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. * .
OPERATIC ANTHOLOGY
i
SERIES FIVE
GOYESCAS. s. (1916)
E. Grannda
La Mala y el Rulsesor. The Msja and the
Nlghtbgale. Tenor. .................... .50
HERMES. 1. (1906)
Invoe~zlonea Venere. Invocation toVenus.
High. .............. .
............s ,. .60
B. Smetann
HUBICKA. g. (1876)
Bohemian Cmdle-Song. Vendnlka's CradleSong. Hlgh or Medium.. .............. 3
...
PAGtlADC1. (Cod'@
R. h n c a m l l o
- ) R o t a u s : 91 pub?
Baritone @nglirh lcxl
A. & St rolal, B d f o ~ e[Engl~llrhlcrl by
c~pprarmffl~.~.
Serenade: 0 Columbina. Tenor. ..........
9.
-.
..............
...
.
.
.
. .
.
.
.
.
.
PREQOSA. g. L (1821)
C. M. v. Weber
Elnuam bin ich, &ht.nneine.
M~ZZO-SOprmno .................................. .30
PRINCE IGOR. f (1889)
A. Borodlne
Lentement baissa le four. Slowly the daylight departs. High. ................... -75
p$yc~Lf. (1857)
A. Thomas
0 tol, qu'on dit plus belle. Soprano. ..... .35
-AMISTO.
1. (1720)
G. F. Aandel
Arla dl Poliasena. Invocation. Soprano,
Me-Soprano
.........................
REGINELLA. I. (1871)
G. Brng
Belle del tuo arrrbo. Recltarivo nod Roman=. Baritone.. ....................
.SO
LA REINE DE SAM. (1862)
Ch. Gounod
She alone chacmeth my ~ d n e a s . Baritone,
am
R O B ~ ' LE
T DIABLE.
"Va,
VP,
#by BLAS. I.
...........
(1869)
-60
All numben are published with English, In addition t o t h e original text. 1. g. f. 8. atnnd for itallan, G e r m ,
French, or Spanish text. The numersh In brackets indicate the year when the opern was firat performed.
( P c l e r w s w b trr U. 8. A.1
SCHIRMER, Inc.
N E W YORK
.:
Pagliacci
I
!
..
Largamente
(advancine)
Si
gno
La
T.
re! ...
dies
Si
and
ri!...
Gen - tle men!
gno
Scn
And
the
to fore
san
us
<I
YOU;
e j ~
he
vo - i
bids me
di nuo - v a n
once more ad
cot canto
met-te I'aumask be
cyms.s. - - h e
,
in par -tgei vuol ri
so part -ly to re
r
- re;
- ze,
- age,
au
&
-1
thorbring
le
the
veo
an
- chit,- tique
via - mi.
dress you!
II
R
Un po'meno presto che nell' Introdn?cJ.= so)
T.
But not to
,>Le la - cri
The tears we
(1
I,
r'
non
a1
tJ
lar
I I \
I
r1
tell
you, as of
me
che noi ver
shall shed 'for vou
,I
ma - te
vi!<<
siam
here
I
I
old,
son
are
fa1 - se!
false ones!
I
I
4-
pin - ger - vi
draw you a
Rssn. d
-d-
u
bit
no
of
squar-cio
life true
sol ohe
ar - tist
l'ar - ti - sta,Bjn
is
first
a
scri - ve - rcei
iUS:t8
de
di
vi
na
to
,fen.
L g i ~ per
a
mas- ki - ma
'Tis his cou -.vie - tion, the
-.
,
I
in - ve - ce
ra - ther to
uom
man,
ve.
ta.
ture!
zi
bing
il
and
tern - po
sigh - ing
1
beat
bat the
- va
- te time - for
no!
him.
So then,
you'll
see
love
show11-
ma - no gli.&seri,u
- ma -ings do love
each oth-
dre - te,
reach you,
-A;
be
you'll
-eq
Del do - lor
1
spa - si -mi,
wit - nesswoe's sharp a - go-ny!,
e
ri - s a
and
scorn-ful
.
. .
hu - man
Cor a n ~ l . --
s'a
bc-
as
ci laugh -
. d m -te de lb - dio i
see,'too, of hat - red the
li di rab - bi%u
Howl-ings of rage will
ur
-ni
che!
- ter!
..>
.
. I
..,
*
"
I.
batu I
let
10838
our hearts
spea
'ni,
-tors,
no ra - ther
. le
poi -
- chi siam uo
d'os blood.
st'or
selves.
fa
we
/Q/
- sa,
ni
di
e
and,
too.
mon a r e breath -
no
- mi -
do
in^
a1 pa the air
car -
che di
like you
'
que
your
>
-.
di uoi spi - r i a - mo
of this world for- lorn and
- ri
l'ae - re!
lone - ly!
- ne
,.
-,a
.'
.
.,t
..
'.
, [I
'
'
:;.d
:'
-'; $I
,,.
ta
plot
t&
UII
co
An - diam.
Come on!
In
Let
co - nlin
us be
cia gin, A
OPERATIC ANTHOLOGY
SERIES THREE
ORFEO. I. (1762)
C. W. v. Oluck
. ,:.
Che farb senzs Eurldice. Mezzo-Sopran?.
Alto .................................... -75
ORFEO. I. (1607)
C. Monleverde
Tu sewmorta.
Memo-Soprano or Baritone .30
G. Verdl
SAPPHO. f. (1851)
Ch. Gounod
0 m a lyre lmmortelle. Lioprano
.?5
LA SEMIRAMIDE. I. (1748)
C. W. V. Cluck
Vieni che pol sereno. Soprano.. ........... .25
........:...
SEMIRAMIDE. i. (1823)
Be1 raggio luninghier. Soprano.
SIMON BOCCANEGRA. i. (1857)
Il lacerato spirlto. Bsas or Baritone..
...........
.50
......
.35
TANNHXUSER. 8. (184.5)
.........
......
g. (1884)
V. Nessler
Es h a t nicht wllen sein. Tenor or Soprano,
MezzcrSoprano, Baritone. Baa8 . . . . . . . . . .40
IL TROVATORE. i. (18531
G. Verdi
Ah! che la morte ognora. Tenor in Ab,
Tenor T r a n l p d In F ................ .35
Si. la atanchezza m'opprlme. Duet. Alto
and Tenor.. ............................ -?
Stride la vampa! Mezzo-Soprano. ......... .35
I VESPRI SICILIAXI. 1. (1855)
G. Verdi
Merce. dilette amlche. Soprano, MezzoSoprano. ............................... .60
DIE WALKURE. g. e. (1870)
R. Wagner
Siegmunds Liebealied. Tenor i n B5. . . . . . . . ,40
XERXES. 1. e. (1738)
G. F. H%ndel
Ombra mai fu. Soprano in G, Mezzo-Soprano in E j . ............................ .35
DIE ZAUBERFL~TE. g. (1791)
W. A. M e r t
Ach. ~ c filhl's.
h
g. I. Soprano. . . . . -. ....... .S#
. I n diesen heillgen Hallen. g. i. Bass.. . . . . . .30
0 Isls und Oslris. g. i. Bass.. .............. .25
ZEMIRE UND AZOR. 8. (1819)
L. Spohr
Tenor. BaiiRose, wie blst d u m reizend.
tone.. .................................. 3 0
...
JULIEGE.
i.
ill numbernare published wlth En@iah.in addition t o the original text. 1. g. f. stand for Itallan. German, or
French text. The numerals in brackets indicate the year when the opera was .drat wrformed.
,, ,.r - --,:;
:,?
IM- ~DPIY
to U. S. A:$>. . i I . . .
SCHIRMER, Inc.
,.
t.
1'
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