Documente Academic
Documente Profesional
Documente Cultură
Kazuo Shinohara
Sejima & Associates
Architect Unknown
1974
2003
circa 1600
Nick Huggard
Ryan Moroney
2003
JURXQGRRUSODQ
UVWRRUSODQ
VHFRQGRRUSODQ
s
VHFWLRQD
0
10
fl
Shigeru Ban
Curtain Wall House, 1995
References:
- Shigeru Ban, Princeton Architectural Press, 2001
- The Japan Architect no.20 ; Special issue 1995 Anuual
part 2, 1995
Curtain Wall House by Japanese architect ShigeruBan is
WKHKRXVHLQWHQGHGWREHDUHHFWLRQRIWKHRZQHUVOLIHVW\OH,WVORFDWHGLQDGHQVHQHLJKERUKRRGRI,WDEDVKLNX
7RN\RDQGZDVFRPSOHWHGLQ-XO\
7KHKRXVHLVDFRPELQDWLRQRIQHZDQGROGZLWKVLPSOLFLW\
DQGXVHRIWKHFRQWHPSRUDU\PDWHULDOVNHHSLQJLQYLHZWKH
WUDGLWLRQDO-DSDQHVHVW\OHV7HUUDFHRQWKHUVWRRUGLYLGHG
WKHOLYLQJDUHDRQWKHHDVWDQGVRXWKVLGHVFUHDWLQJDQ
RXWGRRUVSDFHWKDWDFWVDVDOWHUEHWZHHQWKHLQWHULRUVRI
WKHEXLOGLQJDQGWKHVWUHHWDQGWHQWOLNHFXUWDLQVDUHRQWKH
RXWHUIDFDGHEHWZHHQWKHVHFRQGDQGWKLUGRRUV
,QZLQWHUWKHRXWVLGHJODVVGRRUVDQGWKHFXUWDLQVFDQEH
FORVHGFRPSOHWHO\JLYLQJWKHKRXVHQHHGHGJRRGLQVXODWLRQ
DQGSULYDF\
7KHFXUWDLQDVDUFKLWHFWXUDOHOHPHQWUHIHUVEDFNWRWUDGLWLRQDO-DSDQHVHGHVLJQHOHPHQWVVXFKDVVKRMLDQGVXGDUH
VFUHHQVDQGIXVXPDGRRUVFRPPRQZLWKLQWKHWUDGLWLRQDO
Japanese house.
-HQQ\.LP
7KHFRUHRIWKHKRXVHZKLFKLVWKHOLYLQJ
VSDFHVZDVEXLOWVRWKDWLWZLWKGUHZIURPWKH
SHULPHWHURIWKHKRXVH
:LWKWKHWKLUGRRUERDUGEHLQJSXOOHGEDFNLW
ZRXOGUHVXOWDKLJKFHLOLQJWHUUDFHZKLFKZRXOG
EHYHU\FRQWUDVWLQJIURPWKHFHLOLQJKHLJKWRIWKH
FRUH%\GRLQJWKLVLWIHHOVPXFKPRUHRSHQHG
up.
7KHIRXUSLOODUVZKLFKDUHWKHHVVHQWLDOVWUXFWXUH
IRUWKHEXLOGLQJLVYLVLEOHIURPWKHRXWVLGHQHYHUWKHOHVVWKH\GRQWUHDOO\VHHPWREHQRWLFHGDV
PXFKDVWKHWKUHHWKLFNRRUERDUGVDQGWKHURRI
'XHWRWKDWWKHWKUHHVODEVRIFRQFUHWHORRNDVLI
WKH\DUHRDWLQJLQWKHDLU
DOOGUDZLQJV
2QWKHWKLUGRRUE\VLWXDWLQJWZRURRPVLQWKH
RSSRVLWHFRUQHUDQGRQHWREHDFXUYHGZDOO
LWDXWRPDWLFDOO\FUHDWHVDQRWKHUURRPDQGD
connecting space. Due to this, the spaces are
XVHGPRUHHIFLHQWO\QRFRUQHUVRUVSDFHVDUH
left out.
:KLOHWKHWKLUGRRULVWU\LQJWRDFKLHYHWKH
HIFLHQWXVHRIWKHSODQDFRPPRGDWLQJWKUHH
VHSDUDWHURRPVWKHVHFRQGRRUKDVQRZDOOV
WRGLYLGHWKHVSDFHDQGDOORSHQHGWRWKHWHUUDFH
VSDFH7KHRQO\WKLQJEXLOWLVWKHNLWFKHQHWWHDW
one corner.
%HVLGHVWKHFXUWDLQZDOOIDVFDGHWKHUHLVWKH
JODVVZDOOSDQHOVVXUURXQGLQJWKHFRUHRIWKH
KRXVHWKDWFDQEHIXOO\RSHQHGDQGFORVHGZKLFK
ZRXOGEULQJPRUHSULYDF\DQGLQVXODWLRQDWQLJKWV
DQGZLQWHUV
DOOGUDZLQJV
7KHURRIDQGVHFRQGRRURYHUKDQJVDWWKH
HGJHLQDWULDQJXODUVKDSHZKLFKH[WHQGVWKHWKH
GLDJQDOGLDPHWHURIWKHKRXVH7KHORQJGLPHQVLRQGUDZVWKHH\HVWRWKHH[WHQGHGRXWFRUQHU
ZKLFKZLOOPDNHLWIHHOOLNHWKHVSDFHLVODUJHU
than it is actually.
$OVRE\VHWWLQJWKHEDOFRQ\DOLWWOHRXWIURPWKH
JULGLWZRXOGJLYHPXFKPRUHOLYHLQWHUDFWLRQ
ZLWKLQWKHVLWH
)DEULFGRHVQWKDYHDQ\OLPLWVWRFXWWLQJVL]HV
WKHUHIRUHLWDOORZVWRKDYHDRQHZKROHVKHHW
of fabric for the curtains to go around the long
SHULPHWHURIWKHKRXVH
%\KDYLQJWKLVLWPDNHVWKHKRXVHWRORRNPRUH
larger than it is in scale.
DOOGUDZLQJV
fi
fl
fl
Takasumi Inoue
s3142626
fi
fl
fl
fl
central courtyard
central courtyard
central courtyard
(s3169356)
(s3170040)
(s3142626)
(s3160412)
fi
fl
fl
fi
fi
fi
fl
fl
fl
fl
elevation 1:500
section a 1:200
section b 1:200
pool
changing rooms
road view
The access to the swimming pools is by way of a pedestrian ramp, which leads down from the coastal
highway. The visitor descends gradually, simultaneously losing sight of the horizon, into a maze of concrete walls, platforms and canopies of the shower
stalls and changing facilities building. After passing
through its long corridors, partially screened by the
cabinet partitions, a path along a high wall leads back
into the Atlantic light, but the water still remains hidden from view. A subtle play on the senses, this element seems to slice the landscape in two, leaving
only sky visible above and the sea audible beyond.
The composition of these elements as building proper
is understood only from the perspective of the swimming pools, since from the road they appear as an abstract figure, a series of carvings into the landscape.
Many of the materials of the swimming complex had
already been used by Siza at Boa Nova and in other
early projects, but here they achieve an unusual level
of homogeneity: the rough concrete, of a slightly cooler hue than the rock formations, smooth and washable concrete panels for the pavement, Riga wood
carpentry, and green copper roofs, which seen from
the coastal avenue attain a color similar to the pools.
plan 1:500
Leca da Palmeira
Portugal
10