedpolicyisnowinforceIfyou
haveanycause,orthinkyouhave,forcomplaintagainstOphiel(lessons,money
sent,whatnot)THENWRITEYOURCOMPLAINTTOOPHIELDIRECTANDWAIT
FORANANSWER(Ophielmightbeoutoftownand/orawayonOccultbusiness-and
magicinvestigations-inothercountriesMexico,Africa,Englandwitchcovens
connectionsetc.)Youllreceiveananswersoonerorlater.Ophiel,aswordlygoods
goes,isrichandHASNONEEDTOSTEALANYMONEYFROMYOUORANYONE
ELSEANDDOESNOTDOSO.ThereforeanyonemakingacomplainttothePost
OfficeaboutOphielwillbetakencareofifcorrect,butwillthenbecutofffromall
futureOccultcommunicationofanykindwithOphielandwhateverotherpsychic
measuresarenecessarywillbetakentoadjustmattersallaroundaccordingly.

Anyofyouwhohadmadepreviouscontactwithseveralorganizationalattemptsby
Ophielpleaserecontacthimagainandyouwillreceivefullcreditforprevious
donationsinanyfuturesetup.

Awordastoletters.Airmailtypeis,ofcourse,thebestkindofPostalService.
OccasionallyyoumayuseSpecialDeliveryifyoufeeltheneedtoo.Howeverdonot
useRegisteredlettermailserviceasmanytimesittakesmuchlongertoreachme
thananyotherkindofmailservice.

TheOccultistheFirstandLastGreatUnknown.TheBasicPhenomenaoftheOccult
areopentotwokindsofStudies-Work.Thefirstdiscoveryandthesecond
46
application.FirstDiscoveryofPowers.AndSecondDiscoveryofapplicationof
thesePowers.

WewilldevoteourselvestotheseTwinOccultWorks,tothebestofourability,forthe
restofourlifeandthatyoushouldbenefitbyitisouronlywish.

OPHIEL
47
For thousands of years people have written about God. Endless persons-authors have endeavored to
explain about God, and the mystery of the physical world.

Many of these people-authors had only a faint grasp themselves of what-it-was-all-about, hence their
writings were hazy and nebulous and voluminous. Others had secrets unveiled to them by secret
lodges and were unable to tell all, and so had to talk all around the subject, not saying anything vital,
and the end result was worse than no God-book at all.

Still others were fakes, pure and simple fakes. The best of the fakes were the real fakes who sooner or
later gave themselves away. They were the pure fakes. The simple fakes were the worst and the
most dangerous as they believed in their own fakery.

The test of a God-book should be does it work? or is it just talk-chatter? The books written by Ophiel
work.

Ophiels first book was called THE ART AND PRACTICE OF ASTRAL PROJECTION. The directions in
this book are so clear and concise that many persons are able to enter other planes and explore and
learn. Thousands of people all over the world have read this book and have practiced projection to inner
planes and have gained knowledge from it. I could write a book just about the benefits to be gained from
the exploration of the inner planes but that would not cover the subject properly. This book is truly a
breakthrough in occult progress. For the first time, the previously secret methods of building and
developing the astral body are given with clear, simple directions that can be practiced in daily life.

Ophiels second book was named THE ART AND PRACTICE OF GETTING MATERIAL THINGS
THROUGH CREATIVE VISUALIZATION. The question of material supply has always been a vexing
one. There was always a practice, known for ages, called visualization but the rules were never clear. In
his second book Ophiel lays down some effective rules which many people have used successfully.
Ophiel now knows much more about the origins of THINGS and in later books will tell more about God
and supply, but for ordinary circumstances of life the normal process of Creative Visualization will suffice
until the other books are written and published so look for them.

Ophiels third book was called THE ART AND PRACTICE OF THE OCCULT. In this book Ophiel begins
the study and use of the Caballa and the Tree of Life and all its million ramifications, as well as the
knowledge of the Elemental Forces. Also, a simple ritual is given which is very useful in many ways.
Deeper than the other books.

Ophiels fourth book was called THE ART AND PRACTICE OF CLAIRVOYANCE. Everyone has some
clairvoyance in him and the more you listen to it, the more it works for you. The book also contains
additional Caballa knowledge. The more Caballa-Clairvoyance knowledge you have and use, the easier
your life here on this physical plane can be.

Ophiels fifth book, THE ORACLE OF FORTUNA, contains a simple little divination system based on the
game of solitaire which can answer questions, if the questions are framed carefully and properly.

Ophiels sixth book was called THE ART AND PRACTICE OF TALISMANIC MAGIC. This ancient
subject is brought up to date. It is possible to use the Astral Light by attaching it to an object, if done with
intention and knowledge. Interesting results can be obtained. Should be used with caution.
Ophiels seventh book is now in preparation look for it. It has been kicking around the publishers much
too long, but strange forces have been at work to keep it from you. Ophiel has been told that his books
contain the secret doctrine and, as I said, negative forces have been furious for years that these things
are becoming known, and have been working in every possible way to keep these books from coming
on
out. Ophiel wants to write twenty-five books before he passes on and he will not give up easily. But you
will have to do your part. You will have to ask and continue to ask this publisher to get onto publishing
Ophiels books and cut out the fooling around.

In preparation look for it Ophiels seventh book, THE ART AND PRACTICE OF CABALLA MAGIC.
Dion Fortune wrote a great book about the Caballa but told nothing about the practices. Ophiels
seventh
book starts to tell about how to use the Tree of Life, or Practices. He reveals what Dion Fortune left out
because she received her knowledge from a lodge and was not at liberty to give it out. Ophiel received
the knowledge direct from the inner sources and can give it out freely. Use it and test it and find out for
yourself.

Tentative books in preparation: at this time two more books are in preparation. One is a collection of
essays based on occult truth factors. Ophiel calls them VIGNETTES. They are now sold separately
because they have to be prepared by hand, as it were. Contains much occult humour and insight to
48
occult ideas and much occult truth. I repeat watch for it. Next, there is to be a book on the existence of
the Demiurgeous. The mystery of mysteries. The God of the Gnostics which is all material things. If the
Demiurgeous can be contacted properly and used, you have the Philosophers Stone which changes all
things into gold and that is no BULL.

And beyond this, other books are projected. But you will have to do your part by letting this publisher
KNOW THAT YOU DEMAND THESE BOOKS AND THAT YOU WANT THEM AND NO MORE
FOOLING AROUND WITH THE ADVERSARY MISLEADING EVERYONE ABOUT THEIR
PUBLISHING. LET HIM KNOW.

Ophiel is not so young and, if you want these books, he had better get them out. Ophiel is 73 years old.
So act accordingly.


DEAR STUDENTS AND FRIENDS OF OPHIEL
For some years, now past, Ophiel has been writing little essays on pungent occult subjects, these
essays he calls Occult Vignettes. The subjects of these essays have been legion, and have been of
wide variance, from trivial to grand, but all have dealt with some essential points of vital information
interest, either of Life here on this Earth plane, or Life on the Inner Planes. As time has passed he has
written more and more of these little essays of Truth until they now number a respected amount. Merely
for identification purposes, these essays are labeled Series 1, Series 2, Series 3 and now, Series 4.
Series 4 has been copyrighted and is now ready, and here they are, described as follows:

SERIES 3 - #1, 1975 Winter Solstice Message, $1.50
Strong presentation of Occult truths surrounding Christmas, Winter Seasons, New Years and other
postpagan
holidays. Personal Message.

SERIES 3 - #2. Some thought on the Ten Commandments. 16 pages. $3.00. Ophiels analysis of the
Ten Commandments and some annotations on their applications to todays living-being. Heavy stuff. If
you are not ready, better not get it as it is heavy, really heavy, and to sloppy thinkers it will be a real
shock as for the first time they face reality in truth.

SERIES 3 - #3, Living Life Occult Vignette, 4 pages, $1.25
Rather deep essay about living daily life and calling attention to the personal manufacture of Thought-
Forms and their effects on our lives and some references to their effects on others. Some ideas as to
how to nullify adverse Though-Forms effects.

SERIES 3 - #4, The Happiness Doll, 1 page, $ .25
What is not generally known is that all magical operations, especially black ones can be reversed. The
famous, or rather pin-sticking doll can be reversed so that you can set up a self-doll and GIVE IT ALL
KIND OF GOODIES. Can be very useful to your well-being.

SERIES 3 - #5. What is Man? 3 pages, $1.25
Introduces the Gnostic idea of a worker God who creates the physical world (out of No-Thing) and gives
some ideas as to how to handle the Creator God, the Demiurgeous. Once you handle it, youve got it
made and you can now do things.

SERIES 3 - #6. The Dweller on the Threshold. 6 pages. $1.50
The title is dated but the knowledge is up-to-date. Concerns forces on the next plane and how you have
(probably) built up your own opposite. Continues with ideas about how to handle your daily life with
these forces in view and how these forces are to be taken into account in all your actions, the object
being to lead a more perfect life and to get along better.

SERIES 3 #7. Why Do You Let The Devil Use You? 5 pages, $1.25
Contains ideas and suggestions as to how to work your two parts conscious and subconscious minds
(the badly working sub-mind is like a devil) and how to watch for the alternating functioning of the two
minds.

SERIES 3 - #8. More Ideas About God. 7 pages $1.50
Ophiel explains how certain ideas about the conception of the lesser countenance was arrived at, and
how they transferred over into the idea of the Demiurgeous. Then follow a number of ideas as to how
you are to arrive at a working knowledge of this situation and work it to your advantage.

SERIES 3 - #9. Astral Light The Plastic Medium, 4 pages, $1.00
Unexpected use and application of the Astral Light by a student, which surprised even me. Suggests
terrific opportunities unlimited for all kinds of physical changes to be brought about through its use in a
49
simple way. Could be considered hot stuff by many!

SERIES 3 - #10. The Other You. 5 pages, $1.25
Contains a thought-provoking idea of a/the double that you may have and gives some ideas about how
to deal with this startling different-than-the-world-thinks situation. Also deals with thought-forms in this
connection. Useful.

SERIES 3 - #11. Your Other You. 5 pages, $1.30
Note the difference in the title from the preceding. Several different ideas are presented here as they
came to me and I did not edit them. You separate the different ideas and reconnect them. Great value.
Requires some study but should be rewarding.

SERIES 3 - #12. A Technique of Visualization - #1. 2 pages, $ .75
Concerns you and the Demiurgeous and your ability to Creatively Visualize (under proper directions and
with proper preparations), something which is never realized by countless people and yet they do
produce negative creations, which they dont want, all the time. Useful to you.

SERIES 3 - #13. What You Deserve or You Tell Them Baby! 2 pages $ .75
Goes into the question of God-rewards and questions whether they are automatic. They can be
automatic but YOU have to tell them or it yourself!

SERIES 3 - #14. Assistance from the Gods. #1 - #2. 2 pages, $ .75
Concise directions on how to work Inner Plane Forces down here for results. Good basic directions
just waiting for use.

SERIES 3 - #15. Treasure Map. 1 pages, $ .50
Description and directions as to manufacture and use of this ancient talisman. This talisman worked for
your ancestors millions of years ago and it can and will still work for you if you will use it.

SERIES 3 - #16A. Magic Workings on Matter. 1 pages, $ .75
Small, short and potent. Contains a concise explanation of the translation of force into form.

SERIES 3 - #16B. On the Art of Contacting God. 1 pages, $ .50
This vignette is a little hard to understand so I am charging less for it. Deals with attitudes in daily life as
exemplified in everyday cliches, how attitudes can rule you, and suggests a method of dealing with
them. Not easy.

SERIES 3 - #17. Plato and the Soul, 2 pages, $ .50
For some mysterious reason about 2000 years ago there were no definitely taught ideas about life after
death. None of the religions that were then current in the world taught such an idea, except in a
fragmentary way. Then Plato thought about a continuation of a life after death. He was talking about the
Etheric body but the Church mistook that idea of the Etheric body for a thing called a Soul.

SERIES 3 - #18. The Two Dreamers. 3 pages, $ .75
More about the Two Gods that create the existence of the world and some clarification as to how you
are
on your own as to your choice of arranging your life with your powers which you and all others have.

SERIES 3 - #19. Your Disloyal Life Opposition. 5 pages, $1.50
There is some evidence that we are made up of two contending forces which seem to rule alternately
in our lives and bodies. A successful life is one that can adjust a balance between these two forces.
Once it is known that there are these two forces some defence can be set up against the negative one.

SERIES 3 - #20. An Exercise in Preliminary Projection. Two parts, $1.00
More information on Etheric Projection and information on some additional side-lines connected thereto.

SERIES 3 - #21. The Two Creators. 2 pages, $1.25
More knowledgeable information about the two creators who, between them, have made up the physical
world. Much interesting and useful information.

SERIES 3 - #22. A Little Recapitualtion of the Occult Basis of All Things. 1 pages, $ .50
As it says, a recapitulation of some of the basics I have written about so far, and their relation to older
clich stuff that we got tired of so many years ago as it apparently led nowhere. Some value for thought.

SERIES 3 - #23. Witch Craft. 5 pages, $1.25
Natural witch craft forces as exemplified in this study of the application of raw nature to very material
nature forces by American Indians in time past. Close study will show that all witch craft is a combination
50
of the inner and the outer and the line is not too clear. Pretty good and pretty useful.

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