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R. Alan Culpepper
It was not easy to preach a crucified savior to people who had witnessed
crucifixions. Death on a cross was an ignomy usually reserved for slaves and
traitors1 For Jews, crucifixion defiled the land and was evidence of God's
curse on the crucified (Deut. 21:23); for Gentiles, the idea that a divine man
or an immortal could be crucified was foolishness (I Cor. 1:19); and for Mark
and his church, proclamation of the crucified Messiah would have been
exceedingly difficult during or just after the war of A.D. 66-70, especially if
they were in Rome. On the other hand, Mark did not write about the death
of Jesus because he could not deny that Jesus was crucified but because the
crucifixion and ensuing resurrection were central to his faith. If we are to
interpret the Second Gospel faithfully, therefore, we will need to answer the
question: What did the death and resurrection of Jesus mean to Mark?
The question is important, but it is probably not the question most
readers bring to the Gospel. Most students of Mark come to the text with
the question: What happened? Mark was interested in what happened, but it
would not have been sufficient to describe the death of Jesus without
providing some clues in the passion narrative itself (Mk. 14-16) as to why
this particular crucifixion had special meaning. Mark, therefore, wrote the
story in such a way that he shapes the reader's appreciation of the meaning
of the events he narrates. The place to begin is not with a quest for the
events by comparing Mark with the other Gospels or by attempting to
separate tradition from Mark's own work. That quest is important, but the
place to begin is with an attempt to understand what the death and
resurrection of Jesus meant to Mark. This understanding in turn will be of
value both for the one who preaches the New Testament as inspired and
authoritative and for the one who studies the origin and development of the
passion traditions.
How can one learn what the death and resurrection meant to Mark? In
general terms the answer is: by listening to the text and allowing Mark to
interpret himself. Since we invariably approach the text with our own biases,
confessional "blicks," twentieth-century perspectives, and a predisposition to
find certain answers; listening to the text is not an easy task. The task may
be facilitated, however, by identifying the interpretive devices planted in it
by its writer. The verses which concern us most directly are Mark 15:2116:8, but they can hardly be considered apart from the rest of the Gospel.
583
Close examination of the Gospel of Mark shows that the shadow of the cross
falls across the entire Gospel so that every pericope points ahead to the cross
and must be understood in its light/ Conversely, the passion narrative can
be understood only in the light of the themes developed in the rest of the
Gospel which reach their climax in it. The approach followed below,
therefore, is to examine each of the interpretive devices Mark used in
narrating the death and resurrection of Jesus: 1) the structure of Mark
15:21-16:8, 2) the phenomena which accompany Jesus' death, 3) the themes
which reach a climax or resolution in this section, and 4) Mark's use of the
Old Testament in these verses. 3
The structure of the passion narrative in Mark becomes apparent when
one notices that following the trial before the high priest, the narrative
describes three key events, each of which is followed by the response of some
participant(s) in the drama. The three responses do not advance the action;
they comment on the preceding event. Mark 15:1-39, therefore, develops in
three acts:
Act I. Event: Jesus is tried (15:1-15).
Response: The soldiers mock him (15:16-20).
Act II. Event: Jesus is crucified (15:21-27).
Response: The spectators mock him (15:29-32).
Act III. Event: Jesus dies (15:33-37).
Response: The veil is rent and the centurion confesses
(15:38-39).
Mark is fond of groups of three. He gives three passion predictions (8:31;
9:31; 10:32-34), measures Jesus' time on the cross with references to the
third hour (15:25), the sixth hour (15:33), and the ninth hour (15:34); and
presents three groups of mockers in 15:29-32: the passers-by, the chief
priests and scribes, and the two crucified with Jesus. 4 The structure of three
events and three responses is further supported by the use of "mock"
(empaizo) in 15:20 and 15:31 to describe the action of those scenes. The only
other occurrence of this word in Mark is in the passion prediction in Mark
10:32-34. It is commonly agreed that this prediction, the longest and most
detailed of the three, has been expanded by Mark. The centurion's confession in the third act provides a dramatic contrast to the two scenes of
mocking which precede it. The structure of the passion in Mark, therefore,
points emphatically to the third and final act, i.e. the phenomena which
accompany and interpret Jesus' death: the darkness (15:33), the cry of
dereliction (15:34-37), the rending of the veil (15:38), and the centurion's
confession (15:39). These events hold the key to Mark's understanding of the
death of Jesus.
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partially true? Probably the latter.31 Up to this point Mark has consistently
used the term hieron (11:11, 15, 16, 27, 12:35; 13:1, 3; 14:49). Here and in
the two succeeding references (15:29, 38) he uses naos; he does not use
hieron again. Apart from the question of whether there is any difference in
the meaning of the two words, the pattern of Mark's usage suggests that he
did not intend them to mean the same thing.32 A partial solution to the
perplexities of these verses emerges from observing that: 1) the witness is
false because Jesus had not said that he would destroy the templehis was
not a revolutionary movement; and 2) his declarations and prophetic actions
had concerned the hieron, not the naosJesus would not destroy the naos,
the sanctuary of God's presence; his death would open it to the Gentiles. On
the other hand, the hieron, the temple structure and cult, was condemned
and would soon be destroyed; at the cross it became obsolete. The temple
made with hands would be replaced by one not made with hands, i.e., the
church, Mark's church.33
Mark takes up the temple theme at the trial (14:58), the second mocking
(15:29), and the death of Jesus (15:38), because the significance of Jesus'
death cannot be understood apart from it. The rending of the veil indicates
that God confirmed Jesus' judgment on the temple. Its destruction was
sealed; so attention should focus on the church, the temple not made with
hands (cf. Jn. 2:19-21).
The rending of the veil also means that all now have access to God.
Interpreters are rather evenly divided on the question of whether the veil in
question was the inner veil concealing the holy of holies or the veil between
the forecourt and the sanctuary.34 Generally, those who choose the former
find the symbolism to indicate that now the way to the presence of God
through Jesus is open for all; those who choose the latter find a sign of the
destruction of the temple. Mark does not make it clear which curtain is
meant, nor does he give any indication that the meaning of the sign is
related to understanding which curtain was affected. Hence, while we would
like to know which curtain he had in mindassuming he knew of the two
curtainsthe information is not necessary for understanding the verse. The
splitting of the curtain may convey both of the meanings that have been
claimed for it: the destruction of the temple and access to God's mercy for
all peoples.
The vineyard had been given to others (12:9) and the temple had
become a house of prayer for all nations (11:17); it was appropriate for the
christological high point of the Gospel to follow immediately and to come
from a Gentile: "Truly this man was the Son of God" (15:39). Like the
breaking down of the "dividing wall of hostility" (Eph. 2:14-15), the rending
591
of the veil opened the way for the inclusion of Gentiles in the community of
believers.35
The Centurion's ConfessionMark 15:39
The centurion's confession, "truly this man was the Son of God,"36 is
the last interpretive element in Mark which defines and finally reveals the
significance of Jesus' death. As noted above,37 verse 39 connects with verse
37, and verse 38 disrupts the flow of the narrative. It was the manner of
Jesus' death, and specifically his last (victorious?) cry which prompted the
centurion's confession. Mark is precise about the position of the centurion
relative to the cross (literally, "he stands by over against Jesus" 38 ), but he
does not indicate why Jesus' cry led to the confession. The reader is well
aware, however, that he has reached the climax of Mark's revelation of
Jesus' identity. As we have noted,39 the crucifixion in Mark unfolds in three
acts, each of which presents both an event and the response to it. The
response to both Jesus' sentencing and his crucifixion was mockery (15:1620a and 15:29-32). What the mockers say is important because Mark intends
for the reader to understand that the vindication of Jesus by the phenomena
which accompany his death and by his resurrection shows that he in fact
was that which the unbelieving accomplices in his death refused to believe
about him. He was the king of the Jews (15:18), the one worthy of worship
(15:19), the one who would build a new temple and destroy the old (15:29),
the one who was able to save (15:31), and the Christ, the King of Israel
( 15:32).40 Just as the denial by Peter (predicted by Jesus in 14:30) confirmed
at the trial that Jesus was in fact a prophet in spite of the mockery (14:65),
so here the manner of Jesus' death and his ensuing resurrection confirm that
as the centurion said, "he was the Son of God." Mark underscores this point
by bringing the christological titles into the narrative at both the trial and
the mockings, just as he inserted the temple theme in both passages. 41 The
chief priest asked: "Are you the Christ, the Son of the Blessed [a circumlocution for "Son of God"]" (14:61), and the chief priests mocked him by
calling him "the Christ, the King of Israel" (15:32). Finally, the Gentile
centurion sees what the chief priests, the religious leaders of Israel, were
unable to see: He was the Son of God! This is the disclosure, the "messianic
secret" Mark has been disclosing from the start. It was announced by Mark
in the opening verse of the Gospel,42 partially revealed by Peter at Caesarea
Philippi after Jesus' teaching on the kingdom and his miracles,43 revealed by
Jesus before the high priest (14:61-62), recognized by the centurion (15:39),
and confirmed by the demons (3:11; 5:7), and by God at the baptism of
Jesus (1:10) and at the transfiguration (9:7). It is clear, therefore, that the
centurion's confession of Jesus as the Son of God is the christological high
592
whom Jesus was delivered (10:33), but he was also a representative of the
Gentiles to whom the gospel must be preached before the parousia (13:10)
and who would have a place in the new temple not made with hands (cf.
11:17). Just as the shadow of the cross falls back across the entire Gospel,
so the echoes of the centurion's confession can be heard throughout it. The
associations with the Son of God title and the teachings on suffering have
been traced. Associations with Jesus' acceptance of Gentiles into his new
community can also be seen.48
The references to Gentiles in Mark indicate that he understood that
Jesus by his example had himself launched the Gentile mission of the early
church. In an extensive Markan summary section (3:7-12) we find that Jesus
drew followers "from Idumea, and across the Jordan, and around Tyre and
Sidon" (3:8). After exorcising the demon legion from the Gerasene demoniac,
Jesus broke his pattern of commanding the ones he healed or exorcised to
"tell no one" (1:24-25, 34, 44; 3:12, 5:43; but also 7:36 [in the Decapolis])
and commanded the man to go to his house and his people and to tell them
what the Lord had done for him. Thereafter, the man preached in the
Decapolis, a primarily Gentile area (5:20). Mark stops short of lauding the
success of the ministry in the Decapolis, but notes that "all were marveling"
(5:20). According to Mark, when Jesus sent the twelve out on mission he did
not send them only to Israel (6:6b-13); Mark's silence at this point may be
significant in view of Matthew 10:5-6, which states that the disciples were
not to go to the Gentiles or Samaritans but to Israel only. Then, just
following his account of Jesus' rejection of the traditions of the elders in 7:123, Mark tells how in Tyre the Syrophoenician woman, a Gentile, persisted
in her faith in Jesus and received healing for her daughter (7:24-30). This
pericope in turn introduces a period of ministry in Sidon and the area of the
Decapolis (7:31). Following the transitional story of the healing of the deaf
mute (7:31-37), which Mark may have intended to be illustrative of the way
in which Jesus was able to awaken faith in Gentiles; Mark adds the account
of the feeding of the four thousand (8:1-10). This feeding took place in a
Gentile area (cf. 7:31), and various references suggest that it was primarily a
feeding of Gentiles: four thousand who had come from afar (Gentiles from
each of the four corners of the earth), and seven baskets left over (a reference to the seven deacons of Acts 6 who were appointed, initially at least, to
feed the widows of the Hellenists?).49 Again, Mark probably understood the
"others" to whom the vineyard would be given (12:9) to include Gentile
Christians. Finally, the reference to the Gentile mission is explicit in 13:10.
This command is reminiscent of the words from the risen Lord elsewhere
(Mt. 28:19-20; Lk. 24:47; Acts 1:8; and in the second-century, longer ending
of Mark16:15). Mark may well have included this word of the risen Lord
594
here since it was important to him; yet he did not plan to give an account of
a post-resurrection appearance in which it could be placed. These references
indicate clearly the importance to Mark of the inclusion of Gentiles in the
fellowship of the church. He took pains to be sure the readers of his Gospel
would see that their inclusion was ordained by Jesus himself. Hence, the
first person to perceive the true identity of Jesus was the Gentile centurion.
The centurion's confession stands as the climax of Mark's Gospel,
because it is the culmination of his revelation of the hidden identity of Jesus
as the Son of God. That revelation takes place only at his death, in the
context of his suffering; and it is a Gentile who first understands who Jesus
was, and is therefore in a position to begin true discipleship to him.
The Meaning of Jesus' Death in Mark
Our survey of the structure, accompanying phenomena, Markan themes,
and use of the Old Testament in the third act of Mark 15 has revealed the
rich significance Jesus' death had for Mark. Above all, the death of Jesus
revealed his identity as the Son of God and the nature of God as suffering
love. Only in his abandonment and agony was his divine nature clearly
revealed. Hence, the primary significance of the cross for Mark was
revelatory! This revelation carried with it several important consequences: It
demonstrated that Israel had been judged; the temple was condemned; and
the "way" was open for the gathering of a new community, a new temple
"not made with hands," i.e. the church. This community would be defined
by its faith in Jesus as the Son of God, its appropriation of the way of
suffering love in response to God's suffering love, and its inclusion of
Gentiles (all peoples) in its experience of God's mercy. The death of Jesus
was a moment of cosmic significance, for it revealed the nature of God and
charted the path for the future of those who were able to grasp its
significance. It assured the believing community which would gather in
response to its signal revelation that the Son of God would be with them and
vindicate them in the end in spite of their present sufferings. Jesus, the Son
of God, was none other than the Son of Man who would come in the future!
The Meaning of the Empty Tomb in Mark
After defining the meaning of Jesus' death for Mark, the question
naturally arises: What did the resurrection of Jesus mean to Mark? Why did
he end his Gospel with an account of the discovery of the empty tomb?
Space allows only a cursory discussion, but again study of the interpretive
devices planted in the narrative by its author yields suggestive insights. One
is struck by two impressions: 1) the narrative seems to be much less
developed than the narrative of Jesus' death, and 2) it serves only to
595
confirm and make explicit the message already conveyed by Mark's account
of Jesus' crucifixion. The resurrection is God's answer to the cry of
dereliction. Like the darkness and the rending of the veil, it is God's vindication of Jesus and his ministry.
The disciples failed utterly and abandoned Jesus (14:50). The Gentile
centurion and a Jewish councilor arranged for Jesus' burial (15:43-45), while
the women watched with concern. From such persons as these the new
community could be formed. It would be a community in which failures
could find forgiveness; the disciples and even Peter would be reconciled to
the risen Lord (16:7). The invitation to reconciliation, however, carried with
it an implicit commission, for Galilee is probably to be understood here both
literally and symbolically. It represents the place of the mission to both
Jews and Gentiles, the place of proclamation of the gospel, the place where
the new community would be formed.50
The young man (or angel) who appears at the tomb is the most obvious
interpretive device in Mark 16. The statement that he was "seated on the
right hand dressed in a white robe" (16:5) is not a casual reference. By his
dress and location the young man indicates that Jesus has left behind the
grave and the linen grave clothes,51 just as the young man left behind his
linen garment when he eluded would-be captors in the garden (cf. "linen"
[sindon] in 14:51-52; 15:46, and "white robe" in 9:3; 16:5).52 Similarly, the
reference suggests that by his suffering Jesus had attained the seat at the
right hand of power which his disciples had coveted (cf. 10:37; 12:36; 14:62).
The tomb was empty, for Jesus had ascended.53 But, he would appear again
to his disciples in "Galilee" and set them about the tasks for which he had
prepared them, and the events alluded to in chapter 13 would all take place
before his parousia as the Son of Man.54
The ending of Mark's Gospel is shocking.55 Why would anyone end such
a narrative with the words of Mark 16:8? The women's fear is not so puzzling; in Mark "fear" is the typical response of individuals who witness the
revelation of the Lord's power (cf. 4:41; 5:15, 33, 36; 6:50; 10:32). But why
does Mark say that they told no one? The question has perplexed every
interpreter of Mark, so any suggestion must be tentative. Associations with
earlier passages in Mark offer two possibilities. First, the women, like the
disciples, have failed to carry out the terms of their discipleship. The theme
of discipleship failure is therefore completed;56 every disciple stands in need
of grace. Second, as we have noted, Jesus often commanded those who had
witnessed the disclosure of his power in a mighty act to tell no one. Here,
for the first time, ironically, the command is obeyed. The supreme revelation
of the identity of Jesus as the Son of God remains the moment of his death,
not the morning of his resurrection. The power of the risen Lord must
596
remain veiled in his suffering death. Still, the reader is shocked; how could
the women who had witnessed the death of Jesus (15:40) and who could
testify to the kernel of the kerygma, "He is risen" (16:6), go and not tell
anyone? Mark was a skillful writer. Perhaps shock and surprise were the
reactions he intended for the church to have, for now it knew everything the
women knew. So, the question comes home to haunt those who hear Mark's
Gospel. How could they, how can we, hear these words, go, and tell no one?
1
M. Hengel, Crucifixion (Philadelphia: Fortress Press, 1977), gathers references from
primary sources, which demonstrate the brutality of crucifixion and illuminate what it would
have meant to preach a crucified savior in the first century.
2
Cf. J. R. Donahue, Are You the Christ? "Society of Biblical Literature Dissertation
Series," 10 (Missoula: Scholars Press, 173), pp. 190-191.
3
Space and time have not allowed me to present an adequate treatment of Mark's use of
the Old Testament in Mark 15:21-16:8. See H. C. Kee, "Scripture Quotations and Allusions in
Mark 11-16," The Society of Biblical Literature One Hundred Seventh Annual Meeting
Seminar Papers (1971), II, 475-502.
4
P. F. Ellis, "Patterns and Structures in Mark's Gospel," Biblical Studies in Contemporary Thought, d. M. Ward (Somerville, Mass.: Greene, Hadden, & Co., 1975), p. 100,
cities other triads in Mark's Gospel and claims that Mark had a propensity for "thinking
three. "
8
See E. Hennecke, New Testament Apocrypha, ed. W. Schneemelcher, trans. R. McL.
Wilson (Philadelphia: Wesminster Press, 1963), I, 150, 184-185.
597
Rapids: Wm. . Eerdmans, 1974), pp. 572-573; C. E. B. Cranfieki, The Gospel according to
Saint Mark, "The Cambridge Greek Testament Commentary" (Cambridge: Cambridge
University Press, 1959), p. 458: "The view of Bultmann . . . is most improbable; for the early
Church is not likely to have invented Jesus' quotation of such words. . . We are on the
firmest historical ground here." H. Anderson, The Gospel of Mark, "New Century Bible
(London: Oliphants, 1976), p. 345, hedges on the point: "We should accordingly approach this
report [vss. 33-39] less with an eye to exact historical reconstruction than to its major con
tribution to the theological meaning for the Church of the event of the cross."
12
The latter argument was propounded by F. N. Schmieden It is rejected by D. E.
Nineham, The Gospel of Saint Mark, "The Pelican Gospel Commentaries" (Baltimore: Penguin
Books, 1963), p. 428; and Reumann, "Psalm 22 at the Cross," p. 57.
13
Lane, Mark, p. 572.
14
J. Blinzler, Der Prozess Jesu (4 Aufl.; Regensburg: F. Pustet, 1969), p. 373 . 64;
Nineham, Mark, p. 428.
16
Cf. J. Jeremas, New Testament Theology (New York: Charles Scribner's Sons, 1971),
p. 189.
16
E. Best, The Temptation and the Passion: The Markan Soteriohgy, "Society for New
Testament Studies Monograph Series," 2 (Cambridge: Cambridge University Press, 1965), p.
100; Anderson, Mark, p. 346; Cranfield, Mark, p. 458; Lane, Mark, p. 573.
17
The quotation affirms Jesus' faith in his vindication: Nineham, Mark, pp. 427-428;
Schreiber, Theologie des Vertrauens, p. 163. R. Pesch, Das Markusevangelium, "Herders
theologischer Kommentar zum Neuen Testament" (Freiburg: Herder, 1977), II, 494-495,
emphasizes that the cry is a prayer which expresses Jesus' faith even in his most extreme
need.
18
H. C. Read, "The Cry of Dereliction," Expository Times, LXVIII (1975), 260-262;
Cranfield, Mark, p. 458. Taylor, Mark, p. 594, responds that Jesus was not actually abandoned but merely felt abandoned: " . . . Jesus felt the horror of sin so deeply that for a time
the closeness of His communion with the Father was obscured."
19
For various interpretations of this verse see: C. K. Barrett, "The Background of Mark
10:45," New Testament Essays: Studies in Memory of T. W. Manson, ed. A. J. B. Higgins
(Manchester: Manchester University Press, 1959), pp. 1-18; Anderson, Mark, pp. 256-258;
Cranfield, Mark, pp. 342-344; Nineham, Mark, pp. 280-281.
20
Cf. R. C. Tannehill, "The Disciples in Mark: The Function of a Narrative Role,"
Journal of Religion, LVII (1977), 400-401.
21
J. Moltmann, The Crucified God: The Cross of Christ as the Foundation and Criticism
of Christian Theology (New York: Harper & Row, 1974), p. 147; cf. p. 149.
22
Ibid., p. 151.
23
Ibid., p. 152.
24
J. Moltmann, "The 'Crucified God': A Trinitarian Theology of the Cross," Interpretation, XXVI (1972), 295.
25
Taylor, Mark, p. 597.
2e
For recent discussions of the anti-temple theme in Mark, see: W. Kelber, ed., The
Passion in Mark (Philadelphia: Fortress Press, 1976), pp. 121-129, 168-172.
27
For the eschatological significance of the Mount of Olives, see Zech. 14:1-9; Ezek. 43:29; cf. Lane, Mark, p. 394.
28
Mark emphasizes Jesus' teachings on prayer (9:29; 11:24-25; 12:40; 13:33; 14:38) and
presents Jesus as an example for the disciples, i.e. Mark's church (1:35; 6:46; 14:32, 35, 39).
Cf. D. Juel, Messiah and Temple: The Trial of Jesus in the Gospel of Mark, "Society of
Biblical Literature Dissertation Series," 31 (Missoula: Scholars Press, 1977), p. 135.
598
29
599
49
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^ s
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