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The document outlines various chord progressions commonly found in popular music genres such as rock, pop, blues, and doo-wop. It describes major tonality progressions including the I-IV-V three chord trick, minor tonality progressions like the i-iv-v minor three chord trick, and modal interchange progressions employing chords like bIII, bVII, and iv outside the primary key. Secondary dominant chords such as II7, III7, and VI7 are also discussed in the context of their typical chord progressions.
The document outlines various chord progressions commonly found in popular music genres such as rock, pop, blues, and doo-wop. It describes major tonality progressions including the I-IV-V three chord trick, minor tonality progressions like the i-iv-v minor three chord trick, and modal interchange progressions employing chords like bIII, bVII, and iv outside the primary key. Secondary dominant chords such as II7, III7, and VI7 are also discussed in the context of their typical chord progressions.
The document outlines various chord progressions commonly found in popular music genres such as rock, pop, blues, and doo-wop. It describes major tonality progressions including the I-IV-V three chord trick, minor tonality progressions like the i-iv-v minor three chord trick, and modal interchange progressions employing chords like bIII, bVII, and iv outside the primary key. Secondary dominant chords such as II7, III7, and VI7 are also discussed in the context of their typical chord progressions.
(Twist and Shout, Money, Rock and Roll Music) I-IV-V-IV-I (Wild Thing, Cmon Everybody) V-IV-I (Blues) (I saw her standing there) I7-IV7-V7 (Blues) I7-IV7-bVII7-I7 (When I get home -verse-) IV-I Plagal IV-iv-I Minor Plagal (In my life, Till there was you) bVII-IV-I Rocky Sound IV/V (Maj triad with 9 th in the bass) (The Long and winding road G/A (Slash Chord) V-I Tension-Resolution 3-2-1 (All you need is love) 5-4-3-2-1 (Youve got to hide your love away) 8-7-6-5-4-3-2-1 (o lneas que llegan a la 3 o 5 del I) Vsus4 (4-3)(For no one) Vaug (Its only love) V(extensions) Dominant 9 th chord (If I fell) Mayor 6 th (What youre doing) # 9 th (You cant do that) / b 9 th (I me mine) V7 #5 y #9 (Drive my car) Minor Chords vi I-vi-I-vi Relative Minor Vamp (Baby its you, Anna (Go to him), From me to you) I-vi-IV-V Four Chord Trick (Lets twist again, All I have to do is dream, Stand by me, Earth angel, Donna, Please Mr. Postman, Unchained melody, Ill get you) iii I-iii-IV-V Four Chord Trick I-iii-ii-V(Do you want to know a secret) I-iii-vi-V / I-vi-iii I-vi-iii-ii7-V7(Across the universe) iii-IV(Nowhere man bridge-) iii-vi (A hard days night - B-) iii-vi-ii-V-I (Cant buy me love chorus-) ii I-vi-ii-V Doo Wop Cycle (Come go with me, This Boy, I will) ii-V-I-vi Displaced Cycle (All my loving) I-ii (Dont let me down) I-ii-iii-IV (Here, there and everywhere) I-ii-iii-IV-V(Getting Better) V-IV-iii-ii-vi (The honeymoon song) ii-V-I ii-V vii I-vii7-III7-vi (Yesterday) M I N O R T O N A L I T Y i-iv-v Minor Three Chord Trick (Black Magic Woman, Money (Pink Floyd),Things we said today) i -iv-V7 V7-i ii7b5-V7-i bVII7-i Aeolian Cadence (es un V-vi) i-iv-bVII7-bIII-bVI-ii7b5-V7-i (You never give me your money) i -bIII (espejo del I-vi) i-bIII-bVI-V7-i (Michelle bridge-) bVI7-V7-i (Bsame mucho final cadence, I want you) bVI-bVII-i (The continuing story of Bungalow Bill verse) i-bVII-bVI-V7 Aeolian Rock Descent (Runaway) I N T E R C A M B I O M O D A L bIII I-bIII-IV-I Rock Pattern (Sgt. Peppers- chorus-) I-bIII-IV (Magical mistery tour-chorus-) I-bIII-IV-V Rock Run (Please please me-verse final-, I am the walrus-chorus) I-IV-bIII-IV (Back in the USSR verse-) I-IV-bIII-bVI (Smells like teen spirit) iv IV-iv-I Minor Plagal I-ii-iv-I (Nowhere man-verse final-) I7-ii-iv-I (Ill follow the sun) v v-I Dom. Modal I-v (Strawberry fields forever chorus-) I-Imaj7/7-v/3-VI7 (Sun king chorus-) bVI I-bVI (It wont be long verse-) bVI-I (Plagal) IV-bVI-I bVI7 bVI7-V7 (6 aug)/(Aint she sweet verse-) I-bVI7-VI7 (Honey Pie verse-) bVII bVII-I Major Rock Cadence IV-bVII-I (Help, We can work it out final verse-) IV-bVI-bVII-I Aeolian Rock Pattern bVI-bVII-I (P.S. I love you, Lady Madonna final verse-) bVII-IV-I Double Plagal (Hey Jude final) bIII-bVII-IV-I Triple Plagal bVI-bIII-bVII-IV-I I-bVII-IV-V Four chord trick (The night before -verse-) I-bVII-bIII ( + representative Pop & Rock) I-bVII-bIII-IV (The word verse-) bVII-V7 (All my loving final verse-) I-bVII-bVI-V ii-bVII-V-I (mov. cromtico voces) (Help chorus-) I-bVII/I (Tomorrow never knows, If I needed someone) D O M I N A N T ES S E C U N D A R I OS I7 (V/IV) II7 (V/V) VI7 (V/ii) III7 (V/vi) VII7 (V/iii) II7-V Cad. Imperfecta I-VI7-II7-V7 Doo Wop with Dom. I-VI7-II7-V7-I (Good day sunshine-verse-, I call your name verse-) I7-IV-III7-vi (This boy bridge-) I-VI7-ii-V7 (Hello little girl intro-) I-III7-vi I-III7-VI7-II7-V7-I (Aint she sweet- refrain-) I-VII7-III7-VI7-II7-V7-I (Mr.Sandman) vi7-II7-V7-I-I/7-vi7 (Rocky Racoon) :vi-IV-VI7-ii-V7-I-I/7-VI7-II7-V7-I-III7: (Youre mother should know verse-) I-VII7-iii (Sexy Sadie verse-) VII7-iii-VI7-ii-V7-I (Moon river) Non functioning sec.Dom I-II7-IV-I ( 5 - b5 -4 -3 )Leading voice) //(Eight days a week verse-) vi-II7-IV-I (Shes leaving home, Yesterday final-) III7-IV // I-III-IV-I (Yes it is -final-) I-III-ii-V7 (youre going to lose that girl verse-) I-VI7 // IV-VII7-I (P.S I love you -verse-) bVII-I-VI // I-VII7-IV-V7-I (Im so tired) T R I T O N E S U B S T I T U T I ON bII7/I (Db7- C) II7-bII- i Phrygian Cadence (Things we said today) IV-bIII-bII- I Phrygian Rock Run I-ii7-iii7-IV-II7-bII7(#9)-I (Sexy Sadie) bII/ii :(bIII) I-iii-bIII-ii-V7-I (Here, there and everywhere intro) IV-III-bIII-II7 (Back in the USSR) bII/V: (bVI) I-vi7-ii7-V7-vi-bVI7-V7sus4 -I (Tell me why) D I M I N I S H E D (Seventh) -As a passing chord -As a Dom. Substitute I-vidim-ii7-V (Subst. for vi) (Sheik of Araby verse-) #IVdim V IV- #IVdim-V (Old brown shoe bridge) #IVdim -I (P.S I love you) I-IV- #IVdim-I (Blues Run) Dim (subst. de V7b9) (desde b9 construir un dim) Aug Chords vi - bviaug (vimaj7) - I From me to you, Dont ever change) I -Vaug- i7- i6- i7 (Introduce el m. menor) (Fixing a hole) Aug. ascent: (Sobre acordes M y m) i - iaug- i6- iaug (5 - #5 6 - #5) (J.Bond theme, Savoy Trufle chorus-, Just like (starting over), Hey Bulldog sobre el i y iv) i7- i6- iaug - i (b7 6 - #5 5) (Eleanor Rigby) M O D U L A T I O N Relative minor Bridge or Chorus M. Mayor: bVII//(vi) i (etc.) (We can work it out, Day triper, When Im sixtyfour) M. Mayor: III7//(vi) i M. Mayor: IV-III7//(vi) i Relative Mayor Bridge or Chorus M. menor: bVI // I (etc.) (Im only sleeping) M. menor: bVII // I (etc.) Paralel Major-minor Switches Verse: I // i Bridge Verse: i // I Bridge (The fool on the hill, Michelle, Fixing a hole, I me mine, Penny Lane)
bridge: i-bVII-bVI-V-//I (verse) (Ill be back) bridge: i-IV-i-ii-V// I (verse) (Norwegian wood) I-i (Night and day verse-) To IV I//ii-V-I-vi (Key of IV) (From me to you -bridge-) Secuence: I-vi-IV-V-I //(IV) I - vi-IV-V(key of IV) //(I)IV-V7-I (Octupus garden - solo-) To V V(V) //V (I) To VI (The countinuing story of Bungallow Bill) V7(bVII) // VI (I) (Something bridge-) To II I // (ii) i -V7 (For no one) I // (v) iv-V7- i (If I needed someone) VI7 (V7) // I-IV (Doctor Robert) To III (Teddy Boy) V/III //(III) I, To bVII V7-IV (V)//bVII (I) (Penny Lane- chorus-) A travs del IV q es la Dom (V) de la tonalidad de bVII. Para volver a la tonalidad original se puede usar el V siendo el IV de la original. I7-IV-iv-I-V (IV)// I (original key) (Magical Mistery tou) To bIII Direct modulation: IV-I // (bIII) I-ii-vi7-vii(ii) // V7-I (Two of us bridge) -exit conector: III7 (V7)// I (original key) -Pivot: iv7 (ii7)- bVII7(V)- bIII (I)-vi (Lady Madonna, Free as a bird) - Conector: bVII7 (V7) // bIII (I) (Here, there and everywhere) To bVI V // bVI (I) (Come and get it) iii-bIII7 (V7) // bVI (I) (Smoke gets in your eyes- bridge) To bII (up a shift same harmonic pattern) (And I love her) ii-bII-I-vi7-ii-bII (I) // ii7-V7-I (If I fell) D E S C E N D I N G B A S S
Diatonic Major Descent I(8-7-6-5) -Con inversiones: I(8)- iii(7)/ vi(6)- I(5)/IV(4)- vi(3)/ ii(2)(1)//(A whiter shade of Pale) -Mismo acorde: I(8)(7)/(6)(5)/ ii7(2)V7(5)//(Her Majesty, For no one) -Misma estructura sobre el IV: IV (4-3-2-1) (Hey Jude bridge-)
Diatonic Minor Descent i(8-b7-b6-5) Con inversiones: i(8)-bVII(b7)-bVI (6b)-V(5)(Runaway) -Mismo acorde: i(8-b7-b6-5)(We can work it out)
Dorian/Aeolian Descent i(8-b7-6-b6) i(8)-i7(b7)-IV(6)-bVImaj 7(b6)(While my guitar gently weeps)
Chromatic Descent in minor (8-7-b7-6) i(8)-imaj7(7)-i7(b7)- i6(6)-IV(b6)(Michelle, A taste of honey, Stairway to heaven) i(8)-Vaug(7)-bVII(b7)-ii(6)-V(5)(For the benefit of Mr. Kite) (8-7-b7-6) Se puede aplicar en el ii, iii y vi del M.Mayor.
The Rock Descent (8-b7-6-b6 in Major) I(8)-I(b7)-IV(6)-I(b6)-I(5)(Lucy in the sky with diamonds verse-) I(8)-(b7)-(6)-(b6)(Dear Prudence)
Chromatic Descent in Major (8-7-b7-6) E(8)-D#aug(7)- D6(b7)- C#7(6)(It wont be long bridge-)
7 I(8)- Imaj7(7) (For no one, Her Majesty) I(8)- V(7) (All you need is love) I(8)- V(7) (Real Love -verse) 6 (7)- vi(6) (7)- vi7(6) (7)- IV(6) 5 (6)- I(5) (6)- vi(5) (6)- iii(5)