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145
Dvayasa
.
mpattivrtika A, f. 8v24 and upper margin; B, . 6v97r1 (v. 23):
.
tkadeasamu-
dbhto mm
.
msvanakesar | har
.
sadatteti nmn tu tasya snor iya
.
m k
.
rti
.
h.
146
Vijnabhairavaviv
.
rti, p. 78, ll. 12: dvayasa
.
mpattikras tu vmanantho .
147
Vijnabhairavaviv
.
rti, p. 90, ll. 1417: rhrasvanthena har
.
sadattasnun aha
.
mkramay
bhmir *itydin dvayasa
.
mpattau (corr. : ityadin advayasa
.
mpattau Ed.). Te citation is Dvaya-
sa
.
mpattivrtika A, f. 8r1819; B, f. 6r8 (v. 5a).
148
Partrikvivara
.
na, p. 198, ll. 1314: e
.
sa eva rvmana*viracite dvayasa
.
mpattivrtike
(viracite dvaya corr. : viracite advaya Ed.) upadeanayo boddhavya
.
h.
149
Spandanir
.
naya, p. 48, ll. 147: bha
.
t
.
tarvmanenpy uktam lambya sa
.
mvida
.
m yasmt
sa
.
mvedya
.
m na svabhvata
.
h | tasmt sa
.
mvidita
.
m sarvam iti sa
.
mvinmayo bhaved iti. Bha
.
t
.
tar-
Vmana too has said: One can become ooded with consciousness by [contemplating] the
fact that since the objects of knowledge exist not in themselves but only in dependence on
cognition everything is known. Tis is Svabodhodayamajar A, f. 7v1920 (v. 32).
150
See footnote 143 on p. 278.
151
See, e.g., v. 32 translated in footnote 149.
152
Svabodhodayamajar A, f. 7r1114; B, f. 3r47 (vv. 1516): yad yan manohara
.
m ki
.
mcic
chrutigocaram gatam | ekgra
.
m bhvayet tvad yval lna
.
m nirodhak
.
rt | rpdn
.
m tathaive-
ttha
.
m bhvayed rama
.
nyatm | vilnn *na (A : n B) smaret pacd tmabhvopab
.
r
.
mhita
.
h.
278 Mlanges tantriques la mmoire dHlne Brunner
One should direct ones attention at the climax of love-making to the point be-
tween the penis and the navel. As the bliss of orgasm fades one will suddenly
be freed of all perturbation.
153
If a persons awareness dissolves into the self in every moment through these
methods he becomes liberated-in-life, having reached the full reality of con-
sciousness.
154
Te dening feature of these methods, which sets themapart fromthe med-
itation practices of the brahmanical tradition and indeed from those taught in
much of the aiva Mantramrga, has been expressed by the author as follows:
155
Te ancients taught that the cessation [of the activities of the mind and senses]
comes about through the method of cultivating distaste for them. I shall teach
[here] how that cessation can be achieved eortlessly.
and by Abhinavagupta in an oblique reference to the text:
156
To explain, the Guru has taught in many ways in his treatise that it is by an
eortless detachment that the activities of the senses dissolve. [For] the more
they are forcibly restrained, the more they rise in ever new forms.
As for the Dvayasa
.
mpattivrtika, that is an explanation of two verses, as-
cribed to oral transmission (vaktrgama
.
h),
157
on the attainment of liberation-
153
Svabodhodayamajar B, f. 5r67 (lacking in A) (v. 38): nbhime
.
dhrntare citta
.
m*suratnte
(corr. : svaratnte B) vinik
.
sipet | lyamne ratnande nistara nga
.
h k
.
sa
.
na
.
m bhavet.
154
Svabodhodayamajar A, f. 8r79; B, f. 5v57 (v. 43): ittha
.
m pratik
.
sa
.
na
.
m yasya cittam t-
mani lyate | sa labdhabodhasadbhvo jvanmukto vidhyate.
155
Svabodhodayamajar A, f. 7r67; B, . 2v93r1 (v. 12): prvair nirodha
.
h kathito
vairgybhysayogata
.
h | ayatnena nirodho yam asmbhir upadiyate.
156
Mlinvijayavrtika 2.11112: tath hi gurur dik
.
sad bahudh svakasane | andaravi-
raktyaiva galantndriyav
.
rttaya
.
h | yvat tu viniyamyante tvat tvad vikurvate.
157
Dvayasa
.
mpattivrtika A, f. 8r1718; B, f. 5v67 (v. 4ab): lokadvayam ida
.
m yasmc chi-
vavaktrgamoditam. Gxoii (1974, p. 454) takes ivavaktrgamoditam to mean stated in the
scriptures from the very mouth of iva (state dette nellgama dalla stessa bocca di iva).
However, the term vaktrgama
.
h and its synonyms such as vaktrmnya
.
h and mukhgama
.
h
mean oral teaching as opposed to teaching in the form of scripture; see, e.g., Devdvyardhaa-
tik, f. 12r45 (v. 139ab): pacc *ch
.
r
.
nu
.
svaiva (em. : ch
.
r
.
nu
.
svava Cod.) mahopadea
.
m vaktr-
game yahti sthita khecar
.
su; f. 3v67 (v. 31cd): *mukhgamam ida
.
m (conj. : mukhgamami
Cod.) devi khecar
.
n
.
m h
.
rdi sthitam; Klkulakramasadbhva, f. 4r12v1 (3.29cd): tena vaktre
.
na
vak
.
symi vaktrmnyakramgatam; Klkulapacaataka A, f. 2v1 (1.18ab): mukhgamavidh-
nena vaktrdvaktrakrame
.
na tu; Chummsa
.
mketapraka, f. 9v6 (v. 142): sa
.
mcru | mukhnmu-
khakramyta
.
h sarvasa
.
mkalpavarjita
.
h | vaktrmnya
.
h paro yo ya
.
m sa sa
.
mcro mita
.
h sthita
.
h;
Alexis Sanderson 279
in-life (vyutthne ivatvam) through meditative fusion of the two urges, intro-
vertive and extrovertive, of uncontracted consciousness.
Tese practices and their description contain no elements that link themdi-
rectly to outward features specic to the Krama. Indeed many are drawn from
the Vijnabhairava rather than any scripture of the Klkula. Nonetheless,
their spirit is precisely that which animates the Krama; and this proximity is
particularly clear in the practice of observing the arising and reversion of sen-
sual cognition, from initial excitation to nal quiescence. We cannot conclude,
therefore, from the abstract character of these instructions that they must have
been written by an author other than Hrasvantha. Moreover, both works are
connected with the oral tradition of the Siddhas, an expression for the enlight-
ened that is mostly applied in the Kashmirian literature to masters of the Krama.
Te author of the anonymous Mahnayapraka when citing the rst verse of
the Svabodhodayamajar refers to it or the whole work as siddhamukhmnya
.
h
the oral teachings of the Siddhas.
158
Te author himself refers to those teach-
ings in that work
159
and at the end of his Dvayasa
.
mpattivrtika identies them
as his source. Moreover, he declares that those who achieve success by following
the path that he has formulated on their basis will attain the yoginpadam, the
domain of the Yogins, which is to say the state that they embody or, which
comes to the same, the state that they hold in their awareness and transmit to
others.
160
Tis too is consistent with a Krama background, though it does not
Vtlanthastrav
.
rtti, p. 19, ll. 12: mahmelpasamaye stropanibaddho vaktrmnya
.
h prak-
ita
.
h; Tantrloka 6.252ab: iti klatattvam udita
.
m stramukhgamanijnubhavasiddham. Tis
leads me to question the reading iva-. For the oral teaching of iva is his scriptures and the
expression ivavaktrgama- is therefore pleonastic. Moreover, as Gxoiis translation shows, it
supposes an awkward ellipsis: scriptures by/from ivas mouth for scriptures uttered by ivas
mouth. I therefore suspect that the manuscripts have transmitted a corruption of siddhavak-
trgamoditam taught in the oral transmission of the Siddhas. Tat reading would make better
sense, and it would be in keeping with the authors statement at the end of the work that it is
the oral teachings of the Siddhas that he has formulated (see footnote 160).
158
Mahnayapraka (Triv.) 9.5253: iti siddhamukhmnyayukty .
159
Svabodhodayamajar B, f. 5r12 (v. 35): vmadak
.
si
.
nasa
.
mcrabindudvayanighar
.
sa
.
nt |
dvdante mahakti
.
h siddhair ukt mukhgame Te Siddhas have taught in their oral teach-
ings that the Great Power [becomes manifest] in the Dvdanta through the friction of the
two drops in the ows of the left and right [channels of the breath].
160
Dvayasa
.
mpattivrtika A, f. 8v2324 and left margin; B, f. 6v89 (v. 22): iti siddhamukho-
dgta
.
m svayam evam udh
.
rtam | mrge
.
nnena sa
.
msiddh labhante yoginpadam Tus I have
formulated in my own words the oral teaching of the Siddhas. Tose who achieve success by
this path attain the Yogins domain.
280 Mlanges tantriques la mmoire dHlne Brunner
prove it conclusively. Finally, the Svabodhodayamajar, though infrequently
cited in the Kashmirian literature, is, as we shall see, one of the few texts cited
by Kashmirian authors of the Krama. I see no good reason therefore to deny
that these two texts are the work of Hrasvantha/Vmana.
Some have asserted that the author of these works is the Vmanadatta
who wrote the long philosophical hymn to Vi
.
s
.
nu (*Vi
.
s
.
nustuti) rooted in the
Pcartrika tradition of the Stvatasa
.
mhit that has been referred to as the
Sa
.
mvitpraka, though that appears to be the title only of the rst of a series of
Prakara
.
nas contained in the work.
161
But that position is refuted by the hymn
itself. For while the author of the aiva works describes himself as the son of
Har
.
sadatta, a Mm
.
msaka of
.
Tkadea in the northern Panjab, the author of
this Pcartrika work describes himself as a Kashmirian of the Ekyana lin-
eage, whose father was Devadatta, son of Rtradatta.
162
Hrasvantha and Cakrabhnu
Hrasvantha initiated ve disciples according to the *Kramava
.
mval and
six according to Jayaratha.
163
Te foremost of these was Cakrabhnu, whom
Krama tradition reports to have been an ascetic following the [Kplika] ob-
servance as a skull-carrying denizen of the cremation ground (mahvrata-
dhara
.
h).
164
Now the Kashmirian historian Kalha
.
na reports in his Rjatara ngi
.
n, writ-
ten between 1148/49 and 1149/50, that a brahmin ascetic of this name was
punished by King Yaaskara (r. a.o. 939948) for transgressing the limits of
brahmanical conduct (atycra
.
h) in a cakramelaka
.
h. He also reports the claim
of the Gurus of this tradition that the Yogin Vrantha, who, he tells us, was
Yaaskaras minister of war and peace and Cakrabhnus maternal uncle, took
161
Tis assertion is seen in Gxoii 1974, p. 453 and 1989, p. 125; and Toiiiia 1994, p. 482.
162
Sa
.
mvitpraka, f. 5r69 (vv. 153155, end): rtradattir devadatto ratndevy
.
m yam tma-
jam | lebhe vmanadattkhya
.
m tatstuty pryate hari
.
h |
.
sa
.
s
.
tyuttara
.
m lokaatam ida
.
m bodha
.
m
vinpi ya
.
h | pa
.
then madhuripor agre bhakty mok
.
sa
.
m sa gacchati | ekyane prastasya kamre
.
su
dvijanmana
.
h | k
.
rtir vmanadattasya seya
.
m bhagavadray. iti sa
.
mvitprakanma prathama
.
m
prakara
.
nam Hari delights in the hymn of Vmanadatta, whom Devadatta, son of Rtradatta,
obtained as his son by Ratndev. Whoever recites these 160 verses in the presence of Vi
.
s
.
nu
with devotion, even if he does not understand them, attains liberation. Tis work on the Lord
is Vmanadattas, a brahmin born in Kashmir in the Ekyana [lineage]. Here ends the rst
Prakara
.
na, called the Sa
.
mvitpraka.
163
Tantrlokaviveka, vol. 3, pp. 193, l. 16197, l. 4.
164
See Ar
.
nasi
.
mhas Mahnayapraka, v. 156 in footnote 194 on p. 294.
Alexis Sanderson 281
revenge by performing a ritual of chastisement (nigrahakarma) that caused the
kings death:
165
Te king, having committed himself vigorously to the task of supervising the
caste-classes and [brahmanical] disciplines discovered that a brahmin ascetic
called Cakrabhnu had transgressed prescribed brahmanical conduct in a cakra-
melaka
.
h and, being submissive to his religious obligations as a king, punished
him by branding his forehead with the shape of a dogs foot. Te [kta] Gu-
rus, promoting their standing by [pointing to] the power of their predecessors,
condently proclaim that in his fury at this the Yogin Vrantha, who was the
kings own minister of war and peace and Cakrabhnus maternal uncle, per-
formed [a ritual of] chastisement against him. Te story that they themselves
have put about is that [as a result] the king died at the end of seven days.
166
But
how can that be reasonable when [in fact] what killed him was the illness from
which he had long been suering?
I propose that this is the Cakrabhnu of our Krama lineage and that Vra-
ntha, his maternal uncle and Yaakaras minister, is none of other than his
Guru Hrasvantha. For, as we have seen, Hrasvantha was also known as Vra-
ntha in the Kramas literature, and the placing of these events in Yaaskaras
165
Kalha
.
na, Rjatara ngi
.
n 6.108112: var
.
nramapratyavek
.
sbaddhakak
.
sya
.
h k
.
sitvara
.
h |
cakrabhnvabhidha
.
m cakramelake dvijatpasam | k
.
rttycram lokya *rjadharmavaa
.
mvada
.
h
(em. : rj dharmavaa
.
mvada
.
h Ed.) | nijagrha vapdena lal
.
tata
.
tam a nkayan | tanm-
tulena tadro
.
sd vranthena yogin | s
.
mdhivigrahike
.
ntha sa svenaiva nyag
.
rhyata | prv-
cryaprabhve
.
na svamhtmydhiropa
.
nam | prakhypayadbhir gurubhi
.
h raddhayeti yad ucy-
ate | tatkhypitaiva saptht sa vipanna iti ruti
.
h | drghavydhihate tasminn upapatti
.
h katha
.
m
bhavet. I have proposed the emendation rjadharmavaa
.
mvada
.
h for the reading rj dharma-
vaa
.
mvada
.
h seen in Sriixs edition because it both removes the defect of the subjects being
stated twice in the same sentence (k
.
sitvara
.
h and rj) and provides an apt adjectival quali-
cation of the former (submissive to his religious obligations as a king), rjadharma
.
h being a
term of art for the special obligations imposed on rulers by the Dharmastra, which include
that of ensuring the punishment of wrongdoers.
166
Texts of the Mantramrga regularly specify seven days as the period for which a re-
sacrice for such a siddhi
.
h must be maintained, saying that its eect comes about at the end
of that time; see, e.g., Kubjikmata 23.151: sad kruddhena kartavya
.
m nigraha
.
m saptavsarai
.
h;
Picumata, f. 70v4 (14.226cd): saptartre
.
na devei mrayed *ripupu ngava
.
m (ripu conj. : vapu
Cod.); Picumata, f. 251r3 (55.58ab): rjnan tu vaa
.
m kuryt saptartrhni na sa
.
maya
.
h;
V
.
nikha 198c199b: juhuyt saptartra
.
m tu yasya nmn tu sdhaka
.
h | vidvi
.
s
.
to d
.
ryate loke
e
.
sa vidve
.
sa
.
na
.
m param; U
.
d
.
dmarevara 1.51cd: saptartraprayogena sarvaatrupra
.
nanam. It is
for this reason that I have understood Kalha
.
nas use of the verb ni-g
.
rh- (nyag
.
rhyata) to refer
to the kind of ritual known as a nigrahakarma, as in the rst of these examples of seven-day
hostile ceremonies.
282 Mlanges tantriques la mmoire dHlne Brunner
reign accords, as we shall see, with other evidence of the chronology of these
Gurus.
167
Moreover, the cakramelaka
.
h to which Kalha
.
na refers and that Sriix
tentatively suggested in his translation of the Rjatara ngi
.
n might be a place-
name, is in fact a Kaula ritual, a gathering (-melaka
.
h) of a circle (cakra-) of
male initiates and low-caste Yogins with a strongly orgiastic character.
Te ritual is set out in detail as one of the Kramas periodic ceremonies
in the Klkulakramrcana of Vimalaprabodha, the Guru of the Nepalese king
Arimalla (r. 12001216),
168
under the name cakrakr
.
d.
169
Te sponsor invites
the Guru and male initiates of the three grades to a house together with sixteen,
eight, or four Yogins of specied castes, mostly or exclusively low, beneath the
rank of dra.
170
He sets up a [wine-]pot, worships the Goddess in it with the
167
See p. 414.
168
Tat Vimalaprabodha was the Guru of Arimalla is stated in the colophon reported by
Piricu (1984, pp. 8182) of a manuscript of the Am
.
rtevarapj of Abhayamalla, Arimalla's
successor, penned in a.o. 1216. It describes Arimalla as rmadvimalaprabodhapdaprasdl
labdhbhi
.
seka- consecrated by the favour of the venerable Guru Vimalaprabodha.
169
Klkulakramrcana . 20r221r1, 21r5v3: athcryasdhakaputrakasamayijann yogin-
kulasahitn mantrayet. yath brhma
.
n paukkas dhvajin antyaj cakri
.
n *chippi
.
n (corr. :
chippi
.
na Cod.) saunak k
.
satri
.
n mta ng carmakr dhvar mahmatih
.
hi dr vaiy
vey dhvak nartak ity uttamayoginkulam. dhvar dhvajin chippi
.
n paukkas carma-
kr antyaj na
.
t vey iti madhyamayoginkulam. dhvar dhvajin chippi
.
n paukkas ity ad-
hamayoginkulam. yath obhanag
.
rhe kumbha
.
m sa
.
msthpya sve
.
s
.
takramasahit
.
m tatra dev
.
m
sa
.
mpjya pacavhama
.
n
.
dalopari baliptra
.
m niveya samayah
.
rdayena t
.
danaprok
.
sa
.
nanir-
k
.
sa
.
nbhyuk
.
sa
.
nasamkara
.
ndika
.
m sthnasya k
.
rtv sanni sa
.
msthpya pratyekaiksane pa-
caklsann sa
.
mpjya guhyah
.
rdayena pdaprak
.
slana*prvaka
.
m (corr. : prvvaka Cod.)
tatrsane upaveayet. upavi
.
s
.
te sati mahsamayah
.
rdayena vmvartakrame
.
na dvrd dvra
.
m y-
vad avicchinn
.
m *surdhr
.
m (corr. : suradhr
.
m Cod.) dadyt. tata crya
.
m guruparam-
paryta
.
m siddhakrame
.
na sa
.
mpjya sdhakn vrakrame
.
na putrakn p
.
thakrame
.
na samayi-
na
.
h k
.
setrakrame
.
na *yogin (corr. : yogin Cod.) catu
.
hkrambhyantare pratyekaikakramaikena
pjayet. tilakakajjalasindrapu
.
spavastrla
.
mkra
.
m yathkrame
.
na svasvavidyay dattv ptr
.
ni
jye
.
s
.
thnukrame
.
na pacm
.
rtdisahitni pacavhama
.
n
.
dalopari purata
.
h sthpayet. khnapna-
lehyaco
.
sydika
.
m guhyah
.
rdaybhimantrita
.
m purata
.
h sthpayitv samayacchommaka
.
m sarvai
.
h
saha bh
.
sed yath ui ui s
.
r
.
s
.
tau ui
.
ri ui
.
ri sthitau xii xii sa
.
mhre iia iia ankhye xu-
iuiu xuiuiu bhsym. upasa
.
mhrasa
.
mkhykrame
.
na devattarpa
.
na
.
m k
.
rtv samayabali
.
m
dadyt. (f. 21r15). tata
.
h prvokt
.
m vai *bh
.
s
.
m (corr. : bhs
.
m Cod.) samuccrya
ptr
.
ni dpayet, vmahastena g
.
rh
.
nyt. dau aktes tadanantara
.
m sarve
.
sm. eva
.
m tridh. prva-
sa
.
msk
.
rtacaruka
.
m lelihmudray *pradpa
.
m (conj. : paridpa
.
m Cod.) ca bhak
.
sa
.
nyam. tada-
nte yathsukhena rkramasadbhvoktakrame
.
na cakrakr
.
d. samptyante pacavha
.
m sa
.
mpjya
dak
.
svartena dhr
.
m niptya madhynte samayabali
.
m dattv cakrasthna
.
m gomayenopalipya
pu
.
spe
.
na pjayet. iti cakrakr
.
dvidhi
.
h.
170
Te source of the list of sixteen Yogins is Klkulakramasadbhva, f. 10r1212 (4.47c49):
brhma
.
n *pukkas (pu
.
skas Cod.) caiva dhvajin antyaj tath | 48 cakri
.
n ca tath *chipp
Alexis Sanderson 283
deities of his preferred Krama phase, places the vessel for the bali oering on a
Ma
.
n
.
dala diagramin which he has worshipped the [goddesses of the] Five Flows
(pacavhama
.
n
.
dalam), ritually prepares the ground of the site, sets out seats
for each of the guests on it, installs and worships the ve deities from Brahm
to Sadiva on each, so transforming them into thrones for the installation of
Bhairavas or goddesses, washes the feet of each guest, invites them to be seated,
pours a continuous stream of liquor around the periphery of the site from door
to door, moving from right to left, and worships the Guru, Sdhakas, Putrakas,
and Samayins with the Mantras of the Siddhas, Vras, P
.
thas, and K
.
setras re-
spectively, and the Yogins with the Mantras of the four phases from Emission
to the Nameless, one for each, so that the Mantra of each phase is used four
times if they are sixteen. Ten he gives each a forehead mark, collyrium for the
eyes, vermilion powder, owers, cloth, and other oerings, using the Mantra
with which each has been worshipped, sets before them cups [of wine] with
the ve nectars and the rest
171
on the Five Flow Ma
.
n
.
dala in the order of their
seniority, together with various foods and drinks, addressing each of the guests
with the arcane utterances known as chommakni for each of the ve phases,
from Emission to the Nameless and the Pure Light (bhs).
172
After gratifying
(corr. : chippi Cod.) au
.
nik (em. : au
.
n
.
dik Cod.) *k
.
satriy (corr. : k
.
satr
.
n Cod.) tath |
mta ng carmakr ca dhvar ca mahmate | 49 dr *vaiy (corr. : vai Cod.) tath vey
*dhvak (em. : vyak Cod.) nartak tath | ets tu pjayet tatra jtyaha
.
mkravarjita
.
h He
should worship without pride of caste [Yogins of] the following [groups]: brahmin, Pukkasa
untouchable, liquor-seller, Antyaja untouchable, potter, dyer, butcher, K
.
satriya, Mta nga un-
touchable, leather-worker, sherman, O wise one, dra, Vaiya, courtesan, washerman, and
dancer. Vimalaprabodhas mahmati
.
h, which appears to raise the total to seventeen, is due to
a misconstrual of the vocative mahmate in 4.48d. Te same verses are Yonigahvara, f. 9r35
(vv. 113115b), which support the emendations pukkas, au
.
nik, and k
.
satriy but have ka
.
n
.
duk
(corr. : kanduk Cod.) barber, f. in place of cakri
.
n and the error mahmati
.
h. Tey are followed
by a verse specifying the Yogins to be invited in the option of four as in the Klkulakramrcana
(115c116b): catvri-m-athav pjy yathvibhavavistarai
.
h | dhvar dhvajin chipp pukkas ca
caturthik Or he may worship four, as abundantly as his resources allow, one from each of the
following castes: sherman, liquor-seller, dyer, and Pukkasa untouchable. For chipp dyer or
cloth-printer see the evidently cognate words with this meaning in various Indo-Aryan lan-
guages in Tuixii 196671, p. 273b (4994) under *chapp- (/*chipp-) to press.
171
For the identity of the body-products called the ve jewels or nectars see Saxoiisox
2005a, pp. 110114 (footnote 63).
172
Tese ve chommakni are as follows: ui ui, ui
.
ri ui
.
ri, xii xii, iia iia, and xuiuiu
xuiuiu. I propose that their language is Dravidian: (1) with ui ui for Emission/Creation cf.
Tamil - to come into existence; (2) with ui
.
ri ui
.
ri for Stasis/Maintenance cf. Tulu hi
.
di a hold,
grasp, handful, Kanna
.
da pi
.
di to seize, catch, grasp; Tamil pi
.
ti to grasp, cling to; (3) with xii
284 Mlanges tantriques la mmoire dHlne Brunner
the Kramas deities in the order of progressive withdrawal he presents a food
oering on the ground to placate the classes of male supernaturals that inhabit
the kta power-sites and the various classes of non-human Yogins, ending
with an invocation to the Goddess. With the same chommakni he passes the
guests the wine cups with his left hand, relling them twice, serving the prin-
cipal Yogin rst and then the rest.
173
Tey should also eat the sacramental
substances and the dough lamps (dpacaru
.
h) that are considered a substitute
for human esh.
174
After that, group revelry (cakrakr
.
d) should follow. When
it has ended the sponsor should worship the goddesses of the Five Flows, pour
out another stream of wine around the periphery, this time from left to right,
place a second food oering on the ground at the edge of the central area, pu-
rify the site by smearing it with cow-dung mixed with water, and then honour
it with the oering of a ower at its centre.
An idea of the revelry envisaged may be gained from the fourth
.
Sa
.
tka of
the Jayadrathaymala, where the ritual, described immediately after chapters
devoted to Krama worship,
175
is termed a vramelpa
.
h a gathering of Vras:
176
xii for Withdrawal cf. Tamil karai to dissolve, become gradually attenuated; (4) with iia
iia for the Nameless, in which the three preceding phases are transcended in a state of blissful
pervasion, cf. Tamil r to become full, be satised, Kanna
.
da r to abound, be lled; and (5)
with xuiuiu xuiuiu for the Pure Light, representing nal quiescence, cf. Tamil ku
.
lir to feel
cool, get numbed (as in death), satised, to sit, rest, Kanna
.
da ku
.
lir to be cool or cold; and
Malayalam ku
.
lir, ku
.
lur coldness, cool, refreshing.
173
Vimalaprabodhas text says rst the akti and then all (dau aktes tadanantara
.
m sarve-
.
sm). I surmise that the akti is the consort of the Guru.
174
On the dpacaru
.
h see Tantrlokaviveka, vol. 11 (hnika 29), p. 51, ll. 1619 (quoting
Jayadrathaymala,
.
Sa
.
tka 4, f. 125v13 [for dhra- there read dhre]). For its being a sub-
stitute for human esh see Tantrlokaviveka, vol. 11 (hnika 29), p. 39, l. 11.
175
See footnote 84 on p. 262.
176
Jayadrathaymala,
.
Sa
.
tka 4, . 206v3207v5 (Vrat
.
n
.
davavidhipa
.
tala, vv. 530b): ritya
ara
.
na
.
m gupta
.
m sarvabdhvivarjitam | suobha
.
m *kusummodasudhpagandhamantharam
(kusummoda em. : kumbhammoda Cod.) | 6 kulaparva
.
m samsdya vramelpam ca-
ret | nimantrayet tata
.
h sarve bhairavcraplak
.
h | 7 samayaj devibhakt
.
h sa
.
mtu
.
s
.
t
.
h
kramatatpar
.
h | samayina
.
h putrak ca sdhak deik
.
h pare | 8 yoginyo y
.
h prabu-
ddh ca *bhakt v tadalbhata
.
h (em. : bhaktptdalabhata
.
h Cod.) | *nya vpy asa-
hitn tmbldiyutn kuru (conj. : nya tpyasahat
.
mvrtdiyut
.
m kuru Cod.) | 9 sa-
nny atra deyni *yathvat (em. : yath tat Cod.) kramayogata
.
h | pjyni pra
.
navenaiva
gandhadhpasragdibhi
.
h | 10 *tatropaveayet (em. : tatopaveayet Cod.) samyag yathcakra-
niyogata
.
h | gur
.
n
.
m prathama
.
m cakra
.
m sdhakn
.
m dvityakam | 11 t
.
rtya
.
m putrk
.
na
.
m
syc caturtha
.
m *samayi
.
sv atha (em. : samaye
.
sv atha Cod.) | yoginn
.
m pacama
.
m syd eva
.
m
kuryt krame
.
na ca | 12 sarvavrasamyoge tatra vartayed giri
.
h | pacr
.
na*may
.
m akti
.
m
(em. : may akti
.
h Cod.) kl s sakalvyay | 13 navavrasamyogas (em. : nacavrasam-
Alexis Sanderson 285
On the day sacred to the Lineage [of his Mother-goddess the sponsor] should
celebrate a Vramelpa in a pleasant, secluded house that is free of all distur-
bances and full of the scent of owers, ne incense, and fragrant powders. He
should invite all those who maintain the observance of Bhairava, who know
the discipline, are devoted to the Goddess, contented, intent on the Krama,
Samayins, Putrakas, Sdhakas, Gurus, and Yogins, the last enlightened or, if
such cannot be found, at least devout. When he has brought those [initiates
there, together with the Yogins] *or even without them (conj.) he should pro-
vide them with betel nuts and the like and oer them seats in the proper order
[of precedence]. He should [rst] worship these seats with the Pra
.
nava (o
.
x),
yoga
.
m Cod.) tasynta
.
h pravij
.
rmbhate | tena tad vramelpa
.
m pjayet *paramevari (corr. :
paramevar Cod.) | 14 arghai
.
h pu
.
spais tath dhpai candangurucarcitai
.
h | pratyekam ar-
cayet tatra yathvibhavayogata
.
h | 15 praticakrasya madhyastha
.
m pjayen *madyabhairavam
(em. : madhyabhairava
.
m Cod.) | k
.
r
.
s
.
nalohitaraktk
.
sa
.
m parammodavsitam | 16 mahna-
ndakara
.
m re
.
s
.
tha
.
m jagadunmdakrakam | eva
.
m sa
.
mpjya madhyastha
.
m ptr
.
ny e
.
s
.
m pra-
prayet | 17 mahkusumapr
.
nni paca*ratnnvitni (conj. : ratnacitni Cod.) ca | pacd
vividham hrah
.
mi te
.
s
.
m deyam atandritam | 18 yad yasybhimata
.
m devi tat tasya *vitare
sak
.
rt (conj. [Aia] : vicaret sak
.
rt Cod.) | nn m
.
msni citr
.
ni bhak
.
syny uccvacni ca | 19
lehya*peyni (corr. : pehyni Cod.) c
.
sy
.
ni pnni vividhni ca | ka
.
tutiktaka
.
syni madhu-
rmlni yni ca | 20 evamdi-anekai ca tarpayec cakrapacakam | madhyhne bhya sa
.
m-
tarpya yvad nanda*mantharam (em. : manthana
.
m Cod.) | 21 tato hy arghais tath geyair
v
.
nva
.
masvanais tath | *rotrotsavakarai (tent. conj. : rotrodakakarai Cod.) citrais tarpa-
yec cakrapacakam | 22 tatas taccakrag ramya
.
h prollasanti sutejit
.
h | sphuranti mahad-
nand vilsaatasa
.
mkulh
.
hi | n
.
rtyanti ca hasanty uccai
.
h valganti kr
.
danotsuk
.
h | 23 pata-
nti dhvanti *vamanti (conj. : vasanti Cod.) sarve vepanti khidyanti layanti tatra | jalpanti
mantr
.
ni rahasyam anye sanmarmayuktni vac
.
msi cnye | 24 *chekoktaya (conj. : kekokta-
pa Cod.) cpi vicitrarp
.
h paraspara
.
m te pravadanti devi | kecic ca kekracanvir eti ke-
cic ca mudrvalim rabhante | 25ab kecic ca kaulgamajair vilsai
.
h sa
.
msthnakair nartanam
rabhante | 26 kecit t
.
n
.
davam rabhanti subha
.
t
.
h kecic ca sarvoddhat
.
h kecid bhairava-
bhvanhitaman jalpanti *kvya
.
m (conj. : kla
.
m Cod.) pare | kecid *bhum anekadh (tent.
conj. : dvdaanekadh Cod.) pracalita
.
mkurvanti tatroccakai
.
h kecid rodanatatpar
.
h kimapara
.
m
kecid vrajanty vilam | 27 kecit *pacavilsaja
.
m (ja
.
m conj. : j Cod.) rasavara
.
m bhu-
janti tatrotsuk
.
h ke citprvara
.
nni cakravara
.
nai
.
h*sa
.
mdarayanty (corr. : sa
.
mdarayaty Cod.)
udbha
.
ta
.
m | kecic cakravinirgatenasahas svadeham lambati | kecid vntam *adanti (conj. :
atha
.
mvi Cod.) ghora*vapu
.
sa
.
h (conj. : vapu
.
sa
.
m Cod.) *kecit tu hy atyutka
.
tam (conj. : k cittru-
.
tantotka
.
ta
.
m Cod.) | ke cin maithunam rabhanti ca pibanty atrodbhava
.
m nirbhar
.
h | 28 eva
.
m
vravarendravandyacara
.
ne melpam atyuttamam | vrkhya
.
m pravitatya raminikarn uccai
.
h
samutpadyate d
.
r
.
s
.
tv yat prabhavanti tatkrama*par (conj. : var Cod.) ki
.
m v *bahu (em. :
bahur Cod.) var
.
nyate | sa
.
mcrakramanirbhar
.
h priyatame *parve tathaikay
.
h (conj. [Aia] :
pa
.
mcaitathaikay Cod.) yad yasya prabalopadea*karana
.
m(conj. : kara + Cod.) maudrakramo-
dritam | tat tasya pravij
.
rmbhate param aho satya
.
m na *caivn
.
rtam (em. : caivm
.
rta
.
m Cod.) |
29 vrat
.
n
.
davam etat te may samupavar
.
nitam | yenu k
.
rtamtre
.
na sarvasiddhyarhat bhavet |
30 kramajnaikanipu
.
no bhavaty eva hi *sdhaka
.
h (em. : sdhaka
.
m Cod.).
286 Mlanges tantriques la mmoire dHlne Brunner
presenting them such oerings as scented powder, incense, and owers. Ten
he should invite the [guests] to sit on them, each in the appropriate circle. Te
rst circle is of Gurus, the second of Sdhakas, the third of Putrakas, the fourth
of Samayins, and the fth of Yogins. In this way he should gradually accomplish
the Union of all the Vras (sarvavrasamyoga
.
h). As he does this the [sponsor-
ing] Sdhaka (giri
.
h) should repeat the Power that consists of the fty sounds [of
speech]. [For] this is eternal Kl in her immanent form. Te Union of the *Nine
(conj.) Vras becomes manifest within it.
177
Ten, O goddess, he should hon-
our the assembly of Vras (vramelpa
.
h) with oerings of guest water, owers,
incenses, and pastes of sandal-wood powder and camphor. He should worship
each [participant] in this [assembly] to the extent that his wealth permits. In the
centre of each circle he should worship the Bhairava that is Wine (Madyabhai-
rava), dark red and red-eyed, redolent with the best of fragrances, the cause of
the highest joy, the best [of liquids], the intoxicator of the whole world. After
worshipping it thus in the centre he should ll cups for them [from it], which
should [also] be well provided with the owers of the human body and the ve
nectars. Ten with great attentiveness he should serve them foods of the vari-
ous kinds. Again and again, O goddess, he should give them whatever it is that
they desire: meat of various sorts, diverse foods of the masticable variety, both
exquisite and commonplace, foods to be licked, drunk, and sucked, drinks of
many kinds, acrid, pungent, astringent, sweet, and sour. With various [oer-
ings] such as these he should gratify the ve circles. Ten at midday he should
gratify them again until they are overowing with joy. Ten he should please
the ve circles with guest water, songs, and diverse music of the lute and ute
to delight their ears. At this the rays [of their awareness] shine forth with great
intensity, vibrant, blissful, ooded by so many delights. Tey dance, laugh out
loud, and leap about eager to revel. Tey collapse, run, vomit, tremble, become
weary, and faint. Some voice Mantras, others the secret [teachings], and others
words that contain the core teachings [of the Krama]. [Some] exchange clever
*banter with double meanings (conj.), and some . Some assume series of
Mudrs. Some begin to dance with playful gestures [and] postures taught in
the Kaula scriptures. Others, who are warriors, commence the [wild] T
.
n
.
dava
dance [of iva], and some . Others focus their minds in meditation on
Bhairava, others give voice to *poetry (conj.), some *hold their arms above their
heads in various postures and sway themfromside to side (conj.), some abandon
themselves there to loud weeping, and others become . Others there ea-
177
Te justication for the emendation of the manuscripts reading nacavra- here to navavra-
is that it may refer to nine Vras as the regents of the nine groups of the fty sounds: the vowels,
the seven consonant groups, and the nal x
.
sa. But the matter is not certain. It is tempting to
propose sarvavra-. In either case the idea seems to be that the recitation of the goddess as the
syllabary embodies internally the Union of Vras that the sponsor is establishing externally.
Alexis Sanderson 287
gerly devour the excellent liquid *that arises from the ve Vilsas (conj.). Some
vigorously display . Some suddenly suspend their bodies . Some, per-
sonifying [A]ghora, eat vomit, and others *faeces (atyutka
.
tam) (conj.).
178
Some
will engage in copulation and drink its product when replete. O you whose feet
are worshipped by the foremost of Vras, when in this way it has expanded to
the utmost the fused mass of the rays [of its consciouness] the supreme Vrame-
lpa comes into being. By beholding it [initiates] become intent on this Krama.
What need is there for lengthy instruction? My beloved, [by engaging in this
gathering] *on the sacred day (conj.) they are lled with the cyclical Krama,
their minds as one. Whatever mighty teaching proclaimed in [this
.
Sa
.
tka on]
the practice of the Mudrs a person has received becomes completely clear to
him[through this means]. Behold, the truth. Tis is indeed no lie. I have taught
you this wild dance of the Vras (vrata
.
n
.
dava
.
h), by celebrating which a Sdhaka
quickly becomes able to accomplish any siddhi
.
h and supremely adept in the
gnosis of the Krama.
Neither the Klkulakramrcana nor the Jayadrathaymala uses exactly
Kalha
.
nas term cakramelaka
.
h (the circle gathering) for this ritual, the former
calling it cakrakr
.
d (the circle revelry) and the latter vramelpa
.
h (the gath-
ering of heroes) (= vramelaka
.
h). But the term does occur in Kashmirian liter-
ature in what is evidently the appropriate sense in a story of the supernatural
in the Kathsaritsgara of Somadeva. Tere a band of Yogins is said to go at
the onset of night to a cakramelaka
.
h in Cakrapura and to return from it at
its end.
179
Moreover, in the Kaula Kubjikmata we nd the related expression
178
For the use of the term atyutka
.
tam in this sense see Niisa
.
mcra, f. 7v13, quoted
in Saxoiisox 2005a, p. 112, ll. 3133). For ritual tasting of the bodys excretions in ex-
treme non-dual practice (advaitcra
.
h, nirvikalpcra
.
h) see, e.g., Niisa
.
mcra f. 34v (11.9c
10b): *atyutka
.
ta
.
m ivmbu (em. : atyutka
.
ta ivammu Cod.) ca prtar utthya mantravit |
astramantre
.
na *sa
.
modhya (corr. : sa
.
modhyam Cod.) *m
.
r
.
nlm
.
rtasa
.
myutam (m
.
r
.
nlm
.
rta em. :
m
.
r
.
nm
.
rta Cod.) | k
.
rtv tu prayen mantr yadcchet siddhim tmani After rising at dawn the
Sdhaka should purify excrement and urine with the Weapon-Mantra, combine it with phlegm
and taste it if he desires siddhi
.
h for himself. It is also seen in a less testing form in the Krama
in the va
.
tikpranam taught as an element of daily practice in the Yonigahvara, vv. 212221.
Tis requires initiates when preparing the chalice for daily worship to swallow a pellet (va
.
tik,
gu
.
tik) made from substances that include excrement (vivak
.
sram) and urine (ivmbu). Te
preparation of this pellet is detailed in Klkulakramrcana, f. 24v325v2. Te pellet, we are
told there, should have the size of the kernel of a jujube fruit (f. 24v5: badarsthisusa
.
mmitm).
179
Kathsaritsgara 123.212213b: tatkla
.
m ctra jnmi tato mt
.
rga
.
nntart | nirgatya
yogingrma
.
h parasparam abh
.
sata | adya cakrapure smbhir gantavya
.
m cakramelake Ten that
time [of the onset of night] I noticed a band of Yogins who came out fromthat group of Moth-
ers and said to each other Today we have to go to a cakramelaka
.
h in Cakrapura; 123.221:
288 Mlanges tantriques la mmoire dHlne Brunner
yogincakramelpa
.
h (a circle gathering of Yogins), described as loud with the
sound of dancing and music.
180
Everything therefore, points to the conclusion
that the protagonists of Kalha
.
nas report are our Krama Gurus Hrasvantha and
Cakrabhnu: their names, the reign to which Kalha
.
na assigns them, the identi-
cation of the cakramelaka
.
h, its place in the Krama, and its strongly antinomian
character.
It may be thought surprising that Hrasvantha/Vrantha, a revered gure
of a tradition whose literature appears to be so concerned with practices for
the attainment of liberation-in-life, should be depicted as seeking revenge for
the punishment of Cakrabhanu by performing an aggressive Tantric ritual. For
Kalha
.
na certainly does not question the tradition that Vrantha performed
the ritual of chastisement against the king but only that it was the cause of the
latters death. But undertaking such rites is certainly not inconsistent with his
standing as a Guru of the Krama. We have seen that Abhinavagupta reports
Eraka to have devoted himself to the pursuit of supernatural power before he
wrote the Kramastotra; but more striking, because it pertains directly to the
present case, is the fact that a text of the Krama itself supports Kalha
.
nas re-
port of Hrasvanthas involvement in this domain in an incidental remark in
the course of a discussion of an option of abbreviating the Krama worship by
omitting three of its phases:
181
Tose who achieve the highest rest within that [unobscured (nirvara
.
na-) state]
simply by [performing those phases of worship up to the circle of the Multitude
(v
.
rndacakram) that are known collectively as] the Oral Instruction do not need
to worship the circles of Emission, Stasis, and Withdrawal, but proceed, it is
athsmin pacime yme yoginya cakramelakt | gatya t
.
h svayukty m
.
m h
.
rtvaivodapatan
nabha
.
h Ten during this last watch of the night the Yogins returned from the cakramelaka
.
h
and ew up into the sky by means of their miraculous power, taking me with them.
180
Kubjikmata 25.18ab: yogincakramelpa
.
m n
.
rtyagtaravkulam.
181
Mahnayapraka (Triv.) 8.2428: kathand eva ye
.
s
.
m tadvirntir jyate par | *te
s
.
r
.
s
.
tisthitisa
.
mhracakrpek
.
s
.
m (te s
.
r
.
s
.
ti conj. : s
.
r
.
s
.
ti Ed.) na kurvate | v
.
rndakramnantara
.
m
tair ankhya
.
m cakram i
.
syate | s
.
r
.
s
.
tydicakratritaya
.
m tanmate naiva pjyate | asmanmate
*tu (conj. : pi Ed.) tad api *pripr
.
nyrtham (conj. : paripr
.
nrtham Ed.) i
.
syate |
etatsamr
.
dhivat prabhvo hi pravartate | etadvimara*sa
.
mbhta
.
m (conj. : sa
.
mbhta Ed.)
vrvalyditarpa
.
nt | sd *vmanavrasya (em. : vmanavryasya Ed.) *vidve
.
sastambhan-
dikam (vidve
.
sa conj. : yadvi
.
s
.
nu Cod.). For the emendation vidve
.
sastambhandikam in place
of the evidently corrupt reading yadvi
.
s
.
nustambhandikam cf., e.g., Kira
.
na, f. 71v2 (50.14cd):
*vakara
.
navidve
.
sau stambhandy (va corr. : va
.
s Cod. vidve
.
sau conj. : vidveo Cod.)
adham mat
.
h; Somaambhupaddhati, vol. 3, p. 47, v. 55ab: mra
.
nocc
.
tanadve
.
sastambha-
nrtha
.
m tu dak
.
si
.
ne; A
.
mumadgama 13.36cd: vaykar
.
sa
.
navidve
.
sastambhanocc
.
tandikam;
and Kriyklagu
.
nottara, f. 46v12: ucc
.
tana
.
m tath karma
.
m vidve
.
sa
.
m stambhamra
.
nam |
klana
.
m c ngabheda
.
m ca kurute cintitena tu.
Alexis Sanderson 289
held, directly from the phase of the Multitude to the circle of the Nameless. In
their view, then, these three [intervening] circles are not necessary. But in my
view they should be included, for the sake of completeness. For immersion in
them is the source of [supernatural] power. It was through his deep awareness
of these, by grating the sequence of Vras (vrval) and the rest [that are to be
worshipped in them], that the Vra Vmana [was able successfully to accomplish
the rituals that] caused dissension [among our enemies] and immobilized [their
armies] (vidve
.
sastambhandikam).
182
Tis evidence should caution us against the tendency to be misled by
the focus apparent in this or that branch of the surviving aiva literature
into assuming that the groups who produced and followed these texts were
equally restricted in the range of their rites. Just as the Saiddhntika and non-
Saiddhntika domains were less disjunct in practice than the doctrines artic-
ulated by their leading theoreticians, so, we see, a Guru of the Krama, for all
the apparent dedication of his core tradition to purely transcendentalist self-
realization, could draw as occasion arose on a wider range of practice for prag-
matic purposes. In this case the rites in which he is said to have excelled have
a close relation to his role as a servant of the state. For in the light of Kalha
.
nas
report that Hrasvantha was Yaaskaras minister of war and peace it surely can-
182
Propitiating the deity for immobilization (stambhanam) is not restricted to this context.
Te texts speak also of vkstambhanam paralysing speech, garbhastambhanam preventing a
foetus from being born, and of stopping wind, water, or re (vyutoygnistambhanam); see,
e.g, Picumata, f. 35v12: stambhane sarvabhtn
.
m *vyutoygnistambhane (conj. : vyustobh-
gni Cod.) | stambhane parasainyasya *vca
.
h stambhe (conj. : vcastambhes Cod.) tathaiva ca |
sanastambhane caiva garbhdnn tathaiva ca | asta
.
m piplikmadhyahmi ak
.
sastra
.
m var-
nane. Tree kinds of stambhanam, to stop the onset of an enemy army, to silence the speech
[of an opponent], or to prevent the birth of a child [no doubt as a future dynastic rival], are
taught in Jayarathaymala,
.
Sa
.
tka 3, f. 101v45 (14.126127): stambhayed gamanodyuktam api
sainya
.
m atakrato
.
h | eva
.
mvidhena vidhin vcasa
.
m stambhayi
.
syati | garbha
.
m v hdevaidevei
*stambhayen (corr. : sta
.
mbhaven Cod.) ntra sa
.
maya
.
h. But protecting the kingdom by im-
mobilizing the army of the enemy so that it cannot advance is much the most commonly
mentioned, often being listed on a par with vidve
.
sa
.
h, ucc
.
tanam and other primary pragmatic
propitiations (karma), which implies that when no specic target of stambhanam is mentioned
it is to be understood as parasainyastambhanam immobilization of the army of an enemy; cf.,
e.g., Vladhrin, Kriysa
.
mgrahapaddhati, f. 91v23: ntike pau
.
s
.
tike caiva vidve
.
sdikrame
.
na tu |
stambhane *parasainynm (corr. : parasainyni Cod.). To propitiate the deity for vidve
.
sa
.
h/vi-
dve
.
sa
.
nam is to seek to protect ones own side by turning ones allied enemies against each other;
see, e.g., Paippaldavadi
.
sa
.
tkarmapaddhati, p. 6, ll. 79: atru ced *anyavidvi
.
s
.
ta
.
h (em. : anya-
vaddh
.
s
.
ta
.
h Ed.) syd anyadve
.
satatpara
.
h | tato sau ni
.
hsapatna
.
h san rjyabhoga
.
m samanute |
tasmd rj vie
.
se
.
na ripudve
.
sa
.
nam caret.
290 Mlanges tantriques la mmoire dHlne Brunner
not be thought coincidental that an author of the Krama, when remembering
with approval his predecessors expertise in this ancillary domain, should have
singled out for mention these rites of state protection.
Tere are other reports of liberationist Gurus engaging in destructive rites
of this kind, which, while hagiographical and therefore unreliable as records of
history, nonetheless demonstrate that the co-existence of these extremes was
not considered aberrant. A striking parallel is found in the Great Perfection
(rDzogs chen) tradition of the rNying ma pa Buddhists of Tibet, which has
much in common with the Krama by virtue of its emphasis on enlightenment
through direct experience of the Great Primordial Purity (gzhi ka dag chen po),
this being conceived in a manner strongly reminiscent of the Krama as an in-
nate, self-established state of unbounded freedom (ye grol ) that manifests dif-
ferentiation in consciousness but is untouched in its essence by the dichotomies
of cognition and the cognized, conceptual and non-conceptual awareness, lib-
eration and bound existence (nirv
.
nam and sa
.
msra
.
h). For an early authority
in this tradition, gNubs chen Sangs rgyas ye shes, is remembered for having de-
stroyed a rebel army through the power of aggressive Mantras (ngan sngags).
183
Both the Krama and rDzogs chen present themselves as the ultimate ap-
proach to reality, transcending all lower levels of revelation. Te Krama identi-
es, as we shall see, a level of higher practice within itself that by reaching the
goal through pure intuition transcends the gradualist systemof Krama worship,
while that system is said to transcend the Kl worship of the Uttarmnya,
which itself is presented as the summit of a subordinate kta hierarchy that
leads down to its base in the non-kta aiva traditions.
184
Similarly rDzogs
chen, which like the Krama culminates in practice for sudden enlightenment,
locates itself as the Atiyoga teaching at the summit of a hierarchy that descends
through the teachings of the Anuyogatantras, Mahyogatantras, Yogatantras,
and Ubhayatantras to the Kriytantras, which in turn are ranked above the S-
tras of the Mahyna substrate. But neither the Krama nor rDzogs chen cuts
itself o from these lower levels. For they are essential to their survival. Tis is
partly because both draw their meaning from these wider contexts as gnostic
disciplines that transcend the Tantric systems fromwithin. But it is also because
the systems dened as lower provide these kta and Buddhist Tantric adepts
183
See Acuaio 1999, pp. 1722. He is said to have been ordained by ntarak
.
sita, therefore
during the reign of Khri srong lde bstan (r. 755797), and to have founded a community of
lay Tantric initiates (ibid., p. 17).
184
For this hierarchy see footnote 363 on p. 344.
Alexis Sanderson 291
of sudden enlightenment with the means of operating on other levels as occa-
sion demands and patronage expects. Tus gNubs chen Sangs rgyas ye shes was
also learned in the Anuyoga- and Mahyogatantras; and these are the probable
source of the Mantras, no doubt of the deities Vajraklaya or Yamntaka, with
which he is said to have destroyed the rebels.
185
Te rp
.
thadvdaik
Attributed to Cakrabhnu we have only one short text, the rp
.
thadvdaik,
and no reports of other works. Tis text is not mentioned by name in any
Kashmirian source, nor does the author conrm his identity by stating his po-
sition in the Kashmirian Kramas transmission. But it is included in a codex
which, though Nepalese, contains other Kashmirian Krama works from this
lineage,
186
a line is quoted from it without attribution in a text of Krama in-
spiration by the Kashmirian Ramyadeva,
187
and the author describes himself
in the nal verse as one whose body is adorned with [pieces of] human bone
and a skull-bowl,
188
which agrees with the report already mentioned that the
Kashmirian Cakrabhnu was a Mahvratin ascetic.
189
Furthermore, it contains
a verse which brings to mind that ascetics punishment by Yaaskara:
190
When [again] may I follow my path in the company of proud Vras at the onset
of night, my mind made blissful through withdrawal, behaving of the
Devkula?
191
185
See Acuaio 1999, p. 19, footnote 30.
186
See the details of the Klikkulapacaataka xs in the bibliography, p. 437.
187
rp
.
thadvdaik, v. 3cd (f. 93v596r1) is quoted in his commentary on v. 47 of the
Bhvopahrastotra: *nirastastrrthavikalpajl (Ed. : nirastastsavikalpajl Cod.) *devya
.
h
(Ed. : devy
.
h Cod.) mane karavrakkhye.
188
rp
.
thadvdaik, f. 95r13 (v. 12 and colophon): p
.
thravindadalaka
.
m ivaaktigarbha
.
m
vrsthikandalavibh
.
sitavigrahe
.
na | stutv may ubhaphala
.
m yad avptam adya tenu
sajjanajan
.
h prasava
.
m vrajantu. iti rmaccakrgat rcakrabhnunthvatrit rp
.
thadvda-
ik sampt.
189
Ar
.
nasi
.
mha, Mahnayapraka, v. 157, cited in footnote 194 on p. 294.
190
rp
.
thadvdaik, f. 94v12 (v. 8): rtrygame garvitavrasrdham (garvita em. : gavita
Cod.) sa
.
mhra
.
nnanditacittav
.
rtti
.
h | devkul+
.
syavice
.
s
.
tita
.
hsynmrgnuyy bhavit kad-
ham.
191
I can oer no compelling emendation for the whole of the corrupt reading devkul+
.
syavice
.
s
.
tita
.
hsyn. Perhaps the nal part was -vice
.
s
.
tita
.
h san. I see no acceptable solution to
devkul +
.
sya if and
.
sya are sound. If one or both are corrupt, the possibilities of restoration,
such as devkulcryavice
.
s
.
tita
.
h san, are too numerous for any one of them to carry conviction.
292 Mlanges tantriques la mmoire dHlne Brunner
Te Krama Lineage from Cakrabhnu to Ar
.
nasi
.
mha
Te Old Kashmiri Mahnayapraka and its Sanskrit commentary venerate this
unrepentant Guru as the rst of the Order of the Disciples (i
.
syaugha
.
h), follow-
ing Ma ngal, who alone constitutes the Order of Siddhas (siddhaugha
.
h), and
the Human Order (mnavaugha
.
h), which comprises [Jna]netra, the Rj
[Keyravat], and Hrasvantha; and it declares that he initiated eight disciples,
one of whom, Rj n, was the source of the lineage that led to the author
of the commentary.
192
From the spiritual descendants of Cakrabhnu we have the A
.
s
.
tik of his
disciple Prabodhantha, the Paramrcanatri
.
mik
193
and Cittasa
.
mto
.
satri
.
mik
of Nga, and the Mahnayapraka of Ngas disciple Kulcrya Ar
.
nasi
.
mha.
Te last of these works provides the details of the line of succession that enables
us to assign them to it. Its author reports that the tradition has reached him
through two lines of descent (gurusa
.
mtati
.
h) from the two among Cakrabhnus
pupils whose names survive, n and Prabodhantha:
1. n Nandaka Sajjana Somevara himself.
2. Prabodha Jaiyaka Pa nkaka Nga himself.
Two of these he describes as ascetics who, like Cakrabhnu, observed the [Kp-
lika] Mahvrata: n (pacamudrvibh
.
sit), and Jaiyaka (mahvrat). Pra-
bodha he describes both as an ascetic (tapodhana
.
h) and, like Hrasvantha, as
the foremost of Vras (vrendra
.
h).
194
192
Old Kashmiri Mahnayapraka 9.5 and commentary. On the Kashmirian use of the term
Rj for a female kta ( Modern Kashmiri r
224
Sacuau 1964, vol. 2, p. 176.
225
Ibid., p. 177.
226
Giiiisox 1932, s.v., p. 1160b2627.
227
Sacuau 1964, vol. 2, pp. 181, 183, 104, 179, and 180; Giiiisox 1932, pp. 287b24,
305b1725, 684a24 and 1137a56, 1105b913, and 343b13 and 1113a3536.
228
Partrikvivara
.
na, p. 227, ll. 1618 (p. 125 in xsrs ed.): yath dk
.
si
.
nty
.
h cauraabdena
odana
.
m vyapadianti saindhavs tu tenaiva dasyum odana
.
m tu krraruty tay tu kmrik
vitu
.
sitayavagodhmata
.
n
.
duln iti just as southerners say caura- for cooked rice, but the na-
tives of Sindh use the sound caura for a brigand and krra for boiled rice, while the Kashmirians
use krra for husked grains of barley, wheat, or rice.
304 Mlanges tantriques la mmoire dHlne Brunner
f. (milk-kru
f. a ne,
delicate net from jlik.
237
I have emended. Te published text gives kuatilarjatavli
.
h kalitakar.
238
Further clarication of these matters would be possible by studying the Kashmiri of the
B
.
nsuravadha, composed by Bha
.
t
.
tvatra during the fteenth century (Buuiii 1877, p. 90),
c. 1446. Te only known manuscript, dated 1020 Hijr (a.o. 1658), was acquired in Kashmir by
Georg Buuiii and is nowin the Bhandarkar Oriental Research Institute in Pune. I regret that I
have not yet seen it. Tis work, I imagine, would not be open to the argument of modernization
that was applied by Grierson to the poetry of Lal De d and might also be extended to that of
.
Habba Khtn, since her verses too became part of Kashmiri oral tradition.
239
Old Kashmiri Mahnayapraka, commentary on 9.5: bhnupda
.
h a
.
s
.
tn
.
m i
.
sy
.
n
.
m
prabhu
.
h yanmadhyd *rjnykhy (conj. : rjnkhy Ed.) madantapramparyanidnam
(corr. : sadanta
.
m pramparyanidna
.
m Ed.) Te venerable [Cakra]bhnu was the Lord of the
Eight Disciples, one of whom, the Rj n, is the source of the line of succession that ends
in myself.
240
Old Kashmiri Mahnayapraka, pp. 47, l. 1648, l. 2 (yat stuta
.
m stotramly
.
m mayaiva).
306 Mlanges tantriques la mmoire dHlne Brunner
not otherwise known,
241
an unattributed verse found in the rmikaulr
.
nava
(a scripture of a related form of the Klkula),
242
and passages from otherwise
unknown works of the post-scriptural Krama, of which the Rjik and Pjti-
laka are named.
243
Te only authors of approximatly known date that he cites
are Jnanetra and Utpaladeva
244
but this takes us no further in establishing
his period, since Utpaladeva, the later of these, ourished around the middle of
the tenth century. He cites a verse that is attributed to rvatsa,
245
but nothing
requires us identify that rvatsa with the author of the Cidgaganacandrik.
Te text and its commentary stand apart in the Kashmirian Krama litera-
ture in a number of respects. Tis, for example, is the only source therein whose
account of the course of worship does not culminate in the fourth phase, that
of the Nameless (ankhyakrama
.
h), but adds a fth, the phase of Pure Light
(bhskrama
.
h),
246
following in this respect the model of worship taught in the
241
Old Kashmiri Mahnayapraka, p. 6, l. 7; p. 7, ll. 910; p. 16, ll. 45; p. 29, 1213; p. 39,
ll. 12 and 712; p. 42, 1516; p. 43, ll. 12; p. 45, ll. 34, 67, 910, 1213, 1516; p. 111,
ll. 1112.
242
Old Kashmiri Mahnayapraka, p. 10, ll. 45, = rmikaulr
.
nava, f. 5r45 (1.90c91b).
Tis scripture, also called Bhogahasta, teaches a formof the Klkula related to that of the Krama
texts (f. 10v7 [2.6]: kta
.
m klikrammnya
.
m bhogahasteti virutam) and claims to have been
revealed rst by Mnantha in Kmarpa and then taken by Siddhas to Kaulagiri (Kolhapur)
in Karnataka; see Saxoiisox 2005a, pp. 133134 and footnote 111.
243
Old Kashmiri Mahnayapraka, p. 20, ll. 1114; p. 21, ll. 24, 59, and 1617; p. 24,
ll. 69; p. 32, ll. 1013 (in Old Kashmiri, attributed to an unnamed Siddha [yad siddhapd
didiu
.
h]); p. 43, ll. 58; p. 55, ll. 58 (attributed to the Rjik); p. 58, ll. 815; pp. 62, l. 15
63, l. 4; p. 79, ll. 34. On p. 141 he refers to a variant order of Krama worship taught in the
Pjtilaka.
244
Old Kashmiri Mahnayapraka, p. 6, ll. 1415, = Klikstotra, f. 91r12 (v. 6); p. 12, ll. 5
6, = Utpaladeva, ivastotrval 16.1; p. 12, ll. 1617 (not traced).
245
Te verse is cited (p. 12, ll. 811) as that of a certain learned scholar (kacic ca vipacid
ha). Te attribution to rvatsa accompanies a citation of the same verse in a marginal com-
ment in a Kashmirian manuscript of the Narevarapark
.
spraka (rvatso py ha); see Warsox
2006, p. 246.
246
Old Kashmiri Mahnayapraka 11.25 and commentary. Te content of this phase is
unclear. Te commentary explains that it contains four sub-phases, calling them the dier-
entiated (sakala
.
h), the dierentiated-cum-undierentiated (sakalani
.
skala
.
h), the undierenti-
ated (ni
.
skala
.
h), and the all-containing (para
.
h) (p. 123, ll. 35: catvro hy asmin bhskrame
*sakalasakalani
.
skalani
.
skalaparkhy
.
h [em. : sakalsakalani
.
skalni
.
skalaparkhy
.
h Ed.] *kram
[em. : krama Ed.] mahkramam avabhsayanti); that there are twelve constituent goddesses
(cakri
.
nya
.
h) in the rst, six in the second, three in the third, and one in the fourth; that
all the twelve and four of the six have Mantras of eighteen syllables; that the remain-
ing two of those six and all of the three have Mantras of fourteen syllables; and that
Alexis Sanderson 307
Klkulakramasadbhva rather than the Klkulapacaataka. However, it fol-
lows the latter in the preceding phases, giving thirteen Kls in the fourth rather
than the formers seventeen. Tis illustrates in striking fashion a characteristic
of the post-scriptural Krama as a whole, namely its readiness to innovate, a fea-
ture that was no doubt justied in terms of its distinctive narrative of ongoing
revelation through direct contact with the Yogins of U
.
d
.
diyna conceptualized
in these texts as the sudden unfolding in the meditators visionary conscious-
ness of his own inner reality. Te text is also remarkable for the richness of
its reading of the structures of worship not only in terms of the natural ow
of cognition but also in mapping them on to a model of the ow of energy
within the body itself. Further, it gives detailed instructions found in no other
text on a four-day course of training in the worship of the Krama following
initiatory transmission (sa
.
mkrama
.
nam), in which the initiate worships day by
day the deities of the four phases from Emission (s
.
r
.
s
.
tikrama
.
h) to the Name-
less (ankhyakrama
.
h), each accompanied with the worship of the P
.
tha-circle,
a segment of the Guru lineage, the phase of Pure Light (bhskrama
.
h), and the
Samayavidy of one hundred syllables that recties any defects in the preced-
ing worship, followed by instruction in a ve-day session in which the initiate
together with his female consort (dt) worships the ve deity phases one by
one with dough lamps (dpacaru
.
h, prakacaru
.
h), each with the P
.
tha-cycle, a
segment of the Guru lineage, and the Samayavidy.
247
the goddess of the fourth and highest sub-phase has one of nine syllables, which it calls
the Kulavidy (ekaiva kulavidy navr
.
naiva). Te relevant section of the Klkulakrama-
sadbhva having been lost, we turn to the Klkulakramrcana for clarication but nd
that its arrangement of deities diers. Tere (. 14v615r2: bhskramapjvidhi
.
h) one is
to worship twelve goddesses (Mantrakli, Ha
.
msakl, Kramakl, Jnakl,
.
Dmarakl,
Cakrakl, O
.
mkrakl, Gaganakl, Ekabhskl, abdakl, Balakl, and
.
Rddhikl), then
eight (Bhskl, Bhsha
.
msakl, Bhsca
.
n
.
dakl, Bhs
.
dmarakl, Bhsyogakl, Bhs-
gaganakl, Bhssvarakl, and Bhs-
.
rk
.
sakl), then seven (Sryakl, Candrakl, Ag-
nikl, Vyukl, Vyomakl, Mana
.
hkl, and Sarvakl), then the nine-syllable Vidy in its
seventeenth-syllable form through the separation of its conjuncts (xa-i-xua-iua-ia-xa-ui-
ca-
.
xa-
.
oa-\a-o ca-i-sa-va-ii), the 100-syllable Samayavidy (see footnote 247 on p. 309), and
nally the unseparated nine-syllable Vidy (xuiuii
.
x xauica
.
x
.
oa\ocisvaii). Only the num-
ber of the rst phase and the nine-syllable Vidy at the end coincide. Nor do the Mantras
in the Klkulakramrcana, with the exception of the nine-syllable Vidy, show the requisite
number of syllables. Mahevarnandas comments on the phase of Radiance in the Mahrtha-
majarparimala (pp. 101104) are too abstract to clarify these details beyond the use of the
seventeen-syllable Vidy (
.
so
.
dadhik: perhaps the separated form of the nine-syllable is in-
tended) and the nine-syllable Vidy.
247
Old Kashmiri Mahnayapraka 13.15. On the Samayevar/Samayavidy/Samay of one
308 Mlanges tantriques la mmoire dHlne Brunner
Te Anonymous Mahnayapraka
A third Mahnayapraka, of unknown authorship, has been published from
Trivandrum on the basis a single Keralan manuscript.
248
It too is proba-
bly Kashmirian, since it has been cited by Jayaratha in his commentary on
the Tantrloka and by iva[svmin] Updhyya I in his commentary on the
Vijnabhairava,
249
and drawn upon by ivasvmin Updhyya II in his i-
vartrirahasya.
250
Te editor reports with approval hearsay evidence that the
author was Abhinavagupta.
251
But though the work shows a style and sophisti-
cation not unworthy of him, the claim that it is his is fatally undermined by the
fact that Jayaratha cites it as representing the view of unnamed others, namely
that there are thirteen Kls in the phase of the Nameless and not twelve as
hundred syllables see 11.69. Te author does not give the Vidy itself, but states that it has
100 syllables divided into sections of 2, 15, 69, 2, and 12, for four sub-phases within the
phase of the Nameless (S
.
r
.
s
.
tyankhyasamayevar to uddhnkhyasamayevar) followed by
the phase of Pure Light (Bhssamayevar). Tis is evidently the Samayavidy taught in partly
encoded form in Klkulapacaataka 6.1930. For that has 100 syllables and consists of seg-
ments of the length indicated by our author. Tese are not conveyed explicitly, but they are
nonetheless made apparent by four occurrences at the appropriate places of the syllable iua
.
r,
which generally occurs at the end of a Mantra, with iua
.
r sviui at the end of the whole. De-
coded, with the addition of Da
.
n
.
das to mark the segments, it is: xuiuii
.
x iua
.
r | xauica
.
x
.
oi
ca
.
x
.
oaxuxui ca
.
x
.
oa\ocisvaii iua
.
r | ca
.
x
.
oaou
.
uxuavixocaxi saivasaxa\aioiavicuiraxi
ri;ovari ax
.
iraxuiri asioouasiouaxi siooui-
.
ioouiiiaoi xisa\a saivaoo
.
six anuixara
.
x
xi iia\accua saivi saivaci aiuii saivaiuii ui
.
x iua
.
r | xuiuii
.
x iua
.
r | uu
.
x xio
.
x
x
.
si
.
xsaivavio\isvaii iua
.
r sviui. Te function of the Samayavidy is to promote the fruition
of the worship that precedes it by removing any impediments to that fruition caused by de-
fects in performance; see Saxoiisox in the discussion after Gouoiiaax 1986, pp. 161163.
Te segments of the lineage of Gurus are six: (1) the paraugha
.
h (= the ve Vhadevs), (2) the
divyaugha
.
h (= the Siddhas and Yogins of the prakacakram, nandacakram, and mrticakram),
(3) the mahaugha
.
h (= the sixty-four P
.
thevars/kins/Siddhs of the v
.
rndacakram), (4) the
siddhaugha
.
h (= Ma ngal), (5) the mnavaugha
.
h (= Jnanetra, Keyravat, and Hrasvantha),
and (6) the i
.
syaugha
.
h (= Cakrabhnu and his eight disciples). In the four-day course 46 are
combined and in the ve-day course 5 and 6.
248
Te editor, K. mbaiva str, reports that the manuscript, on palm-leaf in the Malay-
alamscript, belonged to Brahmar Nrya
.
nan Bha
.
t
.
tatiripd of Parambrillam, Tiruvalla, and
judges that it is about four hundred years old (Mahnayapraka [Triv.], introduction, p. 3).
249
Tantrlokaviveka on 4.125, vol. 3, p. 128, ll. 1218 (= Mahnayapraka (Triv.) 9.1518b);
Vijanabhairavaviv
.
rti, p. 67, ll. 1013 (= 7.127128), and ll. 1819 (= 7.144).
250
See footnote 319 on p. 331.
251
Mahnayapraka (Triv.), introduction, p. 2.
Alexis Sanderson 309
Abhinavagupta has taught in the passage on which Jayaratha is commenting.
252
Tis text is distinguished from the other two works with the same title by
the depth and subtlety of its explanations of the course of Krama worship as
embodying a process of the unfolding of sudden enlightenment in which con-
sciousness devours its own content and subjectivity (ala
.
mgrsa
.
h, ha
.
thapka
.
h)
to burst forth into the mind and senses as a transgured mundane experience
in which the polarity of liberation and bondage is obliterated. It also stands
apart by reason of its containing a sophisticated and learned philosophical ar-
gument for the position that the object of cognition has no existence outside
the cognition itself, as the basis for the soteriologically correct perception of
the cyclical ow of consciousness personied in the goddesses of the Five Flows
(vhadevya
.
h) from the inner ground of pure potential before the arising of
object-cognition (Vyomavmevar) to the return to that ground (Raudrarau-
drevar) at its end;
253
and for an eloquent reconciliation of the Kramas kta
perspective on itself as the ultimate revelation within its aiva context, namely
that the Goddess of the Krama is that point at the core of ivas nature that he
himself cannot objectivate:
254
(1045b) Mahevaras repose within himself is the highest state of self-
awareness. But by the nest of distinctions there shines a state even higher than
that. Tis is the Goddess-ground, in which even the Lord cannot see his way.
(105c106) Being and non-being are grounded in the light of all manifestation,
and that is grounded in the ecstasy of consciousness void of all dependence,
252
Tantrlokaviveka on 4.125, vol. 3, p. 128, ll. 1011, introducing the unattributed citation
of Mahnayapraka (Triv.) 9.1518b: nanv asy parasy
.
h sa
.
mvido nyair anayaiva bha ngy tra-
yodatmakatvam uktam. yad uktam: It may be objected that others following exactly the
same approach have asserted that fully expanded consciousness has thirteen aspects. As has
been said: .
253
Mahnayapraka (Triv.) 3.193.
254
Mahnayapraka (Triv.) 3. 94111. 3.104111: maheasytmavirnti
.
h parha
.
mttmik
hi y | tasy api parvasth bhti sk
.
smaprabhedata
.
h | 105 tad devdhma yatrsau k
.
m-
diko vibhur bhavet | bhvbhvau prake nta
.
h prati
.
s
.
thm adhigacchata
.
h | 106 sa cpi
sakalpek
.
snyy
.
m ciccamatk
.
rtau | tratamydikalanvsanvedhadrage | 107 paravir-
ntiparyante spi virmyati svata
.
h | paraprakavirntidaym api ye sthit
.
h | 108 vsan-
vedhasa
.
mskr bhvbhvobhaytmak
.
h | *antas tn grasank
.
rtya (conj. : atas tm asank
.
rtya
Ed.) y virntir anuttar | 109 s dev kathyate tasy nayo sau devatnaya
.
h | *yatrva
.
te (em. :
yatrpa
.
te) *parik
.
s
.
no (Ed. : parik
.
s
.
n Cod.) *vi
.
ta nko (em. [cf. here 1.1d and 3.82a (ava
.
t
.
ta nka-
), and commentary introducing Bhvopahrastotra v 1: niruttaranirniketanva
.
tavi
.
ta nka-] : pi
.
ta nko Ed.) sau nayas tata
.
h | 110 y klagrsavirntis tad rpa
.
m parameitu
.
h | y tadvirn-
tivirntis tad devrpam i
.
syate | 111 ittha
.
m *sk
.
smek
.
sikrpo (em. : sk
.
smek
.
sitrpo Ed. :
sk
.
smik
.
sitrpo Cod.) bhedo *ya
.
m (em. : yat Ed.) parameayo
.
h | aikye pi darita
.
h samyak-
prattipariuddhaye.
310 Mlanges tantriques la mmoire dHlne Brunner
which in turn comes to rest spontaneously in the limit of the self-groundedness
of that all-encompassing [light], where the impressions of the inuences left in
consciousness by awareness of degree and the like are completely absent. (107
109) What we mean by the Goddess is that untranscendable ground that re-
mains when it has devoured even the subtlest traces of the impressions of these
inuences, positive, negative and both, that persist even within the state of the
self-groundedness of that all-encompassing light. Tis path of [meditating on
the cycles of] the deities [of cognition] is precisely the path of the Goddess [so
dened]. It derives from that abyss in which all imprints are obliterated. (110)
Te nature of the Supreme Lord [iva] is the self-groundedness that devours
awareness [of degree and the like]. We dene the nature of the Goddess to be
the point in which that itself comes to rest. (111) Tus though the Supreme
Lords, male and female, are [objectively] one and the same, a subtle experien-
tial dierence between them has been revealed in order to perfect the correct
perception [of this fact].
With the practical details of worship it is little concerned, but it conveys that
initiation is to take the form of the tasting of the Kaula sacramental substances
(carupranam) at the commencement of the process of oral instruction and
worship.
255
It also teaches that the phase of the Nameless (ankhyakrama
.
h), in
which its course of worship culminates, is to be realized in the experience of a
female consort, wine, and meat.
256
Te work mentions Hrasvantha, and quotes from the Kramastotra of
Eraka, the Svabodhodayamajar of Vmanadatta, and the varapratyabhi-
jkrik of Utpaladeva.
257
It was therefore composed no earlier than about
255
Mahnayapraka (Triv.) 2.45: prdhnyena sthito loke vyavahra
.
h kriytmaka
.
h | ata
.
h
p
.
thakramajaptis tanmukhenaiva kathyate | anenaivayendau caruprana*prvakam (corr. :
prvaka
.
h Ed.) | guru
.
n sa
.
mpradyasya bhjana
.
m kriyate pau
.
h For the most part our mundane
experience is active by nature. It is therefore through this that instruction is given in the [ve-
aspected] process of the P
.
tha phase of worship. And it is with this in mind that the Guru
transforms the bound soul into a receptacle of the transmission by having him consume the
sacramental substances.
256
Mahnayapraka (Triv.) 9.3551b.
257
Hrasvantha is mentioned under the name Vmanavra in 8.27, quoted in footnote 140
on p. 278. Te Kramastotra of Eraka is quoted in 6.27 as the Sa
.
mvitstotra of the Hymno-
grapher: stotrakrasyedam eva sthita
.
m cetasi yaj jagau | *sa
.
mvitstotre (corr. : sa
.
mvitstotrai
.
h
Ed.) *samloka
.
m (em. : samloka Ed.) pram
.
nrthapramt
.
r*gam (em. : da
.
h Cod. : ta
.
h
em. Ed.) Tis is what was in the mind of the Hymnographer when he sang of the sin-
gle light in the means, object, and agent of cognition. Tis refers to a line attributed
to the Kramastotra by ivopdhyya in Vijnabhairavaviv
.
rti, p. 140: tato svaro rkasomg-
nikalbjaprastibhk | udety eka
.
h samloka
.
h pram
.
nrthapramt
.
rga
.
h iti. artha
.
h prameyam.
Alexis Sanderson 311
950. However, I propose that though it does not cite Abhinavagupta directly it
was inuenced by doctrines set out by him in his Tantrloka and therefore that
it is unlikely to have been written before the rst half of the eleventh century.
Tis inuence is apparent in the texts explanation of the hierarchy of the
Kramas means of liberation, and its account of the Kls that are to be wor-
shipped in the last phase, that of the Nameless. As for the rst, it teaches
that liberation-in-life (jvanmukti
.
h), the Kramas goal, comes through an ex-
treme descent of ivas power (atitvra
.
h aktipta
.
h, atiaktipta
.
h) that brings
about complete immersion in the reality of consciousness. Tis descent it sub-
divides into three degrees, mild (m
.
rdu
.
h), moderate (madhya
.
h), and intense
(atimtra
.
h), also calling them respectively mahtvra
.
h, mahtvratara
.
h, and
mahtvratama
.
h.
258
When mbhava- immersion has been established through the most intense
(atitvra-) descent of power then liberation in life has been attained and as a
result everything is experienced as identical with the nectar of the bliss of the
self. When this extreme descent of power gets under way we nd that there ap-
pears within it a subtle experiential dierentiation into [three degrees:] intense,
middling, and mild.
Tese qualify their recipients for the Kramas three ascending methods of
liberation: (1) through the worship of the Krama (pjanam), (2) through oral
instruction (kathanam), and (3) without the help of either of these, through
direct transmission (sa
.
mkrama
.
nam).
259
Te last it characterizes as a sudden un-
folding of enlightenment brought about by a non-verbal fusion with the Gurus
awareness, which needs no additional practice to establish and maintain it:
260
iti rkramastotrasa
.
mvdt . I have emended the reading pramt
.
rta
.
h following this citation
and Abhinavaguptas unattributed quotation of the same in Partrikvivara
.
na, p. 204, l. 25,
who also cites it as the words of the venerable Siddha in varapratyabhijviv
.
rtivimarin,
vol. 3, pp. 7172 (yathokta
.
m siddhapdai
.
h). Te expression stotrakra
.
h (Hymnographer) for
Eraka is also seen in the *Kramavamval quoted in Tantrlokaviveka, vol. 3, p. 191, ll. 36.
Utpaladevas varapratyabhijkrik (1.5.11cd) is quoted in 3.64 without attribution: ane-
naivayenokto yuktitattvavicak
.
sa
.
nai
.
h *prako rthoparakto (corr. : prakrthoparakto Ed.) pi
spha
.
tikdi*ja
.
dopama
.
h (corr. : jlomapam Ed.). Te rst verse of Vmanadattas Svabodhodaya-
majar is quoted as the oral teaching of the Siddhas (iti siddhamukhmnyayukty) in 9.52c
53b.
258
Mahnayapraka (Triv.) 1.78: atitvraaktiptd r
.
dhe mbhave samvee | svnand-
m
.
rtarpa
.
m jvanmukte
.
h *prakalpyate (conj. : jvanmukte
.
h prakalpate Ed.) vivam | atimtra-
madhyam
.
rdutbhedenpi pravartamnasya | sk
.
smek
.
sikprakro pi vilasati tasytiaktiptasya.
259
Mahnayapraka (Triv.) 1.329a.
260
Mahnayapraka (Triv.) 1.920, 24. 1.11: so ya
.
m *pur
.
ndhi
.
s
.
thnakrama
.
h (conj. : pu-
r
.
ndhi
.
s
.
thna
.
h krama
.
h Ed.) kramavivarjita
.
h | mahrthasya par ni
.
s
.
th galitasvaparasthiti
.
h.
312 Mlanges tantriques la mmoire dHlne Brunner
Tis is the non-sequential process of the Ground of the Primordial (pur
.
n-
dhi
.
s
.
thnakrama
.
h).
261
It is the highest limit of the Mahrtha, in which the dis-
tinction of self and other has dissolved.
and:
262
Tis is the process of [immersion] without means, being free of perturbation
[even] by the latent impressions of the distractions that are reasoning, obser-
vance, and the rest. One in whom it is established is the king among Yogins.
He is free of all obscurations, beyond the level of transcending or seeking to
attain. He needs nothing else to establish [this, since it is] his own true nature.
Te Gurus glance is sucient to bring about an unimpeded, spontaneous
understanding of the ow of the enlightened ground of consciousness in all
the aspects of its operation expressed in the circles of powers that make up the
course of worship.
263
Trough the violent impact of the Gurus glance he achieves unimpeded aware-
ness in all the phases, from that of the P
.
tha to [that of the Nameless].
In the method of oral instruction the same spontaneous understanding un-
folds with the help of the Gurus transmission of the Kramas aphorisms:
264
In the most extreme [descent of power] (mahtvratame), that rests in self-
experience [alone], unimpeded awareness dawns for one without descending
to the processes of instruction or [worship]. And when the more extreme
(mahtvratare) gets under way [that awareness] dawns as a result of the Gurus
teaching, from nothing but his oral explanation of the aphorisms, of which the
rst is [No sooner] seen [than] lost.
261
Cf. the termgdod mai gzhi or gdod ma gzhi Primordial Ground, Ground of the Primordial
that denotes the central concept of the Great Perfection (rDzogs chen) tradition of the rNying
ma pa Buddhism of Tibet as developed by the tenth century; see Kaixa\ 1988, p. 119.
262
Mahnayapraka (Triv.) 1.1314: yukticarydivik
.
sepavsank
.
sobhavarjita
.
h | anupya-
krama
.
h so ya
.
m yasya *r
.
dha
.
h sa (em. Ed. : r
.
dhasya Cod.) yogir
.
t | sarvvara
.
nanirmukto
hndnapadojjhita
.
h | sthitaye svasvarpasya nnyat ki
.
mcid apek
.
sate.
263
Mahnayapraka (Triv.) 1.16bcd: gurud
.
rkptashast | p
.
thakramdau sarvatra viuddhis
tasya jyate.
264
Mahnayapraka (Triv.) 1.2021: mahtvratame + + + + svnubhavasthite | kathandi-
kramtt viuddhis *tasya (conj. : tatra Ed.) kate | mahtvra*tare (em. : tame Ed.) csmin
prav
.
rtte gurusant | *d
.
r
.
s
.
tana
.
s
.
tdisa
.
mketakathmtrt (em. : d
.
r
.
s
.
td
.
r
.
s
.
tdisa
.
mketamtr Ed.)
prakate. For the topic of enlightenment through oral transmission see pp. 334 et seq.
Alexis Sanderson 313
and in the method of worship the nature of consciousness dawns through med-
itative propitiation of the goddessess embodied in the cyclical ow of cogni-
tion:
265
In the [merely] extreme (mahtvre) the nature of the self dawns through the
method of worshipping the goddesses of cognition that shine forth in every state
of mundane experience, owing outwards and inwards with each successive
object of awareness, their contraction dissolved as they merge with the great
void.
Te rst access to enlightenment is said to be completely devoid of concep-
tual awareness (vikalpa
.
h), while the other two are dened against it as methods
in which one relies to a greater or lesser extent on this awareness. In the case
of oral instruction the conceptual element, though present, is subordinate to
non-conceptual intuition, whereas in the process of worship it dominates and
one must gradually transcend it through the intensication of the insight it
embodies until nally direct, non-conceptual realization ensues:
266
For some, in whom awareness of their identity has taken root without even the
slightest trace of conceptual thought, knowledge dawns without dependence
on any means of bringing it about. For others knowledge dawns in which the
non-conceptual is dominant, as the result of an ever fainter conceptual aware-
ness based on the [Gurus] instruction in the aphorisms and the like. And for
some non-conceptual knowledge relies on the processes of worship and the rest,
coming about only through and after conceptual awareness.
Tis exposition is inuenced, I propose, by the theory of the four means
of liberation set out in descending order of excellence by Abhinavagupta in his
Tantrloka, namely the mbhava
.
h, kta
.
h, and
.
nava
.
h modes of immersion
in iva (samvea
.
h) with immersion without [the repeated practice of any]
method (anupya
.
h samvea
.
h) added at the summit of the rst.
267
Our text
265
Mahnayapraka (Triv.) 1.2223: prakante (em. Ed. : prakate Cod.) mahtvre vyava-
hra*dasu y
.
h (em. : darsu y
.
h Ed.) | pratyekavi
.
sayv
.
rtty bahirantarmukhoday
.
h | sa
.
mvid-
devyo mahvyoma*sa
.
mgha
.
t
.
tatro
.
titrgal
.
h (conj. : sa
.
mghditro
.
tital
.
h (?) Ed.) | ts
.
m pjana-
vicchitty svarpa
.
m sa
.
mprakate.
266
Mahnayapraka (Triv.) 1.2424: vikalpavsannyaprar
.
dha*svtmasa
.
mvida
.
h (em.
Ed. : sstmasa
.
mvida
.
h Cod.) prathate kasyacij jnam anapek
.
sitasdhanam | udriktani-
rvikalp
.
ma mandamandavikalpata
.
h | prathate kasyacij jna
.
m sa
.
mketdikathrayt |
pjandikrampek
.
sa
.
m sa
.
msthite + + kasyacit | vikalpasmanantaryn *nirvikalpa
.
m (em. :
nirvikalpa
.
h Ed.) pravartate.
267
See Tantrloka 1.140245 (preliminary analysis [1.171213: mbhava
.
h; 214220:
kta
.
h; 221241:
.
nava
.
h; 242245: anupya
.
h), and hnikas 2 (anupya
.
h), 3 (mbhava
.
h),
4 (kta
.
h), and 5 and following (
.
nava
.
h).
314 Mlanges tantriques la mmoire dHlne Brunner
teaches enlightenment through non-conceptual transmission in terms that echo
Abhinavaguptas conception of the highest means by dening it as a mbhava
.
h
samvea
.
h that transcends all methods (anupya
.
h), and while it does not use
the terms kta
.
h and
.
nava
.
h to dene its two lower methods, those of oral in-
struction and meditative worship, its analysis of these follows the same the-
oretical model, for Abhinavaguptas presents his kta- and
.
nava- methods
as means of reaching non-conceptual revelation (nirvikalpaka
.
h sk
.
stkra
.
h)
through the progressive rening of conceptual awareness of ultimate reality
(vikalpasa
.
mskra
.
h), through insight alone in the case of the kta- method and
through that supported by ritual worship and other forms of action in the case
of the
.
nava-.
268
Our texts subdivision of the highest degree of the descent of
power (atiaktipta
.
h) into three levels also echoes the Tantrloka, by adapting its
doctrine of nine degrees of the intensity of this descent, in which three degrees,
intense (tvra
.
h), moderate (madhyama
.
h), and mild (manda
.
h), are subdivided
by themselves.
269
As for the texts treatment of the Kls of the phase of the Nameless, at
rst sight that diers fundamentally from Abhinavaguptas, since, as we have
seen, it teaches that they are thirteen in number in accordance with the tradi-
tion of their worship in all texts other than the Klkulakramasadbhva, which
teaches seventeen, while Abhinavagupta reduces the number to twelve in keep-
ing with his position that there is no transcendental reality beyond the twelve
but one consciousness that is both one and twelve according to perspective.
270
Our text could not drop one of the Kls, as Abhinavagupta has done, in order
268
See Tantrloka 4.17 for the doctrine that the essence of kta
.
h samvea
.
h or ktopya
.
h
is the rening of conceptual thought of reality (vikalpasa
.
mskra
.
h) through thought alone until
it transcends itself to become non-conceptual intuition, and Tantrloka 5.16 for the doctrine
that
.
nava
.
h samvea
.
h or
.
navopya
.
h is this same process when it cannot sustain itself through
thought alone but must resort to other means. 5.34c: vikalpa
.
h kasyacit svtmasvtantryd eva
susthira
.
h | upyntaraspek
.
syaviyogenaiva jyate | kasyacit tu vikalpo sau svtmasa
.
mskara
.
na
.
m
prati | upyntaraspek
.
sa
.
h For some conceptual thought becomes fully stable through it own
free agency alone, without having to rely on any additional methods. But for others it needs
such additional methods to develop itself . Tis mode of immersion is called
.
nava
.
h because
these additional methods are limited and diverse. 5.6: nicayo bahudh cai
.
sa tatropy ca bhedi-
na
.
h | a
.
nuabdena te cokt drntikavibhedata
.
h And this [process of the attaining of ] certainty
is manifold, and the means to it are many, some being closer to [pure thought] and others less
so. It is for this reason that they have been termed contractions (a
.
nu
.
h). On the methods of
.
nava
.
h samvea
.
h see p. 374.
269
Tantrloka 13.129c254b, ending with the report that he owes this classication into nine
to his Guru ambhuntha, which is to say that it has no scriptural foundation.
270
See his Kramastotra and Tantrloka 4.148180b.
Alexis Sanderson 315
to make the highest (Mahbhairavaca
.
n
.
dograghorakl) the twelfth rather than
the thirteenth, because its exegesis is tied to the order of worship (pjkrama
.
h),
in which this Kl is in the centre of a circle surrounded by the other twelve,
whereas Abhinavaguptas exposition of these goddesses is free of this constrain-
ing context, being concerned, as Jayaratha puts it in a long and tendentious
justication of this discrepancy, not with their order in worship, which could
hardly be contradicted in a Krama text, but with their natural order in con-
sciousness (sa
.
mvitkrama
.
h).
271
However, our text reveals that it is aware of the
Abhinavaguptan position, because it says that the thirteenth is distinguished
from the twelve only guratively (upacrata
.
h), being in fact no more than the
common essence of the twelve, the ground in which the distinction between
them is dissolved, and that it is included for separate worship only because it
is the realization of this inner unity pervading the twelve that is the ultimate
goal:
272
Te ground in which the [separate] identities of these twelve goddesses are dis-
solved, which we refer to guratively as the thirteenth goddess, is present as the
highest object of worship, because it is this that is the goal.
Furthermore, the text has adopted Abhinavaguptas understanding of the
nature of the twelve. Jnanetrantha presents these as the three successive
states of emission, stasis, and withdrawal, each subdivided into four stages,
namely the same three followed by a fourth state, which he terms [nal]
rest (virama
.
h).
273
Tus they are understood as the ow of cognition passing
through emission of emission, stasis of emission, withdrawal of emission, the
[nal] rest of emission, emission of stasis and so on through to the [nal] rest of
withdrawal.
274
Te same model is seen in all other Krama sources that address
271
See Tantrlokaviveka, vol. 3, pp. 127, l. 6134, l. 17. Te core of Jayarathas answer to the
Kramas objection that there should be thirteen rather than twelve Kls is that there could only
be thirteen in reality rather than worship if the thirteenth were separately manifest and that
since that thirteenth could only be fully expanded consciousness (par sa
.
mvit) it would follow
that the twelve, if other than that, would not be manifest at all, since all manifestation is of
that one consciousness. Tere would then remain nothing but a single consciousness void of the
manifestation of its dynamic structure (nirbhsaiva sa
.
mvid ekaivvai
.
syeta) (p. 129, ll. 111).
Jayaratha introduces the distinction between the order of worship (pjkrama
.
h) and the order
in consciousness (sa
.
mvitkrama
.
h) in pp. 161, l. 16162, l. 9, saying that the Krama scriptures
and the great Gurus following them have taught the former in order to conceal the latter.
272
Mahnayapraka (Triv.) 9.6061b: s
.
m dvdaadevna
.
m svarpavilayvani
.
h | trayodati
y dev kathyate hy upacrata
.
h | updeyatay saiva paropsyatay sthit.
273
See p. 274.
274
Klikstotra, vv. 89. For text and translation see footnote 123 on p. 273.
316 Mlanges tantriques la mmoire dHlne Brunner
this matter, namely the Mahnayapraka of Ar
.
nasi
.
mha,
275
the Old Kashmiri
Mahnayapraka and its commentary,
276
and the Cidgaganacandrik.
277
Te
Trivandrum Mahnayapraka gives the same explanation, in terms that echo
the Klikstotra, but modies it by identifying the emission, stasis, and with-
drawal that are subdivided into four with the elds of the object of cognition
(prameyam), its means (pram
.
nam), and its agent (pramt).
278
Te single nature of the self permeates its states as the object, means, and agent
of cognition, these being one with emission, stasis, and withdrawal. Tey in turn
are fourfold through their multiplication in each case in accordance with the na-
ture of the self by the phases emission, stasis[, withdrawal], and [the withdrawal
of withdrawal]. Tis fourfold expansion [in each], from emergence (udaya
.
h)
[through manifestation (avabhsanam) and internalization (carva
.
nam)] to the
devouring of time (klagrsa
.
h) has a single ground. Terefore, because these are
the principal [aspects of the cycle], there are thirteen goddesses to be worshipped
in the circle of the Nameless.
275
Mahnayapraka, f. 126r3v4 (vv. 217221): pard *vyomno (conj. : yunmo Cod.) jha
.
tity
eva sphuritnanda*ghr
.
nit (em. : ghr
.
n
.
nit
.
h Cod.) | ykramaspandalahar vidyullekheva ca-
cal | 218 tasy udayasa
.
msthnasa
.
mhrodrekakalpan | trividh samaklena prodit kalano-
jjhit | 219 tatrpi *triprakry
.
mkalpany
.
m(conj. : triprakrkhykalpany Cod.) samanta-
ta
.
h | pratyekaa
.
h *svarpe (conj. : svarpo Cod.) pi s
.
r
.
s
.
tydikramasa
.
mjake | 220 *caturrmi-
cita
.
m (conj. [cf. Cidgaganacandrik 174] : caturthormiita
.
m Cod.) rpam udyogdivibhedata
.
h |
eva
.
m dvi
.
sa
.
tkasa
.
mvittikramo bhti nirv
.
rta
.
h | 221 s
.
r
.
s
.
tiklydibhedena prathito *navadhi
.
h (em. :
ravadhi
.
h Cod.) para
.
h | nirlambaviksaikamahim satatodita
.
h.
276
Old Kashmiri Mahnayapraka, p. 118, l. 1112 on 10.7 (patteka saha antara daa rji
mlahade samya cukha
.
n
.
da | akkai dideva *jagi [em. : jaga Ed.] bhji todaa sattadak
.
sara
ca
.
n
.
da [= Skt. pratyeka
.
msahntar da rjate mlahrade samyak catu
.
skha
.
n
.
d | ekaivdidev jagati
bhrjate trayoda saptadak
.
sar ca
.
n
.
d] Within the primordial lake [of consciousness] an inner
four-fold state shines in each of these [phases] by including [the others]. Te Primordial God-
dess, seventeen-syllable Ca
.
n
.
d, shines undivided throughout the world [that they manifest] as
the thirteenth): iti s
.
r
.
s
.
tikramasya s
.
r
.
s
.
tisthitisa
.
mhrnkhyagarbhbhva
.
h. eva
.
m sthitisa
.
mhrayo
.
h
In this way the phase of emission incorporates emission, stasis, withdrawal, and the Nameless.
Likewise stasis and withdrawal.
277
Vv. 173175.
278
Mahnayapraka (Triv.) 9.1518b: eka
.
m svasvarpa
.
m hi mnameya*pramt
.
rt
.
h (em. [fol-
lowing citation in Tantrlokaviveka, vol. 3, p. 128] : pramt
.
rta
.
h Ed.) | sargvatrasa
.
mh-
ra*mayr (em. [following the same citation] : mayair Ed.) kramya vartate | 16 svasvarp-
nugu
.
nyena pratyeka
.
m kalanvat | s
.
r
.
s
.
tisthitydibhedai ca caturdh *t api (em. [following the
same citation] : api t
.
h Ed.) sthit
.
h | 17 klagrsntam udayc caturdh *vibhavo (em. [fol-
lowing the same citation] : vihito Ed.) hi ya
.
h | tasya virntir ekaiva tato devyas trayodaa | 18
*ankhyacakre (em. [following the same citation] : anykhyacakra Cod. : ankhyacakra em. Ed.)
prdhnyt pjanyatay sthit
.
h.
Alexis Sanderson 317
Tis is exactly the schema found in Abhinavaguptas treatment of the twelve
Kls in his Tantrloka.
279
Te substitution of this triad of cognition for the
older triads of emission, stasis, and withdrawal, will, knowledge, and action, or
iva, akti, and the individual soul (nara
.
h) is indeed one of the most striking
characteristics of his Trika exegesis.
Tis was not the only work of the author of the Trivandrum Mahnaya-
praka, though no other survives. He tells us here that he had written a com-
mentary on the [Krama]stotrabha
.
t
.
traka [of Eraka],
280
and, while outlining the
hierarchy of the means of liberation, that he will restrict himself to expounding
the course of Krama worship since the essentials of the higher method con-
sisting simply of oral instruction in the Kramas aphorisms have already been
explained at length in another work. It is probable, though not certain, that
this explanation was contained in another work by the same author.
281
I shall now duly reveal to some degree on the strength of [my ] this process
of worship that begins with the sequence of the P
.
tha, that embodies both se-
quence and non-sequence, that is radiant with the tradition of the method of
the successive phases of the expansion of the cycle [of cognition], lest this oral
teaching of the Gurus should be lost with the passage of time, because the es-
sentials of the method that consists solely in oral instruction in the aphorisms
beginning with It is [no sooner] seen [than] lost have been expounded at
length in another [work].
Te Kramavilsastotra
One other work dealing directly with the Kramas course of worship survives:
the unpublished Kramavilsastotra. Its author abjures identication, a usage
279
Tantrloka 4.123c125, 148172.
280
Mahnayapraka (Triv.) 9.6869: anyair varakatvena ye bhv
.
h parivarjit
.
h | tair eva
jninm ittha
.
m jjvalti par citi
.
h | etadarthnusre
.
na stotrabha
.
t
.
trake may | sphu
.
ta
.
m ye
viv
.
rt
.
h loks tat Tus the highest consciousness blazes up for the enlightened through the
very entities that others have avoided as obscuring [consciousness]. Te verses in the [Krama]-
stotrabha
.
t
.
traka that I have clearly explained in accordance with this teaching . Te codex
unicus of our text breaks o at this point. Te expression Stotrabha
.
t
.
traka is used for Erakas
Kramastotra elsewhere in this literature, e.g, in Tantrlokaviveka, vol. 3, p. 223, l. 11; Mah-
rthamajarparimala, p. 122, l. 20.
281
Mahnayapraka (Triv.) 1.3536: d
.
r
.
s
.
tana
.
s
.
tdisa
.
mketakathmtrasya marma yat | tat pra-
pacitam anyatra yad ata
.
h smprata
.
m mank | etat pjanam akramakramamaya
.
m p
.
thakra-
mopa*krama
.
m (em. : krama
.
h Ed.) cakrollsavibhgayuktigha
.
tansat*sa
.
mpradyojjvalam (em. :
sampradyojjvala
.
h Ed) | *m gl luptim (em. : m gl luptam Ed.) ihed
.
ra
.
m gurumukha
.
m kla-
kramd ity ata
.
h samyak navad asmbhir unmlyate.
318 Mlanges tantriques la mmoire dHlne Brunner
seen elsewhere in the literature of the Krama, referring to himself simply as
someone.
282
In its opening verse the work oers homage to the whole course
of worship in all its phases and constituents as the dynamic aspects as the sin-
gle void of consciousness, then to the void alone, then to the four aspects of
worship, namely the tasting of the sacramental substances (caru
.
h), the prac-
tice of the sensual ritual (cra
.
h, cary), the esoteric Mudrs (mudr), and the
Mantras (rva
.
h),
283
and nally to each phase of the course of worship, up to
that of the Nameless. In this course the text bears witness to a tradition that is
not seen in the other texts discussed here. While in those the rst phase, that
of the P
.
tha, comprises worship of U
.
d
.
diyna, its cremation ground Karavra,
its K
.
setrapla, the Assembly, and the Great Sacrice, here it comprises only
four elements: worship of the P
.
tha, the cremation ground, the K
.
setrapla, and
Ma ngal as the revealer of the Krama.
284
Moreover, while this phase is followed
282
Kramavilsastotra, f. 102r5v1 (v. 27 [last]): ittham etad adhigamya kenacit svastutir
*vi
.
sayav
.
rndabhvan (conj. : vi
.
sayandabhvan Cod.) | yena vivam ania
.
m ivivaprojjhita-
kramavilsasa
.
mstutam. rkramavilsastotra
.
m samptam iti.
283
Kramavilsastotra, . 98v499v1 (vv. 37): sarvasarvamayasarvacarva
.
nenpi yasya jagat
.
m
na t
.
rpyate | ta
.
m caru
.
m *h
.
rtacarcaroccaya
.
m (conj. : hatacarcarocccare Cod.) crucarva
.
naciti
.
m
nammy aha
.
m | 4 bhti yay *satata
.
m (conj. : ata
.
m Cod.) sphuradarcir bhsurakntir
*ayam (corr. : iya
.
m Cod.) *sumahgni
.
h (su conj. : sa Cod.) | tm api *sa
.
mh
.
rtavivavils
.
m
(sa
.
mh
.
rta em. : sa
.
mhata Cod.) naumi nijm asamm iha cary
.
m | 5 yena gha
.
t
.
titam ida
.
m
jagat*traya
.
m (conj. : trayc Cod.) *crucracaturkulakrama
.
m (crucra em. : cracru Cod.) |
*vivabhsurakulakrame
.
na (bhsura conj. : msuma Cod.) ta
.
m *rvam asmi (conj. : rvarami
Cod.) satata
.
m samnata
.
h | 6 vyomni yo jha
.
titi naiva *lak
.
syate (corr. : lak
.
sate Cod.) naiva cpi
h+i tadujjhitakramt | tam*vibhinnasakalkalrgala
.
m(rgala
.
mconj. : rggal Cod.) naumi mau-
dram atiraudram dart | 7 yatra vivam idam akramakramaprakrame
.
na *h
.
rdi (conj. : hati
Cod.) sa
.
mcaraty ala
.
m | ta
.
m *carcarasamuccayrci
.
sa
.
m (conj. : carvarasamuccayorcciy
.
m Cod.)
naumi rvam atirvacaryay. On these four aspects see Cidgaganacandrik 73 and Mahrtha-
majarparimala, p. 106, ll. 1120.
284
Kramavilsastotra, f. 99v1100r1 (vv. 811): yatra *mrtimadamrtimatkramavyutkramo-
dayavirmabhsuram (amrtimatkrama conj. : amrttimakra Cod. bhsuram conj. : bhsur
Cod.) | bhti *ramicaya*cakram akrama
.
m (conj. : makramakrama
.
m Cod.) naumi p
.
tham
iha ta
.
m nirraya
.
m | 9 *sarvasa
.
mh
.
rtimahnalnale (sa
.
mh
.
rti conj. : sa
.
mhati Cod.) yatra vivam
idam eti bhasmashti | tac chmanam iha bh
.
sa
.
nolba
.
na
.
m rvasa
.
mkulamahciti
.
m numa
.
h | 10
yo *mahnalamarcivisphuratsphrahrakabalotka
.
to kramt (visphurat conj. : visphura Cod.
hrakabalotka
.
to kramt conj. [see the citation of the Mantra of the Klkulakramrcana in
footnote 286 on p. 321, in which the K
.
setrapla is named Mahsa
.
mhrabalotka
.
ta] : sraka-
balotka
.
takramt Cod.) | ta
.
m mana*vasati
.
m sphuradruci
.
m (conj. : tat manavasatesphurad-
ruti
.
h Cod.) k
.
setraplam *aham (em. : iham Cod.) ugram *nata
.
h (em. nnata
.
h Cod.) | 11
*yasy
.
h sphuraty e
.
sa (corr. : yasysphuratte
.
sa Cod.) mah*marci
.
h (em. : marci Cod.) sa
.
mhra-
cakrakrama
.
nena rva
.
h | niruttarajnak
.
rtvabhs
.
m rma ngalm asmi *samnatas (corr. :
Alexis Sanderson 319
there by the worship of the ve ows or voids (pacavhacakram, khapacaka-
cakram), the twelve rays of the prakacakram, the sixteen of the nandacakram,
the seventeen of the mrticakram, and the sixty-four of the v
.
rndacakram, here
the arrangement diers: after the rst the mrticakram precedes the praka-
cakram and nandacakram; it is extended by the worship of an amrticakram
seen nowhere else; and between the nandacakram and the v
.
rndacakram wor-
ship of the Guru is inserted.
285
Tis approximates the course of worship set out
by Vimalaprabodha in his Klkulakramrcana on the basis of the Klkula-
kramasadbhva. Tat lacks the amrticakram but has the mrticakram precede
the prakacakram and nandacakram; it gives the same four constituents in the
worship of the P
.
tha, though it adds a fth element after them, the [Bhairava]
who embodies Mahkls weapon-Mantra;
286
and it prefaces the rst phase of
the worship of the v
.
rndacakram, that of the sixteen Jnasiddhs, with that of
Ma ngal, who is indeed the Kramas Guru, being the source of Jnanetras
revelation.
287
Te worship of the mrticakram before the prakacakram and
samnnatas Cod.) tm.
285
Kramavilsastotra, f. 98v13 (v. 1): yat kha
.
m pacamahmarcikhacita
.
m *cturyacary-
cita
.
m (cary conj. : cacc Cod.) mrtmrtamahprakasahita
.
m rdvdakucitam |
ta
.
mkalya
.
mvapurami
.
so
.
daav
.
rta
.
m v
.
rndakramla
.
mk
.
rta
.
m rp
.
th nkamahmana*nilaya
.
m
(conj. : nicaya
.
m Cod.) vande mahaugh nkitam; and f. 100r1101r1 (vv. 1218): ydyan-
hatahatojjhitakram (kram em. : krama Cod.) pacadh jagati rvabhsthiti
.
h | naumi
*pacavidharamipjanaprakramaprasarashasena tm (pjana conj. : pjana
.
m Cod.) | 13
yatra sryaaivahni*tpakavypako (conj. : tpakvypako Cod.) layalayo (conj. : bhaya-
bhayo Cod.) virjate | ramicakranicayoghanhat
.
m mrticakram amala
.
m nammi *tat
(corr. : t
.
m Cod.) | 14 yasya marcicayasya samastavyastaviksa*nirsaghanar
.
h (em. : nir-
aghanar Cod.) | bhty anukha
.
n
.
dam *udagram aja
.
m tac (conj. : adusramajnta Cod.)
cakram amrtimala
.
m pra
.
nato ham | 15 yasy s jagati sarvag *sthitir bhti (em. : sthi-
tibhti Cod.) nityam aviluptavigraham | tan nammi varap
.
thasa
.
msthita
.
m dvdabham iha
ramima
.
n
.
dalam | 16 ybhir asya jagato nirantarnugrahakramavidhir vidhyate | uddhabo-
dhavibhavaprabhbhidhs *t (em. : tan Cod.) namni *ghari
.
nr visri
.
n
.
h (em. : ghari
.
nvis-
ri
.
n Cod.) | 17 *ya
.
m (conj. : yo Cod.) vilokya sabhaybhayabhramah
.
hi ntim eti sahasaiva
satkrama
.
h | ta
.
m guru
.
m sadasaddikalpannrariva
.
davnala
.
m numa
.
h | 18 jnamantra-
vahraimelakollasacchktambhavavilsacaryay | v
.
rndacakram iha yat sthita
.
m sad pacav-
hamayarami naumi *tat (em. : t
.
m Cod.).
286
Klkulakramrcana, f. 5r35: prvottarama
.
n
.
dale ui
.
x si
.
x uu
.
x o
.
o
.
oi\ixai
.
ruaiioa
madhye. ui
.
x si
.
x uu
.
x xauiiiaoiricaxiisvaisixa xcaiioiv axniiioa prve.
ui
.
x si
.
x uu
.
x xauixaiaviasxasixaiioa dak
.
se. ui
.
x si
.
x uu
.
x xauisa
.
xuiianaio-
rxa
.
rax
.
siriaiiiaxiruaiioa uttare. u;siau
.
x xauixiiixisriaiioa pacime.
287
Klkulakramrcana, f. 8r3v1:
.
so
.
daajnasiddhacakrapjvidhi
.
h. yath pacime ma
.
n
.
dale
(0) ui
.
x si
.
x *xauixa xcaii-axniiioa (em. : mahma
.
n
.
dal-ambpda Cod.). (1) ui
.
x
si
.
x sau
.
x
.
oix-axniiioa prve. (2) ui
.
x si
.
x ;\i
.
s
.
rui-axniiioa. (3) ui
.
x si
.
x xa
.
x
.
oux-
320 Mlanges tantriques la mmoire dHlne Brunner
nandacakram is also seen in the Mahrthamajar of the South Indian kta
Mahevarnanda.
288
Tese facts are not sucent to show that the text is not Kashmirian, since
we know from the *Kramava
.
mval that there were Kashmirian Krama lin-
eages whose procedure was based like that of this text on the Klkulakrama-
sadbhva.
289
However, it must be said that there is no certainty that it is a
product of this region, even though the phraseology of the text makes this very
probable,
290
as does its presence in a Nepalese codex with other Kashmirian
Krama works.
291
axniiioa agnau. (4) ui
.
xsi
.
xia
.
r
.
rax-axniiioa. (5) ui
.
xsi
.
xxuixi-axniiioa dak
.
si
.
ne.
(6) ui
.
x si
.
x ouaxax-axniiioa. (7) ui
.
x si
.
x caxouaxiii
.
x-axniiioa nair
.
rte. (8)
ui
.
x si
.
x xira xc-axniiioa. (9) ui
.
x si
.
x caxiaxi-axniiioa pacime. (10) ui
.
x si
.
x
xaivairix-axniiioa. (11) ui
.
x si
.
x xarraxixix-axniiioa vyavye. (12) ui
.
x si
.
x
sur\axi-axniiioa. (13) ui
.
x si
.
x nuax
.
sax-axniiioa uttare. (14) ui
.
x si
.
x xanuax
.
sax-
axniiioa. (15) ui
.
x si
.
x siaurixi-axniiioa ne. (16) ui
.
x si
.
x iuiixi-axniiioa.
288
Mahrthamajar 37cd: sattadaha phla
.
nette vraha ccholaha a a
.
n
.
na
.
nettesu
.
m (= Skt. sap-
tadaa phlanetre dvdaa
.
so
.
daa cnyanetrayo
.
h) Seventeen in the eye in the forehead, twelve
and sixteen in the other two eyes. On which he comments (-parimala, p. 87, ll. 67): phlo
lal
.
tam. tadgate netre saptadaa aktaya
.
h. tac ca mrticakram ity mnyate Te phla
.
h is the
forehead. In the eye thereon there are seventeen powers, and this is called the mrticakram.
289
Tantrlokaviveka, vol. 3, p. 192, ll. 36: rkramasadbhvdikastrayata ca patrik atra |
rstotrakrabhskarakuladharaprvsu sa
.
mtati
.
su Authorizations in these lineages that descend
from [Eraka] the venerable author of the [Krama]stotra, Bhskara, and Kuladhara follow the
doctrine of the Kramasadbhva and [related texts].
290
Note, e.g., (1) yat kha
.
m pacamahmarcikhacita
.
m (f. 98v1, v. 1a); cf. Bhuvana-
mlinkalpavi
.
samapadaviv
.
rti, f. 13r1213: svabhvamayannvidhollekhamarcikhacita
.
m; (2)
cturyacarycita
.
m (f. 98v1, v. 1a); cf. Klkulakramasadbhva qu. in Tantrlokaviveka, vol. 3,
p. 190, ll. 1215: kramatray
.
n
.
m yac cakra
.
m ghoraghoratara
.
m mahat | klarpa
.
m *marcy-
.
dhya
.
m (conj. : marcydya
.
m Cod.) tv
.
s
.
tra
.
m kalpntakntagam | caret tu mahcractu-
rye
.
naiva tatra ca | y kal ghoraghorogr tasy
.
h s turyag iv; Kramastotra qu. Tantr-
lokaviveka, vol. 2, p. 188, ll. 14: kramatrayatv
.
s
.
tramarcicakrasa
.
mcracturyaturyasattm;
Rjatara ngi
.
n 7.279: mahsamayasa
.
mcracaturair yair abhtita
.
h | ga
.
nyate svaprabhvograir
bhairavo pi na nirbhayai
.
h; (3) crucracaturkulakrama
.
m (f. 99r2, v. 5b); cf. Jnakriydvaya-
ataka, f. 4v23 (v. 20cd): taccrucary kathana
.
m sa
.
mkrma
.
h spara ntara
.
h; (4) anhata-
hatojjhitakramt (f. 100r12); cf. Prabodha, A
.
s
.
tik, f. 97r12, v. 5cd: naumi vgvibhavamantra-
mtara
.
m tvm anhatahatojjhit
.
m ivm; Mahnayapraka (Triv.) 7.147ab: k
.
r
.
sya gha
.
t
.
tayaty
uccair anhatahatojjhita
.
h.
291
See p. 437.
Alexis Sanderson 321
Te Khacakrapacakastotra
In addition to this we have one other surviving but unpublished Krama text
that evidences a course of worship that deviates from the norm seen in the ma-
jor Kashmirian sources, though in this case the evidence is indirect. Tis is the
Khacakrapacakastotra, the Hymn to the Five Voids. Written in the scriptural
register of Sanskrit it is declared in its colophon to have been an oral transmis-
sion originating in O
.
d
.
diynap
.
tha from all the Yogins of that sacred site.
292
A narrative that precedes the hymn itself tells us that the occasion of the hymns
creation and rst transmission was, exactly as in the Krama scriptures account
of their revelation, the Great Assembly (mahmelpa
.
h) of Yogins in the Kara-
vra cremation ground.
293
Here too, as in the Kashmirian post-scriptural texts,
they are led by Ma ngal, but they are one hundred and seventy rather than
the sixty-four of the standard account. Five sets of seventeen assemble in ve
circles (bhscakram, khecakram, dikcakram, gocakram, and bhcakram) corre-
sponding to the Five Voids of the title, thus eighty-ve in total, presided over by
the ve goddesses that govern these Voids (Vyome, Khecar, Dikcar, Gocar,
and Bhcar). From these arises a second set of eighty-ve, the rst set in the
sky (the khacakram) and the second on the earth (the bhcakram).
294
After they
292
Khacakrapacakastotra xs A, f. 89v34 (colophon): iti r-o
.
d
.
diynap
.
thavinirgata
.
m sarva-
yoginpra
.
nta
.
m mukhnmukhavirnirgata
.
m mahrthakramajnrtha
.
m rkhacakrapacakasto-
tra
.
m sampta
.
m.
293
Khacakrapacakastotra xs B, f. 1v (vv. 7c8): rp
.
tha uttarnta*sthe (conj. [Aia
sandhi] : sth Cod.) *a
.
s
.
tap
.
thasamudbhav
.
h (a
.
s
.
ta em. : abja Cod.) | karavramane
tu ekacakrasamgat
.
h | mahmelpamilit ygakr
.
dotsave sthit
.
h (ygakr
.
dotsave em. :
yogakr
.
dtsavai Cod.) In the venerable P
.
tha of the north [the Yogins] originating from
the eight P
.
thas came together in a single circle in the Karavra cremation ground. Joining
in the Great Assembly they participated in the celebration of the Great Sacrice. In sup-
port of the emendation *a
.
s
.
tap
.
tha- for abjap
.
tha- see Klkulakramasadbhva, f. 2v1 (1.53
55b): a
.
s
.
tau p
.
ths tu ye prokt
.
h sarvap
.
the
.
su cottam
.
h | tatrasths tu im
.
h sarv gahtis
tu svabhvata
.
h | a
.
s
.
tv a
.
s
.
tagu
.
n divy
.
h svabhva*daranotsuk
.
h (conj. : dastsuk
.
h Cod.) |
catu
.
h
.
sa
.
s
.
tihri mahbhm
.
h sarva*vreanyaka (em. : sarvvavrepra
.
nyaka Cod.) | mah*yge
(em. : yogai Cod.) tu vai rudra udyukthsi tu vidhnata
.
h; and itika
.
n
.
tha, Mahnayapraka
9.2: a
.
s
.
ta p
.
tha a
.
s
.
tav a
.
s
.
tagune a
.
s
.
t
.
s
.
te *cuha
.
s
.
ta (em. Giiiisox [1929, 64] : cua
.
s
.
ta Ed.) ma-
haugha.
294
Te variant scheme is driven by the multiplication of the ve levels, shared with the stan-
dard model of the 64 kins of the v
.
rndacakram, by seventeen, that being the number of the
sounds in the nine-syllable Vidy of Klasa
.
mkar
.
si
.
n (xuiuii
.
x xauica
.
x
.
oa\ocisva
.
i xa-
i-xua-iua-ia-xa-ui-ca-
.
xa-
.
oa-\a-o-ca-i-sa-va-
.
i); cf. Devdvyardhaatik f. 8v45 (vv. 91c
92b): kule ta
.
m navadh yojya kaule saptadak
.
sar | navavar
.
navibhedena jey s
.
so
.
dadhik.
For the name of each Yogin in each subset of seventeen in the rst eighty-ve begins with one
322 Mlanges tantriques la mmoire dHlne Brunner
have sung their hymn the eighty-ve in the sky dissolve, leaving the remaining
eighty-ve to transmit it to Bhairava.
295
It is probable that this too is a product of Kashmir. For in spite of its scrip-
tural style and consequent deviations from the grammar of the most learned
Sanskrit, its opening verses venerate not only Ma ngal but also Jnanetra-
ntha.
296
Moreover, the hymn contains two sets of goddesses attested to my
knowledge only in Kashmirian aiva tradition.
297
of the seventh sounds. At the centre of these eighty-ve is their leader (cakranyik), the god-
dess Ma ngal, associated with the culminating
.
x[xa-] of the rst xuiuii
.
x. Fromher ows all
authority through initiation in the Krama (adhikra
.
h): pactis tu *khecakra
.
m (corr. : kha
.
m
cakra
.
m) tanmadhye cakranyik | ma ngalkhy tu y dev sdhikrakar tu s (xs A, f. 76v12,
v. 40).
295
Khacakrapacakastotra xs A, f. 87r41 (vv. 14647): eva
.
m stutv mahvidy yoginya
.
h
sarvap
.
thaj
.
h | dviprakrakramodbht
.
h pacasaptadaotthith
.
hi | pratham cakrasa
.
mbht
.
h
stuti
.
m k
.
rtv laya
.
m gat
.
h | apar
.
h pacacakrasth bhairavasya prakitam.
296
Khacakrapacakastotra xs B, f. 1v34 (v. 3): samarasapadalno ni
.
hsvabhvaikavra
.
h
*amitasakalabhvo (amita corr. : samita Cod. b
.
hvo corr. : bhve Cod.) jnad
.
r
.
s
.
tipraka
.
h |
viditaparamatattvo labdhavijnasaukhyo rasitaparamabodho jnanetr*khyantha
.
h (em. :
thyantha Cod.) Te Ntha Jananetra has merged with the level where all experience is
one. He is the solitary Hero of that beyond essence, he in whom all phenomena have been
brought to silence, radiant with the vision of his gnosis, who has realized the ultimate real-
ity, who has attained the bliss of understanding, who has relished the highest enlightenment.
Te term ni
.
hsvabhva- without self-hood, so familiar in Mahynist literature, is much used
in the Krama. See, e.g., Klkulakramasadbhva, f. 9r5 (3.93cd): ni
.
hsvabhva
.
m niraupamya
.
m
nirlak
.
sya
.
m ni
.
hprayojanam; Klkulapacaataka A, f. 5r23 (2.6ab): ni
.
hsvabhvasvabhva
.
m ca
dvaitdvaitavivarjitam; Yonigahvara, f. 7r12 (v. 88): etat svarpa
.
m ka[thi]tan nih
.
hisvabhva
.
m
svabhvagam | kln
.
m parama
.
m g
.
dha
.
m mahvyomntabhsaka
.
m; Kaulastra f. 2v5: bhva-
bhtasa
.
mvidm ante ni
.
hsvabhvatparyavasnam; Chummsa
.
mketapraka, f. 5v45 (v. 73ab):
akula
.
m gurubhi
.
h prokta
.
m ni
.
hsvabhva
.
m sadoditam.
297
Tus Khacakrapacakastotra xs A, f. 75r5v2 (vv. 130131b): marcijvladhmrbhe t-
pane *tpanadyuti (conj. : tpane dyuti Cod.) | *pcani (corr. : pcan Cod.) havyavhe ca
(corr. : havyavja ca Cod.) *tejobhsi (conj. : tejobhpi Cod.) namo stu te | atadhme mah-
dhme vivadhme tamontike. Tese are the twelve solar aktis worshipped in the Kashmirian
ivadparddha as the retinue of Sa
.
mkar
.
sa
.
nadev (= Klasa
.
mkar
.
sa
.
n), with the exception that
there we have Padmagarbh rather than Vivadhm (Karmak
.
n
.
da, vol. 4, pp. 4167; phot.
reprod. in Cuaxoia 1984, pp. 237d238a): Marci, Jvlin, Dhmr, Tapin, Tpin, Pcin,
Havyavh, Tejovat, atadhm, *Sudhm (corr. : svadhmyai Ed.), Padmagarbh, and
Tamopah. Te Jayadrathaymalaprastramantrasa
.
mgraha gives this same set as the retinue of
the Mata goddess Ardhacakrevar whose Kalpa is taught in Jayadrathaymala,
.
Sa
.
tka 2, . 87r8
88v9 (Pa
.
tala 17), giving the Mantra of the central goddess as ua
.
x i;ui
.
x ouixixraxiii sa
.
u
and those of the twelve surrounding her in the same form, but substituting the twelve vowels in
order (a to u, i to au, a
.
x, and a
.
u) for the of i;ui
.
xand the names in place of ouixixraxiii
Alexis Sanderson 323
Te Bhvopahrastotra and its Commentary
Other Kashmirian works survive that, though they tell us nothing concerning
the details of the Krama worship, are nonetheless imbued with or inuenced
by the Krama: the Bhvopahravivara
.
na of Ramyadeva, son of Jyogdeva,
298
the
ivartrirahasya, also called ivartrinir
.
naya, of Updhyya ivasvmin II, and
the anonymous Jnakriydvayaataka.
As for the rst, the author of the hymn on which it comments, Bha
.
t
.
traka
Cakrap
.
nintha,
299
was, like Cakrabhnu, n, and Jaiyaka, a Mahvratin, as
he himself declares:
300
Supreme Lord, witness of all, accept [this] hymn from me whose thoughts are
free of pride, disdain, and possessiveness, whose head is [now] placed on the
throne that is your feet, my body covered with ash, a human skull in my hand.
A nameless (ka cit) ascetic has composed [this] transcendent hymn of the inner
worship of ambhu, lord of the wheel of consciousness, after retiring to [the
cremation ground,] the grove of the Mahpupatas.
and:
301
followed by + xaiixiii (. 18v719r3: ua
.
x i;uia
.
x xaicixaiixiii sa
.
u etc.).
Te hymn also invokes the two sets of four goddesses that are held in the Kashmirian tradi-
tion to be aktis of the central deity of the Dak
.
si
.
nasrotas (Bhairava) and Vmasrotas (Tumburu)
respectively (v. 135cd, 137ab): siddhe u
.
ske *kajbhe ca (conj. : kajbhve Cod.) utpalkhye
namo stu te | jaye ca vijaye devi jayant cparjite. Te third goddess of the rst set of four is
Rakt the Red in all other sources. My emendation kajbhe ca gives a synonym She who has
the colour of the red lotus. I have accepted as an Aia licence the reading jayant where gram-
mar requires the vocative, since jayanti would be unacceptable, creating a completely iambic
posterior Pda. For evidence that the rst of these sets and its combination with the other are
peculiarly Kashmirian see Saxoiisox 2005b, pp. 287281.
298
Te name of his father is seen only in the colophon. Ramyadeva identies himself and his
teacher in the closing verse of the commentary.
299
For his title Bha
.
t
.
traka, denoting a aiva ascetic with authority over others, see
Ramyadevas commentary, p. 2, l. 11 (bha
.
t
.
trakapd
.
h). Te name Cakrap
.
ni is not found
in the hymn itself but is given by Ramyadeva, who nds it alluded to in the hymns last verse
in ciccakranthasya lord of the wheel of consciousness, stating that the author is thereby sug-
gesting his identity with the object of his worship (Bhvopahravivara
.
na, p. 44, ll. 35).
300
Bhvopahrastotra, vv. 4647: stotra
.
m g
.
rhna paramevara vivask
.
sin mnvamnamama-
tojjhitacittav
.
rtte
.
h | mattas tvada nghriyugap
.
thanilnamauler bhasmvagu
.
n
.
thitatanor n
.
rkapla-
p
.
ne
.
h | 47 mahpupatodyne kacid viramya tpasa
.
h | cakre ciccakranthasya ambhor bhva-
nuti
.
m parm.
301
Bhvopahrastotra, v. 6: tvatpdbjaraja
.
hptacitbhasmavibh
.
sitt | g
.
rh
.
na matta
.
h r-
ka
.
n
.
tha bhvapjm ak
.
rtrimm.
324 Mlanges tantriques la mmoire dHlne Brunner
rka
.
n
.
tha, accept this true mental worship from me who am adorned with the
ash of funeral pyres that has been puried by the pollen of your lotus feet.
His hymn addresses iva and has no explicit Krama content. Nonetheless, there
are elements of double meaning within its three opening verses of obeisance
(namaskralok
.
h) that reveal that the author was indeed writing within this
tradition:
(1) Obeisance to Bhava, the bestower of liberation who withdraws the body of
Time through the array of the [twelve] solar powers (sryakaljla-), enthroned
(-p
.
thya) on (/whose P
.
tha comprises) both the throne and the enthroned. (2)
Obeisance to iva, who garlanded with the lotuses that are the [sixteen] powers
[latent] in the new moon embodies the highest bliss (-nanda-), whose form is
unmanifest (/in whom the mrti
.
h is withdrawn) (avyaktamrtaye). (3) Obei-
sance to Hara, the supreme self who manifests the mass of the bonds, immerses
himself within them, dissolves them, and remains concealed in the innermost
core of Mantra.
I propose that this alludes to the phases of the Kramas course of worship: those
of the P
.
tha, the ve Flow Goddesses that are its basis (pacavhacakram), the
twelve solar powers of the circle of Illumination (prakacakram), the sixteen
lunar powers of the circle of Bliss (nandacakram), the circle of Embodiment,
that is to say, of the re-emergent ego (mrticakram), and its resorption [into
the circle of the Multitude (v
.
rndacakram), and, in the third verse, the four
phases of Emission, Stasis, Withdrawal, and the Nameless. Ramyadeva does
not oer this interpretation but he does read the work as a text of the Krama,
nding its doctrines wherever his ingenuity and the resources of the exible
Indian ars interpretandi permit him to do so. Indeed he takes the very concept
of the hymn, as an expression of worship in which the acts and oerings of the
external cult are translated into mental enactments of immersion in the deity
(bhvapj), to be grounded in the Kramas tradition of oral instruction:
302
302
Bhvopahravivara
.
na, p. 2, ll. 112: iha hi niruttaranirniketanva
.
ta*vita nkla
.
mkavalita-
sakalakalpankulaparamabhairavasatattvam (em. vi
.
ta nkasa
.
mkalitasakalakalankula Ed.)
avcyavcakam *avar
.
nanirvar
.
nam (em. : avar
.
nanirvar
.
nanam Ed.) *andyantam anantar-
bahrpam (em. : andyanantam antarbahrpam Ed.) apjyapjakam api prasaraddyod-
yant
.
rtvatrakramvatritapacavhamayk
.
rtrimapjyapjakakrame
.
na *protsphuratty (em. :
protsphuratti rtir Ed.) avigtamukhasa
.
mpradyasara
.
nisamanugat sarvgamntarghumaghum-
yamn rvijnabhairavdi
.
su svaka
.
n
.
thenaiva bhagavat nir
.
nt rsvatantrabha
.
t
.
trakdi
.
su ca
ak
.
rtv mnasa
.
m ygam itydivkyair dhvanit mnasaygnatireki
.
n (em. : mnasaygtireki
.
n
Ed.) sarvabhvopah
.
rti
.
h. tm eva bha
.
t
.
trakapd
.
h stotramukhena praka
.
tayanta diloken-
scayanti. Te emendation to -ala
.
mkavalitasakalakalpankulaparamabhairava- is prompted by
ivastravimarin, p. 18, l. 1112: sakalakalpankulla
.
mkavalanamayatvc ca bhairava
.
h. For
Ramyadevas dependence on the passage see footnote 315 on p. 329.
Alexis Sanderson 325
Te highest Bhairava cannot be transcended, is beyond all contexts, and with-
out imprint in the abyss of his being, having completely swallowed the manifest
world of every constructive cognition. Being void of signs and what they signify,
being free of both of the sounds of speech and of that which transcends them,
being without beginning or end, interior or exterior, [the primordial ground]
that he constitutes is untouched for us by [the articial (k
.
rtrima
.
h) relation of]
the worshipped and the worshipper. Nonetheless it does manifest itself as a
natural and spontaneous (ak
.
rtrima
.
h) process of [interaction between itself as]
worshipped and [itself as] worshipper when it takes the form of the various un-
foldings of the Five Flows [embodied in the order of Krama worship], these be-
ing brought into play as the actively owing state of primordial energetic agency
surges up [within it]. Te oering up of all phenomena [which gives the work
its title] is in line with this established oral teaching. It resonates indistinctly in
all the aiva scriptures, [but] is openly taught in such as the Vijnabhairava,
303
and evoked in such as the Svacchanda in statements such as Unless he rst does
mental worship .
304
Intending to clarify through his hymn this process of
oering up all phenomena [into iva], which is none other than that mental
worship, the venerable Bha
.
t
.
traka alludes to it in his rst verse.
His position as an exponent of the Krama is also apparent in his cita-
tions of the works of others. Tese, apart from three quotations from Rjnaka
Utpaladeva, one from the Saiddhntika Klottara,
305
and one from the Span-
dakrik of Kalla
.
ta,
306
are from works of the Krama Gurus Eraka, Hrasvantha
(Vmanadatta), Cakrabhnu, and Prabodhantha,
307
and from the Klkula-
303
He alludes to Vijnabhairava, vv. 116, ending eva
.
mvidhe pare tattve ka
.
h pjya
.
h ka ca
t
.
rpyati In a supreme reality of that nature who is there that can receive pj oerings and who
that can be gratied [in the re of sacrice]?
304
Svacchanda 3.32c33b: ak
.
rtv mnasa
.
m yga
.
m yo nya
.
m yga
.
m samrabhet | aiva
.
h sa
tu vijeyo na mok
.
sya vidhyate Know that anyone who undertakes the other[, external] wor-
ship without having rst done mental worship is not a iva and [therefore] is not t to attain
liberation.
305
Bhvopahravivara
.
na, p. 16, ll. 1316 (= ivastotrval 16.29); p. 26, ll. 1417
(= ivastotrval 13.16); p. 43, ll. 1617 (not known); p. 30, ll. 34; p. 30, ll. 34 (= Srdhatri-
atiklottara 1.6c7b).
306
Bhvopahravivara
.
na, p. 30, l. 14 (= Spandakrik 2.1a in K
.
semarjas numeration).
307
(1) Kramastotra (Bhvopahravivara
.
na, p. 3, l. 14, citing Pda c of the verse on Mah-
klakl without attribution; see Tantrlokaviveka, vol. 3, p. 185, l. 15); (2) Svabodhodayama-
jar 19cd (Bhvopahravivara
.
na, p. 19, l. 9 [unattributed]: buddhavat sarvarg syt sarvadve
.
syo
tha bhairava
.
h); (3) rp
.
thadvdaik (Bhvopahravivara
.
na, p. 43, citing v. 3cd without attri-
bution), and (4) an unnamed hymn by the ascetic Prabodhantha (Bhvopahravivara
.
na, p. 10,
ll. 58).
326 Mlanges tantriques la mmoire dHlne Brunner
based scripture Vjasaney.
308
He also includes passages from his Advayadvdaik,
309
six otherwise un-
known works by himself, some of whose titles and contents reveal their Krama
context,
310
and one from an unnamed work by his unnamed son, which also
pertains to the Krama.
311
At the end of the work he declares that he has received empowerment from
the P
.
thevars, and that this occurred through oral transmission from his Guru
Yognanda,
312
a remark that reveals that initiatory empowerment in the Krama
was seen as the re-enactment of the original revelation in U
.
d
.
diyna and that the
lineage of Krama Gurus was perceived as an internally undierentiated stream
of consciousness multiple from generation to generation only in outward ap-
pearance. Tus in his penultimate verse he can say:
I bow to the line of Gurus, the sole cause of salvation, the expansive circle of
the rays [of enlightenment] that has come from that whose form is beyond
perception.
313
308
Quoted in Bhvopahravivara
.
na, p. 6, ll. 912 (vjasaneyabha
.
t
.
trikym api). Tat this
scripture is a work of the Klkula or of one greatly inuenced by it appears from two
verses cited from it by K
.
semarja in his ivastravimarin, pp. 136, l. 13137, l. 3: tath
ca rvjasaneyym: y s akti
.
h par sk
.
sm vypin nirmal iva | akticakrasya janan
parnandm
.
rttmik | mahghorevar ca
.
n
.
d s
.
r
.
s
.
tisa
.
mhrakrik | trivaha
.
m trividha
.
m tristha
.
m
balt kla
.
m prakar
.
sati. Te last line is evidently a semantic analysis of the name Klasa
.
mkar
.
sa
.
n.
Cf. Paryantapacik 42: trivaha
.
m tripatha
.
m tristha
.
m kla
.
m s kar
.
sati svata
.
h | bahis tata ct-
manti rpar klakar
.
si
.
n. See also the Klkula-based Trika text Deyymala paraphrased in
Tantrloka 15.335c338 and the direct citation by Jayaratha on that passage (Tantrlokaviveka,
vol. 9, p. 169, l. 18): s graset trividha
.
m kla
.
m klasa
.
mkar
.
si
.
n tath.
309
Cited in p. 41, ll. 1316. Tis work, under the variant title Paramrthadvdaik has been
wrongly attributed to Abhinavagupta; see Racuavax 1980, pp. 7677.
310
(1) Akulakliktri
.
mik: p. 8, ll. 58 (l. 9: itydyasmadviracitkula*kliktri
.
mikokta- (k-
lik em. : kaulik Ed.), p. 38, ll. 147; (2) Akramakallolakrik: p. 4; (3) K
.
rtntatntintistava:
p. 41, ll. 811; (4) Cakrevarabhairav
.
s
.
taka: p. 29, ll. 36; (5) ivaravastotra: pp. 10, 1711, l. 2;
and (6) ivartrivicaravrtika: p. 34, ll. 14.
311
Bhvopahravivara
.
na, p. 6, ll. 47, on the sequence-transcending goddess (k
.
r) enthroned
above iva.
312
Bhvopahravivara
.
na, p. 44, ll. 1013: yognandbhidhnadvijavaravadanytap
.
thei-
devpdvadyotitjpra
.
nayanajanitnantasotshahar
.
sa
.
h | stotre bhvopahre vivara
.
nam akarod
ramyadevo dvijanm janmdyysabha ngaprava
.
namatilasatsadrahasyopadea
.
h Tis commen-
tary on the Bhvopahrastotra has been composed by the brahmin Ramyadeva, in whose mind
intent on putting an end to the torments of birth and [death] the true secret instructions are
radiant, in whom joy of endless vigour has arisen from his practice of the empowerment re-
vealed by the venerable P
.
thevar goddesses, which has been passed on to him from the lips of
Yognanda, the foremost of brahmins.
313
Bhvopahravivara
.
na, p. 44, ll. 69: ad
.
r
.
stavigrahgata
.
m marcicakravistaram | anugrahai-
Alexis Sanderson 327
and the rst three aphorisms of the Krama-based Kaulastra can declare to the
same eect:
(1) Tere is but one Guru, the uninterrupted transmission of the rays [of en-
lightened consciousness] passed on to us through the initiatory lineage (ovalli
.
h).
(2) Tere is but one deity, the reality that they have perceived. (3) Te power
of its consciousness is nothing but the state of [their] innate self-awareness.
314
As for the date of Ramyadeva we can deduce from his citations of other au-
thors that he was later than Prabodhantha, who, as a pupil of Cakrabhnu, is
likely to have been active around 975. However there are elements in his termi-
nology and phrasing that suggest strongly that he knew the works of K
.
semarja
and is therefore unlikely to have been active before the eleventh century.
315
About his Guru Yognanda we know nothing more, though it is conceivable
that he is identical with the person of this name whomAbhinavagupta has listed
among his teachers.
316
It has been claimed that Ramyadeva is identical with the
kakra
.
na
.
m nammy aha
.
m gurukramam.
314
Kaulastra, f. 1v4: avicchinnam ovallikramytamarcisa
.
mkrma
.
nam evaiko guru
.
h | tad-
upalabdham eva tattvam eko deva
.
h | tasyaik sahajha
.
mbhvabhmi cicchakti
.
h. Cf. the South
Indian Mahevarnandas Pdukodaya quoted in his Mahrthamajarparimala, pp. 1516, es-
pecially p. 15, ll. 2123: sa ca svabhvd eka
.
h sann aneka iva bhsate | rabhya ma ngaldptii-
vnanddika
.
m kramam | ambnthapaddhyst pramparye
.
na pjyate And this though really
one appears to be many and is worshipped sequentially beginning with the series that begins
with Ma ngaldpti and ivnanda [= Jnanetra] through the superimposition of the epithets
-amb [after feminine names] and -ntha [after masculine: ui
.
x si
.
x xauixa xcaiioiri
axniiioa. ui
.
x si
.
x sivixaxoaxiruaiioa etc.].
315
Te novel expression prasaraddyodyant
.
rt (p. 2, l. 4, in the passage cited in foot-
note 302 on p. 326) echoes K
.
semarja, ivastravimari
.
n, p. 50, l. 1: parapraka
.
h
ak
.
rtakodyant
.
rttmanoccre
.
na dhvati prasarati ity artha
.
h and p. 18, ll. 812: yo ya
.
m prasa-
radrpy vimaramayy sa
.
mvido jhagityucchalantmakaparapratibhonmajjanarpa udyama
.
h
sa eva sarvasaktisamarasyena ae
.
savivabharitatvt sakalakalpankulla
.
mkavalanamayatvc ca
bhairavo . Te passage in bold beginning sakala- has been adapted by Ramyadeva in the
same passage; see here footnote 302 on p. 326. Te rst of the introductory verses speaks of
the Bhairava who is consciousness (bodhabhairava
.
h) being worshipped on all sides by the god-
desses that are the sense-faculties (kara
.
nevarya
.
h). Te expressions bodhabhairava
.
h and its syn-
onym cidbhairava
.
h are a feature of the works of Abhinavagupta and K
.
semarja; see Mlinvija-
yavrtika 1.42d (bodhabhairave); 2.147a (cidbhairava-); Tantrloka 1.123b (bodhabhairava
.
h);
4.23c: cidbhairavvea-; Netroddyota on 10.14 (cidbhairava-); on 19.162 (cidbhairavanthasya);
Bhairavnukara
.
nastotra 2a (cidbhairavam); 48b (cidbhairava); Svacchandoddyota, introducing
8.1 (bodhabhairavasya); Ma ngala verse of commentary on 11 (svacchando bodhabhairava
.
h).
316
Tantrloka 37.6062: *mardasa
.
mtatimahr
.
navakar
.
nadhra
.
h saddaiikairakavartmaja-
vmantha
.
h (marda em. : nanda Ed.) | rnthasa
.
mtatimahmbaragharmaknti
.
h rbh-
328 Mlanges tantriques la mmoire dHlne Brunner
scholar of that name who is mentioned as a contemporary by the Kashmirian
poet Ma nkha early in the twelfth century. Nothing excludes that date, but the
identication rests on the name alone and is fatally undermined by the fact that
Ma nkha praises him not as a aiva but as a master of the Vednta who wrote a
commentary on the I
.
s
.
tasiddhi [of Vimukttman].
317
Te ivartrirahasya of ivasvmin Updhyya
Te ivartrirahasya of ivasvmin, probably the ivasvmin Updhyya [II]
who was active during the reign of Ra
.
njit Singh (18191839),
318
gives an es-
oteric reading of the deities, the various vessels and other ritual substrates, the
oerings, and timing of the worship to be conducted by Kashmirians on the
thirteenth lunar day of the dark fortnight of the month of Phlguna, the high
point of the annual ivartri festival (hrath). Te interpretation takes the outer
elements of the ritual and translates theminto symbols of structures in the body,
senses and mind merging into and arising from iva in union with the Goddess
as the pure, dynamic consciousness that is the innermost ground of the wor-
shippers awareness, making contemplation of these structures the power that
animates and bestows ecacity on the outer processes. Te Krama provides the
symbolism of the cone-shaped Li nga of baked clay known as the sae po tul
u
in
Kashmiri. Said here to be ve-faced and termed the pacaputtalali ngam, its
ve faces are equated with (1) the ve elements of the worship of the P
.
tha,
from the P
.
tha itself, through the cremation ground (manam), the Site-
Guardian (K
.
setrapla), and the Assembly (melpa
.
h) to the sacrice (yga
.
h),
tirjatanaya
.
h svapit
.
rprasda
.
h | traiyambakaprasarasgarayisomnandtmajotpalajalak
.
sma
.
na-
guptantha
.
h | turykhyasa
.
mtatimahodadhipr
.
nacandra
.
h *rsaumata
.
h (em. : rsomata
.
h Ed.)
sakalavit kila ambhuntha
.
h | rcandraarmabhavabhaktivilsayognandbhinandaivaaktivi-
citranth
.
h | anye pi dharmaivavmanakodbha
.
tarbhteabhskaramukhapramukh mah-
nta
.
h (1) Vmantha, son of the excellent Guru Eraka, [my] helmsman over the ocean of the
[Saiddhntika] mardaka lineage, (2) the son of Bhtirja, initiated by his father, [my] sun
in the vast sky of the rntha lineage, (3) Lak
.
sma
.
naguptantha, disciple of Utpala, the dis-
ciple of Somnanda, [my Vi
.
s
.
nu] lying on the ocean of the lineage of Trayambaka. (4) the
omniscient ambhuntha, disciple of Sumati[ntha], [my] full moon over the ocean of the
Kaula lineage, (5) Candraarman, (6) Bhavabhaktivilsa, (7) Yognanda, (8) Abhinanda, (9) i-
vaakti, (10) Vicitrantha, and other great [scholars] such as (11) Dharmaiva, (12) Vmanaka,
(13) Udbha
.
tar, (14) Bhtea, and (15) Bhskaramukha. On the emendation rsaumata
.
h for
rsomata
.
h see Saxoiisox 2005a, pp. 132133, footnote 106.
317
rka
.
n
.
thacarita 25.3233. Te claim is Rasrocis (1979:192193).
318
On his date see footnote 653 on p. 425.
Alexis Sanderson 329
(2) the ve gross elements from ether to earth, (3) the ve sense-objects from
sound to odour, (4) the ve Cause deities from Sadiva to Brahm, (5) the
ve Krama goddesses Vmevar, Khecar, Dikcar, Sa
.
mhrabhak
.
si
.
n/Gocar,
and Raudraraudevar, (6) the corresponding ves phases of cognition: initial
urge (udyama
.
h), illumination (avabhsanam), internalization (carva
.
nam), the
devouring of time (klagrsa
.
h), and nal quiescence (virnti
.
h), and also (7)
with ve manifestations of each of the ve material elements in the worship-
pers body.
319
Te unacknowledged source on which the text is drawing is the
chapter on the phase of the worship of the P
.
tha in the Trivandrum Mahnaya-
praka.
320
Te Jnakriydvayaataka
As for the third and last of these works, the Jnakriydvayaataka (A Hun-
dred [Verses] on the Unity of Knowledge and Practice), its subject, as its title
319
ivartrirahasya, f. 3r1819 (v. 84cd): pacaputtalali ngasya pjanrtho yam rita
.
h; f. 3v1
12 (vv. 89c96): vim
.
rya
.
m pacadh rpa
.
m caitanyakulapacake | 90 m
.
r
.
nmaye puttale dehe
pacadhtva
.
m sm
.
rta
.
m budhai
.
h | prathama
.
m pra
.
nava
.
h p
.
tha
.
m vyoma vmevar tath | 91
sadivodyamau caiva p
.
thadeha
.
h prakrtita
.
h | tata
.
h rkhecar dev vyu
.
h sparo vabhsanam |
92 vara
.
h *kladh*tma (em. : tm Cod.) mana
.
m cintayed idam | praknandarpasya
k
.
setrasya parirak
.
sa
.
nt | 93 melpaygayugmena k
.
setraplo bhidhyate | rpa
.
m rdikcar tejo
mahrudro pi *carva
.
nam (em. : daranam Cod.) | 94 vypta
.
m *sa
.
mhrabhak
.
si
.
ny (sa
.
mhra
em. : sa
.
msra Cod.) smarasytmaka
.
m jalam | ukto melpaabdena pacavhopadeakai
.
h | 95
raso jala
.
m *gocar (corr. : khecar Cod.) ca klagrsa ca keava
.
h | ala
.
mgrs*tmako (corr. : t-
make Cod.) ygo raudra*raudrevarrita
.
h (corr. : raudrvarrita
.
h Cod.) | 96 p
.
rthiv gandho
bhcar ca virntir tmabhs tath | anudbhinnacidbhsakulapacakagocaram. Having given
the correspondences between the faces and the Kramas ve aspects of internal awareness it goes
on in f. 3v1217 (vv. 97100) to show the correspondences with the body of the worshipper.
Here ve entities are listed for each of the ve gross elements from ether to earth, down to
nails, hair, esh, bone, and skin for earth. He sums up (f. 3v1720 [v. 101102b]): eva
.
m cin-
nthadevasya paca vaktr
.
ni pjayet | pi
.
n
.
dasypi tayo caikyajna
.
m li ngasya pjanam | na
m
.
r
.
nmayasya li ngasya pjana
.
m mok
.
sasiddham In this way he should worship the ve faces both
of the Lord who is Consciousness and of the body. To worship the Li nga is to know their untiy.
Worship of the Li nga of clay [alone] bestows neither liberation nor powers.
320
Mahnayapraka (Triv.) 2.129b. Te dependence is evident from the agreement in con-
tent, but also fromverbal parallels. Tus cf. kladhtma manam(92a) with kladhaikabh
.
h
sai
.
s mana
.
m khecar mat (2.15cd); praknandarpasya k
.
setrasya parirak
.
sa
.
nt (92d)
with etadrpa
.
m para
.
m k
.
setra
.
m praknandabhmigam | playe[t] (2.18abc); vypta
.
m
*sa
.
mhrabhak
.
si
.
ny smarasytmaka
.
m jalam | ukto melpaabdena (94abc) with smarasyt-
man sai
.
s pratyv
.
rtty samantata
.
h | bhak
.
sayaty ntaraspard ata
.
h sa
.
mhrabhak
.
si
.
n (22c
23b); and ala
.
mgrstmako ygo raudraraudrevarrita
.
h (95cd) with raudraraudevar ygas tas-
md i
.
s
.
to gurttamai
.
h | ala
.
mgrsakrama
.
h so ya
.
m mahshasajanmabh
.
h.
330 Mlanges tantriques la mmoire dHlne Brunner
indicates, is the necessity of engaging in non-dualistic aiva practice only if one
possesses a proper understanding of the doctrine and is sincerely committed to
its soteriological purpose. Tough in general an unmarked expression of aiva
non-dualism, it is coloured by Krama language:
321
Homage to [iva], whose vast awareness manifests the all-pervading display of
the [universe of the] six paths, who is [also] the sun that forcibly devours the
mass of all [those] phenomena.
Obeisance to him whose nature is to liberate all, glorying in the sequence of the
Five Flows [that are the goddesses beginning with Vyomavmevar].
All-pervading, beautiful with the bliss and light that ows forth [in him] with
eternal vigour, who manifests the three worlds as the expansion of the sequence
of his circles of power, who remains immersed in the core where existence and
non-existence have dissolved, who is ever eager to devour [into nonduality]
direction, place, time, form, and all other [aspects of the manifest].
It emphasizes Krama methods of enlightenment:
322
Te Krama teaching passed on by the Guru, [participation in] a gathering of
Siddhas and Yogins, their sensual practice, oral instruction, [non-conceptual]
transmission, internal sensation
through the most intense descent of power, or by force of of ones own insight,
as the result of practising the Gurus [oral] instruction, by worship, or by study
of scripture, or by direct transmission of the knowledge of a perfected Yogin or
Siddha, or by immersion in the blissful sensation of a new consciousness.
321
Jnakriydvayaataka A, f. 2r35 (v. 5):
.
sa
.
dadhvavitatasphravisphra
.
namahdhiye |
nama
.
h samastabhvaughaha
.
thla
.
mgrsabhnave; A, f. 2r7v1 (v. 7ab): pacavhakramodagra-
sarvnugrahadharmi
.
ne; and A, f. 12r6v4 (vv. 7172): vibhu
.
h prasaradamlnapraknandasu-
ndara
.
h | akticakrakramasphravisphritajagattraya
.
h | pralnasadasadbhvamadhyaviramama-
nthara
.
h | digdeaklkrdikavalkradk
.
sita
.
h.
322
Jnakriydvayaataka A, f. 4v13 (v. 20), in a list of methods of enlightenment: pra-
mparyakrammnyo yoginsiddhamelaka
.
h | taccrucary kathana
.
m sa
.
mkrma
.
h spara ntara
.
h;
f. 13r24 (v. 75c77): sutvraaktiptena svavimarabalena v | 76 *gurpadenu
.
s
.
thnd arcay
strato pi v | ni
.
spannayoginsiddhajnasa
.
mkrama
.
nena v (B, f. 10r23 : lacking in A) | 77
navnaciccamatkrasparveavaena v. Te distinctive expression svavimarabalena occurs in
the Klkulakramasadbhva, f. 2r11 (1.49cd): p
.
rcchmi parama
.
m devi svavimarabalena tu; and
f. 12v 910 (5.44ab): s vidy
.
m tava vak
.
symi svavimarabalena ca. Cf. f. 1v2 (1.17c18b):
svavimaradantasth ti
.
s
.
thate paramevar | kl tu bhairavr
.
dh mahklakalin.
Alexis Sanderson 331
and it pours scorn on hypocrites who use the language of the Krama as an
excuse for licentious behaviour:
323
Adopting misconduct they make love to others wives declaring constantly that
it is wrong to impede the inclination of the powers [of consciousness]. Tey are
deluded in constant relish of the objects of the senses, saying that the goddesses
of their faculties are [thus] lling the Lord that is consciousness with the objects
of their enjoyment.
Te manuscripts of this work that I have seen do not record the name of
its author. But it was very probably Sillana, the author of another unpublished
text, the Svtmopalabdhiataka. For the phrasing of the two works is remark-
ably similar.
324
As for the time of its composition, that can be determined at
present only within very wide boundaries. A prior limit in the tenth century is
set by the fact that it imitates a verse of a hymn by Utpaladeva.
325
In another
verse there is a striking similarity of phrasing with a verse in the Mahnaya-
praka of Ar
.
nasi
.
mha, which would bring the limit up to the late eleventh
323
Jnakriydvayaataka A, . 7v78r6 (vv. 4344): necchvighta
.
h kartavya
.
h aktnm
iti sa
.
mtatam | kathayanto durcr
.
h kmayante parastriya
.
h | 44 cinntha
.
m kara
.
nevarya
.
h
svabhogai
.
h prayanti na
.
h | ity cn
.
h pramuhyanti vi
.
saysvdasa
.
mtatau.
324
(1) Jnakriydvayaataka (JKA) f. 5r12 (v. 23cd): vi
.
r nkhal par aktir hetu
.
h svtmo-
palabdhaye; cf. Svtmopalabdhiataka (SU), f. 12r45 (v. 102): ity ptaivasadbhvabhva-
garbhasya snun | ataka
.
m sillaneneda
.
m k
.
rta
.
m svtmopalabdhaye; (2) JKA, f. 16r3 (v. 94ab):
te
.
sm ananyasmnyaparamaivaryalinm; cf. SU, f. 1r6 (4cd): nama
.
h svatantratodra-
paramaivaryaline; (3) JKAS, f. 5v67 (v. 28ab): akti
.
h sa
.
mbadhyate tvr svatantr svaraso-
dit; cf. SU, f. 3v23 (v. )27: tathaiva nirapek
.
si
.
ny svarasoditay vibho
.
h | mohanidrprasakto
pi pau
.
h akty prabodhyate; (4) JKA, f. 4r12 (v. 17ab): bhvangurustrebhya
.
h sadasad-
vastunicaya
.
h; cf. SU, f. 5v3 (v. 46cd); buddhyvabudhyate sadasadvastunicayam; (5) JKA,
f. 4r34 (18ab): pratti
.
h svtmasatty
.
m sahajnubhavakrama
.
h; cf. SU, f. 6r45 (v. 51cd):
tathsya svtmasatty
.
m prattir upajyate; (6) JKA, f. 12r67 (v. 69cd): vibhu
.
h prasarad-
amlnapraknandasundara
.
h; cf. SU, f. 6v5 (v. 56cd): sarvata
.
h prasaratsphrasvaprabh-
bharasundara
.
h; (7) JKA, f. 12v34 (v. 71ab): digdeaklkrdikavalkradk
.
sita
.
h; cf.
SU, f. 6v4 (v. 56ab): kavalk
.
rtadigdeaklkrdikalpana
.
h; cf. (8) JKA, f. 12v2 (v. 70ab):
pralnasadasadbhvamadhyaviramamanthara
.
h; cf. SU, f. 6v23 (v. 55ab): parm
.
rtaras-
svdanirbharnandamanthara
.
h; (9) JKA, f. 2r23 (v. 4c): durvijeyarahasyya; cf. SU,
f. 7v4 (v. 65a): durvijeyarahasyatvd; (10) JKA, f. 2r12 (v. 4ab): carcarajagatsphra-
sphurattmtradharmi
.
ne; cf. SU, f. 6r6 (v. 53ab): sphuraccarcarasphrannkraparigraha
.
h.
325
Jnakriydvayaataka, f. 1v4 (v. 2) (sannya sudrya guptya praka
.
ttmane | sulabh-
ytidurgya nama *citrya ambhave [unattributed quotation in Subh
.
sitval, v. 22] and
f. 2r57 (v. 6) (udriktya prantya ka
.
thinya dravtmane | myvine viuddhya nama
.
h
svdhnaaktaye) draw on ivastotrval 2.12: myvine viuddhya guhyya praka
.
ttmane |
sk
.
smya vivarpya nama citrya ambhave.
332 Mlanges tantriques la mmoire dHlne Brunner
century, if it were not that the direction of borrowing is uncertain.
326
Te
posterior limit is set by unattributed citations in the Stutikusumjali
.
tk of
Rjnaka Ratnaka
.
n
.
tha, completed in a.o. 1681,
327
and in the Kashmirian an-
thology Subh
.
sitval of Vallabhadeva.
328
Te date of the latter is uncertain but
it cannot have been earlier than the fteenth century, since it includes verses
by Rjnaka Jonarja, who died in a.o. 1459/60.
329
Tui Hicuii Kiaxa oi rui Oiai Ixsriucrioxs
We have seen that the unknown author of the Trivandrum Mahnayapraka
teaches that the attainment of the goal through the Kramas course of meditative
worship (pjanam) is the lowest of three means of enlightment, that the highest
is a non-conceptual transmission (sa
.
mkrama
.
nam), a sudden and denitive rev-
elation of the Primordial Ground (pur
.
ndhi
.
s
.
thnakrama
.
h, anupyakrama
.
h)
brought about by a non-conceptual (nirvikalpaka-) transmission from Guru
to disciple, and that between that and Krama worship is a method of oral in-
struction (kathanam), in which self-realization is initiated by the Guru through
instruction in a corpus of aphorisms designed to project the recipient with
a minimum of conceptualization into direct, non-conceptual enlightenment
(shasasamdhi
.
h) without recourse to the gradualist path of Krama worship. We
have also seen this higher method claimed by Nga as the source of his
own enlightenment, invoked by Ramyadeva as the basis of Cakrap
.
ninthas
326
Tere is a close parallel between f. 2v12 (v. 7cd) (mohatmisravidhva
.
msapraca
.
n
.
damahase
nama
.
h) and f. 15v45 (v. 94cd) (te mohadhvntavidhva
.
msaca
.
n
.
damrta
.
n
.
damrtaya
.
h) on the
one hand and f. 120v5 (v. 166cd) of Ar
.
nasi
.
mhas Mahnayapraka (bhavat
.
r
.
dbhrntivibhrnti-
vidhva
.
msocca
.
n
.
daddhiti
.
h) on the other.
327
Ratnaka
.
n
.
tha quotes vv. 2426 in his Stutikusumjali
.
tk on 30.39 as the work of a scholar
of the gamas (gamavida
.
h). According to the opening and closing verses of this commentary
it was begun in aka 1602 (a.o. 1680/1] and completed in Vikrama 1738 (a.o. 1681/2).
328
Vv. 1, 2, and 4 have been included by Vallabhadeva without attribution as vv. 2123 in
the section of his anthology devoted to verses of religious obeisance (namaskrapaddhati
.
h).
329
Subh
.
sitval, v. 3038 (rjonarjasya) = Jonarja, Rjatara ngi
.
n 696. Te date of Jonarjas
death is recorded by his pupil rvara in Jainarjatara ngi
.
n 1.6: rjonarjavibudha
.
h kurvan rja-
tara ngi
.
nm | syakgnimite var
.
se ivasyujyam sadat Te learned Jonarja attained union with
iva while still writing his Rjatara ngi
.
n in the year [Laukika 45]35. Subh
.
sitval, vv. 621 and
3038 are attributed to Jonaraja with the title Rjnaka. Tat anthology also contains numerous
verses by the fourteenth-century Kashmirian poet and grammarian Jagaddhara. Te latters
approximate date is determined by the fact that Rjnaka itika
.
n
.
tha reports in his Blabodhi-
nnysa, completed during the reign of
.
Hasan h (r. 14721484), that he is the son of the
daughter of Jagaddharas grandson.
Alexis Sanderson 333
Bhvopahrastotra, and mentioned among the means of liberation in the J-
nakriydvayaataka.
Te Chummsa
.
mketapraka of Ni
.
skriynandantha
Te tradition of oral instruction to which these authors refer is preserved in
the unpublished Chummsa
.
mketapraka of Ni
.
skriynandantha. Tis work is
a Sanskrit commentary that transmits and explains one hundred and ve brief
aphorisms in Old Kashmiri consisting of from one to three words, which it
calls variously the chumm
.
h, chummpadni, sa
.
mketapadni, and padni.
330
Te term chumm is seen in the non-Saiddhntika aiva Tantras, generally
of the Vidyp
.
tha, and the Buddhist Yogintantras (/Yoganiruttaratantras), ap-
pearing also as chumma-, chummaka-/chummak-, choma-/chom-, chomaka-
/chommaka-, and chommak-/chommak-.
331
In those sources the term denotes
words or hand-signals by means of which initiates recognize each other or com-
municate secretly.
332
Te word is, I propose, Middle Indo-Aryan, deriving from
Old Indo-Aryan chadman- a disguise.
333
Here in the Krama the word means
rather esoteric instruction or knowledge. It is in this sense that it appears in
330
Chummsa
.
mketapraka . 2v103r1 (2728b): yogyas tva
.
m sanmate putra durgame smin
mahkrame | ity uktv k
.
rpayvi
.
s
.
to bodhaym sa m
.
m prabhu
.
h | ki
.
mci[c] chummopadea
.
m tu
sa
.
mketapadavistaram; f. 3r89 (3637): parataram aniketa
.
m tattvamrgasthita
.
m te | nirupama-
padachummsa
.
mpradya
.
m samantt | svarasavaatayha
.
m tvatk
.
rpghrtacitta
.
h | praka
.
tatara-
vacobhir daraymy u nnam; f. 13r9 (218ab): pacdhikaateneha padaugho ya
.
h sthita
.
h para
.
h;
Anantaakti on Vtlanthastra, p. 2, ll. 23: rmadvtlanthasya *p
.
thevarya chummpa-
daugham (em. : p
.
thevarya ucchu
.
smapdaugham Ed.) uktv. For this emendation see foot-
note 374 on p. 347.
331
Tantrloka 29.37 (chumm/chumma-), Svacchanda 15.1, Tantrlokaviveka, vol. 12, h-
nika 29, p. 28 (chummak), Netratantra 20.39 (chummaka-); Picumata, f. 245r2 (53.98d):
cchomakdyah nigalak
.
sa
.
nai
.
h; ibid., (53.99a): cchommak *kd
.
r (corr. : kd
.
ro Cod.) deva;
f. 246v3 (15.163a and colophon): cchommak
.
m cchommdhikras; f. 290r4: cchomdhikro;
Hevajratantra 1.7.1: atha chompa
.
tala
.
m.
332
Picumata, f. 245r2 (53.99): chommak *kd
.
r (corr. : kd
.
ro Cod.) deva kuln
.
m sdhaka-
sya ca | prajyate yath bhrt bhagin v vie
.
sata
.
h; Hevajratantra 1.7.1: atha chompa
.
tala
.
m
vykhysyma
.
h. yena vijyate bhrt bhagin ca na sa
.
maya
.
h; K
.
semarja, Svacchandoddyota,
vol. 6, p. 126: chummak tatsamaynupravi
.
s
.
tasa
.
mcity pribh
.
sik sa
.
mj; Netroddyota, vol. 2,
p. 233: gamikapribh
.
sikanmni; K
.
nhapda, Hevajratantrayogaratnaml on 1.7.1: chom
milicch yoginn
.
m sa
.
mketenbhisamayajalpanam; Carymelpakapradpa, p. 87, ll. 67: kya-
chomvkchomsa
.
mketena vyavahra
.
h kriyate; Laghvabhidhna, f. 24v4: iti rherukbhidhne
bhak
.
sahomabalikriyhastacchomvidhipa
.
tala ekatri
.
matima
.
h.
333
Trough chama- by analogy with the development of po mma- from padma- through
pama-; see Piscuii 1900, 139 and 166; Siddhahemacandra 8.1.61, 8.2.112.
334 Mlanges tantriques la mmoire dHlne Brunner
Modern Kashmiri cho mb (f.), being glossed in Sanskrit by Pa
.
n
.
dit Mukunda
Rma str in Griersons dictionary (1932) as g
.
dhavijnam hidden knowl-
edge and in English as secret knowledge (by which the accomplishment of
some dicult task is rendered easy), private experience.
Tat the language of the Chumms is Old Kashmiri is not apparent in the
majority of them, since these consist of unmodied (tatsama-) Sanskrit nominal
stems, most with the nominative singular ending -u seen in the masculine in
Old Kashmiri (for Sanskrit masculine and neuter) but also in Apabhra
.
ma, as
in the rst four: li ngu abhijnu | ara
.
nisamudyu | cakremelaku | klagrsu
Te point of fusion is the means of recognizing [the self ]; It arises from the
[attrition of the two] kindling sticks; [Tere comes about] the merging of
the goddesses of the circle; Temporal sequence is devoured.
334
However, that
the language is Kashmiri is established by sound changes, morphology, and
vocabulary. In the rst category we see -t to -c and -tt to -cc in the following
three Chumms: (1) pnthvadhc, glossed:
335
Tough sporting everywhere absolutely unimpeded, with no xed abode, by
virtue of the pervasive manifestations of cognition, he comes at last like a trav-
eller (pnthavat) to the pure (avadhtikm) and beautiful (acitm) ow that
cannot be entered, that is untainted [by these wanderings] that are like water
that rests upon [but does not dampen] the lily-pad.
(2) macc umacc, glossed:
336
Because consciousness surges up with innate autonomy she becomes reckless,
taking on ever-new forms and devouring them all [from moment to moment].
She gives no thought to what is right or wrong, being constantly ckle. But
when this same [consciousness] is sated she completely transcends this madness.
[For] when [in this way] she catches sight of the highest iva he tames her
recklessness. For this reason consciousness, who never deviates from [this] her
[inner] nature for those blessed [by her favour] has been called mattonmatt
mad [and] free of madness.
334
Chummsa
.
mketapraka . 3r9, 3v3, 3v5, and 3v8.
335
Chummsa
.
mketapraka, f. 6v89: *panthvadhc (pnth conj. : panth Cod.) sarvatra
ramam
.
no pi niyatrayavarjita
.
h | sa
.
mvidullsavibhavair anirodhataybhita
.
h | 92 prpnoti
v
.
rttim agam
.
m pnthavat tv avadhtikm | nirlep
.
m pu
.
skaradalasthitavrivad acitm.
336
Chummsa
.
mketapraka, f. 7r13: macc umacc. svasvtantryodayatay nirvicratvam
gat | sa
.
mvin navanavollekharpi
.
n sarvabhak
.
si
.
n | 94 yuktyuktavicrais tu varjit cacal
sad | y sthit nirbhar saiva proccair unmattat
.
m gat | 95 parama
.
m ivam lokya tadva-
k
.
rtacpal | mattonmatt citi
.
h khyt satm apracyut tata
.
h. Tis indicates that unmattik is
to be understood as beyond wildness (udgata
.
m matta
.
m mattat yasy sonmattik).
Alexis Sanderson 335
and (3) athic thiti, glossed:
337
Te eternal stasis is the impenetrable, unshakeable domain of the Nameless in
which the stasis that is the emergence of dierentiation is dissolved.
Ni
.
skriynandantha, then, takes pnthvadhc to be equivalent to Skt. pntho
vadhtm and to mean [Like a] traveller [he reaches] the pure [state], macc
umacc to be equivalent to Skt. mattikonmattik and to mean [First she is] wild
[; then she is] tamed, and athic thiti to be equivalent to Skt. asthity sthiti
.
h or
asthitau sthiti
.
h and to mean [True] stasis [comes about] through [or in] the
cessation of stasis. Tese readings are in keeping with the change of dental
t to c before -mtr (< oia/xia -i), i, e , or y that is distinctive of Modern
Kashmiri.
338
Moreover, the ending - for the instrumental or locative singular of
a feminine noun whose stem ends in -i/ is as in the Old Kashmiri of the Mah-
nayapraka, which exhibits in vicc (10.2) (Skt. v
.
rtty) both this morphology
and this sound-change.
339
Te stem thiti (Skt. sthiti-) is also seen there,
340
and
though in that text feminine i/-stems such as thiti- normally take the ending
-a in the nominative they do not always do so.
341
Also indicative of Old Kashmiri are rami ekyanu, glossed:
342
He who is the one ground, perfect and all-pervading, plays without falling from
his nature as he performs every action of every kind throughout the universe.
337
Chummsa
.
mketapraka, f. 10v67: athic thiti. 163 bhedonme
.
sasthitir yatra laya
.
m yt-
game pade | aprakampye nirkhykhye s sthiti
.
h sthitir avyay.
338
Giiiisox 1929, 8. With macc and unmacc we may compare Modern Kashmiri mc
.
r
.
nu
.
sva me | retayoni
.
m bjayoni
.
m s
.
rjah
.
mi s
.
r
.
s
.
ti
.
m tathaiva ca | pacama
.
m k
.
sobhayoni
.
m ca.
Alexis Sanderson 371
enthroned, both in the Trikas initiation Ma
.
n
.
dala and in the visualization that
is a component of regular worship, on three lotuses resting on the tips of the
prongs of a trident, with Par/Mt
.
rsadbhva in the centre and the other two to
her right and left.
456
Both the Klkula and the Krama had inuenced the Trika by the time
of the exegetes. Te later Trika scripture Devyymala had incorporated Kla-
sa
.
mkar
.
sa
.
n as a fourth goddess above the three of the older tradition, a variant
of Trika worship that is also found within the encyclopaedic scriptural tradi-
tion of the Klkula itself; and the Trikasadbhva had added the Kls seen
in the Kramas phase of the Nameless to the pantheon installed in the Trikas
Ma
.
n
.
dala.
457
While in the Krama we have an internally dierentiated tradition with nu-
merous authors, in the exegesis of the Trika proper we have only the works of
a single author, Abhinavagupta, all on a single scripture, the Mlinvijayottara.
Te principal of these works are, in the order of their composition, the Mlinvi-
jayavrtika and the Tantrloka. A third commentary, the rprvapacik, sur-
vives only in citation.
458
Te rst, comprising two chapters of 1135 and 335
verses respectively, declares itself a commentary on the opening verse of the
Mlinvijayottara but accomplishes this commentary in a form that covers the
contents of the whole work, the rst chapter covering the rst seventeen chap-
ters of the scripture and the second the rest. Te Tantrloka, comprising 5859
verses in thirty-seven chapters (hnikas), oers itself as a comprehensive Pad-
dhati on the Trika taught in the Mlinvijayottara. Much that is in the Mlinvi-
jayavrtika appears again more or less revised in the Tantrloka,
459
but there is
important material in the former that was not repeated or reformulated, most
notably the section 1.15399, which presents a metaphysical explanation of
the origin and dierentiation of the principal divisions of the aiva scriptures,
based, I propose, on the account of the canon given in the lost aiva scrip-
ture rka
.
n
.
thyasa
.
mhit/rka
.
n
.
th in a long passage preserved in the Nitydi-
456
See Saxoiisox 1986.
457
On the inuence of the Klkula and Krama on the scriptural Trika and the existence of
variants of Trika worship in the Klkula itself see Saxoiisox 1986, pp. 188204 and Saxoii-
sox 1990, pp. 5864. In the former I have called these two developments Trika IIa and Trika
IIb.
458
All that survives of the rprvapacik without doubt is a passage quoted and attributed
by Jayaratha onTantrloka 23.75 (etadvivara
.
ne eva pacikym). Abhinavagupta refers to it
twice in his Partrikvivara
.
na (p. 194, ll. 1719; p. 205, ll. 2122).
459
On the priority of the Mlinvijayavrtika see Saxoiisox 2005, p. 142, footnote 24.
372 Mlanges tantriques la mmoire dHlne Brunner
sa
.
mgrahapaddhati of Rjnaka Tak
.
sakavarta.
460
Te Tantrloka is not a Paddhati in the narrowsense, that is to say, a detailed
practical guide to the performance of the systems rituals. Rather it builds on the
basis of the Mlinvijayottara a theory-rich account of his vision of the Trikas
teaching of the nature of ultimate reality and the means of its realization. Tese
means include ritual, but since Abhinavagupta held to the view, in opposition
to the Saiddhntikas, that it is knowledge rather than ritual that liberates, he
also teaches methods that do not descend to the level of ritual performance and
rationalizes ritual itself as a process of cultivating the insight that in his higher
methods comes about through direct, non-conceptual intuition or the gradual
renement of a conceptual awareness of ultimate reality (vikalpasa
.
mskra
.
h) to
the point at which it transcends its conceptual character to become immediate
experience (sk
.
stkra
.
h).
He structures his account of the Trikas means of liberation in this way on
the basis of three verses in the Mlinvijayottara that dene three modes of im-
mersion in iva: non-conceptual (mbhava
.
h samvea
.
h), through conceptual
thought alone (kta
.
h samvea
.
h), and through meditational and ritual activity
(
.
nava
.
h).
461
In the rst chapter he sets ou
.
t the fundamentals of his soteriology
and its metaphysical basis, dening the three modes of immersion, adding a
transcendent fourth, immersion without method (anupya
.
h samvea
.
h), mean-
ing by that a sudden direct self-realization that once established requires no fur-
ther application of means to sustain it. Te second is devoted to this mode of
self-realization, the third to non-conceptual immersion (mbhava
.
h samvea
.
h),
and the fourth to immersion through thought alone (kta
.
h samvea
.
h). Te
methods that constitute immersion through meditational and ritual activity
(
.
nava
.
h samvea
.
h) are explained in chapters 5 and following. Te medita-
tional methods are taught rst. Te fth chapter teaches visualization of the
ow of the powers of consciousness through the faculties (dhynam), medi-
tation on the ow of the vital energies (pr
.
natattvasamuccra
.
h) with the help
of the Mantras sau
.
u and xuiuii
.
x, meditation on these and other syllables
(var
.
natattvam), and internal Yogic posture (kara
.
nam). Te remaining methods
are gathered under the heading sthnakalpan visualizing the positioning of
internal structures in external substrates. Chapter 6 teaches how the cycles of
460
A transcript of this account has been published in Haxxioii 1998, pp. 237268 from
xs Stein Or. d. 43 in the Bodleian Library, Oxford. Tis is a copy of the manuscript of the
Nitydisa
.
mgrahapaddhati listed here in the bibliography.
461
Mlinvijayottara 2.2123.
Alexis Sanderson 373
external time and, by extension, the sounds of the syllabary circulate internally
in the vital energy. Chapter 7 shows how the sequences of Mantras of various
kinds are to be mastered by contemplative repetition within the cyclical ow of
the breath (cakrodaya
.
h). Chapters 811 explain the order of worlds (bhuvand-
hv) (8), the order of the Tattvas (tattvdhv) (9), the correlation between the
order of the Tattvas and the Mlinvijayottaras hierarchy of the categories of
perceiver (pramt) (10), and the order of the ve Tattva-segments (kaldhv)
(11). Tese chapters look both backwards and forwards: backwards in as much
as these structures of the worlds, Tattvas, and Tattva-segments are seen as ar-
rayed within the microcosm, forwards in as much as a precise knowledge of
these structures is ancillary to the ociants performance of initiation, whose
treatment will follow. Chapters 13 and 14 are preliminary to the discussion
of that topic. Te rst analyses the nature of the descent of [ivas] power
(aktipta
.
h) that leads to liberation, directly or through initiation, and the sec-
ond analyses the nature of the absence of this descent, the state of occlusion
(tirobhva
.
h) that holds consciousness in bondage.
462
Te external practices of ritual, beginning with initiation, are the princi-
pal subject matter from the 15th chapter to the 33rd. Chapter 15 teaches the
ritual of worship in the form that it is to take when done by an ociant as a
preliminary to initiation, the neophytes initiation known as the samayadk
.
s,
and the rules of discipline that bind all initiates. Te following chapters cover
the full initiation known as the nirv
.
nadk
.
s (1617), an abbreviated form of
initiation (18), the form of initiation to be performed for those close to death
(sadyonirv
.
nadk
.
s) (19), the procedure known as scales-initiation (tuldk
.
s,
dha
.
tadk
.
s) (20), initiation for the dead (m
.
rtoddhr dk
.
s) (21), initiation af-
ter conversion from another faith (li ngoddhradk
.
s) (22), the rituals for the
consecration to oce of Gurus and Sdhakas (crybhi
.
seka
.
h, sdhakbhi
.
seka
.
h)
(23), initiation during cremation (antye
.
s
.
tidk
.
s) (24), and the ritual of making
oerings to the deceased (rddhavidhi
.
h) (25). Chapters 26 and 27 teach the
ritual of daily worship to be performed by initiates for the rest of their lives, in-
cluding the procedure for the consecration (prati
.
s
.
th) of Li ngas and other sub-
strates of personal worship. Chapter 28 covers worship to be oered on special
occasions (naimittikavidhi
.
h) requiring the assembling and gratication of ini-
tiates and Yogins (cakrayga
.
h), procedures for gaining encounters with Yogins
(yoginmelaka
.
h), the procedures to be adopted in the Gurus regular teaching
462
See Tantrlokaviveka, vol. 4, p. 2, ll. 16.
374 Mlanges tantriques la mmoire dHlne Brunner
of the scriptures (vykhyvidhi
.
h), penances (pryacittavidhi
.
h), and the ritual of
the worship of the Guru (28). Having completed his treatment of the rituals
of the basic form of the Trika, he devotes the 29th chapter to worship, initia-
tion, and consecration in a higher, Kaula form of the same. It is in this context
that he sets out as an option the system of Klkula worship taught in the M-
dhavakula of the Jayadrathaymalas fourth
.
Sa
.
tka. He then covers the Mantras
(30), Ma
.
n
.
dalas (31), and Mudrs (32) of the system, and summarizes the sets
of the Trikas ancillary deities (33), thus bringing his treatment of ritual to its
end. Chapters 34 to 36 explain the relationship between the three methods of
immersion (34), and give an account of the hierarchy of revelation (35) and
of the transmission of the Siddhayogevarmata, of which the Mlinvijayottara
was considered to be the essence (36). Abhinavagupta ends his treatise with a
chapter on the value of his composition (stropdeyatvam) (37). He states the
position of the Mlinvijayottara in the aiva canon: above the Saiddhntika
scriptures are those of Bhairava; within those the highest are the texts of the
kta-orientated Vidyp
.
tha; of those the foremost is the Siddhayogevarmata;
and the Mlinvijayottara is the latters ultimate distillation. Te value of the
Tantrloka, then, lies in his view in the fact that as the systematic exposition of
the teachings of this Tantra it conveys the highest essence of the entire aiva
revelation. He ends with an account of his patrilineal descent from Atrigupta,
a learned brahmin of Madhyadea who was settled in Kashmir by King Lal-
itditya (r. c. 725761/2), of his intellectual history, the various Gurus who
had taught him, and the circle of his disciples. Within the framework of this
encyclopaedic treatment he has inserted numerous incidental discussions. Par-
ticularly noteworthy are his treatments of the metaphysical basis of the Sanskrit
syllabary (mt
.
rkcakram) in the 3rd chapter, of the gradations of Guru-hood
in the 4th, of causality in the 9th, of objectivity (vedyat) in the 10th, and of
the nature of death and the destinies of the soul thereafter in the 28th.
Tough the Tantrloka is based on the Mlinvijayottara it reaches far be-
yond that source to draw on a great number of scriptural texts from the whole
range of the aiva Mantramrga. Among texts of the Trika he cites principally
the Siddhayogevarmata, the Triirobhairava [= Anmaka], the Devyymala,
the Tantrasadbhva, the Kularatnaml, the Trikasadbhva, the Trikasra, the
Bhairavakula, the Vrval, and the Partrik. From the Klkula he cites the
Mdhavakula, the Kramasadbhva, the rmikaulr
.
nava/Bhogahasta, the Kl-
kula, and the Klmukha.
463
Te identity of the Klkula is not certain, but it
463
Abhinavagupta refers to a text with this name as his source for the option of using a
Alexis Sanderson 375
is very probably the Klkulapacaataka.
464
He also cites a number of Kaula
texts of uncertain aliation: the nandevara, the Utphullaka, the Kulagahvara,
the Kramarahasya, the Khecarmata, the Gama, the Tattvarak
.
svidhna, the
Nandiikh, the Nirmryda, the Ni
.
tana/Niisa
.
mcra, the Bhargaikh, the
Yogasa
.
mcra, the Yoginkaula, the Yonyar
.
nava, the Sarvavra/Sarvcra, and the
Hai
.
dara. Descending below this level in his herarchy of revelation he draws on
the Picumata/Brahmaymala, the principal scripture of the Ymala division,
and in the Dak
.
si
.
na division on the Svacchanda to a great extent and inci-
dentally on the Aghorevarsvacchanda. Among scriptures of the Siddhnta he
cites the Kacabhrgava, the Kmika, the Klottara, the Kira
.
na, the Dk
.
sottara,
the Ni
.
hvsa, the Parkhya, the Pau
.
skara, the Mata nga, the Mayasa
.
mgraha, the
Muku
.
tottara, the Rauravastrasa
.
mgraha, the Sarvajnottara, and the Svyam-
sword, dagger, knife or clear mirror as ones substrate of worship (Tantrloka 27.44): kha
.
dga
.
m
k
.
rp
.
nik
.
m yad v kartar
.
m makura
.
m ca v | vimala
.
m tat tath kuryc chrmatklmukhoditam.
No text of this name has been mentioned elsewhere in the literature known to me, but it is no
doubt either the Klkula or a text closely related to it. For we have a close parallel in Klku-
lapacaataka A, f. 18r5 (4.73), referring to the worship of the phase of Withdrawal: athav
churik
.
m sthpya kartar
.
m v sudru
.
nm | mahmukurap
.
r
.
s
.
the (em. : mahmuku
.
tap
.
r
.
s
.
the Cod.)
tu pjy sa
.
mhrabhairav.
464
His quotation of the Klkula in Tantrloka 35.3334 (rmatklkule cokta
.
m pacasro-
tovivarjitam | da
.
s
.
tdaabhedasya sram etat prakrtitam | pu
.
spe gandhas tile taila
.
m dehe
jvo jale m
.
rtam | yath tathaiva str
.
n
.
m kulam anta
.
h prati
.
s
.
thitam) appears to be a con-
densed citation of Klkulapacaataka B, f. 27r4v1 (2.3538): etad rahasya
.
m parama
.
m kula
.
m
jta
.
m na kenacit | aivd bhyam ida
.
m deva pacasrotovinirgatam | 36 da
.
s
.
tdaabhedasya
aivasya paramevara | antarlnam ida
.
m jna
.
m na jta
.
m tridaevarai
.
h | 37 sarvatra sa
.
m-
sthita
.
m deva sug
.
dha
.
m kulam uttamam | pu
.
spe gandha ivsakta
.
m taila
.
m yadvat tildi
.
su |
38 tathaiva sarvastr
.
n
.
m kulam anta
.
h prati
.
s
.
thitam. Te citation in 13.306 (*klkulavid-
hau [conj. : kulaklvidhau Ed.] cokta
.
m vai
.
s
.
navn
.
m vie
.
sata
.
h | bhasmani
.
s
.
thprapannnm
itydau naiva yogyat) is close to Klkulapacaataka A, f. 29v35 (7.51c53b): tntri-
k
.
n
.
m na aivn
.
m na dadyd vai
.
s
.
navtmanm | bhasmani
.
s
.
thprapannnm asthimldi-
dhri
.
nm | vedoktdikriyr
.
dhidnadharmatapoju
.
sm | trthramaprapannn
.
m na deya
.
m
pramrthikam, with the Klkulas vai
.
s
.
navn
.
m vie
.
sata
.
h being seen in a parallel passage
in the Devdvyardhaatik, f. 4v45 (41c42): tantrcraratn
.
m ca siddhntdikriynvitm |
vedoktdikriyr
.
dh
.
m vai
.
s
.
navn
.
m vie
.
sata
.
h | *laukikn
.
m (conj. [supported by Klik-
krama redaction: laukik ca] : kaulikn
.
m Cod.) kriy*yukt
.
m (em. [Aia gen. pl. ] : yukts
Cod.) tebhyo *rak
.
sya
.
m (corr. : rak
.
sa
.
m Cod.) mahkramam. In 28.14c15b he includes the
Klkula among sources that give information on the Kaula days sacred to the Mothers (kula-
parva) (kulaparveti tad brmo yathokta
.
m bhairave kule | hai
.
dare trikasadbhve trikaklkul-
dike). Tere is no such information in the Klkulapacaataka. However, the reading is suspect
since if klkuldike is correct, the trika- that precedes is problematic, since it does not denote
a specic text and no Trikaklkula is known or probable.
376 Mlanges tantriques la mmoire dHlne Brunner
bhuvastrasa
.
mgraha, considering their prescriptions valid except where specic
instructions in non-Saiddhntika scriptures block their application for those
initiated into the practice ordained in these more restricted traditions. His pur-
pose is to formulate a position for the Trika that enables its followers to see it
not merely as the highest revelation but as that which pervades and validates all
others. Te Mlinvijayottara was a tting base for this project for two principal
reasons. Te rst is that it oers a bridge from the kta ground of this exegesis
to the Siddhnta since it shows striking continuities with the latter system. Te
second is that the 18th chapter of the Mlinvijayottara could be read as formu-
lating the viewthat while the hierarchy of revelation leads upwards to culminate
in the Trika, the highest revelation within the Trika itself, to be found in this
chapter, transcends trancendence by propagating the position that all forms of
aiva practice, including that of the Siddhnta, are equally valid provided they
are informed by the nondualistic awareness enjoined here.
465
Tough the Tantrloka is a work of the Trika based on a text untouched by
the Klkula, Abhinavagupta reads the Klkula-inuenced strata of the tradi-
tion into the very core of his exegesis and develops this further in the light of
post-scriptural Krama theory, though always doing so obliquely as though to
conceal the purely kta ground of his aivism from profane eyes,
466
as exam-
ples from the opening chapters are sucient to demonstrate. Tus the opening
benedictory verse of the work reveals this character by showing in a veiled mat-
ter that the authors chosen deity (i
.
s
.
tadevat) is Klasa
.
mkar
.
sa
.
n.
467
In the rst
chapter he alludes to the twelve Kls as the fullest expression of Bhairavas
nature, presenting them in a syncretistic fashion as the three principal god-
desses of the Trika subdivided by emission, stasis, withdrawal, and the [name-
less] fourth.
468
In the third chapter, after dening the twelve vowels from a to
465
On the hierarchical unity of the Mantramrga as formulated by Abhinavagupta and his
commentator and the position that the Trika ultimately neither enjoins nor forbids any partic-
ular formof aiva practice, requiring only that the method adopted, whether it be, for example,
the Saiddhntikas Li nga worship or the Kaulas rejection of that worship, should be animated
by non-dualistic awareness, see my commentary on the second of the opening verses of Abhi-
navaguptas Tantrasra (Saxoiisox 2005a, pp. 102122).
466
On the place of the Krama in Abhinavaguptas Trika see Saxoiisox 1995, pp. 5362.
467
See Saxoiisox 2005a, pp. 101102.
468
Tantrloka 1.107: tasya aktaya evaits tisro bhnti pardik
.
h | s
.
r
.
s
.
tau sthitau laye turye
tenait dvdaodit
.
h. Jayaratha on this verse, taking these twelve as the Kls beginning with
S
.
r
.
s
.
tikl: pardiks tisra
.
h aktaya
.
h s
.
r
.
s
.
tau sthitau laye sa
.
mhre turye ankhye ca bhnti ekaikasy
ctrpye
.
na rs
.
r
.
s
.
tiklydytmakatay.
Alexis Sanderson 377
a
.
u (omitting
.
i
.
i
.
i
.
i) as the principal circle of Bhairavas powers, he equates
them both with the twelve Kls of the Krama and with the twelve Yogins that
form the retinue of Par in the Trika.
469
In the same chapter he equates the
Trikas syllabary-goddess Mlin with Klasa
.
mkar
.
sa
.
n as the highest state, say-
ing that the rst self-limitation that she manifests is that of her pairing with
Bhairava, that is to say, of the relationship between her as power and him as
the powerful, though in reality she transcends this duality.
470
Te fourth chap-
ters account of kta
.
h samvea
.
h, immersion in iva through the renement
of conceptual thought, is centred on an account of the rise in consciousness
of these same Kls. Both the fourth and the fth chapter teach the Kramas
seed-syllable xuiuii
.
x on a par with the Trikas sau
.
u; and when in the fth
Abhinavagupta teaches meditation on the ow of the powers of consciousness
through the faculties (dhynam), the powers are again the twelve and though
they are not explicitly identied with the Kramas Kls it is clear that they are
to be understood as these.
471
On the Tantrloka we have an extensive commentary written by Rjnaka
Jayaratha in the thirteenth century.
472
It is of great value to the student of this
text, since Jayaratha tries to cite in full the scriptural passages that Abhinava-
gupta frequently paraphrases in a condensed form. It has been described as ex-
haustive. But this is an exaggeration. Te coverage is uneven and often cursory,
especially on matters of ritual where we would be grateful for more information
than he seems to have possessed. Moreover, a number of scriptural sources on
which Abhinavagupta had drawn were no longer accessible to Jayaratha and his
Kashmirian contemporaries. He never declares this fact and no doubt expected
no one to be in a position to deduce it. It is only the survival of manuscripts
of these texts in other parts of the sub-continent that enables us to see that
he lacked access to them, since his interpretations of Abhinavaguptas terse
paraphrases, though always unhesitating, are sometimes wrong.
473
Nonethe-
469
Tantrloka 3.251254b.
470
Tantrloka 3.232c234; e
.
s vastuta ekaiva par klasya kar
.
si
.
n | aktimadbhedayogena
ymalatva
.
m prapadyate.
471
Tantrloka 5.19c36. Jayaratha on 5.26c27b indicates that he takes the twelve to be the
twelve Kls by saying that the nature of the twelve has not been elaborated here because that
has already been done in the preceding chapter. Tis can only be a reference to the treatment
of the twelve Kls in the fourth.
472
On this dating see below, p. 420.
473
For a demonstration of some of these concealed lacunae in his knowledge see Saxoiisox
forthcoming a, in which these are considered in an analysis of the contraction of the knowledge-
378 Mlanges tantriques la mmoire dHlne Brunner
less, within the limitations imposed on scholarship by a tradition obliged to
maintain the ction of undiminished knowledge, it is an impressive work. An
earlier commentary by Subha
.
tadatta, who gave initiation both to Jayaratha and
to his father, the minister
.
r ngraratha,
474
has been lost, no doubt because Ja-
yarathas commentary supplanted it.
475
After writing his Tantrloka Abhinavagupta produced in his Tantrasra a
condensed and simplied coverage of its teachings for the benet of those un-
able to master that long and much more complicated work. His Tantroccaya,
probably written after the Tantrasra, oers an even briefer version. Tese two
works stay close to the content of the Tantrloka, but not to such an extent that
we can see them as mere summaries. Tus in his treatment of Kaula worship
in the 29th chapter of the Tantrloka Abhinavagupta teaches two Paddhatis,
one based on the Mantras of the Trika and the other, as we have seen, drawn
from the Mdhavakula of the Klkula. But in the Tantrasra he substitutes a
Paddhati based on the Partrik, while in the Tantroccaya he prescribes a form
of Krama worship in which Ca
.
n
.
dayogevar this is the name under which the
Goddess is invoked in the Kramas principal Mantras is worshipped as the
thirty-eighth Tattva enthroned above Bhairava, the thirty-seventh (above the
thirty-six from iva to Earth of the common aiva model), as the source of all
emissions and resorptions, either surrounded by her retinue of twelve [Kls]
or solitary, as their totality.
476
Tere is also the Tantrava
.
tadh
.
nik, a brief review of the contents of the
Tantrloka in 99 verses, mostly restricted to what is covered in the rst ve
chapters of that work. Its author identies himself in the opening and closing
verses as Abhinavagupta, but the attribution is doubtful, unless we take this to
be another author with the same name. Two verses (2.12) have been cited by
base of Kashmirian aivism in the period between Abhinavagupta and recent times.
474
Tantrlokaviveka, concluding verses 3539.
475
From Jayarathas brother Jayadratha we have the Haracaritacintma
.
ni, a collection of ac-
counts of ivas deeds in the world of men, the majority of which are told in versions that
associate them with local sites of pilgrimage and the local religious calendar. Te aivism of
initiates transcends this level of common observance. But Jayadratha integrates it by introduc-
ing these narratives with verses that present their content as symbolic of the higher truths taught
in the aiva scriptures.
476
Tantroccaya, p. 177: tatra aktitraytm yo sau paramaiva
.
h saptatri
.
mo bhairavas tam
apy ulla nghya tam sanapak
.
sk
.
rty
.
s
.
ttri
.
mattam ysau bhagavat paramasa
.
mvid ukt saiva
*ca
.
n
.
dayogevarytmik (corr. : ca
.
n
.
dayogvarytmik Cod.) vivagrsas
.
r
.
s
.
ticakravhin *dvdaa-
bhir (corr. : dvdabhir Ed.) marcirpbhir devatbhi
.
h saha keval v vivbhedav
.
rtty pjy.
Alexis Sanderson 379
Jayaratha on Tantrloka 2.2, but without attribution. If he had thought themto
be the work of Abhinavagupta then we would expect him to have said so, that
being his habit. Te colophon of the Tantrava
.
tadhnik supports this doubt,
since it attributes it to a certain crya Abhinavagupta (rmadabhinavagupt-
cryavie
.
sa-), an expression that evidently does not refer to the famous author
of the Tantrloka.
We also have an extensive prose commentary (-vivara
.
na) by Abhinava-
gupta on the Partrik, a short text teaching a form of the Trika known
as the Anuttara, Ekavra, or Parkrama, in which a simplied, essentializing
form of worship and meditation is directed to Par alone and her seed-syllable
sau
.
u. Tis commentary was written between the Mlinvijayavrtika and the
Tantrloka.
477
A much shorter and markedly less brilliant commentary on this
text, the Partriklaghuv
.
rtti/Anuttaravimarin, has been published as his. But
I see no reason to accept the attribution and good reasons not to do so.
478
Te work is probably South Indian.
479
We also have a short commentary (-
viv
.
rti) on the text written by the Kashmirian Rjnaka Lak
.
smrma, also called
Rjna Lasaka/Lsaka (Lasa Kk Rzdn), at some time near the end of the
eighteenth century or the beginning of the nineteenth. But this is ignorant
of, or chooses to overlook, the true character of the text as instruction in the
worship of, and meditation on, the Mantra of the Trikas Par, wrongly taking
the Mantra to be the Aghora, that is to say, the thirty-two-syllable Mantra of
[Sakala-]Svacchandabhairava,
480
thus assimilating the text to the Svacchanda-
based cult of that deity, which, as we shall see, appears to have been the most
widely established form of aiva ritual practice in Kashmir down to modern
times. A verse in praise of that deity is the rst of the two nal verses of the
work. His engagement with the tradition of the Svacchanda and Netra is evi-
477
On the place of the Partrikvivara
.
na in the order of Abhinavaguptas works see Saxoii-
sox 2005, p. 124, footnote 88.
478
See Saxoiisox 2005a, p. 142, footnote 24.
479
Te attribution is already seen in the Mahrthamajarparimala of the South Indian
Mahevarnanda (pp. 8, 52, 66, 114), who refers to it as the Trikstravimarin (p. 114). His
date remains to be determined, but from the sources he cites we can see that he cannot have
been earlier than the twelfth century. On this form of the Trika in south India see Saxoiisox
1990, pp. 3234, 8082.
480
Partrikviv
.
rti, p. 14 on v. 26: aghoramantre
.
na ca saptavi
.
mativrama
.
s
.
tottaraatk
.
saml-
pdena mantritm; p. 15 on 28: caturdaavram aghorbhijaptena pu
.
spena; p. 16 on 30c32b:
mahevar
.
mpar
.
mdevmaghoramantre
.
na paray bhakty atydare
.
na pjayet; pp. 1112 on v. 21
imposes the Svacchandas system of worlds (bhuvanni).
380 Mlanges tantriques la mmoire dHlne Brunner
denced by a composite manuscript which contains among a number of short
aiva texts two attributed to this author: a *Ni
.
skalasvacchandadhynavivara
.
na,
an analysis in twenty-two lines of a verse of the Svacchandoddyota that is used in
the Kashmirian Paddhatis for the visualization accompanying the plenary obla-
tion (pr
.
nhuti
.
h) of Ni
.
skalasvacchanda, and an *Am
.
rtevaradhynavivara
.
na in
seventeen lines on the opening verse of the Netroddyota, which is used in the
same context for Am
.
rtevarabhairava.
481
Two other works by Abhinavagupta, though not narrowly tied to the
Trika in a technical sense, were written on its basis. Tese are the Bodhapa-
cadaik and the Paramrthasra, a aiva rewriting of the S
.
mkhya-Vedntic
Paramrthasra/dhrakrik attributed to e
.
samuni. Te latter has come
down to us with a commentary by the ascetic Yogarja, a pupil of Abhinava-
guptas pupil K
.
semarja,
482
who has also given us the iv
.
s
.
taka, a hymn to
Caitanyaiva, the iva who is Consciousness. While the commentary on the
Paramrthasra is devoid of esoteric references, the hymn reects the Krama-
orientated idiom of the authors teacher K
.
semarja.
483
Several other short works have been attributed to Abhinavagupta. Among
these the Paramrthadvdaik, the Mahopadeavi
.
matika, and the Rahasyapa-
481
See *Ni
.
skalasvacchandadhynavivara
.
na, f. 91v3 (colophon): iti rjnakalasakkena vivara-
.
na
.
m viracitam (the verse is Svacchandoddyota, vol. 3, p. 177, ll. 1619); and Am
.
rtevaradhy-
navivara
.
na, f. 91v17 (colophon): iti lasakkak
.
rt viv
.
rti
.
h. For the use of these verses in the Pad-
dhatis see, e.g., ivanirv
.
napaddhati, pp. 256257.
482
Te Trika in the technical sense, as opposed to the philosophical discourse of the Pra-
tyabhij texts, appears at the end of the Bodhapacadaik (v. 15) in a reference to Bhairava,
the identity of all things, seated on a lotus above the trident of the three powers of creative
impulse, cognition, and action [i.e. Par, Parpar, and Apar], and in the Paramrthasra in
(1) v. 4 (see also v. 41) in its reference to the four spheres (a
.
n
.
dacatu
.
s
.
tayam) that constitute
the created universe, those of akti, My, Prak
.
rti, and Earth, which is a classication drawn
from and distinctive of the Trikas Mlinvijayottara (2.49); and (2) vv. 4346, which should
be understood as a metaphysical reading of sau
.
u, the seed-syllable of the Trikas goddess Par
(cf. Tantrloka 4.186c189b for this encoding).
483
Tis orientation is apparent in the iv
.
s
.
takas two opening verses, f. 9r1620: yo nta
*caran (em. : carat Cod.) pr
.
nabh
.
rt
.
mh
.
rdabje dhvanaty abhk
.
s
.
na
.
mbhramaryam
.
na
.
h | ana
.
m
ca abddipargamuccai
.
h namo stu caitanyaivya tasmai | 2 svaddhitn
.
mkara
.
nevar
.
n
.
mcid-
arkamrti
.
h samudetya madhye | grskaroty e
.
sa ha
.
tht trilok
.
m namo stu caitanyaivya tasmai |
Obeisance to Caitanyaiva, who resonates constantly like a bee in the lotus of the heart, mov-
ing within all living creatures and eagerly devouring the pollen of the objects of the senses.
Obeisance to Caitanyaiva. Behold: as the sun that is consciousness rises up in the midst of his
rays, the goddesses that are the faculties [of sense-perception and action], he violently devours
the three worlds [that are the objects, means, and agent of cognition].
Alexis Sanderson 381
cadaik are certainly not his. Te rst is the work of Ramyadeva;
484
and the
second and third are evidently South Indian compositions.
485
Te attribution of
the Anubhavanivedanastotra and the Dehasthadevatcakrastotra rests on oral re-
port alone, and the subject of the latter, the mental worship of nandabhairava
and his consort nandabhairav surrounded by the eight Mothers, has no paral-
lel in Abhinavaguptas other works. Te Paryantapacik is attributed to Abhi-
navagupta in its colophon, but it has not been cited in any Kashmirian source,
nor has it come down to us, to my knowledge, in any Kashmirian manuscript.
Te manuscript transmission of the text is South Indian and the work appears
to have been known only there.
486
Te Anuttar
.
s
.
tik and the Paramrthacarc,
survive in Kashmirian manuscripts with colophons that assert that Abhinav-
agupta is their author. But I know of no evidence that conrms this assertion.
Nor am I aware of any that refutes it. However, the fact that Jayaratha cites a
line from the former without attribution does not inspire condence, since this
goes against his usual practice when quoting Abhinavagupta.
487
484
See footnote 309 on p. 328.
485
Te Mahopadeavi
.
matika is for the most part a reworking and reframing of the rst part
(vv. 28) of the Nirgu
.
namnasapj (Racuavax 1980, pp. 7075), which is one of the more
than 300 hymns ascribed to a nkara in the South Indian Smrta tradition under the spiritual
authority of the a nkarcryas of
.
r nger and Kc. On South Indian features in the Rahasya-
pacadaik see Saxoiisox 1990, pp. 3435, footnote 21.
486
Te text was edited by V. Racuavax on the basis of a manuscript in Trivandrum that
appears to be a codex unicus. It is mentioned as a work of Abhinavagupta in v. 20 of the South
Indian Gurunthaparmara of Madhurja/Mdhura of Madurai, a verse found in both highly
divergent recensions of the text, that of the Trivandrum manuscript and that of a copy of a De-
vangar manuscript in private possesion in Madras. It has been claimed that Madhurja was a
pupil of Abhinavagupta (Paxoi\ 1963, pp. 2022) and if that were true this testimony would
be compelling. But not one of the verses that mention Madhurja/Mdhura is common to both
recensions and none states that he was anything more than a devotee of Abhinavaguptas works
and an adept in the Parkrama, the system of meditative worship taught in the Partrik.
Te only citations of the Paryantapacik that I have located are in the South Indian Mah-
rthamajarparimala of Mahevarnanda, a work of c. 1300 (see pp. 414418) and the South
Indian varapratyabhijvimarinvykhy, folio sides 8, ll. 1819 and 9, ll. 78. In none of
these citations is the name of its author stated.
487
Anuttar
.
s
.
tik 2a is cited without attribution in Tantrlokaviveka, vol. 3, p. 99, ll. 1113:
anibaddhasya sa
.
msro sti na tattvatas tanubh
.
rt
.
m bandhasya vrtaiva k itydinyyenlabdha-
prarohasypi bandhasya klanam
382 Mlanges tantriques la mmoire dHlne Brunner
Tui Piar\anui;xi
All Abhinavaguptas exegesis proceeds on the basis of the doctrine of dy-
namic non-duality newly developed on slight scriptural foundations by Ut-
paladeva, the pupil of Somnanda, in his varapratyabhijkrik, its two
auto-commentaries (the -v
.
rtti
.
h and the -viv
.
rti
.
h), the Aja
.
dapramt
.
rsiddhi,
the varasiddhi, the Sa
.
mbandhasiddhi, and his commentary on Somnandas
ivad
.
r
.
s
.
ti.
488
Tat philosophically argued doctrine was transmitted through the
latters pupil Lak
.
sma
.
nagupta to Abhinavagupta, who in the nal phase of his
aiva scholarship wrote commentaries on the key texts of this tradition:
489
the
varapratyabhijstravimarin on the varapratyabhijkrik, and the vast
varapratyabhijviv
.
rtivimarin on the Viv
.
rti. Utpaladevas works elaborate
their position for the most part in the pan-Indian language of philosophical
debate, eschewing the esoteric terminology of the Trika or Krama. Nonethe-
less, they were composed within a lineage of Gurus following those traditions.
Somnanda wrote an analytic commentary (-viv
.
rti
.
h), now lost, on the Trikas
Partrik,
490
which Abhinavagupta studied before composing his own com-
mentary on this text;
491
and Jayaratha claims that this lineage from Somnanda
through Utpaladeva and Lak
.
sma
.
nagupta to Abhinavagupta was versed both in
the Trika and in the Krama of the Klkulapacaataka.
492
On Abhinavaguptas varapratyabhijvimarin we have a commentary
(Bhskar) written by Rjnaka Bhskaraka
.
n
.
tha in the seventeenth or eigh-
teenth century.
493
Tat author has also left us the Cittnubodhastra, a com-
488
On Abhinavaguptas superimposition of this doctrine on the Mlinvijayottara see Saxoii-
sox 1992, pp. 291306.
489
For the evidence that the philosophical commentaries were written after the Trika com-
mentaries see Saxoiisox 2005a, p. 124, footnote 88.
490
Abhinavagupta refers to it and quotes fromit in his Partrikvivara
.
na, pp. 191, ll. 2830;
204, ll. 89; 206, ll. 1011; 207, ll. 2022; 208, ll. 12; 216, ll. 2728; 218, ll. 78, 26; 220,
ll. 612; 225, ll. 1214; 255, l. 31256, l. 4; 279, ll. 1416.
491
Partrikvivara
.
na, p. 285, ll. 2930: rsomnandamata
.
m vim
.
rya may nibaddham idam
I have composed this [commentary] after reecting on Somnandas understanding [of the
text].
492
Tantrloka, vol. 3, p. 194, ll. 810: rdevpacaatike py asya rsomnandabha
.
t
.
tapdebhya
.
h
prabh
.
rti trikadaranavad asya gurava
.
h In the case of the Devpacaataka too his [Abhinava-
guptas] teachers were as in the case of [the scriptures of] the Trika, from the venerable Som-
nanda onwards.
493
On his date see below, p. 424. Tere is also the varapratyabhijkaumud of one
Bha
.
t
.
traka Sundara. I have not yet seen it; and I have no information concerning its date.
Alexis Sanderson 383
mentary (-
.
tk) on the Kashmirian Mok
.
sopya (later expanded and vednticized
as the Yogavsi
.
s
.
tha), and a free rendering into Sanskrit of Old Kashmiri aiva
verses by Lal De d (Lallevarvkyni).
Exicisis oi rui Vixaxisvaixara
From Jayaratha we have a commentary (-vivara
.
na) on the Vmakevarmata,
also known as the Nity
.
so
.
daikr
.
nava, the primary scripture of the Kaula cult
of the goddess Tripurasundar. Te commentary is technical, abounding in
polemics against divergent views of the minutiae of ritual practice,
494
and as
such suggests that Jayaratha was a practitioner of this relatively new tradition
rather than of the Trika or the Krama, though he makes no explicit statement
to that eect. He also quotes in this commentary from another work of his in
this tradition.
495
He refers to a number of earlier Kashmirian scholars of this system of wor-
ship. He tells us that it was rst propagated in Kashmir by varaivcrya and
a nkarari, and then passed on through one Vivvarta to all subsequent Kash-
mirian lineages down to the time of Jayaratha himself.
496
He also mentions in
this tradition the exegetes Rjnaka Kaly
.
navarman,
497
Alla
.
ta,
498
an unnamed
author of a Vrtika (vrtikakra
.
h),
499
his own Gurus Guru,
500
and someone he
refers to simply as the Guru.
501
494
Vmakevarmatavivara
.
na, p. 1, v. 3: parak
.
rtakukalpanmayatimirndhypohanya mank
rvmakevarmatam uddyotayitu
.
m mamodyamo dyyam Today I commence this eort briey
to illuminate the Vmakevarmata in order to dispel the blindness caused by the darkness of
the fanciful interpretations [of this text] produced by others.
495
Vmakevarmatavivara
.
na, p. 58, ll. 812. On the relative modernity of this tradition see
Saxoiisox 1988, p. 689 (= 1990, p. 157).
496
Vmakevarmatavivara
.
na, p. 48, ll. 1114: vastuto hy asya daranasya etad eva cryadva-
ya
.
m kamre
.
sv avatrakam. *tata (em. : tana Ed.) rvivvartamukhenaiva lak
.
syate yat tad ev-
smatparyanta
.
m i
.
syaprai
.
syakrame
.
na sarve
.
sm eva prptam For in fact it was these two cryas
that rst propagated this system in Kashmir. It is their teaching, passed on through Vivvarta,
that has been inherited by all without exception through a continuous succession of pupils and
their pupils [and so on] down to myself . In speaking of these two cryas he is referring
back to varaivcrya, mentioned in p. 47, l. 15, and a nkarari, mentioned in p. 48, l. 2.
497
Vmakevarmatavivara
.
na, p. 48, l. 89; p. 117, l. 25.
498
Vmakevarmatavivara
.
na, p. 54, l. 4.
499
Vmakevarmatavivara
.
na, p. 9, ll. 1516; p. 12, ll. 1923; p. 30, ll. 56
500
Vmakevarmatavivara
.
na, p. 19, ll. 615; p. 57, ll. 1416.
501
Vmakevarmatavivara
.
na, p. 20, ll. 49 (guravo pi: ); p. 68, ll. 1013 (guravo pi: ). I
384 Mlanges tantriques la mmoire dHlne Brunner
None of their works has come down to us. As for their dates, we know lit-
tle beyond the fact that they are known to Jayaratha in the thirteenth century.
Paxoi\
502
dates the introduction of the systemin Kashmir to the ninth century
on the evidence (1) that Jayaratha quotes a verse which refers to varaivcrya
as the abbot of the rama
.
tha (rama
.
thdhipati
.
h)
503
and (2) that the historian
Kalha
.
na records that a Ma
.
tha of this name was founded for the benet of as-
cetics by ra, while he was the minister of king Avantivarman, who ruled from
855/6 to 883.
504
I am unable to understand by what route other than thought-
lessness this scholar arrived at the unstated position that if varaivcrya was
abbot of this foundation then he must have been the rst to hold that oce and
was therefore a contemporary of the founder. Tere is certainly no reason to
think that the rama
.
tha had only one abbot and then ceased to exist. On the
contrary we know that it was still in existence in the eleventh century.
505
Te
error is so blatant that it would be unnecessary to point it out were it not that,
as so often happens in such cases, the date has been inadvertently repeated.
506
As for the commentator Rjnaka Kaly
.
navarman, it is probable that he
was Jayarathas great-great-grandfather.
507
If so, then his active life may be dated
approximately to the years 11251175,
508
and the introduction in Kashmir of
the system of the worship of Tripurasundar by varaivcrya and a nkarari
to an unknown time before that, certainly after the founding of the rama
.
tha
and almost certainly after the time of Abhinavagupta and K
.
semarja, that is to
say, after c. 1050, since neither author shows any knowledge of the existence
of this tradition and its primary scripture. Abhinavagupta is aware of a Kaula
take these to be plurals of respect (dare bahuvacanam).
502
Paxoi\ 1963, p. 578.
503
Vmakevarmatavivara
.
na, p. 48, ll. 1920: yad bhavanto pi: rrama
.
thdhipater lebhe
guruvaraparamparopanatam | cakram idam varaivt prvcryo smadya eva pur iti As
you yourselves [have declared]: Te rst crya of my lineage received this Cakra, that had
come down through the unbroken line of excellent Gurus, from varaiva, the abbot of the
rama
.
tha.
504
Rjatara ngi
.
n 5.38.
505
Kalha
.
na refers to the rama
.
tha as a place of sanctuary in the capital during the reigns of
Abhimanyu (958972) (Rjatara ngi
.
n 6.223) and Sa
.
mgrmarja (10031028) (ibid., 7.26).
506
Gxoii 1999, p. 700, in a note on naiva mentioned in Tantrloka 22.30, asserts that
this author is the same as varaiva, the propagator of the Vmakevarmata in Kashmir in the
9th century, referring the reader to Paxoi\ 1963, pp. 578582.
507
Vmakevarmatavivara
.
na, pp. 117118.
508
For Jayarathas date see below, p. 420.
Alexis Sanderson 385
tradition of worshippers of the Nitys,
509
but nothing requires us to identify
that with the cult of Tripurasundar seen in the Vmakevarmata/Nity
.
so
.
daik-
r
.
nava, since there were earlier traditions of the worship of Tripur accompanied
by nine Nitys or by eleven Nitys and Kmadeva, which though antecedents
of this cult are certainly not to be confused with it.
510
Tui aivisx oi rui Svaccuaxoa axo Niria
Two other major traditions of aiva worship are evidenced in Kashmir: (1)
that of Svacchandabhairava and his consort Aghorevar, based on the Svac-
chandatantra, and (2) that of Am
.
rtea[bhairava] and his consort Am
.
rtalak
.
sm,
based on the Netratantra. Te rst of these texts is the principal scripture of the
Dak
.
si
.
na or Bhairava division of the aiva Mantramrga and of its Mantrap
.
tha
subdivision.
511
Te second presents itself as transcending the various divisions
509
Tantrloka 28.123cd, referring to nitytantravida
.
h followers of the Nitytantras for their
calendar of Kaula special days (parvadinni); also Partrikvivara
.
na, p. 238, ll. 2526: yath
nitytantre
.
sv aikrtmakamohanabjaprdhnyahetu
.
h.
510
See, e.g., Tantrlokaviveka, vol. 9, p. 139, ll. 1415, quoting a Navanityvidhna. Te
Manthnabhairavatantra speaks of the navanitygam
.
h as a class of Tantras above the Pram
.
na-
stras of the Lkulas (on whom see Saxoiisox 2006) [and the Siddhntas] but below
the Bhairava Tantras of the left and right streams (Kumrkha
.
n
.
da, f. 213r.: navanitygama-
jn
.
mivatattva
.
mpara
.
mpada
.
m; Siddhakha
.
n
.
da, f. 8v34: nitytantr
.
ni cibukd prvmnya
.
m
lal
.
tata
.
h | pacima
.
m
.
so
.
dantt tu tadrdhve na ca ki
.
mcana) and includes a cult of these Nine
(navanitykrama
.
h) (Kulanity, Vajrevar, Tvarit, Kurukull, Lalit, Bheru
.
n
.
d, Nlapatk,
Kmama ngal and Vyomavypin) with Tripur as the tenth and their leader (Siddhakha
.
n
.
da,
f. 203rv). Evidence of a system of eleven Nitys survives in the scripture Nitykaula, of which
a single, incomplete manuscript has come down to us. Here the goddess Tripur is worshipped
surrounded by a circle of twelve deities comprising eleven Nity goddesses and Kmadeva. Te
eleven Nitys of this text are H
.
rllekh, Kledin, Nand, K
.
sobhan, Madantur, Nirajan,
Rgavat, Madanvat, Khekal, Drva
.
n and Vegavat; see Nitykaula, f. 2r72v1: + + + + tu
nmni kathaymi *tandari (cor. : tanodari Cod.) | h
.
rllekh kledin nand k
.
sobhan madan-
tur | nirajan [rgavat tathny ma]danvat | khekal drva
.
n caiva tath vegavat var |
ekdaait devys te madano dvdaa sm
.
rta
.
h. Its earlier prominence is indicated by the fact that a
syncretistic text of the cult of Kubjik, the Cici
.
nmatasrasamuccaya, contains a section drawn
from the Nitykaula, or from some lost text closely related to it, in which it sets out this Yga as
the teaching of the southern order (dak
.
si
.
nagharmnya
.
h), grouping it with the cult of Kub-
jik, the Klkula, and a form of unmarked Kaulism agreeing closely with that found in the
Trika, which it calls the teachings of the orders of the North, West and East respectively.
511
Te Svacchanda is at the head of the list of Dak
.
si
.
na Tantras in the Brahmaymala, as
the rst of eight -bhairava scriptures (f. 199r [39.33c35b]: svacchandabhairava
.
m devi krodha-
bhairavam eva ca | unmattabhairava
.
m devi tath caivograbhairavam | kaplbhairava
.
m caiva
386 Mlanges tantriques la mmoire dHlne Brunner
of the aiva canon, teaching a system of worship that is universal and at the
same time can be inected to be practised in the context of any system of wor-
ship by the substitution of appropriate deity-visualizations to accompany the
Mantras of the core cult. Tese substitutions apply in the rst instance to the
aiva divisions. Tus one can propitiate Am
.
rtea as Sadiva in the context of
the Siddhnta, as Bhairava in that of the Dak
.
si
.
na, as Tumburu in that of the
Vma, and as Kulevara in the Kaula cult of the eight Mothers. However, the
cult of Am
.
rtea and/or Am
.
rtalak
.
sm is not limited to these divisions. It can be
extended to absorb the worship of any deity male or female, including the Pa-
cartras Vsudeva, Srya, Bhadrakl, the Buddha, and the forms of iva wor-
shipped by or for the uninitiated laity. I have argued elsewhere that the Netra
is providing in this way for a cult in the hands of a new class of aiva ociants
working in what was traditionally the professional domain of the brahmani-
cal royal chaplain (rjapurohita
.
h), specializing in rituals for the protection of
the monarch and his family and taking over the performance of worship on the
kings behalf of the full range of deities whose worship is prescribed in the brah-
manical calendar, including those of the major royal festivals of the Indrotsava
and the Navartra.
512
Tese two cults, of Svacchandabhairava and Am
.
rteabhairava, appear to
have been very well established in Kashmir. Indeed we may say that if any cults
constituted the basic aivism of the brahmins of the valley, it was these. For
they form the basis of all the surviving aiva Paddhatis used as practical guides
by Kashmirs aiva ociants and other initiates down to recent times.
513
We see
this, for example, in the Kaldk
.
spaddhati, the detailed manual for aiva initi-
tath jha
.
mkrabhairavam | ekhara
.
m ca tath caiva vijayabhairavam eva ca). It is the rst of
the thirty-two Dak
.
si
.
natantras listed in the account of the aiva canon that precedes the J-
napacik in a Nepalese manuscript of the Klottara recensions (Klottara, f. 2r25 [v. 17
21]: 17 svacchandabhairava
.
m ca
.
n
.
dah
.
mi krodham unmattabhairavam | asit nga
.
m ruru
.
m caiva
kpla
.
m samuccayam | 18 aghora
.
m *ghoragho
.
na
.
m ca [conj. : gho
.
nasa
.
mghora
.
m Cod.] ni-
sa
.
mcra *di nmukham [em. : durmukham Cod.] | *bhm nga
.
m (conj. : bhmsa
.
m Cod.)
.
dma-
rrvam bhmavetlavarddhakam | 19 ucchu
.
sma
.
m vhika
.
mbela
.
m ekhara
.
m pu
.
spam adva-
yam | triira
.
m caikapda
.
m tu siddhayogevarmatam | 20 pacm
.
rtah
.
mi prapaca
.
m ca yogin-
jla*a
.
mvaram (corr. : sambara
.
m Cod.) | vivrika
.
n
.
thasa
.
mkoca
.
m tilakodynabhairavam | 21
eva
.
m dvtri
.
mat tantr
.
ni sottar
.
ni ca tahdi dvayam | catu
.
h
.
sa
.
s
.
tipram
.
nni dak
.
si
.
nsyodbhavni
tu. It is also the rst of the sixty-four Bhairavatantras listed in the rka
.
n
.
th (Tantrlokaviveka,
vol. 1, p. 42, l. 5). For its position as the rst of the Tantras of the Mantrap
.
tha see p. 236.
512
See Saxoiisox 2005b.
513
On the fact that the Kashmirian aiva Paddhatis are based on the Svacchanda and Netra
see Saxoiisox 2005b, p. 240 and footnotes 2021.
Alexis Sanderson 387
ation, composed by Manodadatta in a.o. 1335/6 and subsequently elaborated
in more than one version,
514
and in such anonymous works as the Agnikrya-
paddhati for the aiva re-sacrice, and the ivanirv
.
napaddhati for aiva cre-
mation together with the Paddhatis for the aiva rddhas to be performed for
the dead.
515
It is also apparent in the Nitydisa
.
mgrahapaddhati, a digest of passages bear-
ing on daily (nitya-) and occasional (naimittika-) aiva worship compiled by
Rjnaka Tak
.
sakavarta at some time after the eleventh century
516
from a wide
range of scriptural texts and Paddhatis, a number of which survive only here.
517
For the passages he has chosen cover three modes of worship, that of the Sid-
dhnta, and the two based on the Svacchanda and the Netra.
Losr Paoouaris
Rjnaka Tak
.
sakavarta cites a number of Paddhatis, of which a feware evidently
lost products of Kashmir. Te Saiddhntika Paddhati of Nrya
.
naka
.
n
.
tha has
already been mentioned.
518
He also cites passages from a Paddhati by Viv-
varta, and these reveal that it taught both worship of iva according to the
514
On the date of the Kaldk
.
spaddhati and its subsequent expansion see Saxoiisox 2004,
p. 362, footnote 34.
515
A volume published for local use containing the ivanirv
.
napaddhati and the Paddhatis
for the oerings of water to the dead and the subsequent rddhas is among the Sanskrit texts
from Kashmir republished in photographic reproduction by Lokesh Cuaxoia (1984). Also in
this corpus of post-mortuary aiva ritual is the ivagopradnavidhi.
516
On this prior limit of Tak
.
sakavartas date see below, p. 422.
517
His digest contains passages from or references to the following scriptures: Aghorpaca-
ataka, Adbhuta, Anantavijaya, Analasiddhnta, Anilasiddhnta (probably a scribal error for
the preceding), varasa
.
mhit, Ucchu
.
smatantra, Umymala, Klottara, Kira
.
na, Kubjikmata,
Gaurymala, Gaurvargama, Cakrevaramata/Cillcakrevara, Caturvi
.
matishasr, Catu
.
s-
pacik, Candrahsa, Jaysa
.
mhit (= Jaykhyasa
.
mhit), Dti
.
dmara, Devyymala, Nand-
varvatra-Ni
.
hvsa, Pargama (= Parkhya), Pau
.
skarapramevara, B
.
rhatklottara, Ma ngala-
stra, Mata nga, Mayasa
.
mgraha, Mahlak
.
smmata, Muku
.
ta, M
.
rgendra, M
.
rtyujitsrasa
.
mgraha,
M
.
rtyujaya (= Netratantra), Yak
.
si
.
npramevara, Raurava, Lak
.
smkaula, Lalitamahtantra,
Vthula, Vjasaney, Vidypur
.
na, V
.
nikhottara, a nkarabhairava, ikhkmevara, ikh-
tantra, ivadharma, rka
.
n
.
th, rprva (= Mlinvijayottara), Srasvatamata, Siddhayogevar-
tantra, Svacchanda, Svyambhuva, Ha
.
msapramevara, and H
.
takevara. He also cites the fol-
lowing Paddhatis: Karmoddyota of Dharmaiva, Tantrloka, Nrya
.
naka
.
n
.
thapaddhati, Brahma-
ambhupaddhati, Vmadevapaddhati, Vmadevya[sa
.
mgraha], Vivvartapaddhati, an unnamed
Paddhati by Vairocancrya, and Somaambhupaddhati.
518
See p. 246.
388 Mlanges tantriques la mmoire dHlne Brunner
Siddhnta
519
and that of Am
.
rteabhairava following the Netratantra.
520
Te
passages cited do not allow us to conclude that it did not also include prescrip-
tions pertaining to the worship of Svacchandabhairava or some other system or
systems. Te authors name, which is of a distinctively Kashmirian type,
521
and
the absence of any reference to this work outside the aiva literature of Kashmir
indicate that this is a work of that region.
Tak
.
sakavarta also gives extracts from the Paddhati of Dharmaiva, called
Karmoddyota. Because of its authors Saiddhntika initiation-name we would
expect it to deal only with the rituals of the Saiddhntika Mantramrga. But
in fact it is clear that it too had a wider scope. After setting out the va-
rieties of rosary (ak
.
saml) appropriate to worship for various supernatural
ends (siddhi
.
h), Dharmaiva teaches the procedure for its preparation for use
(sa
.
mskra
.
h). After empowering it by repeating over it the principal Mantra and
its auxiliaries, the worshipper should sprinkle it with water scented with cam-
phor and sandalwood and then show the Mudr. Te last, it says, should be
whichever is prescribed in the Kalpa that he is following.
522
Tis implies that
it sets out general procedures that can be adjusted as necessary to accommo-
date the propitiation of non-Saiddhntika Mantras. Te same appears from its
treatment of the procedure for the repetition of Mantras (japavidhi
.
h), which he
refers to as applicable to the pacasrota
.
h aivam, which is to say, to the aivism
of the Mantramrga in its ve branches, of which the principal three are the Sid-
dhnta, the Vma, and the Dak
.
si
.
na, opposing this to the Kula aivism (kulam)
of the ktas.
523
To the same eect he rules in this context that one should vi-
sualize in ones heart the iconic form prescribed for ones Mantra in accordance
519
Nitydisa
.
mgrahapaddhati, f. 35v1: ittham amantrapjdau rvivvartabh
.
sit | siddh-
ntad
.
r
.
s
.
ty tv adhun vacmi bhairavasane.
520
Nitydisa
.
mgrahapaddhati, . 22v89, 23r1: ity e
.
sa nysavidhih
.
hi siddhntanayrita
.
h
kathita
.
h. sarvasrota
.
hsa
.
mgrahasrayato pi kathyate so lpa
.
h r*vivvarta (em. : vivrta
Cod.) eva
.
m hi jagda nijapaddhatau. Te Sarvasrota
.
hsa
.
mgrahasra is the Netra. Other citations:
f. 13v614r2 (devditarpa
.
na
.
m prokta
.
m *rvivvartapaddhatau [corr. : rvive
.
sartapaddhatau
Cod.]); and f. 32r1 (vhdiprayogo ya
.
m rvivvarta*bh
.
sita
.
h [em. : bhvita
.
h Cod.]32r9).
521
On this and other Kashmirian names ending in -varta, -varta etc. see p. 260.
522
Nitydisa
.
mgrahapaddhati, f. 37r537v6 (ak
.
samlvidhir hy e
.
sa karmoddyote nirpita
.
h);
f. 37r12v1: vinyasya dak
.
si
.
ne haste p
.
r
.
s
.
the tasy
.
m japec ciram | s
.
s
.
ta
.
m ata
.
m h
.
rddn
.
m
da
.
menbhimantrayet | toyena secayet tena candracandanagandhin | mudr
.
m pradarayen
mantr nijakalpakramoditm.
523
Nitydisa
.
mgrahapaddhati, f. 41r1042r11 (karmo[ddyote] dhrmaive py eva
.
mjapavidhih
.
hi
sm
.
rta
.
h); f. 42r9: dvaite proktam ida
.
m jna
.
m sa dvaitrthe tato nyaset | pacasrotasi aive smi
japa
.
h prokta
.
h kule nyath.
Alexis Sanderson 389
with the particular ritual system that one is following.
524
Tat the systems envisaged by Dharmaiva include the worship of Bhairava
can be inferred from a passage on the rising degrees of merit to be gained by
bathing the Li nga with various liquids. For he begins with water and ends with
wine (m
.
rdvkrasa
.
h),
525
and bathing the substrate of worship with wine is a
strictly non-Saiddhntika practice, as Tak
.
sakavarta makes clear by following
this citation with a passage from the lost Aghorpacaataka. Tat teaches that
wine and the like should be used to bathe any image in which non-dual Mantras
have been installed, and may also be used in the case of natural (self-created)
Li ngas and the ovoid stones gathered fromthe bed of the Narmad river known
as B
.
nali ngas, but never in the case of a xed Li nga fashioned by man and
empowered with the Mantras of the Siddhnta. Non-dual Mantras here are
evidently those other than the Mantras of the Siddhnta, and this is conrmed
later in the passage when it states that one should gratify an image with wine or
other fermented liquors when it has been empowered with the Mantras of the
Vma, Dak
.
si
.
na, or Trisiddhnta. Te last of these is evidently the Trika under
a synonym.
526
524
Nitydisa
.
mgrahapaddhati, f. 41r1011: yath japa
.
m prakurvta tath vyptir ihocyate |
sa
.
myamyk
.
s
.
ni manas rjvsanasa
.
msthita
.
h | mlamantra
.
m samuccrya nde lna
.
m svak-
ra
.
ne | dhytv h
.
rdi svamantrasya svakarmaproktavigraham | sk
.
smadehasya h
.
rtpadme ivadehe
viec chivam.
525
Nitydisa
.
mgrahapaddhati, f. 34r13: *gva
.
h (em. : yvaf Cod.) p
.
rthivy
.
m yvatyas tad-
dnaphalatulyatm | yti li nge jala*snnd (em. : snn Cod.) *gndhai (em. : gadyai
Cod.) atagu
.
na
.
m tata
.
h | gandhasnnc chatagu
.
na
.
m k
.
srasnna
.
m tatas tath | dadhisnna
.
m
atagu
.
na
.
m tac cjyena tata
.
h atam | *sadya
.
hprtidam
.
rdvkrase (conj. : sadyafptitad
.
rdvkrase
Cod.) naitatsama
.
m phalam | sdhakasya vinirdi
.
s
.
ta
.
m rmaddharmaivena tu.
526
Nitydisa
.
mgrahapaddhati, f. 34r37: advaitamantrayukt ye tath b
.
n
.
h svayambhuva
.
h |
vmm
.
rtdibhir dravyai
.
h prokta
.
m te
.
s
.
m tu tarpa
.
nam | na hi tat sthpite li nge *siddh-
ntamantrakalpite (em : siddhnte mantrakalpite Cod.) | jalc chatagu
.
na
.
m gndha
.
m gand-
hc chatagu
.
na
.
m paya
.
h | k
.
src chatagu
.
na
.
m ddhna
.
m dadhna atagu
.
na
.
m gh
.
rtam | gh
.
rtc
chatagu
.
na
.
m h*vma
.
mi (conj.) vmadak
.
si
.
nasane | gh
.
rtatulya
.
m madhusnna
.
m drk
.
s cek
.
su-
rasa
.
m samam | tasmc chre
.
s
.
thatama
.
m snna
.
m suray vsavena v | t
.
r
.
ngrabindumtre
.
na li nga-
*snnena tarpa
.
nam (conj. : snne
.
satarpa
.
ne Cod.) | k
.
rta
.
m bhavati tat tulyam avamedhaatai
.
h
samam | vme kuryt trisiddhnte vihita
.
m bhairave sad | bhairave tu prapannn
.
m snna
.
m
snna
.
m phaldhikam | aghorpacaatake proktam etad dhi ambhun.
Other citations from the Paddhati of Dharmaiva: f. 20r412, on the nature of the mrti
.
h
that is the base for nysa
.
h; f. 46r1 (bhye tatra bali
.
m prha rmn dharmaivbhidha
.
h), on the
bali oering; f. 55v910 (karmoddyote vie
.
so ya
.
mrmaddharmaivodita
.
h), concerning the ritual
preparation of the claried butter for use in the oblations into the re (jyasa
.
mskra
.
h); f. 57r14
(kala
.
s
.
takam uddi
.
s
.
ta
.
m rmaddharmaivena tu), requiring eight vases to be placed around the
390 Mlanges tantriques la mmoire dHlne Brunner
A Paddhati by a Dharmaiva has also been cited by Abhinavagupta in his
Tantrloka. Tat this is the same work as the Karmoddyota is probable, since
Abhinavagupta refers to it as the Karmapaddhati, which is probably a metri-
cally convenient abbreviation for *Karmoddyotapaddhati. He looks to it for its
instructions concerning an expiatory re-sacrice to be performed before initi-
ation in absentia. Tis gives a Mantra for the burning of the initiands sins that
was used for this purpose in the practice of the aiva Gurus of Kashmir until
recent times, a circumstance that adds to the likelihood that Dharmaiva was a
Kashmirian.
527
To these may be added the Paddhati of naivcrya, of which we have
sacricial re.
527
Tantrloka 21.5056b: rmn dharmaivo py ha prok
.
sy
.
m karmapaddhatau |
parok
.
sadk
.
sa
.
ne samyak pr
.
nhutividhau yadi | 51 agni ci
.
tici
.
tabda
.
m sadhma
.
m pratimu-
cati | dhatte nlmbudacchy
.
m muhur jvalati myati | 52 vistaro ghorarpa ca mah
.
m dh-
vati cpy adha
.
h | dhv
.
mk
.
sdyaravyaabdo v tad ta
.
m lak
.
sayed guru
.
h | 53 brahmahatydibhi
.
h
ppais tatsa ngai copaptakai
.
h | tad tasya na kartavy dk
.
ssminn ak
.
rte vidhau | 54 navtm
pha
.
tpu
.
tnta
.
hstha
.
h puna
.
h pacapha
.
danvita
.
h | amukasyeti ppni dahmy anu pha
.
da
.
s
.
takam |
55 iti shasriko homa
.
h kartavyas tilata
.
n
.
dulai
.
h | ante pr
.
n ca dtavy tato smai dk
.
say guru
.
h |
56 parayojanaparyanta
.
m kuryt tattvaviodhanam And the venerable Dharmaiva has stated on
the subject of initiation in absentia in his Karmapaddhati that if during this initiation when
one correctly executes the plenary oblation the re sputters and billows smoke, if it assumes the
colour of a dark cloud, if it repeatedly ares up and subsides, if spreading, erce in appearance,
it runs out along the ground beneath it, or if it emits a harsh sound such as that of the cawing
of a crow, then the Guru should understand that this is the eect of [major] sins such as brah-
minicide and associated minor oences [committed but not expiated by the initiand]. In this
situation he should not perform the initiation without rst having done the following rite. He
should make a thousand oerings into the re of sesame seeds and rice grains, reciting [as he
casts in each handful a Mantra comprising] Navtman with iua
.
r before and after, followed by
ve iua
.
rs, then axuxas\a iiiixi oauixi, and then eight iua
.
rs. At the end he should oer a
plenary [oblation]. Only then may the Guru perform through initiation the purication of the
Tattvas that culminates in the fusion [of the initiand] with the highest [reality]. Te Mantra,
substituting the name of an initiand ivasvmin, would be [o
.
x] iua
.
r u-s-x
.
s-x-i-v-i-\u
.
x
iua
.
r o sivasvixixa
.
u iiiixi oauixi iua
.
r 8 [sviui], the numerals indicating the number of
times that the preceding syllable should be repeated. Tis procedure is seen in the Kashmirian
aiva manual for cremation. Tere it is performed, as in Dharmaivas Paddhati, before the
purication of the Tattvas that is to be done at the time of cremation in the case of a person
who has not received initiation while alive. See ivanirv
.
napaddhati, p. 274 (= Cuaxoia 1984,
p. 202b), ll. 13, p. 275 (= Cuaxoia 1984, p. 202c), ll. 35: (tad anu) navtmahoma
.
h (iua
.
r
uasaiax
.
saxaiava\au
.
x iua
.
r sviui sahasra
.
m 1000 v 100 v 10 hutv. pr
.
n. tejo si iua
.
r
iua
.
r axuxas\a iiiixi oauixi sviui. adk
.
sitasya tattvaodhana
.
m kuryt. hutn
.
m *1000
sahasra
.
m 100 ata
.
m v (conj. : 100 ata
.
m ata
.
m v Ed.) yathakti. jyhuti
.
h re
.
s
.
th. tadabhve
tilayavata
.
n
.
dulai
.
h. yathsau p
.
rthvtattvam vhya sa
.
mpjya chunet.).
Alexis Sanderson 391
a single citation in the Tantrloka. Tat passage gives a ruling that excludes
converts to aivism from holding oce as cryas or Sdhakas, with the ex-
ception in the former case of converts who achieve self-realization. In giving
this ruling, Abhinavagupta tells us, naiva was explaining the meaning of a
statement on this subject in the Trikas Devyymala.
528
Te fact that it cites
this source makes it likely to have been a Kashmirian work, since it is probable
that the Devyymala too was a product of this region.
529
It cannot, however,
have been a Paddhati on the Trika, since Abhinavagupta informs us that there
was no such work when he composed his Tantrloka.
530
It will have been noticed that Dharmaiv[cry]a and naivcrya have
Saiddhntika initiation-names, whereas all the Kashmirian Saiddhntikas of
the -ka
.
n
.
tha lineage, as well as all the authors of the Krama and Trika, refer to
themselves and each other under their secular names. It is probable that the
adoption of a new name at the time of initiation, or at least its public use,
was the practice of ascetics, and that these two authors then provide an ex-
ception to what I have identied in the introduction as the dominant charac-
ter of the aivism of the Kashmirian exegetes, namely that it is that of mar-
ried householders.
531
Tat there were aiva ascetics in Kashmir as elsewhere
in India is clear from local literary sources. In Act 3 of Jayantabha
.
t
.
tas topical
play gama
.
dambara, written during the reign of a nkaravarman (r. a.o. 883
902), we encounter the ash-dusted abbot (bha
.
t
.
traka
.
h) Dharmaiva receiving
Sa
.
mkar
.
sa
.
na, who as the kings minister for the protection of religion through-
out the land
532
has come to his hermitage to calm the anxiety of the aivas of
all divisions caused by the recent suppression of the followers of the licentious
aiva Black-Blanket observance (nlmbaravratam), an event whose historicity
528
Tantrloka 22.28c31b. For rdevy ymalyoktitattvasamyakpravedaka
.
h in 22.31ab (Ed.)
read rdevyymalyoktitattvasamyakpravedaka
.
h [naivcrya,] who has correctly explained
the esssence of what the Devyymala has taught [on this matter].
529
See footnote 83 on p. 261.
530
Tantrloka 1.1415: santi paddhataya citr
.
h srotobhede
.
su bhyas | anuttara
.
sa
.
dardh-
rthakrame tv ekpi nek
.
syate | ity aha
.
m bahua
.
h sadbhi
.
h i
.
syasabrahmacribhi
.
h | arthito racaye
spa
.
s
.
t
.
m pr
.
nrth
.
m prakriym imm Tere are various Paddhatis in abundance on [the prac-
tice of] the various streams [the Siddhntatantras, Vmatantras, Dak
.
si
.
natantras, Gru
.
datantras,
and Bhtatantras]. But not one is seen on the procedures of the supreme doctrine of the Trika.
Terefore, at the repeated request of my excellent disciples and fellowstudents, I amcomposing
this clear and comprehensive treatise.
531
See p. 242.
532
gama
.
dambara, p. 132: aale vau
.
mdhale dhammala
.
skdhile
.
niutte (= Skt. sakaly va-
sundhary dharmarak
.
sdhikre niyukta
.
h).
392 Mlanges tantriques la mmoire dHlne Brunner
is reported by Jayanta in his Nyyamajar.
533
It appears that Dharmaiva is
approached here as the ocial representative of all the aiva persuasions, Pu-
pata, Klamukha, Mahvratin, and Mantramrgic aiva.
534
From the eleventh
century we have the testimony of the satirist K
.
semendra. Writing for a Kash-
mirian audience he mocks three aiva ascetics in his Deopadea: Nayanaiva
(= Netraiva), Rpaiva, and Dhynaiva.
535
Te names suggest in the satirical
context their inability to take their eyes o women (Eye-iva, Eyefull-iva, and
Ogle-iva) while at the same time being, like Dharmaiva, regular Saiddhntika
initiation-names such as are found in inscriptions and aiva literature.
536
We also have references to and citations from a number of Svacchanda-
based initiation Paddhatis, otherwise lost or not yet discovered, in ivasvmins
expanded text of the Kaldk
.
spaddhati of Manodadatta, the initiation manual
of the aiva gurus of Kashmir. It quotes a passage from a metrical Paddhati by
a Guru Vivvasu for its treatment of the preparation of the ve products of
533
Nyyamajar, vol. 1, p. 649, ll. 47: *asitaikapa
.
tanivtniyatastrpu
.
msavihitabahuce
.
s
.
tam
(asitaika em. : amitaika Ed.) | nlmbaravratamida
.
mkila kalpitamst vi
.
tai
.
h kaicit | tad apr-
vam iti viditv nivraymsa dharmatattvaja
.
h | rj a nkaravarm na punar jaindimatam
evam King a nkaravarman, knowing the essentials of [brahmanical] religious law, prohibited
the Nlmbaravrata on the grounds that with its many acts committed by licentious couples
wrapped up in a single black blanket it was an observance without precedent reportedly in-
vented by certain dissolute rogues; but he did not act in this way against the Jainas and other
[non-brahmanical religious].
534
gama
.
dambara, p. 188, l. 1011, in which the minister of religious aairs declares to
Dharmaiva as the governments current policy of toleration of all the aiva persuasions: tad ime
aivapupataklamukh mahvratina ca yathsukham satm So these, the aivas, Pupatas,
Klamukhas, and Mahvratins, may relax.
535
Deopadea 8.4647: nayanaiva
.
h khalv
.
to + + + dantura ca rpaiva
.
h | ja
.
tino vianti yge
dhynaivas tantramantrahna ca | triphalk
.
slanavimalo dhp
.
dhyo bhasmamu
.
s
.
tihatayka
.
h |
veynmupadhna
.
mdhanyo ja
.
tin
.
mja
.
tj
.
ta
.
h [Tree] aiva ascetics, bald Nayanaiva buck-
toothed Rpaiva, and Dhynaiva devoid of [knowledge] of both the rituals and their Mantras
[now] enter [before] the Ma
.
n
.
dala. Te massed tresses of aiva ascetics, cleansed by washing with
nutmeg, areca nut, and cloves, richly fumigated with incense, their lice killed with st-fulls of
ash, are fortunate indeed, for they are prostitutes pillows.
536
Tus among 49 initiated chanters of the Tamil hymns of the Tevram named as benecia-
ries in an inscription in the Rjarjevara (B
.
rhadvara) temple of Rjarja I (r. 9851014) at
Tajvr (South Indian Inscriptions 2, no. 65) there are 9 Dharmaivas and 2 Netraivas; in the
series of more than 95 12th-century images of named ivcryas in Druram (LHiixauir
1987, pp. 2021, 3135) there are 6 Dharmaivas and 1 Netraiva; the Rajor inscription of
a.o. 960 (Epigraphia Indica 3, no. 36) mentions a Rpaiva; and there is a Dhynaiva in the
preceptorial lineage of Aghoraiva as reported by the latter in his Dviatiklottarav
.
rtti, in a verse
given in Goooaii 1998, pp. xivxv.
Alexis Sanderson 393
the cow (pacagavyavidhi
.
h) among the preliminary rites of initiation.
537
It fol-
lows this with a quotation of the beginning of a passage on the same procedure
from a prose Dk
.
skalpa.
538
Te two texts are related but it is not possible to
determine which drew on which.
539
Te Kaldk
.
spaddhati also quotes a prose
Dk
.
skalpalat, probably the same work, on the appropriate times of the year
for the holding of initiation ceremonies
540
and on the cutting o of the candi-
dates hair tuft (ikh) at the end of the purication of the highest of the ve
segments (kal
.
h) of the cosmic hierarchy, the procedure taught in the latter
passage being said to follow the teaching of the Svacchanda.
541
It is also men-
tioned together with an otherwise unknown text, the Dk
.
ssrasamuccaya, as
a source that does not support the view of an unnamed author of a certain
Dk
.
spaddhati that at the end of the ritual that bestows brahmanhood dur-
ing the rst preliminary initiation (i
.
syasa
.
mskra
.
h, = samayadk
.
s) the ociant
537
Kaldk
.
spaddhati A, f. 20r11v9 : atra ca vivvasugurava
.
h: pacagavyavidhaye tha sa
.
m-
bhavt ptrasaptakam upharec chubham | m
.
r
.
nmayvadhima
.
ne
.
h samuk
.
sita
.
m cstrata
.
h kavacato
vagu
.
n
.
thitam | prcy atho navapad
.
m ivdin prrcya tattvanavakena madhyata
.
h | suprati
.
s
.
thi-
tasuntidptimatsm
.
rttmakam atho saratnavat | ptrapacakam athtra madhyage varmama-
ntritapaya
.
h ikh
.
nun | prvage dadhi gh
.
rta
.
m ca dak
.
sage cstramantraparimantrita
.
m nyaset |
pyage h
.
rda
.
nuntha gomaya
.
m gojala
.
m ca irastra saumyage | aiage kuajala
.
m ca netrata
.
h
saptaa
.
h samabhimantrita
.
m nyaset | palni vedgnibhujendusa
.
mkhyny a ngu
.
s
.
thato rdha
.
m kra-
mao pi madhyt | h
.
rddibhi
.
h saptamabhjane tha sa
.
mmirayet tni kusanasthe iti.
538
Kaldk
.
spaddhati A, f. 20v910: tath ca dk
.
skalpe: atha pacagavyavidhaye sa
.
mbhavata
.
h
ptrasaptaka
.
m h
.
rdyam itydy uktam.
539
Te beginnings of both are so similar that one surely was drawing on the other: paca-
gavyavidhaye tha sa
.
mbhavt ptrasaptakam ubham (Vivvasus verse); and atha pacagavya-
vidhaye sa
.
mbhavata
.
h ptrasaptaka
.
m h
.
rdyam (Dk
.
skalpas prose).
540
Kaldk
.
spaddhati A, f. 10v14: tath rdk
.
skalpalatym: tatra aranmadhuyogo vara iha
dk
.
svidhau tadaprptau var
.
s
.
m vinnyadpi na do
.
sa
.
h.
541
Kaldk
.
spaddhati A, f. 166v15167r7: tath ca rsvacchandabhairavatantramatnusre
.
na
dk
.
skalpalatym: atha
.
sa
.
tkra
.
nakra
.
nabht
.
m vyptrm anaupamy
.
m uddh
.
m ntyatt
.
m
ikhgrag
.
m a
.
spako
.
tijalaka
.
navad dhytv pr
.
nanaakter mu
.
n
.
dntoccapravhiny
.
h chettum
adhovahantmabandhakat
.
m tadanukri
.
n
.
m dehe ni
.
skalaikhbhimantritakartary iuikh
.
m
chindyd iti And likewise in the Dk
.
skalpalat in accordance with the position of the Sva-
cchandabhairavatantra: Ten he should meditate on [the highest segment, that of] ntyatt
as the cause of the six causes [namely, Brahm, Vi
.
s
.
nu, Rudra, vara, Sadiva, and Anrita],
all-pervading, matchless, and pure, [visualizing it] on the tip of the [candidates] hair-tuft as
resembling a droplet of water on the tip of a blade of grass. Ten in order to eliminate the ca-
pacity of the power of the vital energy that ows up to reach the upper limit of the head to bind
[the soul] by owing downwards he should visualize the hair-tuft of the candidate as mirroring
that [power] within the body and cut it away with a razor empowered by the recitation of the
ikh [Mantra] of Ni
.
skala[svacchanda]. Tis has in mind Svacchanda 4.217218b.
394 Mlanges tantriques la mmoire dHlne Brunner
should have the initiand drink scented water mixed with ashes from the re-
pit as a substitute for the juice of the Soma plant, thus silently supporting the
position of the Kaldk
.
spaddhati that the ociant should simply imagine that
he is making the candidate drink this liquid.
542
Te same Dk
.
spaddhati is crit-
icized for ordaining that after the cutting of his hair-tuft the candidate should
be puried not merely by bathing, as the Svacchanda requires, but by a bath
preceded by the shaving of his hair (vapanam).
543
Te Kaldk
.
spaddhati also
quotes passages from a Gurupustaka, giving a prayer in verse in which the of-
ciant asks iva to grant permission for him to proceed with initiation,
544
the
procedure for purifying the Mantras before the culminating act of fusing the
542
Kaldk
.
spaddhati A, f. 101v1216: etadante manas soma
.
m pyayet. manas manobh-
vanayaiva. yat tu kenacid atra ptre gandhodaka
.
m k
.
rtv ku
.
n
.
dgnibhasmamirita
.
m tac chi
.
sya
.
m
pyayed ity ukta
.
m likhita
.
m ca svak
.
rtadk
.
spaddhatau tan nirmlatvd upek
.
sya
.
m rsvacchanda-
tantrarje tadadarant somaambhudk
.
skalpalatdi
.
su dk
.
ssrasamuccayagranthe
.
su ca At the
end of these [rites that bestowbrahmanhood] [the ociant] should mentally have [the initiand]
drink Soma. Mentally means simply by imagining this in his mind. As for the position of a
certain person that he should put scented water mixed with ash from the re-pit in this vessel
and make the initiand drink it, which he has both taught and written in his Dk
.
spaddhati, that
should be not be heeded, for it is not evidenced in the Svacchandatantrarja, in such [Paddhatis]
as Somaambhus and the Dk
.
skalpalat, or in the Dk
.
ssrasamuccaya.
543
Kaldk
.
spaddhati A, f. 167v1015: atra ca i
.
sya
.
m vapana
.
m snna
.
m ca krayitv iti *yat
(em. : ya
.
h Cod.) kenpi nijak
.
rtapaddhatau likhita
.
m htani nirmlatvd upek
.
syam. snna
.
m sam-
carec chi
.
sya iti rsvacchandatantrokty i
.
syasya snnamtre
.
naiva uddhir iti
.
tkdv api likhitvt
Te statement bearing on this matter by a certain [crya] in a Paddhati that he has composed,
namely Having caused the candidate to be shaved and to bathe, should not be heeded, be-
cause it has no basis [in any authoritative source]. For the Svacchandatantra says Let the can-
didate bathe (4.219c) and in the commentary on that text and [related sources] we read that
[his] purication is by bathing alone. Te commentary mentioned here is not K
.
semarjas. For
on this verse-quarter he comments only on the reason for the bath: chinnaikhatvt because
he is one whose hair-tuft has been cut o.
544
Kaldk
.
spaddhati A, f. 72rv12: yath gurupustake: prvam eva tvay ambho niyukto
ha
.
m ivdhvare | guru
.
h parpare sthitv loknugrahak
.
rd bhava | tvacchaktyghrtah
.
rdayo
bhagavann amuko may | d
.
r
.
s
.
tas tato nugrahya prav
.
rtto ha
.
m na lobhata
.
h | tvam eva ctra
bhagavan pram
.
na
.
m sarvakarma
.
nm | sk
.
sibhta
.
h svaya
.
m kart parama
.
h a nkara
.
h iva
.
h | tad
vie
.
se
.
na mm eva samadhi
.
s
.
thya sa
.
mnidhim | vidhatsva yena tvatpdasamnakriyatm iym |
tvadj
.
m h
.
rdaye k
.
rtv karomi nikhil
.
h kriy
.
h | anyath kartum hi loke api ki
.
m prabho |
tvadded dk
.
sa
.
nya
.
h aktyvi
.
s
.
to maymuka
.
h | vibhor vedayi
.
symi yad yat karma karomy
aham | dehy j
.
m me jaganntha prasda bhagavan mama iti. Tis text is that used at the
beginning of the preliminary initiation (= samayadk
.
s) as taught in the i
.
syasa
.
mskrapaddhati,
an anonymous Paddhati for that ritual (f. 1v418). It is possible, therefore, that this Paddhati
is an extract from the Gurupustaka itself.
Alexis Sanderson 395
candidate with iva (yojanik),
545
the procedure for that act of fusion,
546
and
its Mantra.
547
On the laying down with a powdered cord of the design of the
Navanbhama
.
n
.
dala, prescribed for initiation by the Svacchanda, it quotes rst
the Svacchanda itself and then a passage in verse to the same eect from the
work of one rka
.
n
.
thcrya.
548
It is probable that this too was a Kashmirian
Paddhati for initiation.
Rjanaka nanda, in the encomium of his patrilineage (the Padmapura
Rjnakas of the Gautama Gotra) found at the end of his commentary (-tattva-
viv
.
rti), completed in 1654, on the Mahkvya Nai
.
sadhacarita, reports that his
patrilineal ancestor Rjnaka itika
.
n
.
tha composed the Gurupustik at the re-
quest of the king Sa
.
mgrmasi
.
mha and also the Kalpalat for the pleasure of
the learned.
549
Sa
.
mgrmasi
.
mha was probably the Chamna ruler of Sn-
chor (Satyapura), whose son Pratpasi
.
mha installed an inscription in 1387.
550
It is probable that these two works are the Kaldk
.
spaddhatis Gurupustaka
and Dk
.
skalpalat, since the latter is also referred to in that work simply as
the Kalpalat in a passage that mentions these two as among the sources on
545
Kaldk
.
spaddhati A, f. 169r1315: tath ca gurupustake tantre: dhmno nte odhaymy
astra
.
m svhety ekaikayhuti
.
h. eva
.
m sarvatra. mla
.
m tu atajpena odhayed iti.
546
Kaldk
.
spaddhati A, f. 170r15v4: s ca gurupustake tantre: iti hutv yojanik
.
m kuryc
chaivm pare ive | vet kulajt kaulasrd v smarasyata
.
h | vinyasya h
.
rdayke mbhavy
krodhind
.
r pr
.
naspandd
.
navd v vypinsphrasa
.
msphurd iti.
547
Kaldk
.
spaddhati A, f. 175r515: o
.
x uu
.
x iaiaxasaivi xiiax;axi iaoi axuxi
.
xu
.
x
\o;a\ixi vau
.
sa
.
r. iti manas yojanikmantra
.
m sa
.
mdhya pr
.
nhuti
.
m ptayet. pr
.
nhuty-
ante mantrk
.
sarako
.
ti
.
m mantrk
.
saraprnta
.
m niyojayet. o
.
x uu
.
x axuxi
.
xucairax\a
.
x xi
.
sxaii
xaxrii \o;a\ixi uu
.
x xaxa
.
u iti manas mantrasya prnte yojanik
.
m k
.
rtv i
.
sya
.
m sa
.
mmlita-
mantra
.
m kuryt. tena caitanyamtrvae
.
sayukty muktir bhavatti gurava
.
h. iti gurupustake
yojanikmantra
.
h.
548
Kaldk
.
spaddhati A, f. 90v9: iti rsvacchandabhairavamatam. tath ca rka
.
n
.
thcrye
.
na
ppabhak
.
sa
.
namatntaram avalokyokta
.
m yath: .
549
Rjnaka nanda in *Rjnakava
.
mapraa
.
ms A, f. 2, ll. 1619 (vv. 1718: itika
.
n
.
tha
.
h
sutas tasya sotka
.
n
.
tha
.
h ivadarane | *sa
.
mgrmasi
.
mhrthanay (em. : sa
.
mgrmasi
.
mhrcanay
Cod.) cakre yo gurupustikm | tasya kalpalatkartur budhn
.
m prtaye sutau | adbhut
.
m yodha-
rka
.
n
.
thv abht
.
m siddhim gatau itika
.
n
.
tha, the son of this [Modaka], devoted to the real-
ization of iva, composed the Gurupustik at the request of Sa
.
mgrmasi
.
mha and the Kalpalat
for the pleasure of the learned. He had two sons, Yodha and rka
.
n
.
tha, who both achieved an
extraordinary degree of supernatural power [through their aiva practice]. An incomplete and
undated rad paper manuscript in 93 folios of a work entitled Gurupustik has come down
to us; (Tiiii
.
ru 1971, p. 436: Ms. C 4115). But I have not yet examined it.
550
See Ra\ 19311936, vol. 2, p. 1141. Te only alternative that I can see is the Chamna
of L
.
ta who was the son of Sindhurja and ruled c. 121545. But he is too early.
396 Mlanges tantriques la mmoire dHlne Brunner
which Manodadatta drewwhen he composed the original work of this name.
551
Manodadatta completed his Kaldk
.
spaddhati in 1335/6
552
and the Rjnaka
itika
.
n
.
tha patronized by Sa
.
mgrmasi
.
mha was, according to Rjnaka nanda,
the great-grandson of the Rjnaka itika
.
n
.
tha who wrote the Blabodhinnysa.
Tat work was completed in 1471. If we assume that the active life of its au-
thor was approximately 14251475 and work backwards through time to the
author of the Gurupustik and the Kalpalat, assigning twenty-ve years to each
generation, then the author of those two works will have been active in approx-
imately 13501400. Tis is too late for his compositions to have been among
Manodadattas sources. However, apart from the fact that the calculation by
generations of twenty-ve years is only a very rough and unreliable guide, the
genealogy itself is questionable. While Rjnaka nanda makes our itika
.
n
.
tha
the son of Modaka and the father of Yodha and rka
.
n
.
tha, and Yodha the grand-
father of the author of the Blabodhinnysa,
553
that authors own account of his
lineage, at least in the two manuscripts that I have seen, omits our itika
.
n
.
tha,
making Yodha the son rather than the grandson of Modaka.
554
Furthermore, it
is ivasvmin, the enlarger of the Kaldk
.
spaddhati, that claims that Manoda-
datta used these texts, not Manodadatta himself. Te expanded text contains
a series of hymns of which the latest is the ambhuk
.
rpmanoharastava com-
551
Kaldk
.
spaddhati A, f. 9v1316: rmanm
.
rgendragurupustakatantratantrlokasvatantra-
matakalpalatdisra
.
m h
.
rtya sa
.
mayaamya
.
sa
.
dadhvadk
.
sik
.
sm jagda gururjamanodada-
tta
.
h In order to still doubts Manodadatta, king among Gurus, declared his instruction on the
[procedure of the] initiation through the six paths after extracting the essence of the M
.
rgendra,
the Gurupustakatantra, the Tantrloka, the Svacchanda (svatantramatam), the Kalpalat, and
other [texts].
552
See footnote 514 on p. 389.
553
Rjnaka nanda in *Rjnakava
.
mapraa
.
ms A, . 2, ll. 14 3, 7 (vv. 1622): *modakas
(em. : sodakas AB) tanayas tasya ivatattvaprabodhaka
.
h | vedntavidysiddhntaved siddhapa-
tha
.
mrita
.
h | 17 itika
.
n
.
tha
.
h sutas tasya sotka
.
n
.
tha
.
h ivadarane | *sa
.
mgrmasi
.
mhrthanay (em. :
sa
.
mgrmasi
.
mhrcanay Cod.) cakre yo gurupustikm | 18 tasya kalpalatkartur budhn
.
m pr-
taye sutau | adbhut
.
m yodharka
.
n
.
thv abht
.
m siddhim gatau | 19 rka
.
n
.
tha
.
h prcyasa
.
msk-
raprakrn nirvikradh
.
h | kani
.
s
.
tho pi par
.
m ni
.
s
.
th
.
m siddhat
.
m aiave srayat | 20 ivdva-
yopade
.
s
.
tbhj jye
.
s
.
tho lokaduri
.
s
.
tah | yodho *pi (em. : vi Cod.) i
.
syasa
.
mtaty yo dha
.
hk
.
rtapra-
jpati
.
h | 21 yodhd bodhmbudher jt *dvijarj
.
h (corr. : dvijarj Cod.) *sadodit
.
h (em. :
sadodita
.
h Cod.) | arjuno tha trinayano mahratha iti traya
.
h | 22 itika
.
n
.
tho rjunasuto vivavre
blabodhinm | samk
.
sayrthatritaya
.
m cakre ca mahimastutau.
554
Rjnaka itika
.
n
.
tha in *Rjnakava
.
mapraa
.
ms A, f. 9, ll. 1618 (vv. 4c5a): tatputra ca
modaka
.
h samabhavad vedntasiddhntavid dhyya
.
m dhyyam iyya devasadana
.
m deva
.
m m
.
r
.
d-
npatim | tasmd yodhagurur babhva bhagavn.
Alexis Sanderson 397
posed by Rjnaka Ratnaka
.
n
.
tha in the seventeenth century,
555
though the con-
sequent inference that ivasvmin was active during the time of or later than
Ratnaka
.
n
.
tha is undermined by the fact that the hymns appear to have been
clumsily inserted into the text, the instructions that precede them being re-
peated after them to re-establish the ow of the Paddhati.
556
Te claim that the aiva Guru Rjnaka itika
.
n
.
tha was asked to compose
his Gurupustik by a king ruling in distant Snchor in the far southwest of
Rajasthan may surprise. But the later itika
.
n
.
tha of this patriline reports in his
Blabodhinnysa that his grandfather Yodha, the son of our itika
.
n
.
tha accord-
ing to Rjnaka nanda, had given aiva initiation to a number of kings, en-
abling themthereby to conquer their enemies and so enjoy long and prosperous
reigns.
557
He does not identify them; but Rjnaka nandas report that the
Gurupustik was commissioned by Sa
.
mgrmasi
.
mha (Sangram Singh) suggests
that they may have been rulers of the Rajput kingdoms of Rajasthan. No king
of Kashmir can have been among themsince the country had been in the hands
of Muslim rulers since 1339.
555
Te context is the ritual of pavitrroha
.
nam to be performed immediately after a post-
initiatory consecration ceremony (abhi
.
seka
.
h). Kaldk
.
spaddhati A, f. 196v411: ity abhi
.
seka
.
h.
tata
.
h pavitrroha
.
nam. abhi
.
seknantara
.
m saparivra
.
m mantra
.
m yathsa
.
mbhava
.
m sa
.
mtarpya
bhagavanta
.
m vie
.
srcbhi ca sa
.
mpjya pavitrroha
.
ne *ca (corr. : ca bhagavata
.
m bhagava-
nta
.
m Cod.) stutida
.
n
.
dapra
.
natydimahotsavan
.
rttagtavditrarahasyrcanacarcbhi bhagavanta
.
m
sa
.
mto
.
sya pavitrakn pjayet. tatra stutir yath: . Te hymns that follow are the Bhairava-
stotra of Abhinavagupta, called here Paramaivastuti and Bhairavadaaka (. 196v12197v8),
the Apardhasundarastava ascribed to a nkarcrya (. 197v8199r13), the Bhairavastotra of
Rjnaka a nkaraka
.
n
.
tha (. 199r13200r5), the ambhuk
.
rpmanoharastava of his son Rj-
naka Ratnaka
.
n
.
tha (. 220r6201v15), and a hymn attributed to Mahkavi Pa
.
n
.
dita Jagaddhara
(. 201v16203r1) that is not among the thirty-eight of his Stutikusumjali as commented
upon by Rjnaka Ratnaka
.
n
.
tha in his -laghupacik.
556
Kaldk
.
spaddhati A, f. 203r45, after the hymns: iti stutibhi
.
h pu
.
spajaln dpayitv i
.
syn
da
.
n
.
dapra
.
nat ca krayitv n
.
rttagtavditrarahasyrcanacarcbhi ca riva
.
m sa
.
mto
.
sya pavitra-
kn pjayet. Tis repeats the meaning and most of the wording of the passage that intro-
duces the hymns in f. 196v811: stutida
.
n
.
dapra
.
natydimahotsavan
.
rttagtavditrarahasyrcana-
carcbhi bhagavanta
.
m sa
.
mto
.
sya pavitrakn pjayet. tatra stutir yath: .
557
Rjnaka itika
.
n
.
tha in *Rjnakava
.
mapraa
.
ms A, f. 9, ll. 1819 (v. 5): tasmd yodhagu-
rur babhva bhagavn sa
.
mprpya dk
.
s
.
m yata
.
h | prjya
.
m rjyam *apstavairinikar (apsta
Govixo Kauis transcript [em.] : apsya Cod.) cakru cira
.
m bhbhuja
.
h His son was the Guru
Bhagavat Yodha, having obtained initiation from whom kings were freed of their enemies and
enjoyed long and glorious reigns.
398 Mlanges tantriques la mmoire dHlne Brunner
K
.
sixaii;as Exicisis oi rui Svaccuaxoa axo Niria
Tat the cults of Svacchandabhairava and Am
.
rtea were already well established
in Kashmir in the tenth century can be seen from the fact that both the Svac-
chanda and the Netra received elaborate running commentaries fromAbhinava-
guptas pupil K
.
semarja: the Svacchandoddyota and the Netroddyota. Te cen-
trality of these two Tantras during this early period is evident not merely from
the existence of these learned commentarieshe also refers to a long commen-
tary on the Svacchanda by a Rjnaka Bhullaka, now lost
558
but also from the
fact that in both K
.
semarja stresses that his motive is to re-establish what he sees
as the true, non-dualistic perspective of these texts, which, he says, had been
overshadowed by the prevailing view, that of the Saiddhntika dualists, an un-
justiable inroad into non-Saiddhntika territory that had both imposed a less
enlightened reading of their teachings and led to the suppression of elements
of non-dualistic practice (advaitcra
.
h),
559
such as the oering of fermented
liquor to Svacchandabhairava, that were vital to the proper performance of their
rites. K
.
semarja has also left us his Bhairavnukara
.
nastotra, a hymn to Svaccha-
ndabhairava in which he gives a non-dualistic reading of the symbolism of all
the details of the visualization of this deity.
As in the works of Abhinavagupta, the philosophical basis of K
.
semarjas
exegesis was that of Utpaladevas system, but though he was a disciple of
Abhinavagupta, the Trika enters very little into his analysis. Te system of eso-
teric kta doctrine and practice that animates his exegesis is rather that of the
Krama. We could see this as evidence of a dierence in religious perspective be-
tween the teacher and the pupil, and there certainly are such dierenceswe
should be wary of the tendency to assume in line with the religious theory of
unbroken transmission that disciples were mere clones of their teachersbut
it may be more accurate to say that both propagated Krama-based analyses,
Abhinavagupta of the Trikas Mlinvijayottara and K
.
semarja of the Svaccha-
nda and Netra.
560
558
E.g., Svacchandoddyota, vol. 5a, p. 211, ll. 910: b
.
rha
.
t
.
tkkrarjnakabhullakena .
559
On advaitcra
.
h see Saxoiisox 2005a, pp. 110114, footnote 63.
560
For evidence of K
.
semarjas reading the Krama, for himthe highest of all religious systems,
into his interpretation of the cults of Svacchandabhairava and Am
.
rteabhairava see Saxoiisox
1995, pp. 6470.
Alexis Sanderson 399
Oruii Woixs n\ K
.
sixaii;a
K
.
semarja extended his non-dualistic exegesis beyond the Svacchanda and Ne-
tra, technical Tantras mainly devoted to the prescription of ritual, to a wide
range of texts, all of which have in common that they have no concern what-
soever with ritual but rather with devotional contemplation of ultimate reality
as the means of its realization. Just as K
.
semarja brought non-dualistic exegesis
to those Tantras that appear to have been most widely followed in Kashmir, so
with these works he sought to propagate the doctrines of his tradition among
an even larger constituency, that is to say, those who were aiva by conviction
and devotion but were not only those who had received formal inititation and
were therefore engaged in the study of the Tantras and the performance of the
rituals they prescribe. Tus he wrote a commentary on the Vijnabhairava,
a work of the Trika but one concerned entirely with methods of meditation
that transcend the particularities of Mantra, Mudr, Ma
.
n
.
dala, deity, and ritual
procedure that are the true criteria for distinguishing between the systems that
make up the aiva Mantramrga.
561
Tis texts simple single-verse instructions
on a wide variety of meditations no doubt rendered it accessible to this broader
audience, a surmise supported by the fact that it is often found in Kashmirian
manuscripts for personal devotional use along with other short, less technical
aiva works. It is regrettable that only his commentary on the introductory
verses has come down to us. ivasvmin Updhyya I, searching for the text
in the eighteenth century, could nd no manuscript of the whole and wrote
his own commentary on the remainder, appending it to the small portion of
K
.
semarjas text that was accessible to him.
562
K
.
semarja also composed commentaries on a number of aiva devotional
hymns, namely the Smbapacik, the Stavacintma
.
ni of Bha
.
t
.
ta Nrya
.
na,
and the ivastotrval of Utpaladeva, a collection of hymns together with single
devotional verses articially arranged into hymns by later editors.
563
Te con-
561
Te Trika background of the text is revealed in the introductory verses (123).
562
Vijnabhairavaviv
.
rti, p. 143, ll. 914. Te surviving portion of K
.
semarjas commentary
extends from its beginning to the end of the commentary on the last of the introductory verses
(123, pp. 116).
563
K
.
semarja, ivastotrvalviv
.
rti, pp. 1, l. 142, l. 4 (his introduction): varapratyabhij-
kro vandybhidhna
.
h rmadutpalcryo smatparame
.
s
.
th satatask
.
stk
.
rtasvtmamahevara
.
h
sva
.
m rpa
.
m tathtvena parmra
.
s
.
tum arthijannujigh
.
rk
.
say hcai sa
.
mgrahastotrajayastotrabhakti-
stotr
.
ny hnikastutisktni ca knicin muktakny eva babandha. atha kadcit tny eva tadvy-
mir
.
ni labdhv rrma dityarja ca p
.
rthak p
.
rthak stotraayyy
.
m nyaveayat. rvivvartas tu
400 Mlanges tantriques la mmoire dHlne Brunner
text of the use of these devotional works is not well known. But if we may judge
from recent practice in Kashmir it is probable that they were in use not only
among initiates but also, and perhaps more typically, among lay devotees, who
chanted them while attending aiva rituals or when visiting iva shrines.
Ten there are his commentaries on the ivastra and the Spandakrik. On
the rst we have his ivastravimarin, and on the second his Spandasa
.
mdoha,
which comments only on the opening verse, and his Spandanir
.
naya, which
comments on the whole work. Here too we nd a strong commitment to
Krama-based readings. Indeed he considers that the Krama is the very essence
of the Spandakrik.
564
In the case of the Aphorisms of iva (ivastra) he does
not make the same claim explicitly. However, it is implicit in his assertion that
Vasugupta wrote the Spandakrik in order to summarize the teachings con-
tained in that text,
565
and Krama interpretation is to the fore in K
.
semarjas
vi
.
maty stotrai
.
h svtmotprek
.
sitanmabhir vyavasthpitavn iti kila ryate Te author of the
varapratyabhij, my Gurus Gurus Guru, the crya Utpala of venerable name, immersed
at all times in immediate experience of the iva that is ones true identity, in order to meditate
on his own nature and out of a desire to benet those who sought [his guidance], composed the
Sa
.
mgrahastotra, Jayastotra, and Bhaktistotra, and also a number of single-verse poetic hymns for
his daily devotions. Some time thereafter Rma and dityarja received the latter mixed up with
the former and then edited them in the form of a series of [multi-verse] hymns. It is reported
that Vivvarta then [re-]arranged them as twenty hymns with titles of his own invention. It is
Vivvartas edition that K
.
semarja follows, while recognizing its articiality. For commenting
on 1.2 he notices that the arrangement of the verses here is incoherent, since there is no voca-
tive addressed to iva in the previous verse to justify the expression bhavadbhakti- devotion to
you in this. He puts this observation into the mouth of a critic and replies: Ask this question
of Vivvarta. I am concerned only with the explanation of each individual verse (p. 4, ll. 89:
katham iya
.
m stotraayyeti rvivvarta eva pra
.
s
.
tavya
.
h. vaya
.
m tu sktavykhynodyat
.
h).
564
Spandanir
.
naya, p. 74, ll. 1518: eva
.
m copakramopasa
.
mhrayor mahrthasa
.
mpu
.
tkra
.
m
darayan tatsratay samasta nkaropani
.
sanmrdhanyatm asyvi
.
skaroti strasya rmn
vasuguptcrya
.
h And by showing in this way that the Mahrtha encloses this stra in
its opening and closing verses the venerable crya Vasugupta reveals that it stands at the
summit of all ivas esoteric teachings, since it has that [system] as its essence. His view of
the Krama basis of the rst verse is set out at length in his Spandasa
.
mdoha. K
.
semarja wrote
his Spandasa
.
mdoha, Spandanir
.
naya, and ivastravimarin in that order; see Spandanir
.
naya
p. 6, ll. 12: nir
.
nta
.
m caiva
.
mprya
.
m mayaiva prathamastramtravivara
.
ne spandasa
.
mdohe; and
ivastravimarin, p. 3, ll. 79: tatpramparyaprptni spandastr
.
ny asmbhi
.
h spandanir
.
naye
samya n nir
.
ntni. ivastr
.
ni tu nir
.
nyante.
565
ivastravimarin, p. 3, ll. 35: etni ca samyag adhigamya bha
.
t
.
tarkalla
.
tdye
.
su sacchi
.
sye
.
su
prakitavn spandakrikbhi ca sa
.
mg
.
rhtavn And having correctly mastered these [Stras
Vasugupta] revealed them to Bha
.
t
.
tar Kalla
.
ta and others who were his true disciples and sum-
marized them in the Spandakrik.
Alexis Sanderson 401
analysis of a number of its key aphorisms.
566
Finally, we have his Pratyabhijh
.
rdaya, a text in the form of Stras and an
auto-commentary that claims to set out the essence of the doctrine taught by
Utpaladeva in his varapratyabhijkrik in order to enlighten persons who
are experiencing the urge to achieve immersion in iva but lack the philosophi-
cal training necessary to master the original works.
567
Here too he privileges the
Krama, propounding its distinctive contemplation of the cyclical dynamism of
cognition as the very heart of that philosophical system.
568
566
See his commentary on 1.6 (akticakrasa
.
mdhne vivasa
.
mhra
.
h), 1.11 (tritayabhokt
vrea
.
h), and 1.22 (mahhradnusa
.
mdhnn mantravrynubhava
.
h). In that on 1.6 he iden-
ties the circle of powers (akticakram) as that of the venerable akti of Emission etc. (p. 21,
l. 45: rmats
.
r
.
s
.
tydiakticakra-). Tat he means the twelve Kls beginning with S
.
r
.
s
.
tikl can be
inferred from his commentary on 1.11, since he states there that through continuous contem-
plation of the circle of powers one enters the state of identity with Manthnabhairava (p. 26,
l. 1427, l. 7). For in the Spandanir
.
naya (p. 6, ll. 59) K
.
semarja identies Manthnabhairava
as the leader of the circle of these goddesses, glossing the description of iva in the rst verse as
akticakravibhavaprabhava
.
m(acc. sg.): aktn
.
m s
.
r
.
s
.
tiraktdimarcidevn
.
m cakra
.
m dvdatm
samhas tasya yo vibhava udyogvabhsanacarva
.
navilpantm kr
.
d
.
dambaras tasya prabhava
.
m
hetum. t hi devya
.
h rmanmanthnabhairava
.
m cakrevaram li ngya sarvadaiva jagatsargdikr-
.
d
.
m sa
.
mpdayantty mnya
.
h [I praise a nkara] who is the source (prabhava
.
h), the cause, of
the pervasive manifestation, the energetic play that is [the cycle of] the urge to manifest, mani-
festation, the subjective relishing [of the manifest] and dissolution, of the circle, the twelvefold
group, of [his] powers, of the [twelve] ray-goddesses S
.
r
.
s
.
ti[kl], Rakta[kl], and the rest. For
the teaching [of the Mahrtha] informs us that it is through their intimate connection with
Manthnabhairava as the lord of their circle that they constantly accomplish the play of emit-
ting, [sustaining,] and [withdrawing] the universe.
567
Pratyabhijh
.
rdaya, p. 37, ll. 810: iha ye sukumramatayo k
.
rtatk
.
s
.
natarkastrapariram
.
h
aktiptonmi
.
satpramevara*samvebhil
.
s
.
h (conj. : samvebhil
.
si
.
na
.
h Ed.) katicid bhakti-
bhjas te
.
sm varapratyabhijopadeatattva
.
m mang unmlyate Here I shall briey reveal the
essence of the teaching of the varapratyabhij[krik] for the benet of those rare devotees
who being of undeveloped intellect have not undertaken training in the severe discipline of
philosophical argument, yet are experiencing an urge towards immersion in iva emerging in
themselves through the descent of [his] power.
568
Tis perspective is alluded to in the rst of the benedictory verses: nama
.
h ivya satata
.
m
pacak
.
rtyavidhyine | cidnandaghanasvtmaparamrthvabhsine Obeisance to iva who,
constantly engaged in his ve functions, makes manifest the ultimate reality of ones iden-
tity pervaded by the bliss of consciousness. Te ve functions are emission, stasis, withdrawal,
obscuration, and revelation, following pan-aiva doctrine. But in this work K
.
semarja teaches
that from the esoteric point of view these are to be seen as operating within the ow of cogni-
tion, explaining this operation rst in neutral terms, though in the spirit of the Krama (Stra
10 and commentary), and then directly with Krama terminology (Stra 11 and commentary).
It is this Krama reading, I propose, that is intended in the opening verse, the rst qualier
402 Mlanges tantriques la mmoire dHlne Brunner
Tui ivasuria, Siaxoaxiiixi, axo ruiii Exicisis
In addition to the commentaries of K
.
semarja on the ivastra and Span-
dakrik,
569
we have a commentary on the former (ivastravrtika) by Bha
.
t
.
ta
Bhskara, and on the latter we have a brief gloss by Bha
.
t
.
tar Kalla
.
ta (-v
.
rtti), and
detailed analytic commentaries by Rjnaka Rma (Spandaviv
.
rti), [the P-
cartrika] Bhgavatotpala (Spandapradpik), and Bha
.
t
.
trakasvmin (Spanda-
pradpik). Others existed but have not survived, such as that by Bha
.
t
.
ta Lolla
.
ta
reported by K
.
semarja.
570
Te study of the ivastra in its own right is problematic. Many of its
seventy-seven terse aphorisms are obscure in meaning both individually and
in sequence, which has allowed considerable divergences between the inter-
pretations of Bha
.
t
.
ta Bhskara and K
.
semarja. Moreover, they reveal no close
attachment to the terminology and concepts of the Krama, the Trika, or any
single scripture-based system so that we could clarify their meaning by drawing
on its literature. One may say only that they present a creative epitome of doc-
trine and trans-ritual practice drawing, probably eclectically, from Kaula tradi-
tions that venerate Bhairava and the Mothers, teaching that the goal of practice
is to realize that one is oneself the [akti]cakrevara
.
h, the deity that controls
the diverse powers that constitute the universe of experience, establishing this
realization rst through withdrawal into the heart of consciousness and then
through its expansion into the states that constitute the mundane awareness
of the bound.
571
Tis model of transcendence followed by an expansion that
pacavidhak
.
rtyavidhyine expressing the reason (hetau vie
.
sa
.
nam) for the second: Obeisance
to iva who [since he is] constantly engaging in his ve functions [of the manifesting of the
object (bhsanam), immersion in the object (rakti
.
h), subjective awareness of the perception
(vimaranam), laying down the impression of the perception in memory (bjvasthpanam),
and completely dissolving all trace of contracted consciousness (vilpanam)] makes manifest
the ultimate reality of ones identity pervaded by the bliss of consciousness. See also pp. 50,
l. 751, l. 1 (Stra 12 and commentary) on the ve goddesses Vmevar etc.; and pp. 5859
(Stra 19 and commentary) on bringing about permanent immersion.
569
We also have two summaries of his ivastravimarin: the anonymous ivastrav
.
rtti, and
the ivastravrtika of the South Indian Varadarja alias K
.
r
.
s
.
nadsa, pupil of Madhurja, an
ascetic of Madurai.
570
Spandanir
.
naya, p. 34, l. 1213.
571
ivastra 1.5: udyamo bhairava
.
h Bhairava is the primordial dynamism [of consciousness];
1.6: akticakrasa
.
mdhne vivasa
.
mhra
.
h When one assimilates the circle of [his] powers the
universe is withdrawn; 1.7: jgratsvapnasu
.
suptabhede turybhogasa
.
mbhava
.
h [Tereafter] there
comes about the expansion of the Fourth [state back] into the divisions [of projected con-
Alexis Sanderson 403
causes the state of enlightenment to pervade the transcended is central to the
Klkula, and the Aphorisms may well have drawn it directly or indirectly from
that source. But there is much in them that cannot obviously be derived from
it and several elements that cannot be traced to any other known scriptural
source.
Since so much of the early kta literature has been lost or preserved only
in quotations in the works of the Kashmirian exegetes it would be rash to try to
assess the extent to which the aphorisms are a creative development. However,
that they were thought to be so at a time when much more of that literature was
current is implicit in the accounts of their origin given by the commentators.
For these elevate them in a manner that allows for a degree of originality that
would not be acceptable in a text claiming merely human authorship. Tus ac-
cording to Rjnaka Rma and Bhgavatotpala the aphorisms were revealed to
Vasugupta through oral transmission by a Siddha,
572
in the manner claimed for
the Old Kashmiri Chumms. According to Bha
.
t
.
ta Bhskara directions given to
Vasugupta by a Siddha led him to discover the aphorisms on Mt. Mahdeva.
573
K
.
semarja too held that Vasugupta found the aphorisms on this mountain, but
attributes the instruction that led to their discovery not to a Siddha but to iva
himself appearing to Vasugupta in a dream, thus lifting the text on to the level
sciousness, namely] the waking state, dream, and dreamless sleep; 1.810: jna
.
m jgrat |
svapno vikalp
.
h | aviveko my sau
.
suptamTe waking state [here] is sense-cognition; the dream
state is [ones] conceptual constructions; the state of dreamless sleep is the absence of aware-
ness [of transcendence], the state of inner self-concealment; 1.11: tritayabhokt vrea
.
h One
who [continously] experiences [these] three [as the Fourth] is [Bhairava,] the Lord of Heroes;
1.21: uddhavidyodayc cakreatvasiddhi
.
h Te result of the arising of non-dual awareness is
that one is established as the Lord of the circle of [his] Powers; 2.7: mt
.
rkcakrasa
.
mbodha
.
h
[Trough the Guru the disciple] achieves realization of the circle of the Mothers; 3.19: ka-
vargdi
.
su mhevarydy
.
h paumtara
.
h Mhevar and the [other goddesses] are the Mothers
for bound souls, [being manifest] in the gutturals and the classes [of the sounds of the syllabary
that combine as conceptual construction].
572
Bhgavatotpala, Spandapradpik, p. 83, ll. 15: siddhamukhengata
.
m rahasya
.
m yat Te
esoteric teaching that had come [to Vasugupta] through the oral instruction of a Siddha
; Spandakrikviv
.
rti, p. 165, ll. 1215: guror vasuguptbhidhnasya sk
.
st siddhamukha-
sa
.
mkrntasamastarahasyopani
.
sadbhtaspandatattvm
.
rtani
.
h
.
syandasya the Guru called Va-
sugupta, to whom the outow of the nectar that is the hidden essence of all the esoteric [aiva
scriptures] was transmitted directly from the lips of a Siddha.
573
Bha
.
t
.
ta Bhskara, ivastravrtika 1.3: rmanmahdevagirau vasuguptaguro
.
h pur | si-
ddhdet prdur san ivastr
.
ni tasya hi In the past the Aphorisms of iva were discovered on
Mt. Mahdeva by the Guru Vasugupta following the instruction of a Siddha.
404 Mlanges tantriques la mmoire dHlne Brunner
of scriptural revelation,
574
though he too knew a tradition that Vasugupta was
the conduit to men of Kaula oral teaching, for he describes him as one whose
heart had been puried by the spiritual transmissions that he had received from
numerous aiva Yogins and Siddhas, a formulation that may well have been
intended also to account for the eclectic character of the text.
575
Remaining faithful to the texts character as a creative synthesis of Kaula
tradition neither commentator has attempted to tie his interpretation to a sin-
gle scripture-based system. K
.
semarja, as I have stated above, shows a strong
tendency to read the text in the terms of the Krama, but this is by no means his
only exegetical resource in this commentary. Bha
.
t
.
ta Bhskaras commentary,
too, is relatively system-neutral, though he too on occasion uses language that
echoes the Klkula.
576
574
ivastravimarin, pp. 2, l. 73, l. 4: kadcic csau dvaitadarandhivsitaprye jvaloke
rahasyasa
.
mpradyo m vicchedty ayato nujigh
.
rk
.
spare
.
na paramaivena svapne nug
.
rhyon-
mi
.
sitapratibha
.
h k
.
rto yathtra mahbh
.
rti mahati iltale rahasyam asti tad adhigamynugraha-
yogye
.
su prakayeti. prabuddha csv anvi
.
syan t
.
m mahat
.
m il
.
m karasparanamtra-
parivartanata
.
h sa
.
mvdk
.
rtasvapn
.
m pratyak
.
sk
.
rtyemni ivopani
.
satsa
.
mgraharp
.
ni ivastr
.
ni
tata
.
h samsasda Once Paramaiva, desiring to benet mankind by preventing the esoteric
tradition from dying out in a society that was almost completely permeated by the dualistic
doctrine [of the Saiddhntikas], favoured that [Guru Vasugupta on Mt. Mahdeva by appear-
ing to him] in a dream and causing him to understand that there was an esoteric teaching
[inscribed] on a huge rock on that mountain and that he was to learn it and reveal it to those
who deserved to be so favoured. When he awoke he looked for that rock and turning it over
by a mere touch of his hand saw that it conrmed his dream. He then acquired from it these
aphorisms, which are the epitome of the esoteric aiva scriptures.
575
ivastravimarin, p. 2, ll. 35: pramevarannyoginsiddhasatsa
.
mpradyapavitrita-
h
.
rdaya
.
h.
576
See e.g. (1) ivastravrtika 1.5253b on tritayabhokt vrea
.
h: eva
.
m marcinicayo gu
.
na-
trayasamudbhava
.
h | vaikalpike jagaty asmin vamanagrsatatpara
.
h | tatrpi grsak
.
rd yas-
mt tena vrevara
.
h sm
.
rta
.
h In this way the mass of rays that arises from the three Qual-
ities [that are manifest in the three states of waking, dream, and dreamless sleep] is in-
tent on projecting and devouring [the contents of consciousness] in this universe of con-
ceptual constructions. He is called the Lord of Heroes (Vrevara) here because he in turn
devours these [rays]; cf. Jayadrathaymala,
.
Sa
.
tka 4, 4.9ab (Klikkramapa
.
tala): sphurad-
vamanasa
.
mgrsarvik s
.
r
.
s
.
tkrik; f. 216v (Siddhayogevarvidhipa
.
tala 34cd): ae
.
sacakracakrea-
vamanagrsani
.
s
.
thurm; Ar
.
nasi
.
mha, Mahnayapraka 226: s
.
m dvi
.
sa
.
tkadevn
.
m vamana-
grsatatparm | dev
.
m trayoda
.
m vande tdtmyapratipattaye); (2) ivastravrtika 2.1215b
(on garbhe cittavikso vii
.
s
.
to vidysvapna
.
h Te mind expands within the source [and because of
that] ignorance sleeps): praknandasrntarvyvartanabald bh
.
ram | vi
.
sayebhyo niv
.
rttasya
manasa cinmay sthiti
.
h | paro viksa ciccandracandrikm
.
rtanirbhara
.
h | sravacchktm
.
rtpr-
plutnandijaganmaya
.
h | tatsadbhvd avidyy
.
h prathayanty dhardibhi
.
h | tattvajlair
ala
.
mgrsayukty svapno vilopanam Te mind becomes consciousness when it turns back from
Alexis Sanderson 405
As for the Spandakrik, all our authors agree that it presents the essentials
of the Aphorisms, K
.
semarja claiming that Vasugupta himself was its author,
577
and Bha
.
t
.
ta Bhskara and Bhgavatotpala attributing it to Kalla
.
ta, his pupil.
578
But in fact while there is much that is common to both texts, notably the model
sense-objects by force of intense reversion into the essence that is [the fusion] of light and
bliss. Tis is its full expansion. It is lled with the nectar that is the light of the moon of con-
sciousness and it is fused with the world now blissful because it has been completely drenched
by the outsurging ood of the nectar of [Bhairavas] Power. Because of this there arises the
sleep, the elimination through the process of Complete Devouring (ala
.
mgrsa
.
h), of the igno-
rance that [it] with the entangling Tattvas from earth [to iva]. Te reading prathayan-
ty dhardibhi
.
h | tattvajlair yields no appropriate sense that I can see. Perhaps we should
emend to vyathayanty dhardibhi
.
h that torments [it] with the entangling Tattvas from earth
[to iva]. Te expression praknanda- is frequently encountered in texts of the Klkula;
see, e.g., Jayadrathaymala,
.
Sa
.
tka 3, f. 156r4: yatra k
.
sayam ida
.
m yti pr
.
ndya
.
m sarvam eva
hi | yatodeti punar bhyo praknandalak
.
sa
.
nam | ciddhma yat para
.
m sk
.
sma
.
m kra
.
ne
.
sv
api kra
.
nam | ta
.
m iva
.
m parama
.
m deva
.
m svaaktiparima
.
n
.
ditam;
.
Sa
.
tka 4, f. 34v4: viksku-
canenaiva praknandayogata
.
h; f. 196r7: trir
.
s vryamlin | praknandamadhyasth prol-
lasanmantravigrah; and f. 196v1: praknandamadhyasth kdy ka nklabhairav. Te term
ala
.
mgrsa
.
h too is a feature of the Krama texts; see Ar
.
nasi
.
mha, Mahnayapraka, f. 127r23
(v. 225cd): devikkramasadbhvo py ala
.
mgrsaikaghasmara
.
h; Mahnayapraka (Triv.) 7.99ab:
ala
.
mgrsaprav
.
rttena kriyveena tattvata
.
h; Vtlanthastrav
.
rtti on 2: klklakalpanottr
.
n-
la
.
mgrsavapu
.
s mahnirhe
.
na; on 9: cturtmyena udyogbhsacarva
.
nla
.
mgrsavapu
.
s svasva-
rpvasthiti
.
h; on 10: udyogvabhsacarva
.
nla
.
mgrsavirntirp
.
n
.
m mahsa
.
mvidramn
.
m;
Jnakriydvayaataka 5cd: nama
.
h samastabhvaughaha
.
thla
.
mgrsabhnave; and the commen-
tary on the Old Kashmiri Mahnayapraka 4.6: bhagavatyla
.
mgrsaparay.
577
ivastravimarin, p. 3, ll. 47: etni ca samyag adhigamya bha
.
t
.
tarkalla
.
tdye
.
su sacchi
.
sye
.
su
prakitavn spandakrikbhi ca sa
.
mg
.
rhtavn And [Vasugupta] having mastered these [Apho-
risms] revealed themto Bha
.
t
.
tar Kalla
.
ta and other worthy disciples and then summarized them
in the Spandakrik.
578
Bhgavatotpala, Spandapradpik, p. 83, ll. 1517: ayam atra kilmnya
.
h siddhamukhen-
gata
.
m rahasya
.
m yat | tad bha
.
t
.
takalla
.
tendur vasuguptaguror avpya i
.
sy
.
nm | avabodhrtham
anu
.
s
.
tuppacikay sa
.
mgraha
.
m k
.
rtavn On this matter the following tradition is reported.
Te moon-like Bha
.
t
.
ta Kalla
.
ta received from the Guru Vasugupta the esoteric teaching that
had come to him through the oral instruction of a Siddha and summarized it in fty verses in
the Anu
.
s
.
tubh metre (for the point of the moon-metaphor see footnote 581); and Bhskara,
ivastravrtika 1.45: sarahasy
.
ny ata
.
h so pi prdd bha
.
t
.
tya sraye | rkalla
.
tya so py eva
.
m
catu
.
hkha
.
n
.
dni tny atha | vykarot trikam etebhya
.
h spandastrai
.
h svakais tata
.
h | tattvrtha-
cintma
.
nykhya
.
tkay kha
.
n
.
dam antimam He transmitted [the aphorisms] in four sections,
along with [an explanation of their] esoteric teaching, to the learned Bha
.
t
.
tar Kalla
.
ta, who
explained the [rst] three of these in his own Spandakrik and the last section in a commen-
tary entitled Tattvrthacintma
.
ni. Citations from the Tattvrthacintma
.
ni, now lost, survive
in Tantrloka 10.208 (paraphrase), -viveka thereon (quotation); Tantrloka 16.51 (paraphrase),
-viveka thereon (quotation); and ivastravimarin, p. 138, ll. 58 (quotation).
406 Mlanges tantriques la mmoire dHlne Brunner
of liberation through transcendence and expansion, there is nothing in them
that supports this supposed intimate relationship and much that goes against
it, most notably the absence from the Aphorisms of the doctrine that ivas
essence is the vibrancy of consciousness (spanda
.
h, spandatattvam) that gives the
Spandakrik its title. Here too no single Kaula system can be identied as the
texts basis. Nonetheless it is probable that the Klkula was a major element in
the milieu within which this text emerged. Te term spanda
.
h is certainly much
used in the scriptures of that tradition.
579
Te short gloss on the Spandakrik by Bha
.
t
.
tar Kalla
.
ta supports the view
of Bha
.
t
.
ta Bhskara and Bhgavatotpala that the root-text was indeed composed
by Kalla
.
ta and not by Vasugupta as K
.
semarja maintained. For it lacks its own
initial benedictory verse and nowhere gives any indication of separate author-
ship. Te second of three post-colophonic verses in the edition of the text does
assert that the Spandakrik is by Vasugupta: [Here] Kalla
.
ta has claried the
nectar of the Spandakrik that the venerable Vasugupta extracted from the
ocean of the ivastra taught to him on Mt. Mahdeva by iva in a dream.
580
579
See Jayadrathaymala,
.
Sa
.
tka 1, f. 190v35 (45.120122): eka
.
h ivo mahmla
.
m nirup-
dhir anantaka
.
h | vijnajnasa
.
mpr
.
na
.
h sarvkras tu manthara
.
h | 121 nistara ngr
.
navkra
.
h
parit
.
rpta
.
h parpara
.
h | suntamrti
.
h sarvtm nirv
.
neo tinirmala
.
h | 122 tasya akti
.
h svaka
.
m
vrya
.
m ciddhmnandagocaram | vyakta
.
m vyaktivibhedena spandannandasundaram;
.
Sa
.
tka 2,
f. 5r4: spandnandodarvartavirntymalya te | nama ciccakravirmaprasaradvivamrtaye;
.
Sa
.
tka 3, f. 107v78 (15.9c10): y parollsin akti
.
h parparavibhgag | jnakriynilayan ic-
ch ciccakramadhyag | spandodaragat sk
.
sm susk
.
smm
.
rta*syandin (conj. : sa
.
mdhin Cod.);
.
Sa
.
tka 3, f. 95r4 (13.30): tatspandacakramadhyastho smaren mantra
.
m mahdbhutam | iya
.
m
s devadevei mantrauddhi
.
h parpar;
.
Sa
.
tka 4, f. 58r56 (4.1718): jna
.
m jeya
.
m tath
jt japtigarbhn *nibhlayan (corr. : nibhlaya
.
m) | laya
.
m yti pare dhmni niraha
.
mkra-
dharmi
.
ni | cidnandaparispandagarbhasthaspandarpay | vypt paramay bhti *
.
sa
.
dadhv-
vara
.
nntag (ntag corr. :
.
mtig Cod.); Cici
.
nmatasrasamuccaya, f. 22v4 (7.206ab) (on the
twelve Kls, in the Uttaragharmnya section): sphuraty antargat ghrmir ankhya
.
m span-
dam uttamam; Devdvyardhaataka, f. 11r23 (v. 127): akathya
.
m vhkikramttam akula
.
m ca
kuloditam | spandanntaramadhyastham tmgama
.
m subhvitam.
580
Spandakrikv
.
rtti, p. 40, ll. 36: *dugdha
.
m (em. : d
.
rbdha
.
m Ed.) mahdevagirau
maheasvapnopadi
.
s
.
tc chivastrasindho
.
h | spandm
.
rta
.
m yad vasuguptapdai
.
h rkalla
.
tas tat
praka
.
tcakra. Te edition's reading d
.
rbdha
.
m is unacceptable. For while the Spandakrik
can be composed (d
.
rbdha-) the nectar that is the Spandakrik (spandm
.
rta
.
m) cannot be
composed from the ocean of the ivastra. Te metaphor requires the nectar to be ex-
tracted from that ocean, in allusion to the Pur
.
nic myth of the extraction of nectar from
the ocean of milk. Tis meaning is provided by the graphically similar dugdha
.
m; cf. N
.
rya
.
na,
Stavacintma
.
ni 1.10: myjalodart samyag uddh
.
rtya vimalk
.
rtam | ivajna
.
m svato dugdha
.
m
dehy ehi haraha
.
msa na
.
h, on which K
.
semarja comments as follows: svato dugdha
.
m tvayaiva
kallghyenntam.
Alexis Sanderson 407
But the verse is suspect, since it appears in only some manuscripts, and if it
were original Bhgavatotpala, who knewthis commentary,
581
could hardly have
maintained the view that the Spandakrik is Kalla
.
tas. Te motive for interpo-
lation is clear, namely to make Kalla
.
ta himself support the view of K
.
semarja.
Kalla
.
tas brief and lucid gloss stays rmly within the parameters of the text
itself, eschewing, therefore, all reference to the specic doctrines of the kta
traditions, unlike that of K
.
semarja, which, as we have seen, grounds the text
in the Krama, though it also recognizes its transcendent, syncretistic character
by connecting some passages with the Trika.
Te commentary of Rjnaka Rma, the pupil of Utpaladeva, likewise ad-
heres closely to the explicit content of the text, relying also on Kalla
.
tas gloss.
We nd no attempts to clarify its meaning by making connections with the
Trika or Krama. If he strays beyond the parameters of his text it is only to the
extent that he applies the philosophical concepts of his teacher.
582
Bhgavatotpalas commentary (Spandapradpik) is of a very dierent char-
acter. As a Pcartrika Vai
.
s
.
nava its author attempts to showthrough abundant
citations fromPcartrika sources, both scriptural and exegeticalin the latter
case he draws extensively on the philosophico-devotional treatises of the Kash-
mirian Pcartrika Vmanadatta (son of Devadatta) as well as a wide range of
aiva textsthat the doctrine of the Spandakrik is equally at the heart of this
non-aiva tradition.
As for the unpublished Spandapradpik of Bha
.
t
.
trakasvmin,
583
that is
written from the perspective of a Kashmirian aiva versed in the works of Ut-
paladeva and Abhinavagupta but without strong leanings towards the Krama
or the Trika, though in the Ma ngala verse at the beginning of his commentary
581
He refers to the commentary as Kalla
.
tas in the introductory verses of his Spandapradpik.
After reporting the tradition that the Spandakrik is Kalla
.
tas summary of the teaching
of the ivastra (see footnote 578 on p. 407) he adds (p. 83, ll. 1819): yad api tadartho
vykhyjyotsnpraka
.
tk
.
rto sti tene
.
sat | mohanimadhyagat mandad
.
ras tad api nrtham k
.
sante
Although he made the meaning of those [fty verses] slightly clearer with the moonlight of
a commentary those in the midst of the night of delusion with weak sight are still unable to
make it out.
582
See, e.g., Spandakrikviv
.
rti, p. 25, where he applies Utpaladevas distinctive classication
of the four levels of contracted agency of consciousness (parimitapramt
.
rt), namely those of
identication with the body (dehapramt
.
rt), intellect (buddhipramt
.
rt), vital energy (pr
.
na-
pramt
.
rt), and the void (nyapramt
.
rt).
583
Te manuscript, which to my knowledge, is the only one to have survived, breaks o in
the commentary on the last verse of the work proper, before its two closing verses of veneration
and benediction.
408 Mlanges tantriques la mmoire dHlne Brunner
on the second chapter he venerates the essence of the Trika that transcends the
aktis Par, Parpar, and Apar.
584
In the chapter colophons he is identied as
a worshipper of rvidy, that is to say, of the kta goddess Tripurasundar
585
and this fact is reected in the introduction to the commentary. For in its verses
1114 he prepares for his task by meditating on an unnamed Ma
.
n
.
dala, begin-
ning with obeisance to Ga
.
nea, Dharma, Varu
.
na, and Kubera at its gates and
then dissolving it stage by stage into the point (bindu
.
h) at its centre. Te stages
are (1) the four gates, then (2) three circles, followed by sets of (3) sixteen,
(4) eight, (5) fourteen, (6) ten, (7) ten again, (8) eight and (9) three.
586
Te
Ma
.
n
.
dala, then, is that of rvidy, which alone has this structure. Tere is an
unusual feature, however, in the deities of the four outer gates. Tis arrange-
ment is not found in any formof the rvidy known to me, but does occur, and
is probably peculiar to, the Kaula system taught in the Devrahasya (/Parra-
hasya), where these four are worshipped as the door-guardians (dvrapl
.
h) of
its Yantras for initiation (Pa
.
tala 1) and in its worship of the initiation Guru
(Pa
.
tala 60). Te Kaulismof this text, which was well known in Kashmir,
587
con-
tains no trace of the terminology of Kashmirian non-dualism and appears to be
East Indian in character, though it was probably composed or revised in Kash-
mir since it has integrated the local Kashmirian goddesses into its pantheon,
588
and consequently a number of Kashmirian Parii
.
s
.
tas which provide Pac ngas
for their worship within the same ritual parameters have been published with
584
Bha
.
t
.
trakasvmin, Spandapradpik, f. 5v1819: yad anuttaram aprva
.
m parparpar-
parkalttam | uddhuddhasvabhva
.
m *tad (em. : tam cod.) upsmahe
.
sa
.
dardhasrkhya
.
m.
585
E.g., f. 5v1617: iti rmacchrvidyopsakarbha
.
t
.
trakasvmik
.
rtaspandapradpiky
.
m pra-
thamo yam ullsa
.
h.
586
Bha
.
t
.
traka, Spandapradpik, f. 1r1618 (rambhalok
.
h 1112b): 11 ga
.
neadharma-
varu
.
na*kubern (corr. : kubrn cod.) pra
.
nipatya ca | caturdvra
.
m triv
.
rttnu
.
so
.
dar
.
n
.
s
.
tapalla-
vam | 12 *caturdaadaadaavasuvahnisadrayn (vasu em. vasva Cod.).
587
Tere are, for example, six Kashmirian manuscripts of the Devrahasya, one of them on
birch-bark, listed in the catalogue of the Sanskrit manuscripts in collection of the Research
and Publication Department in Srinagar (Raixa 1989, p. 40) and three in the collection of the
Banaras Hindu University (Tiiii
.
ru 1971, p. 750).
588
Tus among its Mantras are those of rik, rad, Mahrj, Jvlmukh and Bh
.
d.
Similarly, the aliated Uddhrakoa classies ten of the goddesses of the Devrahasyas Mantra-
pantheon as Great Vidys (mahvidy
.
h), following the model of East Indian ktism. But
whereas there the Ten Great Vidys (daa mahvidy
.
h) are Tripurasundar, Lak
.
sm, Tr, Bhu-
vanevar, Mta ng, Dak
.
si
.
nakl, Bhairav, Chinnamast, Dhmvat and Bagalmukh, here
they are Tripurasundar, Lak
.
sm, Tr, Bhuvanevar, Mta ng and the local goddesses rad,
rik, Rj, Bh
.
d, and Jvlmukh.
Alexis Sanderson 409
it.
589
We learn nothing more about Bha
.
t
.
traka from his commentary; but per-
haps he is identical with the Kashmirian Bha
.
t
.
traka nanda whose commen-
tary on the Vijnabhairava (Vijnakaumud) was completed, according to
its concluding verses, in [Kali] 4774 (= a.o. 1672).
590
For Bha
.
t
.
traka nanda
identies himself, like our commentator, as a follower of the rvidy, and refers
to his preparation for composition in similar terms.
591
It is at least certain that the author was a Kashmirian. When explaining the
termabdarisamutthasya aktivargasya the set of aktis that arises fromthe syl-
labary in Spandakrik 3.13b he gives as an alternative the interpretation that
it refers to the eight goddesses Am, Km, Crva ng,
.
Ta nkadhari
.
n, Tr, Pr-
vat, Yak
.
si
.
n and rik. Tis places the matter beyond reasonable doubt, since
this series of goddesses is peculiarly Kashmirian. rik is one of the lineage-
goddesses (kuladev) of the Kashmirian brahmins and is venerated in the form
of a rock at the Pradyumnap
.
tha on the hill Hr
a
parbuth (rikparvata) in
Srinagar with the other seven goddesses from Am to Yak
.
si
.
n as her retinue.
592
Tui ixra aivisx oi rui Mairuiia Kauis
Te East Indian ktism seen in the Devrahasya, mentioned above in connec-
tion with Bha
.
t
.
trakasvmins commentary on the Spandakrik, is also found
in ritual manuals written by the seventeenth-century Kashmirian scholar Shib
Kaul for the worship of Tripurasundar (rvidynityapjpaddhati), Bhuvane-
var (H
.
rllekhpaddhati), and Dak
.
si
.
nakl (ympaddhati). Te Kauls, though
subsequently integrated as a distinguished division of Kashmirian brahmin so-
ciety, were Maithila Mdhyandinya Yajurvedins who had come to Kashmir
589
Te term Pac nga denotes in this context a set of ve texts: a verse Pa
.
tala outlining the
cult, a prose Paddhati that sets out the procedure and Mantras of worship in full, a verse Kavaca
invoking the goddesss protection, a verse hymn of a thousand names of the goddess (sahasran-
makam), and a poetic hymn (stotram, stavarja
.
h) to the same.
590
Vijnakaumud, p. 63, v. 3: vedasaptar
.
sivedntyayugbdamadhupak
.
satau | vijnakau-
mudm et
.
m bha
.
t
.
tnando vyaksayat.
591
Vijnakaumud, p. 63, l. 1: rvidynugrahvptaprek
.
sleas .
592
Bha
.
t
.
trakasvmin, Spandapradpik, f. 21r1618: tath cnyath: am km crva ng
.
ta nkadhari
.
n tr prvat yak
.
si
.
n rik itydirpasya ca aktivargasya bhogyat
.
m gata
.
h san .
Bha
.
t
.
trakasvmins reason for mentioning these eight is evident fromtheir names and Mantras:
each name begins with a sound that is the rst in one of the eight sound-classes (varg
.
h) that
make up that syllabary; and the Mantra of each akti contains the same sound in the form of
a seed-syllable.
410 Mlanges tantriques la mmoire dHlne Brunner
from northern Bihar during the period of Muslim rule, probably after the in-
corporation of Kashmir into the Mughal empire in 1586; and it is very likely
that it was they that brought in and sustained this new constellation of Kaula
observance.
593
Shib Kaul, though faithful to his East Indian heritage in his
Paddhatis, venerated the Kashmirian goddess rik as his lineage deity
594
and wrote a number of devotional works in which the kta aiva tradition
of his adopted homeland rooted in the non-dualistic doctrines of Utpaladeva
and Abhinavagupta is fully integrated. We see this, for example, in his Sac-
cidnandakandal, ivaaktivilsa, Sahajrcana
.
sa
.
s
.
tik, and Nijtmabodha. Tis
tradition is also accommodated in his Devnmavilsa,
595
a poetic work in full-
blown Mahkvya style that is based on the non-Kashmirian Bhavnsahasra-
nma and interprets in Cantos 6 to 15 the meaning of each of the thousand
names of the Goddess given in that text.
596
Other works in this tradition are the Gurubhaktistotra and Gurustuti of his
pupil Cidrpa Kaul, the Sadnandalsya of Sadnanda Kaul, another of his
pupils, the Bhairavaktistotra (modelled on Abhinavaguptas Bhairavastotra),
the rnthastotra and Tripurasundarstotra of Ga
.
nea Bha
.
t
.
traka, the Guru-
stotra of Jyoti
.
spraka Kaul, and, by Jyoti
.
spraka Kauls pupil Govinda Kaul
of the Dr lineage (drava
.
modbhava
.
h), a commentary (-padapradpik) on
that hymn, a Gurustutiratnaml, and a hymn to Svacchandabhairava, the
Svacchandamahevar
.
s
.
taka, the last another indication of the Kauls assimila-
tion of the local aiva tradition.
593
On the Maithila origin of the Kauls of Kashmir and their religious tradition see Saxoii-
sox 2004, pp. 361366.
594
See the 17th and nal verse of his rikstava, f. 53v12: stotra
.
m mantroddhry ada
.
h
riky
.
h shibkaulo va
.
madevy cakra Shib Kaul has composed this hymn to his lineage
goddess rik from which [the letters that make up] her Mantra may be extracted.
595
See, e.g., Devnmavilsa 2.5254, which allude to the Trika (pardidevvara) and men-
tion Netrantha/Am
.
rteabhairava (netrea). Canto 3 elaborates the Pratyabhijh
.
rdaya of
K
.
semarja; see, e.g., 3.2: mahdvaye daranarjarje prasiddhasiddhpratimaprabhva
.
h | citi
.
h
svatantrkhilasiddhisiddhi
.
h pr
.
no pi nyo jayasi svabhta
.
h (echoing Pratyabhijh
.
rdaya 1.1:
citi
.
h svatantr vivasiddhihetu
.
h).
596
Devnmavilsa 6.2: ambhu cakre yni nmni devadevy
.
h spa
.
s
.
ta
.
m prvam uddea-
prvam | shibkaulas tni bhaktyekavayo v
.
rttair artha
.
m lak
.
sayadbhir babandha.
Alexis Sanderson 411
Cuioxoioc\
To determine the chronology of the Kashmirian aiva literature in its most
creative phase we have only three precise dates, found in concluding verses at
the end of three of Abhinavaguptas works. Tese report that his Kramastotra
was completed in [40]66 (= a.o. 991), his Bhairavastotra in [40]68 (= a.o. 993),
and his varapratyabhijviv
.
rtivimarin in [40]90 (= a.o. 1015).
597
Tese dates enable us determine approximately both the dates of his pre-
decessors, where they are connected to him in a known preceptorial sequence,
and those of his successors K
.
semarja and Yogarja. If for want of any more pre-
cise means of measurement we assume preceptorial generations of twenty-ve
years and active lives of fty, and allow leeway on either side of the earliest and
latest of the three dated works to approximate the active life of Abhinavagupta
as c. 9751025, then Somnanda will have been active c. 900950, Utpaladeva
c. 925975, Lak
.
sma
.
nagupta and Rjnaka Rma c. 9501000, K
.
semarja c.
10001050, and Yogarja c. 10251075.
As for the Gurus of the Krama, Bhtirja, as Abhinavaguptas teacher, will
have been active c. 9501000. Jnanetra, then, will have been active c. 850
900, Keyravat, Madanik, and Kaly
.
nik c. 875925, Erakantha, Govin-
darja, Bhnuka, and Hrasvantha c. 900950, and Cakrabhnu (Bhtirjas
Guru) c. 925975, Cakrabhnus disciples n and Prabodhantha c. 950
1000, Nandaka and Jaiyaka c. 9751025, Sajjana and Pa nkaka, c. 10001025,
Somevara and Nga c. 10251075, and Ar
.
nasi
.
mha c. 10501100. Tis crude
calculation receives independent support from Kalha
.
nas report that Cakra-
597
Kramastotra, v. 30:
.
sa
.
t
.
sa
.
s
.
tinmake var
.
se navamym asite hani | maybhinavaguptena
mrgar
.
se stuta
.
h iva
.
h I Abhinavagupta have composed this hymn to iva on the 9th Tithi,
a dark day, in Mrgar
.
sa, in year 66.; Bhairavastotra, v. 10: vasurasapau
.
se k
.
r
.
s
.
nadaamym
abhinavagupta
.
h stavam imam akarot Abhinavagupta has composed this hymn on the 19th
of the dark fortnight of Pau
.
sa of [the year] Vasus(8)-avours(6) [68]); and varapraty-
abhijviv
.
rtivimarin, concluding v. 15: iti navatime smin vatsare ntye yug
.
me tithiai-
jaladhisthe mrgar
.
svasne | jagati vihitabodhm varapratyabhij
.
m vyav
.
r
.
nuta paripr
.
n
.
m
prerita
.
h ambhupdai
.
h Tus, on the whole varapratyabhij that has enlightened mankind,
[Abhinavagupta,] instigated by [his] venerable [teacher] ambhu[ntha], has completed [this]
commentary, at the end of Mrgar
.
sa in this 90th year in the last of the [four] Yugas [Kali]
in the [year] lunar days(15)-moon(1)-oceans (4) [= 4115]. When years are given in Kashmir
with the century omitted, as here, they pertain to the Laukika era, also called Saptar
.
si, which is
counted from 3076 n.c. We can deduce that the omitted century is the 40th (4066, 4068, and
4090) because the last date is further specied as falling in year 4115 of the Kali era, which is
counted from 3102 n.c.
412 Mlanges tantriques la mmoire dHlne Brunner
bhnu was punished while his Guru Hrasvantha was the minister of war and
peace under Yaaskara. It appears from that account that this event occurred at
the very end of the kings reign, which began in 939 and ended in 948.
Other authors of the Krama can be less narrowly dated. Te anonymous
author of the Trivandrum Mahnayapraka wrote after Abhinavagupta (. c.
9751025) and before Jayaratha in the thirteenth century.
598
rvatsa, author of
the Cidgaganacandrik wrote after Ar
.
nasi
.
mha (. c. 10501100), since he draws
on the latters Mahnayapraka,
599
and very probably before c. 1300. Tis pos-
terior limit is set by the probable date of the South Indian Mahevarnanda,
since he cites the Cidgaganacandrik in his Mahrthamajarparimala.
600
Te certain limits of Mahevarnandas activity are widely separated. He
was active after c. 1175, because ivnanda, the Guru of his Guru
601
cites
the Saiddhntika Paddhati of Somaambhu,
602
which was completed towards
the end of the eleventh century,
603
and he cannot have been active later than
about 1500, since Lak
.
smdhara (14971539) quotes verses of the Kmakal-
vilsa of Pu
.
nynandayogin,
604
who was one preceptorial generation later than
Mahevarnanda.
605
But the range can be narrowed to the decades around 1300
if the kta aiva Am
.
rtnandayogin who has given us three works on the wor-
ship of Tripurasundar, the Yoginh
.
rdayadpik, the Saubhgyasudhodaya, and
the Cidvilsastava,
606
and was a disciple of Pu
.
nynanda
607
and therefore two
598
For the succession down to Ar
.
nasi
.
mha see p. 294; for the date of Cakrabhnus punishment
see p. 283; and for Jayarathas knowledge of the Trivandrum Mahnayapraka see pp. 310 and
313.
599
See p. 299.
600
Mahrthamajarparimala, pp. 27, 51, 68, 70, etc.
601
See, e.g., Mahrthamajarparimala, pp. 111112 (yathoktam asmatparamagurubhi
.
h r-
kramavsanym: [= ivnanda, Subhagodayavsan, v. 21]); p. 127, ll. 1114 (yathoktam
asmatparamagurubhi
.
h rsubhagodaye: [= ivnanda, Subhagodaya, v. 69]).
602
He does so in his Nity
.
so
.
daikr
.
nava-
.
rjuvimari
.
n p. 225, ll. 1011. Te passage cited
= Biuxxii 19631998, pt. 2, p. 203, v. 5.
603
See p. 422.
604
Vrajavallabha Dvivioa, Nity
.
so
.
daikr
.
nava, Skt. introd., p. xviii.
605
Mahevarnandas teachers teacher, ivnanda, was a pupil of Svtmnanda
(Nity
.
so
.
daikr
.
nava-
.
rjuvimari
.
n, p. 2, ll. 12); and between Svtmnanda and Pu-
.
nynanda there were three preceptorial generations: SvtmnandaTrilocaneaDe-
veaKeaveaPu
.
nynanda (Am
.
rtnandayogin, Saubhgyasudhodaya 6.19d21c).
606
Te author calls himself Am
.
rtnandayogin in his Saubhgyasudhodaya 6.21 and is named
thus or as Am
.
rtnandanthayogin in the colophons of that work and his Yoginh
.
rdayadpik.
607
Saubhgyasudhodaya 6.21cd, in the account of his spiritual lineage: tasmt pu
.
nynando
mamm
.
rtnandayogino ntha
.
h; Yoginh
.
rdayadpik, p. 19, ll. 78: etat kmakalvilse py
Alexis Sanderson 413
generations later than Mahevarnanda, is identical with the Am
.
rtnandayogin
who wrote the Ala
.
mkrasa
.
mgraha, a treatise on poetics. Nothing in the latter
proves conclusively that this is so. But there is more than the mere agreement of
names to judge by. For the Ala
.
mkrasa
.
mgraha shows that its author was indeed
a kta aiva devotee of Tripurasundar and expresses this in terms so similar to
those found in the Tantric works of Am
.
rtnandayogin and others in his region,
time, and tradition, that this together with the identity of the names makes
single authorship very probable. Tus in its rst verse the Ala
.
mkrasa
.
mgraha
venerates the primal couple (dya
.
m mithunam), describing them as immersed
in the blissful relish of their union, a single deity whose two feet, symbolizing
their dual power, are intent on the creation of the universe.
608
Similarly, the
Cidvilsastava venerates in its opening verse the blissful fusion (smarasya-) of
iva and akti, embodying the self-manifest light of reality (praka
.
h) and its
innate power of creative ideation (vimara
.
h) as the supreme sandal (par p-
duk) of the Guru Paramaiva (paraivtmano guro
.
h), that is to say, in keeping
with South Indian kta aiva symbolism, as the hidden, unitary source of that
dyad.
609
Te equation of the object of veneration with the Guru, that is to say,
with the deity as the source of the authors Guru lineage, might be thought to
be a striking point of dierence between these two verses. But in fact the dier-
ence is merely that the equation is explicit in the second and implicit in the rst.
For the primal couple (dya
.
m mithunam) of the Ala
.
mkrasa
.
mgraha is a term
of art in this South Indian kta aiva literature for Paramaiva and his akti
in their role as the rst teacher and his consort under the names Caryntha
and Tripurasundar or Kmevar, worshipped at the centre of the central tri-
angle of the rcakra upon the central point that represents Paramaiva in his
ultimate nature, the supreme bliss in which this polarity is fused in undieren-
tiated unity.
610
As for the Ala
.
mkrasa
.
mgraha's notion that the two feet of this
asmadgurubhi
.
h prapacitam.
608
Ala
.
mkrasa
.
mgraha 1.12: jagadvaicitryajananajgarkapadadvayam | aviyogarasbhijam
dya
.
m mithunam raye.
609
Cidvilsastava 1: svaprakaivamrtir ekik tadvimaratanur ekik tayo
.
h | smarasyavapur
i
.
syate par pduk paraivtmano guro
.
h. Cf. the hidden third and fourth feet of the Guru in
Mahrthamajarparimala, p. 4, ll. 1622, and the equating of the sandal (rpduk) with the
innermost state of consciousness as the highest object of reverence ibid., p. 96, ll. 1222.
610
See Vidynandantha, Nity
.
so
.
daikr
.
nava-artharatnval, p. 3, Ma ngala verse 2: dya
.
m
mithunam rabhya svagurvanta
.
m krame
.
na tu | vande gurvaugham I venerate in due order
the Guru lineage that begins from the primal couple and ends with my own teacher. For the
identity of the this primal couple see ibid. p. 218, l. 13219, l. 11: dau prakavimarasra-
414 Mlanges tantriques la mmoire dHlne Brunner
couple are the source of all creation, that too is derived from this same textual
milieu. For in a discussion of the symbolism of the worship of the feet of the
deity as the primal Guru Mahevarnanda quotes a verse without attribution
which says that one foot is white and the other red, representing semen and
menstrual blood, the two ingredients of conception in Indian theory, and that
this whole universe is born from its two parents through these.
611
Similarly,
ivnanda quotes a verse which venerates the footstool on which the [two] feet
of iva-and-akti rest, identifying it with consciousness itself and describing it
as haloed by the radiance of the innite worlds that it spontaneously creates.
612
In its second introductory verse the Ala
.
mkrasa
.
mgraha maintains this kta
aiva context by venerating the goddess Sarasvat (rad) as the presiding deity
of [all] names and forms, that is to say, all words and the entities they denote
(nmarpdhidevatm), describing her as the blissful relish of all that emerges
from that union (tadullsaraskr
.
m) and as causing the unfolding of the lev-
els of reality (tattva-), just as moonlight opens the petals of a night-blooming
lotus.
613
Similarly, in its opening verses the Saubhgyasudhodaya venerates the
power in the formof creative verbalization or ideation (parmararpi
.
n), abso-
lute by virtue of its fusion with iva (tadaikarasyt), describing it as that which
though one assumes plurality and extension through the radiance (-ullsa-) of
its autonomy.
614
And in the opening verses of the Yoginh
.
rdayadpik we nd
the creative ideation that is the supreme power of the Guru of the universe being
nirvie
.
sabindulak
.
sa
.
na
.
h paramnandnubhava eva paramo guru
.
h. sa punar nirvie
.
sabindvtm
svecchvat prakavimaraaktiivtmantmna
.
m vibhajyo
.
dynap
.
the k
.
rte yuge kmevarak-
mevarsa
.
mjay sthita catyntharp paramaiva
.
h svbhedena sthityai svaaktyai kme-
varyai prathamam upadidea. Te same information is conveyed in ivnanda, Nity
.
so
.
daik-
r
.
nava-
.
rjuvimarin, pp. 218, l. 9219, l. 2; and Am
.
rtnandayogin, Saubhgyasudhodaya 6.1
5. Tree other such couples are worshipped in the three corners of the central triangle. Te
distinctive term mithunam for these couples is used by Am
.
rtnandayogin himself in Saubh-
gyasudhodaya 5.7b: tayor mithunam. As for Vidynandantha, he may have been a near con-
temporary of ivnanda, since his account of his lineage ends with Vsudeva, disciple of Rat-
nadeva (Nity
.
so
.
daikr
.
nava-artharatnval, p. 223, ll. 2021) and ivnanda adds himself as
Vsudeva's disciple (Nity
.
so
.
daikr
.
nava-
.
rjuvimarin, p. 224, ll. 13.).
611
Mahrthamajarparimala, p. 4, ll. 2324: yad hu
.
h: uklo nghri
.
h uklam vi
.
s
.
to rakta
.
m
rakto nghrir rita
.
h | pitror a nghridvayenedam amun jyate khilam iti.
612
ivnanda, Nity
.
so
.
daikr
.
nava-
.
rjuvimarin, pp. 10, l. 511, l. 2: abhiyuktovaco pi: svec-
chvibhvitnantajagadramivitnavat | naumi sa
.
mvinmahp
.
tha
.
m ivaaktipadrayam iti.
613
Ala
.
mkrasa
.
mgraha 1.2: *tadullsaraskr
.
m (tadullsa em. Ed. : samullsa Cod.) tattvakai-
ravakaumudm | nammi rad
.
m dev
.
m nmarpdhidevatm.
614
Saubhgyasudhodaya 1.4: seya
.
m tadaikarasyt par parmararpi
.
n akti
.
h | svasvtantryol-
lsaspandd ekpy anekadh vitat.
Alexis Sanderson 415
venerated as that which though one shines forth in the form of the multiplicity
of names and the named (nnnmrtharpi
.
n).
615
Te expresssion nmrtha-
(names and the named) in nnnmrtharpi
.
n is evidently synomous with
the nmarpa (names and forms) of the Ala
.
mkrasa
.
mgrahas formulation, as
can be seen from the use of the expression nnnmarpa- in a parallel context
in the Yoginh
.
rdayadpik.
616
What is more, when the Ala
.
mkrasa
.
mgrahas verse
describes Sarasvat as tadullsaraskr
.
m, literally having the form of the bliss-
ful relish of the radiance of that [union] it echoes the Saubhgyah
.
rdayastotra
of ivnanda, which describes the transcendental speech-essence (par vk),
Sarasvat under another name, as an embodiment of ultimate experience hav-
ing the form of the blissful relish of diversity as it descends through its lower
levels to articulate utterance.
617
Now the Ala
.
mkrasa
.
mgraha can be dated with a high degree of prob-
ability. For its author tells us that he wrote at the request of Manva/
Manma/Mannaall three forms are found in the manuscripts, son of Bha-
ktirja, during the latters rule, and we know of only one Bhaktirja, a king of
the E
.
t
.
tuva branch of the Telugu Cho
.
da family from whom we have a copper-
plate inscription dated in a.o. 1355/6. Another, issued by his son, Annadeva,
is dated in a.o. 1388. Te Ala
.
mkrasa
.
mgraha, therefore, will have been com-
posed c. 1350.
618
So if, as is probable, the same author was the kta disciple
of Pu
.
nynanda, Mahevarnanda will have been active around 1300. Te same
615
Am
.
rtnandayogin, Yoginh
.
rdayadpik, opening verse 3: vimararpi
.
n aktir asya vivagu-
ro
.
h par | parisphurati saikpi nnnmrtharpi
.
n.
616
Yoginh
.
rdayadpik, p. 90, ll. 12: para
.
m teja
.
h ivaaktismarasyarpaparmaya
.
m jyotir
icchrpa
.
m svecchg
.
rhtannnmarpaprapacamayamTe radiance that embodies the high-
est [power] that is the fusion of iva and akti (para
.
m teja
.
h), one with the multiplicity of
the many names and forms that it has adopted by virtue of its autonomous will (icchr-
pa
.
m) ; ibid., ll. 67: svecchkalpitannnmarpaprapacamaya
.
m rcakrarpe
.
na pari
.
nata
.
m
parmaya
.
m teja
.
h Te radiance that is the highest [power], which is one with the multiplicity
of the many names and forms that it has created by virtue of its autonomous will, [that it to
say,] which has evolved into the form of the rcakra .
617
ivnanda, Saubhgyah
.
rdayastotra, v. 3: smarmi t
.
m par
.
m vca
.
m payantydikramra-
ym | *nnvidharaskramahnubhavarpi
.
nm (kra var. : kr
.
m Ed.). I have rejected the
reading preferred by the editor for that which he reports from two manuscripts.Te reading
-raskra- is also seen in a Kashmirian manuscript of the hymn (Tripurasundarstotra), which
has nnvidharaskraparnubhavarpi
.
nm here.
618
For this epigraphical evidence see Kiisuxaxacuai\a and Saixa 1949, pp. xlxlii. Tey
note the diculty raised by the discrepancy between the names Manna/Manma/Manva (all
these forms are found in the manuscripts) and Anna[deva], but accepting that they may refer
to one and the same person.
416 Mlanges tantriques la mmoire dHlne Brunner
approximate date results if we apply the crude calculation of twenty-ve years
for a generation to ivnandas account of his preceptorial lineage and accept
that the Bhojadeva whom he reports as a contemporary of his spiritual fore-
bear Dpakcrya
619
was, as is very likely, the famous Bhojadeva of Dhr who
ruled c. 10181060. By this calculation ivnanda will have been active around
12251275,
620
and Mahevarnanda, as the pupil of ivnandas pupil Mah-
praka, will have been active c. 12751325.
621
If so, the Cidgaganacandrik,
since it draws on Ar
.
nasi
.
mhas Mahnayapraka and is quoted by Mahevar-
nanda, must have been composed between about 1100 and 1300.
itika
.
n
.
tha, the author of the Old Kashmiri Mahnayapraka wrote after
the disciples of Cakrabhnu, who was active c. 9501000. How soon after this
619
Nity
.
so
.
daikr
.
nava-
.
rjuvimari
.
n, p. 223, l. 3: asmadgotramahattara
.
h prasiddha*bahvapa-
dno (em. : bahvpdno Ed.) bhojadevad
.
r
.
s
.
tacamatkro mahdeikapravara
.
h rmn dpakc-
ryo da
.
n
.
dakakart Te venerable Dpakcrya, author of the [Tripurasundar]da
.
n
.
daka[stotra],
the foremost of my lineage, the best of great Gurus, whose many noble deeds are famous,
whose miracles were witnessed by Bhojadeva. Te emendation is supported by Am
.
rtnanda-
yogins Saubhgyasudhodaya, 6.16cd: nnpadnamahito dpakantha
.
h svasa
.
mtater dpa
.
h D-
pakantha, the lamp of his lineage, lauded for his many noble deeds.
620
Te lineage, as given by ivnanda in Nity
.
so
.
daikr
.
nava-
.
rjuvimari
.
n (pp. 223234),
with approximate dates based on this synchronicity with Paramra Bhojadeva, is as follows:
Dpakcrya (10251075), his son Ji
.
s
.
nudeva (10501100), Mt
.
rgupta (10751125), Tejo-
deva (11001150), Manojadeva (11251175), Kaly
.
nadeva (11501200), Ratnadeva (1175
1225), Vsudevamahmuni (12001250), and ivnanda (12251275). Te same lineage, up
to Kaly
.
nadeva, is given by Am
.
rtnandayogin (Saubhgyasudhodaya 6.16c22). Here it divides,
Am
.
rtnandayogins line reaching him not through Ratnadeva but through Paramnanda, an-
other of Kaly
.
nadevas disciples.
621
Madhusudan Kaui Suasrii claims in the introduction to his edition of the Vmakevar-
matavivara
.
na that its author, Jayaratha, acknowledges Am
.
rtnandayogin at its beginning. If
that were true, the date of the latter would have to be taken further back. But it is not. Ja-
yaratha, in that edition, acknowledging in the second of his opening verses the cryas of
the past from whom he has learned (prve guravo mama), identies them as rdpikcrya-
pramukh
.
h, which Kaui has evidently understood to mean those of whom the rst is the
crya of the Dpik and that Dpik as the Yoginh
.
rdayadpik of Am
.
rtnandayogin. But to
refer to a Guru as the crya of a text is unparallelled to my knowledge. Te published reading
is clearly an error for dpakcryapramukh
.
h those of whom the rst was Dpakcrya, as can
be seen by comparing this with the verse quoted in p. 115, ll. 2025, which speaks of number-
less commentators on the Vmakevarmata, beginning with Dpakantha ( rdpakanthato
hy aga
.
nitair adypi v
.
rtti
.
h k
.
rt). Te rst commentator is evidently the Dpakcrya, author
of the Tripurasundarda
.
n
.
daka, mentioned in ivnandas commentary (-
.
rjuvimarin, p. 223),
as the last of the line of Siddhas of this tradition, followed by Ji
.
s
.
nudeva, the author of the
Sa
.
mketapaddhati and the rst of its lineage of men. Te source of the error is the Kashmirian
pronunciation of Sanskrit, which tends to render a as e /i, as in khe m/khim for Skt. k
.
sam.
Alexis Sanderson 417
date he wrote cannot be determined from the evidence presently available, but,
as has been argued above, the archaic character of the Kashmiri of the text sug-
gests a date well before the fourteenth century, since the Kashmiri of Ll De ds
poems, composed in that period, shows a much later stage of the language,
one barely distinguishable from the modern vernacular.
622
Te same argument
applies to the Old Kashmiri Chumms and Kaths.
Concerning the date of the Chummsa
.
mketapraka of Ni
.
skriynandantha
we can say at present only that it is earlier than its citation by ivasvmin
Updhyya I in the eighteenth century.
623
Equally open are the dates of the
Vtlanthastra and its commentator Anantaakti, the itika
.
n
.
tha who com-
piled the Kaulastras and Kulastras, and the author of the Jnakriydvaya-
ataka, probably Sillana. Concerning Ramyadeva we can say only that he was
later than K
.
semarja (. c. 10001050)
624
and concerning Cakrap
.
nintha that
he lived before him. As we have seen, the rvatsa who wrote a commentary on
the Bhuvanamlinkalpa of the Jayadrathaymala, cannot be earlier than Ut-
paladeva (. c. 925975) and is likely to have lived several generations later.
625
Concerning Vivvarta, the author of the Tantrarjatantrvatrastotra I can say
only that he was active at some time after Kalla
.
ta in the second half of the ninth
century
626
and before a.o. 1583, the date of the earliest manuscript of his work
known to me.
627
varaivcrya, a nkarari, and Vivvarta, who, according to Jayaratha,
introduced the kta cult of Tripurasundar in Kashmir appear, as we have seen,
to have been active at some time after c. 1050 and before c. 1125.
628
Te dated works of Abhinavagupta also enable us to settle the dates of the
Kashmirian Saiddhntikas within relatively narrow limits. For in his Tantrloka
(8.428434b), composed at some time after the Kramastotra and before the
varapratyabhijviv
.
rtivimarin Abhinavagupta (. c. 9751025) has quoted
without attribution the summary-verses at the end of Bha
.
t
.
ta Rmaka
.
n
.
tha IIs
commentary on the 23rd chapter of the Vidypda of the Mata ngapramevara,
while the latters father Bha
.
t
.
ta Nrya
.
naka
.
n
.
tha has quoted verse 55 of the
622
See pp. 304 to 307.
623
See p. 352.
624
See p. 329.
625
See footnote 74 on p. 257.
626
See pp. 260 and 420.
627
Jayadrathaymalaprastramantrasa
.
mgraha B, f. 64r7: sa
.
m 704 mrga ukla 6 ravau.
628
See p. 386.
418 Mlanges tantriques la mmoire dHlne Brunner
varasiddhi of Utpaladeva (. c. 925975), the teacher of Abhinavaguptas
teacher Lak
.
sma
.
nagupta, in his commentary on M
.
rgendra, Vidypda 1.11.
Both father and son, then, will have been active during the second half of the
tenth century. Bha
.
t
.
ta Rmaka
.
n
.
tha IIs disciple Bha
.
t
.
ta Vidyka
.
n
.
tha II will have
been approximately contemporary with Abhinavagupta.
As for the date of Bha
.
t
.
tar Kalla
.
ta, the author of the Spandakrik and
Spandav
.
rtti, and hence that of the ivastra said to have been revealed to his
Guru Vasugupta, the only hard evidence in the Kashmirian aiva literature is
that Utpaladeva cites Pradyumnabha
.
t
.
ta,
629
whom Bha
.
t
.
ta Bhskara reports to
have been the immediate successor of Kalla
.
ta in the lineage that led to him-
self.
630
So there was at least one preceptorial generation between Utpaladeva
(. c. 925975) and Kalla
.
ta, which places the latters active life no later than c.
875925, or no later than c. 850900 if Utpaladeva is correct in saying that
Pradyumnabha
.
t
.
ta was known to his teacher Somnanda (c. 900950).
631
Tat
Kalla
.
ta was not active earlier than the middle of the ninth century follows if
we accept that this is the Bha
.
t
.
tar Kalla
.
ta mentioned by Kalha
.
na in the Rja-
tara ngi
.
n as one of a number of Siddhas who descended to earth for the benet
of mankind during the reign of Avantivarman (r. 855/6883).
632
He will, then,
have been an approximate contemporary of Jnanetrantha.
Bha
.
t
.
ta Bhskara, the author of the ivastravrtika, gives the follow-
ing lineage of the transmission of the ivastra: Vasugupta Kalla
.
ta
Pradyumnabha
.
t
.
ta Prajrjuna Mahdevabha
.
t
.
ta rka
.
n
.
thabha
.
t
.
ta
himself. If we take Kalla
.
tas active life as c. 850900 then by the same crude
calculation Bha
.
t
.
ta Bhskara will have been a contemporary of Abhinavagupta,
ourishing c. 9751025.
Evidence of the date of Rjnaka Jayaratha, the author of the commentaries
on the Tantrloka and Vmakevarmata, is found in the autobiographical verses
at the end of the former. Tere he tells us that his father
.
r ngraratha was made
629
In the ivad
.
r
.
s
.
tiv
.
rtti, p. 94, ll. 57, Utpaladeva cites a verse from a hymn to the Goddess
which Rjnaka Rma identies (Spandaviv
.
rti, p. 129, l. 17) as from the Tattvagarbhastotra.
Utpaladeva tells us in the same work, p. 16, ll. 1011, that the Tattvagarbha is the work of
Pradyumnabha
.
t
.
ta.
630
ivastravrtika 1.49b.
631
ivad
.
r
.
s
.
tiv
.
rtti, p. 16, ll. 1011, on 1.16ab (ki
.
mciducchnat saiva mahadbhi
.
h kaicid ucy-
ate): saiva ki
.
mciducchnat kathyate bha
.
t
.
tapradyumnena tattvagarbhe.
632
Rjatara ngi
.
n 5.66: anugrahya lokn
.
m bha
.
t
.
tarkalla
.
tdaya
.
h | avantivarma
.
na
.
h kle sid-
dh bhuvam avtaran.
Alexis Sanderson 419
a minister by King Rjarja.
633
No Kashmirian king appears with precisely this
name in the historical literature of Kashmir. But it is evident that Jayaratha
means Rjadeva, who according to that literature ruled Kashmir for 23 years
from [Laukika] 4289, that is to say, from a.o. 1213 to 1236,
634
the name R-
jarja being readily understood as synonymous.
635
Te author of the work on the Krama lineages to which I have given the
name *Kramava
.
mval was a contemporary of Jayaratha, since the latter refers
to him as such.
636
633
Tantrlokaviveka, vol. 12, p. 432, concluding v. 28: tay sa
.
r ngrarathbhidhno blo viv
.
r-
ddhi
.
m gamito janany | sattvkhyay khytagu
.
na
.
h krame
.
na rrjarja
.
h saciva
.
m vyadhd yam
Tis [son],
.
r ngraratha by name, of famous virtue, whom Rjarja in due course appointed
as a minister, was brought up as a child by that mother Sattv. At the end of his commen-
tary (-vimarin) on Ruyyakas Ala
.
mkrasarvasva (p. 753, ll. 1015) he reports that his father
.
r ngraratha was the principal minister (mantri
.
nm agra
.
n
.
h) of Rjarja.
634
Jonarja, Rjatara ngi
.
n, vv. 75 and 87.
635
However, according to Rasroci (1979: 210), following the suggestion of K. C. Paxoi\
(1963, p. 262), this king is not Rjadeva but Jayasi
.
mha, who ruled Kashmir from 1128 to
1155 (Kalha
.
na, Rjatara ngi
.
n 8.3404 and Jonarja, Rjatara ngi
.
n, v. 38). He rejects identica-
tion with Rjadeva with the argument (op. cit., p. 211, footnote 5) that it is dicult to believe
that this king would have patronized Jayaratha since on the testimony of Jonarja (Rj. Verse
7487) he was just a usurper and had neither talents nor energy for asserting his authority.
Tis argument would be without force even if it were the case that Jayaratha claimed Rjadevas
patronage since there is no reason why a weak ruler should not have shown favour to the son of
one of his ministers. But in fact there is no evidence of any such claim. For Rasrocis assertion
(op. cit., p. 212) that Jayaratha reports in the Tantrlokaviveka (vol. 12, p. 430, v. 30) that the
king inspired him to write this commentary is false. Te passage actually states that it was his
father that inspired him. It is only of incidental interest, then, to observe that Rjadeva was not
an usurper. In fact Rasrocis characterization of Rjadeva is not Jonarjas but conates into
a single statement two passages in the English introduction of Srikanth Kaui to his excellent
critical edition of that authors Rjatara ngi
.
n (Kaui 1967, p. 56). In the rst, from which Ras-
roci has derived the claim that Rjadeva was an usurper, the editor is in fact referring not to
him but to the
.
Dmara Padma, the murderer of his father. Te dating proposed by Rasroci is
unbelievable on other grounds. If Rasroci were right, then Jayarathas father would have been
serving as a minister not more than forty-nine years and perhaps as few as twenty-seven after
a brother of his paternal great-grandfather had done the same. For Jayaratha tells us (Tantr-
lokaviveka, vol. 12, p. 431, ll. 916) that ivaratha, a brother of his great-great-grandfather, had
served as a minister under King Uccala, who ruled Kashmir from a.o. 1101 to 1111.
636
Tantrlokaviveka, vol. 3, p. 193, l. 8, introducing a citation from this work: ata csya gu-
rukramam ajnnair adyatanai
.
h [citation] itydi yad ukta
.
m tat svotprek
.
sitam evety upek
.
syam
And so what a contemporary has said without knowing Abhinavaguptas preceptorial lineage,
namely [citation] should be rejected as his own imagining. I have assumed that the various
verses on the Kramas lineages cited by Jayaratha in his commentary on Tantrloka 4.173ab
420 Mlanges tantriques la mmoire dHlne Brunner
Manodadattas Kaldk
.
spaddhati, his detailed guide to the conduct of aiva
initiation following the Svacchanda, was completed in a.o. 1335/6.
637
But it
is not clear how much of the text that has come down to us belongs to the
original composition, since that text reports that it has been expanded by a
certain ivasvmin. Nor do we know how long after Manodadatta later he was
active. His expanded text contains a hymn that was composed by Rjnaka
Ratnaka
.
n
.
tha in the seventeenth century, but, as we have seen, the section in
which that hymn is found may well be a later addition.
638
Tere is nothing
that enables us to identify him with one of the two or more ivasvmins of the
Updhyya lineage mentioned here.
For Rjnaka Tak
.
sakavarta, the compiler of the digest Nitydisa
.
mgrahapa-
ddhati, we have a prior limit in the date of the latest of his dateable sources. Tis
is the Saiddhntika Paddhati of Somaambhu, the Kriyk
.
n
.
dakramval.
639
Te
date of the composition of that work appears in its nal verses. Tough the
manuscripts diverge at this point, all readings known to me place it in the
last quarter of the eleventh century.
640
Since I have encountered no reference
are all from a single work, since all are in the ry metre and have been cited as evidence of
the unreliability of their information. Tese verses have been cited in vol. 3, p. 193, ll. 13
16; p. 194, ll. 34; p. 195, ll. 58, ll. 1215, and ll. 1819; and p. 196, ll. 1112. A verse on
the scriptural aliation of certain Krama lineages cited outside this context, in vol. 3, p. 191,
ll. 34, is probably from the same.
637
See footnote 514 on p. 389.
638
See p. 399.
639
Nitydisa
.
mgrahapaddhati f. 28v3: nirmlyalak
.
sa
.
na
.
m
.
so
.
dh prokta
.
m rsomaambhun; see
Biuxxii 19631998, pt. 2, p. 271, v. 61.
640
In the colophonic verses in the edition of the text published in the xsrs from Kashmirian
manuscripts it is said to have been completed in year 1130 of the Vikrama era (vikramrkan
.
rpa-
klasamudbhave
.
su nygnibhi
.
h samadhike
.
su ca tacchate
.
su | ekdaasv amalastram ida
.
m
samasta
.
m [v. 1813]), that is to say, in a.o. 1073/4, if we assume that the years are counted as
expired rather than current, as is usual with dates given in this era. But in the Devako
.
t
.
tai edition,
prepared from Grantha manuscripts, and reproduced in the edition of Brunner (19631998,
pt. 4, p. 419) the same verse gives the year as Vikrama 1153 (vikramrkan
.
rpaklasamudbhave
.
su
pacat trisahite
.
su aracchate
.
su | ekdaasv amalastram ida
.
m sampta
.
m), which is a.o.
1096/7. An East Indian palm-leaf manuscript of the text prepared in the seventh year of the
reign of the Pla king Madanapla [xs A, f. 120v24: *paramevaraparama(em. : parevarapara
Cod.)bha
.
t
.
trakamahrjdhirjarmanmadanapladevasya pravardhamne vijayarjye saptame
samvatsare [] bhagavatpdapa
.
n
.
ditaaivcryakumraga
.
nena likhpito ya
.
m aivgama
.
h oma-
ambhuk
.
rta
.
h], that is to say, in a.o. 1149 in the chronology of D.C. Sircar (1976), doubt-
less conceals the same reading beneath its errors: vikramrkan
.
rpaklasamudbhave
.
su pac-
hata tri
.
suate
.
su aracchate
.
su | ekdaaca mama stram ida
.
m sampta
.
m (f. 121r3). An early
Alexis Sanderson 421
to Tak
.
sakavarta in any other work, I can propose as his posterior limit only
the year 187576, in which the undated manuscript of his digest was pur-
chased by Georg Buuiii in Kashmir. However, the great abundance of the
scriptural sources and Paddhatis on which Tak
.
sakavarta has drawn
641
suggests
that he was active not far from the beginning of this period from the twelfth
to nineteenth centuries. Concerning the authors of the lost Kashmirian Pad-
dhatis that are known from citations, we can say of Vivvartas that it pre-
dates Tak
.
sakavarta,
642
and of Dharmaivas and naivcryas that they pre-
date Abhinavagupta (. c. 9751025).
643
Te dates of the Svacchanda-based
Paddhatis cited in the Kaldk
.
spaddhati can be dated only within very wide
limits. But, as we have seen, the Gurupustaka and Dk
.
skalpalat are probably
works of the fourteenth century.
644
Among the later Kashmirian authors mentioned here Shib Kaul was born
in 1629
645
and completed his Devnmavilsa in 1666.
646
Bha
.
t
.
traka nanda,
author of a commentary on the Vijnabhairava (Vijnakaumud) and, per-
haps, on the Spandakrik (Spandapradpik), can be placed in the second half
undated Nepalese palm-leaf manuscript of the text (xs B) lacks this verse, ending after the
preceding verse with the prose rmatkar
.
naprakavyavahara
.
nya sasamasa
.
mvatsare kriyk
.
n
.
da-
kramvalpustaka
.
mpa
.
n
.
ditcryarsomaivena virahciita
.
msamptamiti (f. 74r45). Te reading
sasama is meaningless. If this is an error for daama, the meaning will be Here ends the text of
the Kriyk
.
n
.
dakramval composed by Somaiva for the use of the excellent Kar
.
napraka in
the tenth year. Te work was composed while Somaambhu was abbot of the Golaksthna in
the domain of the Kalacuri kings of Tripur in Central India, whomwe knowto have appointed
Saiddhntikas of this richly endowed monastic institution as their Rjagurus. Te year is surely
regnal and I propose that the name Kar
.
napraka is a periphrasis for Yaa
.
hkar
.
na, the Kalacuri
king who ruled from Tripur from a.o. 1073 to 1123, radiance/whiteness (praka
.
h) being the
dening characteristic of fame/success (yaa
.
h) in Indian poetic convention (see, e.g. Haravijaya
13.3: yaa
.
hprakam; 16.54: aiubhrayaa
.
hpraka-; Cambodian inscription K. 286, v. 16bc
(Coois 1952, p. 90): k
.
sitndr
.
h jt jagattrayavikr
.
nayaa
.
hprak
.
h). If this is correct we have
a third date of composition, 1082. But daama is not the only possibility. If sasama is a corrup-
tion of prathama the year will be a.o. 1073 and so agree with the version of the Kashmirian
manuscripts. Te fact that two dierent dates are given in an otherwise identical verse indicates
not corruption but conscious revision. Perhaps the text circulated in two editions, an earlier
and a later.
641
See footnote 517 on p. 389.
642
See p. 389.
643
See pp. 392 and 393.
644
See p. 398.
645
Madhusudan Kauis introduction to the xsrs edition of the Devnmavilsa, p. 2.
646
Devnmavilsa, p. 320, v. 18.
422 Mlanges tantriques la mmoire dHlne Brunner
of the seventeenth century, since the former reports that it was completed in
[Kali] 4774 (= a.o. 1672).
647
Rjnaka Bhskaraka
.
n
.
tha has been held to have been active during the
eighteenth century. But the only evidence for this date is the reported claim
of his descendants c. 1960 that he lived six generations before them.
648
He
himself tells us at the end of his Cittnubodhastra that he had been educated
by Ratnaka
.
n
.
tha, evidently a member of the same patrilineage (the Rjnakas
of the Ka
.
n
.
tha-Dhaumyyana Gotra) who had been a pupil of his grandfather
Vai
.
dryaka
.
n
.
tha.
649
He gives no further information on this scholar, but it is
not improbable that he is the author of that name and patrilineage
650
who com-
posed the ambhuk
.
rpmanoharastava preserved in the Kaldk
.
spaddhati, the
Ratnaataka (a hymn to Srya), and commentaries on the Yudhi
.
s
.
thiravijaya-
mahkvya of Vsudeva, on the Stutikusumjali of Jagaddhara, on the Hara-
vijayamahkvya of Ratnkara, and, in the eld of poetics, on the Kvyapraka
of Mamma
.
ta and the Devstotra of Yaaskara, since Bhskaraka
.
n
.
tha praises his
teacher as a master of all the branches of scholarship (samastavidynipu
.
na
.
h)
and the author of those works certainly merits that description. For in addition
to these compositions we have a good number of manuscripts copied by him
for his own use, often with his annotations, in the elds of poetics, lexicogra-
phy, grammar, drama, Kvya, Vednta, and S
.
mkhya. If it was he that taught
Bhskaraka
.
n
.
tha, then the latter was active towards the end of the seventeenth
century. For Ratnaka
.
n
.
thas works and manuscripts bear dates that extend from
1648/9 to 1685/6.
651
ivasvmin Updhyya I composed his Vijnabhairavaviv
.
rti during the
647
See p. 411.
648
Reported by K. C. Paxoi\ (1963, pp. 264265), who proposes the second half of the
eighteenth century on its basis. See also Haxxioii and Sia;i 2002, pp. 1819.
649
15.298: pitmahasya sacchi
.
syt prptavidyt tathaiva ca | samastavidynipu
.
nd ratnaka-
.
n
.
thd daynidhe
.
h.
650
Both were Rjnakas of the [Ka
.
n
.
tha-]Dhaumyyana Gotra. Bhskaraka
.
n
.
tha, Bhskar,
vol. 1, p. 2, opening verse 6: ya
.
h ka
.
n
.
thadhaumyyanatprasiddhaviuddharjnakava
.
majta
.
h |
sa bhskarkhyo dvija e
.
sa
.
tk
.
m karoti stre bhinavodite smin [I], this brahmin Bhskara, born
in the pure Rjnaka lineage famed for its being of the Ka
.
n
.
tha-Dhaumyyana [Gotra]. Rj-
naka Ratnaka
.
n
.
tha reports his Gotra as Dhaumyyana in the fourth opening verse of his Stuti-
kusumjalilaghupacik (dhaumyyanakulodbhava
.
h).
651
For a list of these compositions and manuscripts in his hand and their dates see Sriix
1979, vol. 1, pp. 4647. Te Stein collection of manuscripts from Kashmir in the Bodleian
library (Oxford) contains several of the latter not mentioned in that listing.
Alexis Sanderson 423
governorship of Sukhajvana (175362),
652
and iva[rma]svmin Updhyya
II his ivartrirahasya during the reign of Ra
.
njit Singh (18191839).
653
Tis
ivasvmin also wrote the Yajopavtaikhmlnir
.
naya,
654
and, though this
652
Vijnabhairavaviv
.
rti, p. 144, ll. 112: sukhajvanbhidhne rak
.
sati kmrama
.
n
.
dala
.
m
n
.
rpatau | agaman ni
.
he
.
satva
.
m vijnoddyotasa
.
mgraha
.
h sugama
.
h [Tis] simple Vijnoddyota-
sa
.
mgraha has been completed while King Sukhajvana is ruling the kingdom of Kashmir. Te
term Updhyya here is not a mere description but denotes his membership of the Updhyya
(Padey/Padi) kinship group (jti
.
h, Kashmiri zth). He tells us this and his Gotra in the preced-
ing verse (p. 143, ll. 718): nmn iveti gu
.
nikauikagotrajtyopdhyyaabdayutaypy upalak
.
si-
tena with the name iva, qualied by the jti
.
h of the Gu
.
nikauika Gotra called Updhyya
(pace Rasroci, who read this impossibly [1979, p. 226] as giving his name as ivagu
.
n and
his Gotra as Kauika). Te zth is indeed of the Gu
.
nikauika Gotra; see Koui 1924, p. 106,
listing it as Padi of the Svamina Gan Kaushika Gotra and the Census of 1891 (Buac Rax
1893, p. 137), less accurately, as Padey of the Sman Gan Bhshak Gotra.
653
See the nal colophon of the Jammu manuscript of this text (Sriix 1894, No. 2668
ka): k
.
rtir iya
.
m pa
.
n
.
ditaivarmasya kmrikopdhyyava
.
maprastasya ya
.
h rmahrjara
.
najit-
si
.
mhasya kmrarjyrambhe jvitavn Tis is the work of Pa
.
n
.
dita ivarma, born in the Kash-
mirian Updhyya lineage, who was alive at the beginning of the reign of Mahrja Ra
.
njit
Singh. It is likely that he is the ivasvmin Updhyya/ivarma/ivopdhyya, grandfather
of the Keavarma Updhyya in whose possession Buuiii found the codex archetypus of the
Rjatara ngin (Sriix, Rjatara ngin ed., p. xiii). According to the versied colophon at the end
of the Calcutta edition of the Rjatara nginsa
.
mgraha Moorcroft, who arrived in Kashmir in
1822 and remained until May 1823, during the reign of Ra
.
njit Singh, obtained the manuscript
on loan from the house of this scholar as a result of the intercession of the Trikevara, the pa-
triarch of the trikajty
.
h, the members of the Trika lineage (the Tikoo zth; see Giiiisox
1932, s.v. tyuk
u
): rmurkarphako mantr prptakamra*ma
.
n
.
dalo (corr. : ma
.
n
.
dale Ed.) rjye
rra
.
najitsi
.
mhabhpate
.
h priyadarana
.
h | *rmattrikevaraprem
.
n (rmattrikevara corr. Sriix :
rmantrikevara Ed.) prpt rjatara ngi
.
n | murkarphakadhre
.
na g
.
rhc chrivasvmina
.
h |
rmacchrivarmasya g
.
rhe rjval ubh | kamrama
.
n
.
dale nitya
.
m vartate nnyasadmani |
rmadvibudhendra*ivopdhyyya (corr. : ivopdhyya Ed.) namo nama
.
h | tenopdhyyena
pacasahasravar
.
s
.
n
.
m mahprabhvasahit rjval svag
.
rhe plit prayatnena rvibhor dayay
bhadram | vartate ca g
.
rhe yasya ubh rjatara ngi
.
n | sa jvanmukta eva *syd (corr. : syn Ed.)
am
.
rta
.
h svargam pnuyt. sa
.
mvat 1880. 1880, the date of composition given in this colophon,
equals a.o. 1822/3. Sriix notes (ibid.) that ivarma and his descendants to the present day
have been attached as hereditary gurus to the Trika family, which he describes as having held for
several generations past an inuential position in Kashmir. He also notes that Pa
.
n
.
dit ivarma
was commonly called ivopdhyya.
654
Tis follows fromthe fact that in both works the author uses the pen-name Nityasvatantra;
see ivartrirahasya, f. 4r, colophon: k
.
rtir nityasvatantretyaparanmna
.
h ivasyeti ivam; and
Yajopavtaikhmlnir
.
naya, . 1v2r (v. 2): cin nity yadi sarvaklavi
.
say k
.
tastharp tad |
ythtathyatay sthitpi yadi s svnandasrdr param | svasvtantryavac cito vivara
.
na
.
m ya-
trpi kutrpi cet | sarvavypitaystu nicitam ida
.
m nityasvatantre
.
na tat. In f. 2v56 of the latter
he calls himself ivopdhyya: yajastraikhmlnir
.
nayadvrato py aham | cito vimarana
.
m
424 Mlanges tantriques la mmoire dHlne Brunner
is only probable, the
.
Sa
.
tcakranir
.
naya, a work on meditation on the energy-
centres in the body,
655
not to be confused with the work of that name men-
tioned above as including and explaining some verses on this subject from
the Jayadrathaymala.
656
He may also be the ivasvmin Updhyya who
wrote the Gyatrmantravivara
.
na and rvidymantravivara
.
na alias Anubhava-
bodhavidy.
657
Tose works show their author to have been a worshipper of
Tripurasundar (rvidyopsaka
.
h) who, while following the Trika-based ivd-
vaita, sought to reconcile the kta aiva and Vaidika elements of his com-
munitys religious practice by showing that the ivdvaita is supported by the
Upani
.
sads and that both the kta Saubhgyavidy and the Vedic Gyatr share
the same aiva meaning and reality.
658
Tis reconciliation of the Vaidika and
aiva is also the purpose of the Yajopavtaikhmlnir
.
naya
.
h, which heightens
the probability that one author wrote all four works, since we know that the
kurve ivopdhyyasa
.
mjita
.
h. Te same name is given in the nal colophon (f. 19r12: iti r-
macchivopdhyyaviracito yajopavtaikhmlnir
.
naya
.
h).
655
In the colophon of his
.
Sa
.
tcakranir
.
naya the author says that he wrote at the instigation
of the son of Puru
.
sottama Osu (f. 386): ity osupuru
.
sottamaputrasya nodand akarohdi dvija
.
h
updhyyaivasvm ubha
.
m
.
sa
.
tcakranir
.
nayam; and in the last verse of the ivartrirahasya the
author records that he wrote for the pleasure of Puru
.
sottama: nityasvatantrakavin nir
.
nt i-
vaymin | lo
.
dya sarvatantr
.
ni puru
.
sottamatu
.
s
.
taye. Since the author is a aiva it is unlikely that
he would have chosen this usually Vai
.
s
.
nava name for the Deity unless it enabled him to convey
an additional meaning obliquely: hfor the pleasure of the Supreme Souli/hfor the pleasure of
Puru
.
sottamai.
656
See p. 260.
657
Gyatrmantravivara
.
na, colophon: paratattvptyai racit gyatrmantra uttame vykhy
vidu
.
s ivena ramy a
.
mkaracodanavak
.
rteneyam. sampteya
.
m gyatrmantraviv
.
rti
.
h. k
.
rti
.
h r-
ivasvmina
.
h. updhyyakulotpannaivarmaprakit | rvidytu
.
s
.
taye bhyd gyatrviv
.
rti
.
h
par | yady apya
.
m may d
.
rbdh svtmnandaviv
.
rddhaye | anyo pi kacit tad api k
.
rtak
.
rtyo nay
bhavet | strntaraikarasikai
.
h k
.
santavya
.
m vibudhai
.
h parai
.
h | svavinoda
.
m viracayann anindyo
yaj jano bhuvi; rvidymantravivara
.
na, f. 46v1115: amdre crudrdrivipinamilitave-
taga ngvaght ptasvntena kmrikavibudhaivasvmyupdhyyanmn | vykhyto mantra-
rja
.
h praka
.
tavimalasatsa
.
mpradya
.
h pary
.
h r[vidyy gabhro hariharadivase i
.
syabodhrtham
e
.
sa
.
h]. Te manuscript breaks o after r in the last sentence. Te rest of the last Pda has been
supplied from the transcript of these verses made by Rasroci (1979, p. 227, footnote 1) from
a manuscript belonging to Pa
.
n
.
dit Dnanth Yach. Tat manuscripts colophon adds that the
author was the son of one Prakopdhyya (ibid., footnote 2): iti rvidyvivara
.
nam anubhava-
bodhkhya
.
mk
.
rti
.
h prakopdhyyasvmiputraivopdhyyasvmina
.
h. Tat both works are by the
same author is certain. For in the rvidymantravivara
.
na its author refers to the Gyatrma-
ntravivara
.
na as his own (f. 11v79): etac ca yath tath matk
.
rte gyatrmantravivara
.
ne d
.
r
.
s
.
tir
vidheyety alam aprak
.
rtena.
658
rvidymantravivara
.
na, f. 26v910: iti rvidygyatryor abhedrtha
.
h.
Alexis Sanderson 425
author of the
.
Sa
.
tcakranir
.
naya wrote the last.
Te commentary of Rjnaka Lak
.
smrma (Lasa Kk Rzdn) on the
Partrik does not give the date of its composition, but his commentary on
the Gt tells us that it was completed in 1811.
659
A Biiii Hisroi\
I conclude by presenting an outline of my view of the historical trajectory of
the various religious traditions covered in this study, their interaction, and their
relative strength.
Te earliest dateable evidence of Mantramrgic aivismin Kashmir is found
in two hymns in high poetic style, one to iva and the other to the god-
dess Ca
.
n
.
d, that form two chapters of the Mahkvya Haravijaya of Rjnaka
Ratnkara. Ratnkara was a courtier of Cippa
.
ta-Jayp
.
da, who ruled Kashmir
from c. 826838, and his work was written c. 830. Te rst hymn, the iva-
stotra, shows knowledge of the literature of the Siddhnta and though it does
not name its sources it is possible to recognize within its high-own poetic
periphrases the wording of the Mata nga, the Rauravastrasa
.
mgraha, the Sv-
yambhuvastrasa
.
mgraha, and the early Saiddhntika exegetes Sadyojyotis and
B
.
rhaspati.
660
Te second hymn reveals knowledge of the technicalities of the
Trika and, perhaps, of the Trikas scripture Triirobhairava.
661
We may fairly
conclude that the presence of these materials in a work of Kashmirian literary
art indicates that these two traditions were well known by this time in the re-
ned circle of the court, or at least that they were well enough established to be
considered worthy of mention.
Tere is nothing in these hymns that reveals awareness of the cults of
Svacchandabhairava, Am
.
rtevarabhairava, or the Klkula.
662
In the case of the
659
Te closing verse: lak
.
smrma iti dvijo tra nivasan kamrabhma
.
n
.
dale meror mtur uptta-
dehajanano rjnagoplakt | rke dvigu
.
ndriparimite mse tathaivvine ukly
.
m pratipady
aj nghrinirato gtsu
.
tk
.
m vyadht.
660
On the dates of Cippa
.
ta-Jayp
.
das reign, Ratnkaras relations with him, and his Sai-
ddhntika scriptural sources see Saxoiisox 2001, pp. 56, footnote 3. I have not yet published
my evidence of his knowledge of Sadyojyotis and B
.
rhaspati (for which see Saxoiisox forth-
coming b); but that concerning the former may be found in outline, with due acknowledge-
ment, in Warsox 2006, pp. 11114. Tere is no compelling reason to think that Sadyojyotis
and B
.
rhaspati were Kashmirians.
661
See Saxoiisox 1986, p. 169, footnote 1, and 2001, pp. 1819, footnote 21.
662
My viewthat there is no reference to the Klkula is contradicted by Rasroci (1979, p. 93),
426 Mlanges tantriques la mmoire dHlne Brunner
two Bhairavas, this absence has no weight as evidence, since they may have been
passed over in silence simply because they could not be accommodated com-
fortably in either hymn, falling as they do within a domain that lies between the
aiva and the kta. But this will not explain the absence of the goddess of the
Klkula from the hymn to Ca
.
n
.
d. We may surmise, therefore, especially when
we consider the comprehensive knowledge of the varieties of contemporary re-
ligion exhibited in these hymns, that the Klkula and its Krama renement
had not yet come to the fore of the Kashmirian kta domain in the knowl-
edge of the court, whereas the Trika was already well established there. And
this hypothesis receives support from what we have been able to deduce of the
chronology of the Krama, namely that Jnanetra, whom the Kashmirian lin-
eage of that system claims as its source, ourished somewhat later, from around
the middle of the ninth century.
Te second half of that century saw the composition of the ivastra and
Spandakrik and, especially in the latter, the rst attempt fromthe kta aiva
domain to present a non-dualistic metaphysics and gnostic soteriology in op-
position to the dualistic and ritualistic exegesis of the Saiddhntika aiva scrip-
tures. Tis movement was presented in its early phase as coming not from iva
as the teaching of certain scriptures but rather as the contemporary irruption
into the world of the gnosis of enlightened Siddhas and Yogins; and we have
seen the same perspective in the propagation of the Krama, which unlike the
who claims that Klasa
.
mkar
.
sa
.
n, the goddess of the Klkula and Krama, appears in the hymn
to Ca
.
n
.
d, in 47.55, in the abbreviated form Sa
.
mkar
.
sa
.
n: prptbhisa
.
mdhiparatm anuv
.
rtti-
lagnagau
.
nasthiti
.
h sthitasittiayd abhk
.
s
.
nam | vidyeti sarvabahulkhilad
.
r
.
s
.
tisa
.
mj sa
.
mkar
.
sa
.
n
nigadit kila asane tvam. Te abbreviation is not uncommon. However, the reading sa
.
mkar
.
sa
.
n
of the edition (wrongly reported by Rasroci as sa
.
mkar
.
si
.
ni) is a corruption. Te editor records
the variant s
.
mkar
.
sa
.
n and the Bodleian librarys manuscript of the text reads s
.
mkar
.
sa
.
ne
(f. 145r24). Te last is evidently to be preferred because it provides the adjective needed by
the context to qualify the noun sane in the doctrine, which would otherwise remain un-
specied. Moreover, the adjective is entirely appropriate. Te preceding seven verses (47.48
54) have praised the Goddess manifest as various Mahyna-Buddhist principles, and the verse
that follows (47.56) praises her as the principle that for the Ekyana Vai
.
s
.
navas [of the Pa-
cartra] is the sole cause of their liberation. Now Bha
.
t
.
ta Rmaka
.
n
.
tha tells us that there were
two kinds of followers of the Pacartra: the S
.
mkar
.
sa
.
napcartras (Narevarapark
.
spraka,
pp. 8788) and the Sa
.
mhitpcartras (ibid., p. 91). Te s
.
mkar
.
sa
.
na
.
m sanam of 47.55 is
evidently the doctrine of the former and the Ekyanas of 47.56 those who follow the latter
(= *Ekyanasa
.
mhitpcartras). Te reading s
.
mkar
.
sa
.
n is derived from s
.
mkar
.
sa
.
ne as a result
of the common confusion by Kashmirian copyists of e and , which are virtually indistinguish-
able in Kashmiri pronunciation.
Alexis Sanderson 427
Trika maintained this perspective after the initial revelation, as can be seen from
the tradition concerning the Kramastotra of Eraka, the surviving works of Hras-
vantha, and the tradition of the revelation of the Chumms, the Old Kashmiri
Kaths, and the Vtlanthastra. It is not without good reason, then, that the
historian Kalha
.
na speaks of the reign of Avantivarman (c. 855/6883) as one
that was marked by the descent of Siddhas among men for the benet of the
world.
663
Tat this development had a major impact on Kashmirian society is
evident in the fact that Kalha
.
na records it. For he is generally silent about the
recent history of religion in the valley beyond noting the religious aliations
of certain kings and the temples and other religious foundations that they es-
tablished. Such gures as Bha
.
t
.
ta Rmaka
.
n
.
tha, Abhinavagupta, and K
.
semarja,
who loomso large in the learned literature of the aivas of Kashmir and beyond,
receive not even a passing mention.
Tis pivotal period was followed in the tenth century by a remarkable ef-
orescence of learned exegesis and philosophical argument in all areas of the
religion. On the kta aiva side we have the development within the Trika
of the philosophical tradition of the Pratyabhij; and the last quarter of the
century and the rst of the eleventh saw with Abhinavagupta the production
of Krama-inuenced, Pratyabhij-based exegesis of scripture in the Trika itself
and with his successor K
.
semarja the extension of this exegesis to the Tantras
of the cults of the two Bhairavas and beyond that domain to the interpretation
of texts both esoteric and devotional that unlike those Tantras were open to a
much wider audience than that of initiated specialists. Te inclusivist aspira-
tions of this tradition are also expressed in the formulation of the view that the
Vidyp
.
tha-based system of the Trika does not merely transcend the Siddhnta
and the Bhairava systems but also includes them within a higher synthesis that
validates practice on all these levels.
Tis was also the golden age of Kashmirian Saiddhntika exegesis, which
now developed a rigorously dualistic and ritualistic interpretation of the Sid-
dhntas scriptures, with an exclusivist perspective that seems designed to bar
the gates, as it were, against the intuitionist and charismatic inuences that had
come to the fore since the middle of the ninth century. Bha
.
t
.
ta Rmaka
.
n
.
tha
presents his exegesis in a fundamentalist spirit as a return to the original posi-
tion set out in an earlier time by the founding fathers of his tradition with the
purpose of rescuing it from the contamination it had suered from attempts to
663
See footnote 632 on p. 420.
428 Mlanges tantriques la mmoire dHlne Brunner
assimilate its scriptures to alien perspectives, at one extreme to that of orthodox
Brahmanism and at the other to that of the kta aivas.
Concern to counter contamination is also seen in the kta aiva camp
at this time. For K
.
semarja makes it clear that the principal purpose of his
commentaries on the Svacchanda and Netra was to reverse inroads from the
Saiddhntika perspective into the interpretation of these Tantras and the en-
actment of their prescriptions. Nor does it seem that his concern was primarily
with theological theory. He consistently imposed the non-dualistic ontology
of the Pratyabhij on these texts, as Abhinavagupta had done on the Trikas
Mlinvijayottara, but we sense greater urgency when he addresses what he saw
as unwarranted diluting of the non-dualistic practice (advaitcra
.
h) of the Svac-
chanda, practice, that is, which transcends brahmanical values of purity, pre-
senting these departures from prescribed observance as the baleful eect of the
dominance of the Siddhnta in the aivism of his community. Indeed he sees
the rise of non-dualism in Kashmir from its beginnings in the ninth century
as a mission directed against this dominance, saying in the introduction to his
commentary on the ivastra that iva appeared to Vasugupta in a dream to
direct him to the discovery of this text out of his concern that the esoteric tra-
dition, evidently that of the kta aivas, was on the verge of extinction in a
society that was then almost completely under the sway of dualism.
664
He does
not state explicitly that the dualism to which he refers is that of the Siddhnta,
but that it was is the most natural interpretation of his words, especially in the
light of the fact that he interprets the rst Stra as a refutation of the Saiddhn-
tika doctrine that God, other souls, and the material universe are irreducibly
distinct.
From K
.
semarjas statement of his purpose in writing his commentaries on
the Tantras of the two Bhairavas we can infer that the forms of aivism that
they authorize had been established in the valley for a considerable period of
time, though how long they had been present and whether or not they predate
the advent of the Siddhnta itself in the region cannot be determined from the
available evidence. We can at least say that the Netra was composed in Kashmir
at some time between about 700 and 850, probably towards the end of this
period, that the Svacchanda was used by the redactor of that text, and that its
practice, therefore, was probably already current in Kashmir at that time.
665
664
ivastravimarin, p. 2, ll. 712. For this passage and my translation see footnote 574 on
p. 406.
665
For the date and provenance of the Netra see Saxoiisox 2005b, pp. 273294. I see no
Alexis Sanderson 429
Te two facts that K
.
semarja extended kta aiva exegesis into this do-
main and that when he did so it had long been under the inuence of the more
conventional, Veda-congruent Siddhnta suggest that the cults of Svacchand-
abhairava and Am
.
rtevarabhairava were far from being fringe phenomena in
the Kashmir of his time. Moreover, the detailed ritual manuals that have come
down to us in Kashmir for the ceremonies of aiva initiation, the re-sacrice,
and the various post-mortuary rituals are all centred on these two deities. It is
tempting to conclude, therefore, that it was this form of aivism, that of the
middle ground between the Siddhnta and the kta aiva systems, that was the
mainstream tradition in Kashmir throughout the period accessible to us, and
that the Siddhnta, like the kta aivismof the Trika and Krama, had little im-
pact on the core practice of the majority but merely inuenced it for some time
on a theoretical level and provided a view of the proper relationship between
aiva practice and brahmanical norms that encouraged or justied a drift away
from the more challenging aspects of non-Saiddhntika observance that would
probably have occurred even without its inuence, simply as the consequence
of the routinization that we would expect in any tradition that achieved wide-
spread acceptance within brahmanical society. It is possible, then, that when
K
.
semarja tells us that the Siddhnta was dominant in the aiva community of
his time he is referring to its inuence rather than reporting that those following
the Saiddhntika system of worship were in the majority.
However, the very manuals whose existence shows the dominance of the
worship of the two Bhairavas in Kashmir in later times also contain evidence
that must make us hesitate to conclude that this state of aairs goes back all
the way to the golden age of aiva exegesis. For while the Tantras and their
learned commentators present the varieties of aiva practice entirely within the
boundaries of this or that system these manuals exhibit eclecticism within their
Svacchanda- and Netra-based matrix, and since they record the actual practice
of the local aiva ociants we may read this incorporation of elements from
other ritual systems as evidence that these were inuential in the valley. Now,
the Siddhnta gures very strongly in this respect. Tus, for example, in the
iva-vase (ivakalaa
.
h) set up and worshipped in the preliminaries of aiva cre-
mation according to the ivanirv
.
napaddhati the ociant worships (1) as the
principal deities Bahurpabhairava and his consort Mydevthe former, in
spite of the non-Saiddhntika ring of his name, is an iconographic variant of
reason to think that the Svacchanda too was Kashmirian.
430 Mlanges tantriques la mmoire dHlne Brunner
the Kashmirian version of the Siddhntas distinctive iva-form, the ten-armed,
ve-faced Sadiva,
666
(2) the ancillary door-deities, (3) Am
.
rteabhairava and
Am
.
rtalak
.
sm, (4) the eight Bhairavas that are the rst outer circuit of the ret-
inue of Svacchandabhairava, (5) the seven deity-circuits, to which I shall re-
turn, (6) another Mantra-form of Am
.
rteabhairava (M
.
rtyujaya), (7) the six-
syllable iva-Mantra (o
.
x xaxa
.
u sivi\a) of lay aiva worship, (8) the Mantras
of ivas eight Mrtis, (9) Durg and the Di nmt
.
rs, (10) the ve Causes from
Brahm to Sadiva as the Lords of the ve Segments (kaldhipataya
.
h), (11)
the six cosmic hierarchies (
.
sa
.
d adhvna
.
h), (12) the Vyomavypimantra, said
here to have the eect of eliminating all sins, and (13) the ve Brahmamantras,
followed by the Pacartras Lak
.
smvsudeva and a series of local goddesses
(rik, rad, Rj, Vitast, Ga ng, Jvlmukh, and Bhuvanevar).
667
Of
these the Vyomavypimantra and the ve Brahmamantras are Saiddhntika.
As for the seven deity-circuits, a standard feature in all the Kashmirian Pad-
dhatis, these are (1) the eight Vidyevaras (Ananta to ikha
.
n
.
din), (2) the eight
Ga
.
nevaras (from Nandin to Ca
.
n
.
devara), (3) the eight (or ten) Lokaplas, the
eight Mothers (Jay, Subhag, Vijay, Durbhag, Jayant, hin, Aparjit, and
Karl), the eight celestial Grahas (from Srya to Ketu), the eight Ngas (from
Ananta to Kulika), and the eight (or ten) weapons of the Lokaplas. Tis is
a standard Saiddhntika arrangement expanded by the addition of the Moth-
ers of the Vmatantras, the Grahas, and the Ngas.
668
Indeed, according to
Rjnaka Tak
.
sakavarta the scriptural authority for this arrangement is an oth-
erwise unknown 9000-verse redaction of the Saiddhntika Ni
.
hvsa known as
the Nandvarvatra.
669
In later times the Siddhnta died out in Kashmir as an independent tra-
dition. Some works of Saiddhntika learning continued to be copied down to
recent times but I have encountered no manuscript of any Kashmirian Paddhati
that sets out the procedure and Mantras of aiva ritual on Saiddhntika lines
for practical use, nor do we see any trace of Saiddhntika literary activity in the
666
See Saxoiisox 2005b, pp. 273276.
667
ivanirv
.
napaddhati, pp. 218 [188c], l. 13226 [190b], l. 3.
668
Tus in Saiddhntika scriptural sources we see, for example, the Vidyevaras, Ga
.
nevaras,
Lokaplas, and their Weapons prescribed for worship as the outer deity-circuits in the Kira
.
na
(20.712b) ), and the Vidyevaras, Ga
.
nevaras, and Lokaplas in the M
.
rgendra (Kriypda
3.2026b).
669
Nitydisa
.
mgrahapaddhati, f. 35r34: nandvarvatre ni
.
hvse navasahasrasa
.
mkhyake
saptvara
.
nrchyi ya
.
h kramo . Tese deities form the outer retinue (bahirvara
.
nam) out-
side the inner retinue (garbhvara
.
nam) consisting of the principal Mantras auxiliaries.
Alexis Sanderson 431
valley after Bha
.
t
.
ta Vidyka
.
n
.
tha (. c. 9751025). Tis has further encouraged
the tendency to minimalize the importance of the Siddhnta in the overall pic-
ture of the aivismof the valley, even to negate it altogether as in the widespread
use of the term Kashmir aivism in modern scholarship to refer to the kta
aiva elements of Kashmirian aivism that had the good fortune to survive in
some formdown to Kashmirs encounter with the modern world. However, the
demise of the Kashmirian Siddhnta cannot be explained simply by appealing
to the picture of a aivism dominated by the cults of the Bhairavas, the Trika,
and the Krama, since that dominance may be more an eect of the Siddhntas
demise than its cause; and the weight of the Saiddhntika elements within the
Paddhatis that outlived the Siddhnta should be sucient to inhibit the facile
conclusion that it had always been a marginal phenomenon in Kashmir. I con-
sider it more probable that the primary cause of its disappearance here was
the advent of Muslim rule in the fourteenth century and the consequent with-
drawal of royal patronage from the public sphere that was the Saiddhntikas
special territory, together with the widespread destruction of aiva temples and
Ma
.
thas that occurred during the darker periods of Islamic rule. How quickly
the tradition declined and disappeared is not clear, since we have so little evi-
dence of the state of religion in the valley between the fourteenth century and
the incorporation of Kashmir into the Mughal empire. But in the seventeenth
century Rjnaka Ratnaka
.
n
.
tha commenting on a reference to meditation on
iva, to his Ma
.
n
.
dala, and to initiation by the fourteenth-century Kashmirian
poet Jagaddhara in a hymn to iva takes these without hesitation to be the
visualization of Svacchandabhairava, the Ma
.
n
.
dala of the same, and the initia-
tion taught in the Svacchanda, even though nothing in the hymn indicates this
specic tradition.
670
As for the kta aiva systems, the Trika gives the impression of having
been less deeply established in Kashmir than the Klkula. Abhinavagupta tells
us that his was the rst attempt to write a Paddhati on this system. Tere are no
works of substance on the Trika by any other author and no later manuals for
practical use in ritual survive to show that it had succeeded in integrating itself
into the ordinary religious life of the community. We might cite the existence
of Jayarathas thirteenth-century commentary on the Tantrloka as evidence
that the tradition did ourish long after Abhinavaguptas passing; but the in-
ference would be inconclusive. Te intellectual brilliance of the Tantrloka, its
670
Ratnaka
.
n
.
tha on Jagaddhara, Stutikusumjali 37.11.
432 Mlanges tantriques la mmoire dHlne Brunner
relevance as a key to the aiva religion as a whole, and its undeniable inuence
on the thinking of the Kashmirian aivas concerning broader soteriological and
philosophical fundamentals might well have been sucient reasons to attract
this secondary exegesis even if the Trika in the narrow sense of a system of ritu-
als had few followers in Jayarathas day. Even Jayaratha, I have suggested, may
not have been among them. Tat it had some followers, albeit of a form of
the Trika assimilated to the Klkula, we know from the testimony of Jayaratha
himself. For he reports that there were Gurus in Kashmir who followed a sys-
tem of worship that combined the Trika of the Devyymala with the Klkula
of the Mdhavakula.
671
So here we have evidence that the Trika had survived
in Kashmir in some form down to the thirteenth century, ve centuries after
our rst evidence of it in the Haravijaya of Ratnkara.
In comparison with the Trika the Krama appears to have been much more
widely developed in Kashmir. While we have only the works of a single if fa-
mous author for the Trika, here we have a plethora of writers from the mid-
dle of the ninth century onwards, producing works in both Sanskrit and Old
Kashmiri, and exercising throughout the most creative period of Kashmirian
aivism a profound inuence not only on the Trika but also, through the works
of K
.
semarja, on the understanding of the Svacchanda, the Netra, and a broad
range of aiva texts aimed at a wider audience. Inuence in the reverse direc-
tion from the Trika to the Krama is far less evident. Indeed of all the major
works of the Krama discussed here only the anonymous Mahnayapraka has
absorbed the doctrines of Utpaladeva and Abhinavagupta to an appreciable ex-
tent. Other works, such as the Mahnayapraka of Ar
.
nasi
.
mha, the Old Kash-
miri Mahnayapraka of itika
.
n
.
tha, its commentary, and the literature on the
higher Krama of the oral instructions, to which I have drawn attention in this
study, show an autonomous tradition largely untouched by the thought and
distinctive terminology of those better known authors.
672
Te distinctness of the Krama is evident not only in the independence of its
discourse but also in the character of its position in relation to the lower aiva
traditions. For there is nothing here of the ambition that drives the works of
Abhinavagupta and K
.
semarja to embrace and subordinate the many-layered
diversity of the systems of the aiva Mantramrga within a higher unity. Te
671
See above, footnote 81 on p. 260.
672
Te persistent term Kashmir aivism or Kashmiri aivism is therefore doubly mislead-
ing. Its current use is mistaken because it excludes the Siddhnta, but it also confuses by fos-
tering the illusion that non-Saiddhntika aivism was a single doctrinally unied whole.
Alexis Sanderson 433
Krama tradition remained aloof from this inclusivist tendency, and this inde-
pendent stance is reected in its observances. For while Abhinavaguptas Trika
rejected the tradition of radical aiva asceticismwith its cremation-ground prac-
tices, making the rejection of such socially distinctive externals a fundamental
principle of its universalism, the Krama, and indeed the Klkula as a whole,
continued to maintain its distance from mundane society. For, as we have seen,
some of its Gurus were ascetics who had adopted the Kplika observance,
decking themselves with ornaments of human bone, carrying a human skull as
a begging bowl, and living in the cremation ground.
In the course of the eleventh century the kta aiva cult of Tripurasun-
dar was introduced into the valley and integrated into the exegetical tradi-
tion of the Trika. How quickly and widely it was adopted is unclear, since we
have so little evidence from the three centuries after Jayaratha. But thereafter,
as we have seen, Bha
.
t
.
traka, the author of the Spandapradpik, Bha
.
t
.
traka
nanda, the author of the Vijnakaumud, if he is not identical with the pre-
ceding, and the ivasvmin Updhyya who wrote the Gyatrmantravivara
.
na
and rvidymantravivara
.
na were all initiates engaged in this form of ritual.
Moreover, Tripurasundar is prominent among the goddesses whose worship is
included in the Svacchanda-based Paddhatis; her cult provides the framework
for the conceptualization of the cults of the local goddesses seen in the Kash-
mirian Mhtmya texts;
673
and the literature of her cult, comprising Paddhatis
and Stotras, much of it non-Kashmiran, is very well represented in the body of
surviving Kashmirian manuscripts, though this must be in part if not largely
the eect of the arrival in Kashmir of East Indian ktism with the Maithila
Kauls. It is at least probable that just as the cult of Svacchandabhairava came to
monopolize the domain of non-kta aiva ritual in Kashmir, so this tradition
of the worship of Tripurasundar (rvidy), which has enjoyed great popular-
ity throughout the subcontinent down to modern times, came to dominate the
kta, and that the Trika and Krama survived as textual resources of exeget-
ical and spiritual inspiration, in the manner of the Pratyabhij, rather than
as living traditions of ritual practice. Te demise of the Trika in this sense is
strongly indicated by the commentary on the Partrik composed by Rj-
naka Lak
.
smrma (Lasakka) around the beginning of the nineteenth century.
It is unlikely that if this ritual tradition had still been active he could have
written a work that assimilates the text to the cult of Svacchandabhairava. Cer-
673
See, for example, the rikpariccheda, which assimilates the goddess rik of
Hr
a
parbuth to Tripurasundar, and the Rjprdurbhva, which does the same for the Rj
of Tul
a
mul.
434 Mlanges tantriques la mmoire dHlne Brunner
tainly, when I studied the Kashmirian aiva literature in Kashmir from 1972
to 1977 as a pupil of the aiva Guru Swami Lakshman Joo Raina (19071991)
I encountered no sign that any practical knowledge of the ritual aspects of the
Trika or the Krama had reached the present. Even the worship of Svacchanda-
bhairava and Am
.
rtevarabhairava had died out. I was informed that the tradi-
tion of receiving aiva initiation following the Kaldk
.
spaddhati, which was
still alive when Georg Buuiii visited Kashmir a hundred years earlier,
674
had
been neglected for about fty years, and I heard the same concerning the aiva
post-mortuary rituals.
What did survive was a purely gnostic Trika which lacked ritual practice
(other than that of the common brahmanical tradition), which had subsumed
into a homogenized whole without remainder the literatures of the other non-
Saiddhntika systems. Tis, however, was not a twentieth-century develop-
ment, for, as I have argued elsewhere, we nd it already in the model of the re-
ligious life advocated by the M
.
rtitattvnusmara
.
na, an unpublished Kashmirian
treatise composed at some time after the fteenth century and before the nine-
teenth, which is likely to reect general belief in the Kashmirian brahmin com-
munity of its time.
675
It is to be hoped that further research into unpublished
Kashmirian materials of the post-classical period will clarify further the history
of this separation of gnosis from ritual, a development that can be seen as a sign
of aivisms assimilation to the dominant brahmanical model of the religious
life with its duality of doing without knowing and knowing without doing.
ABBREVIATIONS
asn Asiatic Society of Bengal, Calcutta
nuu Banaras Hindu University
nio Bodleian Library, Oxford
Cod. Te reading of the manuscript
conj. My conjectural emendation
corr. My correction
Ed. Te reading of the edition
em. My emendation
674
Buuiii 1877, pp. 2324.
675
Te signicance of this text for the early development of the purely gnostic Trika has been
considered in Saxoiisox forthcoming a, which provides an edition of the relevant passage
on the three forms of the religious life: the way of ritual (Smrta brahmanical), the way of
meditation (ku
.
n
.
dalinyoga
.
h), and, for those who have transcended rites, the way of knowledge
(the Trika).
Alexis Sanderson 435
qu. Quotation
snn-ix Staatsbibliothek zu Berlin - Preussischer Kulturbesitz
soasi School of Oriental and African Studies, London
sunc Staats- und Universittsbibliothek, Gttingen
MANUSCRIPT SOURCES
A
.
mumadgama: iii transcript 3.
Agnikryapaddhati: A = Paris, Bibliothque Nationale, xs Sanscrit 505 C; paper;
rad; B = sunc Mu. 1, 134; paper; rad.
Annaprapjpaddhati. noii 252 of 188384, Pt. 3; paper; rad. See also Cuaxoia
1984.
*Am
.
rtevaradhynavivara
.
na of Lasa Kka [Rjnaka Lak
.
smrma]. snn-ix Hs or 11664,
f. [91]v117; paper; rad script.
A
.
s
.
tik of Prabodhantha. Klikkulapacaataka (q.v.), . 96v197v4.
tmrthapjpaddhati. iii transcript 55; paper; Devangar transcript.
varapratyabhijkaumud of Bha
.
t
.
traka Sundara. Research and Publication Depart-
ment, Jammu and Kashmir Government, Srinagar, Sanskrit 1089; paper; rad script.
[Not yet accessed and read].
varapratyabhijvimarinvykhy, anonymous. Trivandrum xs 270 (varapraty-
abhijvykhyvykhy); paper; Devangar transcript.
Uttaragharmnya. = Cici
.
nmatasrasamuccaya (q.v.), . 20r824v3 (7.155245). Tis
contains the Klikkramalokadvdaik and the Klikkramapacik (referred to to-
gether as the Klikkramapaddhati [7.242]).
Uttarmnyayajakrama. xcxii i447/13; paper thysaph; Newari script; place of de-
posit: Acyuta (owner), Kathmandu.
rmikaulr
.
nava. xax 5-5207; incomplete; paper; Newari script.
Kaldk
.
spaddhati of Manodadatta, extended by ivasvmin. A = noii 157 of 188692;
paper; rad script. B = noii 1147 of 188692; paper; rad script.
Klikkulapacaataka. xax 5-358, xcxii n30/26; palm-leaf; Newari script; no date
of copying. Tis is a composite codex in a single hand, comprising the Klkula-
pacaataka, the Khacakrapacakastotra (q.v.), the Klikstotra of Jnanetra (q.v.),
the rp
.
thadvdaik of Cakrabhnu (q.v.), the A
.
s
.
tik of Prabodhantha (q.v.), the
anonymous Kramavilsastotra (q.v.), and the Mahnayapraka of Ar
.
nasi
.
mha (q.v.).
Klikkrama. = Manthnabhairava, Siddhakha
.
n
.
da (q.v.), . 179r5186v3.
436 Mlanges tantriques la mmoire dHlne Brunner
Klikkramapacik. = Cici
.
nmatasrasamuccaya (q.v.), . 21v124r3 (7.180c241).
Klikkramalokadvdaik. = Cici
.
nmatasrasamuccaya (q.v.), . 20r821v1 (7.155
180b).
Klikstotra of Jnanetra. Klikkulapacaataka, . 90v192v4. No title in the
colophon (k
.
rtir iya
.
m rjnanetrapdnm iti).
Klkulakramasadbhva. xax 1-76, xcxii a203/23; paper; Newari script; incomplete
(up to 7.2 ); probably penned in the seventeenth-century.
Klkulakramrcana of Vimalaprabodha. xax 5-5188, xcxii a148/10; paper; Newari
script; probably penned in the seventeenth-century.
Klkulapacaataka. A = Kathmandu, Kaiser Library, 524 (Klikkushe), xcxii
c49/3; palm-leaf; early East Indian script; penned in [Lak
.
sma
.
nasena] Sa
.
mvat 122
[= a year between a.o. 1230 and 1242]. B = xax 1-252 (Klkulakramrcana); pa-
per; Newari script; penned in a.o. 1644/5.
Klottara. xax 54632, xcxii B118/7; paper; Devangar. A modern Nepalese tran-
script containing an unattributed account of the aiva canon followed by various re-
censions of the Klottara.
Kira
.
na. xax 5-893, xcxii a40/23 (= Kira
.
natantra, Kira
.
ngama); palm-leaf; Licchavi
script; incomplete; penned in a.o. 924.
Kulapacik. xax 1-1076. xcxii a40/13. Palm-leaf; Nepalese Ku
.
tila script; penned
c. a.o. 11001200.
Kaulastra of Guru Bha
.
t
.
tar-itika
.
n
.
tha. noii 445 of 187576; paper; Kashmirian De-
vangar.
Kramavilsastotra, anonymous. Klikkulapacaataka (q.v.), . 98v1102v1.
Kriyk
.
n
.
dakramval of Somaambhu. A = xax 1-772, xcxii n26/1; palm-leaf; early
East Indian script; a.o. 1149. B = Cambridge, University Library, Add. 1406; palm-
leaf; Newari script.
Kriyklagu
.
nottara. xax 3-392, xcxii n25/3; palm-leaf; Nepalese Nandingar/Pla
script; penned in a.o. 1184/5.
Kriysa
.
mgrahapaddhati of Vladhrin. Kathmandu, Kaiser Library 63, xcxii c5/3;
palm-leaf; Nepalese Bhujimol script; penned in a.o. 1090/1.
Khacakrapacakastotra. A = Klikkulapacaataka (q.v.), . 72v189v4. Te xcxii
microlm lacks f. 73. For that I have used xax 5-5183, xcxii a150/6 (Klikkula-
pacaataka) (B), . 1v16v1; paper; Devangar.
Gyatrmantravivara
.
na. of ivarmasvmin/ivasvmin Updhyya. sunc Mu I 30,
. 16r[= 23a]824v[31b]12; paper; rad script.
Alexis Sanderson 437
Gurupustik. nuu c 4115; paper; rad script. [Not yet accessed and read].
Gurubhaktistotra of Cidrpa Kaul. nio Chandra Shum Shere e. 264 (Tantric Col-
lectanea), . 290v[511b]1292r[513a]4; paper; rad script; in the same hand and
format as the rvidynityapjpaddhati of a.o. [18]35/6.
Gurustuti of Cidrpa Kaul. nio Chandra Shum Shere e. 264 (Tantric Collectanea),
. 292r[513b]4297v[518b]3; paper; rad script; in the same hand and format as
the rvidynityapjpaddhati of a.o. [18]35/6.
Gurustutiratnaml of Govinda Kaul. snn-ix Hs or 11126; paper; rad script.
Gurustotra of Jyoti
.
spraka Kaul. snn-ix Hs or 12509, . [125]r[129]r; paper; rad
script.
Gurustotraprakik of Govinda Kaul. snn-ix Hs or 11126; paper; rad script.
Guhyasamayasdhanaml. nioSansk. c. 15 (i); palm-leaf; Nepalese Ku
.
tila script; prob-
ably penned in the 12th or 13th century.
Guhyasiddhi. xax 1-163 xcxii a150/39, . 1v126r8; paper; Newari script.
Cici
.
nmatasrasamuccaya. xax 1-767, xcxii n157/19; paper; Newari script; penned
in a.o. 1754.
Cittasa
.
mto
.
satri
.
mik. soasi 44390 (aiva Hymns), . 41v149r7; paper; rad script;
penned in a.o. [18]60/61.
Chummsa
.
mketapraka of Ni
.
skriynandantha. snn-ix Hs or 11387 (Tri
.
maccarc-
rahasya); paper; rad script; incomplete.
Jayadrathaymala,
.
Sa
.
tka 1. xax 5-4650, xcxii n122/7; paper; Devangar script.
penned in Vikrama 1982 froman old palm-leaf manuscript (prcnat
.
dapatrapustakt)
for the library of Rjaguru Hemarja kya (f. 214v5).
Jayadrathaymala,
.
Sa
.
tka 2. xax 5-4650, xcxii a153/2; paper; Devangar script;
penned in Vikrama 1982 froman old palm-leaf manuscript (prcnat
.
dapatrapustakt)
for the library of Rjaguru Hemarja kya (f. 132v45).
Jayadrathaymala,
.
Sa
.
tka 3. xax 5-1975, xcxii a152/9; paper; Newari script; penned
in a.o. 1686/7.
Jayadrathaymala,
.
Sa
.
tka 4. xax 1.1468, xcxii n122/4; paper; Newari script; penned
in a.o. 1626/7.
Jayadrathaymalaprastramantrasa
.
mgraha. A = . 3v364r5 of xax 1-258, xcxii
a152/8 (Jayadrathaymala); paper; Newari script; a.o. 1642/3. B = . 4r164r1 of
xax 1-1514, xcxii reel number not recorded; paper; Newari script; penned in a.o.
1584/4.
Jnakriydvayaataka, probably of Silla
.
na. A = soasi 44390 (aiva Hymns), . 1v1
438 Mlanges tantriques la mmoire dHlne Brunner
18r7; paper; rad script. Te Cittasa
.
mto
.
satri
.
mik of Nga, the last of the series of
philosophical hymns in this composite codex and written in the same hand reports
that it was penned in a.o. [18]60/61. Tis is the second manuscript in the codex. B
= snn-ix Hs or 12833, . 1[75]r11[86]v; paper; rad script.
Jnaratnval. iii transcript 231; paper; a Devangar transcript of a Grantha palm-
leaf manuscript, i. 14898.
Tattvatrayanir
.
nayaviv
.
rti of Bha
.
t
.
ta Rmaka
.
n
.
tha. Lucknow, Akhila Bharatiya Sanskrit
Parishad, 2390; paper; rad script.
Tantrarjatantrvatrastotra of crya Vivvarta. A = . 1v13v1 of xax 1-258, xcxii
a152/8 (Jayadrathaymala); paper; Newari script; penned in a.o. 1642/3. B= . 1v1
3v7 of xax 1-154, xcxii reel number not recorded; paper; Newari script; penned in
a.o. 1584.
Timirodgh
.
tana. xax 5-690, xcxii A35/3; palm-leaf; late Licchavi script; incomplete.
Tridaa
.
dmara. A = asn c 9999 (tridaa
.
dmare pratya ngirvidhnam); palm-leaf;
Newari script; penned in a.o. 1189. B = Tridaa
.
dmarhdiipratya ngirvi
.
sayakann-
tantra (q.v.), . 1v112r2. According to the colophons this consists of Pa
.
tala 81 and 82
of the Tridaa
.
dmaramahtantra, constituting the Pratya ngirkalpa (B, f. 6v34: iti r-
tridaa
.
dmaramahtantre catustri
.
matishasre rpratya ngirotpattimantroddhravidhihri
ektitama
.
h pa
.
tala
.
h; and B, f. 12r12): iti rtridaa
.
dmaramahtantre catustri
.
mati-
shasre rpratya ngirvidhihri dvyatitama
.
h pa
.
talah
.
h.i pratya ngirkalpa
.
m samptam.
Tridaa
.
dmarhdiipratya ngirvi
.
sayakanntantra. xax 3-30, xcxii n173/22; paper;
Newari script; penned in a.o. 1618/9
Tripurasundarstotra of ivnanda (= Saubhgyah
.
rdayastotra, q.v. in the general bibliog-
raphy). nio Chandra Shum Shere e. 264 (Tantric Collectanea), . [504]r4[505]v7.
Tripurasundarstotra of Ga
.
nea Bha
.
t
.
traka. nio Chandra Shum Shere e. 264 (Tantric
Collectanea), . 326v[547b]1328v[549b]5; paper; rad script; in the same hand
and format as the rvidynityapjpaddhati (a.o. [18]35/6).
Devdvyardhaatik. xax 1-242. xcxii a161.12; paper; Newari script; probably
penned in the 17th century; descendant of a manuscript in the library of Vi-
malaprabodha, Rjaguru of the Nepalese king Arimalla (r. 12001216) (post-
colophon, f. 19r5: paramaha
.
msaparivrjaka-uttarnvaycryarmadvimalaprabodha-
pdnm iti).
Devymata. xax 1-279, xcxii a41/15 (Nivskhyamahtantra ); palm-leaf; Nepalese
Licchavi script.
Dvayasa
.
mpattivrtika of Vmanadatta, son of Har
.
sadatta. A = Mlinlokavrtika (q.v.),
folio sides 552 [8r11] to 553 [8v]; paper; Kashmirian Devangar script. B = nuu
c4256, . 6r7v; paper; rad.
Alexis Sanderson 439
Nandik
.
setrvatra attributed to the dipur
.
na. nio Stein Or. c. 4; paper; rad script.
Nijtmabodha of Shib Kaul. soasi 44389; paper; rad script.
Nitykaula. xax 2-226, xcxii n26/21; palm-leaf; Newari script; right side damaged;
incomplete (6.28).
Nitydisa
.
mgrahapaddhati of Rjnaka Tak
.
sakavarta. noii 76 of 187576
(Bh
.
r ngeasa
.
mhit); paper; rad script.
Niisa
.
mcra. xax 1-1606; palm-leaf; Nepalese Ku
.
tila script; probably before 1100 a.o.
*Ni
.
skalasvacchandadhynavivara
.
na of Lasa Kka [Rjnaka Lak
.
smrma]. snn-ix Hs or
11664, . [91]r1-[91]v3; paper; rad script.
Paramrcanatri
.
mik. soasi 44390 (aiva Hymns), . 34v341r5; paper; rad
script; penned in Sa
.
mvat 36 (a.o. [18]60/61 according to the colophon at the end
of the Cittasa
.
mto
.
satri
.
mik (q.v.), which follows in the same hand in this codex.
Picumata. (Brahmaymala). xax 3-370, xcxii a42/6; palm-leaf; Newari script; penned
in a.o. 1052.
Pi ngalmata. xax 3376, xcxii a42/2; palm-leaf; Newari script; penned in a.o.
1173/4.
Pryacittasamuccaya of H
.
rdayaiva. Cambridge University Library xs Add. 2833;
palm-leaf; Newari script; penned in a.o. 1157/8.
Bahurpagarbhastotravi
.
samapadasa
.
mketa of Anantaaktipda. nuu c488; paper; rad
script.
Bodhavilsa. = Dvayasa
.
mpattivrtika (q.v.)
Bhagavadgttattvaprakik. of Lasa Kka [Rjnaka Lak
.
smrma]. sunc Mu 1 22; pa-
per; rad script.
Bhvac
.
dma
.
ni of Bha
.
t
.
ta Vidyka
.
n
.
tha. Jammu, Shri Raghunath Temple xss Library,
5291, now in the collection of the Ranbir Research Institute, Jammu; paper; Kash-
mirian Devangar.
Bhuvanamlinkalpavi
.
samapadaviv
.
rti of rvatsa. snn-ix Hs or 12231; paper; rad
script.
Bhairavaktistotra of Ga
.
nea Bha
.
t
.
traka. nio Chandra Shum Shere e. 264 (Tantric
Collectanea), . 325r[546]r1326r7[547a]; paper; rad script; in the same hand
and format as the rvidynityapjpaddhati (a.o. [18]35/6).
Manthnabhairava, Kumrkha
.
n
.
da. xax 5-4630, xcxii a171/11; paper; Newari
script.
Manthnabhairava, Siddhakha
.
n
.
da. Scans courtesy of Sam Fogg Rare Books & Manu-
scripts, London; palm-leaf; Nandingar/Pla script; probably penned in the 12th cen-
tury.
440 Mlanges tantriques la mmoire dHlne Brunner
Mayasa
.
mgraha. xax 1-1537, xcxii a31/18; palm-leaf; Newari script; incomplete.
Mahkaravrayga. xax 1-816, xcxii n27/17; palm-leaf; Nandingar/Pla script;
penned in a.o. 1266.
Mahnayapraka of Ar
.
nasi
.
mha Kulcrya. Klikkulapacaataka (q.v.), . 103v1
130r5.
Mahnayapraka of itika
.
n
.
tha in Old Kashmiri with Sanskrit commentary. xax 1-252,
xcxii n135/41; paper; Devangar.
Mlinlokavrtika. Jammu, Shri Ranbir Sanskrit Research Institute, 623 (20 ka 2). Tis
is a composite codex containing many small works in addition to the Mlinlokavr-
tika, each with its own folio numeration. See here Dvayasa
.
mpattivrtika, iv
.
s
.
taka,
.
Sa
.
tcakranir
.
naya A,
.
Sa
.
tcakranir
.
naya B, and Svabodhodayamajar.
M
.
rgendrapaddhati
.
tk of Vaktraambhu. iii transcript 1021; paper; a Devangar tran-
script of a Grantha palm-leaf manuscript, ii 4006.
Mohac
.
dottara. xax 5-1977, xcxii a182/2; paper; Devangar.
Yajopavtaikhmlnir
.
naya of ivasvmin Updhyya [II]. snn-ix Hs or 11710; pa-
per; rad script.
Yonigahvara. asn c 1000; palm-leaf; Newari script.
*Rjnakava
.
mapraa
.
ms. A = nio Stein Or. e. 17; 19th century paper; text written
on the rectos only; Devangar script; marginal annotations in pencil by M.A. Stein;
Notes on nandas Praasti handwritten by the same on . 13a14b; on f. 1 in
his hand: Extracts from nanda Rjnakas commentary on Naishadyacharita and
itika
.
n
.
tha Rjnakas Kikv
.
rttinysa
.
tk. Copied from a paper (6" x 3") of Pandit
Sun
a
kka Rzdn, Habba Kadal, rnagar" (signed M.A. Stein, Nishat Bagh, Septem-
ber 1920, 1894); copied by Rjnaka Lak
.
sma
.
na in 1845. Te second extract is in
fact from itika
.
n
.
thas Blabodhinnysa (Ktantrav
.
rttinysa
.
tk). B = nio Stein Or. d.
62; copy of the same exemplar prepared by Pa
.
n
.
dit Govind Kaul; paper; rad script.
Rjprdurbhva. nio Stein Or. d. 81; paper; rad script.
Varu
.
napaddhativ
.
rtti of Bha
.
t
.
ta ivottama. iii transcript 143; paper; a Devangar tran-
script of a Grantha palm-leaf manuscript, Government Oriental Manuscripts Library,
Madras, R 14871.
*Vi
.
s
.
nustuti of Vmanadatta, son of Devadatta, comprising six complete Prakara
.
nas
(Sa
.
mvitpraka, tmasaptati, Vikalpaviplava, Vidyviveka, Var
.
navicra, and
Paramrthapraka), and the beginning of a seventh. nuu C4003; paper; Kashmirian
Devangar script.
rikpariccheda. nio Stein Or. e. 2 (viii); paper; rad script.
rikstava of Shib Kaul. nio Chandra Shum Shere, e. 264, . 308r[529a]5
Alexis Sanderson 441
310v[531]v5; paper; rad script; in the same hand as the rvidynityapjpaddhati
(a.o. [18]35/6).
ivagopradnavidhi. nio Stein Or. f. 12, . 1v126v11. On outer cover: gopradnavi-
dhi
.
h aivnm. Colophons: iti nandiivadharmasa
.
mhity
.
m gopradnavidhi
.
h (f. 25r4
5); iti ivagopradnam (f. 26v910). penned in a.o. [18]86, probably 1886).
ivartripjpaddhati. SBB-PK, Hs or 11279. Birch-bark; rad; disordered folios,
each incomplete through damage; no folio numbers. Abbreviared title in margin of
folio sides 6, 51, 59: ivarp.
ivartrirahasya. nio Stein Or. e. 24, . 1r14r25; paper; rad script.
ivaaktivilsa of Shib Kaul. sunc Codex Vish 5 (parts numbered 520), part 5; paper;
rad script.
iv
.
s
.
taka of Yogarja. Mlinlokavrtika (q.v.), folio sides 241 [9r16] to 242 [9v12];
paper; Kashmirian Devangar.
i
.
syasa
.
mskrapaddhati. Paris, Bibliothque Nationale, Sanscrit 505 C; paper; rad
script; acquired in 1898.
ympaddhati of Shib Kaul. (1) Photocopy courtesy of Sam Fogg Rare Books &
Manuscripts, London; paper; Devangar script; probably from Jaipur. (2) snn-ix Hs
or 12439; paper; Devangar script.
rnthastotra of Ga
.
nea Bha
.
t
.
traka. nio Chandra Shum Shere e. 264 (Tantric Col-
lectanea), . 288v[509b]1290r[511a]7; paper; rad script; same hand and format
as rvidynityapjpaddhati (a.o. [18]35/6).
rp
.
thadvdaik of Cakrabhnu. xax 5-358, xcxii n30/26 (Klikkulapacaataka),
. 93v195r4; palm-leaf; Newari script.
rvidynityapjpaddhati of Shib Kaul. nio Chandra Shum Shere e. 264 (Tantric
Collectanea), . 1v[226b]1156v[378b]5; paper; rad script; a.o. [18]35/6.
rvidymantravivara
.
na of ivasvmin Updhyya [II]. snn-ix Hs or 11663; paper;
rad script.
.
Sa
.
tcakranir
.
naya (A), anonymous. Mlinlokavrtika (q.v.), folio sides 538 [2r], l. 1 to
543 [4v], l. 18; paper; Kashmirian Devangar. Follows the Mlinlokavrtika and is
followed by the Ta
.
n
.
dulastavarja.
.
Sa
.
tcakranir
.
naya (B) of ivasvmin Updhyya [II]. Mlinlokavrtika (q.v.), folio sides
378[1r]1 to 386[5r12]; paper; Kashmirian Devangar.
Sa
.
mvitpraka of Vmanadatta. See *Vi
.
s
.
nustuti.
Saccidnandakandal of Shib Kaul. nio Stein Or. e. 26 (ii), . 32r[18a]544v4; paper;
rad.
442 Mlanges tantriques la mmoire dHlne Brunner
Sadnandalsya of Sadnanda Kaul. snn-ix Hs or 12509, . [121]v[125]r.
Sahajrcana
.
sa
.
s
.
tik of Shib Kaul. nio Stein Or. e. 26 (ii), . 22r[8a]132r[18a]5; paper;
rad; followed by Saccidnandakandal (q.v.).
Somaambhupaddhativykhy of Trilocanaivcrya. iii transcript 170; paper; a De-
vangar transcript of a Grantha palm-leaf manuscript belonging to Kailsaba
.
t
.
tar of
Tirunelvely.
Spandapradpik of Bha
.
t
.
trakasvmin. noii 513 of 187576 (Spandapradpa ); paper;
rad script.
Svacchandamahevar
.
s
.
taka. snn-ix Hs or 12509. [5v]-[15]r; paper; rad script.
Svabodhasiddhi of Bha
.
t
.
tar Bhti. snn-ix Hs or 11415, . 57v60r; paper; rad
script.
Svabodhodayamajar of Vmanadatta, son of Har
.
sadatta. A = Mlinlokavrtika (q.v.),
folio sides 549 [6v7] to 552, [8r11]; paper; Kashmirian Devangar script. B = nuu
C4255, . 1v5v; paper; ard script .
Svtmopalabdhiataka of Sillana. snn-ix Hs or 12833, . 87[1]r98[12]r; paper; rad
script.
Haravijaya of Ratnkara. nio Stein Or. d. 52; paper; rad script.
H
.
rllekhpaddhati of Shib Kaul. nio Chandra Shum Shere g. 27; paper; rad script;
penned in a.o. [18]55.
General Bibliography
Anniiviarioxs
BORI Bhandarkar Oriental Research Institute
CNRS Centre National pour la Recherche Scientique
EFEO Ecole franaise dExtrme-Orient
IFI Institut franais dindologie
IFP Institut franais de Pondichry
KSTS Kashmir Series of Texts and Studies
NAK National Archives of Kathmandu
NGMPP Nepal-German Manuscript Preservation Project
PDI Publications du dpartement dindologie
PIFI Publications de lInstitut franais dIndologie
Eoirioxs
acxiiuii
.
xa
(AP
1
) dvaipyanamunipra
.
ntam agnipur
.
nam nandramasthapa
.
n
.
ditai
.
h sa
.
modhi-
tam. nandramasa
.
msk
.
rtagranthvali
.
h 41. Poona: nandramamudra
.
n-
laya, 1900.
(AP
2
) Agnipur
.
na of Mahar
.
si Vedavysa, ed. Baladeva Updhyya. Kashi Sanskrit Se-
ries 174. Varanasi: Te Chowkhamba Sanskrit Series Oce, 1966.
(AP
3
) Te Agnimahpur
.
nam, ed. K
.
semarja rk
.
r
.
s
.
nadsa. Delhi: Nag Publishers,
1985 (reprint).
a;iricaxa
(A) Ajitgama, ed. N. R. Bhatt. 3 Vols. PIFI 24.13. Pondicherry: IFI, 1964, 1967,
1991.
aruaivavioaiaiisi
.
s
.
ra
Te Parii
.
s
.
tas of the Atharvaveda, ed. George Melville Bolling & Julius von
Negerlein. Vol. 1, parts 1 and 2. Leipzig, 1909, 1910.
axurraii
.
s
.
rixi
Ed. K. C. Pandey in: Paxoi\ 1963, pp. 94344.
552 Mlanges tantriques la mmoire dHlne Brunner
axunuavaxivioaxasroria
Ed. K. C. Pandey in: Paxoi\ 1963, p. 953.
aia
.
xxiiasa
.
xciaua of Am
.
rtnandayogin
Ala nkra sa ngraha of Am
.
rtnanda Yogin, re-edited with critical introduction and
appendices, ed. K. Bhaskara Rao, Tirupati: Tirumala Tirupati Devasthanams,
1984.
See also Kiisuxaxacuai\a & Saixa 1949.
aia
.
xxiiasaivasva of Rjanaka Ruyyaka and Ma nkha with the commentary (-vimarin) of
Rjnaka Jayaratha
Alakra sarvasva of r Rjnaka Ruyyaka & Ma nkha With the Vimarin of
Jayarath And with the translation and explanation of both in Hind, ed. Rew Pra-
sda Dwived. Te Kashi Sanskrit Series 206. Varanasi: Chaukhamba Sanskrit
Series Oce, 1971.
aia
.
xxiiasaivasvasax;ivax of Vidycakravartin
(ASS) Ala
.
mkra-Sarvasva of Ruyyaka with Sajivan Commentary of Vidycakravartin.
Text and Study, ed. S. S. Janaki, Delhi: Meharchand Lachmandas, 1965.
a
.
s
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