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VTR can be
attached for stand-alone operation.
* The previous generation of CCU-370/ 350 Series Camera Control
Units cannot be used with the BVP-950/ 950P.
1-6. Optical Head Block
* A range of four, plug-in Power HAD 1000 CCD imaging capsules
is available for optimum cost/ per formance choice.
* Switchable aspect ratio videos with an OHB-750WSA/ P or OHB-
730WS/ P CCD unit installed.
* Future developments in CCD technology easy to incorporate.
* An additional order of magnitude protection against RFI
(exter nal Radio Frequency Inter ference).
1-7. Familiar Digital Command System
* The BVP-900 Series builds on the well established Sony principle
of common operation. Video engineers accustomed to using the
previous generation of Sony camera command equipment will
find the BVP-900 Series familiar and easy to use.
* High-speed management of digital command data between
camera systems ensures vir tually instant response.
* Flexible reassignment of different camera systems to specific
remote video control panels.
* Central technical super vision of a multiple camera system and
optimum picture matching are readily achieved.
* PC Card - the complete set-up data of the camera and system
configuration information can be accurately stored and retrieved.
* The Sony ISR (Interactive Status Repor ting) system enables
comprehensive and efficient system management to be achieved
from a PC terminal.
1-8. Automated Set-up
* Microprocessor controlled automatic set up capabilities in the
digital domain include:
- shading compensation at black and white video levels.
- automatic hue detection for the skin tone detail function.
- gamma, flare, knee, etc automatically aligned according to the
customers adjustment reference data.
* Menu setting can be done in the field by using the menu switch
on the camera head or with an RM-B150 Hand-held Control
Unit.
1 INTRODUCTION
6
2-1. System Configuration
The BVP-900 Series is based on the renowned BVP-700 Series and
DSP technology pioneered by Sony in the earlier BVP-500 Series
camera system. This new system features two camera heads, the
BVP-900/ 900P full-size studio model and a full companion por table
camera, the BVP-950/ 950P. This por table model is designed for full
integration into a BVP-900/ 900P studio camera system, as well as
being used as a standalone acquisition camera in combination with
Betacam VTRs. Figure 2-2 shows how this inter face is provided by
the CA-553 50-pin Camera Adaptor. A variety of key peripherals, such
as the CNU-700 and CNU-500 Camera Command Network Units help
users to easily expand/ upgrade their system. These peripherals
provide a per fect inter face with the growing ranges of Sony digital
component equipment, such as Betacam SX and Digital BETACAM
products.
2 A TOTAL SYSTEM
STUDIO ZOOM LENS
CCD UNIT
OHB-750A/750AP
OHB-730/730P
OHB-750WSA/750WSAP
OHB-730WS/730WSP
COLOR VIDEO CAMERA
BVP-900/900P
BVF-77/77CE BVF-7700/7700P
TRIAX CABLE (*1)
CAMERA CONTROL UNIT
CCU-700/700P/700A/700AP
CAMERA CONTROL UNIT
CCU-550/550P(*3) CCU-700/700P/700A/700AP
*2: CCA-5 CABLE LENGTH
CCU-700
CCU-700
CNU-700
200 m
16 0 m
90 m
CNU-700 RCP-700/701
RCP-700/701
RCP-720/721/730
/731/740/741
CCU-700 CNU-700
RCP-720/721/730
/731/740/741
45 m
CCU-700
When the CA-570/570P is connected with the CCU-550/550P, use of intercom transmission channel is
limited to only one channel.
In this case, use the INCOM 1 connector of the CA-570/570P.
When the CCU is connected with the VCS-700, the PIX 2 and WF 2 connectors of the CCU are normally
used. When the CCU-550/550P is connected, use of PIX and WF transmission channels are limited to only
one channel respectively.
In this case, use the PIX and WF connectors for the CCU-550/550P.
*3:
*4:
CNU-700
RCP-720/721/730
/731/740/741
RCP-720/721/730
/731/740/741
RCP-720/721/730
/731/740/741
RCP-700/701/720
/721/730/731/740/741
VIDEO SELECTOR
VCS-700
REMOTE CONTROL
PANEL
RCP-720 RCP-721
REMOTE CONTROL PANEL
CCA-5 CABLE
(*2)
CAMERA COMMAND
NETWORK UNIT
CNU-700/500
MASTER SETUP UNIT
MSU-700
CCA-5 CABLE
(max. 200m)
RCP-730 RCP-731 RCP-740 RCP-741
RCP-700 RCP-701
CCA-5 CABLE
(*2)
PIX 2
PIX 2(*4)
WF 2(*4)
WF 2
CCA-5 CABLE
(*2)
CCA-5 CABLE
(*2)
CCA-5 CABLE
(max. 200m)
CCA-5 CABLE
(*2)
PIX
WF
2-inch VF(BVF-20W/20WCE)
1.35-inch COLOR VF(BVF-C10W)
1.5-inch VF(BVF-10/10CE)
ELECTRONIC
VIEWFINDER
BVF-55/55CE
CAMERA ADAPTOR
CA-570/570P
CA-550/1 550P/1
CCD UNIT
OHB-750A/750AP
OHB-730/730P
OHB-750WSA/750WSAP
OHB-730WS/730WSP
For BVP-900/900P
*1: TRIAX CABLE LENGTH
Diamater
8.5 mm
14.5 mm
1000 m
2000 m
700 m
1400 m
Maximum length
CCU-700 CCU-550
Diamater
8.5 mm
14.5 mm
500 m
1000 m
400 m
800 m
Cable-length limitation for
prompter signal transmission
CCU CAM CAM CCU
STANDALONE UNIT
BKP-7910/7910P
SCRIPT HOLDER
BKP-7911/7912
TRIAX UNIT
BKP-7010
RTS KIT
BKP-7913
For BVP-950/950P
For CA-550/550P
ELECTRET CONDENSER MICROPHONE
ECM-MS5
MICROPHONE
C-74
CRADLE SUSPENSION
CRS-3P
TELEPROMPTER UNIT
BKP-5971
COLOR VIDEO CAMERA
BVP-950/950P
TRIAX CABLE (*1)
ENG/EFP LENS
OTHER OPTIONAL ACCESSORIES
4 : 3
16 : 9
4 : 3
16 : 9
ELECTRONIC VIEWFINDER
Figure 2-1 System Configuration
2
1
7
ENG/EFP LENS
REMOTE CABLE
(max. 100 m)
REMOTE
CONTROL
UNIT( )
RM-B150
CCZ CABLE
CCZ CABLE
When the CA-550/550P is connected to the RM-B150, video
signals cannot be output from the MONITOR connector of the
RM-B150.
:
VTR
RECORDER UNIT
DNV-5
CAMERA ADAPTOR
CA-3A
BETACAM
ADAPTOR
CA-553
VIDEO CASSETTE
RECORDER
BVV-5/5PS
REMOTE
CONTROL
PANEL
RCP-700
RCP-701
RCP-720
RCP-721
RCP-730
RCP-731
RCP-740
RCP-741
AC ADAPTOR
AC-550/550CE
CCA-5 CABLE
(max. 50m)
DIGITAL VIDEO CASSETTE
RECORDER
DVW-250/250P
CAMERA ADAPTOR
CA-570/570P
CA-550/1 550P/1
CA-530
ELECTRONIC
VIEWFINDER
BVF-55/55CE
COLOR VIDEO CAMERA
BVP-950/950P
OHB-750WSA/750WSAP
OHB-730WS/730WSP
2-inch VF(BVF-20W/20WCE)
1.35-inch COLOR VF(BVF-C10W)
1.5-inch VF(BVF-10/10CE)
4 : 3
16 : 9
CCD UNIT
OHB-750A/750AP
OHB-730/730P
MASTER
SETUP
UNIT
MSU-700
RETURN VIDEO
SELECTOR
CAC-6
Figure 2-2 System ConfigurationPortable Cameras
2 A TOTAL SYSTEM
8
Front cover (supplied)
BVF-7700/7700P
(with standard hood)
7-inch viewfinder
VFH-770 7-inch Viewfinder
Sports Hood
BKP-7010 Long Triax Kit
BKP-7910/7910P Stand-Alone Kit
(for using the BVP-900/900P as a
stand-alone unit)
BKP-7911/7912 Script Holder
(a script light included)
RCP-700-Series
Remote Control Panel
or
RM-B150
Remote Control Unit
CCA-5 cable
Tripod
V-wedge shoe
(supplied with the tripod)
Triax cable
BVF-77/77CE
(with standard hood)
Zoom lens
OHB-750A/750WSA/730/730WS/
750AP/750WSAP/730P/730WSP
CCD Unit
BVP-900/900P
Color Video Camera
1
Figure 2-3 Optional Accessories for BVP-900/900P
2
A TOTAL SYSTEM
9
Caution
It is recommended to use the BVP-950/
950P in combination with the CA-570/
570P Camera Adapter.
If the BVP-950/950P is used with the
CA-550/550P, powering up may not be
executed correctly, depending on the
CA-550/550P version.
If you wish to use the CA-550/550P
instead, please contact your Sony
service representative.
VCT-14
Tripod Adaptor
Tripod
CCA-5 cable
(or the cable
supplied with
the RM-B150)
RCP-700-Series
Remote Control Panel
(or RM-B150
Remote Control Unit)
CA-530
CA-550/1 550P/1
CA-570/570P
Camera Adaptor
BVF-C10W
1.35-inch Viewfinder,
BVF-10/10CE
1.5-inch Viewfinder,
or BVF-20W/20WCE
2-inch Viewfinder
Water-resist cover
Microphone
CAC-12 Microphone Holder
Front cover (supplied)
Zoom lens
OHB-750A/750WSA/730/730WS/
750AP/750WSAP/730P/730WSP
CCD Unit
Carrying case
BVP-950/950P
Color Video Camera
Figure 2-4 Optional Accessories for BVP-950/950P
2 A TOTAL SYSTEM
10
2-2. Camera Head
BVP-900/ 900P The BVP-900/ 900P is an outstanding color video
camera which incorporates Sony ADSP (Advanced Digital Signal
Processing) and 12-bit A/ D conversion. Using industr y-first CCD
imager technology, the BVP-900/ 900P is easy to upgrade from the
4:3 standard to switchable 16:9/ 4:3 operation, allowing users to
capitalize on the growth in widescreen programming. Using the
proven Power HAD 1000 CCD with its excellent highlight handling,
the BVP-900/ 900P provides a 900 TV line resolution and achieves the
remarkably low smear level of -145dB (FIT). Just some of the state-of-
the-ar t features are:
* Triple skin tone detail
* Adaptive detail control
* Fine detail
* Electronic soft focus
* Adaptive highlight control
* Knee saturation
* 3-D white shading
* Multi matrix control
* Skin tone auto iris
These improvements contribute to an unsurpassed image quality,
making the BVP-900/ 900P a tr ue top-of-the-line studio/ OB camera.
BVP-950/ 950P The BVP-950/ 950P is the por table version of the
BVP-900/ 900P and has identical video processing circuitr y. Both
models have the same signal per formance and can be controlled
either at the camera head or by remote control through studio
system peripherals such as the CCU-700A/ 700AP Camera Control
Unit, MSU-700 Master Set-up Unit and CNU-700/ CNU-500 Camera
Command Network Units. Because of this design concept, users of
the BVP-950/ 950P have the same features, the same operational
per formance and the same operational feel as the BVP-900/ 900P -
an optimized solution to meet the needs of high-end users for a
companion studio por table camera.
The flexible inter facing of the BVP-900 and BVP-950 (and their
respective 625/ 50 PAL versions the BVP-900P and BVP-950P) means
that they are not only high-end broadcasting cameras with the latest
technology, but they can also be easily integrated into conventional
studio/ OB vehicle systems that use earlier BVP-500 Series cameras.
M a in F e a tu re s o f C a m e ra H e a d s
a ) E x c e lle n t P ic tu re Q u a lity
* Sensitivity F10.0 at 2000 lx with OHB-750WSA/ P, OHB-
730WS/ P and OHB-730/ P
F8.0 at 2000 lx with OHB-750A/ P (3200 K, 89.9%
reflectance)
* S/ N (Typical) 65 dB (NTSC), 63 dB (PAL)
* Resolution 900 TVL (4:3 OHB CCD models)
* Modulation 80%(at 5 MHz), DTL OFF
* Smear level -145 dB (With Power HAD FIT imager installed)
* Total absence of lag and highlight ar tifacts
b ) Wid e b a n d tria x tra n sm issio n
* 10 MHz for luminance channel
* Up to 2000 m cable length (with 14.5 mm cable, with CCU-
700A/ 700AP)
* Up to 1000 m cable length (with 8.5 mm cable, with CCU-
700A/ 700AP)
c ) E n h a n c e d C a m e ra O p e ra to r fu n c tio n s
* Picture in picture (BVP-900/ 900P only)
* Cursor memor y (BVP-900/ 900P only)
* Up to four (BVP-900/ 900P) or four (BVP-950/ 950P with CA-
570/ 570P) selectable retur n video feeds
d ) A d va n c e d in te rc o m syste m
* Individual ENG/ PROD lines
* Microphone system
* PGM audio system
e ) U tility o u tp u ts B VP -9 0 0 /9 0 0 P o n ly)
* Up to 200VA
* 12 V DC output (for script light or wireless microphone receiver)
* Prompter output
f) F u ll c o m p a n io n c a m e ra
* The BVP-950/ 950P por table camera has the same picture quality
and remote operational controls as the studio/ OB camera BVP-
900/ 900P
g ) C o m p a c t size a n d e a sy m a in te n a n c e
* Highly sophisticated mechanical design
* BVP-900/ 900P 20.0 Kg (44 lb 1 oz) (without viewfinder)
* BVP-950/ 950P 3.7 Kg (7 lb 5 oz) (with viewfinder and OHB)
* All boards plug-in for easy maintenance
h ) C o n ve n ie n t re tu rn vid e o se le c t
Up to four retur n video signal can be selected for operational
convenience. Retur n video switches and intercom switch are fitted on
the car r ying handle of the BVP-950/ 950P to suit various shooting
styles.
i) C o m fo rta b le B VP -9 5 0 /9 5 0 P o p e ra tio n
Thanks to a new soft material, the shoulder pad of the BVP-950/ 950P
comfor tably molds to the operators shoulder. It incorporates a
pivoting chest pad and does not require for ward/ backward
adjustment.
2-3. Camera Control Unit
The CCU-700A/ 700AP is a camera control unit for use with BVP-900
Series cameras. By incorporating of wideband Triax transmission
system and a digital control system, as well as three optional SDI
outputs, the CCU-700A/ 700AP offers maximum camera per formance
combined with flexible operation. It has been designed to achieve the
highest reliability, afford easy maintenance and allow flexible system
configuration.
The CCU-550/ 550P Camera Control Unit is also available for use
with BVP-950/ 950P por table cameras. A compact body, two SDI
outputs (with a BKP-5972 option fitted) and optional 12 V DC
operation (BKP-5974) make this unit ideal for field use.
M a in F e a tu re s o f th e C C U -7 0 0 A /7 0 0 A P
C a m e ra C o n tro l U n it)
a ) Wid e b a n d tria x tra n sm issio n
* 10 MHz luminance channel for high per formance transmission; 6
MHz for each color difference signals
* Up to 2000 m cable length (with 14.5 mm cable)
2
A TOTAL SYSTEM
11
2 A TOTAL SYSTEM
* Up to 1000 m cable length (with 8.5 mm cable)
* Retur n video (up to 2000 m with 14.5 mm cable and 1000 m
with 8.5 mm cable)
* Prompter video (up to 1000 m with 14.5 mm cable and 500 m
with 8.5 mm cable)
b ) E a sy-to -o p e ra te c o m m a n d syste m
* Immediate response
* Wide range of remote controls
c ) M o n o c o lo r fu n c tio n
* Monochrome video is available to VBS and Y, R-Y and B-Y
outputs
* Hue (360 degrees) and saturation controllable from an MSU-700
Master Set-up Unit
d ) C h a ra c te r d isp la y
* Self diagnostics and other information may be displayed on a
monitor or superimposed on the picture monitoring output
* Characters, such as the camera number, can be superimposed on
the inter nal color bar signal
e ) P o we rfu l se lf-d ia g n o stic s syste m
* ISR system inter face provided
* Triax cable condition and the status of each board can be
monitored
f) C o m p o n e n t S D I o u tp u t o p tio n )
* Three component SDI outputs are optionally available for
inter facing to the ever increasing range of component digital
equipment and facilities
g ) B u ilt-in c o n tra st a n d sa tu ra tio n fu n c tio n s
* Contrast, saturation and chroma on/ off controls provided
h ) F le x ib le in te rc o m syste m
* Individual channels for producer and engineer
* 4W, 2W or RTS selectable by inter nal switch
i) R e m o te ly c o n tro lla b le M I C in p u t g a in c a m e ra h e a d )
* The gain of the two camera head microphone inputs controllable
from the CCU in 10 dB steps (-60 dB ~ -20 dB)
j F lic k e r-le ss se q u e n tia l m o d e R G B ) sta n d a rd fo r WF M o u tp u t
* RGB sequential monitoring without flicker
k ) C o m p a c t size a n d e a sy m a in te n a n c e
* 19-inch wide and 3U high, including camera power supply unit
* Plug-in boards and plug-in power supply unit for easy
maintenance
2-4. Control System
(Please refer to section 6. Control System for fur ther information)
In addition to the MSU-700 Master Set-up Unit and eight different
types of RCP-700 Series Remote Control Panels, the CNU-700 and
CNU-500 Camera Command Network Units form the command
ner ve center for a new concept in camera control system. A wide
selection of control peripherals allow each user to configure the most
suitable system to meet a specific operational need. The following are
the key peripherals.
a ) M a ste r S e t-u p U n it M S U -7 0 0 )
The MSU-700 Master Set-up Unit can control up to 6 cameras (up to
12 cameras by using an expansion board) in combination with the
CNU-700 Camera Command Network Unit. The adoption of an EL
Touch Panel in the MSU-700 helps to simplify the operation of its
sophisticated control system. And data such as scene files can be
stored in a world-standard PC memor y card.
b ) C a m e ra C o m m a n d N e two rk U n its C N U -7 0 0 a n d C N U -5 0 0 )
The Camera Command Network Units are designed to be the ner ve
center of the Sony camera control system for the BVP-900 Series,
BVP-700 Series, BVP-500 Series and HDC-700 Series of cameras.
They work as Command Selector, Command Distributor and
Command Arbitrator. These two types of camera command network
units give a cost/ per formance choice. The CNU-500 is suitable for
applications with up to six cameras, while the standard six cameras
capability of the CNU-700 can be expanded to 12 cameras with use of
the BKP-7930 optional expansion board. With the BKP-7932 optional
command conversion board installed instead of the BKP-7930, the
CNU-700 can operate with six previous-generation CCU-370/ 355/ 350
units as well as six CCU-700A/ 550 units.
The carefully designed software and the high-speed CPU of both the
CNU-700 and CNU-500 give them a fast response time whatever the
system configuration.
c ) Vid e o S e le c to r VC S -7 0 0 )
The VCS-700 Video Selector is used to switch composite video
monitoring signals from a BVP-900 Series multi-camera system to a
picture monitor and waveform monitor. The VCS-700 accepts the
video monitoring signal from up to six CCU-700A or CCU-550
Camera Control Units and switches these signals to two picture
monitor outputs and two waveform monitor outputs. The selection of
monitoring signals can be controlled by the camera selection buttons
on the MSU-700 Master Set-up Unit, or by exter nal control
equipment through the D-sub 37-pin I/ O por t on the VCS-700.
For SDI monitoring, the optional BKP-7933 S-Bus Inter face Board
provides connection to a Sony digital routing system.
d ) R e m o te C o n tro l P a n e ls R C P -7 0 0 S e rie s)
There are four ranges of Remote Control Panel for the BVP-900
Series. Each range has two types - joystick control and dial control.
The RCP-740/ 741 is the top of the range for sophisticated operational
use, and can be used as a substitute for the MSU-700 Master Set-up
Unit in some special applications. The RCP-730/ 731 is the mid-range
model with general control function, especially useful for limited
space with its slim design. The RCP-720/ 721 is also a mid-range unit,
with sufficient control functions for general use. Finally, the RCP-
700/ 701 features the basic control items required for daily operation
of acquisition camera systems. The RCP-730/ 731, RCP-720/ 721 and
RCP-700/ 701 can all be used as a sub-control panel to suppor t an
MSU-700 or RCP-740/ 741.
2-5. Viewfinders
As well as the BVF-77/ 77CE, a high per formance 7-inch
monochrome viewfinder with extremely high horizontal resolution,
the BVF-7700/ 7700P 7-inch high grade color viewfinder is also
available for the BVP-900/ 900P. This high grade color viewfinder is
especially convenient for cases where color needs to be identified by
the camera operator. For the BVP-950/ 950P, a 5-inch monochrome
viewfinder, the BVF-55/ 55CE, is available. All of these models are
ver y compact in size, light in weight and economical in power
consumption. The low mounting positions of the BVF-77 and BVF-
7700 Series provide convenient viewfinder displays aligned as close
as possible to the lens axis.
12
2
A TOTAL SYSTEM
- P ic tu re -in -p ic tu re F u n c tio n in Vie wfin d e r B VP -9 0 0 /9 0 0 P
o n ly)
The viewfinder retur n video signal can be inser ted into any one
of the four cor ners of the viewfinder display. Fur thermore, the
camera and retur n video pictures can be interchanged.
- I n d ic a tio n o f Z o o m P o sitio n
As well as showing the ND/ CC filter positions in the viewfinder,
lens zoom and iris settings can also be displayed, along with
alpha/ numeric status displays.
- Vie wfin d e r B o x C u rso r M e m o ry B VP -9 0 0 /9 0 0 P o n ly)
Three combinations of box H position, V position, height and
width can be memorized and assigned to the three cursor
buttons.
2-6. BVP-900/900P Optional System Accessories
F o r C a m e ra
BKP-7910/ 7910P Standalone unit for the BVP-900/ 900P
BKP-7911 Script Holder, one-page type with lamp, for the
BVP-900/ 900P
BKP-7912 Script Holder, two-page type with lamp, for the
BVP-900/ 900P
BKP-7913 RTS inter face kit for the BVP-900/ 900P
F o r C C U /C N U /M S U
BKP-7311 SDI Output Board for CCU-700A/ 700AP
BKP-7312 SDI Retur n V/ F I/ P Board for CCU-
700A/ 700AP
BKP-7900 Extender Board for CCU-700A/ 700AP and
CNU-700/ 500
BKP-7930 Expansion Board for system expansion up to
12 cameras for the CNU-700
BKP-7931/ 7931P Sub-encoder Board for the CCU-700A
BKP-7932 BVP-370 Series Inter face Board for the CNU-
700
BKP-7933 S-Bus Inter face Board for CNU-700
BKP-5972 SDI Output Board for CCU-550/ 550P
BKP-5973 Control Panel for CCU-550/ 550P
BKP-5974 DC Power Unit for CCU-550/ 550P
CCA-5 Cables 8p-8p cables for the CNU-700/ 500, CCU-700A/ 550,
MSU-700, VCS-700 and RCP-700 Series
CCA-5-3 3 m
CCA-5-10 10 m
CCA-5-30 30 m
CCZ Cables 26pin-26pin VTR cable
CCZ-2 2 m (6.4 ft)
CCZ-10 10 m (33 ft)
2-7. A New Series of Viewfinders for the BVP-950/950P
Three types of viewfinders can be used with the BVP-950/ 950P
por table camera to provide the choice required in meeting different
applications. These viewfinder models have the following features:
B VF -C 1 0 W E le c tro n ic C o lo r L C D Vie wfin d e r
* 1.35-inch, 16:9 widescreen color LCD viewfinder
* Incorporates 1.35-inch, wide aspect TFT active matrix color LCD
panel with 510,000 dots
* Non-interlace, high ver tical resolution and less flicker by using a
Sony Line Doubler (double-speed conversion)
* High resolution of 400 TV lines in both 16:9 and 4:3 modes with
excellent color gradation to show the finest detail
* 16:9/ 4:3 automatic switching. When used in 16:9 mode, 4:3 limits
and box cursor can be selected to help in shooting 16:9 material
that may be conver ted later into the 4:3 standard
* Peaking is shown in yellow for easy focusing
* Retur n signal can be monitored in color
* World-wide model automatically responds to the video input
standard, NTSC or PAL
* High per formance, triple magnification lens for better visibility
* Removable eye-piece allows direct view of the LCD
* Tally lamp for camera operator is located on the viewfinder body
Photo 2-1 BVF-7700/7700P
Photo 2-2 BVF-55/55CE
so that it can be seen even when not looking at the viewfinder
screen. It can be masked with a sliding cover
* Supplied with an exter nal microphone
B VF -2 0 W N T S C ) /2 0 WC E P A L ) E le c tro n ic B la c k a n d Wh ite
C R T Vie wfin d e r
* 2-inch 16:9 widescreen B/ W CRT viewfinder
* High resolution 600 TV lines at center in both 16:9 and 4:3
modes
* Diagonal size is 1.5-inch in 4:3 mode and 2.0-inch in 16:9 mode to
ensure easy focusing even in 16:9 mode
* Removable eye-piece allows direct view of the LCD
* Tally lamp for camera operator is located on the viewfinder body
so that it can be seen even when not looking at the viewfinder
screen. It can be masked with a sliding cover
* Removable eye-piece allows direct view of the LCD
* Supplied with an exter nal microphone
B VF -1 0 N T S C ) /1 0 C E P A L ) E le c tro n ic B la c k a n d Wh ite C R T
Vie wfin d e r
* 1.5-inch 4:3 standard B/ W CRT viewfinder
* High resolution 600 TV lines at center
* Diagonal size is 1.5-inch to ensure easy focusing
* Tally lamp for camera operator is located on the viewfinder body
so that it can be seen even when not looking at the viewfinder
screen. It can be masked with a sliding cover
* Removable eye-piece allows direct view of the LCD
* Supplied with an exter nal microphone
2-8. Rack Mounting of System Equipment
a ) 1 9 -in c h size e q u ip m e n t
The CCU-700A/ 700AP Camera Control Unit, CNU-700 and CNU-500
Camera Command Network Units, and VCS-700 Video Selector can
be mounted in a 19-inch standard EIA rack. These units either mount
directly into the rack or with optional slide rails such as the Sony
RMM-30 Rack Mount Rail. These slide rails allow the unit to be
easily pulled out from the rack and are recommended if you intended
to pull out the unit frequently.
Wa rn in g fo r S a fe ty P u rp o se : It takes two or more people to mount a
unit into a rack. Mounting the unit into a rack by yourself can cause
back or other injuries.
M o u n tin g th e u n it d ire c tly to th e ra c k
Fix the unit to the rack using the rack mount bracket of the unit.
Daily maintenance is easy with the unit mounted with this method.
M o u n tin g th e u n it u sin g th e R M M -3 0 R a c k M o u n t R a il
When the RMM-30 Rack Mount Rail is used, the unit can be
mounted into a rack with a depth of 660 to 830 mm (26 to 32 3/ 4
inches). Proceed as follows:
1 : Pull out inner member while pushing against the stopper
2 : Secure the inner members to both sides of the unit with the
screws (+B4 x 8). Use the screws removed from or supplied
with the unit
Inner member
Stopper
Outer member
12.7
15.9
15.9
12.7
Universal-type rack
12.7
31.75
12.7
Wide-type rack
13
Photo 2-3 BVF-C10W
Photo 2-5 BVF-10/10CE
Photo 2-4 BVF-20W/20WCE
2 A TOTAL SYSTEM
14
3 : Loosen the screw of the bracket of the outer member
4 : Attach the front and rear brackets of the outer member to the
rack. Screws (b), (c) and (d) are supplied with the RMM-30.
Wh e n a 1 U u n it is m o u n te d
1) Attach the front bracket to the inside of the front of the rack at
the screw holes at 15.9 mm (22/ 32 inch) inter vals, using screw
(b) and plate nut (c).
2) Attach the rear bracket to the outside of the rear of the rack at
the screw holes at 31.75 mm (1 5/ 16 inches) inter vals, using
screws (d).
Wh e n a u n it o th e r th a n 1 U h e ig h t is m o u n te d
1) Attach the front bracket to the outside of the front of the rack at
the screw holes at 31.75 mm inter vals, using screws (d).
2) Attach the rear bracket to the outside of the rear of the rack at
the screw holes at 31.75 mm inter vals, using screws (d).
5 : Fasten the screws loosened in step 3.
12.7
12.7
31.75
31.75
12.7
31.75
15.9
15.9
15.9
15.9
12.7
Front
Front
Rear
Rear
Screw b
Screw d
Plate nut
c
31.75
Screw d
Screw d
6 : Pull the rails out.
7 : Inser t the inner member to the outer member while pushing
against the stopper, then fully push the unit into the rack.
Wa rn in g fo r S a fe ty P u rp o se : It takes two or more people to
mount a unit into a rack. Mounting the unit into a rack by
yourself can cause back or other injuries.
8 : Push the unit into the rack, and secure the front panel to the
rack with screws (+RK M5 x 16 to 20) and washers (5).
b ) R C P -7 0 0 S e rie s a n d M S U -7 0 0
The RCP-700 Series and the MSU-700 can be mounted into a 19-inch
rack using an optional drawer. Each type of equipment requires
different par ts to mount it into the drawer. For details, please contact
your local Sony office.
2
RCP-700 Series
Drawer
Cover
2
A TOTAL SYSTEM
15
2 A TOTAL SYSTEM
2-9. Basic Connection Examples
a ) Vid e o -sig n a l c o n n e c tio n s
When mixing the character signal with the output signal of the VCS-
700, set the SYNC ON/ OFF switch (S7) on the inter nal board of the
CNU-700 to OFF.
7 8 9 10 11 12
CCU
1 2 3 4 5 6
RCP
1 2 3 4 5 6
7 8 9 10 11 12
CCU
MSU VCS AUX1 AUX2
AUX4
~AC IN
MSC VCS AUX3
INPUT
COAX
MIX
CH-1 CH-2
RET1 R
G
B
WF1
PIX1
WF2
VBS1
VBS2
VBS3
Y
R-Y
PIX2 SYNC
RCP/CNU
WF MODE
AUX CHARACTER
B-Y
REFERENCE
RET2
RET3
RET4
INTERCOM
REMOTE
CAMERA
RTS
MIC OUTPUT
REMOTE INTERCOM/TALLY/PGM
OUTPUT
~
AC IN
INPUT
COAX
MIX
CH-1 CH-2
RET1 R
G
B
WF1
PIX1
WF2
VBS1
VBS2
VBS3
Y
R-Y
PIX2 SYNC
RCP/CNU
WF MODE
AUX CHARACTER
B-Y
REFERENCE
RET2
RET3
RET4
INTERCOM
REMOTE
CAMERA
RTS
MIC OUTPUT
REMOTE INTERCOM/TALLY/PGM
OUTPUT
~
AC IN
1 BVP-900-series camera
CCU-700A/700AP
Return video signal
Reference signal (BB)
Prompter signal
75-ohm terminator
Switcher, monitor
VTR
Reference signal (BB)
75-ohm terminators
CCU-700A/700AP
75-ohm terminator
Picture monitor
Switcher, monitor
VTR
Chroma keyer
Waveform monitor
Character monitor
75-ohm terminator
CNU-700
Reference signal (BB or BS)
VCS-700
Chroma keyer
R
E
T
1
/
R
E
T
2
/
R
E
T
3
/
R
E
T
4
R
E
F
E
R
E
N
C
E
P
R
O
M
P
T
E
R
R
E
T
1
/
R
E
T
2
/
R
E
T
3
/
R
E
T
4
R
E
F
E
R
E
N
C
E
R
/
G
/
B
Y
/
R
-
Y
/
B
-
Y
W
F
2
/
P
I
X
2
CAMERA
PROMPTER
REFERENCE
RET1/RET2/
RET3/RET4
VBS1/VBS2/VBS3
CAMERA
PROMPTER
RET1/RET2/RET3/RET4
WF1/PIX1
WF2/PIX2
CHARACTER
CHARACTER
PIX A/SYNC
CHARACTER CHARACTER
REFERENCE
WF A/WF MODE
VBS1/VBS2/VBS3
W
F
2
/
P
I
X
2
Y
/
R
-
Y
/
B
-
Y
R
/
G
/
B
R
E
F
E
R
E
N
C
E
/
P
R
O
M
P
T
E
R
2 BVP-900-series camera
Figure 2-5
16
2
A TOTAL SYSTEM
b ) C o n n e c tio n o f c o n tro l, in te rc o m , ta lly a n d a u d io sig n a ls
7 8 9 10 11 12
CCU
1 2 3 4 5 6
RCP
1 2 3 4 5 6
7 8 9 10 11 12
CCU
MSU VCS AUX1 AUX2
AUX4
~AC IN
MSC VCS AUX3
INPUT
COAX
MIX
CH-1 CH-2
RET1 R
G
B
WF1
PIX1
WF2
VBS1
VBS2
VBS3
Y
R-Y
PIX2 SYNC
RCP/CNU
WF MODE
AUX CHARACTER
B-Y
REFERENCE
RET2
RET3
RET4
INTERCOM
REMOTE
CAMERA
RTS
MIC OUTPUT
REMOTE INTERCOM/TALLY/PGM
OUTPUT
~
AC IN
INPUT
COAX
MIX
CH-1 CH-2
RET1 R
G
B
WF1
PIX1
WF2
VBS1
VBS2
VBS3
Y
R-Y
PIX2 SYNC
RCP/CNU
WF MODE
AUX CHARACTER
B-Y
REFERENCE
RET2
RET3
RET4
INTERCOM
REMOTE
CAMERA
RTS
MIC OUTPUT
REMOTE INTERCOM/TALLY/PGM
OUTPUT
~
AC IN
PREVIEW REMOTE
CCU/CNU AUX
PREVIEW REMOTE
CCU/CNU AUX
~AC IN
POWER
FUSE
I/O PORT
AUX CCU/CNU
REMOTE
1 CCU-700A/700AP
2 RCP-700 series unit
1 RCP-700 series unit
2 CCU-700A/700AP
Microphone signal output
Microphone control and tally
Microphone signal output
Intercom control and tally
Intercom and tally
Microphone control and tally
Intercom and tally
VCS-700
CNU-700
MSU-700
Selection of input signals
Switcher
Intercom control and tally
RTS intercom
RCP/CNU
RCP/CNU
RTS MIC REMOTE
MIC REMOTE
MIC OUTPUT RTS
RTS
CCU 1
CCU/CNU CCU/CNU
PREVIEW PREVIEW
CCU 2
RCP 1 RCP 2 MSU
CCU/CNU
VCS
I/O PORT REMOTE
INTERCOM REMOTE
INTERCOM REMOTE
INTERCOM/TALLY/PGM
INTERCOM/TALLY/PGM
MIC OUTPUT
Figure 2-6
17
3 SONY ADVANCED ELECTRONIC IMAGING TECHNOLOGIES
3-1. Industry-first Plug-in Imager Assembly
The Plug-in Imager Assembly is in the form of a self-contained
imaging subsystem. It is, in essence, a miniature plug-in camera
containing the CCD block and all its suppor t systems. This imager
assembly can be easily removed and installed so that operators with
no special skills can easily exchange imager assemblies in the field.
There are several types of Imager Assembly. The OHB-750A/ 750AP
is a 2/ 3-inch 4:3 FIT type CCD and the 750WSA/ 750WSAP is a 2/ 3-
inch 16:9/ 4:3 switchable widescreen FIT type CCD. For IT types, 4:3
standard screen sized OHB-730/ 730P and 16:9/ 4:3 switchable
widescreen OHB-730WS/ 730WSP are available. The latest Power
HAD technology achieves superior S/ N ratio and extremely low
smear level. One ver y beneficial feature is that no readjustment is
required after exchanging these imager assemblies. This
breakthrough concept also offers a highly cost-effective way of
upgrading CCDs over the camera life span.
O H B -7 5 0 A /7 5 0 A P
4:3 standard image format FIT CCD sensor, with remote control
of its CC/ ND filter.
O H B -7 5 0 WS A /7 5 0 WS A P
16:9/ 4:3 switchable widescreen image format FIT CCD sensor,
with remote control of its CC/ ND filter and aspect ratio
conver ter board.
O H B -7 3 0 /7 3 0 P
Fitted with a 4:3 standard image format IT CCD sensor, with
remote control of its CC/ ND filter.
O H B -7 3 0 WS /7 3 0 WS P
16:9/ 4:3 switchable widescreen image format IT CCD sensor,
with remote control of its CC/ ND filter and aspect ratio
conver ter board.
3-2. Sony CCD Advantages
Since the early 1970s, Sony has remained in the forefront of CCD
OHB-750WSA/750WSAP
16:9/4:3 switchable
620K FIT (PAL)
520K FIT (NTSC)
OHB-750A/750AP
4:3 620K FIT (PAL)
4:3 520K FIT (NTSC)
OHB-730WS/730WSP
16:9/4:3 switchable
620K IT (PAL)
520K IT (NTSC)
OHB-730/730P
4:3 620K IT (PAL)
4:3 520K IT (NTSC)
BVP950/950P
+
CA570/570P
BVP-900/900P
STUDIO/OB COMPANION PORTABLE
STANDARD
ECONOMICAL
Figure 3-1 Optimizing cost / performance choice with alternative OHBs
18
3
SONY ADVANCED ELECTRONIC IMAGING TECHNOLOGIES
imager technology with a sustained, broad-ranging research and
development program. The benefits of this technological
commitment can be seen in the wide range of Sony CCD cameras -
from mass produced types for consumer use to professional cameras
for field and studio operations. The top end of this range has now
been fur ther expanded with the introduction of the Power HAD 1000
16:9/ 4:3 switchable widescreen CCD sensors for the BVP-900 Series.
Total picture per formance is a complex function of many attributes in
imager y. Improvements in overall camera picture quality are a result
of continuing developments of the CCD imager, the CCD suppor t
circuitr y and video processing. As the CCD imager itself remains
central to the direction of recent camera development, enhancements
to the total per formance of CCDs for broadcasting cameras are of
critical impor tance. For this purpose, Sony developed the Power
HAD 1000 and has continuously been refining it ever since.
3-3. Power HAD 1000 CCD
The Power HAD 1000 CCD has 1038 horizontal picture elements, a
total of 520,000 for NTSC and 620,000 for PAL. Introduced with the
previous generation of cameras, the BVP-500 Series, Sony improved
the Hyper HAD 1000 CCD to complement 10-bit DSP. For the new
top of the line BVP-900 Series, Sony has developed a totally new and
outstanding design of CCD imager to complement its 12-bit ADSP for
the following reasons.
H ig h p ic tu re q u a lity
With its extremely high pixel count, the Power HAD 1000 provides a
horizontal resolution of over 900 lines, a high depth of modulation of
80%and minimum aliasing. Sony advanced semiconductor
technologies also give the Power HAD 1000 high sensitivity and ver y
low smear - despite its large number of picture elements. With the
inherent high level of picture quality provided by this imager, the
precise picture adjustment capability of digital cameras becomes
even more impor tant.
E x c e lle n t m a tc h in g o f C C D a n d c a m e ra to d ig ita l e n viro n m e n t
The Power HAD 1000 has not just been developed to provide
excellent picture quality. When developing a CCD for digital cameras,
the relationships between CCD drive clock frequency, digital signal
processing sampling rate and the digital VTR sampling rate have to
be considered. Simple relationships between these three parameters
result in easy signal conversion from CCD output to digital video
signal, in tur n reducing the complexity of the digital LSIs and
reducing camera power consumption. The 18 MHz clock frequency
of the Power HAD 1000 was chosen to fulfill this requirement. It has
a direct relationship to the 18 MHz and 36 MHz sampling rates in the
camera and a simple, 4/ 3 relationship, to the 13.5 MHz sampling
frequency of the Digital BETACAMformat.
3-4. High Depth of Modulation
The high packing density achieves an excellent depth of modulation
per formance of 80 %at 5 MHz.
3-5. Minimum Aliasing with New Optical Low-Pass Filter
Incorporating the Power HAD 1000 in the BVP-900 Series involves an
extremely high sampling rate of 18 MHz. This high clocking rate, in
combination with precision CCD spatial offset and the exclusive
design of the new optical low-pass pre-filter, reduces aliasing to a
level never achieved in previous generations of CCD cameras.
3-6. High Sensitivity
The power HAD 1000 CCD imager inherits the OCL (On-Chip-Lens)
technology used in all other Sony broadcast-range cameras. The OCL
layer of the CCD chip effectively concentrates the incident light on
Photo 3-1 Sony leading technology used in these CCDs is applied in the
Power HAD 1000 imager
Photo 3-2. Sony Power HAD 1000 CCDs
-0.6
-0.4
-0.2
0.2
0
0.4
0.6
0.8
1.0
1.2
RESPONSE
2 4 6 8 10 12 14 16 18 20
HORIZONTAL FREQUENCY (MHz)
Pbo (2/3")(QX3457)
Pbo (1-1/4")(XQ3430)
Power HAD (520,000 pixels)
0.8
Overrall Y Response
(with Optical LPF, without Lens)
cf2: Pbo (1-1/4")(XQ3430)
cf1: Pbo (2/3")(QX3457)
0
Figure 3-2. Depth of Modulation characteristic
19
the photo sensor area by precisely positioning a microlens over each
pixel. As a result, the camera sensitivity is doubled, achieving a
figure of F10.0 at 2000 lux with OHB-750WSA/ P, OHB-730WS/ P and
OHB-730/ P. (F8.0 with OHB-750A/ P.) The following Figure 3-5
shows how the OCL enhances sensitivity.
3-7. Invisible Smear Level
The OCL layer in the Power HAD imager effectively concentrates the
incoming light on the photo sensor so that leakage of light is greatly
reduced. The direct result of this is a ver y low smear level (even on
the IT sensors). This fur ther improvement of the masking
techniques in the Power HAD 1000 (FIT) has reduced the smear to a
level of -145 dB (FIT), which is invisible. The following Figure 3-4
and 3-5 shows the new techniques.
3-8. Excellent Signal-to-Noise Ratio
The superior str ucture of the Power HAD imager greatly contributes
to a reduction in the dark cur rent noise to 1/ 10 of that in the
previous generation of CCDs. This gives a cor responding reduction
in the fixed patter n noise, maintaining low noise characteristics in all
imaging situations. In combination with an advanced CCD suppor t
system, the Power HAD 1000 incorporated in the BVP-900 Series
achieves the excellent signal-to-noise ratio of 65 dB (typical) for
NTSC and 63 dB (typical) for PAL.
3-9. Super EVS (Enhanced Vertical Definition System)
The basic Enhanced Ver tical Definition System (EVS) can sometimes
cause line flicker due to the increase in ver tical definition. Super
EVS, which is available on BVP-900 Series cameras fitted with FIT
sensors, allows the ver tical resolution to be enhanced over a range of
400 to 450 lines for NTSC and from 450 to 530 lines for PAL This is
achieved by changing the charge mixing ratio in the CCD read out.
This function is remotely controlled from the MSU-700 Master Set-up
Unit and permits the balance between ver tical resolution and motion
blur to be optimized for different scene contents, while keeping line
flicker to a minimum.
3-10. Clear Scan and ECS (Extended Clear Scan)
The well proven Clear Scan and ECS functions eliminate banding
effects when shooting monitor displays by allowing the shutter speed
to be adjusted so that it exactly matches the various scanning
frequencies that are in use. For FIT CCDs, the Clear Scan shutter
speed range is 60.1 to 7000 Hz for NTSC and 50.2 to 9000 Hz for
PAL, the ECS range is 30.4 to 58.3 Hz for NTSC and 25.4 to 48.5 Hz
for PAL. For IT CCDs it is 60.1 to 7000 Hz for NTSC and 50.2 to 9000
Hz for PAL. The ECS function is especially effective for shooting
computer displays that have ver tical scanning rates below 60 Hz.
Al
Si
Al
Si
On-Chip-Lens
P+ P+
N+
N+
2nd
P-Well
Hole Accumulated Layer
1st P-Well
C.S
(Channel
stop)
V-register
Sensor
Sensed light
R.O.G
(Read out gate)
N-Substrate
Figure 3-3 On-chip-lens structure
P+ P+ P+
N+
N+
C.S
(Channel
stop)
V-register Sensor R.O.G
(Read out
gate)
Figure 3-4 Smear Pattern of the previous generation of CCDs
Si
Ai
Si
Ai
P+ P+ N+
N+
2nd
P-Well
Masking
1st P-Well
Hole Accumulated Layer
C.S
(Channel
stop)
V-register
Sensor
N-Substrate
R.O.G
(Read out gate)
Figure 3-5 Power HAD 1000 CCD imager
3 SONY ADVANCED ELECTRONIC IMAGING TECHNOLOGIES
20
4
3
4 SONY ADVANCED DIGITAL SIGNAL PROCESSING (ADSP)
4-1. Basic block diagram
The following diagram shows how Sony has applied its innovative
skills in semiconductor technology to the design of BVP-900 Series
cameras.
4-2. Image Capture
A wide choice of Optical Head Blocks (OHBs) is available for BVP-
900/ 900P and BVP-950/ 950P cameras. Each camera is fitted with one
of four types of 2/ 3-inch IT or FIT Power HAD 1000 CCDs. The Red,
Green and Blue CCD sensors are fixed to the prism block using
CHU
OHB
PROMOTER
TRIAX
R white
shading
B white
shading
B white
shading
R 12-bit
G 12-bit
B 12-bit
R
R Y
VF DTL
R
G
B
R video
G video
B video
G G
B
B
RC-68
(option)
MD-83 DM-97
OHB-750A/WA
AP/APW
AMP
12-bit
A/D
+5v
+2.5v
AMP
12-bit
A/D
+5v
+2.5v
AMP
12-bit
A/D
+5v
+2.5v
D/A
D/A
D/A
D/A
D/A
D/A
D/A
SH IE PR
ARC
ARC
ARC
Pinp
Y/C sep
VF out
select
VF out
TEST out
RM out
TEST out
select
SRAM
RET
YR/-Y,B-Y
RET
PROMP
Figure 4-1 ADSP Block Diagram
21
Spatial Offset Technology to provide higher resolution. The image
captured on the photosensors of each CCD is read out at a clock
frequency of 18 MHz.
4-3. Analog Signal Processing Domain
Gain boost process is per formed in the analog domain by a Video
Amplifier circuit. After that white balance and pre-knee are processed
with an AD board. The video signal from the CCD, which can have a
dynamic range of 600%of nominal white level, is compressed to
approximately 340%by this pre-knee process and conver ted to a 12-
bit digital signal at an 18 MHz sampling rate. This is the same
sampling frequency as that of the Power HAD 1000 imager.
4-4. Digital Signal Processing Domain
The camera signal processing is executed in the digital domain in
BVP-900 Series cameras. Within this digital processing, more than 12
bits are used in critical applications such as shading compensation,
image enhancing and gamma cor rection.
As shown in the diagram, three VLSIs are used for processing. In the
SH VLSI, the peak and average levels are measured, together with
other parameter of the video signal. These measurements are sent to
the analog circuits as feedback signals. The PR circuit contains the
main camera processing; gamma controls, knee slope controls and so
on. The RC circuit is used for aspect ratio conversion between 16:9
and 4:3. The ARC is a separate board supplied with widescreen,
switchable, OHB CCDs. The SH, IE, PR and ARC are using the latest
VLSI technologies.
4 SONY ADVANCED DIGITAL SIGNAL PROCESSING (ADSP)
22
5-1. Full DSP Camera Processing
The BVP-900 Series uses 12-bit A/ D conversion based on the latest
LSI technology. This advanced technology has allowed Sony to take a
major step for ward from the 10-bit conversion of its previous
generation of cameras a move that was not possible with earlier
A/ D conver ters and DSP LSIs.
a ) M u lti M a trix
Multi Matrix is a function that electrically adjusts the basic RGB
color taking characteristics of the camera to achieve optimum
colorlimetr y. It makes it easy to match the color of cameras under
multi-camera operations, or to reproduce the characteristics of
another type of camera. It can also be used to manipulate color for a
par ticular special effect. A conventional linear matrix function
provides only six adjustable parameters, with considerable
interaction between their effect on a specific color. Multi Matrix
divides the spectr um into 16 segments, each of 22.5 degrees, for
each of which there is an independent hue and saturation parameter.
Multi Matrix allows the selection of each of these segments, with
separate adjustment of hue and saturation parameters. Operation
flow is as follows:
1) Select Multi Matrix on the paint menu of the MSU-700 Master
Set-up Unit.
2) Tur n the Matrix and the Multi switches to ON.
3) The MSU-700 EL display now shows a representation of the
Multi Matrix as it would appear on a vectorscope. You can
select the desired color phase that you want to adjust.
4) After selection of the color phase, its hue and saturation can
be adjusted.
5 BENEFITS OF SONY ADSP
5
4
RY
BY
saturation
hue
Figure 5-1 Multi Matrix
Photo 5-1 Multi Matrix ON and OFF
O N
N o rm a l
23
b ) A u to K n e e
When the Auto Knee button on the MSU or RCP panel is pressed, it
optimizes the knee point and knee slope for best reproduction of the
high lights. The Adaptive Highlight control function can also be used
in conjunction with Auto Knee.
c ) G a m m a
New 12-bit A/ D conversion defines more precisely the required
gamma characteristic by using a gamma cur ve created from 48
segments. This is in comparison with the 32 segments in the
previous camera range.
d ) B la c k G a m m a
Black Gamma allows control of the linear par t of the gamma
characteristic, providing adjustment of the shadow areas of the
picture during shooting.
e ) B la c k C lip
Improvements in the Black Clip circuitr y have improved the
signal/ noise ratio for more natural reproduction.
f) A u to B la c k /Wh ite
The BVP-900 Series provides per fect accuracy in black and white
balance.
5 BENEFITS OF SONY ADSP
Photo 5-2 Multi Matrix (Vectorscope)
Input signal level
Output signal level
white clip
auto slope
point limit
auto knee circuit
Figure 5-2 Auto Knee curve image
N o rm a l
O N
5-2. Precise Handling of Highlight Position
a ) O p tim ize d b it a ssig n m e n t
The video level up to 260%is processed linearly. Highlights over 260%
are compressed by a pre-knee circuit before A/ D conversion,
providing the most efficient utilization of the 12-bit A/ D conversion
process.
b ) K n e e S a tu ra tio n
Knee Saturation eliminates both the washed out effect and hue
changes in overexposed areas of a picture, providing more natural
color reproduction.
c ) A d a p tive h ig h lig h t c o n tro l A u to K n e e m o d e )
Conventional cameras only have a single knee point/ slope
characteristic. In contrast, the Sony ADSP system has multiple knee
point/ slope characteristics. The camera intelligently monitors the
brightness of all areas of the picture and adapts the knee point/ slope
for optimum reproduction. A typical example is shooting an interior
scene which includes a sunlit exterior seen through a window. This
new function applies only to video levels in excess of the knee point,
the middle and low luminance par ts remaining unchanged.
24
white clip
auto slope
k
n
e
e
p
o
i
n
t
0
k
n
e
e
p
o
i
n
t
1
k
n
e
e
p
o
i
n
t
2
k
n
e
e
p
o
i
n
t
3
k
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p
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Output signal level
Intput signal level
Knee
M Gamma
Detail
White
Black
Subcategory
Act
FltMax
L (RM)
M (RM)
H (RM)
Mode
AtKnee
Test
Item
Ctrl
Scal
Item
Ctrl
Scal
Item
Ctrl
Scal
Ctrl
Scal
Item
Ctrl
Scal
Item
Md2, Md3
4, 5
[-3, 0, 3, 6, 9, 12, 15, 18, .....42
[-3, 0, 3, 6, 9, 12, 15, 18, .....42
[-3, 0, 3, 6, 9, 12, 15, 18, .....42
RM, CAM
AtKnee, KneeSat
BikGamma, SkinDtl
1, 2, 3
Knee, Slope, Knee Sat,
M-VHS, M Gamma,
BikGamma, Detail,
SkinDtl
Rel, Abs
1/1, 1/2, 1/4
Knee, Slope, Knee Sat,
M-VHS, M Gamma,
BikGamma, Detail,
SkinDtl
Rel, Abs
1/1, 1/2, 1/4
Knee, Slope, Knee Sat,
M-VHS, M Gamma,
BikGamma, Detail,
SkinDtl
Rel, Abs
1/1, 1/2, 1/4
Rel, Abs
1/1, 1/2, 1/4
Black, Flare
Rel, Abs
1/1, 1/2, 1/4
Setting
Selects the control mode.
Md2: Each time the ACTIVE button is pressed, FULL and LOCK are toggled.
Md3: Each time the ACTIVE button is pressed, FULL,
PART and LOCK are cyclically switched.
Sets the default numbers of the ND and CC filters.
However, when the connected camera has an automatic filter detection facility,
setting this item is not required.
Selects the gain value for GAIN selector position LOW in Gain Local mode (in 3 dB
steps to 42 dB max.) *1
Selects the gain value for GAIN selector position MID in Gain Local mode (in 3 dB
steps to 42 dB max).*1
Selects the gain value for GAIN selector position HIGH in Gain Local mode (in 3 dB
steps to 42 dB max.) *1
Selects the Gain Local/Remote mode.
RM: Gain Local mode (The gain is controlled according to the settings on this unit
regardless of the GAIN L/M/H settings on the camera.)
CAM: Gain Remote mode (The gain is controlled according to the GAIN L/M/H
settings on the camera. Effective only with a camera equipped with an
automatic detection facility.)
Selects the function of the AUTO KNEE button.
AtKnee: Turns the Auto Knee saturation function on and off (on when lit).
KneeSat: Turns the Knee function on and off (on when lit).
BlkGamma: Turns the Black Gamma function on and off (on SkinDtl: Turns the Skin
detail function on and off (on when lit).
Selects the output signal when the OUTPUT selector is set
to the TEST position.
1: Gamma-waveform signal
2: Three-value staircase signal
3: Ten-value staircase signal
Item: Selects the function of the control knobs.
Knee: Master knee point adjustment
Slope: Knee slope adjustment
Knee Sat: Knee saturation adjustment
M-VHS: Master V modulation shading adjustment
M Gamma: Master gamma adjustment
BlkGamma: Black gamma adjustment
Deail: Detail adjustment
SkinDtl: Skin detail adjustment
Ctrl: Selects the adjustment mode of the control knobs.
Rel: Relative mode
Abs: Absolute mode
Scal: Selects the adjustment range of the control knobs in Relative mode. The
adjustment range is set as a fraction of the entire variable range.
Selects the adjustment mode of the WHITE control knobs.
Rel: Relative mode, Abs: Absolute mode
Selects the adjustment range of the WHITE control knobs in Relative mode. The
adjustment range is set as a fraction of entire variable range.
Selects the function of the BLACK control knobs.
Black: Black balance adjustment
Flare: Flare balance adjustment
Selects the adjustment mode of the BLACK control knobs.
Rel: Relative mode, Abs: Absolute mode
Selects the adjustment range of the BLACK control knobs in Relative mode. The
adjustment range is set as a fraction of entire variable range.
Contents
D e ta il M e n u (An Underlined item under Setting indicates the factory setting.)
Location and Function of Parts and Controls
10
118
RM Diag
M Black
Iris
System
DIP SW
Pnl Test
Version
Preset
Item
Scal
Ctrl
Scal
Min
Max
Mode
COM
Obj
S1-1
S1-2
S1-3
S1-4
S1-5
S1-6
S1-7
S1-8
ALLReset
Rel, Abs
1/1, 1/2, 1/4
Rel, Abs
1/1, 1/2, 1/4
Cls, 22 to 1.0
Cls, 22 to 1.0 (1.4)
RM, CAM
OK, Sens, Open
...., CHU, CCU, CNU
On, Off
On, Off
On, Off
On, Off
On, Off
On, Off
On, Off
On, Off
Selects the adjustment mode of the M BLACK control knob.
Rel: Relative mode, Abs: Absolute mode
Selects the adjustment range of the M BLACK control knobs in Relative mode. The
adjustment range is set as a fraction of the entire variable range.
Selects the adjustment mode of the IRIS control.
Rel: Relative mode, Abs: Absolute mode
Selects the adjustment range of the IRIS control in relative mode. The adjustment
range is set as a function of the entire variable range.
Sets the minimum adjustment value (f) in Absolute mode.
Sets the maximum adjustment value (f) in Absolute mode.
Selects the variable range mode in Absolute mode.
RM: The iris is adjusted within the min. and max. values set on this menu.
CAM: The iris is automatically adjusted according to the iris file data of the camera.
(effective only with a camera equipped with an automatic detection facility)
Shows the communication status of the command port (CAMERA connector).
OK: Normal
Sens: Communication is not possible.
Open: No connector connected.
Shoes the connected device.
....: None
CHU: Camera head
CCU: Camera control unit
CNU: Camera network unit
Shows DIP switch S1-1 status (S1=CPU-266 board S1)
Shows DIP switch S1-2 status (S1=CPU-266 board S1)
Shows DIP switch S1-3 status (S1=CPU-266 board S1)
Shows DIP switch S1-4 status (S1=CPU-266 board S1)
Shows DIP switch S1-5 status (S1=CPU-266 board S1)
Shows DIP switch S1-6 status (S1=CPU-266 board S1)
Shows DIP switch S1-7 status (S1=CPU-266 board S1)
Shows DIP switch S1-8 status (S1=CPU-266 board S1)
Executes the panel test.
To set the unit in Test mode, push the CANCEL/ENTER switch towards ENTER with
this subcategory selected (Pnl Test displayed).
In Test mode, the test of switches, LEDs and volumes can be made.
To release Test mode, push the RM Configuration switch in the direction while
holding the CANCEL/ENTER switch at ENTER.
Displays the version information.
To display the information, push the CANCEL/ENTER switch towards ENTER with
this subcategory selected (Version displayed).
The ROM version of this unit is displayed (The display can be scrolled with the
menu select knob).
To cancel the version display, push the CANCEL/ENTER switch towards CANCEL.
Returns (resets) all the settings made by the RM Configuration menu to the factory
settings.
Operating procedure:
1. Push the RM Configuration switch in the direction with this subcategory
selected (All Reset displayed) while holding the CANCEL/ENTER switch at
ENTER. All Reset flashes on the display.
2. Push the CANCEL/ENTER switch towards ENTER .OK flashes on the display.
3. Push again the CANCEL/ENTER switch towards ENTER.
4. Reset is executed.
5. When reset is completed, Complete appears for several seconds. By pushing the
CANCEL/ENTER switch towards CANCEL in step 3, the reset operation can be
canceled.