The Book of Hrama

Nordenstrm

Hrama by Alexander Nordenstrm is licensed under a

Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
License.
You are free to reproduce and distribute this work in its entirety, granted that
you do not profit from the sharing thereof, nor change the content of this text.
Knowledge should be free, and I hope that this Knowledge in some way frees
you.

Nordenstrm
In the 11th hour of the day, on November 21, 2013

Contents
1. Regarding the Ritual
2. On the Nature of Demons and Their Substance
3. Of the Items
4. Of the Operation
5. Of the Demon
6. Of the Black Mirror
7. Preliminary Considerations
8. The Seal of Andrealphus
9. The Consecration of the Seal of Andrealphus
10. Of the First Conjuration in the First Day
11. Of the Second Conjuration in the Second Day
12. Of the Third Conjuration in the Third Day
13. The Conjuration
14. If the Magician Becomes Over-Whelmed
15. If Nothing Happens
16. Final Notes

Regarding the Ritual

The following ritual is a very basic conjuration. It is intended for those who are both
new to the Occult and those who have Occult knowledge but lack the practical
application of their knowledge. This ritual will put the magician into contact with the
Demon Andrealphus, for the purpose of gaining inspiration as well as Sinister
knowledge. While Andrealphus is a Goetic Demon, this ritual follows Left-Handed
principles. The Demon is not commanded to appear in the name of God, nor does
this ritual adhere to any other Abrahamic teachings. I have chosen to use the name
Andrealphus to represent the entity you will be working with for two reasons:
1. So as not to give away any Names of Power, according to my Order, thus
preventing their misuse by the profane.
2. That the magician, even though not necessarily experienced in magick, has at
least heard of the Ars Goetia and likely the name Andrealphus itself. It is therefore
something familiar, at least in part, to the magician and thus it shall be easier to
obtain results thereby.
The Black Magician should find this ritual workable, and even adaptable to his own
style once he becomes familiar with it. For this is indeed, even though filtered for the
benefit of the new magician, an act of Black Magick.

On the Nature of Demons and Their Substance

The beginning magician has not likely trained his mind to focus on one thing, and
this hinders any magickal working. While the training required to focus one's mind
is beyond the scope of this manual, the following will aid the magician to at least
focus more upon what is necessary for the success of the ritual contained within
this small work. In regards to conjuration, the magician should refrain from having
assumptions about the Demon. The magician should not assume that the
intelligence he will encounter is outside of the magician's own mind, nor should the
conjuror assume that it is not. Because of this, the nature of Demons and whether
their substance is real or illusion is irrelevant. The only assumptions that the
magician should have is that he is going to conjure a Demon and that it will appear.

Of the Items
The operator should possess all the following ritual tools: the altar, some parchment
paper, 1 green pen or pencil, 1 blue pen or pencil, 1 regular writing pen, 1 notebook
to record the results, 1 white candle, 1 black candle, either Frankincense or Cassia
incense, and a cloth large enough to cover the Black Mirror (preferably made of fine
silk, though any material will work). Further, the magician should possess a black
scrying mirror. If the magician lacks such a mirror then he will be shown how to
construct one.

Of the Operation
The following operation is an introductory conjuration. This means that while you
will be conjuring a Demon to visible appearance, the experience that you have of the
Demon will be limited. This is to prevent becoming over-whelmed by the experience,
which can lead to the magician being psychically/psychologically attacked by the
Demon. Even if one is a Satanist and believes that he is working on the side of the
Demonic, the Demonic will not tolerate ignorance or disrespect, especially from their
own kind. I have also come to know (from personal experience) that some Demons
will attack a Black Magician in the same manner as they would attack any other
magician for invoking them without actually being prepared or advanced enough in
the Art of Magick. It is an error to think that you will be treated nicely if you are
ignorant and ill-prepared. Therefore, it is highly recommended that you operate
within the confines of this manual. That you do not seek to communicate with any
other spirit, using this method or another, until you genuinely know that you are
ready to move onto something else. You can use this method to bring other spirits to
visible appearance as well if you are ready to move on but are not yet ready for a
true conjuration. This operation will last three days. It shall begin in the third hour
after midnight on the day of Sol (Sunday at 3:00 a.m.) and continue to the third
hour after midnight on the day of Mars (Tuesday at 3:00 a.m.).

Of the Demon
The Demon that you will be working with is the 65th Demon in the Ars Goetia,
Andrealphus. The purpose for the working is to petition the Demon to grant you
more moments of inspiration, as well as new Sinister knowledge. While the power of
Andrealphus may bring about additional gifts or experiences, even after the three
days dedicated to the conjuration have passed, you must remember to stay within
your goal while petitioning him. We will be using the Goetic seal of Andrealphus,
and it is described later. It is proper to know now that you may also use the seal to
end the experience with the Demon. You must remember that it is not the
responsibility of the Demon to know what you can and can not handle spiritually or
psychologically. How would the Demon know what piece of new knowledge will be
beneficial to you and what piece will be harmful depending on your level of spiritual
growth? If the magician has performed the ritual properly, and yet it still seems as if
the magician is being over-whelmed by the Demon, then he should realize that the
Demon is not attacking him but that the magician is simply not spiritually prepared
enough for further contact with the Demon. Therefore, you may have to break
communication with the Andrealphus, and this will be taught later.

Of the Black Mirror

Because the inexperienced magician has not fully developed the faculty of psychic
sight, that is, the ability to perceive things which untrained people do not normally
perceive, the magician will be making use of the Black Mirror. This is a black
reflective surface most often used for divination. Like the crystal ball, a bowl of
water, or fire, you are meant to gaze into the mirror in order to see paranormal

visions. If you do not have a Black Mirror proper, then you can construct one using
the following method.
1. Purchase a glass picture frame.
2. Purchase some black acrylic paint and a paintbrush.
3. Paint one side of the glass with the black acyclic paint. The lines should be mostly
straight while the coat should be even.
4. Let the first coat of paint dry. Once dry, apply a second coat. Repeat this step
until you can not see any holes when looking at the mirror while holding up to a
light source.
5. Insert the glass back into the frame. If you want you can decorate the frame with
symbols appropriate to vision, such as an eye, the elemental symbol for fire, 666 or
any other symbol of the Sun, or even the Hebrew letter Ayin.
There are wonderful instructional videos on YouTube if you're a more visual learner
like myself. A quick search for how to make a scrying mirror will return some good
results. When used during the ritual, the mirror itself should be propped up at a
slight angle rather than laying or hanging flat.
Preliminary Considerations
It has already been said that the operation shall last for three days and begin on a
Sunday at 3 a.m.. The ritual should be conducted three times over the course of
three days, each time beginning in the 3 a.m hour. The magician must be alone
during this time, in a quiet place where he will not be disturbed. The magician
places himself in peril when he begins this ritual and does not complete it properly.
It is likewise true that danger comes when the magician does not end the ritual on
time, but instead clings onto the Demon and the ritual. The latter part of the
warning does not mean that you should never attempt to communicate with the
Demon thereafter, but simply that for the less experienced there must be a period of
separation and rest in order to maintain your spiritual health. Of course, you should
record your experiences in your grimoire or journal. It may be helpful to also include
experiences that you have for the next month or two in your grimoire and see just
how effective your magick was. It may also be wise to record the conjuration using a
sound or video recorder. You may pick up sounds that you didn't hear at the time,
or even the voice of the Demon. It is important to develop your psychic faculties and
not rely on this type of technique, but such techniques can be very useful for the
Neophyte and the magician in general. If you do record some paranormal sound or
speech I would love to take a listen!

The Seal of Andrealphus

You will notice that I have placed the Seal of Andrealphus in a square rather than in
a circle as it is traditionally presented. While the Occult reasoning for this is also
beyond the scope of this work, I will be explaining how doing this is beneficial to the
workings of infernal sorcery in my upcoming treatise on Black Magick.

The Seal of Andrealphus

The Consecration of the Seal of Andrealphus

This must be done the day before the conjuration officially begins. A sheet of blank
parchment paper should be placed upon the center of the altar. The left hand of the
magician should be placed above the parchment. The magician should conjure
within himself a feeling of awe, as though he were beholding some great or beautiful
thing. Once this feeling has occurred, the magician should repeat the name
Andrealphus three times. Next, the magicians should say the following:
I conjure and consecrate you, creature of the Earth, in the Name of the King
Sidonay. Work you for my purpose. Be you a proper host for the Seal of Andrealphus,
and a symbol of his power.
The Seal of Andrealphus should then be drawn upon the parchment using a mixture
of the colors green and blue. How you use the colors is at your discretion. Once the
seal has been drawn, the magician should place the seal upon the altar. He should
then retire to meditate upon the seal, holding the image of the seal in his mind.
Once he has made a psychic connection with the seal (and has therefore
encountered the energy of Andrealphus which will not be mistakable), he should end
his meditation and then for a time hold the seal over the smoke of the incense. The
mirror is to be covered with the cloth while not in use, and the seal should then be
placed upon the covered mirror (the seal remains uncovered).
Of the First Conjuration in the First Day
The conjuration is to be conducted as it shall be given. The magician must attempt
to keep the ritual on his mind during the entire day. Even though he will no doubt
lose focus, he must attempt to recall the ritual as often as possible. On the first day,
the magician will see a vision or have some other experience. He is to appreciate the

experience and then disregard it. He should not engage in the experience, nor
attempt to communicate with any spirit. Acknowledge the experience, appreciate the
experience, and then release the experience and do not dwell upon it. Once the
magician has had the experience and has released it, he should end the ritual, at
which time he may think about his experience and any theories, insights, or ideas
that comes from his pondering.
Of the Second Conjuration in the Second Day
The conjuration is to be conducted as it shall be given. The magician must attempt
to keep the ritual on his mind during the entire day. Even though he will no doubt
lose focus, he must attempt to recall the ritual as often as possible. On the second
day, the magician will see a vision or have some other experience. When the
magician has this experience he should immediately recognize the experience,
appreciate it, and then verbally thank the spirit for making itself known. Once you
have expressed gratitude, you should not hesitate to introduce yourself and to state
your Will. Once you have done this, you should end the communication. You should
not listen to anything that the spirit may say to you, nor should you say anything
additional to it. You must end the ritual at the appropriate time.
Of the Third Conjuration in the Third Day
The conjuration is to be conducted as it shall be given. The magician must not think
about the ritual that is to come. If he finds his mind going back to thoughts about
the ritual, he should inflict some pain upon himself or otherwise distract his mind.
On the third day, the magician will see a vision or have some other experience,
during which time he shall communicate with the Demon and the Demon shall
communicate back with him. The magician must express gratitude when the Demon
makes itself known, and then he must introduce himself and state his Will to the
Demon. The magician may ask questions relevant to his Will, such as why he lacks
inspiration or why he has not been given knowledge by the Sinister forces. The
magician must not inquire about matters outside of his Will or the Demon will
attack him.
The Conjuration
The mirror should be uncovered and placed upon the center of the altar. Placed on
the mirror should be the seal of Andrealphus. At the right of the mirror is to be
placed the white burning candle, and at its left the black. The incense should be
burning at the right side of the mirror. With a voice of power the magician should
say:
In the Name of the Serpent that writhes in the Chaotic Waters of the Measureless
Abyss, I call out to the spirit Andrealphus.
In the Name of the Many who is One, Matanbuchus, I call out to the spirit
Andrealphus.
In the Name of Babylon, the beloved one of Lilith, I call out to the spirit Andrealphus.
My voice goes forth like many rushing waters, from Malkuth unto Kether, drowning

the guilty in its inescapable current.

From Abyss to Abyss, Andrealphus, I call out to you.
Come from whatever place you may therein be.
Come from whatever void you may therein be .
Come you from your place and enter herein mine.
Appear before me visibly and affably, without terror nor delay.
I request your presence, Andrealphus, for the Glory of Satan, to exaltation of the
Tartarean abode, and for the accomplishment of my Will.
Andrealphus, you whose brilliant colors do transfix the whole world, appear within
this Black Mirror.
The magician should then proceed to gaze at his own reflection in the mirror. If his
conjuration was successful, he should eventually begin to see his face distort within
the mirror. It will change, possibly even melt away completely. Eventually, he shall
see the form that Andrealphus has decided to appear in. This is often accompanied
by sounds, especially the sounds of birds or high pitched noises. At times the
magician may even experience a flapping sound as if wings were beating, or the air
from flapping wings may strike his face. Depending upon the day, the magician
should then proceed appropriately.
If the Magician Becomes Over-Whelmed
The magician should thank Andrealphus for coming, explain how he is feeling, and
that he will request his aid at another time. The seal should be placed on top of the
mirror and both the mirror and the seal should be covered with the cloth. The
following should then be said:
Depart you in peace, with my gratitude and respect, and may you receive additional
graces from Satan for your cooperation. Go, Andrealphus, back to your resting place.
Go without noise, smells, or phantasms.
If Nothing Happens
There is no failure in magick, only chances to perfect your technique. If your
conjuration seems to have had no effect, and nothing was seen within the mirror,
you should read this document again and try to identify the error that you have
made. Repeat the operation as many times as necessary in one day, until you have
the desired result. If the operation is preformed properly, and the magician can find
no fault in his thinking nor the application of this text, then the ritual will succeed.
Final Notes
This ritual is extremely basic. It is meant for those who perhaps have a decent
amount of knowledge but do not have an equal amount of experience. Magick is
about experimentation, and I encourage you to let this ritual evolve into something
more complex. However, until you get some footing in the practical application of
Occult philosophy, it is highly recommended that you experiment with this ritual as

it has been given. If you have any questions, concerns, or success stories I would
love to hear them! You can find my contact information below.

Email: princeofperdition@gmail.com