Documente Academic
Documente Profesional
Documente Cultură
Readings
THE
COURSE
READER:
The
chapters
and
articles
included
in
the
reader
are
also
available
on
the
librarys
E-Reserve
at:
http://opac.library.usyd.edu.au/search/p?SEARCH=di+lauro
They
have
been
selected
to
enhance
your
understanding
of
the
subjects
being
dealt
with
each
week
and
will
also
assist
you
in
completing
online
work,
discussion
posts
and
your
assignments.
These
are
useful
places
to
start
when
you
begin
to
research
your
chosen
discovery
topic/question.
Week
1:
Introduction
to
WRIT1001:
What
is
rhetoric
and
why
should
I
care?
(ST)
The
Rhetorical
tradition
:
readings
from
classical
times
to
the
present
/
edited
by
Patricia
Bizzell,
Bruce
Herzberg.Boston
:
Bedford
Books
of
St.
Martin's
Press,
c1990,
pp.
1-
15.
Week
2:
Sources
as
Ethical
Arguments
(FDL)
Crowley,
S.,
"Ethical
proof,"
in
Ancient
Rhetorics
for
Contemporary
Students,
ed.
Sharon
Crowley
(Macmillan
College
Pub.
Co.:
New
York,
1994),
81-116.
Gibaldi,
J.,
and
America
Modern
Language
Association
of,
"Plagiarism
and
Academic
Integrity,"
in
MLA
handbook
for
writers
of
research
papers
(Modern
Language
Association
of
America:
New
York,
2009),
51-61.
Week
3:
Visual/Digital
Rhetoric
(ST)
Rottenberg,
A.
T.,
"Reading
visual
texts
critically,"
in
The
Structure
of
Argument,
ed.
Annette
Rottenberg
and
Donna
Haisty
Winchell
(Bedford
St.
Martin's:
Boston,
2009),
61-79.
Week
4:
Film
Crash
(FDL)
Keith,
W.
M.,
"Rhetoric
and
Audience,"
in
The
Essential
Guide
Rhetoric,
ed.
William
M.
Keith
and
Christian
O.
Lundberg
(Bedford
St.
Martin's:
Boston,
2008),
11-23.
Charteris-Black,
J.,
"Persuasion,
Legitimacy
and
Leadership,"
in
Politicians
and
rhetoric
:
the
persuasive
power
of
metaphor
ed.
Jonathan
Charteris-Black
(Palgrave
Macmillan:
New
York,
2005),
1-31.
Week
5:
Film
Crash
(FDL)
Bordwell,
D.,
and
K.
Thompson,
"Glossary,"
in
Film
Art:
an
introduction,
ed.
David
Bordwell
and
Kristin
Thompson
(The
McGraw-Hill
Companies:
New
York,
1997),
447-82.
Corrigan,
T.,
"Film
terms
and
topics,"
in
A
short
guide
to
writing
about
film,
ed.
Timothy
Corrigan
(Longman:
New
York,
1998),
34-77.
Week
6:
Types
of
Argument
/
Essays
(BM)
Lamm,
R.L.,
and
J.
Everett,
"Strategies
and
Fallacies,"
in
Dynamic
Argument
(Houghton
Mifflin
Company:
Boston,
2007),
287-318.
Week
7:
Paragraphing
and
Critical
Thinking
(BM)
Gopen,
G.,
Whose
Paragraph
is
it
Anyway?
The
Shapes
of
the
English
Paragraph,
in
The
Sense
of
Structure:
Writing
from
the
Readers
Perspective.
(Pearson,
2004),
94-129.
Week
8:
Film
Thank
you
for
Smoking
(FDL)
Burki,
T.,
"Film:
Spin
Doctor,"
The
Lancet
Oncology
7
(July
2006).
Olivier,
B.,
"Pseudo-communication
and
the
return
of
the
sophist:
Thank
you
for
smoking,
at
first
sight,"
Communication
33
(2007):
45-62.
Week
9:
Film
Thank
you
for
Smoking
(FDL)
Thompson,
S.,
"Consumer
Ethics
in
Thank
You
for
Smoking,"
Film-Philosophy
13
(April
2009):
53-67.
Week
10:
Rhetoric
and
Culture
1
(BM)
Connor,
U.
Intercultural
rhetoric
in
the
writing
classroom,
(Ann
Arbor
:
University
of
Michigan
Press,
c2011),
Chapter
3,
pp.
25-35.
Week
11:
Rhetoric
and
Culture
1
(BM)
Inch,
Ed.
S.
and
B.
Warnick.
Critical
thinking
and
communication
:
the
use
of
reason
in
argument
(Boston
:
Allyn
&
Bacon,
c2010).
6th
ed.
Chapter
3,
pp.
66-92.
Week
12:
Written
v
Oral
Arguments
(ST)
The
Differences
between
Speech
and
Writing:
Ethos,
Pathos,
and
Logos
Connors,
R.J.,
College
Composition
and
Communication,
Vol.
30,
No.
3
(Oct.,
1979),
pp.
285-
290
Week
13:
Peer
and
Self
Reflection,
Editing
and
Proofreading
as
Rhetorical
Practice
Williams,
J.
M.,
Style
:
the
basics
of
clarity
and
grace,
(The
University
of
Chicago
;
Revised
by
Joseph
Bizup,
Boston
University,
Boston
:
Pearson,
2015).
6th
Edition.
Lesson
11,
pp.
131-150;
Credits,
pp.
151-152.