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MOHANTY
SUBMITTED BY:
ANINDITA BASU
PGDM, SEC”A”
ROLL-09DMO52
DATE: 11.01.10
So what do we conclude? That there is an argument, which is logically laid out, but not
very clear? Yes, but there is a more crucial point. To powerfully move an audience the
speaker must bear in mind certain maxims:
Rhetorical Types
Are these maxims obeyed here? Terminology is difficult, a forest of forbidding names,
but as a simple introduction we group as follows: All aspects of rhetoric, everything that
gives point and controlling shape to thoughts and observations, we call figure,
subdividing figure into scheme where word order and syntax is involved, and trope for
plays on the sense or meaning of words. Tropes we further subdivide into those which
involve word meaning (e.g. metaphor), and those which more involve the sense of the
passage (e.g. irony).
Amongst schemes — for the record, without illustration or explanation for the moment
— are anaphora, epistrophe, anadiplosis, climax, symploce, parison, isocolon, chiasmus,
hendiadys, oxymoron, zeugma, epizeuxis, epanorthesis, epanalepsis, antanaclasis,
polyptoton. Among the word meaning tropes are simile, metaphor, metonymy,
sinecdoche, paronomasia and personification. Among the passage tropes are irony,
paradox, hyperbole, litotes, aporia, anacoenosis, comprobatio and epitropis. {4}
we do
what we talk about
We, constructing...
More burdensome
overcast obdurate
Silicate of past lives
cloudless
almost vacuumed lightheaded
Simile
Metaphor
they are very impatient, the buildings
having much in them of the heavy surf of the North Sea
the cliffs... more burdensome
the cliffs... underwritten.. with past days
days..glinting, obdurate
days part of the silicate of tough lives
almost vacuumed afternoons
a neuralgia calling at random
webs of buildings.. are always aware
buildings... dress them as friends, pleading and flailing
Personification
Hyperbole (overstatement)
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But if the poem is to be more directly understood, and achieve a stronger emotional, then
the following should be attempted:
1. Sharpen the argument. The taxis section above indicates the digressions that should be
curbed.
2. Show more clearly how the images are related.
3. Cut some of the refutatio.
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