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The document analyzes Beyoncé's music video "If I Were a Boy" through several narrative frameworks. It discusses how the video portrays Beyoncé playing both a woman and man in a troubled relationship to give different perspectives. While it does not fully follow Todorov's four-stage narrative model of equilibrium, disruption, resolution, and new equilibrium, it does depict Vladimir Propp's villain character through the unfaithful male partner. The video both reinforces and subverts gender stereotypes by showing the man cooking breakfast initially but the woman crying at the end. It also uses binary oppositions like sensitive/insensitive and outgoing/shy to develop the characters and narrative.
Descriere originală:
Narrative essay: Analysis on ‘If I were a boy’ music video
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Narrative essay: Analysis on ‘If I were a boy’ music video
The document analyzes Beyoncé's music video "If I Were a Boy" through several narrative frameworks. It discusses how the video portrays Beyoncé playing both a woman and man in a troubled relationship to give different perspectives. While it does not fully follow Todorov's four-stage narrative model of equilibrium, disruption, resolution, and new equilibrium, it does depict Vladimir Propp's villain character through the unfaithful male partner. The video both reinforces and subverts gender stereotypes by showing the man cooking breakfast initially but the woman crying at the end. It also uses binary oppositions like sensitive/insensitive and outgoing/shy to develop the characters and narrative.
The document analyzes Beyoncé's music video "If I Were a Boy" through several narrative frameworks. It discusses how the video portrays Beyoncé playing both a woman and man in a troubled relationship to give different perspectives. While it does not fully follow Todorov's four-stage narrative model of equilibrium, disruption, resolution, and new equilibrium, it does depict Vladimir Propp's villain character through the unfaithful male partner. The video both reinforces and subverts gender stereotypes by showing the man cooking breakfast initially but the woman crying at the end. It also uses binary oppositions like sensitive/insensitive and outgoing/shy to develop the characters and narrative.
I will be analysing the If I were a boy music video by
Beyonc which is based on a narrative. The main artists role
is of protagonist, who portrays subjective character identifies in the narrative, as shown in the music video Beyonc plays the characters of a woman and a man in a damage relationship giving a range of view points from both characters in their broken relationship. The music video If I were a boy by Beyonc does not apply Todorovs narrative model as shown in the music video it lacks of the four stages: equilibrium, disruption, resolution and new equilibrium. The music video only applies one of Vladimir Propps characters. The villain, who is represented in the music video as the man in the relationship who behaves unfaithful in the relationship, highlighted when Beyonc who plays that partThe Villain goes to the club and dances with another guy and declines her call from her boyfriend. This is reinforced in their conversation at home nearer at the end of the music video, the guy who at the point is portrayed and positioned in a typical woman situation says You know when you act like that I dont think you realises how it makes me look or feel to Beyonce the villain. In the music video ideological values are being both reinforced and subverted. As shown in the beginning of the music video in the kitchen, the man cooks and prepares breakfast for his wife and the wife gets ready to go work. This contradict the stereotypical view and behaviour in the modern society in terms of in a household as usually the woman in the relationship or in the house usually cooks for the man and behaved as a housewife and the man goes off to. Highlighted at the end of the music video the woman cries and hurt to her husband. The music video reinforces the stereotypical characterises of a woman in the society. Woman tend to be emotional; tend to cry and hurt. Moving on to binary oppositions, the music video applies binary oppositions. Sensitive and insensitive is portrayed in the music video as highlighted in the clubbing scene; the man acts emotional when after seeing Beyonc dancing with another man but Beyonc just tries to make up it up by kissing him his cheek and does not act more tactful with him. Outgoing and shy is a binary opposition portrayed in the music video. Beyonce behaves more outgoing and sociable as seen in the club and at the bar. While her boyfriend behaves more of hardworking person refuses to go out and have fun with his colleagues at the office scene. Bathes narrative action code is applied in the music video. Beyonce and her boyfriend both sit in silence in the car with infuriated emotions-viewers assume they had an argument; they are not on common grounds. Another example of Bathes narrative action code applied in the music video is at the beginning of the music video, Beyonce is in a rush and barely
sits down to eat breakfast- viewers assume she is going off to