Documente Academic
Documente Profesional
Documente Cultură
The population of
Echigo-tumari region
122761
116652
100000
108359
101457
96074
75000
92532
88084
83893
80827
77442
74058
69517
64212
60381
50000
55359
50647
25000
0
Forecast
1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005 2010 2015 2020 2025 2030
Organization of Echigo-Tumari
Local
Government
commission
Art Front
Gallery
Echigo-tumari committee
composed by:!
Government staff!
Gallery businessman
(curator/art director)!
Art producer (a richer)
advisors
planning meeting
Planning!
executive office
Although
2000
2000
2000
INSIDE
Nobutai in Matsudai
CLIP 2000
2003
2003
Marina Abramovi
I YU
DESIGN PRODUCTIONS
Volunteer team:
kohebikoebi
Volunteer organization
Echigo-tumari
kohebi (since 1999)
Setouchi:
koebi (since 2009)
a day of volunteers
6:30
wake up&clean up
6:45
breakfast
7:40
go out
8:00
morning meeting
10:00
open
17:30
close
18:3019:30
report
19:30
shower
20:30
dinner
22:00
sleep
24:00
WORK CONTENT
Minimal Art
Minimalism
architecture
ENVIRONMENT
ART
INSTALLATION
DESIGN
Land art
Earth art
Site-specific
Artivism
SCULPTURE
VISITORS
ECHIGO-TUMARI TRIENNALE
year
visitors
2000
162,800
participated
villages
28
amount of art
works
146
2003
205,100
38
224
2006
348,997
67
329
2009
375,311
92
365
2012
488,848
102
367
average of a day
Visitors
people
days
finance
ECHIGO-TUMARI 2013
Income / unit:thousand yen
total
Local government
National subsidy
Donation
Funding, commission business
Selling Passport and ticket
Other income
total
Outcome / unit:thousand yen
total
Management, operations
Curator fee
Artist-in-recidency project
Publicity
Facility Charge
Grant for events
total
2009
Funding, subsidy
Donation
Production Selling
Other income
total
2010
Actual spending
3 YEARS
budget
Outcome
2009
total
2010
Actual spending
3 YEARS
budget
Actual spending
Total budget
ESTABLISHED A NPO OF
ECHIGO-TSUMARI
SINCE 2008
Andreas Siekmann
Marko Lehanka
Festival of Regions
scouts and conquers a region or town in Upper Austria
every two years. Away from urban concentrations and
cultural centres, a program with contemporary art and
culture as an attractive option for the residents and a
broad, curious public is shaped and commu nicated. Apart
from regional, supraregional and international
participation by artmakers, collaboration is sought with
local associations, institutions and good individual forces
to anchor the festival on location and to leave behind
traces that are as distinct as possible.
More> http://www.fdr.at/?lang=en
In Taiwan,
a landscape art festival 2013
they invited Rubber Duck