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Oil Brushesone flat, a few filberts, a long pointed round for sketching, and another small
round for details.
Oil Paintslemon yellow, cadmium yellow medium, alizarin crimson, ultramarine blue,
cerulean blue, and titanium white.
Water for thinning the paint. (I use water soluble oil paints)
When I am using a photo, I always keep the limitations of the camera in mind. As a
result, I don't try to copy everything in the photo. Also, remember that there's no
perfect view in nature. What pleases your eyes when you are right there looking at it
might not translate well when placed onto a two dimensional surface.
Many times, to make a stronger painting, you need to shift a few elements here or there.
Or, simply eliminate a some things to make the composition simpler. Like professional
writers, we have to 'edit' the content before we commit it to the canvas.
Alright, let's get started.
Oil Painting Tutorials - Step 1
After deciding on the view and sketching out several possible compositions in my
sketchpad, I look over my options and choose one of the roughly drawn composition
drawings to work from. Using a small round brush, I begin to loosely sketch the large
masses of my subject on the board.
I close my eyes halfway to 'edit out' the distracting details. I step back and look at the
painting from a distance. If the relationships among the big shapes is good, then it is time
to move on to add some refinements.
There are many shapes in the meadow. I look for them differences of color and tone.
Mostly, it is the tone that draws my attention. I mix my colors accordingly and lay them
either next to or on top of the previous colors.
One color - one brushstroke.
because it is in the foreground. Edge control is usually the last step of my painting
process. This way a visual path is created and the sense of space and depth is enhanced.
Notice that I have added two small trees to counterbalance the big tree in the foreground.
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