Architectural Lighting - March April 2013

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VOL 27, NO 2
AL
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26
41
CONTENTS
21
FEATURES
INTRO, p. 41
INDUSTRIAL, p. 86
DECORATIVE, p. 42
LAMPS, BALLASTS, AND CONTROLS, p. 88
DOWNLIGHTS, p. 54
LEDS AND DRIVERS, p. 94
DIRECT/INDIRECT, p. 60
SPECIALTY, p. 100
WALLWASHERS, p. 66
EXIT/EMERGENCY, p. 102
TRACKLIGHTING, p. 68
APPS, p. 102
OUTDOOR, p. 74
PRODUCT INDEX, p. 105
FRONT
DEPARTMENTS
Comment Progress? Or Market Disruption?, p. 10
DESIGN
Briefs The Lighting Research Center turns 25; and

the NGL Competition winners announced, p. 12
Report Many lamp options dont meet EISA energy

standards. Large-scale replacement raises questions for
designers and manufacturers, p. 21
Professional Practice How to best manage the

problem of scope-creep, p. 16
Design The new home of the Barnes Foundation in

central Philadelphia sheds new light on the worlds most
important collection of post-impressionist paintings, p. 26
TECHNOLOGY
Technology Once an afterthought in architectural
design, lighting is now securing a front-row seat, p. 37
ARCHLIGHTING.COM
For expanded article content, the latest
news, and calendar listings and blogs.
Also, read AL Notes, our online newsletter
and ARCHITECTURAL LIGHTINGs digital edition.
AL Mar/Apr 2013
BACK
One-on-One Interview with Ron Naus, president of
B-K Lighting and Teka Illumination, p. 112
Cover: Theory, an indirect/direct pendant luminaire, courtesy Focal Point

Top right: Michael Moran/OTTO; Bottom right: Jessica Rubenstein
2013 Product Issue Our annual look at the latest luminaire and related lighting product
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and a full range of internal accessories for manipulating the distribution of light.
Not all LEDs are created equal, the LumeLEX Series is the best for light sensitive materials.
Lighting Services Inc The premier specialty lighting manufacturer.
Visit us at LightFair, Xicato Booth # 3311
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800 999-9574 www.LightingServicesInc.com
Is lighting better off if everyone is playing in the

same sandbox? Or is it more advantageous to have
multiple sandboxes?
PROGRESS?
OR MARKET
DISRUPTION?
Just when you think the lighting industry nally

might have a chance to catch its breathto adjust to
the latest generation of lighting technology as well as
the most recent round of manufacturer mergers and
acquisitionsevents take place that cause a bit of a stir.
Two events, to be specic: the introduction of a 40W
and a 60W A19 replacement lamp at the $10 price
point, and the Federal Consumer Product Safety
Commissions recall of 554,000 A19, G25, and PAR20
LED lamps.
Whats cause for concern about these two events
is not the events themselves or the manufacturers
associated with them, but what they represent in the
larger context of the lighting industry as it works
tirelessly to adapt to changesboth economic and
technologicalthat are already well under way.
As new players enter the industry from other arenas,
whats at risk is its historical sense of fair play and
communal support. No one is denying a company its
ability to be successful and sell goods in a free-market
economy. But in the current lighting marketplace, with
seasoned and edgling manufacturers competing for
the same customers, the gentlemanly type of business
etiquette that was so essential to the lighting industrys
formation may now be at risk. And thats where the two
examples I mentioned above come in.
A $10 LED Light Bulb
The price barrier that separates traditional lamentstyle light sources and LED products has been a huge
issue in the industry, and it has culminated in a holy
grailstyle quest to create an affordable LED replacement
for the iconic incandescent. Many companies (Philips,
GE, Toshiba, Sharp, Lighting Science Group, and 3M)
have introduced versions of an A19 incandescent,
both on their own and through programs such as the
U.S. Department of Energys L-Prize Competition.
But it was not until Crees March introduction of the
aforementioned 40W and 60W A19 replacement
lamps that anyone has approached the $10 price point,
making these products a more competitive alternative
for consumers. (Only the 40W actually dips below $10,
at a manufacturers suggested retail price of $9.97,
while the two 60W versions retail for between $12.97
and $13.97.)
This seems like an important step forward. It also
seems to y in the face of programs such as the L-Prize
Competition, which was launched to create an outlet
for everyone in the industry to work toward a shared
goal. The L-Prize process was by no means perfect,
but its intent, to encourage technology developments
across the industry that aid in establishing baseline
product standards for solid-state lighting, is crucially
important.
10
AL Mar/Apr 2013
COMMENT
So what does it say when companies introduce

products outside of industry platforms such as this?
How can the lighting industry as a whole get a handle
on the complexity of solid-state lighting and establish
the next generation of lighting metrics? Is lighting better
off when everyone is playing in the same sandbox? Or is
it more advantageous to have multiple sandboxes?
Lamp Recalls: A Technology Self-Check
The recalled lamps noted above were produced
between Oct. 4, 2010, and March 18, 2011, by the
Lighting Science Group (LSG), and were sold under
the brand names Denity (Lighting Science Group
brand), EcoSmart (Home Depot brand), Sylvania, and
Westinghouse. The reason for recall? Reports that
overheating was leading to re.
Product recalls are not new, but the one that effected
the LSG LED lamps is the rst one with these particular
shapes (A19, G25, and PAR20). Of course, no technology
is perfect, and companies such as LSG know that a
key part of innovation is risk. This specic recall gives
rise to important questions that the lighting industry
is guring out how to deal with now that solid-state
lighting technology has introduced a new set of issues.
These are questions such as: What is at risk when
the manufacturing process relies on both in-house
production and outsourcing of components? How does
a manufacturer nd trustworthy suppliers? Where do
warranties factor in?
And what about price? This too is part of the
overall issue. As prices drop, is it because the cost of
materials has dropped, or are compromises being made
unknowingly in the production process?
Another unfortunate side-effect of this recall is that
it provides an excuse for some in the industry to pile
on the usual LED bashing. To that, I would simply ask:
Havent we moved beyond this?
The next few months will be interesting. Having sorted
through more than 300 lighting related products for this
annual product issue of architectural lighting, I feel
as though I might know the manufacturers product
offerings as well as they do themselves. Im curious to
see who shows what at Lightfair and how each will be
received in the marketplace.
Im also eager to see who decides to operate within
industry channels and who decides to play outside those
boundaries. For the moment, at least, I havent been able
to decide if thats progress or if its a type of market
disruption that handicaps the lighting industry in the
long term.
Elizabeth Donoff
Editor
AT LIGHTFAIR,
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BRIEFS
ILLUMINATING
THE WAY, 25
YEARS LATER
The Lighting Research Centers
silver anniversary drew 175
industry leaders to Rensselaer
Polytechnic Institute.
text by Wanda Lau
The value of light is typically measured in dollars, color

temperature, or efcacy. But how does one quantify the
sense of security that light provides in a parking garage,
or the increased productivity of workers in a bright
factory? This question of enumerating the objective,
along with the psychological benets of light, was posed
to the roughly 175 industry experts and participants
who attended the 25th anniversary celebration of
the Lighting Research Center (LRC) at Rensselaer
Polytechnic Institute, in Troy, N.Y., on March 20.
Audience members representing a number of
elds, such as architecture, lighting, manufacturing,
and policy, came from across the U.S. and around the
12
AL Mar/Apr 2013
worldincluding attendees from Germany, South Korea,

Taiwan, the United Kingdom, Spain, and Swedento
commemorate the university-based research center
and educational institution. The LRC is internationally
recognized for conducting objective, third-party testing
of lighting products as well as for its research and
development work with lighting technologies and their
associated impact on human factors.
In his opening remarks, LRC director and co-founder
Mark Rea stressed the importance of nding additional
metrics to expand the denition of the value of lighting
to the benet of the environment and society. Because
the private and public sectors gravitate toward objective
perceived metrics, the qualitative real value of lighting
is at risk of being value engineered out of projects.
Keynote speaker Rory Sutherland, vice chairman
of Ogilvy Group UK, enlightened the crowd with case
studies in which prioritizing general psychological
metrics led to tangible benets. The challenge of
ascertaining and communicating the value of lighting
was discussed by a ve-member panel, which included
Sutherland along with Peter Bennich, Solid-State
Lighting chair, Swedish Energy Agency; Steven Briggs,
general manager of Global Product Management, GE
Lighting Solutions; Randy Burkett, president and design
principal, Randy Burkett Lighting Design; and Andrew
Vesey, COO and executive vice president, AES Corp.
During the day, the LRC also hosted an open house
of its facility in the historic W. & L.E. Gurley Building,
which dates back to 1862. Though it may appear like
an old factory with basically empty space, Rea says,

the four-story building allows the LRC to fulll its core
competence to measure light and electricity while
responding to the needs of its particular customersa
diverse range of constituencies that includes the Federal
Aviation Administration and dairy farmers. The space
also allows the LRC to adapt quickly to industry-wide
changes in lighting products. Were not committed to
a technology, Rea says. Were committed to lighting.
The event also celebrated the opening of the LRCs
new photometry laboratory, funded by the New York
State Energy Research and Development Authority
(NYSERDA). Irvin Jack White, the past NYSERDA
president who issued the original 1987 request for
proposals that would establish the LRC, cut the ribbon
alongside Rea and current NYSERDA president and
CEO Frank Murray Jr..
The day culminated at the historic Franklin Plaza
Ballroom, where Rea and other LRC staff paid tribute to
individuals and organizations with longtime afliations
with the center. Rea also announced the launch of the
Glenn W. Bailey Industry Mentor program and its rst
honoree, Fred Heller, chairman emeritus and former
CEO of Genlyte. As part of the program, Heller will
help introduce students and researchers at the LRC to
important practices in the lighting profession. The LRC
then presented a 25-Year Award to NYSERDA for its
leadership in lighting research and support for the center.
For more information about the LRC, go to lrc.rpi.edu
and for event images go to http://bit.ly/13OA7YP.
Wanda Lau
The Lighting Research Center is currently

testing more than 115 lamps for reliability
in its laboratory, which is the only universitybased laboratory accredited by the National
Voluntary Laboratory Accreditation Program.
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NEXT GENERATION
LUMINAIRES COMPETITION
WINNERS ANNOUNCED
The program recognizes energy-efcient LED

luminaires for the commercial lighting marketplace.
text by Elizabeth Donoff
The winners of both the outdoor and indoor categories

of the annual Next Generation Luminaires (NGL) SolidState Lighting Design Competition were announced
in February and March. The outdoor portion of the
competition was announced rst, during the Strategies
in Light conference in Santa Clara, Calif., on Feb.
1214. The winners of the indoor portion of the
competition program were announced on March 20
during LEDucation 7 in New York City.
The NGL competition was launched in 2008 to
promote excellence in the design of energy-efcient
LED luminaires for general illumination in commercial
lighting applications. It also serves as a specication
resource for designers so that they can better
navigate the abundance of luminaire offerings in the
marketplace. The competition is sponsored by the
U.S. Department of Energy (DOE), the Illuminating
Engineering Society, and the International Association
of Lighting Designers. In 2012, the program began to
evaluate indoor and outdoor xtures separately under
two competitions.
In the outdoor competition, 176 products were
submitted for consideration, but only 151 were eligible.
Of those, only 120 moved on to the actual judging stage
as they met both the market readiness and proper
documentation requirements. In the end, 37 luminaires
were recognized from the pool of entries, representing
42 different manufacturers.
Pacic Northwest National Laboratory; Craig Bernecker,

the Lighting Education Institute; Mary Matteson Bryan,
an independent consultant; Nancy Clanton, Clanton &
Associates; and Barbara Cianci Horton, HLB Lighting
Design. The luminaires were evaluated as objects and
tested in their proper eld or site application at the
Virginia Tech Transportation Institute in Blacksburg,
Va., using the following criteria: color, appropriate
illuminance, light distribution, glare control, appearance,
serviceability, value, and energy efciency.
In the indoor category, 28 luminaires were
recognized from a pool of 156 entries. (Only 99 made
it to the judging phase with market-ready samples and
proper documentation.)
The three Best in Class winners were as follows:
Acuity Brands/Lithonia Lightings W Series

LED stairwell luminaire
The entries were judged by a panel of nine

lighting industry professionals: David Ghatan, C.M.
Kling & Associates; Ron Gibbons, the Center for
Infrastructure Based Safety Systems at the Virginia
Tech Transportation Institute; Mike Lambert, KCL
Engineering; Edward Smalley, Seattles City Lights
Streetlight Engineering Unit; Jason Tuenge, the DOEs
14
BRIEFS
The Lighting Quotients fraqtir

Outdoor - Style S170 faade lighting xture
Relume Technologies Oxford Decorative
Acorn streetscape and walkway luminaire
GE Lightings Evolve LED Scalable Cobrahead
roadway xture
Edge Lightings TV and Dial LED decorative
wall sconces
AL Mar/Apr 2013
Digital Lumens' XLE-3-10 Xpress High Bay

industrial luminaire
The 2012 indoor competition reected continued

improvements in LED luminaire ability to address color
rendering as well as increased efcacies. The 2012
winners averaged 75 lumens per watt, compared to 65
lumens per watt in 2011 and 37 lumens per watt in 2008.
The entries were judged by a panel of 11 lighting
industry professionals: Jeffrey L. Brown, Illuminart;
Samantha LaFleur, LaFleur Associates; Scott Shellberg,
Paramont EO; Daniel Rogers, ICF International; Aram
Ebben, U.S. Services; Jim Baney, Schuler Shook; Avraham
Mendall Mor, Lightswitch Architectural; Craig Bernecker,
the Lighting Education Institute; Melanie Taylor, WSP
Flack + Kurtz; Charles Thompson, Archillume; and Mary
Matteson Bryan, an independent consultant. The testing
was conducted at Intelligent Lighting Creations in
Arlington Heights, Ill., and the products were evaluated
both as stand-alone xtures and as installed luminaires
using the following criteria: color, appropriate illuminance,
light distribution, glare control, appearance, serviceability,
value, and energy efciency.
For more information about the NGL program and
the complete list of recognized luminaires in both the
outdoor and indoor competitions, go to www.ngldc.org.
The four Best in Class winners were as follows:
Juno Lighting Groups Trac-Master T254L

Cylindra track-mounted accent luminaire
A few of the Best In Class winners from the

Next Generation Luminaires competitions:
1. The Lighting Quotients fraqtir Outdoor - Style S170
2. Relume Technologies Oxford Decorative Acorn luminaire
3. GE Lightings Evolve LED Scalable Cobrahead
4. Acuity Brands/Lithonia Lightings W Series LED
stairwell luminaire
PROFESSIONAL PRACTICE
MANAGING
SCOPE-CREEP
Limit liability and increase
protability by dening your
scope of work.
text by Peter J. Lamont
illustration by James Provost
Peter J. Lamont is a business and commercial

litigation attorney nationally recognized in a
wide variety of highly specialized areas within
the kitchen, bath, lighting, construction, and
design industries. He routinely represents
various national and international companies
within the design sector, and has achieved the
highest rating in both legal ability and ethical
standards as awarded by AVVO (avvo.com).
16
AL Mar/Apr 2013
Every lighting design project has its own inherent risks

and liabilities. For example, a designer may spend a
good deal of time preparing initial drawings and plans
for a project that ultimately falls through. Or perhaps
the projects owner, developer, or architect les for
bankruptcy protection and the designer is unable to
recover the fees and costs associated with his or her
work. There is very little, if anything, that a designer can
do to prevent the above scenarios from playing out.
But there is one risk that is extremely commonplace,
and often very damaging both to a designers reputation
and protabilityit is called scope-creep. Scopecreep is created as a result of a lack of communication
between the lighting designer and the project owner
and other subcontractors, and by failing to utilize proper
contract procedures. Scope-creep can also be a product
of a designers ego or desire to increase revenue. It is
an equal opportunity dangermeaning that it is equally
prevalent in large commercial projects as it is in small
residential jobs. The good news is that the damaging
effects of scope-creep can be managed or limited by
following a few simple guidelines.
What Is Scope-Creep?
A term coined by project managers, scope-creep is
the continuous growth or change in the scope of a
particular project beyond its original stated intent. In
small residential jobs, lighting designers encounter
this problem when a homeowner or interior designer
expands on the original scheme; in large projects,

the architect may redesign a particular oor or
design component.
In one real world example, which we will use
throughout this article, a homeowner retained the
services of an interior designer to redesign her homes
entire rst oor. The interior designer, in turn, retained
the services of a lighting design rm. Both the interior
designer and the lighting consultant entered into a
standard contract for services that outlined the scope
of the lighting designers responsibilities. Unfortunately,
the lighting designer never spoke to the homeowner
directly and only relied on the interior designers
explanation of the scope of work.
Two months into the project, the homeowner emailed
the lighting designer and requested a redesign of some
of the rooms, as well as additional work in the screening
room in the basement. The lighting designer, believing
that he would be able to generate additional revenue
from the added work in the basement screening room,
quickly agreed. Unknowingly, the lighting designer
germinated the seeds of scope-creep.
Scope-creep is analogous to pachysandra, which is
a low-growing, shade-loving evergreen that spreads
rapidly. If you plant a small patch of pachysandra in the
spring, by the end of the summer it will have doubled
or tripled in size. This is what happens with scopecreep. As you begin to accept changes to the original
scope of work without taking the proper measures
to control scope-creep, your workload will double or
triple, your liability will increase, and your protability
will usually decrease.
What Creates Scope-Creep?
It is most commonly born out of poor communication
between the lighting designer and the homeowner
or architect, or from a failure to implement proper
contract procedures. But scope-creep can also arise from
improper analysis of the original scope of work; failure
by the lighting designer to establish and comply with
internal procedures for dealing with change orders; lack
of communication between the architect, developer, and
owner; the inability to procure certain design elements
for construction materials; the allure of making more
money on the project; or from clients seeking to get
more work out of the designer for free.
What Are the Risks?
Generally, the risks are proportionate to the level of
creep that exists on a particular project or job. For
example, if a homeowner asks a lighting designer to
oversee a small portion of an electricians work, the
potential risk to the designer is relatively minor. On a
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It is imperative, regardless
of whether hired by a
homeowner, developer,
or architect, that the lighting
designer clearly explains his
or her services and expertise
as well as explains what types
of work are includedand
excludedin the project
agreement. This all should
be outlined at the initial
meeting and also should be
referred to briey in his or
her contract. If the lighting
designer is required to sign
the developers or architects
contract, he or she should
look to include language in the
contract clearly establishing
his or her scope of work.
larger project where the potential for creep is greater,

however, the risks can be devastating.
The best way to illustrate the magnitude of the
potential risk is to go back to the aforementioned story
of the lighting designer. Shortly after agreeing to take
on the additional work, the designer began developing
the screening rooms lighting design scheme without
communicating with the interior designer rst. After
spending hours designing the layout, the lighting
designer presented his design to the homeowner and
interior designer. The interior designer explained that
the proposed lighting plan would not work because she
was redesigning the entire basement, not merely the
screening room. The homeowner apologized for not
clarifying the issue with the lighting designer and asked
if he would be able to work with the interior designer to
formulate a new lighting plan for the basement. At this
point, the job had signicantly decreased in protability
for the lighting designer.
The homeowner then approached the lighting
designer and asked if he would supervise her
electricians work, offering an additional hourly fee
for this. The lighting designer explained that he is a
designer and not an electrician but agreed to oversee
the implementation of his lighting plan. The electrician
caused a fair amount of unnecessary damage to the
homes ceilings and walls, which created a nearly
four-week delay. Ultimately, the electrician and lighting
designer were sued for negligence and breach of
contract. The homeowner sought more than $700,000 in
compensatory and consequential damages. In an effort
to avoid the protracted litigation, the lighting designer
settled his portion of the claim for $115,000.
Can Scope-Creep Be Prevented?
While many would like to believe that scope-creep is
something that can be prevented, in reality, it cannot.
Changes to the scope of work are inherent to almost
every project. To suggest that it can be avoided or
eliminated is wishful thinking.
That being said, every job is going to require some
tweaks to the original scope of work. These adjustments
to the original scope are not necessarily damaging if the
increase in scope of work is handled and documented
properly. In other words, you cannot eliminate changes
to the project scope, but you can manage its effect by
following a few simple procedures.
The two best ways to manage changes to the scope
of the project are through proper communication and
contract procedures.
Proper Communication
It is imperative, regardless of whether hired by a
homeowner, developer, or architect, that the lighting
designer clearly explains his or her services and
expertise as well as explains what types of work are
includedand excludedin the project agreement.
This all should be outlined at the initial meeting
and also should be referred to briey in his or her
contract. If the lighting designer is required to sign
the developers or architects contract, he or she
should look to include language in the contract clearly
establishing his or her scope of work.
For example, the designer in our story should have
advised the homeowner in writing that he is not qualied
to oversee the work of the electrician and that he
would only be overseeing implementation of his design.
Separately, he should have advised her that he would
not be held liable for any consequential damages arising
from the implementation of his design. Consequential
damages are damages that are not directly related to
ones contract, but which can arise from his or her
worksuch as penalties for delay or loss of use.
18
AL Mar/Apr 2013
PROFESSIONAL PRACTICE
Changes to the projects scope should be treated as

an entirely new agreement with the client. This means
that you should fully understand the scope of the new
assignment, conrm it with your client, and put it in
writing. Had the designer taken the time to discuss
with the homeowner the nature and extent of his
responsibilities with designing the screening room,
he would have learned that the interior designer had
plans for the entire basement layout. The lighting
designer also should have consulted with the interior
designer concerning the basement plans.
Theres an overlooked and often underutilized word
used to combat the expanding scope of a project: No.
Lighting designers should not be afraid to tell their
clients that they cannot or do not want to expand the
scope of their duties. Had the lighting designer told
the homeowner that he did not want to supervise the
electrician, he most likely would not have been sued.
But if you are interested in expanding the scope of
your work, you must communicate effectively with
your client and stay in control of your clients demands
and expectations.
Proper Contract Procedures
Regardless of whether your client is signing your
contract or insisting that you sign his, it is your
obligation to ensure that the scope of work is
adequately dened. Far too often, general terminology
is used when dening the scope of work, such as
to design and implement a formal lighting plan
throughout oors 1 through 15. This does not
adequately dene the designers scope of work. Specic
language explaining your job and your limitations
should be included in the scope of work section.
If, during the course of a job or project, the original
scope of work changes, you must document the change
in writing. While minor changes or deviations may be
outlined in an email, larger scope changes should be
included in a change order or as an addendum to the
original contract.
Scope-creep is often the result of undocumented
verbal communications. In order to protect yourself,
any conversations concerning the scope of your duties
or responsibilities should be put in writing. That way,
if a dispute arises, you have proof of the agreement.
It is not uncommon to see a lighting designer and an
architect tied up for years in litigation arguing over
non-payment of work done in connection with verbal
scope-of-work changes.
It is very difcult for a designer to claim that he
or she is entitled to payment for additional work
performed if the request for the additional work is
not contained in writing. In fact, much of the litigation
between architects and lighting designers involves
disputes where a designer believes he or she should
be paid for the additional work, while the architect
argues that no request for additional work was
made or that the additional work falls under the
original scope.
So you need to establish protocols to deal with
expanding work scopes. Before the project outline
begins to change, have a standard protocol set up for
which to accept, conrm, and memorialize changes to
the scope of work. One of the easiest ways to deal with
an expansion of work is to make a habit of creating
addendums to your existing contracts. The addendum
should clearly spell out the expanded scope of work
as well as payment terms and conditions. It should be
signed by both parties and should clearly establish your
rights and remedies. While the damaging effects of
scope-creep cannot be eliminated, they can be managed
and controlled through effective communication and
proper contract procedures.
AL LIGHT & ARCHI TECTU RE

DESIG N AWAR DS
magazine announces the 10th Annual AL Light &
Architecture Design Awards honoring outstanding and innovative projects in

the eld of architectural lighting design. Winning projects will be published
in the July/Aug 2013 issue and featured on archlighting.com. The awards
program is open to design professionals worldwide. Projects must have been
completed after July 2011.
Entry Deadline: May 15, 2013
Late Entry: May 31, 2013
Full details and entry forms available at
aldesignawards.com
DESIGN
REPORT
MEET THE
REPLACEMENTS
Many lamp options dont meet
EISA energy standards. Largescale replacement raises questions
for architects, lighting designers,
lighting manufacturers, and clients.
text by Bill Millard
illustration by Jessica Rubenstein
Contrary to what the public has been led to believe, the

Energy Independence and Security Act (EISA) of 2007,
which expanded on the 2005 Energy Policy Act (EPAct)
and began taking effect in July 2012 (and which is to
be phased in through 2014), hasnt banned anything.
There is neither an ofcial war on the familiar A-shape
incandescent lamp, nor a mandate to adopt any
particular alternative. What there is, though, is a 28
percent higher efciency standard, as measured in
lumens per watt, plus baselines for lamp lifetimes.
No conventional incandescent lamp in the 40W to
100W range can meet these criteria, while three major
categories of lampshalogen, CFL, and LEDcan, so
a de facto phaseout of inefcient lamps, no matter the
source, is under way nationwide.
Changing lamp technology and its marketplace impact
started long before EISA, says Domingo Gonzalez,
principal at New York lighting design rm Domingo
Gonzalez Associates. Facilities in many sectors (schools,
airports, and libraries, for instance) havent depended on
incandescents for 15 to 20 years. Comparing the current
situation to the dawn of incandescents in the 19th
century, Gonzalez says, We didnt have to pass a law
banning gaslight. It banned itself.
It might appear that EISA has limited manufacturers
ability to produce lamps, but what it actually has done
is give manufacturers a time frame to develop moreefcient next-generation technologies. The Department
of Energys 2009 Rulemaking on Incandescent

Reector Lamps (IRL) and Linear Fluorescentsrequired
by EISA and covering the R, PAR, ER, BR, BPAR, and
similar lamp shapes, along with linear and U-shaped
uorescentsalso went into effect in July. T12 magnetic
ballasts have been banned from manufacture or import
since 2010, but the sale of inventoried T12 lamps is
permissible. The National Electrical Manufacturers
Association (NEMA) supports the EISA standards, and
major lamp producers have focused on halogens, CFLs,
and LEDs, abandoning incandescents despite the loudly
publicized congressional defunding of EISA enforcement
in 2011.
And the nations lighting is not changing overnight.
Inventories of incandescents, T12s, and older halogens
remain on hand, and habits respond slowly to incentives.
The reector legislation was a bigger shock to the
system, because that was everything all at once, says
Brian Vedder, LED Portfolio Manager at Philips Lighting.
They had this new efcacy requirement, [whereas] the
A-shape [regulation] was phased in over the course of
three years. Still, the scale of change is massive.
Options for speciers boil down to:
A switch to halogen, ideally the newer infrared
(IR) and/or silver-coated varieties, for moderate
gains in efciency but not much gain in
lamp life.
archlighting.com
21
heat, and they emit ultraviolet frequencies that can

damage merchandise. Longevity in the 1,000-hour range
makes current-generation halogens acceptable, but not
ideal, replacements for incandescents in applications
where familiar color rendering is a priority.
As incandescent options fade away, halogens, CFLs, and LEDs

become more viable alternatives. But informed observers
caution that equivalency is a vague term, especially when
it comes to color quality. Instead, they recommend tailoring
features, savings, and timing to specic applications.
A switch to CFLs for comparable energy

gains and longer life if initial cost is the chief
concern; dimming and a tight beam arent
essential; end-of-life disposal isnt worrisome;
and bad memories of early-generation CFLs
with their widely variable quality control and
poor color renderingdont linger.
A switch to LEDs, which requires higher
initial costs and some research on driver
or xture compatibility and color metrics,
but offers better energy savings and lamp
longevity, along with the potential for
sophisticated control options if xtures are
appropriately matched.
A switch from T12 linear uorescents to T8s
(which t the T12 xture, but need a new
ballast) or T5s (requiring new xture and
ballast). This change is required by the 1992
EPAct. (Of note, market parity between T8s
and T12s took until 2001.)
was low-voltage tungsten halogen, to the extent that it

almost became a design mantra. It was no longer about
What do you like? What dont you like? How do you
light a space? It was How do I put the MR16s in on the
project? (But we should not underestimate the vitality
of MR16s: They remain unregulated and are available
in all three major varietieshalogen, uorescent, and
LEDand popular for their small size, range of beam
angles, high CRI, and dimmability.)
As incandescent options fade away, halogens, CFLs,
and LEDs become more viable alternatives. But informed
observers caution that equivalency is a vague term,
especially when it comes to color quality. Instead, they
recommend tailoring features, savings, and timing to
specic applications.
Non-lighting-specialists face a learning curve, having

to translate the familiar 40W, 60W, 75W, and 100W
power levels into the language of brightness (respectively,
about 450, 800, 1,100, and 1,600 lumens). They do,
however, have some help: Manufacturers and the Energy
Star program offer online overviews; and the Federal
Trade Commission, through the Lighting Facts label
program, requires packaging to display brightness,
cost comparisons, longevity estimates, and (if applicable)
presence of mercury. Commercial personnel who are
specifying lamp choices are unlikely to nd lumensper-watt ratios intimidating, but it is also advisable to
become conversant in candelas and color rendering
index (CRI), Vedder says, particularly for PAR lamps in
directional retail applications.
For a purchaser under time pressure whose
circumstances rule out extensive research or sample
testing, Energy Star ratings are a reliable guarantee
of quality in screw-based lamps, notes Joseph Howley,
industry relations leader for GE Appliance and Light.
The important variables are built into the Energy Star
specications: lumen output, candlepower, lamp life,
beam spread, chromaticity, color points, and startup
time, which specically can vary in uorescents.
A key principle in all of these decisions is to assess
the questions that an application presents rather than to
take any one technology for a catch-all answer. Ive been
around long enough to remember 30 years ago when
MR16s came on the market, Gonzalez says. They were
the new, hot thing, and the answer to every question
Halogens: Still Viable, but Not Optimal Long-Term

These lamps offer the simplest substitutions. Its just
another resistive load on the circuit, and the same
rules, Vedder says. If you want a complete, I-donthave-to-think-about-how-it-works [decision], pull out
an incandescent, stick in a halogen, and itll work just
the same. Up-front costs and complex research for a
transition to LEDs may be enough of a hurdle in some
settings that the good-enough option of substituting
halogen lamps, offering about a 30 percent gain in
efciency, will be preferable.
Older halogens, however, will join incandescents
among the phased-out lamps. Halogens in the PAR30
and PAR38 classes, Howley says, will require IR lament
technology, silverized coating, or both to meet energy
standards. Cheryl Ford, marketing manager for Osram
Sylvania, notes that the 2009 IRL regulations call for
replacing the majority of her companys halogen line
by July 2014. Osram Sylvania is pursuing a three-tier
strategy with consumer lamps lasting 1,500 hours, a midrange line lasting 3,000 hours, and a 4,500-hour model
that will be of greatest interest to the commercial market.
Among PAR38 lamps, there is a 30 percent improvement
in efciencynotable, though not competitive with the
80 percent savings from LED PAR38s.
There are also fewer suppliers in the halogen
market than in other sectors, Vedder notes, because
legislated requirements are harder to meet. Whereas
ANSI tolerances for incandescents allowed 4 percent
leeway plus half a watt (some 100W lamps, for example,
actually drew 104.5), the equivalent 72W halogen
has a rm maximum of 72W. Estimates of energy
performance with halogens, however, should include
their thermal effects. Even the new IR halogens, Vedder
observes, waste about 70 percent of their wattage as
22
DESIGN
AL Mar/Apr 2013
CFLs: Cheap, Easy, but Not Universally Loved

Opinions about these once-iconic spiral lamps vary
widely. Still, the CFL has a stronghold on certain
lighting types. Downlighting, however, is not one of
them, Gonzalez says. With price points of CFL and LED
products converging over the past three years, he says,
we havent specied a compact uorescent downlight
in our ofce for sometime. But he views CFLs as
appropriate substitutes for incandescents in restaurant
and hotel applications, despite objections over their color
temperature; he prefers a 3000K white over the common
2700K. A 13W CFLs lamp life of 12,000 hours improves
on a 60W incandescents 1,000, but it does not compete
with an LEDs estimated 25,000 to 50,000 hours.
Though dimming is a persistent problem with CFLs,
Gonzalez notes that major hospitality chains have
standardized using switches instead of dimmers in their
rooms. Dimmability has been an acceptable sacrice for
energy savings, which include indirect HVAC expenses.
Mike Krames, chief technology ofcer of the startup
LED manufacturer Soraa, contends that the CFL era will
be historically brief. The CFL sector blew it, he says.
They didnt see any other technology coming down the
pike [and] ignored LEDs. Having come from a company
[Philips Lumileds] that made both, I can tell you theres
a lot of consternation [about] how to do that transition.
The only metric favoring CFLs, Krames believes, is initial
cost, a variable that is skewed by rebates.
CFLs will remain viable as long as theyre cheaper
than LEDs, Vedder says. GEs Howley notes that CFLs
outperform halogens in longevity, lasting about 8,000
hours rather than 1,000, and that the NEMA Premium
standard for ballasts provides a shorthand for reliability.
As for progress in color quality, Mary Beth Gotti, director
of General Electrics Lighting Institute in Nela Park, Ohio
(just outside Cleveland), has noted that visitors to the
institute pick CFLs over laments approximately half the
time in randomized comparisons.
Upgraded linear uorescents are also alive and
well: Ford, of Osram Sylvania, cites her employers
T8 model, the Octron XPXL (Extended Performance
Extended Life), that is estimated to last up to 84,000
hours on programmed start or 75,000 hours on instant
start. The economics, she suggests, indicate that the
T8 form factor, unlike PAR, is not yet ripe for LED
conversion, except in settings that are hard to reach
or require shatter resistance. High-performance linear
uorescents can also be combined with the same
rms Powersense zero-to-10V dimming ballasts and/
or a lighting-management system such as Encelium, a
exible nonproprietary protocol. With more established
management systems for uorescents than for LEDs,
major migrations to linear LED lamps are unlikely for
about ve or more years, Ford says.
LEDs: Proceed with Eyes Wide Open
For the foreseeable future, LEDs are the fastestexpanding sector. If the descent of some LED prices
to $10 per lamp is any indication, this tendency
should accelerateparticularly, Ford notes, when the
Zhaga Consortiums industry-wide voluntary xture
specications, currently being organized into seven spec
books, catalyze widespread interchangeability among
LED engines, heat sinks, and drivers (See Z is for
Zhaga at archlighting.com/leds/z-is-for-zhaga.aspx).
Another reason for greater LED adoption, she adds,
is the increasingly tight wattage-per-square-foot
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Efciency improvements in the LED realm, says Philips Lightings

Brian Vedder, dont quite keep pace with the 18-month powerdoubling period that Moores Law associates with microchips,
but they are still occurring fast enough to create a dilemma
between early and later adopters. Domingo Gonzalez, principal
of Domingo Gonzalez Associates, sees new breakthroughs in
LEDs appearing every few months, in some cases, every 90 days.
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requirements as states review their energy

codes; the DOE, she notes, is requiring such
reviews by October of this year and the adoption
of ASHRAE 90.1/2010 or equivalent.
Rapid technical progress and price reductions
make it difcult to nd the optimal time to convert
to LEDs, though the extended payoffs are usually
worth the trouble. Efciency improvements in
the LED realm, Vedder says, dont quite keep
pace with the 18-month power-doubling period
that Moores Law associates with microchips,
but they are still occurring fast enough to create
a dilemma between early and later adopters.
Gonzalez sees new breakthroughs in LEDs
appearing every few months, in some cases,
every 90 days.
Replacing other lamps with LEDs requires
attention to xtures and often a conversation with
a lighting manufacturer or consultant. Any time
that you have an electronic circuit and not just a
resistor, you have to translate the input to [the]
dimming function through the electronics, Vedder
says. And any time you do that, you can have
some compatibility issues.
Mixing older and newer LEDs on the same
dimmer circuit is a common source of uneven
performance or shortened lamp life. These
problems can occur whether lamps are labeled
as dimmable or nondimmable, Howley says.
Industry standards for dimming control are in
an early evolutionary stage; some dimmers take
lamps down to 20 percent of their maximum
output and some down to 12 percent, while
others involve awkward step-down functions.
Though manufacturers provide dimming curves
and compatibility information online, all the
sources for this article suggest that direct
testing of sample lamps gives better results than
choices based on spec sheets. Ford recommends
equipment with trailing-edge dimming curves
rather than a four-phase cut. Inrush current can
limit the number of lamps that can go on a single
circuit, and when low-wattage LEDs replace
incandescents, the relation is not always linear.
(One-sixth the wattage per lamp does not mean
its OK to use six times as many lamps on a
circuit.) With LEDs, Ford says, its always good
to install a few before you make any decision.
The only predictable thing about the LED
eld appears to be its unpredictability. Gonzalez
contrasts it to an earlier technology, still valued
for applications where slow warmup times
arent a problem: For many years, we thought
wed hit the wall in metal halide performance,
and then we had a breakthrough called ceramic
metal halide technology, which took it a little
bit further. But we were measuring those
breakthroughs every ve to seven years,
or every 10. With LED technology, were
making a breakthrough every seven months.
So you ask the question: What is the nite limit
of LED performance? Theyre still plumbing it.
They havent found the wall yet.
Bill Millard is a New Yorkbased writer whose

work has appeared in Architect, Oculus,
eOculus, The Architects Newspaper, Icon, LEAF
Review, Blueprint, OMAs Content, The Annals
of Emergency Medicine, College Hill Review,
and other publications.
PHOTO: MATTHEW MILLMAN
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26
AL Mar/Apr 2013
DESIGN
THE ART OF
LIGHTING
The new home of the Barnes

Foundation in central Philadelphia
sheds new light on the worlds
most important collection of
post-impressionist paintings.
text by Aaron Seward
photos by Michael Moran/OTTO
In the early 20th century, Albert C. Barnesa poor

Philadelphia boy who made his fortune from inventing
and marketing the antiseptic drug Argyrolassembled
what is widely considered to be the most important
collection of post-impressionist paintings on Earth.
Before the rest of the world caught on, he was laying
out modest sums for the purchase of works by Renoir,
Czanne, van Gogh, Matisse, and many more. To house
this collection, he erected a stately Beaux-Arts edice
in the midst of an idyllic arboretum in the suburban
community of Lower Merion, Pa. On the gallerys burlapcovered walls, he arranged his pictures in idiosyncratic,
symmetrical layouts that grouped works of art not by
period or artist, but by interrelationships of composition,
color, and form. As a nishing touch, he established a
school on the grounds wherein students were taught art
appreciation. The gallery was not open to the public, but
if you wanted to view its riches all you had to do was
write to Barnes himself. If he liked you, the door would
open. If he didnt, the door would remain shut.
That would have been the state of the collection
forevermore, had Barness will been followed to its letter.
But after his death, a course of eventsmotivated by
a certain ratio of nancial illiquidity, avarice, civicmindedness, politicking, and the ravages of timedrew
this unique body of work out of its institutional connes
and into the public realm. In the late 2000s, the board
of the Barnes Foundation, backed by a court decision,
determined to move the art to a site on the Benjamin
Franklin Parkway in the heart of Philadelphia. The board
then hired New Yorkbased Tod Williams Billie Tsien
Architects to design a new museum.
In a conciliatory gesture to the memory of Barnes,
the new museum was required to re-create the interiors
of the original Merion galleries down to the last detail,
including the exact placement of the works of art.
Outside of that, the architects were free to encase the
galleries within a contemporary wrapper, so long as it
provided the programmatic elementscaf, gift shop,
traveling exhibition galleries, art library, and queuing
spacenecessary for a public building that expected to
host hundreds of thousands of visitors each year.
archlighting.com
27
Site Plan
7
2
3
4
Benjamin Franklin Parkway

The Barnes Foundation at dusk (previous spread). A series of gardens and hard- and soft-scaped
areas surround the museum. Visitors cross a reecting pool as they enter the museum (top).
A sensor on the roofbuilt as a miniature scale-model of the buildingreads the galleries light
levels so that shades can be raised and lowered as needed (above).
28
AL Mar/Apr 2013
DESIGN
1. Entry Court
2. Reecting Pool
3. Pavilion Building
4. The Light Court
5. Collection Gallery Building

6. The West Terrace
7. Parking
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Area
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Architects Tod Williams and Billie Tsien wanted to make sure

that the new Barnes was infused with natural light. To that end,
one of the main architectural features of the project is the Light
Court (left). Here, museum guests make the transition from
the public areas to the galleries. The angled ceilingthe light
canopycaptures southern light entering through a huge light
box that runs the length of the building and casts it down into
the space. The natural light combines with 28W T5 uorescents
and washes the perimeter walls, helping to give the space a
sense of scaleand visitors a reference to the time of day.
NorthSouth Section through the Building
3
4
2
5
1. Entry Alcove
2. The Light Court
3. The Light Canopy
4. Gallery Garden
5. Lower Lobby
30
AL Mar/Apr 2013
DESIGN
But whatever the merits of Barness original museum,

it did have one failing on which everyone seems to
agree: the lighting. The intention, when constructed in
the 1920s, was that the artwork would be viewed in the
daylight from the galleries windows, and in the context
of the beautiful natural landscape that surrounded
the building. Conservationists later discovered the
deteriorating effects of sunlight on the paintings and
drawings, so heavy draperies were drawn across the
museums windows, leaving the art to be experienced
in the gloom provided by incandescent pendant xtures
that hung in the middle of each room.
In designing the new structure, Williams and Tsien
intended to bring daylight back into the Barnes. In
rethinking the problem, Tod Williams says, one of
the rst ideas we had was to try to make sure that the
windows could be real windows, without shades, that
look out onto the parkway landscape.
Early in the process, the architects hired lighting
design rm Fisher Marantz Stone to help devise a
scheme that would combine natural and electric light in
order to create an optimal condition in which to view the
art without causing it to fade. They also made an effort
to remain faithful to the spirit of the original galleries,
while at the same time improving the lighting. We
decided early on that we were not going to light pictures,
we were going to light rooms, says lighting designer
Paul Marantz. The pictures would be lighted because the
room is lighted, so no tracks with lots of spotlights.
In the new building, as was the case at Merion, the
main galleries face south. In large part, this southern
exposure is guarded by an alle of mature London plane
trees that ank the parkway, but a lot of daylight still
gets through, especially during the winter months when
the sun is low in the sky. To mitigate this condition,
the design team specied glazing that cuts out all but
15 percent of transmitted light. The windows are also
outtted with a coating that eliminates 100 percent of
ultraviolet light. Even with these measures in place, the
natural light levels can reach amounts that would alarm
conservationists. So the team equipped the windows
with an automated shading system with two blinds: one
is opaque and the other is a solar shade that reduces
light transmission to 5 percent.
The daylighting combines with an electric scheme
that is made up entirely of indirect uorescent sources.
On the rst oor, 54W T5HO xtures concealed in
the cornice send a wash of light across the ceiling. On
the second oor, T5s concealed in the coves of the
clerestories provide additional indirect light to each
room. The team also designed pendant xtures for each
gallery, equipped with compact uorescent lamps, which
are interpretations of ones that hung in Merion. In the
rst oors smaller galleries, the team applied silver leaf
to the ceilings, providing a more reective surface for the
indirect lighting from the electric sources.
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Lighting remains true in spirit to the layouts of the original Merion site, but a concerted effort was made to light the galleries, not the art. The rst gallery that visitors enter is the Main Room (top).
Highlights here include Paul Cezannes The Card Players and Georges Seurats Models. To address southern light entering the space during winter, when the sun is low, the windows are treated with a UV
coating, and outtted with an automated shading system. In the galleries on the second oor, T5s concealed in the coves of the clerestories provide additional indirect light to each space (above left and right).
32
AL Mar/Apr 2013
DESIGN
PERSONALITIES
THINKERS
EXPERTS
LEADERS
ARCHITECT Live is the ofcial broadcast center of the 2013 AIA National
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In the lower level lobby area (right), the theme of natural light
working in concert with electric light continues. Track-mounted
PAR wallwashers illuminate the art on the walls, while a linear
uorescent covelight uplights the concrete-exposed ceiling.
Daylight, from the gallery garden seen beyond, makes up the
balance of illumination.
All of the uorescent xtures are 3500K color

temperature, Marantz says, warmer than daylight
but cooler than most tungsten gallery lighting. We felt
that if the electric light was going to complement the
natural light in a way that they both work together,
then you needed to have soft sources so that the
transition is less abrupt.
Photo sensors on the gallery wall opposite the
windows monitor the amount of daylight entering
the room and adjust the electrical sources in order
to maintain a consistent light level. The uorescent
sources, however, are never turned off completely.
Another sensor on the roof raises and lowers the
shadesthis sensor is a miniature scale model of the
building. In addition, the automated control system has
optional manual overrides that can dial in the exact
condition desired in any one of the rooms.
The rest of the museum is lit with a combination
of uorescent electric sources and daylight. The most
phenomenal of these spaces is the cavernous court
where visitors queue up to await their turn to experience
Barness peculiar world. Here, Williams and Tsien
reiterated a theme that they have applied to many
projects, most recently the C.V. Starr East Asian Library
at the University of California at Berkeley. The angled
ceiling captures southern light entering through an
enormous light box that runs the length of the building
and casts it down into the space. The natural light
combines with 28W T5 uorescents that wash
the perimeter walls.
The one exception to the uorescent-and-daylight
approach is in the exhibition gallery, which combines
T5s concealed behind a Clipso fabric ceiling with
90W halogen PAR and AR111 xtures on tracks.
Not everyone has been happy with the collections
move from Merion to central Philadelphia. Its
undeniable: Something special was lost in the
destruction of Barness original museum. The old
sylvan setting he cultivated for the appreciation of
art is now used merely for the horticulture education
program started by his wife in 1940. But much has
been gained from the new arrangement. Not only is
this treasure trove of art more accessible and better
protected, it is also easier to see. When we moved into
the new building, everybody said, Oh, you cleaned all
the pictures, Marantz says. That wasnt true. It was
just that the color rendering got improved so radically.
For the rst time since they shuttered the windows at
Merion, you could see the blues.
Details
Ground-Floor Plan
7
1
2
8
5
Project: The Barnes Foundation, Philadelphia Client: The Barnes

Foundation, Philadelphia and Merion, Pa. Executive Architect:
Tod Williams Billie Tsien Architects, New York Landscape
Architect: Olin, Philadelphia Associate Architect: Ballinger,
Philadelphia Lighting Designer: Fisher Marantz Stone, New
York Structural Engineer: Severud Associates, New York
M/E/P Engineer: Altieri Sebor and Weiber, New York
Project Size: 93,000 square feet Project Cost: $150 million

(construction and related expenses) Lighting Cost: Not
available Energy Code Compliance: ASHRAE 90.1-2004
Watts per Square Foot: 1.1 Manufacturers/Applications:
Aurora Lampworks (decorative pendants in galleries); Birchwood
Lighting (T5HO uorescent channel in Light Court clerestory,
T5HO asymmetric reector uorescent uplight in galleries and
clerestories, and linear uorescent uplight in luminous ceiling in
34
DESIGN
AL Mar/Apr 2013
1. Entry Alcove
2. Entrance Lobby
3. The Light Court
4. Exhibition Gallery
5. Gallery Entry
6. Galleries
7. Reecting Pool
8. Terrace
special exhibits gallery); Cooper Lighting, RSA (PAR38 downlights

in auditorium); Edison Price Lighting (recessed-mounted halogen
downlights throughout, track-mounted accentlightshalogen/
day, metal halide/nightilluminate main stairway chandelier, and
tracklighting throughout); Kurt Versen (PAR30 adjustable accent
downlights in gift shop); Specialty Lighting (downlight in Gallery
1, covelighting in auditorium); The Lighting Quotient/Elliptipar
(asymmetric reector linear uorescent channel in Light Box)
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TECHNOLOGY
TECHNOLOGY
A PLACE IN
THE SUN
Once an afterthought in
architectural design, lighting is
now securing a front-row seat.
text by Brian Libby
illustration by Tang Yau Hoong
Architectural lighting designers, once relegated to
specifying luminaires on a room-by-room basis during
late-stage schematic design, are now among the growing
number of consultants gathering around the project
kick-off tableand for good reason. Strictures such as
LEED certication and tighter energy codes demand
an integrated design process coupled with a holistic,
systems-thinking approach.
Case in point: the Ohio State University Wexner
Medical Centers 1.6-million-square-foot expansion.
To achieve the ambitious efciency goal of LEED Silver
certication for a healthcare project the size of 28 football
elds, architecture rm HOK had all hands on deck

from day onefrom the client to representatives of every
major design discipline. Every design move we made had
to be calculated back against a performance criteria, says
Tom Kaczkowski, who leads HOKs lighting group. From
inuencing building siting to coordinating the intensive
infrastructure layouts, the lighting design team needed
to direct design solutions rather than react to them to
meet the buildings performance requirements.
Technology is making early collaboration not only
more imperative, but also more feasible. The evolving
generation of building information modeling (BIM)
programs, for instance, helps prevent costly collisions
in the maze of overhead building systemslighting,
structural, HVAC, electrical, audiovisual, and re
suppression. But to prove the value of illumination,
designers must use more than just software.
Daylight by Design
The industrys increasing role in architectural design
coincides with the growing need to emphasize the value
of lighting in more than just dollars and lumens. Beyond
electric illumination, a lighting designer helps oversee
the design of the entire visual environment, says Russ
Leslie, associate director of the Lighting Research Center
at Rensselaer Polytechnic Institute, in Troy, N.Y.
archlighting.com
37
We have evolved
tremendously. Its not
just about the lighting
equipment anymore.
Over my career, Ive
seen how [lighting
designers have] become
more recognized and
more valued.
Tom Lyman, HDR
To achieve a project teams vision, integrating

architecture, engineering, and lighting should start with
conceptual design, says Tom Lyman, director of lighting
design at HDR, an AEC design rm headquartered in
Omaha. Lighting designers daylighting knowledge
can be used to inform architects about details such
as window sizing, shading devices, and louvers.
Meanwhile, knowing whether an ofce has an open
or enclosed plan, or 4-, 6-, or 8-feet-tall partitions, will
help determine where ambient light and tasklights are
most appropriate, he says. Space planning relates to
our lighting design.
Lyman and his staff create study models in SketchUp
and AGi32 to recommend approaches to architects and
clients. Ultimately, they use detailed AGi32 models for
analysis and Revit for coordinating lighting systems with
architectural and engineering models.
Changing Conditions
As BIM programs such as Revit gain popularity, lighting
designers are increasingly asked to estimate the total
electric load in a building. After all, somebody has
to monitor and track all the lighting in a building,
Kaczkowski says. By embedding smart data such as
lighting loads, lamping data, manufacturers names, and
catalog numbers into Revits lighting families, designers
can assess the projects anticipated energy performance
in real time. You have to say at the end of the day, We
delivered a project that consumes this much energy and
has this many controls, he says.
By coupling BIM with other software programs,
designers can address problems before they happen.
Well use it to run clash detection, a tool to go in and
see what wasnt coordinated, Kaczkowski says. This
digital coordination translates to huge savings in the
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eld where construction mistakes are costly to x.

There are huge benets for Revit and BIM, he says.
Youll see more rms being vetted who are not able
to do it. He cites AGi32, ElumTools (a plug-in for Revit),
and COMcheck as common electric lighting software
programs. Meanwhile, his go-to daylighting programs
include Ecotect Analysis, Radiance, COMFEN, and
DAYSIM.
Software doesnt guarantee project coordination
and success though: good designers and good
communication do. For the Martin Luther King Jr.
National Memorial, in Washington, D.C., Randy Burkett
Lighting Design worked with lighting designer David
Mintz to create an evening illumination scheme that
was as soft and subtle as the sculptures daytime
presence was grand. Professionals in lighting, landscape
design, and architecture came together to generate
mock-ups in the ofce and on the site, Burkett says.
Being involved early on and talking to stakeholders
about what King and the project meant to them changed
the design, he says. If not for the early engagement,
it just wouldnt have happened.
Working across disciplines is becoming essential
not just for veteran designers, but also for those
learning their craft. Even in a scholastic environment,
the [architecture students] are working with interior
designers, who are working with lighting designers,
says Nelson Jenkins, principal of New York Citybased
Lumen Architecture, who also teaches lighting at the
School of Constructed Environments at Parsons The
New School for Design. (The school has been actively
working to integrate its architecture, lighting, and
interior design programs, as well as create dual degree
programs in architecture and lighting.)
To hone their integrated designs, Jenkins says,
students use programs such as Radiance, Ecotect
Analysis, DAYSIM, 3ds Max, and Rhino to ensure that
ideas complement each other from the start. Its picking
each of their distinct views on design and merging them
together, he says. The hope is that you have a more
ushed-out, integrated design in the end.
Minding the Gap
One potential downfall of becoming involved early and
often is that the emphasis on performance and technical
data may make lighting designers work seem more
prescriptive than artistic. Some of my peers complain
that weve almost become lighting accountants, whether
its light levels or consumption, Kaczkowski says.
But with an early say in a project, lighting designers
can become vital to educating other professionals
about common misconceptions in illumination. Take,
for instance, solid-state lighting: While it can help
reduce energy and maintenance costs over time, it often
requires a higher initial investment. Kaczkowski says he
frequently has conversations with other team members
unaccustomed to the price of LEDs. Were still on the
cusp of convincing estimators and contractors, he says.
This balance between right- and left-brain thinking
is precisely a lighting designers niche, Lyman says. Ive
often acted as a bridge between architects and engineers
because we have to be sensitive to both [elds].
Of course, not every project will follow the ideal
model of early collaboration among architects, lighting
designers, and other consultants. For projects not
utilizing BIM software, design teams may be less
motivated to proactively coordinate. But, overall, the
blossoming of integrated project delivery in the early
2000s has helped the design profession see the light.
We have evolved tremendously, Lyman says. Its not
just about the lighting equipment anymore. Over my
career, Ive seen how [lighting designers have] become
more recognized and more valued.
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PRODUCTS
42
54
60
66
68
74
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102
102
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INDEX
text by Elizabeth Donoff

Industry faces and company names
may change, but one thing is constant:
There will always be luminaires. This year,
architectural lighting received more
than 300 lighting-related products for
consideration for our annual product
issue, which we narrowed down to just
over 150. Thats never an easy task,
nor one that we take lightly. So how do
we decide what to include? First, we rule
out any products that we have already
covered over the past year. Then, as we
read through the literature and technical
spec sheets, we ask: Is this something
a lighting designer or an architect would
specify for a project? We also take
into consideration evolving lighting
technologies and how they are playing
out in the marketplace. Once the
decisions have all been made, we then
cull the salient features of a product to
provide you with a useful snapshotas
we do with all of our product coverage
throughout the year. Consider it our
way of providing you with an advanced
scouting report.
archlighting.com
41
DECORATIVE
Possini Euro Chrome Ring LED Pendant, Lamps Plus Designed for foyers, large
Deyo, Hudson Valley Lighting
rooms, and dining areas, the Possini Euro Chrome Ring LED Pendant uses 12 1W LEDs as its light
source, which are positioned in 12 separate chrome spheres. The xture measures 18 1/2" wide by
2 1/2" high and includes 12' of cable and wire to suspend the xture from the 6 1/4" wide canopy.
lampsplus.com/pros Circle 100
The Deyo table lamp suspends a wide, white

drum-shaped shade from a curved metalwork
base that is available in either a gold or silver
nish. The curved arm is anchored in position
by a small cylindrical base and kickstand-like
leg that together stabilize the structure.
hudsonvalleylighting.com Circle 101
42
AL Mar/Apr 2013
Rue Picot Light Series, Unitve Design Designed by Kelvin Goddard and Lisa Santana
of Unitve Design, the Rue Picot Light Series resulted from a custom lighting solution that the
duo originally designed for a project completed by Toronto and New Yorkbased design rm Yabu
Pushelberg. Now the line includes three different shaped pendants: round, oval, and petal. Each
xture is composed of a minimum of 2,000 linear feet of antique brass wire that is hand-cut and
woven together. The wire formations radiate out from the light sourcea single 40W lamp. Stem
lengths for the canopy can be customized to project and site needs. The round version is available
in four diameters: 47", 60", 78", and 96"; the oval has a 60" diameter; and the petal has a diameter
of 34". unitve.ca Circle 102
Naked Pendant, Ayre Architectural

Lighting The Naked Pendants streamlined design is free of any visible screws or
decorative fasteners. The GU-5.3 socket base
serves a dual purpose: It supports the clear
mouth-blown glass diffuser and takes one of
two types of lampseither a 35W 3000K
MR16 or a 10W 3000K LED. The xture is
nished in brushed nickel, matte black, or
chrome, and measures 60" high by 6 1/2"
wide by 7" deep. ayrelight.com Circle 103
Lace Metal, Form Us With Love for

Cappellini Designed by Stockholm-based
design studio Form Us With Love, the Lace
Metal lamp features steel mesh with gradientsized holes, which resemble lace. The design
was inspired by a manufacturing technique
observed at the metal-working factory of one
of Swedens oldest companiesHa Bruks.
The small holes on the xture gradually become
larger, moving from the top to the bottom
as they diffuse light. The luminaire measures
just over 5' tall and the shades diameter
measures 27.5". Finish options are black and
white lacquered matte. www.cappellini.it
and formuswithlove.com Circle 104
archlighting.com
43
Elliptic Constellation Chandelier, jGoodDesign The Elliptic Constellation Chandelier

is composed of hand-blown glass and hand-brushed aluminum or brass. The chandeliers are fully
customizable in terms of size and overall conguration. Lamping options include incandescent,
LED, halogen, or uorescent. The various glass color options include clear, gray, Caribbean blue,
amber, black, bronze, and dark purple. jgooddesign.com Circle 105
Bordeaux, Troy Lighting The Bordeaux chandelier features hand-worked wrought iron in
a Parisian bronze-nish, hand-carved wood accents in a distressed gold nish, and crystal strings.
The chandelier version is available with ve, 10, or 15 lamps (candelabra-style), and is also available
as a one- or two-lamp sconce. troy-lighting.com Circle 106
44
AL Mar/Apr 2013
DECORATIVE
Fin, Kozo Lighting The Fin pendant, which measures 18 1/2" in diameter, is composed of a
series of spherical polycarbonate sheets that recall the shape and texture of a shs ns. The xture
is suspended from a white canopy by a stainless cable assembly. Lamping options are either 100W
medium base incandescent or 24W GU-24 uorescent. kozolighting.com Circle 107
JUST THE RIGHT LIGHT

Aramis LED uses an innovative approach to general-purpose
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LED technology to deliver high efciency, performance and
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1000 to over 4000 delivered lumens

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Artic Grande, Tech Lighting The metal arms of this decorative pendant simulate the
path of the light emitted from the luminaire. A high-gloss, semi-translucent shade, available in three
nishesblack-gold, black-silver, or white-silverallows the silhouette of the light source to be
seen. The xture ships with a satin nickel canopy, 21' of eld-cuttable cloth cord, and 12' of
aircraft cable. Lamping options include 60W S21 Squirrel Cage lamps, 11W 3000K LED PAR30,
or 75W Halogen PAR30. The luminaire is dimmable with a standard incandescent dimmer.
techlighting.com Circle 109
Lansing, Hudson Valley Lighting

Designed for residential or commercial settings,
the Lansing pendant is inspired by 1930s
overhead xtures that replaced workbenchmounted lamps. Its die-cast lamp-guard
protects the glass diffuser, which houses 12
1.2W LEDs. Finish options are polished or satin
nickel and can be combined with black or white
accents. hudsonvalleylighting.com Circle 108
Ice Block, Boyd Lighting The Ice

Block series of sconces uses glass as its
primary material to highlight the different
qualities of light. The xtures are particularly
well-suited for hospitality, healthcare, and
general commercial applications, and are
available in both a rectangular and an oval
version. The luminaires use two 4" LED
strips. Backplate nish options are black
granite, matte white, or polished nickel.
boydlighting.com Circle 110
46
AL Mar/Apr 2013
DECORATIVE
Boccia, Bof Designed by architect

Piero Lissoni, and composed of opal glassbowls, Boccia is available in pendant (shown)
and wall-mounted versions. The pendant style,
which uses a G9 lamp, attaches to its ceiling
mount with telescopic, height-adjustable
aluminum tubes. The wall-mounted version,
shaped like a slightly attened sphere,
is supported by a satin stainless steel ring
and uses a 12W LED as its light source.
bof.com Circle 111
Vela OLED Chandelier, Modern Forms, a WAC Lighting Company The Vela
Organic LED chandelier features a thin prole (2 1/4") crafted from aluminum with a brushed nish.
Available in two congurations, with 12 (six arms) or with 24 (12 arms) OLED panels, half of the
panels emit light upwards and the other half provide downlight. The luminaire has a color temperature
of 4000K, a lumen output of 2,040, and a CRI of 80. The six-arm version measures 13" wide by 24 5/8"
long and the 12-arm version measures 28 7/8" wide by 50 7/8" long. modernforms.com Circle 112
Atelier, Sonneman The Atelier family

of xtures features a sconce (three-light,
shown) and two pendant versions (six-light
and eight-light). The luminaire was created
for open spaces and was designed with a
contemporary industrial aesthetic. Candelabrabase 60W lamps are positioned on movable
arms. The frame nish is satin black. The
pendant versions mount 6" from the ceiling.
sonnemanawayoight.com Circle 113
Anora, Hellman-Chang The Anora

lamp, by Brooklyn, N.Y.based furniture studio
Hellman-Chang, is the companys rst foray into
lighting. Using the studios Z line form, the
xture is made of solid wood (maple, walnut, or
oak) and features an asymmetrical lampshade
composed of white linen with a blackened
stainless steel interior frame. Anora measures
15" wide by 16" deep by 64" high, and can
be used with standard 65W, 75W, or 100W
halogen lamps. hellman-chang.com Circle 114
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DECORATIVE
Zynn
Zynn Features
Multiple mounting and performance options.

Low-profile design and aiming flexibility.
Over 40 finish options.
Fluorescent and LED lampings.
Integral and remote options.
Pull, Tech Lighting The Pull wall sconce, available in two sizes, features a metal shade
nished in either a black or white matte rubberized paint, and a fabric cord that adds a pop of color
with options in orange, gray, or black. The xture is lamped with an 8W, 400 lumen, 3000K LED
module. Both sizes have a width of 4.35" and a depth of 3.9"; however, the small Pull measures
7.45" high, while the large Pull is 12.2" high. techlighting.com Circle 115
Juno Chandelier, Derek Marshall The Juno Chandelier is composed of three cylindrical
pendants that are suspended from an S-curved armature. Each pendant features three
overlapping, curved petals of American art glass. These, in turn, are fastened together with
stainless steel screws. Available in more than 40 glass colors and various metal nishes, the Juno
Chandelier measures (from the armature) 28" in diameter and 15" deep. Lamping options include
three 100W incandescents, halogens, or compact uorescents. derekmarshall.com Circle 116
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DECORATIVE
Meltdown, Cappellini Meltdown was

designed by Johan Lindstn and is composed
of thin, colored, spherical-shaped, hand-blown
glass suspended from a mount. Inspired by the
2011 nuclear disaster in Fukushima, Japan,
the Meltdown xture has an 11" diameter and
comes in six colors: dove, pink, tobacco, light
blue, amethyst, and amber. The luminaire
can be arranged linearly or in a cluster.
www.cappellini.it Circle 117
The Award-Winning karoLED Family
JUST GOT
BETTER
Introducing the exciting
new karoLED Post Top LED
Luminaire from EYE Lighting!
Best-in-Class Backlight, Uplight and Glare control optics
are now available in the beautiful, clean lines of the
karoLED Post Top LED Luminaire.
To learn more about karoLED,

visit www.eyelighting.com/LED
Call us at (888) 665-2677 or
email us at EYE.LED@eyelighting.com
Planar 2D P-180
Series, DigitalSpeck
Lighting The Planar
2D Series pendant is part
of Manning Lightings new
dedicated line of solid-state
luminaires called DigitalSpeck
Lighting. Six strips of 42W
4000K LEDs are integrated
into two bisecting anodized
aluminum planes that
simultaneously serve as
the heat sink. A proprietary
microlens pattern evenly
illuminates both sides of the
extrusions and produces
4,410 total lumens. Each LED
board is compatible with 120V
or 277V electrical systems
and zero-to-10V dimming
equipment. digitalspeck.com
Circle 119
Cylindro Pendants, Delray Lighting Designed for lobbies, reception areas, and retail
applications, this family of cylindrical pendants provides diffuse light using LEDs in either red,
blue, cool white, warm white, or RGB sequence. The xture has a white frosted acrylic diffuser
and is constructed of curved, extruded aluminum available in three standard nish optionsblack,
white, and silveras well as custom RAL colors. The Cylindro IIs lighting element is located on the
inner side of the aluminum housing, while the Cylindro IIIs (shown) lighting element is positioned
on the outside of the aluminum housing. Both models are available in 3', 4', and 5' diameters.
delraylighting.com Circle 120
Marrakesh, Boyd
Lighting The Marrakesh
Houdini, Corbett Lighting The Houdini family of xtures, designed for the contract
hospitality market, features several pendant congurations as well as a sconce option. The
luminaire was designed as a series of chandeliers alternating in tilted cubes made of hand-cast iron,
textured and dipped in silver or gold leaf. Polished stainless steel accents and a two-toned square
canopy complement the candelabra lamps. corbettlighting.com Circle 118
52
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DECORATIVE
family of luminaires features

contemporized Middle Eastern
design motifs and includes
pendant and wall-mounted
versions. A candle with
a copper ame sits at
the center of the xtures
cagelike ribbed housing and
a concealed lampeither a
50W (max.) halogen or a 10W
(max.) LEDdownlights the
ames tip giving the illusion
of an actual candle. The
xture is UL damp-rated for
interior use and, depending on
the style (pendant or sconce),
the luminaire ranges from
18 1/2" tall by 9" wide to
27" tall by 12 1/2"wide.
boydlighting.com Circle 121
Can you pass a simple one question lighting design test?
What does
all of lighting shown here
have in common?
If you said it's all
NoUVIR LIGHTING you
nailed it!
For more great answers check below or call us for all the details at
3026289933
Pure-white, stone-cold, fiber optic lighting with No UV and No JR... only from NoUVIR!
MORE ANSWERS: A. In each installation a single light bulb powers up to 32 individual spotlights. B. Each installation saved 50% to 70% in total energy use
(compared with conventional lighting). C: Each has warm color (3200K), perfect balance and a perfect CRI of 100. D: Each has no UV and no IR. (Nada ... zero ...
zip... zilch... none!) E: Each reduces photochemical damage by 80%. F: Each offers perfect control over aim and focus and intensity (except for the 3 candlepower candles).
G: Each spot adjusts from 15 to 50 with even beams and no spill (5 to 50 for Pinspots). H: Each has a full 10-year hardware warranty (that includes fiber).
W W W
n 0 u v
c 0 m
DOWNLIGHTS
Xacara Tiros LED, Beta-Calco

Designed for retail and commercial display
applications, the Xacara Tiros LED, part of
the Xacara family of luminaires, is available
in multiple xture-head congurations (from
two to 12) and comes in several lengths
(from 33.5" to 134"). Each xture head can
be adjusted individually while illuminated and
is available with 26W LEDs in 3000K, 3500K,
or 4000K with a CRI of 80 or 90, depending
on the color temperature. The housing and
trim is composed of steel and extruded
aluminum with a metallic silver powder coat
nish. betacalco.com Circle 122
Y Series Downlight Family, Lucifer

Lighting Designed for ceilings with a
height of up to 30', the Y Series Downlight
Family is available in round and square
apertures and can be used for both interior
and IP-64-rated exterior applications. The
xture uses Xicatos LED module as its light
engine, and has three lumen package options:
1,250, 2,250, and 3,000 lumens. Multiple lens
offerings and effects devices provide a range
of beam spreads. The adjustable model can tilt
up to 45 degrees with full internal rotation and
room-side locking, while the wallwasher model
provides even illumination without scalloping
when spaced at 3' to 5' at 3 1/2' to 5' o.c.
luciferlighting.com Circle 123
54
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Compact LED IP65, Erco The Compact LED family of luminaires is designed for outdoor
areas, arcades, passages, and atriums. The lens system produces uniform distribution and uses
an anti-glare ring and cross bafe with a cut-off angle of 30 degrees. Available in 8W to 40W, the
xture produces 640 to 4,000 lumens with Wide Flood (980 degrees) and Oval Flood (45 degrees
by 90 degrees) beam distributions. The housing is composed of cast aluminum with a silver powder
coat nish. erco.com Circle 124
CR4 and CR6 LED, Cree The CR4 and CR6 LED Downlights are designed for both
residential and light commercial applications, and can be installed in most standard 4" and 6"
recessed housings. The luminaire maintains a high color consistency due to Crees TrueWhite
technology, which provides a CRI of 90-plus. The CR4 delivers 575 lumens and is a direct
replacement for a 50W 4" incandescent downlight; the CR6 delivers up to 800 lumens and
is a direct replacement for a 90W, 46" incandescent downlight. cree.com Circle 125
5" Eco-Downlight, Creative Systems Lighting The 5" Eco-Downlight is offered in

remodel and new construction versions and delivers 2,200 lumens. Featuring both an 80 and a
90 CRI package, the xture offers a full range of dimming capabilities including incandescent,
electronic low-voltage, and zero-to-10V. The downlight also includes 12-, 25-, 45-, 65-, and
85-degree beam spreads and offers three color temperatures: warm white (2800K), soft white
(3500K), and natural white (4000K). csllighting.com Circle 126
ICL-MBS, Intense Lighting The ICL-MBS is a multiple-lamp recessed luminaire with two
retractable heads. Designed for accent lighting, each head is capable of up to 60 degrees vertical
tilt at the full pull down position and also features a vertical locking mechanism. Available in
one- to four-xture head congurations, the ICL-MBS has four light engine options (24W, 36W,
48W, and 56W), a range of lumen outputs (800 to 1,700) and two CRI options (82 and 92).
intenselighting.com Circle 127
S9051 LED Downlight Series, Orr Lighting Designed for both commercial and
residential use, and for both new construction and remodel installations, the S9051 LED Series
downlights are available with a 4" aperture. The xtures use Nichias high-efciency LEDs in 15W
or 21W and have a dual 55-degree/40-degree beam angle. Trim nishes are available in brushed
aluminum, graphite, and white. orrlighting.com Circle 128
archlighting.com
55
Incito, Acuity Brands/Gotham

Architectural Lighting Available
as a 6" round, a 6" square, or a 6" cylinder,
the Incito LED family of downlights allows
designers to congure luminaires for ceiling
heights ranging from 12' to 100'. The xtures
LED technology allows for numerous lumen
packages ranging from 2,000 to 6,500 lumens
and beam distributions from 20 to 70 degrees.
Color temperature options are 2700K, 3000K,
3500K, and 4000K. Dimming capabilities to
less than 1% are also available.
gothamlighting.com Circle 129
LED Monopoint, No. 8 Lighting Part of the Beyond Halogen LED family of luminaires, the
LED Monopoint is Title 24 compliant. It uses Philips Lumileds Luxeon S LED with an 85 CRI, 3000K,
1,050-lumen light engine. The xture is ceiling- and wall-mountable and the xture head can adjust
up to 320 degrees and tilt up to 100 degrees. The all-aluminum housing has four nish options: white,
black, oil-rubbed bronze, and satin aluminum. UL listed for damp locations. 8lighting.com Circle 130
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DOWNLIGHTS
A2LED, Prescolite Part of Prescolites 2" LED series, the A2LED was designed to address
sloped ceiling conditions as well as accent lighting applications. It uses Xicatos Artists Series LED
module and has a 35-degree optical pattern that can be adjusted and locked up to 30 degrees from
vertical. The luminaire is capable of 360-degree rotations and is compatible with new construction
or retrot installations. prescolite.com Circle 131
3BEJPNFUFST
monitor sky
conditions in
real time to
control shade
positions.
Automated shades
in Washingtons
USGBC
Headquarters.
MechoSystems makes the key

automated window-shading ingredients for LEED points in Daylight,
Lighting Controls, and a number of
other categories. Our SolarTrac
WindowManagement system, as
an important example, is part of the
recipe for the LEED Platinum-rated
USGBC Headquarters.
SolarTrac ingredients:
t$BMDVMBUFTTVOBOHMFTBDDPSEJOHUP
building and zone criteria.
t"VUPNBUJDBMMZBEKVTUTTIBEFTUPmWF
incremental positions.
t0QUJNJ[FTOBUVSBMMJHIUBOE
avoids glare.
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And it all makes everyone happy.
SolarTrac
T: +1 (800) 437-6360
F: +1 (718) 729-2941
E: marketing@mechosystems.com
W: mechosystems.com
2012 MechoShade Systems, Inc. All rights reserved. All trademarks herein are owned by MechoShade Systems, Inc. No part of this advertisement may be reproduced or otherwise used without the express written consent of MechoShade Systems, Inc. Larry Olsen Photography
Were part of
the recipe.
^
^
TP20LDL, Inter-Lux/Whitegoods The TP20LDL is a 3/4 " continuous linear recessed
^
downlight with a very minimal footprint. It is designed for trimless plaster-in applications in walls
and ceilings and can be specied to custom lengths. The luminaire provides 492 lumens per foot
at 3000K with a CRI of 85, and has a snap-in opal acrylic diffuser. inter-lux.com Circle 132
Introducing Brucks Line Voltage Track Systems.

The new GEO 2 circuit and ECO 1 circuit are ideal
for our Chroma LED track heads delivering up to
2200 lumens of perfect color. All Chroma fixtures
carry the industrys first 5 YEAR NO COLOR SHIFT
WARRANTY.
3 line voltage track systems

Chroma performance LED track heads using XICATO
HID, CFL, PAR offered
Extensive offering artisan glass and metal shade pendants
B-Quick: quick ship 0-5 days
Custom design capabilities
LightFair Booth #3311

>
WILA is synonymous with LED innovation. Our

award winning LED designs are more than just
downlights. They enhance the visual environment
with industry best color quality and proper light
distribution. Offering the industrys first 5 YEAR NO
COLOR SHIFT WARRANTY.
4" LED Downlight, Nora Lighting Designed for residential interiors, the 4" LED
Downlightthe latest model in the companys Diamond Seriescan be installed in retrot or
dedicated housings, and provides up to 610 lumens with a CRI of 94. Available in 2700K, 3000K,
and 4000K, the xture operates with leading edge electronic dimmers as well as trailing edge
incandescent dimmers. noralighting.com Circle 133
Chroma Series: XICATO LED for SDCM of 2X, 1Y

bet Series: fully adjustable with precision variable
lens system
Tentec Series: economical, quality, performance,
^DW

Evoke 2.9 Second Generation Downlights, Amerlux The Evoke 2.9 G2 LED
t>
'd(
W&

Downlights were designed for upscale residential and retail settings as well as a variety of
commercial applications. The luminaire is available in 2700K, 3000K, 3500K, and 4000K;
produces more than 670 net lumens; has a CRI of 82 to 90; and a beam spread range from
15 degrees to 60 degrees. amerlux.com Circle 134
DOWNLIGHTS
LED Cylinders, Cooper Lighting, Portfolio The LED Cylinders from Cooper
Lightings Portfolio line are well-suited for high-ceiling installations and where plenum
space is limited. The luminaire offers lumen packages of 1,000, 1,500, and 2,000 with color
temperatures of 2700K, 3000K, 3500K, and 4000K. The curved transitional lens design
aids in reducing LED brightness, and a two-stage reector system provides low aperture
brightness. Housing nish options are available in white, matte black, bronze, or silver.
cooperlighting.com Circle 135
Tesla High Output LED Recessed Downlights, WAC Lighting Available

with 2" and 3 1/2" apertures, the Tesla High Output LED Recessed Downlights offer a
variety of styles and optics including a Spot (15 degree), Narrow (26 degree), and Flood
(45 degree) beam spreads. Delivering the same lumen output as a 50W MR16 halogen
luminaire, according to the manufacturer, the Tesla High Output LED Recessed Downlights
use 60% less power. waclighting.com Circle 136
TLS-DCA6 and TCL-DCA8 LED Downlights, Toshiba The TLS-DCA6 and
LED lighting with dimensional appeal. Low glare,

diode-driven luminaires with precisely engineered
performance optical components.
digitalspeck.com
See us at Lightfair Booth #612
TLS-DCA8 LED downlights, well-suited for museum and retail applications, are designed to
be direct replacements for metal halide or other HID downlights. These luminaires offer lumen
outputs of 2,800, 5,500, and 8,500; color temperatures of 2700K, 3000K, and 4000K; and have
apertures of 6" and 8", respectively. toshiba.com/lighting Circle 137
2013 Manning Lighting, Inc. | Sheboygan, Wis. USA

DIRECT/INDIRECT
Theory, Focal Point Theory is a 4'-long LED pendant with an edge-lit, patterned, tubular
body and die-cast polished chrome end caps. Concealed LEDs provide both direct and indirect light
distribution at either 3000K or 3500K. The dual circuit operation modulates whether the light is
all on, inside only of the luminaire body, or outside only of the luminaire body. The 60" adjustable
aircraft cable suspension provides low-voltage power delivery, while the acrylic canopy and yoke
provide below-ceiling access for hard surface applications. Zero-to-10V dimming is a standard
option. focalpointlights.com Circle 138
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Lucen, Pinnacle Architectural Lighting

Lucen, which has both a uorescent and LED
version, features a convertible LED option enabling
the luminaire to be eld-upgraded as higher
LED efcacies become available. It is available in
3000K, 3500K, and 4000K with a CRI of 80-plus,
and three sizes: 2' by 2', 2' by 4', and 1' by 4'.
pinnacle-ltg.com Circle 139
AL Series, Acuity Brands/Lithonia Lighting The AL Series of ceiling luminaires
Step Up Slim, Inter-lux/Filix This linear recessed LED xture is designed to be installed
features both a uorescent version (2AL) and an LED version (2ALL). The 2AL can be lamped with
a 14W T5, a 17W T8, a 24W T5HO, or a 40W CF40. It also includes an instant-start electronic
ballast and is suitable for damp locations. The 2ALL is rated to deliver 3,700 lumens and contains
nLight embedded controls that make each individual luminaire addressable. Both xture versions
are available in three sizes: 1' by 4', 2' by 2', and 2' by 4'. lithonia.com Circle 140
in-grade or in oors, either outdoors or indoors. It has a stainless steel housing that measures 1.3"
wide by 3.6" deep, and a 3/8" tempered glass lens. It is available in two lengths: 16" and 40"; and
four color temperatures: 3000K, 4000K, Blue, and RGB. It provides 3W and 165 lumens per foot.
The xture is supplied with a universal power supply (120V277V) and a zero-to-10V dimming
driver. Filix is IP-68 rated for wet locations and walkover conditions. inter-lux.com Circle 141
LED Door Retrot, Harris Lighting This LED Door Retrot kit is contained entirely
within the door frame. It features adjustable latches and hinges to ease installation. The door frame
comes in powder coated white or matte aluminum and includes three light engine options: 25W,
37W, or 55W in three color temperatures: 3500K, 4000K, and 5000K. Occupancy sensors and/or
photocells can be integrated into the assembly. harrislights.com Circle 142
LED High Efciency, Expansive Cavity Recessed (ASC), LSI industries
Wing, Prudential Ltg. The Wing architectural recessed luminaire features the companys
Staple, Acuity Brands/Peerless Lighting The Staple family of luminaires is a suite of
patent-pending FusionOptics, which distribute an even wash of soft light on the work plane. The
luminaires wide-angle distribution limits unwanted light that falls in the glare zone above 65 degrees.
Wing is available in both uorescent (T5, T5HO, T8) and LED (3000K and 4000K) versions, as well as
in various sizes including 1' by 1', 1' by 4', 2' by 2', and 2' by 4'. RightLight sensor technologies can be
integrated into the xture for daylighting strategies. prulite.com Circle 144
suspended and wall-mount xtures that are available for T5, T5HO, or T8 linear uorescent lamps.
Staple is offered in 4', 8', and 12' lengths and can be installed as an individual xture or joined
together to form a continuous run. Different shielding, reector, and lens options provide glarefree illumination. Acuity Brands nLight Micro Sensor can also be integrated into select models.
peerlesslighting.com Circle 145
This LED luminaire is designed specically to provide uniform illumination throughout a room from
oor to ceiling. It is available in three sizes: 2' by 2', 2' by 4', and 1' by 4'. All have a depth of 3.5".
Color temperature options are cool white, neutral white, and warm white. lsi-industries.com
Circle 143
archlighting.com
61
Cirrus Channel, Edge Lighting Designed for architectural lighting, tasklighting, general
lighting, or retail applications, the Cirrus Channel is available in 12" increments up to 120" and has
a direct 1" (D1) at linear lens with a 100-degree beam spread. With its smaller prole than T5
xture options, the LED luminaire provides continuous illumination up to 40' without dark spots.
It is available in warm white (2700K or 3000K), has a CRI of 82, and operates on a 24V DC
system. Housing nish options include satin nickel, chrome, antique bronze, satin aluminum,
white, and black. edgelighting.com Circle 146
Lumenline, Lumenpulse The Lumenline family of indirect/direct LED luminaires is designed

for indoor commercial and institutional applications. With its slim prole of 2.5", it is available
in pendant, surface mounted (shown), and recessed versions, as well as single units in 1' to 8'
increments or continuous runs. It delivers 59 lm/W with a CRI of 80-plus. The housing is composed
of a polyester powder coat nish and an extruded acrylic lens. Reector assembly and control gear
access is done via a toolless system. lumenpulse.com Circle 147
62
AL Mar/Apr 2013
DIRECT/INDIRECT
Aerial, Litecontrol Aerial is a uorescent luminaire designed specically for spaces with low
ceilings or very high open ceilings where energy codes limit indirect lighting options. It can be either
pendant or surface mounted and can be lamped with a T5, T5HO, or T8. The direct option provides
100% downlight and the semi-direct option provides 2% uplight. The xture comes standard with
a high-reectance white reector; for wider light distribution and increased xture spacing, a broad
distribution reector can be specied. litecontrol.com Circle 148
When Light Level Matters
Specify LumenTrac
U.S. Patent No. 8,111,388
Controller
IW2DL, Engineered Lighting Products Designed specically for spaces with video
conferencing capabilities, the luminaire delivers indirect vertical illumination to an individuals face so
that the person looks good on camera. It does this by providing an asymmetric cross wash of light.
The luminaire is designed to be installed centered along the length of a conference table in a room
with 8' to 9' tall ceilings. The 5" deep xtures comes in two sizes, 2' by 2' or 2' by 4', and can be
used with a T5 or Biax lamp. elplighting.com Circle 149
Sensor
Module
FlatLight Fixture, Pixi Lighting Meant to replace uorescent 1' by 4' and 2' by 2' ceiling
xtures, FlatLights can be installed either as a pendant or in a T-Drop ceiling grid. The edge-lit
LED luminaires offer bright uniform light at 4000K with a CRI of greater than 80 and a lumen
output of 4,200 lumens. Suitable for dry locations, the luminaire does not offer dimming
capabilities. pixi-lighting.com Circle 150
TruLine LED, Pure Lighting

The TruLine LED is designed for indoor
applications and is available in 1' increments
up to 10'. It features 24V commercial-grade
LEDs inside a slim, paintable aluminum
extrusion and can t in drywall from 1/2 " to
1" thick. The TruLine LED delivers 122 lumens
per foot at 2700K or 3000K and is dimmable
using a zero-to-10V constant voltage power
supply. purelighting.com Circle 151

TM
Proteon SL LED, Acuity Brands/

Lithonia Lighting Designed for
commercial, retail, and institutional settings,
the Proteon SL LED is available in 4' and
8' lengths and features continuous-row
installation. Custom optics provide even
illumination for the luminaires four beam
distributions: Aisle, 17-degree off center;
Aisle 24-degree off center, Narrow Area; and
Wide Area. Occupancy and photocell sensing
and an emergency backup accessory are
integrated in to the xture. lithonia.com
Circle 152
Drive LED, Inter-lux, Schmitz These luminaires, designed to be installed in ceiling and
wall applications, have an anodized aluminum housing and an acrylic white or prismatic diffuser. It
is available in 3000K (78 lm/W) or 4000K (84 lm/W) with a CRI of 80-plus. The xture comes in
four sizes: 14.7" square; 25.5" square; 14.7" wide by 25.5" long; and 14.7" wide by 36.4" long.
inter-lux.com Circle 153
Sketch, Axis Lighting This xture is available in two form factors: Sketch Straight comes in 2', 3', 4', and 8'
lengths, and Sketch Curved (shown) comes in 15", 30", and 45" radii for circular congurations. The housing is 4.75" deep
and can be installed in drywall with a ange or a spackle ange. Sketch is available in three color temperatures: 3000K,
3500K, and 4000K, with a CRI of 80. The lens is made of a frosted opal polycarbonate. axislighting.com Circle 154
64
AL Mar/Apr 2013
DIRECT/INDIRECT
Fino, Amerlux This ultrashallow, 5/8" deep asymmetric luminaire can be wall- or
ceiling-mounted. It uses just 5W per foot and has an extruded construction for a seamless t
and hairline joints. The snap-in lens provides light transmission with an integral reector in a
high-reectance white nish. Color temperature options are 2700K, 3000K, 3500K, and 4000K,
with a CRI of 80. Zero-to-10V dimming is standard. amerlux.com Circle 155
U
U
U
U
Sequoia 1, Blue Ridge Lighting Solutions This linear LED luminaire is designed for
tasklighting, covelighting, and area space lighting installations. It is available in lengths from 1' to 4'
and individual units can be connected to form a series. There are several color temperatures, from
warm to cool white and color LEDs, and a range of AC input options including 120V, 277V, and
120V mains dimmable. blueridgelighting.biz Circle 156
A Brilliant Response.

WALLWASHERS
ML56 LED, Cooper Lighting, Halo
The ML56 LED Recessed Downlighting system
was created for use with 5" or 6" downlight
and directional trims and is suitable for new
construction, remodels, or retrot installations.
The wallwash trim has shower-rated bafes
and an adjustable kick reector, which attaches
to the trim with magnets for easy repositioning.
The ML56 LED is available in two lumen
packages (up to 708 lumens for the 600 Series
and up to 1,010 lumens for the 900 Series, with
a CRI of 80 and 90, respectively). The luminaire
uses R/BR lamps in four color temperature
options: 2700K, 3000K, 3500K, and 4000K.
Round Suite, Acuity Brands/Peerless Lighting This suspended luminaire is

available in various congurations including a wallwasher with a rotating body, as well as a wallmounted indirect luminaire. Round Suite is available in two lumen packages: 2,000 lumens and
4,000 lumens, and three color temperatures: 3000K, 3500K, and 4000K. The xtures extruded
aluminum housing measures 2 3/4" in diameter and is available in three nishes: white, aluminum,
or custom. peerlesslighting.com Circle 261
66
AL Mar/Apr 2013
T-Wash, Nora Lighting The T-Wash

luminaires housing incorporates an LED
module, driver, and a frosted lens for even light
distribution. Available in two lengths (a 2' model
with 33W and 2,100 lumens or a 4' model
with 66W and 4,200 lumens), the T-Wash was
created for retail and commercial applications.
Both options offer high CRI and either 3000K
or 4000K output. noralighting.com
Circle 263
ICL-MBW2, Intense Lighting This wallwash recessed luminaire has a fully retractable
xture head capable of 60 degrees of vertical tilt at the full pull-down position. Utilizing two
high-output LED arrays, it delivers more than 2,500 lumens, has a range of wattage options
from 24W to 55W, and a color temperature range of 2700K to 4100K. It is capable of lockable
vertical aiming. intenselighting.com Circle 264

LED Linear Wall Lighter, Con-Tech Lighting Suited for wall applications, the
DONT MISS AN ISSUE
LED Linear Wall Lighter has a nned aluminum housing with a heat sink and cast aluminum
end caps. It measures 4" deep by 3 3/4" tall by 16 1/4" long. Its specular reector, which can be
rotated a minimum of 180 degrees and a maximum of 360 degrees, was specically designed
for use with LEDs, of which there are 22 that provide a total of 56W. The luminaire is available
in 2700K, 3000K, and 3500K. contechlighting.com Circle 265
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TECHNOLOGYADVANCEMENTS
s.EWPRODUCTSANDDESIGN
TRENDS
Jill Asymmetric Wallwash,

Birchwood Lighting Birchwoods
Jill Asymmetric Wallwash is a drop-lens
recessed luminaire that is encased in a
1.65" housing and was created for hard
ceiling and drywall interior applications.
Available with either a frosted clear or
frosted white acrylic lens, the luminaire
has two housing trim options: 3/4"
anged trim or mudover trimless
ange. Lamp options include T5 and
T5HO linear uorescents as well as
T5HO and T5HE seamless uorescents.
birchwoodlighting.com Circle 266
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TRACKLIGHTING
Optec, Erco Specically designed for
retail areas, restaurants, and galleries, the
Optec spotlight range features a thermally
separated mounting to aid heat management.
The xture can accommodate a variety of
light sources including LED (2W24W), lowvoltage halogen (75W100W), low-voltage
halogen reector (35W50W), metal halide
(20W150W), and high-pressure sodium
vapor (100W). Housing sizes are adapted
to meet source, wattage, and beam-spread
requirements, which include very Narrow to
Wide Flood. A number of accessories are
also available including a projector lens.
erco.com Circle 267
O2, Con-Tech Lighting The O2 LED

track xture is available in three wattages: 14W,
29W, or 42W. Designed with a die-cast aluminum
driver housing that comes in two widths, regular
(3 3/4 ") and thin (2 1/2 "), the xture has 360-degree
horizontal aiming and 180-degree vertical rotation.
The O2 is available in four color temperatures:
2700K, 3000K, 3500K, and 4000K. It is also
available with a nondimming (120V/277V) and a
dimming (120V only) option. contechlighting.com
Circle 268
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ICL-OB1, Intense Lighting The ICL-OB1 is a multiple lamp luminaire with semi-recessed
heads that are capable of delivering up to 1,200 lumens at 20W each. The lamp heads feature
a 60-degree vertical tilt and a 360-degree horizontal rotation, and has lockable vertical aiming
capabilities along with active thermal management. The xture heads extend 2 3/16 " below
the housing in the full pull-down position. The ICL-OB1 is available in several color temperatures:
2700K, 3000K, 3500K, and 4100K, with CRIs of 82 or 92. intenselighting.com Circle 269
L806 and L807, Cooper Lighting, Halo The L806 and L807 were designed for accent
and display lighting applications and feature a low-prole die-cast extruded aluminum housing.
Available in 3000K or 4000K, the luminaire delivers 71 lm/W with a CRI of 80-plus. The LED light
engine has nine 3W white LEDs. The arms of the xtures lamp housing tilt back and forth 90
degrees horizontally to adjust for three beam distributions: Flood (37 degrees), Narrow Flood
(22 degrees), and Spot (15 degrees). cooperlighting.com Circle 270
ISO Low-Voltage Track Head, Tech Lighting The ISO Low Voltage Track Head is a
16W 850-lumen directional LED track head that features a solderless connector, making it easily
eld-replaceable and upgradable. The xture head, which measures 2.8" wide by 3.6" in diameter,
is able to rotate 360 degrees and pivot 90 degrees. Finish options are satin nickel or white.
techlighting.com Circle 271
Hornet LED Low Voltage Track Luminaires, Amerlux The Hornet LED Low
LEDme Reex Luminaires, WAC Lighting The upgraded LEDme Reex Luminaires
Voltage Track Luminaires are designed to replace 50W halogen MR16 track heads and are
well-suited for illuminating color or heat-sensitive merchandise. The luminaire delivers white light
at 3000K with a CRI of 82 and can be adapted to a 15-degree Spot, a 28-degree Flood, or a
45-degree Wide Flood. The xture has a die-cast lens bezel and a die-cast aluminum heat sink.
Finish options include white, black, and silver texture, and custom colors. amerlux.com Circle 272
feature enhanced lumen output as well as 2700K and 3500K color temperatures. Available in
two sizes, the smaller version consumes 8.7W and delivers up to 554 lumens, while the larger
model runs at 17.5W and delivers up to 1,017 lumens. Each has a CRI of 85 and interchangeable
reectors in Spot (10 degree) and Flood (25 degree) beam spreads. waclighting.com Circle 273
archlighting.com
69
LP3 Super Spot Series, Lighting Services Inc Designed for long throw, tight beam
applications, the LP3 Super Spot Series is intended to replace aging low-voltage luminaires such as
PAR56 or PAR64. It is also the rst luminaire to accept the recently released Lumentalk Technology
from Lumenpulse, which uses existing electrical wiring for data communication so that LED xtures
can be controlled without the need for any additional wiring. The LP3 produces a six-degree beam
and has a CRI of 80-plus. It is available with LSIs standard mounting options and has a lockable
yoke for horizontal and vertical focusing. lightingservicesinc.com Circle 274
Yori, Reggiani Lighting USA Yori is an adjustable projector designed for both LED and
metal halide sources. The LED version is available in 10W or 26W. It has a die-cast aluminum body
and comes with an adapter for mounting on the companys three-circuit track. Yori is adjustable up
to 356 degrees in the horizontal axis and up to 100 degrees in the vertical axis. reggianiusa.com
Circle 275
TRACKLIGHTING

21W LEDme Impulse Track Luminaires, WAC Lighting The 21W LEDme Impulse
Track Luminaires are made of solid die-cast aluminum and come in various color temperatures
and optics. With a CRI of 80, the 21W LEDme delivers 950 lumens at 2700K; 1,020 lumens at
3000K; 1,010 lumens at 3500K; and 1,030 lumens at 4000K. It also comes with two different
types of reector optics, including Spot (28 degree) and Flood (45 degree) beam spreads.
waclighting.com Circle 276
Hornet High Power LED Track Heads, Amerlux The Hornet High Power (HP)
LED 21W track head serves as a replacement for a 20W ceramic metal halide xture and can be
congured with a vertical or horizontal ballast housing. The Hornet HP LED 18W semi-recessed
and recessed luminaires deliver up to 1,000 lumens. Both models have a CRI of up to 85 with an
optional 90-plus CRI at 3000K. The luminaire is also available in 2700K, 3500K, and 4000K and
with Spot, Flood, Wide Flood, and Linear Spread beam distributions. amerlux.com Circle 277

Zinnia 1300i, Journe Lighting The Zinnia 1300i is a 3"-diameter luminaire with more than
140 square inches of heat sink. It contains a eld-replaceable GE Infusion LED module that comes in
a wide variety of beam angles (15, 25, 35, and 60 degrees) and color temperatures, and is compatible
with standard line-voltage H-Track and J-Track installations. The luminaire features a center beam
candlepower of 14,325 and 59 lm/W at 3000K. journeelighting.com Circle 278
Hako, Reggiani Lighting USA Hako, whose name means cube box in Japanese, is an
adjustable projector luminaire that has both a metal halide (20W to 50W, 3000K) and an LED (14W
to 26W, 3000K to 4000K) version. The housing is made of die-cast aluminum and available in matte
white, metallized gray, and matte black nishes. Hako can be adjusted up to 356 degrees in the
horizontal axis and 140 degrees in the vertical axis. reggianiusa.com Circle 279
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LumeLEX Series, Lighting Services Inc The LumeLEX Series was created for
museum and retail accent lighting applications and includes fully die-cast xtures that are thermally
efcient for LED modules up to 2,250 lumens. The series, which includes the LX2060, LX2062,
LX2065, and LX2067, encompasses Narrow to Wide beam spotlights, asymmetrical wallwashing,
and general oodlighting xture types in both normal (80-plus) and high (90-plus) CRI ranges.
lightingservicesinc.com Circle 280
OB1, Intense Lighting This LED track luminaire features a narrow 11-degree spot optic
and delivers up to 1,200 lumens at 20W with active thermal management. It is capable of a
full range of dimming options and has multiple color temperatures (2700K, 3000K, 3500K, and
4100K) with CRIs of 82 or 92. The luminaire measures 6 3/4 " to the stem mount and 5 9/16 " wide.
intenselighting.com Circle 281
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OUTDOOR
FCW8050, FC Lighting Designed for ceiling, wall, and surface mounting in commercial
applications, this round-shaped luminaire is composed of marine-grade, corrosion-resistant, heavywalled die-cast aluminum. Finish colors are black, bronze, silver, white, or custom. It is available
in 3000K and 4000K and in three lumen packages: 1,100, 2,200, and 3,000. IP-65 rated for
wet locations. ADA compliant. solidstateluminaires.com Circle 282
Parscoop LED, Erco Designed for outdoor architectural lighting, the Parscoop LED
oodlights can be oor, wall, or ceiling mounted. They can be lamped with several different
sources: LEDs (24W to 48W); tungsten halogen (120W to 1,000W); metal halide (35W to 400W);
or compact uorescent (42W). Optics provide Wide and Deep beam distributions. The corrosionresistant cast aluminum housing is optimized for reduced accumulation of dirt, while the mounting
plate allows for up to 240 degrees of rotation. erco.com Circle 284
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Lab, Marset USA Designed by Francesc Rif, Lab is an LED wall lamp that measures
4.9" square and 3.1" deep. It comes in two versions: Lab 1 (shown) has a downlight-only lighting
element and uses one 3W LED; Lab 2 has an uplight and a downlight component and uses two
3W LEDs. The outside housing is composed of injected aluminum and the front lid comes in metal,
wood, or stone. The housing is available in white, gray, or black; the lid is available in white, gray,
black, dark iroko, light iroko, or stone. It is IP-65 rated and ADA compliant. marsetusa.com
Circle 285
Centro LED, Hess America

The Centro LED columns are designed for
landscape, pathway, accent, and waynding
lighting applications. The pedestrian-scaled
xture is available in two heights: 8' or 10' and
with a 6.3" diameter. The luminaire is available
in 3000K or 4000K with a CRI of 80-plus.
A translucent acrylic lens provides glare-free
illumination. Housing nish options include
matte silver gray metallic, dark gray, or
graphite gray. hessamerica.com Circle 283
Vetrinella, Tivoli Vetrinella is an LED wall light created for low-level interior or exterior
pathway illumination. It ts on a standard back box and measures 6 1/2" square. It is available in
warm white, cool white, and neutral white color temperatures that range from 3000K to 4000K.
Finish options include nickel, black, and white. ADA compliant. tivolilighting.com Circle 286
archlighting.com
75
Tube, Modern Forms, a WAC

Lighting Company This cylindrical
LED wall sconce uses 18W, has a lumen output
of 875, a color temperature of 3000K, and a
CRI of 82. It measures 4 1/2" wide by 5" tall.
Finish options are black, bronze, graphite,
and white. modernforms.com Circle 287
Washington Series LED, Acuity Brands/Holophane Designed for outdoor settings

such as city streets, urban plazas, campuses, walkways, and parking lots, the Washington Series
LED features an acorn-style glass globe, giving it a traditional look. It comes in 4000K; is available
in 40W, 60W, 80W, or 100W; and has both asymmetric and symmetric optics options. The driver is
located in the pole base for easy access. holophane.com Circle 288
Suspense, Modern Forms, a WAC

Lighting Company This contemporary-
Ilumipanel 40 IP, Iluminarc This exterior washlight is designed to uplight walls, trees, or
statues. It has 40 3W RGB LEDs and a 30-degree lens, as well as an impact-resistant glass cover.
The luminaire also features built-in automated programs and 11 customizable color temperature
presets. It measures 14.6" wide by 12" tall by 3.5" deep and runs on 100V or 240V AC power.
Iluminarc.com Circle 289
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OUTDOOR
style outdoor LED lantern is available in two

sizes: 8" wide by 11" tall, which extends 10"
from the wall, and 10" wide by 15" tall, which
extends 12 from the wall. It has a mouthblown clear glass optic and a housing element
composed of aluminum that is nished in
either brushed aluminum or bronze. It has a
color temperature of 3000K and a CRI of 82.
Dimming is possible with an electronic lowvoltage dimmer. modernforms.com
Circle 290
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Possini Euro Design Matte Silver

Gray LED Outdoor Wall Light,
Lamps Plus The Possini Euro Design
Matte Silver Gray LED Outdoor Wall Light
comes with a matte silver-gray nish with clear
glass and has both an uplight and a downlight
component. It uses eight 1W LEDs, is available
in 2900K to 3100K, and has a lumen output of
455. It is not dimmable. The luminaire measures
8" high by 41/4" wide, and projects 4" from
the wall. lampsplus.com Circle 291
AR-FLD8120, Aurora Lighting

Designed for lighting buildings, parking lots,
plazas, signs, and trees, the AR-FLD8120
aluminum oodlights are available in 25W, 48W,
83W, and 120W packages. LED options are
either white (4200K) or blue. The xture has a
45-degree beam angle and a mounting bracket
that can be adjusted up to 90 degrees in both
directions. The IP-65 rated housing measures
14.2" long by 3.1" wide by 21.7" tall and has
a safety glass cover lens with silicon gasketed
seals. auroralight.com Circle 292
LED Brick Step Lights, Nora Lighting Designed to be the size of a standard brick
(8 5/8" by 3 15/16" by 3" deep), the LED Brick Step Lights were designed for pathway and step
lighting. Each xture has 24 4W LEDs and is available in 2925K. The die-cast aluminum faceplates
can be specied as louvered, lensed, or shroud. Finish options are brushed nickel, bronze, and white.
noralighting.com Circle 294
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OUTDOOR
Eon LED Bollards, Cooper Lighting,

Lumiere These low-prole, dimmable LED
bollards, which exclusively provide downlight,
have three beam spreadsForward Throw,
Lateral Throw, and Floodachieved with Cooper
Lightings AccuLED Optics. The luminaires are
available in three color temperatures: 2700K,
3000K, and 4000K. They can be specied with
a single head on one side or two xture heads
with one to either side. It is IP-66 rated for wet
locations. cooperlighting.com Circle 293
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D-Series LED Flood Luminaires, Acuity Brands/Lithonia Lighting The D-Series

LED Flood Luminaires are designed to replace 50W to 400W metal halide oodlights in outdoor
lighting applications. The series is available in three sizes: 8 7/8" wide by 12" overall, 12 7/8" wide by
12" overall, and 13" wide by 17 1/2" overall; and in three color temperatures: 3000K, 4000K, and
5000K. The luminaires reector system provides low eld-to-beam ratios for minimal spill light.
lithonia.com Circle 295
Galleon LED Area/Site Luminaire, Cooper Lighting/McGraw-Edison

Designed for walkways, parking lots, roadways, building areas, and security lighting, the Galleon
LED Luminaire is available in 4000K (standard). Optional 3000K and 6000K color temperatures can
also be specied. An extruded aluminum driver enclosure is thermally separated from the LEDs,
which use AccuLED Optics to provide consistent light distribution. The xture is IP-66 rated for
wet locations. cooperlighting.com Circle 296
Ilumipod 18g2 IP, Iluminarc This

outdoor luminaire is designed for wallwashing
as well as uplighting trees, columns, and
building faades. It uses 18 3W RGB LEDs
and has a 30-degree lens, as well as an
impact-resistant glass cover. The Integrated
Cooling Enhancement (ICE) technology aids
in the xtures cooling efciency. An integral
driver with an auto-switching power supply
automatically detects the input voltage
ranging from 100V to 240V. The xture
measures 12.3" tall by 6.6" wide by
9.8" deep. Iluminarc.com Circle 297
Little Harbor, Troy Lighting Little Harbor is an outdoor xture made of solid brass and
composed of a forged black nish and glassware in a clear antique color. The luminaire is offered
in wall-mount, pendant, and post-mount versions. Its designers were inspired by the seafaring
communities of the East and West coasts. troy-lighting.com Circle 298
80
OUTDOOR
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Edge HO, Cree The Edge High Output Area and Floodlight LED luminaires feature more
than 20 optical congurations and were designed to replace 1,000W metal halide outdoor xtures.
The Edge HO has a minimum CRI of 70 and is available in 4000K or 5700K. Available in either an
adjustable arm or direct arm version with four (279W and 426W) or eight arrays (557W and 851W),
the patented NanoOptic technology precisely distributes the light. cree.com Circle 299
Forefront Area, Lighting Science Group This LED luminaire is designed for exterior
lighting applications including parking lots, pathways, and city streets. It is available in multiple
optical distributions (Type II, Type III, Type IV, and Type V); two color temperatures: 4000K or
5000K; and a wattage range of 75W to 390W. It has a clear lens and the housing is composed
of low copper die-cast aluminum. lsgc.com Circle 300
Forefront Pedestrian, Lighting Science Group The Forefront Pedestrian light was
created to provide better visibility in pedestrian areas. The luminaire is available in 4000K or 5000K,
has a CRI of 70, and a lumen output of 75W. Optical distributions include Type II, Type III, Type IV,
and Type V. The xture has a clear lens and the housing is composed of low copper die-cast aluminum.
Finish options include gray, black, bronze, white, silver, and metallic gray. lsgc.com Circle 301
Patriot Series, LSI Industries LSI Industries has expanded its Patriot Series LED luminaire
family to include the XPTS3, a pedestrian-scaled xture designed to serve as an alternative to 175W
metal halide xtures. Available in a small or large version, both use 63 LEDs; can be specied in either
cool white or neutral white; meet Type II, Type III, and Type V optical distributions; and work with
120V or 277V universal voltage. lsi-industries.com Circle 302
82
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OUTDOOR
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The Leonard P. Zakim Bunker Hill Bridge, Boston, Massachusetts, USA. Lead Architect and Urban Designer: Miguel Rosales.
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Photography: Robert Sansone
Laredo Wallpack, Hubbell The Laredo LNC2-18LU is an expansion of the Laredo LNC2
Series and is now available in a 45W conguration that delivers an output of up to 3,306 lumens
and an efciency of 74 lm/W. The expanded series includes three color temperatures (3000K,
4200K, and 5100K), additional beam distributions, expanded photocontrol options, and additional
nishes (dark bronze, black, white, and platinum). hubbell-ltg.com Circle 303
TLS-RTLM and TLS-RTLS LED Roadway Luminaires, Toshiba The TLS-RTLM

and TLS-RTLS LED Roadway Luminaires were designed to replace conventional 70W to 400W
HID roadway lighting. There is a small body and a large body version. Both have automatic dimming
capabilities. Available with 24 to 72 LEDs, the luminaire operates in ambient temperatures of -40 C
to 50 C. toshiba.com/lighting Circle 304
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Kitty Hawk, DuraGuard This outdoor
PermaLED Low Prole Canopy Luminaire, Osram Sylvania The PermaLED

Low Prole Canopy luminaires were created for use in entryways, parking garages, and stairwells.
Offered in 42W and 54W, the luminaires were designed to operate through 120V or 277V
AC universal and include lighting surge protection in each unit. Each is available with a color
temperature of 5000K as well as a CRI of 70-plus. sylvania.com Circle 305

pole-mounted luminaire has a die-cast housing

and front frame nished in a textured bronze
powder coat. It comes in two sizes: small with six
LED modules, and large with 10 LED modules.
Both are available in 9W or 12W and three
color temperatures: 4000K, 5700K, and 6500K.
The LED module has an IP-67 rating for wet
locations. duraguardproducts.com Circle 306
INDUSTRIAL
I-Beam, Acuity Brands/Lithonia Lighting Designed for large indoor spaces, such as
manufacturing facilities, warehouses, and gymnasiums, the I-Beam LED High Bay can be mounted
at heights ranging from 15' to 40' and can withstand temperatures up to 131 F. A replacement for
conventional High Bay systems, the luminaire incorporates Narrow and Wide Beam distributions,
has a standard driver for zero-to-10V dimming, and can be integrated with factory-installed digital
controls, such as occupancy sensors or daylight photocells. lithonia.com Circle 307
BAYLED78 and AISLED78, Rab Lighting Well-suited for large open spaces such as
warehouses, supermarkets, auditoriums, and gymnasiums, the 78W High Bay (BAYLED78, shown)
and Aisle Lighter (AISLED78) were created to replace 250W metal halide xtures in high ambient
environments of up to 55 C (131 F). Each xture, which contains three multichip, 26W highoutput LEDs, can be mounted in damp or wet locations with a cord, hook, or a 3/4" pendant stem,
respectively. Both luminaire types are available in cool, neutral, or warm color temperature options.
A commercial-grade motion sensor can be integrated into the luminaire. rabweb.com Circle 308
86
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Forefront High Bay, Lighting Science Group Designed for commercial spaces such
as warehouses, distribution centers, retail spaces, manufacturing facilities, storage and utility
areas, and general area lighting, the Forefront High Bay luminaire is available in three sizes ranging
from 16.10" to 29.84" long. The luminaire features a modular optical design and has three beam
distributions: Aisle, Medium, and Wide. Lumen output varies depending on the wattage and
beam distribution. Color temperature options are 4000K and 5000K with a CRI of 70 and 65,
respectively. lsgc.com Circle 309
FA1 LED, Cooper Lighting, Fail-Safe
The FA1 LED luminaire is designed for a variety

of nonhazardous applications including food-processing, marine, waste-water treatment, heavy
manufacturing, car washes, and general wash-down areas. It uses modular LED LightBar technology
and is available in one- or two-LightBar congurations. The LED driver mounts to a stainless steel
housing back with an aluminum heat sink. The luminaire provides 4000K with a CRI of 70 and is
UL/cUL wet-location listed. It can operate in a temperature range of -30 C to 50 C in ambient
environments. cooperlighting.com Circle 311
Essentials Bay Series, Lusio Commercial & Industrial The Essentials Bay Series
includes six models (2-Module, 2-Module Short, 4-Module, 4-Module Short, 6-Module, and 6-Module
Short) that are designed for use in dry or damp locations and also have preventive measures to
deter heat buildup. These LED luminaires offer 92 to 103 lm/W (depending on the model), and can
be controlled and dimmed with third-party daylighting and occupancy-sensing control systems. Five
light distributions (High Bay, High Bay Narrow, Low Bay Medium, Low Bay Wide, and Aisle Lighter)
address glare control across a range of mounting heights from 10' to 60'. The series also supports
120V, 227V, 347V, and 480V inputs. lusiolighting.com Circle 313
HBL Series LED High Bay, Hubbell Industrial Lighting The HBL Series LED High
Bay is an industrial lighting system that delivers 5000K and up to 100 lm/W. It was designed for heavy
industrial settings, warehouses, gyms, churches, and shopping malls. Featuring a cast-aluminum housing
with nish options in black, gray, and white, and a radial n design for thermal efciency, the HBL Series
contains six individual LED light engines with LED count ranges from 48 to 60 to 72, driven at 700mA.
The xture measures 18" wide by 6" deep. hubbellindustrial.com Circle 310
LED EG3, LSI Industries The LED EG3 features a vapor-tight and high-impact, reinforced
berglass housing making it well-suited for utility, back room, and cooler applications. It uses
medium-power, high-brightness diodes for uniform luminance in three color temperatures: cool
white (5300K), neutral white (4100K), and warm white (3500K), while providing a light output
of 4,890 lumens at 55W. A choice of lenses and symmetrical distributions provides high-lumen
output while reducing brightness. lsi-industries.com Circle 312
HB LED Series, Cooper Lighting, Metalux The HB LED Series, designed to replace
high intensity discharge and linear uorescent High Bays, has a proprietary low-power, lowbrightness LED module. It is available in 4000K and 5000K, has a CRI of 80-plus, and three lumen
packages: 9,000, 18,000, and 23,000. The HB LED Series also has an optional occupancy sensor
and provides 600 to 1,250 square feet of coverage, with a maximum mounting height of 40'. The
luminaire can operate in temperature uxuations from -40 C to 50 C in ambient environments.
archlighting.com
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LAMPS, BALLASTS,
AND CONTROLS
LED BR30 and BR40 Lamps, MaxLite The LED BR30 is designed to replace a 65W
incandescent lamp, while the BR40 is meant to replace a 90W incandescent lamp. Designed with
aluminum folded into a n shape, the BR30 measures 4.1" wide and 5.7" tall, while the BR40
measures 4.9" wide and 6.3" tall. Both lamps are available in 2700K and a CRI of 80-plus.
maxlite.com Circle 315
Hue, Philips Hue is a Web-enabled LED

home lighting system available exclusively
through Apple stores. The starter kit includes
three LED lamps that t any standard light
xture and a bridge that connects to existing
wireless routers. The system can be controlled
by any iOS or Android device and can achieve a
CRI of 90-plus in the white range and provides
more than 16 million color customizations.
usa.lighting.philips.com Circle 316
LAMPS, BALLASTS, AND CONTROLS
Denity MR16 Hi-Output, Lighting Science Group The Denity MR16 Hi-Output
is designed to replace 50W MR16 halogen lamps. The 8W lamp does not require fans to optimize
thermal dissipation and is available in four color temperatures: 2700K, 3000K, 4000K, and 5000K,
with CRIs of 83 except for the 5000K model, which has a CRI of 67. It can be specied with either
a Narrow Flood or a Flood beam distribution, and is compatible with a wide array of AC, DC, and
magnetic or electronic transformers. lsgc.com Circle 317
Acculamp S-Series PAR LED Lamps,

Acuity Brands The Acculamp S-Series
PAR LED Lamps are PAR-style lamps designed
for accent lighting applications. Constructed
with cast aluminum and a faceted reector,
the Acculamp has a lumen output of 600 to
2,000 lumens; color temperature options of
2700K, 4000K, and High R9; with respective
CRIs of 82, 85, and 94. Beam angles include
25 and 45 degrees. Its operating temperature
ranges from -22 F to 113 F. acuitybrands.com
Circle 319
Denity BR20, Lighting Science Group The Denity BR20 was designed for general
illumination applications that use 50W incandescent BR lamps. Dimmable to 5%, the 8W LED lamp
is available in four color temperatures: 2700K, 3000K, 4000K, and 5000K, with CRIs of 80, except
for the 5000K model, which has a CRI of 67. The optical design offers a smooth beam pattern.
lsgc.com Circle 318
B11 Candelabra, Toshiba The B11 Candelabra LED Lamp provides 3.8W at 2200K
(82 CRI) or 2700K (85 CRI) and mimics the glow of candlelight. Meant to replace 15W
incandescent lamps, the B11 reaches full brightness instantly, but dimming is an option.
The lamp comes with either a frosted or a clear nish. toshiba.com/lighting Circle 320
MR16 GU5.3 35W Equivalent LED Lamp, Toshiba Toshibas MR16 GU5.3 is meant
to replace 35W halogen lamps and comes with an updated ANSI Form that ts more applications.
The 7W LED dimmable lamp is available in three color temperatures, 2700K, 3000K, and 4000K,
with a CRI of 82. It has Flood and Narrow Flood beam distributions and is rated for both damp
locations and enclosed xtures. toshiba.com/lighting Circle 321
archlighting.com
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Denity PAR30 Short Neck, Lighting Science Group The Denity PAR30 Short
Neck lamp is made of aluminum, is suitable for damp locations, and contains no mercury or lead.
The 13W lamp is dimmable to 5% on most dimmers and is available in warm white (2700K and
3000K, 85 CRI), neutral white (4000K, 85 CRI), or cool white (5000K, 67 CRI) light with Flood,
Narrow Flood, or Narrow Spot beam distributions. lsgc.com Circle 322
LM16 LED Replacement Lamp, Cree Crees LM16 LED Replacement Lamp is designed
to take the place of a 50W halogen MR16 lamp. It works with a broad range of transformers and
dimmers, delivers between 425 and 620 lumens, and has a color temperature of 3000K. The lamps
are also available in a variety of beam angles (17-degree Spot, 25-degree Flood, and 40-degree
Wide Flood.) It can be dimmed to 5%. cree.com Circle 323
Vivid LED MR16 Lamp, Soraa

Unison Paradigm Responsive Controls, ETC Unison Paradigm Responsive Controls,
the latest addition to ETCs Unison Paradigm family of architectural lighting controls, use passive
infrared sensors to detect room vacancy and automatically shut off lights. The occupancy/vacancy
sensors are available with masks to prevent trips or false triggers, and can be accessed for easy
maintenance by depressing the microlens dome on the sensor housing. The sensors are available
in three versions to address a range of square footages (300 to 7,000) and ceiling heights of 8'
and 10'. etcconnect.com Circle 324
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According to the manufacturer, this is the rst

full spectrum LED MR16 lamp designed to
replace 40W and 50W halogen MR16s. It is
available in 2700K and 3000K with a CRI of
95-plus and features Soraas gallium nitride on
gallium nitride diode architecture. The lamps
are available with several beam distributions
including Flood, Spot, and Narrow Flood.
soraa.com Circle 325
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ULTIM8 HEH, Universal Lighting Technologies The ULTim8 HEH

Programmed Start Ballasts are designed for high ambient temperature applications
for retrot or new construction. The ULTim8 has a start time of less than 700
milliseconds, parallel lamp operation for easy troubleshooting, and lamp replacement
when one lamp fails. It also has anti-striation control for F32T8/ES (25W or 30W)
or F28T8 (28W) lamps. unvlt.com Circle 326
VDOHV#KXQ]DOLJKWLQJXVDFRP3KZZZOX[UOHGFRP

CYLINDRO II
Equinox 4 LCD Keypad, Vantage Controls Allowing complete control

of lighting, audio, and home climate, the Equinox 4 LCD Keypad is compatible with
global installation and electronic standards. Measuring 4.72" by 3.45" by 1.49", the
glass-to-the-edge keypad has auto presence detection, which allows the device to
auto dim to a power-save mode when no presence is detected and to turn back on
when a room is occupied. vantagecontrols.com Circle 327
36 48 60 L ED P EN DAN T
w w w. d e l r a y l i g h t i n g . c o m

The Nora Lighting Brands

Solutions for tomorrow.
LED
F L U O R E S C E N T M E TA L H A L I D E
L O W V O LTA G E I N C A N D E S C E N T
LMLS-600, WattStopper The LMLS-600 is a dual-loop photosensor that provides

daylighting control for applications with skylights. The device automatically switches or dims
one zone of lighting based on ambient and daylight levels. An open-loop sensor detects daylight
contribution while a closed-loop sensor reads the ambient light level. The LMLS-600 operates
on Class 2 power. wattstopper.com Circle 328
HorseSense Lighting Control System, Fulham Fulhams lighting control system

for uorescent and LED luminaires offers energy savings, dimming, and multiscene control. With
the controller and a minimum number of occupancy sensing components, software commissioning
of large areas can easily be achieved. The system allows for control of single rooms, nonadjacent
rooms on the same oor, or an entire multioor building. The system also incorporates scheduling
and energy monitoring functions. fulham.com Circle 329
Lightfair Booth
#2411
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noralighting.com
Dallas Trade Ma
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New, Larger Show

room
LEDs AND DRIVERS
XPM 80 Series LED Module, Xicato

The XPM 80 Series incorporates Xicatos Corrected
Cold Phosphor Technology and measures 1.77" in
diameter and 0.67" in depth with a 0.24" optical
aperture. The modules housing is constructed of
die-cast aluminum with a sealed-glass aperture. It
features a CRI of 80 and a color temperature of
3000K. It is IP-66 rated. xicato.com Circle 330
Nano Linear Allegro AC XB, Traxon e:cue This AC line-powered high-brightness

luminaire is available in four lengths (12", 24", 36", and 48") and comes with nine, 18, 27, or
36 LEDs. It has a tempered glass cover and can be daisy-chained to form long runs up to 50' (120V)
and 80' (230V). The series is phase-cut dimmable and is available in 3000K, 4000K, or 6500K.
It is IP-66 rated for outdoor environments. traxontechnologies.com/us Circle 331
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Polyoptik, Heico Lighting Designed for architectural lighting applications, the 3500K
Polyoptik LED modules are part of Heicos Contactless LED System and feature Narrow to
Wide beam angles for uniform illumination. The modules are inserted on one electrical circuit
connected to the LED master power supply, which has AC power conveyed by electromagnetic
induction, eliminating electrical contacts and corrosion risk. heicolighting.com Circle 332
SLD, XLD, and XLA Series Drivers, ERG Lighting, Endicott Research
Group Designed for architectural lighting applications, these drivers are available with
power options from 18W to 200W. They are IP-65 rated for wet locations and operate
from -40 C to 60 C. The XLD and SLD Series can operate in extremely humid conditions,
while the XLA line offers icker-free AC line dimming. erglighting.com Circle 333
Solodrive 561/M, eldoLED The Solodrive is a zero-to-10V dimmable, constant-current

LED driver that offers smooth dimming all the way down to zero. It can be used for a variety of
lighting applications including architectural, retail, signage, and street lighting. It offers two LED
outputs to drive very high-power 50W LED arrays connected to a single output or two strings of
15 LEDs at 350mA. For use in dry and damp locations. eldoled.com Circle 334
Butler XT2, Traxon e:cue The Butler XT2 controls up to 1,024 DMX/RDM channels,
is scalable up to 65,536 channels, and supports RDM protocol for bidirectional communication.
The DMX/RDM engine can be used either in stand-alone mode to replay and loop lighting shows
previously uploaded using e:cues software suite on a PC, or it can be controlled by another of
the companys engines. traxontechnologies.com/us Circle 335
XLM Artists Series LED Module, Xicato This XLM series is designed to replace
conventional sources in both exterior and interior applications, such as wallwashing, accent lighting,
and general ambient lighting. The module, which measures 3.31" long by 1.77" wide by 0.73" deep,
features the companys Corrected Cold Phosphor Technology. It is available in 3000K, 3500K, and
4000K with a CRI of 90-plus. It is IP-66 rated. xicato.com Circle 336
archlighting.com
95
Illumiwall, Tivoli Illumiwall is a low-voltage LED backlighting solution for acrylic and glass
panels. It uses 18 LEDs per foot (11/16" o.c.) on installation-ready clear strips that each provide 0.14W.
Illumiwall comes standard in 1', 2', and 4' lengths, but can also be customized for any application.
It is available in three color temperatures (3200K, 4100K, and 6500K) and with full-range dimming
options. A Class II 24V DC power supply is required for operation. tivolilighting.com Circle 337
Powerdrive 6060/R, eldoLED This rackmount LED driver is designed for installations
that require the driver to be mounted up to 300' away from the light source, such as entertainment,
faade, or retail display lighting. It can be used for both dynamic full-color and white lighting
applications and is DALI, zero-to-10V, and DMX512A/RDM compatible. It uses 600W of power
(max.), has full dimming control from zero to 100%, and every LED output is programmable from
200mA to 1,050mA. eldoled.com Circle 338
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LEDs AND DRIVERS
Cove Light AC HO, Traxon e:cue Designed for general lighting, wallwashing, and
covelighting, the Cove Light AC HO is controlled by leading/trailing edge phase-cut dimmers and
has dimming capabilities up to 5% without ickering. It is available with nine, 18, or 27 LEDs,
and in a color temperature range from 2400K to 6500K. It has a diffused PC cover lens and
four beam angles: 120 by 120 degrees, 120 by 55 degrees, 10 by 50 degrees, and 40 degrees.
traxontechnologies.com/us Circle 339
D-LEDbar, Heico Lighting The D-LEDbar

was designed for general lighting, covelighting,
and retrot applications. Compatible with several
LED master power supplies (LMPS), it is available
in warm white (3500K), white (6500K), as well as
red, blue, green, and amber. The D-LEDbar can be
used in dry and damp locations and can be used
with LMPS-Dimmer Controllers or LMPS-Dimmer
Extenders. heicolighting.com Circle 340
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Hive, d-LED Hive is an LED wallwasher

that can be wall- or ceiling-mounted abovegrade, either indoors (IP-40) or outdoors (IP-67).
It features a high-grade aluminum anodized
housing and is controlled by a d-LED or thirdparty controller using one to four channels. It
operates at 500mA and has a maximum power
consumption of 40W using 24 Rebel ES LEDs.
d-led.net Circle 341
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LinearLight Flex LED Module Family, Osram Sylvania The LinearLight Flex LED
linear modules are offered in 2700K, 3000K, 4000K, 5000K, and 6500K with a CRI of 80-plus.
The Advanced Family has an output of 119 to 129 lumens per foot with an efciency of 81 to
88 lm/W, while the Short Pitch Family has an output of 238 to 258 lumens per foot with an
efciency of 81 to 88 lm/W. The modules can be eld-cut and feature a exible circuit board with
a self-adhesive backing for ease of installation. sylvania.com/led Circle 342
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Virgolite, Heico Lighting These LED

modules were designed for architectural lighting
applications and are available in 3500K and 6000K.
They feature Heicos Contactless LED system,
which allows greater exibility when combining
modules of different color temperatures and
intensities. heicolighting.com Circle 343
24V Hy-Brite, Nora Lighting The 24V Hy-Brite LED tapelight can be used for a variety of
applications including coves, undercabinet lighting, and backlighting. It has a maximum range length
of 16' with magnetic dimmable drivers and a length of 32' with electronic drivers. It includes 2.7W
(12 LEDs) per foot, comes in three color temperatures (2700K, 3000K, and 4200K), is dimmable,
and is IP-44 rated for damp locations. noralighting.com Circle 344
Push, d-LED Push is a four-channel

constant-current LED driver that enables
high-power LED lighting applications of up
to 48 (4x12) LEDs. It measures 4.7" deep by
4.1" wide by 7.3" tall and can be installed on
either Din-Rail or directly on structure. It can
be controlled by DALI protocol, zero-to-10V, or
DMX-512 signals. It also has an active thermal
protection feature. d-led.net Circle 345
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LEDs AND DRIVERS
Coveline, FC Lighting This LED cove luminaire is available in 1', 2', and 4' nominal lengths
and three color temperatures: 2600K, 3000K, and 4000K. It also has seven beam distributions:
25 degrees, 40 degrees, 60 degrees, 80 degrees, 120 degrees, 30 by 60 degrees, and 67 by
140 degrees. Its housing is constructed of extruded aluminum with tooled end-caps. The luminaire
is rated for interior use only and features plug-and-play connectors to aid in installation. It is
dimmable to 5% brightness. solidstateluminaires.com Circle 346
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TivoTape, Tivoli This low-voltage light strip has a tape adhesive backing and is eldcuttable for a wide range of indoor and outdoor applications. It is available in 1', 2', 4', 8', 12', and
16' nominal lengths and has a full range of dimming options. Color temperature options are red,
yellow, blue, green, cool white, neutral white, warm white, and delux warm white. It uses either a
Class II 12V DC or 24V DC power supply. tivolilighting.com Circle 347
Hi-Lume LED Driver, Lutron Electronics An expansion of Lutrons A-Series, this

LED driver offers higher power to control LED downlights in areas that need more light, such
as spaces with high ceilings. It is designed for use with higher power LED modules, such as the
Philips Fortimo 3000lm and Xicato 3000lm. The 50W driver offers icker-free operation, dimming
to 1%, and a calibration point temperature of 70 C, so that a fan is not required. lutron.com
Circle 348
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SPECIALTY

THEATRICAL
Ovation E-190WW, Chauvet

Professional This is the rst luminaire in
Chauvets new Ovation line of xtures designed

for theatrical lighting. Modeled after ellipsoidal
spot xtures, the E-190WW is driven by 19 10W
LEDs and delivers more than 2,600 lux at 5m
(26 degrees). The E-190WW comes equipped
with standard beam shaping shutters, separate
gobo and effects slots, and lens barrels that are
interchangeable with other ellipsoidal reector
spotlights. The luminaire has a color temperature
of 3100K and a at-eld 16-bit dimming curve,
which allows for smooth fades at the lowest
lighting levels. chauvetlighting.com Circle 349

DAYLIGHTING AND
SOLAR CONTROL
Basketweave E Screen, Lutron

In conjunction with solar-screen manufacturer
Mermet, Lutron has released Basketweave
E Screen with Koolblack Technology. The dark
solar-shade fabric features heat-reecting
properties that enable it to reduce solar heat
gain coefcients by up to 23%. E Screen is
constructed in a 2x2 basketweave pattern,
provides glare control, allows view through, and
is available in a wide array of colors. lutron.com
Circle 350
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OPTICS
Saturation and Hue Mode, Lumenetix Lumenetixs Saturation and Hue Mode
for its Araya line of products allows designers to choose color temperature as well as a
specic color in increments of as little as 1%. To use these two new functions, Lumenetix has
also developed a tunable, correlated color temperature range (1600K to 4000K) that uses
proprietary color model software and works with the companys Light Commissioning Tool.
lumenetix.com Circle 351

DAYLIGHTING AND
SOLAR CONTROL
LightFlex, Acuity Brands/Sunoptics

Available in 21" tubular as well as 2'-by-4'
and 4'-square congurations, the LightFlex
toplighting system uses Acuity Brands Sunoptics
Signature Series prismatic skylight and is suited for
suspended-ceiling applications. The system also
uses Alanods Micro-Silver reective aluminum to
achieve 98% light reectivity. LightFlex features
adjustable elbows, comes with various lens
options, and is designed to integrate with
several control solutions from Acuity Brands.
sunoptics.com Circle 352

DAYLIGHTING AND
SOLAR CONTROL
Solatube Smart LED System,

Solatube Similar to Solatubes other
daylighting systems, the Smart LED harvests
sunlight during the day, but then uses a
patented daylight sensor to switch to an LED
lighting system at night. According to the
manufacturer, this saves up to 94% on energy
costs. The Smart LED System is suggested
for use in hallways, bathrooms, closets, and
entryways. solatube.com Circle 353
CONTROL FREAKS
Well be the first to admit: we are control freaks. So naturally, we design products just like us: meticulously
micromanaging the entire lighting experiencedown to the last watt. Since 1984, we have continued to innovate,
even when were the only ones to beat. Yes, we are control freaks, obsessed with finding the easiest, most efficient,
best solutions out there. We cant help it. We were born this way.
Overanalyze our productsdesigned by and for control freaksat wattstopper.com.

EXIT/EMERGENCY
Emergency Lighting Control
Panelboards, Schneider Electric
Available in both 240V Square D NQ and 480V
Square D NF congurations, these panelboards
integrate with a centralized emergency power
source and automatically bypass all control
devices until normal power is restored. Available
in ush- or surface-mount, the panelboards
are equipped with lockable covers as well as
an onboard test switch for each relay.
schneider-electric.com/us Circle 354
PathLinx, Cooper Lighting, Sure-Lites
EVC Series, Dual-Lite Flame-rated and adjustable, the EVC Series has a temperature range
of 20 C to 30 C (68 F to 86 F) and is mounted in a die-cast aluminum lamp head. Using a lithium iron
phosphate battery, these emergency exit signs and emergency lights offer extended life that lasts
up to 50% longer than models using traditional lead-acid batteries. The EVC Series is available in
self-test/self-diagnostics, damp location, and remote capacity options. dual-lite.com Circle 355
APPS
This LED emergency lighting line includes both

interior units and indoor/outdoor single- and
double-head remote egress lighting options.
Designed for commercial spaces, the Sure-Lites
PathLinx line features expanded remote capability
and a slim 2" depth, along with Cooper Lightings
EZ Click Ethernet connection, EZ Key power
disconnect, and EZ Hang installation. The series
consumes less than 2W with a lumen output
comparable to a 5.4W incandescent.
Con-Tech Lighting App, Con-Tech

Lighting Available on the iPad and iPhone,
Lusio iPad App, Lusio Commercial &

Industrial Access the Lusio Solid-State
this free app allows users to browse and search

Con-Techs entire lighting catalog. It features
more than 600 pages of specication-grade
lighting product information, an LED-specic
product catalog, and a Lighting Guru section
that includes lighting-industry terms. The
app requires iOS version 5.0 or later.
contechlighting.com Circle 357
Lighting catalog with this free app that includes

the companys product line and most recent cut
sheets. The app also calculates energy costs
and savings achieved by using Lusio xtures
instead of T5 uorescent and HID luminaires.
It is compatible with an iPad and requires iOS
version 4.0 or later. lusiolighting.com
Circle 358
Solitude Mobile App, ThermaSol

Remote control of Thermasols ProSeries and
AF Series steam shower systems developed
after 2007 is possible with this iOS and Android
app. Users can control light, music settings, and
generator maintenance and temperature. The
app, which needs to be synched with an add-on
module, is available for use on iPhone, iPad, and
Android devices. thermasol.com Circle 359
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June 1012, 2013

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PRODUCTS INDEX
D-LED
LEDS AND DRIVERS
DUAL-LITE
EXIT/EMERGENCY
DURAGUARD
EDGE LIGHTING
ELDOLED
MANUFACTURER
ACUITY BRANDS/ACCULAMP
CATEGORY
ACUITY BRANDS/GOTHAM ARCHITECTURAL LIGHTING

ACUITY BRANDS/HOLOPHANE
DOWNLIGHTS
OUTDOOR
PAGE
89
ERCO
DIRECT/INDIRECT
OUTDOOR
80
INDUSTRIAL
86
DIRECT/INDIRECT
61
WALLWASHERS
66
SPECIALTY
ETC
DOWNLIGHTS
58
DIRECT/INDIRECT
65
TRACKLIGHTING
HARRIS LIGHTING
OUTDOOR
78
DIRECT/INDIRECT
64
DECORATIVE
43
DOWNLIGHTS
54
WALLWASHERS
67
HUDSON VALLEY
DIRECT/INDIRECT
65
ILUMINARC
DECORATIVE
46
INTENSE LIGHTING
HELLMAN-CHANG
AXIS LIGHTING
HESSAMERICA
AYRE ARCHITECTURAL LIGHTING
HUBBELL
BETA-CALCO
BIRCHWOOD LIGHTING
BLUE RIDGE LIGHTING SOLUTIONS
BOFFI
BOYD LIGHTING
DECORATIVE
46, 52
CAPPELLINI
DECORATIVE
43, 50
CHAUVET PROFESSIONAL
CON-TECH LIGHTING
SPECIALTY
COOPER LIGHTING, FAIL-SAFE

COOPER LIGHTING, HALO
100
WALLWASHERS
67
TRACKLIGHTING
68
APPS
102
INDUSTRIAL
87
WALLWASHERS
66
TRACKLIGHTING
69
COOPER LIGHTING, LUMIERE
OUTDOOR
78
COOPER LIGHTING, MCGRAW-EDISON
OUTDOOR
80
COOPER LIGHTING, PORTFOLIO
INDUSTRIAL
DOWNLIGHTS
CORBETT LIGHTING
EXIT/EMERGENCY
DOWNLIGHTS
55
68
OUTDOOR
74
LEDS AND DRIVERS
95
90
OUTDOOR
74
LEDS AND DRIVERS
98
DIRECT/INDIRECT
60
93
DIRECT/INDIRECT
61
LEDS AND DRIVERS
95, 97, 98
DECORATIVE
48
OUTDOOR
75
OUTDOOR
84
INDUSTRIAL
87
DECORATIVE
42, 46
OUTDOOR
76, 80
DOWNLIGHTS
55
WALLWASHERS
67
TRACKLIGHTING
69, 73
DIRECT/INDIRECT
61
INTER-LUX/SCHMITZ
DIRECT/INDIRECT
64
DOWNLIGHTS
58
DECORATIVE
44
TRACKLIGHTING
72
KOZO LIGHTING
DECORATIVE
44
LAMPS PLUS
DECORATIVE
42
OUTDOOR
78
INTER-LUX/WHITEGOODS
JGOODDESIGN
JOURNEE LIGHTING
87
OUTDOOR
82
INDUSTRIAL
87
89, 90
TRACKLIGHTING
70, 73
59
LIGHTING SERVICES INC
COOPER LIGHTING, SURE-LITES
63
INTER-LUX/FILIX
LIGHTING SCIENCE GROUP

COOPER LIGHTING, METALUX
DIRECT/INDIRECT
69, 71
HEICO LIGHTING
AURORA LIGHTING
95, 96
101
FULHAM
AMERLUX
62
61, 64
FOCAL POINT
ACUITY BRANDS/SUNOPTICS
DIRECT/INDIRECT
76
FC LIGHTING
ACUITY BRANDS/PEERLESS LIGHTING
85
TRACKLIGHTING
56
ERG LIGHTING, ENDICOTT RESEARCH GROUP

ACUITY BRANDS/LITHONIA LIGHTING
102
OUTDOOR
LEDS AND DRIVERS
ENGINEERED LIGHTING PRODUCTS
97, 98
102
DECORATIVE
52
CREATIVE LIGHTING SYSTEMS
DOWNLIGHTS
55
CREE
DOWNLIGHTS
55
OUTDOOR
82
90
DELRAY LIGHTING
DECORATIVE
52
DEREK MARSHALL
DECORATIVE
50
DIGITAL SPECK LIGHTING
DECORATIVE
52
LITECONTROL
DIRECT/INDIRECT
LSI INDUSTRIES
DIRECT/INDIRECT
61
OUTDOOR
82
INDUSTRIAL
87
DOWNLIGHTS
54
LUCIFER LIGHTING
LUMENETIX
LUMENPULSE
LUSIO COMMERCIAL & INDUSTRIAL
SPECIALTY
DIRECT/INDIRECT
INDUSTRIAL
APPS
62
101
62
87
102
MANUFACTURER
CATEGORY
LUTRON ELECTRONICS
LEDS AND DRIVERS
PAGE
99
SPECIALTY
100
OUTDOOR
75
88
SCHNEIDER ELECTRIC
SOLATUBE
SONNEMAN
MARSET USA
SORAA
MAXLITE
TECH LIGHTING
MODERN FORMS A WAC LIGHTING COMPANY
DECORATIVE
48
OUTDOOR
76
NO. 8 LIGHTING
DOWNLIGHTS
56
NORA LIGHTING
DOWNLIGHTS
58
WALLWASHERS
66
TIVOLI
OUTDOOR
78
98
DOWNLIGHTS
55
OUTDOOR
85
LEDS AND DRIVERS
97
88
PINNACLE ARCHITECTURAL LIGHTING
DIRECT/INDIRECT
60
UNITFIVE DESIGN INC.
PIXI LIGHTING
DIRECT/INDIRECT
63
UNIVERSAL LIGHTING TECHNOLOGIES
DOWNLIGHTS
56
PRUDENTIAL LIGHTING
DIRECT/INDIRECT
61
PURE LIGHTING
DIRECT/INDIRECT
63
INDUSTRIAL
86
WATTSTOPPER
70, 72
XICATO
TOSHIBA
TRAXON E:CUE
TROY LIGHTING
PHILIPS
PRESCOLITE
VANTAGE CONTROLS
WAC LIGHTING
RAB LIGHTING
REGGIANI LIGHTING USA
TRACKLIGHTING
SPECIALTY
101
DECORATIVE
48
90
DECORATIVE
APPS
OUTDOOR
LEDS AND DRIVERS
LEDS AND DRIVERS
OSRAM SYLVANIA
102
TRACKLIGHTING
THERMASOL
ORR LIGHTING
EXIT/EMERGENCY
46, 50
69
102
75
96, 99
DOWNLIGHTS
59
OUTDOOR
84
89
LEDS AND DRIVERS
94, 95,
96
DECORATIVE
44
OUTDOOR
80
DECORATIVE
43
LAMPS, BALLASTS,
AND CONTROLS
92
92
DOWNLIGHTS
59
TRACKLIGHTING
LEDS AND DRIVERS
69, 71
93
94, 95
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SPECIAL ADVERTISING SECTION
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High Efficiency Flexible

Cathode Light Strip
Cathode Lighting Systems, the leader in long-life modular cold
cathode luminaires, introduces our award-winning HFCLS-Slim.
At 1-5/8" wide x 2-5/8" tall, it is the smallest cold cathode
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Alera Lightings Micro6 LED is a narrow 6" x 4' recessed

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installations. It is energy conscious, offering multiple
lumen package options and efcacies up to 100 lumens
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The LED Lensed Troffer (LLT) combines solid-state lighting technology,

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for the best in general purpose lighting applications. Offering
multiple lumen packages, with 3 different color options and many
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The New Pollux
A19: RETHINKING THE EDISON

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The Pollux product range solves a diversity of lighting tasks, running the gamut
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The LED lamp that truly replicates the form,

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New karoLED Post Top LED Luminaires

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Feeluxs (MZE,3 is a low prole linear LED
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[[[JIIPY\PMKLXMRKGSQ
GY7636 LED Street Lights Feature:

tThe light housing adopted aluminum alloy die casting to heat sink, waterproof and dustproof.
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The whole light meets the standard of IP65.
tThe design of the independent light distribution device controls the light that comes from LED
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that highlight the LED street light energy saving advantage.
tThe product is no glare and no ick. It can eliminate the dazzling, visual fatigue and
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tThe light adopted streamlining and elegant appearance.
Material: High purity aluminum reector, housing and heat sink; high strength tempered
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Application: City streets, pavements, squares, schools, parks, yards, residential areas, factories
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Shanxi Guangyu
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sales@gyledlight.com
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HUNZA PURE LED

HUNZA PURE LED is a modular integrated LED system
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Visit www.hunzausa.com or call 888.578.6005
NEW Roller 300 with

Lutron Intelligent Faade Technology (LIFT)
Capable of controlling 300 square feet of fabric
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PRODUCT GALLERY
MechoSystems
EcoVeil is the rst environmentally certied product of its kind.
This series of shadecloths is PVC-free and both Cradle to CradleCM
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5% openness, a 1 x 1 dense weave in 1% openness, and a dense
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MechoSystems t 718.729.2020 t www.MechoSystems.com

Times Square Lightings 28.8W,

2000 Lumen LED Fixture
The X20 from Times Square Lighting is designed
around the Xicato LED remote phosphor module.
This module produces an even field of illumination
for the most demanding applications. The X20 is ideal
for museum and retail lighting where a low-wattage,
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PRODUCT GALLERY
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Editors:
David DiLaura,
Kevin Houser,
Richard Mistrick,
Gary Steffy
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10th Edition of
the LIGHTING
HANDBOOK
Print or PDF (single-user)
Nonmember: $595.00
IES Member Price: $350.00
PDF for Print Purchasers

Nonmember: $250.00
IES Member Price: $200.00
WattStoppers new LMLS-600 is the rst commercial product to

combine open and closed loop daylighting control strategies to
prevent unwanted lighting changes and increase energy savings.
During normal operation, the closed loop sensor provides control
based on the ambient light level. The open loop sensor takes
control for the remainder of the day.
www.wattstopper.com
To order http://www.ies.org/handbookal1
Phone 212-248-5000 ext. 112
Fax 212-248-5017
AD INDEX
PAGE
ADVERTISER
168
C4
Lutron Electronics
37
Aamsco Lighting
215
59
Manning Lighting
98
15
Acuity Brands
222
57
MechoSystems
78
70
Aeon Lighting Technology Inc.
248
104
NeoCon
88
81
AL Notes
24
No. 8 Lighting
244
20
AL Light & Architecture Design Awards
93
Nora Lighting
243
25
Alera Lighting
85
53
NoUVIR Lighting
American Institute of Architects
83
Philips Color Kinetics
250
77
American Institute of Architects Convention
RAB Lighting
219
23
Amerlux
106
ROSCO
33
Architect Live
AYRE
79
B-K Lighting
58
PAGE
ADVERTISER
CIRCLE NUMBER
72
3G Lighting
91
99
-
CIRCLE NUMBER
71
86
C2-1 SELUX
53
241
67
Shanxi Guangyu LED Lighting
249
66
40
Signcomplex
163
Bruck Lighting
208
49
SPI Lighting
50
38
Cathode Lighting Systems
234
17
Sylvania
Columbia Lighting
39
103
Tech Lighting
97
Contrast Lighting
217
36
Times Square Lighting
35
Cooper Lighting
25
C3
USAI Lighting
92
DelRay Lighting
68
71
USHIO
172
19
Delta Light
91
Vantage Controls
242
84
DuraGuard
178
73
Engineered Lighting Products
73
13
ERCO
60
51
Eye Lighting International
GE Lighting
92
Hunza Lighting
190
31
Intense Lighting
58
85
Jiuzhou
39
Juno Lighting Group
47
Lighting Science
169
Lighting Services Inc. (LSI)
176
29
Lithonia Lighting
11
Lumenpulse
45
Luminis
216
94
179
93
44
197
38
63, 65 Visa Lighting

101
WattStopper
237
24
206
87
42, 235
57
Publisher is not liable for errors or omissions
With a career in lighting that has spanned more

than 25 years and a trajectory from sales agent to
manufacturer, Ron Naus, president of B-K Lighting
and Teka Illumination, has witnessed the industrys
evolution from many different perspectives. What has
stayed with him throughout his career is the complex
and critical connection between lighting manufacturer
and lighting designer. One of his rst specication calls,
to legendary lighting designer Lesley Wheels ofce,
was transformative. It wasnt about just showing her
a product, Naus says. She wanted a manufacturer
who would respond to her design and luminaire
needs for the project. Its this knowledge basethe
ability to learn from industry veterans both in design
and manufacturingthat Naus fears is the victim of
the industrys present transformation. It is also what
makes Nauss no-nonsense approach, as a lighting
manufacturer and a member of the IALD Education
Trusts Board of Directors, all the more valuable in an
industry where change is the new constant.
What fascinates you about light?
Light is transformative. Light is powerful. It changes
your mood. We take it for granted because its embedded
in our DNA, but it controls everything.
Has a text impacted your thinking about light?
There are several, but the one that comes to mind,
given the focus of our business in outdoor lighting, is
Garden Lighting (1958) by F.B. Nightingale, who founded
Kim Lighting. There are techniques outlined in his book
that lighting designers still use today.
What makes a great piece of lighting equipment?
It depends in part on the application, but its one
that doesnt draw attention to itself, unless that is its
purpose. Ultimately, though, the number one job of a
light xture is to turn on and emit light.
What traditions or legacies do you want both B-K
Lighting and Teka Illumination to be known for?
That we are staunchly independent lighting companies
that provide quality, innovation, service, and value.
Ron Naus
interview by Elizabeth Donoff
photo by Andy Scott
The next great development in outdoor lighting is dimming and

controls. To date, outdoor lighting hasnt had to contend with
these issues on a large scale, but now we are seeing requests to
create effective communication happen over the power lines so
that LED products out in the landscape space can interface with
sophisticated lighting controls.
112
AL Mar/Apr 2013
ONE-ON-ONE
What do you consider innovation in lighting?

Innovation is risk. Innovation is putting a new tool in
your hands that you didnt think you needed before.
As a business owner, are there industries outside of
lighting that you look to as models of innovation for
manufacturing and research?
In terms of the specics of outdoor lighting, I look to
see whats new in the sprinkler and irrigation industries.
There are a lot of afnities theresmall parts that have
to be embedded in earth and work on demand. From a
technology standpoint, and because we are so close to
Silicon Valley, I also keep an eye on new developments
in user interfaces. Of course, Im still always looking
at whats going on in the lighting industry, from new
products to evolution in the sales channel.
How has the business of lighting changed during your
tenure in the industry?
The technology of communication has become more
complicated. People are less likely to pass along
knowledge that they have acquired. Time lines are
compressed. Theres no development cycle anymore.
Everything is last minute with no time to properly react.
Whats the most misunderstood aspect of lighting?
Lighting isnt cookie cutter; it isnt a set of rules. Its
called the art of manufacturing and the art of design for
a reasonand that gives us a glimpse of whats next.
Lutron systems help the Empire State

Building achieve sustainability goals.
Lutron lighting controls and sensors save up to
65% of lighting energy.*
t
t
t
Wireless simplies installation and minimizes disruption

Flexible for easy retrots or new construction
Expandable add to a system or recongure at any time
Lutron products are state-of-the-art, cost effective, and

architecturally beautiful. We worked with Lutron to develop
wireless solutions for the Empire State Building now you
can buy our choice for energy-saving light control.
Anthony Malkin
Empire State Building Company
Empire State Building sustainability goals

Building energy reduction
38%
Building carbon emission reduction

(over the next 15 years)
105,000
metric tons
Annual building energy bill reduction
$4.4 mil
2013 Lutron Electronics Co., Inc. | P/N 368-2856 REV M
Lutron contributions toward overall goals

Projected lighting energy reduction
65%
Projected lighting controls installed payback
2.75 years**
For more information please visit www.lutron.com/esb

or call 1.800.523.9466 for 24/7 support.
* Compared with manual (non-automated) controls, up to 65% lighting energy savings is possible on projects
that utilize all of the lighting control strategies used by Lutron in the ESB project (occupancy sensing, high-end
trim, and daylight harvesting). Actual energy savings may vary, depending on prior occupant usage, among
other factors.
** Estimates based on Lutron controls installed in ESB pre-built tenant space. Payback claims assume 65%
reduction in energy costs and energy rates of 22 cents per kWh. Actual payback terms may vary.
The Empire State Building design is a registered trademark and used with permission by ESBC. Empire
State Building sustainability goals are provided by ESBC and contain energy-saving strategies in addition
to lighting control.
Visit us at LIGHTFAIR, booth #1345.

Architectural Lighting - March April 2013

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INSIDE: ANNUAL PRODUCT

THE ANNUAL PRODUCT ISSUE

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Gain access to and educate almost 80,000 AlA members .

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MAR /APR 2013

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Designing xtures around the

Discuss your next project with us

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Solid-State Lighting, Excellent Efcacy, Long Life Sustainability.

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See us at our LightFair booth #2101

2013 GE Lighting Solutions

Circle no. 94 or http://archlighting.com/productinfo

LAMPS, BALLASTS, AND CONTROLS, p. 88

LEDS AND DRIVERS, p. 94

PRODUCT INDEX, p. 105

Comment Progress? Or Market Disruption?, p. 10

Briefs The Lighting Research Center turns 25; and

Report Many lamp options dont meet EISA energy

Professional Practice How to best manage the

Design The new home of the Barnes Foundation in

Cover: Theory, an indirect/direct pendant luminaire, courtesy Focal Point

LED ACCENT LIGHT

50,000 HOUR LIFE

Lumen Output: 2000 - 700

Color Temperature: 2700 - 3000K

10 - 60 Beam Spread Options

Visit us at LightFair, Xicato Booth # 3311

Lighting Services Inc

800 999-9574 www.LightingServicesInc.com

Circle no. 176 or http://archlighting.com/productinfo

Is lighting better off if everyone is playing in the

Just when you think the lighting industry nally

Intense Lighting, LLC_$QDKHLP&$