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FIST 100 Pre-Quiz Quiz

Section A - Match the correct number from column B with the corresponding item in column
A.
COLUMN A COLUMN B
12 First woman filmmaker, especially 1. low angle
known for her short films. 2. Kermit the frog
3. The Great Train Robbery
4 This Soviet filmmaker based his 4. Sergei Eisenstein
editing theory on conflict and a 5. cutting to continuity
collision of images. 6. oblique angle
7. Lumiere Brothers
5 The term for Griffith`s style of 8. film noir
editing for emotional impact. 10. Eadweard Muybridge
11. Hugo
27 The first science fiction film 12.Alice Guy Blach
13. Ran
7 First to project movies onto a screen 14. L`Atalante
(Paris 1895) 15. The Musketeers of Pig Alley
16. Formalism
6 Camera angle to portray psychological 17. La Jete
tension and a world out of balance 18. V.I. Pudovkin
19. Birth of A Nation
15 What is the first gangster film? 20. Buster Keaton
21. Mark Harris
8 This term refers to a kind of 22. Alexander Nevsky
urban American crime film 23. The Artist
that sprang up during and after 24. Metropolis
World War II. 25. Neo-Realism
26. Realism
17 12 Monkeys is considered to be 27. A Trip to the Moon
a remake of this movie. 28. Billy Idol
29. Fritz Lang
25 Umberto D is considered to be an
example for this influential
Italian film movement.
11 Martin Scorsese`s newest film,
which pays homage to many of the
films from the silent film era.
14 This film is clearly associated with
Poetic Realism.
24 This classic science-fiction film is
also associated with German
Expressionism.
Section B - Match the correct number from column B with the corresponding item in column
A.
4 Touch of Evil`s opening sequence is
notable for this kind of shot
15 One of the worlds most famous
director-screenwriter duos
5 this film is an example of the
cinematography of the eye
6 this film has the longest single shot in
the history of cinema
7 the three pillars of arthouse cinema
8 the first movie theatre was opened in
this city
9 which cinematic form is popular today
that had its heyday in the 1950s
1 this or these national cinema(s) are the
closest to Hollywood
13 The three major Soviet filmmakers
10 This famous comedian gave Charlie
Chaplin his big break
21 The inventor of slapstick comedy
20 The Father of cinema
11 The first director-cinematographer
duo
25 This neorealist film took the world by
storm
12 This is the last true neorealist
masterpiece
19 These two fathers of movies created
the kinetoscope
1. Japanese cinema
2. Cinemascope
3. Larry, Curly and Moe.
4. sequence shot
5. La passion de Jeanne d`Arc
6. Russian Ark
7. French, Italian and Japanese Cinema
8. Montreal
9. 3-D
10.Mack Sennett
11. D.W. Griffith and Billy Bitzer
12. Umberto D.
13. Aleksandr Dovzhenko. V.I. Pudovkin and
Sergei Eisenstein
14. Quentin Tarantino and Robert Rodriguez
15. Fritz Lang and Thea von Harbou
16. Lev Kuleshov, V.I. Pudovkin and Alexander
Nevsky
17. Charlie Chaplin
18. Buster Keaton
19. Thomas Edison and W. Dickson
20. D.W. Griffith
21. Max Linder
22. Woody Allen and Gordon Willis
23. Charlie and Donald Kaufman
24. M. Night Shyamalan and his right hand
25. Rome, Open City
26 .Paris
Section C - Simply use the letter F for Formalist or R for Realist
R This kind of director is most concerned with content.
R An unedited documentary can be described as ..
F Abstract, avant-garde, and poetic films could be described as ..
F A bird`s eye angle shot would most often be used by a .
R Andr Bazin and deep focus
F Sergei Eisenstein
Section D - Mark the correct answer according to the glossary in your textbook.
1. Auteur theory is.
X A theory of film popularized by the critics of the French journal Cahiers du cinema in
the 1950s. The theory emphasizes the director as the major creator of film art, stamping the
material with his or her own personal vision, style and thematic obsessions.
__ A theory of film popularized by the critics of the French journal Cahiers du cinema in
the 1950s. The theory emphasizes the actor as the major creator of film art, stamping the
material with his or her own personal vision, style and thematic obsessions.
__ A theory of film popularized by the critics of the French journal Cahiers du cinema in
the 1950s. The theory emphasizes the screenwriter as the major creator of film art, stamping
the material with his or her own personal vision, style and thematic obsessions.
2. Documentary is.
__ A nonfiction film that represents actuality, depicting people and situations that exist, or
once existed, in the real world. Documentaries are told from an objective point of view,
meaning that they actually depict reality as it exists.
X A nonfiction film that represents actuality, depicting people and situations that exist, or
once existed, in the real world. Documentaries often claim, or imply, an objective viewpoint ,
but they inevitably select and shape (and sometimes fabricate) the reality they depict.
__ A fiction film that represents actuality, depicting people and situations that exist, or
once existed, in the real world. Documentaries often claim, or imply, an objective viewpoint ,
but they inevitably select and shape (and sometimes fabricate) the reality they depict.
3. A long shot is.
X A shot taken from a distance that includes a full view of the subject and some
of the surrounding area.
__ A shot in which the subject is photographed from above.
__ A detailed view of a person or subject.
4. Nondiegetic.
X Refers to a sound or image that has no source in the fictional world of the film
(background music, symbolic inserts, etc.)
__ Refers to a sound or image that has an established source in the fictional world of the
film (background music, symbolic inserts, etc.)
__ Refers to an image that has no source in the fictional world of the film (background
music , symbolic inserts, etc.)
5. A sequence shot is
__ A series of shots, usually involving complex staging and camera movements.
X A single lengthy shot, usually involving complex staging and camera movements.
__ A relatively close shot, revealing the human figure from the knees or waist up.
6. This complex analytical term encompasses four distinct formal elements: (1) the
staging and the action, (2) the physical setting and dcor, (3) the manner in which
these materials are framed, and (4) the manner in which they are photographed.
__ Proxemic Patterns
__ The Frame
X Mise en Scene
7. This sequence is the one most often used to demonstrate the possibilities of montage
editing.
__ Opening sequence from Touch of Evil.
X Odessa Steps sequence from Battleship Potemkin.
__ The battle on the ice from Alexander Nevsky.

Section D For each question in this section you must clearly check-mark or circle the
correct answer or letter.
1. Formalism
a) features authentic locations and details
b) emphasizes symbolic characteristics of objects/people
c) is a style that excels in making us feel the humanity of others
d) often deals with protagonists from the working-class.
e) all of the above
2. Realism
a) features authentic locations and details
b) often explores moral issues
c) is a style that excels in making us feel the humanity of others
d) often deals with protagonists from the working-class.
e) all of the above
3. Neo-Realism.
a) sprang up in Italy in 1945, immediately after World War II.
b) mixes reality with fantasy
c) stressed loose episodic plots, ordinary events and characters.
d) a and c
4. German Expressionism
a) is a style steeped in anxiety and terror
b) usually features slapstick comedy scenes
c) features authentic locations and details
d) challenges conventional notions of sexuality and subjectivity
in which heterosexuality is assumed as the norm
5. Andre Bazin, founder of the influential French film journal Cahiers du cinema,
favored
a) Neorealism because according to Bazin it looks on reality as a whole, not
incomprehensible, certainly, but inescapable one.
b) the extensive use of sound on film because according to Bazin cinematic sound is
that which does not simply add to, but multiplies, two or three times, the effect of
the image.
c) heavy editing because according to Bazin the function of all artists is to capture
the dynamic collision of opposites

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