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Spring 2007 Arts 2380.002 (2D Design Foundations) Thursdays 2:30 – 5:15 p.m. Room 1.116
Arts 2380.501 (2D Design Foundations) Thursdays 7:00 – 9:45 p.m. Room 1.116
PLEASE NOTE THIS DOCUMENT IS SUBJECT TO CHANGES AND UPDATES BY THE PROFESSOR. THANK YOU.
Mar 22 Color: Value, Saturation, Hue ongoing. (Simultaneous Contrast Color Pak projects); Analogous, monochromatic,
complementary, and warm-cool color family - limited palette studies. Assign Analogous and Monochromatic same
design/different palette due Mar 29 (folded, stretched, traced, conglomerate design).
Mar 29 Analogous/Monochromatic Project due/crit. Color continued; Simultaneous Contrast Color Pak projects and the
th
Bezold Effect. Bezold Project I in-class, due April 5 .
Apr 5 Bezold Project I due. Johannes Itten 7 Color Contrasts explanation & project assigned due Apr 19th. Expanded
th
Bezold Project II in-class, due Apr 12 .
Apr 12 Bezold II due. Critique. Color Emotion and Subversion; Natural color vs. manufactured color Project
th
assigned due Apr 19 .
Apr 19 Last Regular Class. Itten 7 Contrasts Project due; Natural Color project due. Class discussions/in class projects
continued. Final Call for any late work is due on this day.
Apr 26 All semester work present; No late work accepted. Any remaining work held by professor is returned.
“Final Exam” during regular class time; critique (May 2 grades due by 10:00 a.m.)
Grading Policy
Concepts in this studio class can only be absorbed through the “hands-on, workshop experiences” characteristic of this class.
Attending all classes and participating in class studio and discussion activities is the best path to successful completion of this course.
The semester grade evaluates in-class work/participation, outside assignments, your midterm and final critique. Projects must be
completed by due dates for full credit. Projects are sequential for building your skills, so therefore all projects are important.
Expectations rise as the course advances and your skills improve.
Success and evaluation takes into consideration the following objectives:
(1) The commitment to attend full classes regularly and to be prepared with the proper materials for projects
(2) The completion of projects in a timely manner
(3) Portfolio of assigned work thoughtfully exhibits growth or understanding of design objectives and principles; and shows
results, commitment, effort, focus, complexity, and willingness to be open to new ideas. Work shows demonstrated
awareness of problems involved, experimentation within objectives, variety in solutions and investigations. Work exhibits
good craftsmanship, care, presentation and execution.
(4) Participation in class studio and discussions, critiques, and activities; maintains a good attitude and has a good work
ethic. Respects fellow students and studio property.
(5) Approximately 10 projects equally weighted; items 1-4 are evident in the work and work ethic
The above criteria suggests possible grade example outcomes:
A: All objectives/projects are achieved and exemplary commitment, effort, and results are demonstrated
in all work. Participation is excellent. The student is fully engaged in the process of learning.
B: All objectives/projects are achieved. Good results and good growth are demonstrated in work. The
student makes a strong effort. Good participation in class.
C: Many objectives are achieved, satisfactory results shown in most work. Some assignments may
be late or unfinished, due to a variety of reasons; and/or student’s habits may be influencing
their ability to practice, execute and grow skills important to the class objectives.
D: Important objectives are not achieved. Course work is late, incomplete, or missing for evaluations.
Student is struggling with class participation. Focus and commitment to the class objectives
may be factors.
F: Failed course. Lack of work, attendance too low, disruptive to learning process. Student should have
withdrawn by deadline.
Course & Instructor Policies
Retaining Artwork: Students must retain all artwork for review at the final critique. All artwork must be cared for and
available for evaluation at each class period (portfolio). Some student work may be selected and retained by the professor
temporarily. Work will be returned to the students.
Class discussion and critiques require mandatory participation and will be scheduled intermittently throughout the
semester. Critiques are the studio equivalents to a midterm test and a final exam. Yet unlike an exam, it is a group
discussion that requires you to be present the entire time and participate during the entire discussion. Missing a critique is
unacceptable.
Class etiquette:
During class, it is important to be mindfully present, therefore please turn off all cell phones, blackberry, beepers,
headphones, ipods, and (any thing of that nature) as well as attention to other class projects and non-class related
conversations.
Mid-term evaluation: You will receive a mid-term evaluation (date TBA) to help you determine where you stand grade-
wise and how you can improve or continue to sustain success. There are no extra credit projects.
Tady 2D-2006 page 3 of 6
Attendance Policy: Concepts in this class can only be absorbed through the “hands-on, workshop experiences”
characteristic of this class. Attending all classes and participating in class studio and discussion activities is the best path
to successful completion of this course. Attend every class, on time, and do not leave class unexpectedly or early. We all
have challenges, so I have worked with a “Keep it Simple” policy as follows: For life’s unexpected upsets, you are allowed
ONE excused absence, and I don’t need an excuse or a doctor’s note. The second absence may influence your grade.
The third and each next absence automatically lowers your grade by one letter grade. A total of 5 absences will result in a
failing grade. I often repeat and review class material in class and I am always interested in helping you to understand
what you missed, however, it is your responsibility to consult with fellow student for updates, missed class material and
preparations for next class. Excused/Unexcused: Please note these guidelines apply to all “excused” and “unexcused”
absences, such as sickness, work schedule, family commitments, and transportation problems. I am available to provide
guidance with challenges and wish to ensure your attendance and successful completion of this course.
Missed class or late work policy/appointment policy: Since the instructor cannot repeat the lecture or demo
classroom experience for you, you are responsible for attending class, and, for missed class material you should consult a
fellow student for updates. Therefore, befriend your classmates and help each other with keeping up with missed class
material and preparations for next class. I am available to help you and to provide guidance with challenges and wish to
ensure your attendance and successful completion of this course. Often I repeat issues and assist students during class
as we work on the project (hence the “workshop”). Overall, I prefer face to face meetings during office hours and in-class
discussions Your project question may be shared by others and it is good to see each others work and learn from each
other.
Due dates, make-up work, etc. will be determined on a project by project basis. Each project due date will be
discussed in class. If you are absent on the date an assignment is due, it is expected that you will turn the project in on
the next class meeting day, and it will be considered “late”. Evaluation of the project will take into consideration that the
project was late and therefore that project cannot be an “A”. Overall, anything CHRONIC (things that happen more than
once) will adversely effect your grade. Anything other than “chronic” will be taken into consideration as a case in “learning,
growth or improvement” if the offense (aesthetic or practical) does not occur again.
Final Critique/Exam: see page 1, Final Exam during regular class time; critique
Tests, Papers: If there are any tests or papers, grading and weight of evaluation will be outlined when assigned.
Class projects, descriptions, due dates: will be announced in class sequentially.
Note to non-majors and majors: This is a visual and hands-on learning experience, and some students may
experience a learning curve with studio art materials or new ideas. However, growth is expected due to practice,
willingness to be open to new ideas, and through class and one on one discussions. For all students, as class progresses,
expectations rise. Strive to do your best. Attitude is important.
Outside Assignments: Generally there will be an outside assignment each week AND due the following class unless
specified. Each outside assignment is designed to fall within a university norm/parameter of a 4-6 hour time commitment
per project. Some students may not need that amount of time to successfully complete each assignment and some
assignments may not require as many hours. However, it is advised that students map out in their schedule at the
beginning of the semester when this 4-6 hour time commitment will occur (or two 2-3 hour sessions). Additionally,
students must recognize that unlike studying (which can be done virtually anywhere), the art projects require a suitable
work table setting (and time to set up, warm up your eyes, clean up, and self-critique - hence the 4-6 hour commitment.)
The art studios are open and you are welcome to work in them if they are not in use by a class. Please clean up after
yourself and keep the art studios orderly.
Classroom breaks: Generally studio classes of this length do not have scheduled class breaks due to their workshop
atmosphere. It is advised that students prepare themselves for class so that they do not have to take a break and risk
missing important information. However, natural pauses in the class occur. The best time to take a break is after the
critique and lecture, during the time when you are allowed to work in class on an assigned project, and when the
professor is working individually with students. Please do not disrupt the class when you enter or leave. Habitual frequent
breaks or long absences from class are discouraged and will effect your grade.
(Student Conduct & Discipline continued…)The University of Texas at Dallas administers student discipline within the
procedures of recognized and established due process. Procedures are defined and described in the Rules and
Regulations, Board of Regents, The University of Texas System, Part 1, Chapter VI, Section 3, and in Title V, Rules on
Student Services and Activities of the university’s Handbook of Operating Procedures. Copies of these rules and
regulations are available to students in the Office of the Dean of Students, where staff members are available to assist
students in interpreting the rules and regulations (SU 1.602, 972/883-6391). A student at the university neither loses the
rights nor escapes the responsibilities of citizenship. He or she is expected to obey federal, state, and local laws as well
as the Regents’ Rules, university regulations, and administrative rules. Students are subject to discipline for violating the
standards of conduct whether such conduct takes place on or off campus, or whether civil or criminal penalties are also
imposed for such conduct.
Academic Integrity
The faculty expects from its students a high level of responsibility and academic honesty. Because the value of an
academic degree depends upon the absolute integrity of the work done by the student for that degree, it is imperative that
a student demonstrate a high standard of individual honor in his or her scholastic work.
Scholastic dishonesty includes, but is not limited to, statements, acts or omissions related to applications for enrollment or
the award of a degree, and/or the submission as one’s own work or material that is not one’s own. As a general rule,
scholastic dishonesty involves one of the following acts: cheating, plagiarism, collusion and/or falsifying academic records.
Students suspected of academic dishonesty are subject to disciplinary proceedings.
Plagiarism, especially from the web, from portions of papers for other classes, and from any other source is unacceptable
and will be dealt with under the university’s policy on plagiarism (see general catalog for details). This course will use the
resources of turnitin.com, which searches the web for possible plagiarism and is over 90% effective.
Email Use
The University of Texas at Dallas recognizes the value and efficiency of communication between faculty/staff and
students through electronic mail. At the same time, email raises some issues concerning security and the identity of each
individual in an email exchange. The university encourages all official student email correspondence be sent only to a
student’s U.T. Dallas email address and that faculty and staff consider email from students official only if it originates from
a UTD student account. This allows the university to maintain a high degree of confidence in the identity of all individual
corresponding and the security of the transmitted information. UTD furnishes each student with a free email account that
is to be used in all communication with university personnel. The Department of Information Resources at U.T. Dallas
provides a method for students to have their U.T. Dallas mail forwarded to other accounts.
Disability Services
The goal of Disability Services is to provide students with disabilities educational opportunities equal to those of their
non-disabled peers. Disability Services is located in room 1.610 in the Student Union. Office hours are Monday and
Thursday, 8:30 a.m. to 6:30 p.m.; Tuesday and Wednesday, 8:30 a.m. to 7:30 p.m.; and Friday, 8:30 a.m. to 5:30 p.m.
The contact information for the Office of Disability Services is:
The University of Texas at Dallas, SU 22
PO Box 830688
Richardson, Texas 75083-0688
(972) 883-2098 (voice or TTY)
Essentially, the law requires that colleges and universities make those reasonable adjustments necessary to eliminate
discrimination on the basis of disability. For example, it may be necessary to remove classroom prohibitions against
tape recorders or animals (in the case of dog guides) for students who are blind. Occasionally an assignment
requirement may be substituted (for example, a research paper versus an oral presentation for a student who is
hearing impaired). Classes enrolled students with mobility impairments may have to be rescheduled in accessible
facilities. The college or university may need to provide special services such as registration, note-taking, or mobility
assistance.
It is the student’s responsibility to notify his or her professors of the need for such an accommodation. Disability
Services provides students with letters to present to faculty members to verify that the student has a disability and
needs accommodations. Individuals requiring special accommodation should contact the professor after class or
during office hours.
These descriptions and timelines are subject to change at the discretion of the Professor.
Tady 2D-2006 page 6 of 6
SUPPILIES - Required
Bring all items by next class (and bring all items to classes). Keep receipts. You may need to replenish items
during the semester. (Do not purchase items prior to first day of class discussion.)
Reminder/Assignment: The Good, the Bad, and the Ugly: Items due for discussion on visual 2D design
The following items can be from recycled sources or from the grocery store:
A notebook or sketchbook sectioned for this class only, for assignments, lecture notes, hand-outs
Cheap Pentel or Bic #2 0.7 mm mechanical pencil
Some kind of water jar, recycled plastic with lid
Combination or key lock for locker
Box, backpack, or bag to carry supplies in (students often use Asel’s shopping bag provided with kit)
Big Letters and numbers from newspaper glossies, advertisements, mailers
2D Design/Tady “KIT” pre-assembled/discount purchase at Asel Art, S/W corner of I75 and Beltline, (3 doors
down from McDonald’s facing the highway, phone 972-690-6320:
Red Rope paper portfolio or handmade cardboard portfolio big enough (20x26”) for 18x24” drawing pad and
projects
Cheap, clear triangle, not too small, such as a 30/60/90, 8” OR 45/45/90, 8”
Exacto pen with blade
Rubber cement, such as 4 oz. with brush
Tracing paper (such as Hytone parchment 100), 14x17”
White vinyl/plastic eraser, such as Mars Staedtler
Nylon pen (black-fine point .005 or .20MM), such as Micron
Binder Clips, such as Bulldog clips (2 of the approximately 2” or 3”size for example)
Masking Tape, ½”, the cheap kind (drafting tape is NOT necessary)
Strathmore Drawing Pad (Series 400) 18x24” or similar smooth surface type – top bound, white or cream
Ruler 12” or 18”, cork back works best, but not necessary
Ink, 1 oz. such as Higgins
Palette Kit #1013 or similar (plastic palette, 9 ¾” x 13 ½”, for watercolors, large mixing area, 20 tubs/wells, lid,
storage)
Sabelline brush (Round, size 4) Artificial, synthetic sabelline (at least one, students may find 2-3 helpful) OR #6
American Painter 2300 Shader
Designer Colors Gouache, Windsor/Newton:
Ivory Black, Zinc White, Cadmium Yellow Pale, Cobalt blue, Magenta red (14ml)
(Items may be separated into 2 kits, with a second kit for purchase mid semester. Both kits will need to be
purchased. You may need to replenish some items during the semester.)
If you desire, you may assemble supplies from other merchants such as Hobby Lobby, MJDesigns, Michaels,
Sav On Office, Office Depot, Office Max. For those of you continuing to take art classes, you should also
consider the following online suppliers (allow 5-7 days shipping) www.dickblick.com www.danielsmith.com
www.utrecht.com www.pearlpaint.com www.cheapjoes.com
Please read your syllabus and ask questions in the first two weeks of school. Please keep this copy and cut
and return the bottom to me as requested (by the second or third class meeting).
I, ____________________________________(Print) ___________________________________(sign),
have read and understand the syllabus for the class 2D Design/Tady.
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