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A short script read at Breezeblock, Sydney, as part of the exhibition 'Trust Exercise' (20.9–12.10.2014). The text features characters/artists Andrew Haining, Brian Fuata and Zoe O’Mahoney Robertson
A short script read at Breezeblock, Sydney, as part of the exhibition 'Trust Exercise' (20.9–12.10.2014). The text features characters/artists Andrew Haining, Brian Fuata and Zoe O’Mahoney Robertson
A short script read at Breezeblock, Sydney, as part of the exhibition 'Trust Exercise' (20.9–12.10.2014). The text features characters/artists Andrew Haining, Brian Fuata and Zoe O’Mahoney Robertson
A short script to be read at Breezeblock, Sydney, as part of
Trust Exerc i se (20.912.10.2014)
featuring A. Haining, B. Fuata and Z. OMahoney Robertson
A folly. Entertainment for the masses. Think 21 st century cognitive vaudeville for the over-educated. Cheap thrills. What you hear~see is what you get; nothing need be interpreted. Feel free to improvise, while remaining more or less faithful to the text.
PROLOGUE
Standing equidistant from one another in a semi-circle, amongst the art, slightly separated from the rest of the crowd but facing them, each character slowly, at their own pace, provides a description. As they do so, they observe one of the other characters intently.
B: [staring at Z] Sage, open, humble, flamboyant, precise
A: [staring at B] Thoughtful, contrary, strong, generous, indecisive
Z: [staring at A] Smart, analytical, stubborn, warm, ambitious
End prologue. The players circle anti-clockwise for as long as they see fit, so that when they stop each has moved one place to their right. Pause.
ACT I
Each character speaks slowly enough that the words be understood, but not so slow as to sound affected. Projection is important.
Z: Sometimes I think the most useful thing to do would be to allow ourselves every week to have a ritualistic tantrum. Hissy fit. This isnt about dragging others down or doling out blame, but rather about an auto-exorcism of some kind. Therefore, it is self-motivated even self-indulgent. Yet generous because externalising; thereby admitting one is affected by the world that one is pained, hurt, traumatised, enraptured, but that its OK. Publicly so.
B: To admit the world whilst expulsing its torment: an honest and sincere expos, a loving, generous expos. One in which you take responsibility and part.
A: That is to say, an auto-exorcism, which is to say self-exorcism, from the crap were told we need to imbibe and hold down in order to behave in a civilised manner.
B: Perhaps if regularly we indulged but its not indulgence, is it, its actually vitality, necessity in these tantrums, these fits, the rest of the time(s) wouldnt feel as restrictive either.
A: Instead, a sort of relief. We could honestly expel all those wicked, monstrous, joyous, mad, ecstatic spirits, which could go and run around with each other for a week. Meanwhile, we return to normal and allow them to accumulate again; the ritual would be fun.
Z: Some kind of admission that this emotional, neurotic, sensitive, crazy, irrational side is a healthy counter balance to the sedate, subdued struggle of everyday coping, smiling
B: Everythings great-ing.
A: Wed just say, Ive got to go have my paroxysm, and no one would blink. Histrionics would be a regular part of life, and wed all laugh together!
Pause. End of Act I. The players circle anti-clockwise for as long as they see fit, so that when they stop each has moved one place to their right. Pause.
ACT II
While B reads, A and Z stare at him.
B: [interpretive interlude] [03/09/2014 23:04:59] eleanor: cats get cancer now [03/09/2014 23:05:04] eleanor: before they just died [03/09/2014 23:05:10] eleanor: now they are diagnised! [03/09/2014 23:05:14] eleanor: diagnosed* [03/09/2014 23:05:20] eleanor: used to be the same for humans, too
End of Act II. The players circle anti-clockwise for as long as they see fit, so that when they stop each has moved one place to their right. Pause.
ACT III
Each character speaks quickly, in rapid succession, while clearly enunciating. They speak more to the crowd than to each other.
A: I trusted you. I failed you. I trusted you. And it didnt work.
B: The reality is very different.
Z: It didnt work. I didnt prioritise work, cognitive production, artistic production, output.
A: Outcomes. Production. Outcomes. Comes. Come. Come. Lake Como. Come, come into my world.
Z: Fuck.
B: You.
Z: I. I never want to prioritise. No prioritisation. Priorities for sissies. Priority boarding. Priority lame. Priority boarding. Boreding.
A: I trusted you.
B: Leave me alone. Work for what. What for? Surplus nothing.
Z: Nada. There is no work to be done.
A: True. Why are you doing it?
B: My brain is tired.
Z: Im anxious.
A: I dont trust.
B: I want to trust.
Z: I would have trusted.
A: But now, I question.
B: What is the point?
The players circle anti-clockwise for as long as they see fit, so that when they stop each has moved one place to their right. Pause.
B: So instead of working on my brand
A: What did you do?
Z: Instead of working on my brand, disseminating my nonsense and penetrating the culture industry,
A: With yet another,
B: Repetition.
A: Yet another.
Z: Repetition.
B: Yet another.
Z: Cognition.
A: Critic-ition.
Z: Fallacio-ition.
B: Of self-righteousness.
A: Instead of working on my brand
B: I chatted endlessly with my friend,
Z: On repeat,
A: I found a new lover,
B: On repeat,
Z: I drank too much,
A: On repeat. Instead of working.
B: And I wouldnt call that distraction!
Z: I wouldnt call all that a distraction.
A: No, I wouldnt call that a distraction. From the main event!
B: How dare you say distracted? As if the word were an innocent.
Z: Obscene. Totally hors-sujet. Or sue shay. Horse shit.
A: Yes, because, distracted from what? What the hell are you talking about?
Pause.
B: Better more fodder for the annals of analysis and critique,
Z: More waste for the over-educated brains the future trash of the year 2050.
A: Its worth listening to because I think we all know there is something to say
Z: Aspiring to silence, understanding. Focus on the stuff thats alive. Not yours.
A: Not stroking the priorities of fear. Forget yourself.