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illness and artistic creativity. Prevalence rates for mental illness in artists, is dependant
on the type or style of mental illness, artist, and research design. For example, although
within the general population prevalence rates for bi-polar and/or schizophrenia ranges
from 1% to 3% [1], among poetry and visual artists the range is from 20% to 75% [2, 20].
While the array of studies on the relationship is wide and the research approaches
diverse, it’s worthy to note that to date, large scale prospective studies have not been
conducted. A review of existing literature reveals at least six different types of studies on
the topic.
1) Biographical and Survey Data reveal high levels of depression and bipolar
2) Family studies among psychiatric patients and families suggest the personality or
adoption [4]. Interestingly, the healthy relatives show higher levels of creativity
on scales that measure risk for mental illness. Additional correlations are
uncovered as those who score high on tests for positive psychotic symptoms also
5) Biological Studies have shed light to a biological basis for the association
between mental illness and creativity. Creative groups tend to have much lower
external environment that experience has shown is not relevant) than the general
population. Low levels of latent inhibition are also seen in acute schizophrenia
patients [9, 10,11] Whether an individual’s low level of latent inhibition results in
"During the early stages of diseases such as schizophrenia, which are often
accompanied by feelings of deep insight, mystical knowledge and religious
experience, chemical changes take place in which latent inhibition disappears. It
appears that we have not only identified one of the biological bases of creativity
but have moved towards cracking an age-old mystery: the relationship between
genius, madness and the doors of perception." (Jordan Peterson, a psychologist
at the University of Toronto, Canada)[10]
occupations and pursuits, and bipolar patients sharing high levels of the
the O-LIFE schizotpy scales of 104 items (see Appendix) which are from traits
disorder; however, just because one scores high on the unusual experience
these four O-LIFE traits among artists (i.e., poets and visual artists) and
psychiatric patients reveal that artists and psychiatric patients (i.e., bi-polar and
schizophrenia) share divergent thought (their thought processes are unusual and
sometimes chaotic) but that psychiatric patients have significantly lower levels of
triggers and feeds the development of introvertive anhedonia in artists? And can
introvertive anhedonia be lowered in the life of the mentally ill artist? Once we
know this, we may be able to use preventive measure to stave off the suffering
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caused by the mental illness, while encouraging and enhancing the artists’
creativity.
Another interesting finding from the Nettle study is that those making their living
in creative artistic professions of poetry or visual arts had the lowest scores on
patients. Are professional artists knowingly avoiding the debilitating aspect of mental
illness (anhedonia) in order to be successful in their occupations? If so, how are they able
to do so? What strength do they have that enables them to resist the debilitating
creative writers [14] strongly indicates the factor “ego strength” determines whether an
artist is mentally healthy or mentally ill. The factor “ego strength” includes resilience
and ability to cope with stress. What factors enhance the development of “ego strength”
in artists? Can artists at risk for mental illness modulate this strength for their own mental
wellness?
that may be at greater risk for certain mental illnesses. For example, a survey of writers at
the University of Iowa's famed Writers' Workshop in 1987 by Nancy Andreason found 80
% of the faculty with mood disorders, 43% bipolar, 30 % addicted to drugs,, and 12%
But are other styles of creative expressions at equal risk for certain types of
mental illness? It seems that whether visual art or written art, the more expressive the
style, the higher the correlation with mental illness [15, 16]. Examination of the different
types of writers found poets to have the highest rates of mental illness (specifically
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psychosis and depression), highest rates of bipolar disorder, and the highest levels of
suicide (3, 17). Mortality studies also reveal a shorter life span for writers as compared to
other occupations, including artistic type occupations. Female poets have been found
more likely to suffer from mental illness than female writers of other forms like
[18]. Research suggests that when poets experience depression, if poetry therapy is used
narrative approach (in other words a story approach, with a beginning, middle and end) in
the poetry therapy, the poetry may make the patient’s situation worse [19].
Visual artists whose style is more emotive (such as abstract expressionalism) were
observed to suffer from mental illness more than their visual artist counterparts whose
style was more formal and less emotive. Abstract art was rated as formal because of its
compositional emphasis, pop art was symbolic, and abstract expressionism was
psychopathology, visual artists with emotive styles had a 75 percent lifetime prevalence
of alcoholism, drug use and depression; symbolic artists a 52 percent lifetime rate and
So what help is there for the artist that is affected with a disabling mental illness?
In a 2005 Cannes Film Festival winning documentary, The Devil and Daniel Johnston,
outsider visual and musical artist Daniel Johnston’s life was filled with high levels of
artistic creativity and accompanying struggles with mental illness were beautifully
depicted. Daniel’s initial disabling episode was diagnosed as manic depression. He’s
currently diagnosed as bi-polar. For years he was vexed by delusions of demons. What
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help is available to the many Daniel Johnstons to help them turn off the disabling aspects
of the particular mental illness while maintaining and/or increasing their creativity? As
with any illness, proper diagnosis is certainly necessary to effective treatment. But then
some mentally ill creative individuals that are offered medical treatment say the delusions
and sufferings are a part of them and their art and they are afraid that medication will
negatively impact their creativity, causing them to no longer be motivated to create [21].
acclaimed authority on mental illness, when addressing the issue said, the psychotic drugs
can "dampen a person's general intellect and limit his or her emotional and perceptual
range" [21]. In a recent interview, Jamison related that many treatment cocktails don’t
pay enough attention “to the fleeting benefits that bipolar disorder can bestow among
certain people,” like the windstorm of ideas and creative intensity that often comes with
manic disorders. “Lithium and other mood stabilizers are extremely effective for
controlling mania and depression, but in some patients these drugs can limit emotional
range,” Jamison explained. Effective treatment should seek to find a balance preserving
crucial human emotions and experiences while alleviating destructive extremes. With the
right amount of lower doses, she believes its “possible to maximize intensity by choosing
the lowest possible dosage” without negatively impacting the artist’s mental health [22].
According to Jamison, too much creative intensity is an unhealthy state of mind. This is
evidenced when looking at brain studies of structural differences among individuals who
have experienced one psychotic episode and those who have experienced multiple
psychotic episodes [22]. Dr. Peter Jamison, seasoned psychiatrist who has devoted much
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of his professional career advancing the field of psychiatry, especially as it relates to over
medication and abusive clinical practices, believes, “Mental health professionals need
to reclaim their professional knowledge and skills. They should strive to help their clients
groups as compared to the general population. If we appreciate the gifts these creative
people have given us, they deserve our understanding and careful consideration.
As of this writing, specific solutions aimed specially at this target group are not
included in the mental health protocol (DSM). Voices from clinical experts in the field
prescribed. Others stress the importance of proper diagnosis for effective treatment. As a
result of this writing and personal discussions with artistic family/friends, consideration
should be given to increasing client awareness of the importance of and assistance with
taking care of themselves. Learning from one another techniques to better manage stress,
increase resilience, and reduce anhedonia might prove useful. What about a Viagra for
Since professional artists fare better than their hobbyist counterparts, perhaps
another potentially useful tool for artists would be increased networking opportunities for
the interested hobbyist to work diligently on their art. Hopefully, pharmaceutical firms
and medical researchers will continue to search for treatments and advances to help the
mentally ill artist reduce the high levels of sometimes disabling creative intensity.
Currently, the U.S. Preventive Services Task Force (USPSTF) recommends that
adults be screened for depression at any clinical practices that have systems in place for
proper diagnosis, effective treatment and follow-up [24]. How effective or not on patient
symptoms of the types of mental illness that artists are most vulnerable for --depression,
Finally, discussion and investigation surrounding the benefits or not of the CDC
tracking the health of adult artists with mental illness, the same way they track the health
of other at risk groups, in attempts to better identify the problem(s) and seek for
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appropriate solutions is suggested. After years of research and discussion and the
possibility of high prevalence rates of mental illness among certain artists groups, it
Until then, the situation a mentally ill artist might experience is expressed by an
old joke: A man is driving past a mental hospital when one of the wheels falls off his car.
He stops and recovers the wheel but can't find the lug nuts to secure it back in place. Just
then he notices a man sitting on the curb carefully removing small pebbles from the grass
and piling them neatly on the sidewalk. "What am I going to do?" the man asks aloud.
The fellow piling the pebbles looks up, and says, "Take one of the lug nuts from each of
the other wheels and use them to put the wheel back on." The driver is amazed. "Wow!"
he exclaims. "What a brilliant idea. What are you doing in a place like this?" he asks,
nodding toward the mental institution. "Well," the man answers, "I'm crazy, not stupid."
[11].
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References
1. http://www.nimh.nih.gov/publicat/numbers.cfm#Bipolar
2. Andreasen, N.C. (1987). Creativity and mental illness: Prevalence rates in writers and
their first-degree relatives. American Journal of Psychiatry, 144:1288-1292.
3. Ludwig, A.M. (1995). The price of greatness: Resolving the creativity and madness
controversy. New York: Guilford Press
5. Andreasen, N.C., & Powers, P.S. [1975]. Creativity and psychosis: An examination of
conceptual style. Archives of General Psychiatry, 32, 70-73.
6. Guilford, J.P. (1967). The nature of human intelligence. New York: McGraw-Hill.
7. Nettle, D. (2006). Schizotypy and mental health amongst poets, visual artists, and
mathematicians. Journal of Research in Personality, 40(6), 876-890
8. Green, M.J., & Williams, L.M. (1999). Schizotypy and creativity as effects of reduced
cognitive inhibition. Personality and Individual Differences, 27, 263-276.
9. Swerdlow, N.R., Braff, D.L., Hartston, H., Perry, W., & Geyer, M.A. (1996). Latent
inhibition in schizophrenia. Schizophrenia Research, 20(1-2), 91-103.
10. http://www.news.utoronto.ca/bin5/030930b.asp
11. http://www.hno.harvard.edu/gazette/2003/10.23/01-creativity.html
12. Nowakowska, C., Strong, C.M., Santosa, S., Want, P.W., & Ketter, T.A. (2004)
Temperamental commonalities and differences in euthymic mood disorder patients,
creative controls, and healthy controls. Journal of Affective Disorders, 87, 207-215.
13. Mason, O., Claridge, G., & Jackson, M. (1995). New scales for the assessment of
schizotypy. Personality and Individual Differences, 1, 7-13.
14. Barron, R. (1972). Artists in the making. New York: Seminar Press.
15. Silverman, M.A., & Will, N.P. (1986). Sylvia Plath and the failure of emotional self-
repair through poetry. Psychoanalytic Quarterly, 55, 99-129.
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16. Ludwig, A.M. (1998). Method and madness in the arts and sciences. Creativity
Research Journal, 11, 93-101.
17. Jamison, K.R. (1989). Mood disorders and patterns of creativity in British writers
and artists. Psychiatry, 52, 125-134.
18. Kaufman, J.C. (2001). Genius, lunatics, and poets: Mental illness in prize-winning
authors. Imagination, Cognition, and Personality, 10, 305-314.
19. Kaufman, J. C., & Sexton, J.D. (2006). Why doesn’t the writing cure help poets?
Review of General Psychology, 10(3), 268-282.
http://www.uky.edu/PR/News/MCPRNews/1998/mental.htm
20. http://www.uky.edu/PR/News/MCPRNews/1998/mental.htm}
21. Jamison, K.R. (1993). Touched with fire. New York: Free Press.
University of Victoria citation: http://home.vs.moe.edu.sg/whitenoise/AE_PA.html
24. http://www.ahrq.gov/clinic/uspstf/uspsdrin.htm
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APPENDIX
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Unusual Experiences
Do you ever feel sure that something is about to happen, even though there does not seem to be any reason
for you thinking that?
Do you ever suddenly feel distracted by distant sounds that you are not normally aware of?
Do you often have days when indoor lights seem so bright that they bother your eyes?
Have you felt as though your head or limbs were somehow not your own?
Have you sometimes sensed an evil presence around you, even though you could not see it?
Have you wondered whether the spirits of the dead can influence the living?
On occasions, have you seen a person's face in front of you when no one was in fact there?
When in the dark do you often see shapes and forms even though there's nothing there?
When you look in the mirror does your face sometimes seem quite different from usual?
Are your thoughts sometimes so strong that you can almost hear them?
Can some people make you aware of them just by thinking about you?
Do ideas and insights sometimes come to you so fast that you cannot express them all?
Do the people in your daydreams seem so true to life that you sometimes think they are real?
Do you sometimes feel that your accidents are caused by mysterious forces?
Do you think you could learn to read other's minds if you wanted to?
Does it often happen that nearly every thought immediately and automatically suggests an enormous
number of ideas?
Have you ever felt that you have special, almost magical powers?
Do you ever have a sense of vague danger or sudden dread for reasons that you do not understand?
Have you ever thought you heard people talking only to discover that it was in fact some nondescript
noise?
Have you felt that you might cause something to happen just by thinking too much about it?
Have you occasionally felt as though your body did not exist?
Have you sometimes had the feeling of gaining or losing energy when certain people look at you or touch
you?
Are the sounds you hear in your daydreams really clear and distinct?
Cognitive Disorganization
Do you ever feel that your speech is difficult to understand because the words are all mixed up and don't
make sense?
Are you easily hurt when people find fault with you or the work you do?
Do you dread going into a room by yourself where other people have already gathered and are talking?
Do you find it difficult to keep interested in the same thing for a long time?
Do you often worry about things you should not have done or said?
No matter how hard you try to concentrate do unrelated thoughts creep into your mind?
Are you easily confused if too much happens at the same time?
Do you often hesitate when you are going to say something in a group of people whom you more or less
know?
Can you usually let yourself go and enjoy yourself at a lively party? negative
Do people who try to get to know you better usually give up after a while?
Do you feel that making new friends isn't worth the energy it takes?
Do you find the bright lights of a city exciting to look at? negative
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Do you usually have very little desire to buy new kinds of food?
Are people usually better off if they stay aloof from emotional involvements with people?
Are there very few things that you have ever really enjoyed doing?
Are you much too independent to really get involved with other people?
Can just being with friends make you feel really good? negative
Do you think having close friends is not as important as some people say?
Does it often feel good to massage your muscles when they are tired or sore? negative
Have you often felt uncomfortable when your friends touch you?
On seeing a soft thick carpet have you sometimes had the impulse to take off your shoes and walk barefoot
on it? negative
When things are bothering you do you like to talk to other people about it? negative
Have you had very little fun from physical activities like walking, swimming, or sports?
Is it true that your relationships with other people never get very intense?
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Impulsive Nonconformity
Do you often feel like doing the opposite of what other people suggest, even though you know they are
right?
Do you often feel the impulse to spend money which you know you can't afford?
Are you usually in an average sort of mood, not too high and not too low? negative
Do you often change between intense liking and disliking of the same person?
Do you think people spend too much time safeguarding their future with savings and insurance?
Have you ever blamed someone for doing something you know was really your fault?
When in a group of people do you usually prefer to let someone else be the centre of attention? negative
When you catch a train do you often arrive at the last minute?
Would you take drugs which may have strange or dangerous effects?
Would it make you nervous to play the clown in front of other people? negative
All items scored + 1 for ‘yes’, 0 for ‘no’ except negative items for which + 1 for ‘no’, 0 for ‘yes’.
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1. Reminder of the bout of creative intensity leading the way to Van Gogh’s final
days.
http://www.azcentral.com/ent/arts/articles/0613vangoghslastdays0613.html
2. Upcoming neural level study of the relationship between mental illness and
creativity.
http://www.medicalnewstoday.com/medicalnews.php?newsid=71677
http://www.technologyreview.com/Biotech/18803/