Manjushri-ghosha (Tibetan: jam pal yang. English: The Glorious One with a Melodious Voice.
!ans"rit: Manjushri Tibetan: #am pal yang
Orange in colour$ Manjushri has one %ace and two hands held to the heart in the &harma Teaching gesture (mudra delicately holding the stems o% two lotus %lowers blossoming at each ear. The blossom on his right supports the %laming sword o% wisdom and the le%t supports the 'rajnaparamita !utra. Very peace%ul and smiling$ he is adorned with a crown$ jewel and gold ornaments and (ariously coloured sil" garments$ seated in (ajra posture abo(e a moon disc$ multi-coloured lotus and lion supported tiered throne. )n %ront o% the elaborate bac"rest$ to the right and le%t$ are two standing bodhisatt(as$ white and blac"$ with the hands in the teaching gesture each holding a single lotus blossom supporting a moon and sun respecti(ely. !till within the s*uare enclosure$ to the upper right and le%t o% the bac"rest$ are the two bodhisatt(as Maitreya and Manjushri in dialogue - rela+ing on bench seats. ,long the top$ %rom the le%t$ is a Tibetan lama with the hands in the teaching gesture wearing monastic robes and a pandita hat. -e+t is the .uddha o% Medicine (!ans"rit: .haishajyaguru$ blue in colour %ollowed by the buddha !ha"yamuni %lan"ed by two standing arhats. -e+t is the goddess 'rajnaparamita$ yellow in colour with %our hands %ollowed by the buddha o% long-li%e$ ,mitayus$ red$ holding a (ase and wearing a crown. /astly$ a householder lama with long hair holds the hands in the mudra o% &harma Teaching. Vertically along both sides are %i(e seated lamas all with the hands in the teaching gesture$ each hand holding the stem o% a lotus and wearing monastic robes. ,ll but one wear a pandita hat. .eneath them on the le%t is the wisdom deity 0hite ,chala (Tib.: me1o wa "ar po holding a sword and lasso$ in a "neeling posture. On the right is Green Tara holding the stems o% two blue lotus %lowers$ seated in a rela+ed manner. ,long the bottom %rom the le%t is the wrath%ul deity who remo(es disease$ .hur"um"uta (Tib.: me wa tseg pa$ dar" in colour$ with three %aces and si+ hands$ standing in the %lames o% pristine awareness. -e+t is the wealth deity Ganapati$ elephant %aced$ white in colour with %our hands$ seated in a rela+ed manner. -e+t is .lac" #ambhala$ deity o% wealth$ na"ed$ holding a s"ullcup and mongoose$ in a standing posture. -e+t is 'anjara Maha"ala with one %ace and two hands %ollowed by a %orm o% Maha"ali 'alden 2abtenma$ blac" with two hands holding a sword and bag$ riding a mule. ,t the bottom right corner is a solitary monastic %igure most li"ely the patron o% the artwor". ,long with ,(alo"itesh(ara and Tara$ Manjushri is one o% the most popular bodhisatt(as and tutelary deity %igures in Tantric .uddhism. 'racticed in all schools$ new and old$ there are do3ens o% lineages$ %orms and (ariations o% practice. 4or the !arma !chools Manjushri is %ound in all %our tantric classi%ications: 5riya$ 6arya$ 7oga and ,nuttarayoga. The most popular o% those arise %rom the !iddhai"a(ira Tantra. ,lthough no clear lineage characteristics can be %ound$ it does howe(er show a strong general !a"ya in%luence based on the collection o% secondary deity %igures. )n style the painting indicates a -epali in%luence seen in the geometric layout$ strong colours and detailed ornamentation stri(ing not to lea(e any open can(as.
ʼGyur-med-tshe-dbaṅ-mchog-grub (Dge-rtse Paṇḍita), Herbert V. Guenther-The Creative Vision_ The Symbolic Recreation of the World According to the Tibetan Buddhist Tradition of Tantric Visualization Ot.pdf