American & European Paintings & Prints

SKINNER
A
American & European Paintings & Prints
Sale 2493 January 29, 2010 Boston
American & European Paintings & Prints
SPECIALISTS IN CHARGE
Robin S. R. Starr Kathy Wong

Department Director 508.970.3297
508.970.3259
Elizabeth C. Haff - 508.970.3258
American & European Paintings & Prints Department - 508.970.3206

General Inquiries: paintings@skinnerinc.com
AUCTION 2493
Friday, January 29, 2010

Prints & Photography at 12 noon
Paintings & Sculpture at 4 p.m.
63 Park Plaza
Boston, Massachusetts
PREVIEW
Wednesday, January 27, 2010 12 to 5 p.m.
Thursday, January 28, 2010 12 to 7 p.m.
Friday, January 29, 2010 9 to 10:30 a.m.
ABSENTEE BIDDING
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
GENERAL INQUIRIES
617.350.5400
COVER : 608 ; FRONTISPIECE : 605 ; BACK COVER : 620

Register… Preview… and Bid Live Online
at www.skinnerinc.com
Preview Online Absentee Bidding/Tracking Lots

Skinner makes previewing online anytime from your Skinner’s website accepts absentee bids up to one
home or office easy and convenient. View all lots in the hour before an auction begins. Once you’ve placed
auction in order, many with multiple views. You can your bids, use “Track Lots” to track those items and
also flip through the pages of our interactive virtual see their selling prices. You can also use “Track Lots”
catalog or download the catalog PDF to your desktop. to track the selling price of items you’re simply curious
about, whether you’ve bid on them or not.
Lot Alert
Bid Live Online with Skinner-Live!
Let Skinner’s Lot Alert do your searching for you! Lot
Alert continuously searches Skinner’s upcoming There’s nothing like bidding live at an auction—and now
auctions for items that interest you, and automatically Skinner brings that live auction experience to our
emails you when an item matches your interest profile. website with Skinner-Live! Visit www.skinnerinc.com
Visit www.skinnerinc.com and click on the Buy/Sell tab and click on the Buy/Sell tab to learn more about
to find out more about Lot Alert. bidding live online with Skinner-Live!
TABLE OF CONTENTS
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Provenance
6 Event Announcement
7 Prints & Photography - Lots 1-296
111 Paintings & Sculpture - Lots 301-698
390 Glossary of Terms
391 Artist Index
395 Conditions of Sale
396 Company Directors & Specialty Departments
397 Administrative Staff & Client Services
398 Absentee Bid Form
399 Map & Driving Directions
400 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 395 of this catalogue for the full
terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2010

All rights reserved
Provenance
Collection of Melvin B. Nessel, Boston, Massachusetts
Lots: 76, 81, 168, 256, 265, 572, 574, 595, 603, 609, 612, 614-616, 618-620, 624, 626-631, 633, 636, 638, 645, 669, 673
Melvin B. Nessel was a longtime Boston resident and founder of the Fenton Shoe Corporation of Cambridge, Massachusetts. Nessel traveled to
Europe extensively in the 1960s and 1970s, particularly Italy, to develop the company’s import trade. It was during this decade that he acquired
many works by notable Italian modernists such as Arnaldo Pomodoro and Ettore Colla, frequenting galleries in Rome and Florence. In his
lifetime, Nessel was a major supporter of several Boston institutions such as Brandeis University, Massachusetts General Hospital, the Museum of
Fine Arts, Boston, and the Dana Farber Cancer Institute. Nessel also made a substantial gift of eighty-one works from his American modern and
contemporary collection, including a Protractor series work by Frank Stella, to the Norton Museum of Art in Palm Beach, Florida.
Estate of Eleanor Kanegis Levin, East Gloucester, Massachusetts
Lots: 1-3, 46, 123-126, 130, 165, 177-180, 203, 248, 249
Eleanor Kanegis Levin was the co-owner of the Kanegis Gallery in Boston with her first husband Sidney Kanegis from 1955 to the mid-1970s,
which was influential in representing Boston modernists.1 She also managed Retina Gallery in Cambridge from 1968 to 1971, which specialized
in optical and kinetic works by such artists as Anni and Josef Albers and Victor Vasarely.2 A practicing modernist artist herself, she studied at the
School of the Museum of Fine Arts Boston and in her later years, maintained a studio and art gallery in East Gloucester called “The
Guild/Sacred Cod”.
1. Lafo, Rachel Rosenfield, Painting in Boston, 1950-2000, Amherst: University of Massachusetts Press, 2002, p. 204.
2. Lawrence, J.M., “Eleanor K. Levin, 82, artist, gallery owner” [obituary], Boston Globe, June 10, 2008.
Estate of Anna Eleanor Braman Grasso, Essex, Connecticut
Lots: 210, 269, 569, 571, 605, 611
Anna Eleanor Braman was raised on Long Island and Old Chatham in the Hudson River Valley, attended Vassar College in the late 1940s, and in
1951, married Dr. Thomas Arthur McGraw, a graduate of Yale and Cornell Universities. The newlyweds spent their first married year in North
Carolina, but subsequently lived in New York City for over a decade, until Dr. McGraw’s passing in 1966. During this time, the McGraws were
ardent gallery-goers, and Ms. Braman was active in the art scene as a reviewer for a Manhattan publication called “Park East.” Ms. Braman
continued to collect with her second husband Mr. Graham H.R. Jenkins of Connecticut, and her last husband of eighteen years, Dr. Thomas A.
Grasso of Connecticut, the widower of Connecticut’s first woman governor Ella Tambussi Grasso. In her middle to late age, she promoted the
artistic and literary life of her community in Essex, Connecticut as the owner of the Clipper Ship Bookshop and member of the Connecticut River
Museum.
Estate of N. David Scotti, Providence, Rhode Island
Lots: 101-112, 320, 337, 338, 339, 341, 358, 374, 387, 391, 392, 394, 395, 397, 445, 492, 514, 526, 534-536, 550, 558, 562, 566, 581
N. David (Nino) Scotti was a lifelong antiques collector and enthusiast, as well as a Southern New England history aficionado. Scotti, born and
raised in Providence, first began attending auctions with his mother in his teens. In his twenties, he co-founded a company in downtown
Providence that became Associated Appraisers Inc., an estate auctioneer.1 In the company’s last thirty years, Scotti was the primary owner and
manager as well as principal auctioneer. He was active in Providence’s cultural scene, and was an avid supporter of societies such as the Hope
Club, the Turk’s Head Club, the Providence Art Club, and the Providence Athenaeum.
1. Providence Journal, “N. David Scotti” [obituary], August 26, 2008.

Session I
Prints & Photography
Lots 1-296
to be sold Friday, January 29th, 2010 at 12 noon

SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director of Skinner’s Paintings Department
Thursday, January 28, 2010
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s

January 29th auction of American & European Paintings & Prints
1.
Anni Albers (German, 1899-1994)
Lot of Five Images: A, 1968, edition of 50; B, 1968, edition

of 50; two impressions of Camino Real, 1967-69, edition of
90; and F, 1969, edition of 60. Each signed and dated “Anni
Albers...” in pencil l.r. and titled and numbered in pencil l.l.
Color screenprints on paper, image sizes to 22 x 18 3/4 in.
(55.8 x 47.5 cm), unmatted, unframed.
Condition: Margins over 3 inches.
$1,000-1,500
2.
Pierre Alechinsky (Belgian, b. 1927)
Figure, 1953, edition of 15. Numbered, signed, dated, and

dedicated “11/15 Alechinsky/’53 a Madame Franck...” in
pencil beneath the image, identified on a label from the
Nielsen Gallery, Boston, on the reverse. Aquatint and
etching on paper, plate size 5 x 7 in. (12.5 x 17.5 cm),
framed.
Condition: Toning, not examined out of frame.
$200-300
3.
Pierre Alechinsky (Belgian, b. 1927)
Facteur Rhésus, 1967, edition of 75 (Rivière 342).

Numbered and signed “43/75 Alechinsky” in pencil l.c.
(within the image), annotated on the mat. Aquatint in red,
green, and black on paper, plate size 20 3/4 x 27 1/8 in.
(52.5 x 68.8 cm), matted, unframed.
Condition: Narrow margins, minute nicks, creases and tears
to corner l.r. (just affecting the plate mark).
$700-900
3
4.
American School, 20th Century
The White Slave, 1911. Identified within the matrix. Color

lithographic poster on paper, sheet size 27 x 36 3/4 in. (68.5
x 93.3 cm), unmatted, unframed.
Condition: Mounted on paper backed with linen (to
stabilize/repair tears, losses, and/or creases), minor handling
creases.
$300-500
5.
Niels Yde Andersen (Danish/American, 1888-1952)
Lot of Four Harbor Scenes: Sailing with the Setting Sun,

1935, edition of 4; Ship at the Pier; Dock View with Tugs;
and Near the Hold. The first signed and dated
“NYAndersen 35” in pencil l.r. and numbered “2/4” in pencil
l.l., the other three unsigned. Etchings on paper, plate sizes
to 12 x 9 7/8 in. (30.4 x 25.0 cm), unmatted, unframed.
Condition: Most edges deckled, unobtrusive soiling, nicks,
tears and creases to some edges, additional handling marks
and/or creases.
$250-350
6.
Lot of Four Images of Factory Workers: Smelting;

Unloading the Cars; Masonry; and Working the Pulleys.
All unsigned. Etchings on paper, plate sizes to 8 3/8 x 7 5/8
in. (21.2 x 19.3 cm), unmatted, unframed.
Condition: Most edges deckled, unobtrusive soiling,
unobtrusive handling marks and/or creases, losses to
margins on Unloading.
$300-500
6
7
7. 8.
Niels Yde Andersen (Danish/American, 1888-1952) Niels Yde Andersen (Danish/American, 1888-1952)
Lot of Four Genre Scenes: Horse Power and Industry; Sleigh Lot of Three Images of Factory Workers: Charcoal Man, 1936,
Ride; Out of the Barn; and The Stone Breaker. All unsigned. edition of 12; Valve Repair; and Construction According to Plan.
Etchings on paper, plate sizes to 9 7/8 x 7 in. (25.0 x 17.5 cm), The first signed and dated “NYAndersen - 36” in pencil l.r. and titled
unmatted, unframed. and inscribed in pencil l.l., the other two unsigned. Etchings on
Condition: Most edges deckled, unobtrusive soiling, minor handling paper, plate sizes approximately 10 x 12 in. (25.5 x 30.5 cm),
marks and/or creases. unmatted, unframed.
$200-300 Condition: Most edges deckled, unobtrusive soiling, nicks, tears and
creases to some edges, additional handling marks and/or creases.
$250-350
9.
Lot of Three Images of Factory Workers: All Together Now; Shift

Workers; and At the Pits, 1935, edition of 12. The last signed and
dated “NYAndersen, 35” in pencil l.r. and numbered “2/12” in pencil
l.l., the other two unsigned. Etchings on paper, plate sizes to 14 x 9
3/4 in. (35.5 x 24.7 cm), unmatted, unframed.
Condition: Most edges deckled, unobtrusive soiling, nicks, tears and
creases to some edges, additional handling marks and/or creases.
$250-350
9
10
11
12
10. 11.
Stanley Anderson (British, 1884-1966) Richard Anuszkiewicz (American, b. 1930)
The National Gallery, edition of 109. Signed “Stanley Anderson” in Triangulated Orange, 1977-78, edition of 50, printed by Editions
ink l.c., signed in the plate, titled in ink l.l., inscribed “Edition 109 Lassiter-Meisel, New York. Signed, numbered, and dated
proofs.” in ink l.r., identified on a label affixed inside the mat. Etching “ANUSZKIEWICZ 32/50 1977” in pencil (within the image) l.r.,
on paper, plate size 8 7/8 x 11 3/8 in. (22.4 x 28.7 cm), matted, stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’s
unframed. monogram) on the reverse, inscribed “23” on the reverse. Color
Condition: Margins over 2 inches, subtle staining to upper corners. screenprint on paper mounted onto board, image/support size 84 x
$300-500 48 in. (213.4 x 121.3 cm), unframed.
Condition: Surface grime, rubs, and losses.
$500-700
12.
John Taylor Arms (American, 1887-1953)
Saint Paul Alpes Maritimes, 1927, final state of two, edition of 259
(Fletcher, 201). Signed and dated “John Taylor Arms - 1927” in
pencil l.r., titled, signed, and dated in the plate. Etching on paper,
plate size 7 1/2 x 11 1/2 in. (18.9 x 29.2 cm), framed.
Condition: Mat burn, unobtrusive toning, not examined out of frame.
$300-500
13 14
13.
Milton Avery (American, 1885-1965)
Hen, 1954, edition of 25 (Lunn, 57). Signed and dated “Milton Avery
1954” in pencil l.r., numbered “18/25” in pencil l.l. Identified on labels
from The Alpha Gallery, Boston, and the David Barnett Gallery,
Milwaukee, on the reverse. Woodcut on paper, image size 12 x 9 5/8
in. (30.2 x 24.3 cm), framed.
Condition: Rippling, not examined out of frame.
$1,500-2,000
14.
Leonard Baskin (American, 1922-2000)
View of Worcester, 1953, edition of 20 (Fern & O’Sullivan, 240).

Signed “Baskin” in pencil l.r., inscribed “artists proof” in pencil l.l.
Woodcut on paper, image size 9 7/8 x 8 5/8 in. (25.0 x 21.8 cm),
framed.
Condition: Toning, mat burn, not examined out of frame.
$300-500
15.
The Cry, 1960, edition of 300 issued by the New York Graphics
Society. Signed Leonard Baskin” in pencil l.r., titled and numbered
“...131/300” in pencil l.l. Woodcut on paper, image size 14 3/4 x 12
1/4 in. (37.3 x 31.0 cm), framed.
Condition: Not examined out of frame.
$300-500
15
17
16
16. 17.
Leonard Baskin (American, 1922-2000) Leonard Baskin (American, 1922-2000)
Lot of Three Portraits: William Morris, Camille Corot, and The Moby Dick Suite, 1970, edition of 200 (Fern & O’Sullivan, 569-
Jacques Gamelin, from LAUS PICTORUM, 1969, total edition of 577). Each signed “Baskin” in pencil l.r. and numbered “49/200” in
525 (Fern & O’Sullivan; 416, 538 & 541). Each signed “Baskin” in pencil l.l. Lithographs (some in color) on paper, sheet sizes to 23 x
pencil l.r. and numbered “123/175” in pencil l.l. Woodcuts on paper, 17 in. (58.2 x 43.0 cm), presented in the original portfolio, unmatted,
image sizes to 7 1/4 x 4 5/8 in. (18.3 x 11.7 cm), unmatted, unframed.
unframed. Condition: Good.
Condition: Minor soiling, minor folds to several margins at corners. $500-700
$200-250
18.
Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan,

610). Signed “Baskin” in pencil l.r., numbered “124/160” in pencil l.l.,
titled and dated in the matrix, dry stamp l.l. Lithograph on paper,
image size 32 1/4 x 22 1/2 in. (81.8 x 57.0 cm), unmatted, unframed.
Condition: Very minor handling creases.
$500-700
18
19 20
19. 20.
Leonard Baskin (American, 1922-2000) Leonard Baskin (American, 1922-2000)
Pedro Cajete, 1972, edition of 160 (Fern & O’Sullivan, 611). Signed Sharp Nose, 1972, edition of 160 (Fern & O’Sullivan, 612). Signed
“Baskin” in pencil l.r., numbered “146/160” in pencil l.l., titled and “Baskin” in pencil l.r., numbered “29/160” in pencil l.l., titled and
dated in the matrix, dry stamp l.l. Lithograph on paper, image size 30 dated in the matrix, dry stamp l.l. Lithograph on paper, image size 32
1/2 x 22 1/2 in. (77.3 x 57.0 cm), unmatted, unframed. 1/4 x 21 in. (81.8 x 53.2 cm), unmatted, unframed.
Condition: Very minor handling creases. Condition: Minor handling creases.
$500-700 $500-700
21.
Sitting Bull, 1972, edition of 160 (Fern & O’Sullivan, 613). Signed
“Baskin” in pencil l.r., numbered “69/160” in pencil l.l., dry stamp l.l.
Lithograph on paper, image size 29 1/4 x 21 1/2 in. (74.2 x 54.5 cm),
unmatted, unframed.
$500-700
21
22.
Swift Dog, 1972, edition of 160 (Fern & O’Sullivan, 615). Signed
“Baskin” in pencil l.r., numbered “64/160” in pencil l.l., titled and
dated in the matrix, dry stamp l.l. Lithograph on paper, image size 31
3/4 x 21 in. (80.5 x 53.4 cm), unmatted, unframed.
$500-700
23.
George Wesley Bellows (American, 1882-1925)
Study of Mary, 1923, edition of 50 (Mason, M.132). Signed “Geo.

Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled in
pencil l.c. Lithograph on paper, image size 11 3/8 x 10 in. (28.7 x
25.4 cm), framed.
$1,000-1,500
24.
George Wesley Bellows (American, 1882-1925)
Married Couple, 1923, edition of 44 (Mason, M.141). Signed “Geo.

Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled in
pencil l.c. Lithograph on paper, image size 9 3/4 x 7 1/4 in. (24.6 x
18.3 cm), framed.
22 Condition: Not examined out of frame.
$1,000-1,500
23
24
25 26
25. 26.
Frank Weston Benson (American, 1862-1951) Frank Weston Benson (American, 1862-1951)
Wild Geese, 1917, published state, edition of 152 (Paff, 112). Canoeman, 1919, published state, edition of 150 (Paff, 161). Signed
Signed “FrankWBenson.” in pencil l.l., numbered “44” in pencil l.r. “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8
Etching on laid paper with armorial watermark, plate size 6 3/4 x 10 x 6 in. (20.0 x 15.2 cm), matted, unframed.
3/4 in. (17.3 x 27.3 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges,
Condition: Margins 2 1/4 inches or more with deckled edges, toning, annotations to lower edge.
pale foxing, annotations to lower edge. $800-1,200
$400-600
27.
Frank Weston Benson (American, 1862-1951)
Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188).
Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 6
x 7 3/4 in. (15.1 x 19.5 cm), framed.
Condition: Gentle rippling, not examined out of frame.
$300-500
27
28.
Ducks at Play, 1923, published state, edition of 150 (Paff, 217).

Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.
Drypoint on paper, plate size 10 3/4 x 13 3/4 in. (27.3 x 34.8 cm),
framed.
Condition: Unobtrusive mat burn, handling creases (some effecting
the image), rippling, not examined out of frame.
$1,000-1,500
28
29.
Geese Over a Marsh, 1924, published state, edition of 150 (Paff,

233). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper
with “ENGLAND” watermark, plate size 7 7/8 x 9 3/4 in. (20.0 x 24.7
cm), matted, unframed.
Condition: Margins over 3/4 inches with two deckled edges, soiling
to margins (primarily at corners), annotations to lower edge.
$500-700
29
30.
Flying Brant, 1925, published state, edition of 150 (Paff, 241).

Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, plate
size 4 3/4 x 6 7/8 in. (12.0 x 17.3 cm), matted, unframed.
Condition: Margins 1 inch or more with two deckled edges,
annotations to lower edge.
$400-600
30
31
31. 33.
Frank Weston Benson (American, 1862-1951) Thomas Hart Benton (American, 1889-1975)
Pointer Dog, 1925, published state, edition of 150 (Paff, 251). Tom Keefer, from the SWAMP WATER Series, 1941, edition of 100
Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate. (Fath, 51). Dedicated and signed “To Charles E. McCarthy from
Etching on paper, plate size 5 7/8 x 7 3/4 in. (14.8 x 19.5 cm), Thomas H. Benton” in pencil beneath the image, signed in the matrix.
framed. Lithograph on paper, image size 8 1/4 x 6 3/8 in. (20.8 x 16.0 cm),
Condition: Subtle mat burn, gentle rippling, fox mark c.l., not framed.
examined out of frame. Condition: Margins over 1 1/2 inches, not examined out of frame.
$800-1,200 $1,000-1,500
32.
In Dropping Flight, 1926, published state, edition of 134 (Paff, 255).

Signed “FrankWBenson-” in pencil l.l. Drypoint on paper, plate size
10 7/8 x 13 3/4 in. (27.5 x 34.8 cm), framed.
Condition: Scattered pale foxing/staining, pale mat staining, not
examined out of frame.
$500-700
32
33
35
34
34. 35.
Thomas Hart Benton (American, 1889-1975) Thomas Hart Benton (American, 1889-1975)
Jessie Wick, from the SWAMP WATER Series, 1941, edition of 100 Island Hay, 1945, edition of 250, published by Associated American
(Fath, 53). Dedicated and signed “To Charles E. McCarthy from Artists (Fath, 68). Signed “Benton” in pencil l.r. and in the matrix.
Thomas H. Benton” in pencil beneath the image, signed in the matrix. Lithograph on paper, image size 10 x 12 1/2 in. (25.3 x 31.8 cm),
Lithograph on paper, image size 9 7/8 x 6 1/2 in. (25.0 x 16.3 cm), matted, unframed.
framed. Condition: Margins approximately 1 inch, toning.
Condition: Margins over 1 1/2 inches, several small pale fox marks, $1,000-1,500
not examined out of frame.
$1,000-1,500
36.
Edouard Alexandre Bernard (French, 1879-1950)
Ascot Cycles. Signed and identified in the matrix. Color lithographic

poster, image size 47 1/4 x 34 3/4 in. (119.8 x 88.2 cm), framed.
Condition: Vertical and horizontal creases, minor tears (most
probably repaired), unobtrusive toning, not examined out of frame.
$800-1,200
36
37
38
37. 38.
Carroll Thayer Berry (American, 1886-1978) Isabel Bishop (American, 1902-1988)
White and Weatherworn - Maine Coast, 1960, edition possibly of Noon Hour, 1935, published by Associated American Artists 1946,
300 (Dearborn, 121). Signed “Carroll Thayer Berry imp” in pencil l.r., edition of 250 (Teller, 18). Signed “Isabel Bishop” in pencil l.r.,
signed in the block, titled in pencil l.l. Chiaroscuro woodcut in black identified on a label from AAA accompanying the lot. Etching on
and tan on paper, image size 11 x 12 1/2 in. (27.7 x 31.5 cm), paper, plate size 7 x 4 3/4 in. (17.5 x 11.9 cm), matted, unframed.
framed. Condition: Margins 2 inches or more, toning.
Condition: Unobtrusive toning, rippling, not examined out of frame. $400-600
N.B. A copy of Elwyn Dearborn’s The Down East Printmaker: Carroll

Thayer Berry (Down East Books: Camden, Maine, 1983)
accompanies the lot.
$400-600
39.
Richard Evett Bishop (American, 1887-1975)
Federal Duck Stamp Design, 1936. Signed “RichardEBishop” in

pencil l.r., signed in the plate, titled in pencil l.l. Etching on paper,
plate size 5 x 8 1/8 in. (12.5 x 20.4 cm), framed together with a duck
stamp.
$300-500
39
40
42
41 42A
40. 42.
Edmund Blampied (British, 1886-1966) After Georges Braque (French, 1882-1963)
The Weary Cart Horse, 1926, edition of 100. Signed “E.Blampied” Lot of Two Still Lifes: Verre et pichet, color lithograph (Maeght,
in pencil l.c., numbered “90/100” in pencil l.l., signed and dated in the 1009); and Pommes, collotype. The former signed in pencil l.r., the
plate. Etching on paper, plate size 7 3/4 x 11 in. (19.8 x 27.9 cm), latter signed in the matrix and numbered “58/300” in pencil l.l. Image
framed. sizes to 8 x 12 in. (20.3 x 30.5 cm), framed.
Condition: Mat burn, several fox marks, subtle rippling, not examined Condition: Toning, fading to former, not examined out of frames.
out of frame. $500-700
$250-350
41. 42A.
Edmund Blampied (British, 1886-1966) After Georges Braque (French, 1882-1963)
Night in the Stable, edition of 100. Signed “E.Blampied” in pencil Le paquet de tabac, 1914, edition of 150 (Maeght, 1048). Color
l.c., numbered “11/100” in pencil l.r. Etching and drypoint on paper, lithograph on paper, image size 13 1/2 17 5/8 in. (34.2 x 44.6 cm),
plate size 10 x 12 1/8 in. (25.4 x 30.5 cm), framed. framed.
Condition: Subtle mat burn and rippling, not examined out of frame. Condition: Laid down, margins 3/8 inch, central vertical crease.
$400-600 $200-250
43
43. 45.
Claude Buckle (British, 1905-c. 1973) Alois Carigiet (Swiss, 1902-1985)
New Brighton & Wallasey. Identified within the matrix. Color Lot of Two Horse Subjects: Beim Gaden, 1969, edition of 300; and
lithographic poster on paper, image size 37 1/8 x 47 1/4 in. (94.4 x Falkner zu Pferd, 1970, edition of 200. Both signed and dated “A.
120.1 cm), framed. Carigiet...” in pencil l.r. and numbered in pencil l.l. Color lithographs
Condition: Laid down or mounted (with areas of on paper, image sizes to 24 x 17 1/2 in. (61.0 x 44.4 cm), framed.
bubbling/disadhesion), margins just over 1 inch, minor nicks and Condition: Subtle rippling and soiling, not examined out of frames.
tears to edges, subtle toning, not examined out of frame. $200-300
$1,000-1,500
44.
David Young Cameron (Scottish, 1865-1945)
Lot of Six Landscape Views from the COMPLETE ANGLER, 1902

(Rinder 334, 335, 337, 338, 348 & 350). Four initialed in the plates.
Etchings on paper, plate sizes approximately 3 1/2 x 6 in. (9.0 x 15.0
cm), one matted, all unframed.
Condition: Most margins approximately 1/2 inch, some with staining,
toning, and/or pinholes to margins.
$300-350
44 45
46.
Marc Chagall (Russian/French, 1887-1985)
Elijah and the Widow of Sarepta, from BIBLE, 1956, edition of 275
plus proofs (Cramer, 29). Signed in the plate, identified on a label
from the Retina Gallery, Boston, on the reverse. Etching on paper,
plate size 11 1/4 x 9 1/2 in. (28.4 x 24.0 cm), framed.
Condition: Margins over 1/2 inch, not examined out of frame.
$500-700
47.
David, portant la tête de Goliath, plate 64 from BIBLE, 1956,

edition of 275 plus proofs (Cramer, 29). Unsigned. Etching and
aquatint on paper, plate size 12 3/8 x 9 3/8 in. (31.3 x 23.7 cm),
framed.
Condition: Unobtrusive mat burn, not examined out of frame.
$400-600
48.
Lot of Three Volumes: THE LITHOGRAPHS OF MARC CHAGALL,

46 volumes II, III, and IV, by Fernand Mourlot et al., published by Andre
Sauret, 1963, 1969, and 1974, respectively, each with the original
color lithographs intact. 13 x 10 in. (33.0 x 25.4 cm), with jackets
and slip covers, cloth bound.
Condition: Wear and ink annotations to slip covers.
$3,000-5,000
48
47
50
49.
Edgar Chahine (French, 1874-1947)
Demoiselle au tennis, 1899, edition of approximately 70 (Tabanelli,

32). Signed “Edgar Chahine” in umber ink l.l., titled in pencil l.c.,
identified on an exhibition label (see below) on the reverse. Drypoint
on paper, plate size 15 x 6 in. (38.1 x 15.2 cm), framed.
Condition: Margins 1/2 inch or more, rub to image l.l., subtle toning,
not examined out of frame.
49
Exhibitions: Images of Women: 19th Century French Prints, at the
Utah Museum of Fine Arts, University of Utah, January 8–February
19, 1978.
$800-1,200
50.
Samuel V. Chamberlain (American, 1895-1975)
The Blacksmith Shop, edition of 100 plus proofs (Chamberlain &

Kingsland, 3). Signed “Samuel Chamberlain” in pencil l.r., numbered
“21/100” in pencil l.l. Etching on paper, plate size 8 7/8 x 11 1/8 in.
Condition: Margins 1 1/2 inches or more with deckled edges, subtle
toning, annotations to lower margin, brown paper tape to side
margins.
Provenance: Through the family of the artist.

$150-200
51.
Amalfi, edition of 100 (Chamberlain & Kingsland, 8). Signed “Samuel

Chamberlain” in pencil l.r., numbered “87/100” in pencil l.l. Etching
on paper, plate size 7 x 7 in. (17.7 x 17.5 cm), matted, unframed.
Condition: Margins over 1 3/4 inches with deckled edges, subtle
toning, annotations to lower margin.

$150-200
51
52
52.
Church of Saint Ayoul - Provins, 1924-28, edition of 68 plus proofs

53
(Chamberlain & Kingsland, 11). Signed “Samuel Chamberlain” in
pencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Etching on paper,
plate size 5 7/8 x 7 3/4 in. (14.7 x 19.7 cm), matted, unframed.
Condition: Margins 1 1/2 inches or more with two deckled edges,
annotations to lower margin.
53.
Provenance: Through the family of the artist. Samuel V. Chamberlain (American, 1895-1975)
$150-200
The Church at Sezanne, c. 1925 (Chamberlain & Kingsland, 12).
Signed “Samuel Chamberlain” in pencil l.r., numbered “68/100” in
pencil l.l. Etching on paper, plate size 7 3/4 x 3 7/8 in. (19.5 x 9.7
Condition: Margins over 2 1/2 inches with deckled edges, subtle
soiling or staining to margins, annotations to lower margin.

$150-200
54.
Soaring Steel, proof (Chamberlain & Kingsland, 79). Signed “Samuel

Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste - I/V” in pencil
l.l. Etching on paper, plate size 12 1/2 x 9 5/8 in. (31.6 x 24.4 cm),
matted, unframed.
Condition: Margins over 1/2 inch with two deckled edges, stain to
margin along upper edge, annotations to lower margin.
N.B. The view shows the construction of the Daily News Building in
Chicago.
$300-350
54
55.
Oil, c. 1930, edition of 100, but most destroyed, plus proofs

(Chamberlain & Kingsland, 80). Signed “Samuel Chamberlain” in
pencil l.r., inscribed “Epreuve d’artiste - Third State 1/2” in pencil l.l.
Etching on paper, plate size 9 5/8 x 6 3/4 in. (24.3 x 17.0 cm),
matted, unframed.
Condition: Margins over 1 inch with deckled edges, annotations to
lower margin.

$300-350
56.
Lower Manhattan - Old and New (Chamberlain & Kingsland, 81).

Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuve
d’artiste 3rd State 1/2” in pencil l.l. Etching on paper, plate size 9 x 7
in. (22.8 x 17.7 cm), matted, unframed.
Condition: Margins 1 inch or more with deckled edges, subtle soiling,

$300-350
55
57.
Boston Fish Pier (Chamberlain & Kingsland, 82). Signed “Samuel

Chamberlain” in pencil l.r., inscribed “Epreuve d’artiste” in pencil l.l.
Etching on paper, plate size 5 5/8 x 8 5/8 in. (14.2 x 21.8 cm),
matted, unframed.
Condition: Margins 1 inch or more, foxing, staining to edges of
sheet, losses to both upper corners well within the margin,

$150-200
57
56
58
59
58. 59.
Samuel V. Chamberlain (American, 1895-1975) Samuel V. Chamberlain (American, 1895-1975)
Faneuil Hall - Boston (Chamberlain & Kingsland, 83). Signed Lot of Two Impressions of Mont-Saint-Michel, c. 1940, edition of
“Samuel Chamberlain” in pencil l.r., numbered “44/100” in pencil l.l. 1500 plus proofs (Chamberlain & Kingsland, 261). Unsigned, one
Etching on laid paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm), inscribed “Fourth State I/IV” in pencil l.l., the other inscribed “artist’s
matted, unframed. proof” in pencil l.l. Etchings on paper, plate size 5 3/8 x 4 5/8 in.
Condition: Margins 1/2 inch or more with deckled lower edge, (13.5 x 11.7 cm), matted, unframed.
staining to edges of sheet, foxing, losses and tears to upper corners Condition: Margins approximately 1 inch, subtle toning, annotations
within margins, annotations to lower margin. to lower margins.
Provenance: Through the family of the artist. Provenance: Through the family of the artist.
$150-200 $200-250
60.
Lot of Two Impressions of The Steps of Ara Coeli, Rome, c.

1940, edition of 1500 plus proofs (Chamberlain & Kingsland, 264).
Unsigned, one inscribed “First State III/IV” in pencil l.l., the other
inscribed “Artist’s Proof” in pencil l.l. Etchings on paper, plate size 6
3/4 x 4 1/2 in. (17.0 x 11.3 cm), matted, unframed.
Condition: Margins approximately 1 inch, subtle toning.

$200-250
60
61
61. 63.
Samuel V. Chamberlain (American, 1895-1975) Giorgio de Chirico (Italian, 1888-1978)
Summer Shadows, 1940, edition of 300 plus proofs (Chamberlain & Castore, from I CAVALLI, 1948, edition of 94 (Vastano, 125).
Kingsland, 275). Signed “Samuel Chamberlain” in pencil l.r., inscribed Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l.,
“Ed. 300” in pencil l.l. Drypoint on paper, plate size 8 5/8 x 11 1/8 in. signed in the matrix. Lithograph in black and cream on paper with
(21.8 x 28.2 cm), matted, unframed. Fabriano watermarks, image size 19 x 12 1/2 in. (48.2 x 31.6 cm),
Condition: Margins 1 inch or more, annotations to lower margin. framed.
Condition: Margins over 3 inches, subtle toning or staining to edges,
Provenance: Through the family of the artist. unobtrusive handling creases, not examined out of frame.
$800-1,200
N.B. The view depicts Bank Square in Marblehead, Massachusetts.
$200-250
62.
Harborside, Friendship, Maine (Chamberlain & Kingsland, 276).

Signed “Samuel Chamberlain/N.G.C.” by Narcissa Gellatly
Chamberlain in pencil l.r., inscribed “ed. 300” in pencil l.l. Drypoint on
paper, plate size 8 1/2 x 12 3/4 in. (21.5 x 32.0 cm), matted,
unframed.
Condition: Margins over 1 inch with deckled edges, annotations to
lower and upper margins, stain to corner of margin l.l.

$150-200
62 63
64.
Giorgio de Chirico (Italian, 1888-1978)
Narciso Ippofilo, from I CAVALLI, 1948, edition of 94

(Vastano, 131). Signed "G. de Chirico" in pencil l.r.,
numbered "5/94" in pencil l.l., signed in the matrix. Color
lithograph on paper with Fabriano watermarks, image size 11
3/8 x 17 1/4 in. (28.8 x 43.7 cm), framed.
Condition: Margins over 3 inches, nicks/losses to upper
edge, subtle toning or staining to edges, unobtrusive
handling creases, not examined out of frame.
$800-1,200
64
65.
I figli dell’Arconte, from I CAVALLI, 1948, edition of 94

(Vastano, 132). Signed “G. de Chirico” in pencil l.r.,
numbered “5/94” in pencil l.l., signed in the matrix.
Lithograph in black and cream on paper with Fabriano
watermarks, image size 11 1/2 x 17 1/8 in. (29.2 x 43.3 cm),
framed.
Condition: Margins over 3 inches, nicks/losses to upper
edge, subtle toning or staining to edges, unobtrusive
handling creases, not examined out of frame.
$800-1,200
65
66.
Ippolito, from I CAVALLI, 1948, edition of 94 (Vastano, 133).

Signed “G. de Chirico” in pencil l.r., numbered “5/94” in
pencil l.l., signed in the matrix. Lithograph in black and blue
on paper with Fabriano watermarks, image size 11 3/8 x 17
1/4 in. (28.8 x 43.6 cm), framed.
Condition: Margins over 3 inches, unobtrusive toning,
unobtrusive handling creases, not examined out of frame.
$800-1,200
66
67
68
67.
Roland Clark (American, 1874-1957)
Pintail. Signed “Roland Clark” in pencil l.r. Drypoint and etching on

paper, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), framed.
Condition: Margins over 2 inches, laid down at edges, but with
rippling to the image, annotations to lower edge.
$150-200
68.
Antoni Clavé (Spanish, 1913-2005)
Profile Head, edition of 50. Signed “Clavé” in pencil l.r., numbered

“1/50” in pencil l.l. Lithograph in black and tan on paper, image size
28 x 20 in. (71.1 x 50.8 cm), framed.
Condition: Subtle toning and mat burn, not examined out of frame.
$300-500
69.
James Coignard (French, 1925-2008)
Presence, 1986, edition of 75. Signed “J. Coignard” in pencil l.r.,

numbered “25/75” in pencil l.l., identified on labels on the reverse.
Color aquatint with carborundum and collage on paper, image size 34
x 27 in. (86.3 x 68.5 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$300-500
69
70
70.
James Coignard (French, 1925-2008)
71
Espace dynamique bleu, 1989, edition of 95. Numbered and
signed “6/95 J. Coignard” in pencil l.r., identified on labels on the
reverse. Color carborundum on paper, image/sheet size 20 1/4 x 25
3/4 in. (51.5 x 65.3 cm), framed.
$300-350
71. 72.
James Coignard (French, 1925-2008) Lovis Corinth (German, 1858-1925)
Architecture, 1991, edition of 85. Signed “J. Coignard” in pencil l.r., Krönung Heinrich V, plate 30 from SHAKESPEARE VISIONEN,
numbered “79/85” in pencil l.l., identified on labels on the reverse. 1917-18, published in GANYMEDE (Schwarz, 390). Unsigned,
Color carborundum on paper, image size 28 x 23 3/4 in. (71.0 x 60.2 Ganymede dry stamp l.l. Drypoint on laid paper with partial
cm), framed. watermark, plate size 6 x 10 1/4 in. (15.3 x 26.0 cm), matted,
Condition: Subtle rippling, creases to edge of lower margin, not unframed.
examined out of frame. Condition: Margins over 1 inch with deckled edges.
$300-500 $250-350
72
73.
Alan Horton Crane (American, 1901-1969)
Lot of Two Landscapes: Winter Memory, edition of 40;

and Harbor Fog, edition of 50. Both signed “Alan Crane” in
pencil l.r. and titled and inscribed in pencil l.l. Lithographs on
paper, image sizes approximately 10 x 13 3/4 in. (25.4 x
34.8 cm), unmatted, unframed.
Condition: Margins approximately 1 inch, unobtrusive toning
and staining.
$200-250
73
74.
John Steuart Curry (American, 1897-1946)
Stallion and Jack Fighting, 1943, edition of 250

(Czestochowski, C-39). Signed “John Steuart Curry” in
pencil l.r., initialed and dated in the matrix. Lithograph on
paper, image size 11 3/4 x 15 3/8 in. (29.8 x 39.0 cm),
framed.
$1,000-1,500
74
75.
John Steuart Curry (American, 1897-1946)
Sanctuary, alternatively titled Flood Relief, 1944, edition of

250, published by Associated American Artists
(Czestochowski, C-41). Signed “John Steuart Curry” in
pencil l.r., initialed and dated in the matrix. Lithograph on
paper, image size 11 3/4 x 15 3/4 in. (29.8 x 40.0 cm),
matted, unframed.
Condition: Margins 3/4 inches or more with deckled edges,
toning.
$700-900
75
77
77.
Salvador Dalí (Spanish, 1904-1989)
L’Aéroplane, from HOMMAGE A LEONARDO DA VINCI

76
(AMERICAN INVENTIONS), 1975, edition of 450 plus proofs
(Löpsinger & Michler, 810). Signed “Dalí” in pencil l.r., numbered
“75/450” in pencil l.l. Drypoint and pochoir on paper, plate size 14
1/4 x 19 7/8 in. (36.3 x 50.5 cm), framed.
76. $300-500
Salvador Dalí (Spanish, 1904-1989)
Begonia, from FLORDALI, 1968, total edition of 400 plus proofs 78.
(Löpsinger & Michler, 233). Signed “Dali” in pencil l.r., numbered Adolf Arthur Dehn (American, 1895-1968)
“XXIII/XXV” in pencil l.l., signed within the plate. Etching with drypoint
and pochoir on paper, plate size 22 7/8 x 15 1/4 in. (55.2 x 38.8 cm), Circus, 1942, edition of 30 or more (Lumsdaine & O’Sullivan, 336).
framed. Signed and dated “Adolf Dehn 1942” in pencil l.r., titled in pencil l.c.,
Condition: Not examined out of frame. inscribed “30 prints” in pencil l.l. Lithograph on paper, image size 12
3/4 x 17 1/4 in. (32.0 x 43.5 cm), framed.
Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. Condition: Toning, pale foxing, not examined out of frame.
$500-700 $300-500
78
80
79
79. 80.
Jane Leone Dickson (American, b. 1952) Jim Dine (American, b. 1935)
Lot of Three Works: Globe Hotel Bar, Woman on Stairs, and Plate Four, from RACHEL COHEN’S FLAGS, STATE I, 1979
Burlesque, all 1984, editions of 45. Each signed and dated “Jane (D’Oench & Feinberg, 41) Inscribed, dated, and signed “Trial proof
Dickson ‘84” in pencil l.r. and numbered “10/45” in pencil l.l. Color for Nardo from Jim 1979 Jim Dine” in pencil beneath the image.
aquatints on paper, plate sizes 29 1/2 x 16 7/8 in. (74.8 x 42.8 cm), Drypoint on paper, plate size 15 1/2 x 21 3/4 in. (39.3 x 55.2 cm),
all matted, the last framed. framed.
Condition: Good, the last not examined out of frame. Condition: Margins over 2 3/4 inches with deckled edges, subtle
$1,000-1,500 cockling, not examined out of frame.
$800-1,200
81.
Lazzaro Donati (Italian, b. 1926)
Garden Sculpture, 1966, edition of 50. Signed and dated

“LAZZARO DONATI 66” in pencil l.l., numbered “6/50” in pencil l.r.
Color lithograph on paper, image size 12 1/4 x 16 1/2 in. (31.1 x 41.9
cm), framed.
Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

$150-250
81
82.
Otis Dozier (American, 1904-1987)
Crows in Melon Patch, 1939, edition of 30. Signed and

dated “Otis Dozier ‘39” in pencil l.r., titled and numbered
“...6/30” in pencil l.l. Lithograph on paper, image size 9 3/4
x 12 in. (24.5 x 30.4 cm), framed.
$200-250
82
83.
Otis Dozier (American, 1904-1987)
Lot of Two Landscapes: Two Deer, 1942, edition of 20;

and Morning Country, 1942, edition of 20. Both signed
and dated “Otis Dozier ‘42” in pencil l.r., and titled and
numbered in pencil l.l. Lithographs on paper, image sizes
approximately 13 1/2 x 10 in. (34.0 x 25.5 cm), framed.
Condition: Not examined out of frames.
$200-250
83
84.
Jean Dubuffet (French, 1901-1985)
Banque de L’Hourloupe cartes à jouer et à tirer, 1967,

edition of 350 plus proofs, published by Editions Alecto,
London. Identified and numbered “210” on the interior of the
box. Color screenprints on cardboard, 9 7/8 x 6 1/2 in.
(25.0 x 16.4 cm), presented in the original portfolio box.
Condition: Minor wear.
$500-700
84
85
86
85. 86.
Etienne Duperac (French, 1520-1604) Albrecht Dürer (German, 1471-1528)
Hunter in a Landscape. Signed in the plate. Etching on paper, The Last Judgment, from the SMALL PASSION, 1511 (Bartsch 52;
plate size 7 1/2 x 12 3/4 in. (19.0 x 32.3 cm), framed. Meder, 161; Hollstein 161b). Monogrammed in the block, with text
Condition: Trimmed to or just within the plate mark, subtle rippling on the reverse. Woodcut on paper, image size 5 x 3 3/4 in. (12.5 x
and toning, not examined out of frame. 9.5 cm), framed.
$300-350 Condition: Thread margins, rippling, small tear to corner (just
effecting image) l.l., not examined out of frame.
$300-500
87.
Max Ernst (German, 1891-1976)
Sign for a School for Pirates, 1965, edition of 125 (Spies &
Leppien, A12). Signed “max ernst” in pencil l.r., numbered “72/125”
in pencil l.l., titled within the matrix. Color photo-lithograph on BFK
Rives paper with partial watermark, image size 23 3/4 x 19 3/8 in.
Condition: Margins 1 inch or more with two deckled edges, subtle
surface rubs to image, minor creases to margins near corners.
$200-250
87
88
88. 90.
Lyonel Feininger (German/American, 1871-1956) Ernest Fiene (American, 1894-1965)
Off the Coast, 1951, second state of two, edition of 250 plus proofs The Little Church Around the Corner. Signed “Ernest Fiene” in
published for the Cleveland Print Club (Prasse L14). Signed “Lyonel pencil l.r., identified on a label on the reverse. Lithograph on paper,
Feininger” in pencil l.r. Lithograph on paper, image size 9 1/4 x 14 image size 9 1/2 x 12 1/8 in. (24.0 x 30.6 cm), framed.
1/2 in. (23.5 x 36.8 cm), framed. Condition: Subtle rippling, not examined out of frame.
Condition: Not examined out of frame. $300-500
$1,500-2,000
89.
Erna Fenkohl (Belgian, 1882-1975)
Lot of Four Still Lifes with Flowers and Insects. Each signed
“Erna Fenkohl” in pencil l.r. and inscribed “Orig. Handdruck” in pencil
l.l. Color woodcuts on paper, image sizes 5 1/2 x 5 1/2 in. (13.8 x
13.8 cm), framed.
Condition: Subtle toning, not examined out of frames.
$600-800
90
89
91
91.
Sam Francis (American, 1923-1994)
Senza Titolo I, 1987, edition of 58, published by 2RC Edizioni d’Arte,

Rome (Lembark, I.87). Signed “Sam Francis” in pencil l.r., numbered
“43/58” in pencil l.l. Color etching and aquatint on paper, plate size
34 5/8 x 39 1/8 in. (87.8 x 99.3 cm), framed.
Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,

1988; to a private collector.
$4,000-6,000
92 93
92.
Helen Frankenthaler (American, b. 1928)
Broome Street at Night, 1987, edition of 68. Signed and dated

“Frankenthaler ‘67” in pencil l.r., numbered “54/68” in pencil l.l. Color
etching and aquatint on paper, plate size 27 x 28 1/4 in. (68.5 x 71.5
cm), framed.
Condition: Margins 2 1/2 inches or more, not examined out of frame.
Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,

$2,000-2,500
93.
French School, 19th/20th Century
Apéritif Bacchus. Identified within the matrix. Color lithographic

poster on paper, sheet size 62 x 46 3/8 in. (157.5 x 117.7 cm),
unmatted, unframed.
Condition: Mounted on paper backed with linen (to stabilize/repair
tears and creases), toning, minor surface rubs, handling creases.
$400-600
94.
La Mora y Manzano. Identified within the matrix. Color lithographic

poster on paper, sheet size 55 3/4 x 39 1/4 in. (141.5 x 99.5 cm),
unmatted, unframed.
tears and creases), minor rubs to image, subtle toning, minor
94 handling creases.
$500-700
95 96
95.
Cycles Omnium. Signed “Emile Vidal” and identified within the

matrix. Color lithographic poster on paper, sheet size 49 1/4 x 36 in.
older tears and creases), creases and tears, toning, staining, handling
creases.
$400-600
96.
French School, 20th Century
Remoncourt la Reine des Vosges. Identified “...J. Hirsch lith...”

within the matrix. Color lithographic poster on paper, sheet size 48 x
35 1/2 in. (121.8 x 90.0 cm), unmatted, unframed.
tears and/or creases), pale staining and foxing, minor handling
creases.
$500-700
97.
Scala C’est Dégoutant!! Identified within the matrix. Color

lithographic poster on paper, sheet size 44 1/8 x 33 3/4 in. (112.2 x
85.5.0 cm), unmatted, unframed.
minor creases and minor tears), toning, minor handling creases.
$500-700
97
98.
Wanda Gag (American, 1893-1946)
Christmas Eve I, 1927 (Winnan, 53). Identified

“GREETINGS FROM THE HOUSE OF WEYHE 1927...” in the
text within the matrix. Lithograph on paper, image size 5 1/4
x 6 7/8 in. (13.3 x 17.3 cm), framed.
Condition: Subtle toning, not examined out of frame.
$200-250
98
99.
Sears Gallagher (American, 1869-1955)
Lot of Three Views: Rocks and Crashing Surf; The Old

Mill; and Wild Cherry Elder. Each signed “Sears Gallagher”
in pencil l.c., the last identified on a label from Doll &
Richards, Inc., Boston, on the reverse. Etchings on paper,
plate sizes to 5 7/8 x 8 7/8 in. (14.8 x 22.4 cm), matted, the
last framed.
Condition: The last not examined out of frame.
$300-500
99
100.
Sears Gallagher (American, 1869-1955)
Lot of Three Views: Pickerel Pond; Grassy Dunes; and

Across the Pond. Each signed “Sears Gallagher” in pencil
l.l. Drypoints on paper, plate sizes to 6 3/4 x 8 3/4 in. (17.3
x 22.3 cm), matted, unframed.
Condition: Margins 1 inch or more.
$250-350
100
101 102
101. 102.
Eliza Draper Gardiner (American, 1871-1955) Eliza Draper Gardiner (American, 1871-1955)
On the Boat, edition of 30. Signed and numbered “Eliza D. Gardiner Feeding the Geese. Unsigned. Color woodcut on paper, image
1/30” in pencil l.l. (within the image) and l.r., titled in pencil l.c., size 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), unmatted, unframed.
identified on labels from the Print Club of Philadelphia and The Condition: Margins 1/2 inch or more, foxing (primarily to upper
Wichita Art Association on the reverse. Color woodcut on laid gray margin).
paper, image size 10 1/2 x 12 3/8 in. (26.5 x 31.3 cm), matted,
unframed. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
Condition: Margins 1 inch or more with two deckled edges, subtle $300-500
toning, annotations in the artist’s hand verso.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.

$400-600
103.
Eliza Draper Gardiner (American, 1871-1955)
Ginny + Lucky, edition of 50. Signed and numbered “Eliza D.

Gardiner 5/50” in pencil l.l., titled in pencil l.c. Woodcut on laid paper,
image size 8 x 6 1/2 in. (20.3 x 16.5 cm), matted, unframed.
Condition: Margins 1/4 inch or more.

$300-500
103
104 105
104. 105.
Arrangement in Gray and Black. Unsigned. Woodcut on paper, Boy with Cat, edition of 50. Signed and numbered “Eliza D.
image size 8 1/2 x 7 1/2 in. (21.5 x 19.0 cm), unmatted, unframed. Gardiner 28/50” in pencil u.r. (within the image). Color woodcut on
Condition: Margins 1 inch or more with two deckled edges, subtle laid gray paper, image size 10 x 7 1/2 in. (25.4 x 19.1 cm), matted,
toning, annotations and pinholes to upper margin. unframed.
Condition: Upper and right margins trimmed to image, pale foxing
Provenance: Estate of N. David Scotti, Providence, Rhode Island. (visible almost exclusively in remaining margins).
$200-250
$300-500
106.
Tansy, edition of approximately 20. Signed and numbered “Eliza D.

Gardiner 3/19” in pencil l.l. (within the image), numbered “3/20” in
pencil l.r. (within the image), titled on the mat. Color woodcut on
paper, image size 8 x 10 3/4 in. (20.3 x 27.3 cm), matted, unframed.
Condition: Margins 1/4 inch or more, subtle toning.

$300-500
106
108
107
107.
Baby and Mother, c. 1937, edition of 50. Signed and numbered

“Eliza D. Gardiner 3/50” in pencil l.l., titled on the mat. Color
woodcut on laid paper, image size 10 1/2 x 6 1/2 in. (26.5 x 16.5
Condition: Margins 1 inch or more with deckled lower edge, subtle
toning and/or soiling.

$400-600
108.
Candle Light, edition of 10. Signed and numbered “Eliza D.

Gardiner-1/10” in pencil l.l., titled on the mat. Color woodcut on
paper, image size 11 7/8 x 7 1/4 in. (30.0 x 18.3 cm), matted,
unframed.
Condition: Margins approximately 1/4 inch, several tiny fox marks.

$300-500
109.
The Turtle, edition of 25. Signed “Eliza D. Gardiner” in pencil (within

the image) l.l. and signed and numbered “Eliza D. Gardiner 9/25” in
pencil l.r., titled in pencil l.c., identified on labels from the Print Club of
Philadelphia and the New England Print Association on the reverse.
Color woodcut on paper, image size 12 1/2 x 9 1/2 in. (31.6 x 24.0
Condition: Margins 1 inch or more with three deckled edges, subtle
toning.
109
$400-600
111
110
110. 111.
Lot of Eight Scenes: Provincetown, edition of 25; Apponaug, R.I., The Forest Nunns, c. 1939, edition of 50. Signed and numbered
edition of 25; Boy with Goose; Dories at Low Tide; The Garden “Eliza D. Gardiner 1/50” in pencil l.l., titled on the mat, identified on a
Shed; The Toy Boat; A Quiet Corner; and Waiting on the Dock. label from the Armour Gallery, Providence, Rhode Island, on the
The first two signed, titled, and numbered “Eliza D. Gardiner...1/25” in reverse. Lithograph on Rives paper with watermark, image size 8 7/8
pencil beneath the image, the rest unsigned. Etchings on various x 6 1/4 in. (22.4 x 15.6 cm), matted, unframed.
papers, plate sizes to 8 x 5 in. (20.2 x 12.6 cm), unmatted, unframed. Condition: Deckled edges to three sides, several fox marks to
Condition: Unobtrusive toning and/or soiling, some margins with margins.
pinholes to edges, some edges deckled.
Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250
$800-1,200
112.
Gone Fishing, edition of 25. Unsigned, numbered “19/25” in pencil

l.l. Woodcut on fine paper, image size 6 3/4 x 8 1/8 in. (17.0 x 20.5
cm), unmatted, unframed.
Condition: Subtle toning, crease to corner or margin u.l.

$200-250
112
113 114
113. 114.
Eliza Draper Gardiner (American, 1871-1955) Albert Gleizes (French, 1881-1953)
Waiting by the Window, c. 1937. Signed “Eliza D. Gardiner” in Rue animée, 1914. Signed and dated “AGleizes 1914” in pencil l.r.,
pencil l.l., dedicated “To E. Cook with love ‘37” in pencil l.r. signed and dated in the plate, inscribed “épreuve d’artist” in pencil l.l.
Lithograph on paper, image size 7 1/2 x 6 in. (19.0 x 15.2 cm), Etching on paper, plate size 8 7/8 x 6 3/4 in. (22.5 x 17.0 cm),
framed. matted, unframed.
Condition: Subtle toning and rippling, not examined out of frame. Condition: Margins 1 3/4 inches or more, minor soiling.
$300-500 $5,000-7,000
115.
Albert Gold (American, 1916-1972)
The Horse Cart, 1947. Signed and dated “Albert Gold ‘47” in pencil
l.r. Color monotype on paper, image size 12 x 15 3/4 in. (30.5 x 40.0
cm), framed.
$200-300
115
116
117
116. 117.
Stephen Gooden (British, 1892-1955) R.C. Gorman (American, 1932-2005)
The Satyrs, 1937. Inscribed, signed, and dated “109 . 81 Stephen Beauty Way, 1990, edition of 225 plus proofs. Signed and dated
Gooden 1937” in pencil beneath the image, identified on label affixed “R.C. Gorman 1990” in pencil (within the image) l.l., inscribed “A.P. 9”
inside the mat. Engraving on paper, circular format, plate diameter 6 in pencil (within the image) l.r., artist’s dry stamp l.l., “HOUSTON” dry
1/4 in. (15.7 cm), matted, unframed. stamp l.r. Color screenprint on paper, image/sheet size 37 x 31 in.
Condition: Margins over 1 1/2 inches with two deckled edges, subtle (94.0 x 78.5 cm), framed.
toning. Condition: Deckled edges, not examined out of frame.
$200-250 $800-1,200
118.
Gordon Hope Grant (American, 1875-1962)
Lot of Four Views: First Snow; Shadow of the Dock; Return of

the Fishing Boat; and The Salt Bark - Gloucester. Each signed
“Gordon Grant” in pencil l.r. Lithographs on paper, image sizes
approximately 9 x 12 in. (22.8 x 30.4 cm), three matted, all unframed.
Condition: Some with unobtrusive toning, margins 3/4 inches or
more.
$200-250
118
119
119. 121.
Frederick Landseer Maur Griggs (British, 1876-1938) Yozo Hamaguchi (Japanese, 1909-2000)
Sellenger, 1917, fourth state of six (Comstock, 18). Signed “F.L. Mud Snails, 1960, edition of 50 (M. Gallery, 73). Signed
Griggs” in pencil l.r., signed and dated in the plate, titled in pencil l.l. “hamaguchi” in pencil l.r., numbered “9 50” in pencil l.l. Color
Etching on paper, plate size 5 x 6 3/4 in. (12.5 x 17.0 cm), framed. mezzotint on paper, plate size 4 x 3 1/8 in. (10.1 x 7.8 cm), framed.
Condition: Unobtrusive toning, not examined out of frame. Condition: Unobtrusive mat burn and toning, not examined out of
$200-250 frame.
$400-600
120.
Yozo Hamaguchi (Japanese, 1909-2000)
Gypsy, 1954, edition of 50 (M. Gallery, 32). Signed “hamaguchi” in

pencil l.r., numbered “31/50” in pencil l.l. Mezzotint and aquatint on
paper, plate size 11 3/4 x 11 3/4 in. (29.7 x 29.7 cm), framed.
Condition: Subtle toning and rippling, not examined out of frame.
$800-1,200
120
121
122
122. 124.
Yozo Hamaguchi (Japanese, 1909-2000) Hans Hartung (German, 1904-1989)
Black Cherries, 1964, edition of 50 (M. Gallery, 50). Signed L 100, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered
“hamaguchi” in pencil l.r., numbered “36/50” in pencil l.l. Color “26/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,
mezzotint on paper, plate size 7 3/4 x 9 5/8 in. (19.5 x 24.4 cm), annotated on the reverse. Lithograph on BFK Rives paper with
framed. watermark, image size 20 3/4 x 17 in. (52.6 x 43.0 cm), unmatted,
Condition: Subtle toning and rippling, not examined out of frame. unframed.
$400-600 Condition: Margins 2 1/2 inches or more with deckled edges, subtle
staining.
$500-700
123.
Hans Hartung (German, 1904-1989)
L 71, 1958, edition of 35. Signed “Hartung” in pencil l.r., numbered

“11/35” in pencil l.l., annotated on the reverse. Lithograph on Arches
paper with watermark, image size 20 3/4 x 29 in. (52.5 x 73.4 cm),
unmatted, unframed.
Condition: Deckled edges, subtle staining and toning, unpressed
creases to some corners.
$500-700
123
124
126
125.
125 L 109, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered
“28/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,
annotated on the reverse. Lithograph in brown on BFK Rives paper
with watermark, image size 22 5/8 x 14 3/4 in. (57.4 x 37.4 cm),
unmatted, unframed.
Condition: Margins over 3 inches with deckled edges, subtle staining
and/or soiling, thinning to corner u.r. on verso, minor nicks/creases to
deckles.
$500-700
126.
L 124, 1967, edition of 75. Numbered and signed “28/75 Hartung”

in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l., annotated
on the reverse. Lithograph on BFK Rives paper with watermark,
image size 18 1/4 x 25 in. (46.3 x 63.4 cm), unmatted, unframed.
Condition: Margins over 2 inches with deckled edges, subtle
staining, minor nicks/handling creases to edges (primarily at corners).
$500-700
127.
Joseph Hecht (Polish/British, 1891-1951)
Reclining Nude and Two Palms, edition of 30. Signed “Joseph

Hecht” in pencil l.r., numbered “17=30” in pencil l.l. Etching and
drypoint on paper, plate size 9 3/4 x 8 1/8 in. (24.6 x 20.5 cm),
matted, unframed.
Condition: Margins 1 1/2 inches or more, handling marks and
creases to margins, hinged at upper corners, subtle soiling, ink
annotations to l.r. corner.
$150-200
128.
No lot.
127
129.
Erich Heckel (German, 1883-1970)
Bildnis E. H., 1917 (Dube, 306). Signed and dated “Erich Heckel
17” in pencil l.r. Woodcut on paper, image size 14 1/4 x 11 3/4 in.
(36.2 x 29.8 cm), framed.
Condition: Margins 1 inch or more, horizontal crease into image
(some with very subtle breaks to paper fibers), unobtrusive toning,
pale staining to image.
$1,000-1,500
129
130.
Dame Barbara Hepworth (British, 1903-1975)
Two Marble Forms (Mykonos), 1969, edition of 30. Signed

“Barbara Hepworth” in pencil l.r., numbered “...23/30” in pencil l.l.,
Curwen Studio dry stamp l.l., identified as “Blue Streak...” on
information affixed to the reverse. Lithograph in blue, gray, and black
on paper, image size 29 x 19 in. (73.5 x 48.2 cm), framed.
Condition: Minor soiling to margins, not examined out of frame.
$500-700
130
132
131
133
131. 132.
Irwin D. Hoffman (American, 1901-1989) Lester George Hornby (American, 1882-1956)
Cigarette Underground. Signed “Irwin D. Hoffman Imp.” in pencil Lot of Three European Landscapes: Le rond point, Paris;
l.r., titled and dedicated “...to Maestro Max Jacobs with best wishes” Seicheprey, 1918; and Bezaudun. Each initialed and titled within
in pencil l.l. Etching on paper, plate size 10 7/8 x 7 7/8 in. (27.5 x the plate, and with artist’s stamp l.l. Etchings on paper, plate sizes to
19.8 cm), framed (without glass). 7 x 9 7/8 in. (17.8 x 25.2 cm), matted, unframed.
Condition: Toning, subtle rippling, not examined out of frame. Condition: Margins 2 inches or more, scattered foxing (almost
$400-600 exclusively to margins).
$250-300
133.
Lester George Hornby (American, 1882-1956)
Lot of Three City Views: By the Bridge; Les beaux choux; and
Fishing Along the Seine. The second initialed and titled within the
plate, the last two with artist’s stamp l.l. Etchings on paper, plate
sizes to 7 3/8 x 8 5/8 in. (18.8 x 21.9 cm), matted, unframed.
Condition: Margins 1/2 inch or more, toning to Bridge.
$250-300
134.
Alfred Heber Hutty (American, 1877-1954)
The Quiet Harbor. Signed “Alfred Hutty” in pencil l.r.

Etching on paper, plate size 6 3/8 x 7 3/8 in. (16.3 x 18.8
cm), framed.
$200-250
134
135.
Philip Kappel (American, 1901-1981)
Lot of Two Views: Lobsterman at Dawn and Chatham Bar

- Cape Cod. Both signed “Philip Kappel” in pencil l.r. and
titled in pencil l.l. Aquatints on paper, plate sizes to 7 3/4 x 9
7/8 in. (19.7 x 25.2 cm), the latter matted, both unframed.
Condition: Margins over 2 inches.
$250-350
135
136.
Philip Kappel (American, 1901-1981)
Lot of Three Connecticut Views: Winter Tracery - New

Milford Green; Sugar Maples in Spring; and Sunday
Morning - New Milford Green. Each signed “Philip Kappel”
in pencil l.r. and titled in pencil l.l. Etchings with drypoint on
paper, plate sizes to 9 1/8 x 12 1/8 in. (23.2 x 30.9 cm),
unmatted, unframed.
Condition: Margins over 1 inch, minor handling creases.
$250-350
136
137
137. 139.
Philip Kappel (American, 1901-1981) Luigi Kasimir (Austrian, 1881-1962)
Lot of Three Seafaring Views: Lifting Fog - Down East; Shooting Lot of Two Views: Bad Gastein, Kirche (Main Street), 1943,
the Sun; and Marine Pathway. Each signed “Philip Kappel” in possibly a later printing; and Bad Gastein, Winter (H. Weiss, 92 &
pencil l.r. and titled in pencil l.l. Etchings with drypoint on paper, plate 95). Signed “Luigi Kasimir” in pencil l.c. and l.r., respectively. Color
sizes to 7 1/4 x 9 3/8 in. (18.4 x 23.8 cm), the last two matted, all etchings with aquatint on paper, plate sizes approximately 19 x 13
unframed. 1/2 in. (48.5 x 34.3 cm), framed.
Condition: Margins over 1 inch, staining to edges of Pathway. Condition: Staining (primarily to former), not examined out of frames.
$250-300 $400-600
138.
Luigi Kasimir (Austrian, 1881-1962)
Klosterneuberg, 1912 (H. Weiss, 32). Signed “Luigi Kasimir” in

pencil l.r., numbered “...4/100” in pencil l.l., remarque in the plate l.l.
Color etching with aquatint on paper, plate size 18 1/8 x 23 1/2 in.
(46.0 x 59.7 cm), framed.
$300-500
138
139
140
140. 142.
Luigi Kasimir (Austrian, 1881-1962) Lot of Two Dog Prints:
Cortina d’Ampezzo, 1925, edition of 250 (Weiss, 414). Signed Marguerite Kirmse (American, 1885-1954), Stymied; and Charles
“Luigi Kasimir” in pencil l.r., identified and dated in the plate, M. Weissman (American, fl. 1933-1934), When Do We Eat, edition
numbered “220/250” in pencil l.l. Color etching and aquatint on of 50. Both signed in pencil l.r. and titled in pencil l.l., the latter
paper, plate size 15 5/8 x 21 1/8 in. (39.5 x 53.4 cm), framed. identified on a label from the artist’s studio. Etchings on paper, plate
Condition: Subtle toning, gentle rippling, not examined out of frame. sizes to 9 1/4 x 11 3/8 in. (23.4 x 28.8 cm), framed.
$300-500 Condition: Mat burn, scattered foxing (primarily to Stymied), not
examined out of frames.
$400-600
141.
Marguerite Kirmse (American, 1885-1954)
Down in Dixie/Two Pointers in a Landscape. Signed “Marguerite

Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 7
x 10 3/4 in. (17.5 x 27.2 cm), framed.
Condition: Subtle toning and mat burn, not examined out of frame.
$300-500
141
142
143 144
143.
Moïse Kisling (French, 1891-1953)
Head of a Woman, edition of 100. Signed “Kisling” in pencil l.r.,

numbered “70/100” in pencil l.l. Lithograph on paper, image size 16
1/4 x 13 3/4 in. (41.2 x 34.8 cm), framed.
Condition: Staining, toning, foxing, not examined out of frame.
$500-700
144.
Sacha Kolin (American, 1911-1981)
Lots of Two Compositions: Untitled, 1954; and Untitled with

Crescent Moon, 1955. Both signed and dated “KOLIN...” in pencil
l.r. Woodcuts on Mulberry paper or similar, image sizes to 8 7/8 x 11
7/8 in. (22.4 x 30.0 cm), matted, unframed.
Condition: Margins 1 1/2 inches or more.
$500-700
145.
Kalman Kubinyi (American, 1906-1973)
Canal Rotterdam. Signed “Kalman Kubinyi” in pencil l.r., titled in

pencil l.l. Etching and aquatint on paper, plate size 8 7/8 x 6 3/4 in.
(22.4 x 17.0 cm), framed.
Condition: Subtle toning, rippling, not examined out of frame.
$200-250
145
146 147
146. 147.
Gustave Leheutre (French, 1861-1932) Leonard Lehrer (American, b. 1935)
Le pont de Bonnemort à La Rochelle (1re planche), c. 1910, first Lot of Three Garden Views: Formal Garden; Formal Garden,
state of three (Delteil, 85). Signed “G. Leheutre” in pencil l.r., 1966, edition of 15; and Vizcaya, 1969, edition of 50. Each signed,
inscribed “8imp/no 8” and “1v etat” in pencil beneath the image, dry titled, and numbered or inscribed in pencil beneath the images.
stamp from Sagot, Paris, l.r. Drypoint on paper, plate size 7 5/8 x 10 Etchings on paper, plate sizes to 11 3/4 x 8 3/4 in. (29.8 x 22.3 cm),
7/8 in. (19.4 x 27.5 cm), framed. framed.
Condition: Subtle toning, several pinpoint fox marks, not examined Condition: Toning/staining to the first, not examined out of frames.
$150-200
148.
Leonard Lehrer (American, b. 1935)
Tepotzotlan, 1973, edition of 25 plus proofs (Tamarind, 73-670).

Inscribed, titled, signed, and dated “Trial proof... Leonard Lehrer
1973” in pencil (within the image) l.c. Lithograph on paper,
image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed.
Condition: Unobtrusive foxing and toning, not examined out of frame.
$200-250
148
150
149
149.
Leonard Lehrer (American, b. 1935)
Lazienki Park, 1973, edition of 25 plus proofs (Tamarind,73-727).

Signed and dated “Leonard Lehrer 1973” in pencil l.r., titled in pencil
l.c., numbered “4/25” in pencil l.l., dry stamp from the Tamarind
Institute, Albuquerque, l.l., dry stamp l.r. Lithograph on paper, image
size 27 x 19 1/4 in. (68.5 x 48.8 cm), framed.
$200-250
150.
Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
Landing, from the LUMBER CAMP SERIES, 1931, edition of 130

(BPL, 195). Unsigned, inscribed “P” in pencil l.l. Wood engraving on
paper, image size 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted,
unframed.
Condition: Margins over 1 1/2 inches.
Provenance: Through printer Harold McGrath.

$300-500
151.
Jack Levine (American, b. 1915)
Judas Maccabeus, 1963-64, edition of 100 plus proofs (Prescott,

15). Signed “JLevine” in pencil l.r., numbered “18/100” in pencil l.l.
Etching on chine collé, plate size 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm),
framed.
Condition: Unobtrusive toning, mat burn, not examined out of frame.
$200-250
151
152
153
152.
Self-Portrait with Muse, 1966, edition of 100 plus proofs (Prescott,

37). Signed “JLevine” in pencil l.r., inscribed “Trial Proof” in pencil l.l.
Mezzotint in green on Rives paper with watermark, plate size 10 x 12
3/4 in. (25.4 x 32.3 cm), matted, unframed.
Condition: Margins over 3 1/2 inches with deckled edges, gentle
cockling, minor handling marks and creases to margins, annotations
verso.
$200-250
153.
Image from the DREIGROSCHENFILM Suite, 1967, edition of 100

plus proofs. Signed “JLevine” in pencil l.r., numbered “92/100” in
pencil l.l. Soft-ground etching in green on Rives paper with
watermark, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), unmatted,
unframed.
Condition: Margins over 2 1/2 inches with deckled edges to two
sides, gentle soiling to margins, crease to corner of margin u.r.
$150-200
154.
The Art Lover, 1967, edition of 100 plus proofs (Prescott, 46).
Signed “JLevine” in pencil l.r., numbered “24/100” in pencil l.l. Color
lithograph on Arches cream paper with watermark, image size 22 1/4
x 17 1/2 in. (56.4 x 44.4 cm), unmatted, unframed.
Condition: Margins approximately 1 inch with deckled edges to two
sides, gentle rippling, annotations verso.
$250-300
154
155.
Sacrifice of Isaac, 1974, edition of 100 plus proofs (Prescott, 60).

Signed “JLevine” in pencil l.r., numbered “11/100” in pencil l.l., dry
stamp l.r. Etching with drypoint and engraving on Arches cream
paper with watermark, image size 13 3/4 x 10 3/4 in. (34.8 x 27.3
Condition: Margins 2 inches or more with deckled edges, subtle
toning.
$200-250
156.
Pygmalion, 1977, edition of 100 plus proofs (Prescott, 62). Signed

“JLevine” in pencil l.r., numbered “14/100” in pencil l.l., dry stamp l.l.
Lithograph on BFK Rives paper with watermark, image size 19 5/8 x
12 3/4 in. (49.8 x 32.3 cm), unmatted, unframed.
Condition: Margins 4 inches or more with deckled edges.
$200-250
157.
Martin Lewis (American, 1881-1962)
155
Which Way?, 1932, edition of 50 plus 3 proof (McCarron, 99).
Signed “Martin Lewis-” in pencil l.r., inscribed “to Mister Edmund B.
from Martin L./Mar 40 With better wishes than I can tell-” in pencil l.l.
Aquatint on paper, plate size 10 3/8 x 15 7/8 in. (26.3 x 40.2 cm),
framed.
Condition: Margins over 1 1/2 inches, toning, staining, glue residue
to margins, very subtle rubs to image u.r., white cloth tape to upper
edge on verso, adhered to facing mat at corner l.l.
$3,000-5,000
157
156
158
158. 160.
Roy Lichtenstein (American, 1923-1997) Elyse Ashe Lord (British, 1900-1971)
As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, Mother and Daughter Under the Blossoms, edition of 75. Signed
identified in the matrix and on the reverse. Offset color lithographs on “Elyse Ashe Lord” in pencil l.r., numbered “66/75” in pencil l.l.
paper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), Etching with stencil color on paper, plate size 12 7/8 x 11 1/8 in.
unmatted, unframed. (32.5 x 28.2 cm), framed.
Condition: Minor handling marks and creases. Condition: Toning, not examined out of frame.
$700-900 $300-500
159.
Elyse Ashe Lord (British, 1900-1971)
Tiger Lily with Her Fan, edition of 75. Signed “Elyse Ashe Lord.” in
pencil l.r., numbered “18/75” in pencil l.l. Etching with stencil color on
paper, plate size 10 1/4 x 7 in. (25.9 x 17.5 cm), framed.
$200-300
160
159
162
161
161.
The Dance, edition of 85. Signed “Elyse Lord” in pencil l.r.,

numbered “83/85” in pencil l.l., identified on a label from Arthur
Ackermann & Son, Inc., New York, on the reverse. Etching and
drypoint with stencil color on paper, plate size 11 x 8 1/4 in. (27.8 x
20.8 cm), framed.
Condition: Subtle toning and rippling, not examined out of frame.
$250-350
162.
By the Berry Bush. Signed “Elyse Lord” in pencil l.r. Etching with
drypoint and stencil color on paper, plate size 5 5/8 x 5 7/8 in. (14.3 x
14.9 cm), framed.
$250-300
163.
Two Figures in a Landscape, edition of 75. Signed “Elyse Lord” in

pencil l.r., numbered “44/75” in pencil l.l. Etching with drypoint and
stencil color on paper, plate size 18 1/4 x 13 7/8 in. (46.4 x 35.3 cm),
framed.
$350-550
163
164
165
164. 165.
Galerie Maeght, editor (French, 20th Century) Galerie Maeght, editor (French, 20th Century)
Lot of Fifteen Issues of DERRIERE LE MIROIR, featuring Braque, Lot of Seven Issues of DERRIERE LE MIROIR, featuring Calder,
Calder, Chagall, Giacometti, Kandinsky, Kelly, Miró, and others, Kelly, and Miró, spanning 1961 to 1968. Each measures 15 x 11 in.
spanning 1948 to 1965. Each measures 15 x 11 in. (38.1 x 27.9 (38.1 x 27.9 cm).
cm). Condition: Minor wear, soiling and/or handling nicks.
Condition: Very minor wear, soiling and/or handling nicks. $700-900
$1,000-1,500
166.
Boris Margo (American, b. 1902)
Lot of Thirteen Prints: THE MONTHS Portfolio,

1949, edition of 20. Each signed and dated “Boris
Margo 49” in pencil l.r., and titled and numbered
“...16/20” in pencil l.l. Color cellocuts on paper, sheet
sizes 20 5/8 x 25 5/8 in. (52.3 x 65.0 cm), matted,
unframed.
Condition: Some with minor handling marks and/or
creases.
$2,000-3,000
166
167 168
167.
Boris Margo (American, b. 1902)
Lot of Four Prints: She, 1962, proof edition; She #2, 1962, edition
of 25; Comet, edition of 25; and Message, 1964, proof edition.
Each signed “Boris Margo...” in pencil l.r., and titled and numbered or
inscribed in pencil l.l. Cellocuts with embossing on paper, sheet sizes
to 22 1/4 x 30 in. (56.0 x 76.2 cm), unmatted, unframed.
Condition: Some with handling marks and/or creases.
$700-900
168.
Marino Marini (Italian, 1901-1980)
Acrobata, 1956, edition of 50 (Guastalla & Schulz-Hoffman, L65).

Signed “MARINO” in pencil l.r., numbered “4/50” in pencil l.l.
Lithograph in orange and black on paper, image size 24 x 18 5/8 in.
(61.0 x 47.4 cm), framed.
Condition: Deckled edges, subtle toning, not examined out of frame.

$2,000-3,000
169.
John Stockton De Martelly (American, 1903-1980)
Economic Discussion, 1937, edition of 200. Signed “John S. de

Martelly” in pencil l.r. Lithograph on paper, image size 10 7/8 x 8 3/4
in. (27.5 x 32.3 cm), framed.
Condition: Unobtrusive toning, not examined out of frame.
$300-500
169
171
170
170.
Henri Matisse (French, 1869-1954)
Nu pour Cleveland, 1932, edition of 250 published for the Cleveland

Print Club (Duthuit, 233). Signed and numbered “Henri Matisse
133/250” in pencil l.r., identified on a label from The Print Club,
Cleveland, Ohio, on the reverse. Etching on chine collé, plate size 14
1/2 x 11 3/8 in. (36.8 x 28.9 cm), framed.
Condition: Subtle toning, minor disadhesion of chine at corner u.r.,
supporting sheet with deckled edges to three sides, glued to backing
mat along upper edge.
$3,000-5,000
171.
Naoko Matsubara (Japanese/Canadian, fl. 1960-present)
Boston Public Library. Inscribed, titled, and signed “Artist’s

Proof...Naoko Matsubara” in pencil beneath the image. Woodcut on
mulberry paper, image size 12 1/4 x 17 3/8 in. (31.0 x 44.0 cm),
unmatted, unframed.
Condition: Margins over 2 1/2 inches, several pale fox marks, minor
creases to edges of sheet.
$150-200
172.
L. Matthey (French, 19th/20th Century)
Favor. Signed “L. Matthey” and identified within the matrix. Color
lithographic poster on paper, sheet size 61 1/2 x 46 in. (156.2 x
116.6 x 100.8 cm), unmatted, unframed.
tears and creases), unobtrusive toning and foxing, surface rubs,
handling creases.
$800-1,200
172
173
173. 175.
James McBey (British, 1883-1959) Peter Winslow Milton (American, b. 1930)
Encampment in the Sinai, 1917-19. Signed “James McBey” in ink Child’s Play, 1966, edition of 75. Signed and dated “PWMilton ‘66”
l.r., numbered “XXXIX” in ink l.l., signed, identified, and dated in the in pencil l.r., titled in pencil l.c., numbered “27/75” in pencil l.l.
plate. Etching on paper, plate size 7 x 13 in. (17.6 x 32.8 cm), Etching with engraving on paper, plate size 23 x 35 3/4 in. (58.3 x
framed. 90.6 cm), framed.
Condition: Subtle toning and staining, gentle rippling, not examine Condition: Subtle toning, not examined out of frame.
$300-500
174.
Davis Paul Meltzer (American, 20th Century)
Lot of Three Prints: Icarus, edition of 25; Isaiah, edition of 50; and
Jeremiah, edition of 50. Each signed “...Meltzer” in pencil l.r., titled
in pencil l.c. or l.l., and numbered in pencil l.l. Lithographs on paper,
image sizes to 17 3/8 x 12 1/4 in. (44.2 x 31.1 cm), framed.
$700-900
175
174
176.
Joan Miró (Spanish, 1893-1983)
Lot of Two Images from CAHIERS D’ART, 1934 (Dupin, 14 & 15).
Unsigned. Color pochoir on paper, image/sheet sizes 12 1/8 x 9 1/2
in. (30.6 x 24.0 cm), framed.
$4,000-6,000
177.
Image from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin 372).

Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l. Drypoint on
paper, sight size 18 1/2 x 21 3/4 in. (47.0 x 55.0 cm), framed.
Condition: Scattered fox marks, not examined out of frame.
$1,000-1,500
177
176
178
178. 179.
Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)
Lot of Four Images from FLUX DE L’AIMANT, 1964, edition of 75 Image from FLUX DE L’AIMANT, 1964, edition of 75. (Dupin 377).
(Dupin 374, 375, 376, and 383). Each initialed “M.” in pencil l.r. and Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l., identified on
numbered “41/75” in pencil l.l. Drypoints (the last with color aquatint) a label from Retina, Boston, Massachusetts, on the reverse. Drypoint
on BFK Rives paper with watermark, sheet sizes 19 x 23 in. (48.2 x in black with aquatint in yellow on paper, sight size 18 1/2 x 22 3/8
58.3 cm), presented in the original portfolio together with the text and in. (47.0 x 56.7 cm), framed.
colophon. Condition: Subtle rippling, not examined out of frame.
Condition: Minor handling marks and/or creases. $1,500-2,500
$2,000-3,000
179
180.
Two Images from SANS LE SOLEIL, MALGRE LES

AUTRES ASTRES, IL FERAIT NUIT, 1965, edition of
75 plus proofs (Dupin 400 & 401). Signed “Miró” in
pencil on the accompanying colophon page. Aquatints
(the framed one with color) on laid paper with
“ORIGINAL a la MAIN” watermark, sheet sizes to 13 x
10 in. (33.0 x 25.5 cm), one framed.
Condition: Minor handling marks and/or creases,
stains to some corners.
N.B. The lot is accompanied by the colophon page

and some additional text from the portfolio.
$300-500
180
181.
After Joan Miró (Spanish, 1893-1983)
Composition sur fond vert, 1950, edition of 400,

printed and published by Maeght, Paris (Maeght,
1703). Signed and dated “Miró. 1950” in pencil l.r.,
numbered “228/400” in pencil l.l. Color lithograph on
Arches paper with watermark, image size 13 5/8 x 18
3/8 in. (46.4 x 34.6 cm), framed.
Condition: Margins over 2 1/2 inches with two deckled
edges, toning, staining, tear to lower margin, loss to
corner of margin u.l., not examined out of frame.
$300-500
181
182.
Ceramiques monumentales de Miró et Artigas, from

DERRIERE LE MIROIR, deluxe hardcover edition, 13
Juin, 1963, number 88, edition of 150. Signed “Miró”
in pencil on colophon page. 15 x 11 in. (38.1 x 27.9
cm), with slip cover.
Condition: Very minor wear to slip cover.
$1,000-1,500
182
184
184.
Thomas Sidney Moran (American, 1837-1926), After Andrew
Fisher Bunner (American, 1841-1897)
Venice, 1887, published in 1889 by Radthe Lauckner & Co., New

183 York, probably the final state of four (Morand & Friese, 64). Signed
“T.Moran.” in pencil l.r. and “A.F. Bunner.” in pencil l.l., signed in the
plate, remarque in the plate l.r., identified in publication text u.l.
Etching on paper, sight size 21 3/4 x 30 1/4 in. (55.3 x 76.8 cm),
183. framed.
Henry Moore (British, 1898-1986) Condition: Rippling, subtle toning, not examined out of frame.
$300-500
Eight Reclining Figures with Architectural Background, 1963,
edition of 65 (Cramer et al., 44). Signed and dated “Moore 63.” in
pencil l.r., numbered 23/65” in pencil l.l., identified on an exhibition 185.
label (see below) on the reverse. Color lithograph on paper, image Malcolm Morley (British, b. 1931)
size 17 x 13 in. (43.2 x 33.0 cm), framed.
Condition: Toning, mat burn, not examined out of frame. Wind Surfers, 1987, edition of 56, published by Gemini G.E.L.
Numbered and signed “15/56 Malcolm Morley” in pencil l.l., identified
Exhibitions: Henry Moore, DeCordova Museum, Lincoln, on a label from the Kristina Wasserman Gallery, Providence, on the
Massachusetts, January 22–February 19, 1967. reverse. Color lithograph on paper, image size 20 x 28 1/2 in. (50.8 x
$1,000-1,500 72.0 cm), framed.
$800-1,200
185
186
187
186. 187.
John J. A. Murphy (American, 1888-1967) Elizabeth Murray (American, 1940-2007)
Sprinters, 1930. Signed “JohnJAMurphy” in pencil l.r. Woodcut on Blue Body, 1986-87, edition of 70 plus proofs, published by ULAE
cream paper, image size 11 1/8 x 13 1/8 in. (218.2 x 33.2 cm), (Krakow, 16). Numbered, signed, and dated “12/70 Elizabeth Murray
matted, unframed. 86-87” in pencil l.l., publisher’s dry stamp l.c. Color lithograph with
Condition: Margins 2 3/4 inches or more with deckled edges, tear to etching, drypoint, and aquatint on paper, image/sheet size 48 x 31
lower edge. 1/2 in. (121.8 x 79.9 cm), framed.
$800-1,200 Condition: Not examined out of frame.
$1,000-1,500
188.
Elizabeth Murray (American, 1940-2007)
Undoing, 1989-90, edition of 60 plus proofs, published by ULAE

(Krakow, 24). Unsigned on the face, publisher’s dry stamp l.c. Color
lithograph with etching, drypoint, and aquatint on shaped paper,
image/sheet size 28 x 22 3/4 in. (71.0 x 57.7 cm), framed.
$1,000-1,500
188
190
189
189. 190.
Louise Berliawsky Nevelson (American, 1899-1988) William Nicholson (British, 1872-1949)
Nightleaf, 1969, edition of 150 plus proofs, published by Pace Lot of Eight Images: Lambs, Resting Ewes, and Six Images from
Editions (Baro, 121). Identified and numbered “122/150” on labels AN ALPHABET: C is for Countess; E is for Earl; H for Huntsman;
from The Pace Gallery, New York, and identified on a label from M for Milkmaid; T for Trumpeter; and W for Waitress. Most
Richard L. Eagan Fine Arts, New York, on the reverse. Opaque identified within the matrix. Color lithograph on paper, sight sizes to 9
Plexiglas construction in shadow box, 13 1/4 x 13 1/4 in. (33.5 x 3/4 x 7 1/2 in. (24.6 x 19.2 cm), framed.
33.5 cm). Condition: Toning, not examined out of frames.
Condition: Minor soiling.
$3,000-5,000 Provenance: From the collection of Frank Cook Adams, Boston,
Massachusetts.
$150-200
191.
William Nicholson (British, 1872-1949)
Lot of Twelve Portraits of British Notable Politicians and Figures:

Miss Fotheringay and Captain Costigan; Krishna Mulvaney; and
Ten Images from TWELVE PORTRAITS: H.M. The Queen, H.R.H.
The Prince of Wales, Prince Bismarck, The Archbishop of
Canterbury, W.E. Gladstone, Sir Henry Hawkins, Sir Henry Irving,
Rudyard Kipling, Cecil Rhodes, and Lord Roberts. Each identified
within the matrix. Color lithograph on paper, image sizes to 13 1/2 x
10 3/4 in. (34.2 x 27.3 cm), all except Gladstone framed.
Condition: Toning, not examined out of frames.
Provenance: From the collection of Frank Cook Adams, Boston,

Massachusetts.
$150-200
191
192
193
192. 193.
Ann Nooney (American, 1900-c. 1970) Eugène Ogé (French, 1861-1936)
Small Town. Signed “Ann Nooney” in pencil l.r., titled in pencil l.c., L’Astrolin. Signed “Ogé” and identified within the matrix. Color
stamped “FEDERAL ART PROJECT NYC WPA” l.l. Color lithograph lithographic poster on paper, sheet size 59 1/4 x 39 3/4 in. (151.8 x
on paper, image size 11 7/8 x 14 1/4 in. (30.0 x 36.0 cm), framed. 100.8 cm), unmatted, unframed.
Condition: Toning, mat burn, rippling, not examined out of frame. Condition: Mounted on paper backed with linen (to stabilize/repair
$400-600 tears and creases), minor toning, surface rubs, handling creases.
$500-700
194.
Pablo Esteban O’Higgins (Mexican/American, 1904-1983)
Mercado en Cuautla, 1946, edition of 250. Signed “Pablo Higgins”

in pencil l.r. Color lithograph on paper, image size 11 1/2 x 14 in.
Condition: Margins 2 inches or more, unobtrusive toning, minor nicks
and creases to very corners.
$200-250
194
196
195
195.
Jean de Paléologue, known as Pal (American, 1855-1942)
Grand Magasins Dufayel, c. 1900. Identified within the matrix.

Color lithographic poster on paper, sheet size 60 x 45 3/4 in. (152.4 x
tears, and creases), retouch, subtle toning, handling creases.
$400-600
196.
Max Papart (French, 1911-1994)
Oval Acrobat, 1986, edition of 125. Signed “Max Papart” in pencil

(within the image) l.r., numbered “74/125” in pencil (within the image)
l.l., identified on a label on the reverse. Color lithograph with
embossing on paper, image/sheet size 30 x 42 in. (76.2 x 106.5 cm),
framed.
$200-300
197.
Max Papart (French, 1911-1994)
Le Voyageur, 1987, edition of 95. Signed “Max Papart” in pencil

(within the image) l.r., numbered “64/95” in pencil (within the image)
l.l., identified on a label on the reverse. Color aquatint with
carborundum and embossing on paper, image/sheet size 30 1/4 x 23
in. (76.7 x 58.4 cm), framed.
$200-300
197
198
198. 200.
Max Papart (French, 1911-1994) Judy Pfaff (British, b. 1946)
Japanese Birds, 1990, edition of 125. Numbered and signed Yoyogi II, 1985, edition of 75. Signed “J Pfaff” in pencil l.r., titled and
“13/125 Max Papart-” in pencil (within the image) l.l., identified on a numbered “...75/75” in pencil l.l. Color woodcut on paper, image size
label on the reverse. Color lithograph on paper, image/sheet size 23 30 1/2 x 34 3/4 in. (77.4 x 88.2 cm), framed.
1/2 x 45 in. (59.5 x 114.2 cm), framed. Condition: Rippling, not examined out of frame.
$200-300 Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,
$1,200-1,800
199.
Philip Herschel Paradise (American, 1905-1997)
Lot of Two Figure Studies: Tomas and Maria, both published by

Associated American Artists. Both signed “Phil Paradise” in pencil
l.c. and in the matrix, both with dry stamp l.l. and identified on AAA
label on the reverse. Lithographs on paper, image sizes
approximately 8 3/4 x 5 1/2 in. (22.0 x 14.0 cm), framed.
Condition: Unobtrusive toning, not examined out of frames.
$250-350
200
199
201
201. 203.
Pablo Picasso (Spanish, 1881-1973) Odilon Redon (French, 1840-1916)
Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, Et partout ce sont des colonnes de basalte...La lumière tombe
1017). Dated (twice) in the matrix. Color lithograph on paper, image des voûtes, from TENTATION DE SAINT-ANTOINE (TROISÈME
size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed. SERIE), 1896 (Mellerio, 136). Unsigned. Lithograph on paper, image
Condition: Mat burn, not examined out of frame. size 9 1/2 x 7 3/8 in. (24.0 x 18.8 cm), framed.
$300-500 Condition: Several fox marks, areas of staining or foxing around
lower corners (into image, but visible primarily in the margins),
rippling, not examined out of frame.
202. $400-600
Max Pollak (Czech/Austrian, 1886-c. 1970)
New York, Devision [sic] Street, edition of 100. Signed “Max

Pollak” in pencil l.r., titled in pencil l.l., numbered “30/100” in pencil
l.c. Etching with drypoint on paper, plate size 8 7/8 x 8 in. (22.5 x
20.3 cm), framed.
Condition: Prevalent toning, not examined out of frame.
$100-150
203
202
205
204
204.
Rembrandt van Rijn (Dutch, 1606-1669)
Beggar Man and Woman Conversing, 1639, a later 18th century

impression (Hind, 7; Bartsch/Hollstein, 164). Initialed and dated in the
plate. Etching on paper, plate size 3 x 2 5/8 in. (7.6 x 6.7 cm),
framed.
Condition: Margins approximately 1/4 inch, subtle rippling, not
$300-500
205.
Walter Dubois Richards (American, b. 1907)
Lot of Six Views: Old Willow at Mead Park; God’s Acre; New
Canaan, God’s Acre; New Canaan II; Christmas Eve, New
Canaan, edition of 50; Greens Ledge As I Remember It; and
Strawberry Festival. Each signed “Walter Dubois Richards” in pencil
l.r. and titled in pencil l.l. Lithographs on paper, image sizes to 20 x
15 3/4 in. (50.8 x 40.0 cm), framed.
Condition: Subtle mat burn, not examined out of frames.
$600-800
206.
Auguste Rodin (French, 1840-1917)
Victor Hugo de face, 1885, published 1889 in the Gazette des

Beaux Arts, fifth state of seven (Delteil, 7). Identified in the plate.
Drypoint on laid paper, plate size 8 7/8 x 6 1/8 in. (22.2 x 15.6 cm),
matted, unframed.
Condition: Margins 1 inch or more with a deckled right edge, subtle
toning.
$200-250
206
207
207. 209.
James Rosenquist (American, b. 1933) Susan Rothenberg (American, b. 1945)
Red Pyramid, 1978, edition of 41 plus proofs (Glenn, 155). Signed Untitled, 1983, edition of 35 plus proofs (Maxwell, 14). Signed and
and dated “James Rosenquist 1978” in pencil l.r., inscribed and titled dated “S. Rothenberg 83” in pencil l.r., numbered “23/35” in pencil l.l.
“presentation proof for Nardo...” in pencil l.l. Color lithograph on Etching and aquatint on paper, plate size 25 1/2 x 21 5/8 in. (64.6 x
paper, image/sheet size 22 3/4 x 44 3/8 in. (57.8 x 112.5 cm), 54.8 cm), framed.
framed. Condition: Not examined out of frame.
Condition: Deckled edges, not examined out of frame. $300-500
$800-1,200
208.
Susan Rothenberg (American, b. 1945)
Untitled (Hartford), 1980, edition of 23 plus proofs, published by the

artist and the Hartford Art School (Maxwell, 12). Signed and dated
“S. Rothenberg 1980” in pencil l.r., inscribed “HAS I” in pencil l.l.
Lithograph on paper, image size 31 1/8 x 27 1/4 in. (79.0 x 69.0 cm),
unmatted, unframed.
Condition: Margins over 1 inch with deckled edges, minor handling
marks, several pinpoint fox marks and toning near edges.
$300-500
208 209
210
211
210. 211.
Georges Rouault (French, 1871-1958) Georges Rouault (French, 1871-1958)
Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color photo- Pédagogue, from RÉINCARNATIONS DU PÈRE UBU, published
lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0 x 45.0 cm), 1932 (Wofsy, 294). Initialed within the plate, stamped “VENTE DE
framed. PARAITRE” in red l.l. Etching and aquatint on paper, plate size 12 x 7
Condition: Margins approximately 1 inch, toning, scattered mold 3/8 in. (30.5 x 18.5 cm), framed.
growth. Condition: Rippling, not examined out of frame.
$250-350
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso,
Essex, Connecticut.
$500-700
212.
David Row (American, b. 1949)
Untitled VI, 1992. Numbered, signed, and dated “1/1 David Row
92” in pencil l.r., identified on a label from Betsy Senior Contemporary
Prints, New York, on the reverse. Monotype on paper, image size 6
1/4 x 8 5/8 in. (15.7 x 21.7 cm), framed.
Condition: Margins 3 1/2 inches or more with deckled edges, not
$400-600
212
214
213
213. 214.
Bengt Rumert (Scandinavian, 20th Century) Anne Ryan (American, 1889-1954)
Tunneln, 1934. Identified in the matrix. Color lithographic poster on New Bird, edition of 50. Titled, numbered, and signed “...17/50 A
paper, image/sheet size 39 1/4 x 27 1/4 in. (99.5 x 69.0 cm), Ryan” in white chalk or similar beneath the image. Color lithograph
unmatted, unframed. on black paper, image size 4 1/4 x 3 1/8 in. (10.9 x 7.9 cm), framed.
Condition: Mounted on paper backed with linen (to stabilize/repair Condition: Not examined out of frame.
creases and minor tears), minor handling creases. $250-350
$500-700
215.
Kiyoshi Saito (Japanese, 1907-1992)
Pagoda Beyond the Trees. Signed “Kiyoshi Saito” in white (within

the image) l.l. and with chop mark. Color woodcut on paper, sight
size 14 1/2 x 20 1/2 in. (36.7 x 52.0 cm), framed.
$400-600
215
216
217
216. 218.
Kiyoshi Saito (Japanese, 1907-1992) Richard Serra (American, b. 1939)
Village Road in Winter. Signed “Kiyoshi Saito” in pencil (within the Hreppholar IV, 1991, edition of 35 plus proofs, published by Gemini
image) l.l. and with chop mark. Color woodcut on paper, image size G.E.L. (Berswordt-Wallrabe, 77). Numbered, signed, and dated
10 1/8 x 15 5/8 in. (25.5 x 39.5 cm), framed. “16/35 R Serra 91” in pencil u.r., dry stamped with copyright mark,
Condition: Subtle toning, not examined out of frame. artist's initials, date, and Gemini mark u.r. Lift ground and aquatint on
$250-350 paper, image/sheet size 31 1/4 x 39 5/8 in. (79.4 x 100.7 cm),
framed (without glass).
Condition: Minute handling creases to points of the corners.
217. $4,000-5,000
Erhard Schön (German, 1491-1542)
Portrait of Albrecht Dürer in Profile, 1527, third edition (Bartsch

156; Meder, p. 240; Hollstein (Dürer school), 32). Monogrammed and
dated in the block. Woodcut of laid paper with double-headed eagle
watermark, image size 11 5/8 x 10 1/8 in. (29.4 x 25.5 cm), framed.
Condition: Trimmed to or just into the border, several small repairs
along top of sheet, three creases (visible almost exclusively on verso),
rippling, small tear to corner.
$400-600
218
219
220
219.
Gino Severini (Italian, 1883-1966)
Nature mort du compas, edition of 125. Signed in the matrix,

stamped “Kamberg Collection” on the reverse. Color pochoir on
paper, image size 13 x 8 1/4 in. (33.0 x 21.0 cm), framed.
Condition: Margins over 1 1/2 inches, mat burn.
$300-500
220.
José María Sicilia (Spanish, b. 1954)
Lot of Two Works: Fleur rouge VI and Fleur rouge VII, both 1988,
editions of 25. Both signed and dated “Sicilia 88” in pencil l.r., titled
in pencil l.c., and numbered in pencil l.l. Color woodcuts on paper,
image size 44 1/2 x 17 in. (112.8 x 43.2 cm), framed.
$1,200-1,800
221.
Tavik Frantisek Simon (Czech, 1877-1942)
Lot of Two Views: The Market, 1912; and Rainy Day, Arc de
Triomphe. Both signed “T.F. Simon” (the latter in pencil) l.r. Color
etching with aquatint on paper, sight sizes to 15 1/2 x 11 1/2 in. (39.3
x 29.2 cm), framed.
Condition: Toning, not examined out of frames.
$300-500
221
222 223
222.
David Alfaro Siqueiros (Mexican, 1896-1974)
Portrait Head, 1941, edition of 50. Signed and dated in the matrix,
inscribed “TRIAL PROOF - ED. 50” in pencil l.l. Lithograph on paper,
image size 17 x 14 in. (43.0 x 35.5 cm), matted, unframed.
Condition: Mat burn, masking tape to edges on verso.
$200-250
223.
Pierre Soulages (French, b. 1919)
Eau-forte no. 7, 1957, edition of 100 (Rivière, VII). Signed

“Soulages” in pencil l.r., numbered “13/100” in pencil l.l. Color
etching with aquatint and carborundum on BFK Rives paper with
watermark, plate size 21 1/4 x 15 1/4 in. (54.0 x 38.1 cm), framed.
Condition: Margins over 1 1/2 inches with deckled lower edge, mat
burn, staining and toning, glue to facing mat in upper margin, nicks
and tape to edges.
$700-900
224.
Raphael Soyer (American, 1899-1987)
Three Portraits: Standing Figure, The Hair Bow, and Self-portrait

with Vignette, each editions of 150. Each signed “Raphael Soyer” in
pencil l.r. and numbered “71/150” in pencil l.l. Color lithographs on
paper with small figural watermark, image sizes to 20 x 15 1/2 in.
Condition: Margins over 2 inches with two deckled edges each,
minor creases near some corners.
$300-350
224
225 226
225.
Two Images of Motherhood: Mother and Child, 1967, total edition

of 175 (Gettings, 102); and At the Pier, edition of 150. Both signed
“Raphael Soyer” in pencil l.r. and numbered “71/150” in pencil l.l.
Color lithographs on paper with small figural watermark, image sizes
to 16 1/2 x 10 1/2 in. (41.8 x 26.6 cm), unmatted, unframed.
Condition: Margins over 2 inches with two deckled edges each,
minor creases near some corners.
$250-300
226.
Temptation, edition of 150. Signed “Raphael Soyer” in pencil l.r.,

numbered “27/150” in pencil l.l., BSA dry stamp l.r. Color lithograph
on paper, image size 22 1/2 x 16 3/4 in. (57.0 x 42.5 cm), unmatted,
unframed.
Condition: Margins over 1 inch with two deckled edges, minor
creases near some corners.
$200-250
227.
Dancing at the Social, edition of 150. Signed “Raphael Soyer” in

pencil l.r. and numbered “71/150” in pencil l.l. Color lithograph on
paper with small figural watermark, image size 19 5/8 x 15 7/8 in.
227 Condition: Margins over 2 inches with two deckled edges, minor
creases near some corners.
$200-250
228 229
228. 229.
Pat Steir (American, b. 1938) Andrew Stevovich (American, b. 1948)
Sunflower, 1986, edition of 100. Numbered, signed, and dated Lot of Three Images: Smokers #1, 1981, edition of 25; Susan,
“24/100 Pat Steir 1986” in pencil l.r., inscribed in pencil l.l., chop 1985, edition of 50; and Ardent Suitor, 1987, edition of 100. Each
mark l.l. Color woodcut on paper, image size 23 1/2 x 36 in. (59.6 x signed and dated “Andrew Stevovich 19...” in pencil l.r., titled in pencil
91.4 cm), framed. l.c., numbered in pencil l.l. Etchings on paper, plate sizes to 8 x 9
Condition: Margins over 3/4 inches, not examined out of frame. 1/2 in. (20.3 x 24.0 cm), unmatted, unframed.
Condition: Margins over 1 3/4 inches with deckled edges.
Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, $200-250
$1,500-2,500
230.
Andrew Stevovich (American, b. 1948)
Carnival, 1985, edition of 70. Signed and dated “Andrew. Stevovich

1985” in pencil l.r., titled in pencil l.c., numbered “42/70” in pencil l.l.,
dry stamp l.r. Color woodcut on cream paper, image size 9 1/4 x 14
7/8 in. (23.4 x 37.5 cm), unmatted, unframed.
Condition: Margins 1 1/4 inches or more with two deckled edges,
minor handling creases to margins, nicks/creases to deckling.
$250-300
230
231 232
231. 232.
Andrew Stevovich (American, b. 1948) Andrew Stevovich (American, b. 1948)
Zig Zag, 1986, edition of 80. Signed and dated “Andrew. Stevovich Lot of Two Images: Fortune Teller, 1987, edition of 50; and
1986” in pencil l.r., titled in pencil l.c., numbered “39/80” in pencil l.l., Handsome Eddie, 1990, edition of 75. Both signed and dated
dry stamp l.r. Color woodcut on cream paper, image size 11 1/2 x “Andrew Stevovich 19...” in pencil l.r., titled in pencil l.c., numbered in
17 in. (29.2 x 43.0 cm), unmatted, unframed. pencil l.l. Etchings with aquatint on paper (Fortune on chine collé,
Condition: Margins 2 inches or more with deckled edges, Eddie on BFK Rives), plate sizes to 7 x 5 3/8 in. (17.7 x 13.5 cm),
unobtrusive handling creases to margins, nicks/creases to deckling. unmatted, unframed.
$250-300 Condition: Margins 3 inches or more, both with two deckled edges,
stain to upper margin of Eddie.
$200-250
233.
The Recital, 1989, edition of 100. Signed and dated “Andrew

Stevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/100” in
pencil l.l. Aquatint on paper, plate size 12 1/2 x 12 1/2 in. (31.6 x
Condition: Margins approximately 2 1/2 inches with deckled edges,
minor handling creases to margins (primarily at l.l. corner).
$200-250
233
234
234.
235
Lucky Linda, 1989, edition of 80. Signed and dated “Andrew
Stevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/80” in
pencil l.l. Aquatint on BFK Rives paper with watermark, plate size 9 x
12 in. (22.8 x 30.2 cm), unmatted, unframed.
Condition: Margins approximately 3 inches with two deckled edges,
minor handling creases to margins (primarily at u.l. corner).
$200-250
235.
Carol Summers (American, b. 1925)
Lot of Four Works: Arab’s Tent, 1963 edition of 200 plus proofs
(Summers, 54); Sonoma, 1977, edition of 100 plus proofs (Summers,
143); Delta, 1982, edition of 150 (Summers, 174); and Summer
Pasture, 1987, edition of 150 (Summers, 199). Each signed “Carol
Summers” in pencil within the image and titled and numbered in
pencil within the image. Color woodcuts on paper, image/sheet sizes
to 29 3/4 x 23 3/4 in. (75.5 x 60.3 cm), unmatted, unframed.
Condition: Minor handling marks and creases, nicks to edges
(primarily to corners), unobtrusive staining to some near corners.
$700-900
236.
Lot of Three Works: Strbske Pleso, alternatively titled High Tatras,

1969, edition of 100 plus proofs (Summers, 96); Tantric Landscape,
1971, edition of 75 (Summers, 106); and India, edition of 75. Each
signed “Carol Summers” in pencil within the image and titled and
numbered or inscribed in pencil within the image. Color woodcuts on
paper, image/sheet sizes approximately 37 1/2 x 24 1/2 in. (95.0 x
Condition: Minor handling marks and creases, nicks to edges (all of
these primarily to corners).
$800-1,200
236
237
237. 239.
Carol Summers (American, b. 1925) Carol Summers (American, b. 1925)
Lot of Two Works: High Tatras, 1969, edition of 100 (Summers, 96); Lot of Three Works: Narrows, proof outside of the edition of 75
and Ravenna’s Palace Burning, 1984, edition of 125 (Summers, (Summers, 136); and two impressions of Flowering Landscape,
183). Both signed “Carol Summers” in pencil within the image and 1988, edition of 100. Each signed “Carol Summers” in pencil within
titled and numbered in pencil within the image. Color woodcuts on the image and titled and numbered or inscribed in pencil within the
paper, image/sheet sizes approximately 24 1/2 x 37 1/2 in. (62.0 x image. Color woodcuts on paper, image/sheet sizes approximately
95.0 cm), unmatted, unframed. 37 x 37 in. (94.0 x 94.0 cm), unmatted, unframed.
Condition: Minor handling marks and creases, nicks to edges (all of Condition: Minor handling marks and creases, nicks to edges, subtle
these primarily to corners). staining.
$600-800 $800-1,200
238.
Lot of Two Works: Nightfall, 1974, edition of 75 (Summers, 119);

and Narrows, proof outside of the edition of 75 (Summers, 136).
Both signed “Carol Summers” in pencil within the image and titled
and numbered or inscribed in pencil within the image. Color
woodcuts on paper, image/sheet sizes approximately 37 x 37 in.
Condition: Minor handling marks and creases (creases more
prevalent to Nightfall), nicks to edges, subtle staining.
$700-900
239
238
240
240. 242.
Carol Summers (American, b. 1925) Chin Sung (Taiwanese, b. 1932)
Sunset at Sea, edition of 75. Signed “Carol Summers” in pencil Lot of Two Images: Les oiseaux #2, 1969, edition of 100; and
within the image u.r., titled and numbered “72/75...” in pencil within Infinity IIe, 1969, edition of 100. Both signed and dated “CHIN
the image u.l. Color woodcut on paper, image/sheet size 36 x 49 in. SUNG ‘69” in pencil l.r., numbered in pencil beneath the image, both
(91.4 x 124.5 cm), unmatted, unframed. titled in pencil. Woodcuts in red and black on paper, image sizes to
Condition: Minor handling marks and creases, nicks and creases to 17 1/2 x 9 1/2 in. (44.3 x 24.0 cm), matted, unframed.
edges (the latter primarily to corners), hinging/residue on the reverse. Condition: Margins 2 inches or more, tape to edge on verso of
$500-700 Infinity.
$400-600
241.
Storm Over Mt. Meru, edition of 75. Signed “Carol Summers” in

pencil within the image l.r., titled and numbered “32/75...” in pencil
within the image l.l. Color woodcut on paper, image/sheet size 37
1/4 x 47 3/4 in. (94.4 x 121.2 cm), unmatted, unframed.
Condition: Minor handling marks and creases, nicks and creases to
edges.
$400-600
241
242
243 244
243.
Théo Tobiasse (Israeli/French, b. 1927)
Fleur de Cantique, 1980. Signed “Theo Tobiasse” in pencil l.r.,

numbered “CIV/CXXXV” in pencil l.l. Color lithograph on paper, image
size 37 x 26 3/4 in. (93.8 x 67.8 cm), framed.
$300-500
244.
Rebecca, from LES MERES BIBLIQUE, 1984, edition of 125.

Signed “Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l.
Color lithograph on paper, image size 39 1/2 x 27 in. (100.3 x 68.5
cm), framed.
$300-500
245.
Rachel, from LES MERES BIBLIQUE, 1984, edition of 125. Signed

“Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l. Color
lithograph on paper, image size 39 x 27 in. (99.0 x 68.5 cm), framed.
$300-500
245
247
246
246.
La bas vers Canaan, 1991, edition of 200. Signed “Theo Tobiasse”

in pencil l.r., numbered “54/200” in pencil l.l. Color lithograph on
paper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed.
$300-500
247.
Henri de Toulouse-Lautrec (French, 1864-1901)
Yvette Guilbert, from LE CAFE CONCERT, 1893, total edition of

550 (Adriani, 17). Monogrammed within the matrix. Lithograph in
olive on paper, image size 10 x 8 1/8 in. (25.4 x 20.7 cm), framed.
$700-900
248.
Jacques Villon (French, 1875-1963)
Le cheval, 1921, from a later (1947) edition (Ginestet-Pouillon, E295).

Signed and dated in the plate, identified on a fragmentary label from
the Retina Gallery, Boston, on the reverse. Etching on paper, plate
Condition: Margins 1 inch or more, foxing, not examined out of
frame.
$500-700
248
250
249
249.
Edouard Vuillard (French, 1868-1940)
Album d’estampes originales, 1899, the first state of three (Roger-

Marx, 47). Titled within the matrix. Lithograph in brown, ochre, and
green on paper, image size 23 1/2 x 18 in. (59.5 x 45.7 cm), matted,
unframed.
Condition: Thread margins, scattered foxing and staining.
$1,000-1,500
250.
Lynd Kendall Ward (American, 1905-1985)
American Petroleum Institute, c. 1945. Unsigned, identified in

information affixed to the reverse. Wood engraving on paper, image
size 8 x 9 3/8 in. (20.3 x 23.7 cm), matted, unframed.
Condition: Margins approximately 1/4 inch.
$600-800
251.
Andy Warhol (American, 1928-1987)
Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix.

Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x
Condition: Minor handling mark and creases.
$1,500-2,000
251
252.
Stow Wengenroth (American, 1906-1978)
Old Ships, 1937, edition of 65 (Stuckey, 71). Signed

“Stow Wengenroth” in pencil l.r., inscribed “Ed/65” in
pencil l.l. Lithograph on paper, image size 8 3/4 x 15
3/4 in. (22.2 x 40.0 cm), framed.
$300-500
252
253.
Sunnyside - Tarrytown, New York, 1959, edition of 50

(Stuckey, 253). Signed “Stow Wengenroth” in pencil l.r.
Lithograph on paper, image size 8 5/8 x 15 7/8 in. (21.8
x 40.3 cm), framed.
Condition: Subtle toning and mat burn, not examined
out of frame.
N.B. Sunnyside was the home of writer Washington

Irving.
$300-500
253
254.
Forest Ferns, 1969, edition of 60 (Stuckey, 323).

Signed “Stow Wengenroth” in pencil l.r., inscribed
“Ed/60” in pencil l.l. Lithograph on paper, image size 9
x 15 3/8 in. (22.7 x 39.0 cm), framed.
Condition: Subtle toning and rippling, not examined out
of frame.
$300-500
254
255.
Inner Harbor, 1970, edition of 50 (Stuckey, 329). Signed “Stow

Wengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithograph
on paper, image size 14 3/4 x 11 in. (37.5 x 27.9 cm), framed.
$400-600
256.
Tom Wesselmann (American, 1931-2004)
Cut Out Nude, from 11 POP ARTISTS, 1965, edition of 200.

Signed “Wesselmann” in pencil (on the over-mount) l.r., numbered
“133/200” in pencil (on the over-mount) l.l. Color screenprint on vinyl,
image size approximately 8 x 16 1/8 in. (20.3 x 41.0 cm), framed.

$5,000-7,000
255
256
257 258
257.
James Abbott McNeill Whistler (American, 1834-1903)
Fumette, final state of four (Kennedy, 13). Signed and with publisher
in the plate. Etching on chine collé, plate size 6 3/8 x 4 1/4 in. (16.2
x 10.8 cm), matted, unframed.
Condition: Margins 1 inch or more, thin spots to margins (primarily to
the upper margin and all away from the image), subtle toning.
$400-600
258.
Street at Saverne, fourth state of five (Kennedy, 19). Signed and

with publisher in the plate. Etching on paper, plate size 8 1/8 x 6 1/4
in. (20.7 x 15.9 cm), matted, unframed.
Condition: Margins over 1 inch, foxing (more visible to verso), gentle
rippling, subtle toning.
$600-800
259.
La vieille aux loques, 1858, final state of three, possibly a later

impression (Kennedy, 21). Signed and dated in the plate, identified
on a label from the Vincent Price Collection on the reverse. Etching
on laid paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed.
Condition: Subtle toning, margins over 1 inch.
$700-900
259
260
260. 262.
James Abbott McNeill Whistler (American, 1834-1903) James Abbott McNeill Whistler (American, 1834-1903)
The Title to the French Set (Whistler Sketching), 1858 (Kennedy, Reading, 1879 and 1887, the final state of four, probably from the
25). Signed and identified in the plate, collector’s stamp l.l. Etching published edition for NOTES (Chicago, 17). Monogrammed in the
on chine collé, plate size 4 1/2 x 5 3/4 in. (11.4 x 14.5 cm), matted, matrix. Lithograph on gray chine collé, image size 6 1/8 x 5 in. (15.6
unframed. x 12.7 cm), matted, unframed.
Condition: Annotation to supporting sheet along lower edge, chine Condition: Margins over 3 inches, pale stain to image l.l., unobtrusive
disadhering along left edge. soiling to supporting sheet.
$300-500 $500-700
261.
Billingsgate, 1859, probably the final state of eight (Kennedy, 47).

Signed and dated in the plate. Etching on laid paper with partial
watermark, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted,
unframed.
Condition: Margins over 1 inch with deckled edges, unobtrusively
light struck, stain prevalent to edges and verso, pinpoint fox marks,
nicks and tiny deformations to upper margin.
$800-1,200
261 262
263.
The Doctor, 1894, the “small sheet” edition of approximately 3,000,

published in THE PAGEANT (Chicago, 110). Unsigned. Lithograph
on paper, image size 7 x 5 1/8 in. (17.8 x 13.0 cm), matted,
unframed.
Condition: Margins over 1 inch, subtle soiling.
$400-600
264.
Robert Wilson (American, b. 1941)
Medea, Plate 20, 1984, edition of 18. Signed and dated “Ro... ‘84”
in pencil l.r., numbered “17/18” in pencil l.l., identified on a label from
the Alpha Gallery, Boston, on the reverse. Lithograph in colors on
paper, image size 25 1/4 x 33 3/4 in. (64.0 x 85.5 cm), framed.
$300-500
263
264
265.
Jack Youngerman (American, b. 1926)
Untitled, 1966, edition of 30. Initialed and dated “JY 66” in pencil l.r.,
numbered “10/30” in pencil l.l. Embossing on paper, plate size 32
1/4 x 24 in. (82.0 x 61.0 cm), framed.
Condition: Pale staining to image l.r., handling creases, not examined
out of frame.

$300-500
265
266.
Ossip Zadkine (Russian/French, 1890-1967)
La conversation, edition of 120. Signed “O. Zadkine” in pencil l.r.,

numbered “55/120” in pencil l.l. Color lithograph on paper, image
size 23 3/4 x 16 in. (60.3 x 40.5 cm), framed.
Condition: Subtle toning and mat burn, not examine out of frame.
$400-600
267.-268.
No lots.
266
270
271.
269 Harold Eugene Edgerton (American, 1903-1990)
Left Handed Drive. Titled and signed”...H. Edgerton” in pencil

Photography verso, stamped verso. Gelatin silver print, image size 7 x 10 1/2 in.
(17.8 x 26.6 cm), unframed.
Condition: Minute loss c.r., minor scattered craquelure l.r.
269. Provenance: From the artist to the family of the present owner.
Henri Cartier-Bresson (French, 1908-2004) $1,000-1,500
The Decisive Moment, published by Simon and Schuster, New York,
1952, first edition. Pictorial boards designed by Henri Matisse, 272.
containing reproductions of 126 photographs, with separate Harold Eugene Edgerton (American, 1903-1990)
pamphlet of captions inserted, folio.
Condition: Spine sunned and toned, hinges slightly weak, smudging. Milk Drop Coronet. Signed and inscribed “For Jean Harold
Edgerton 1975” in ink (within the image) l.r. Color photograph,
Provenance: Estate of Anna Eleanor Roosevelt (neé Braman) Grasso, image/sheet size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.
Essex, Connecticut. Condition: Good.
$400-600
Provenance: From the artist to the family of the present owner.
$3,000-5,000
270.
Harold Eugene Edgerton (American, 1903-1990)
Dove in Flight. Signed “HAROLD EDGERTON” in pencil on the

reverse. Gelatin silver print, image size 6 3/8 x 8 3/8 in. (16.2 x 21.2
cm), unframed.
Condition: Subtle toning.

$1,000-1,500
271 272
274
273
273. 274.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Bullethole. Unsigned, stamped “H.E. EDGERTON APR 18 1963 Portrait of Edward Kennedy and Harold Edgerton. Unsigned.
M.I.T. CAMBRIDGE - MASS” on the reverse. Gelatin silver print, Gelatin silver print, image size 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm),
image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. unmatted, unframed.
Condition: Good. Condition: Good.
Provenance: From the artist to the family of the present owner. Provenance: From the artist to the family of the present owner.
$1,000-1,500 $800-1,200
275.
Lot of Two Images of Golf Balls Hit by Drivers. One signed and
inscribed “HAROLD EDGERTON” and “The golf ball elongates as it
leaves the club.” in pencil on the reverse. Gelatin silver print, image
sizes 7 3/8 x 9 1/2 in. (18.7 x 24.0 cm), unmatted, unframed.
Condition: Good.

$1,000-1,500
275
276
277
276. 277.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Gussie Moran Serves, c. 1939. Titled, inscribed, and signed Golf Ball and Iron. Signed “HAROLD EDGERTON” in pencil on the
“...HAROLD EDGERTON” in ink within the image. Photographic reverse. Gelatin silver print, image size 12 1/8 x 9 5/8 in. (30.6 x 24.4
poster, sheet size 45 x 34 3/4 in. (114.3 x 88.2 cm), unmatted, cm), unmatted, unframed.
unframed. Condition: Good.
Condition: Folded (with some paper losses and/or holes), staining,
nicks to edges.
$400-600
$400-600 278.
Card Cut by Bullet. Signed “HAROLD EDGERTON MIT” in pencil on

the reverse. Gelatin silver print, image size 9 1/8 x 12 7/8 in. (23.0 x
Condition: Good.

$1,000-1,500
278
280
279
279.
Walker Evans (American, 1903-1975)
Minstrel Showbill, 1936, probably a later impression. Signed

“Walker Evans” in pencil (on mount) l.r., inscribed “P” in pencil (on
mount) l.l. Gelatin silver print, image/sheet size 15 1/2 x 11 7/8 in.
Condition: Minor soiling to mount.
$5,000-7,000
280.
Frank Jay Haynes (American, 1853-1921)
Grand Canyon. Unsigned, identified on artist’s label affixed to the

backing. Albumen print, sheet size 17 1/8 x 22 in. (43.5 x 55.9 cm),
framed.
Condition: Mounted, subtle fading, gentle surface rubs, nick/loss to
lower edge (not effecting the image).
$600-800
281.
Lewis Wickes Hine (American, 1874-1940)
A Madonna of the Tenement, 1904. Artist’s stamp on the reverse,

titled and dated in pencil on the reverse. Gelatin silver print, sheet
281 $1,000-1,500
282.
John S. Johnston (British/American, born c. 1839-1899)
Lot of Five Yachting Images: Columbia, 1899; Columbia,

1899; Shamrock; 21-Footers at Start, 1894; and Norota.
Unsigned, identified within the matrix. Albumen prints on
paper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm),
unframed.
Condition: Minor wear/nicks to edges, subtle toning, mild
rippling.
$600-800
282
283.
Lot of Five Yachting Images: Columbia & Shamrock,

1899; Shamrock, 1899; Columbia, 1899; El Heirie, 1896;
and Fidelio. Unsigned, each identified within the matrix.
Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.
rippling.
$700-900
283
284.
Lot of Five Yachting Images: Columbia & Shamrock,

1899; Columbia & Shamrock, 1899; Columbia, 1899;
Fidelio; and Kit. Unsigned, each identified within the matrix.
Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.
rippling.
$800-1,200
284
286
285
285. 286.
George Platt Lynes (American, 1907-1955) Duane Michals (American, b. 1932)
Lot of Two Images of Dance, Probably from Ballet Errante or A Letter From My Father, 1960-75, edition of 25. Inscribed, signed,
Orpheus. Unsigned, both inscribed on the reverse. Gelatin silver and numbered “...Duane Michals 4/25” in ink surrounding the image.
prints, sheet sizes to 10 x 8 in. (25.4 x 20.3 cm), matted, unframed. Gelatin silver print annotated with ink, sheet size 8 x 10 in. (20.3 x
Condition: Minor wear to corners. 25.4 cm), framed.
$800-1,200 Condition: Subtle curling or rippling, not examined out of frame.
$200-300
287.
Nicholas Nixon (American, b. 1947)
Still Life with Apples, 1987, edition of 50. Signed “NICHOLAS

NIXON” in pencil on the reverse, inscribed, dated, and numbered
“Cambridge 1987 8/50” in pencil on the reverse. Gelatin silver print,
image/sheet size 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.
Condition: Good.
$600-800
287
288.
Aaron Siskind (American, 1903-1991)
Lafayette Theater, Harlem, c. 1937, probably a later

printing. Titled, dated, and signed “...Aaron Siskind” in
pencil on the reverse. Gelatin silver print, image size 11
3/4 x 8 1/2 in. (29.8 x 21.5 cm), unmatted, unframed.
Condition: Good.
$1,500-2,500
288
289.
Louise 28, 1974. Titled, dated, and signed “...Aaron

Siskind” in pencil on the reverse. Gelatin silver print,
image size 10 1/8 x 9 7/8 in. (25.5 x 25.0 cm), unmatted,
unframed.
Condition: Good.
$2,000-3,000
289
290.
Morocco 328, 1982. Titled, dated, and signed

“...Aaron Siskind” in pencil on the reverse. Gelatin
silver print, image size 8 3/4 x 9 1/8 in. (22.0 x 23.0
Condition: Good.
$1,500-2,500
290
291.
Morocco 167, 1982. Titled, dated, and signed

“...Aaron Siskind” in pencil on the reverse. Gelatin
silver print, image size 9 3/8 x 9 in. (23.7 x 22.7 cm),
unmatted, unframed.
Condition: Good.
$1,500-2,500
291
292.
Bradford Washburn (American, 1900-2007)
After The Storm: Climbers on the East Ridge. Signed

“Bradford Washburn” in pencil on the reverse. Gelatin silver
print, image size 17 3/4 x 22 1/8 in. (45.0 x 56.2 cm),
unmatted, unframed.
Condition: Good.
$1,500-2,000
292
293.
Mt. Huntington, North Face, Alaska. Signed “Bradford

Washburn” in pencil on the reverse. Gelatin silver print,
image size 17 1/2 x 22 5/8 in. (44.4 x 57.4 cm), unmatted,
unframed.
Condition: Good.
$1,500-2,000
293
294.
Barnard Glacier, Mt. Natazhat, Alaska Yukon Frontier.

Signed “Bradford Washburn” in pencil on the reverse.
Gelatin silver print, image size 17 1/4 x 22 1/4 in. (43.7 x
Condition: Good.
$1,500-2,000
294
295
295. 296.
Bradford Washburn (American, 1900-2007) Bradford Washburn (American, 1900-2007)
Snow Drifts. Signed “Bradford Washburn” in pencil on the reverse. Summit of the Matterhorn, 1958. Signed “Bradford Washburn” in
Gelatin silver print, image size 17 1/2 x 22 3/4 in. (44.4 x 57.5 cm), pencil on the reverse. Gelatin silver print, image size 17 5/8 x 22 1/4
unmatted, unframed. in. (44.5 x 56.4 cm), unmatted, unframed.
Condition: Good. Condition: Good.
$1,500-2,000 $1,500-2,000
End of Session I
296
Session II
Paintings & Sculpture
Lots 301-698
to be sold Friday, January 29th, 2010 at 4 p.m.

300
300.
Manner of Jan Breughel the Younger (Flemish, 1601-1678)
Jacob Wrestling the Angel

Unsigned, inscribed “O.../Breughel/N...i” on the reverse of the panel.
Oil on panel, 6 9/16 x 8 in. (16.7 x 20.4 cm), framed.
Condition: Surface irregularities, abrasions and losses, discolored varnish, panel
bowed, craquelure.
$1,000-1,500
301.
School of Abraham van Beyeren (Dutch, 1620-1690)
Still Life with Crab, Fruit, Bread, and Wine Glass on a

Draped Table
Unsigned, inscribed "ABRAHAM VAN BEYEREN" on a
modern label on the reverse.
Oil on cradled panel, 21 1/2 x 16 5/8 in. (55.2 x 42.2 cm),
framed.
Condition: Varnish inconsistencies, surface irregularities,
retouch, vertical crack to center of panel, pentimenti in u.r.
quadrant.
$400-600
302.
Italian School, 18th Century
Flora with an Abundance of Fruit and Game

Unsigned.
Oil on canvas, 21 3/4 x 15 1/2 in. (55.2 x 39.4 cm), unframed.
Condition: Trimmed tacking margins, punctures, lined,
punctures, scattered retouch, losses, craquelure.
$1,000-1,500
301
302
303
303.
Attributed to Melchior d’Hondecoeter (Dutch, 1636-1695)
A Mallard, Two Cockerels, and Ducklings in a Landscape

Signed or inscribed “M d hondecoeter” l.c.
Oil on canvas, 30 x 28 1/4 in. (76.2 x 71.8 cm), framed.
Condition: Lined, retouch, patch reinforcements, varnish
inconsistencies, craquelure.
$8,000-10,000
304
304.
Italian School, 18th/19th Century Style
View of Figures in a Classical Landscape

Unsigned, inscribed indistinctly on a partial label and with a
label from Eben Smith, Boston, on the reverse.
Oil on board, 11 1/2 x 19 in. (29.2 x 48.3 cm), framed.
Condition: Craquelure, lifting, surface grime, minor
losses/abrasions, skinning, subtle varnish inconsistencies,
subtle bowing to board.
$1,000-1,500
305.
Manner of David Teniers the Younger (Flemish, 1610-1690)
Lot of Two Tavern Scenes

One with indistinct monogram signature and date “...1784” l.r.
Oil on canvas, 10 1/2 x 12 3/4 in. (26.6 x 32.4 cm), framed.
Condition: Retouch, craquelure with lifting, abrasions, surface
grime.
$2,200-2,800
305
306
306.
Dutch School, 17th Century Style
Peasant Dance Before a Tavern

Unsigned.
Condition: Lined, retouch, surface grime.
Provenance: Through the estate of Norton Asner, Baltimore,

Maryland.
$800-1,200
307.
Italian School, 18th/19th Century Style
Figure Study of Male Nude with Staff

Unsigned.
Sepia ink on paper, sheet size 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm),
framed.
Condition: Trimmed sheet, foxing, losses.
$400-600
307
308.
German School, 18th Century Style
Mary Magdalene in the Wilderness

Unsigned.
Oil on copper, 3 7/8 x 2 7/8 in. (9.8 x 7.3 cm), framed.
Condition: Mounted to linen-covered mat, losses, retouch, surface
abrasions.
$800-1,200
308
309.
Manner of Francesco Bianchi Bonavita (Italian, 1593-1658)
The Sacrifice of Isaac

Unsigned, inscribed “Allori (Cristofano), Ecole Florentine, 1577-1621”
on the reverse.
Condition: Lined, retouch, craquelure with cupping, losses, surface
grime.
N.B. This composition is related to a work of the same subject in the

former Scuole Leopoldine, in Florence.
$2,000-4,000
309
310.
Neopolitan School, 17th Century Style
Christ Crowned with Thorns

Unsigned.
Condition: Lined, retouch, varnish inconsistencies, surface grime,
craquelure.
$1,000-1,500
310
312
311
311. 312.
Continental School, 17th/18th Century Spanish or Spanish Colonial School, 18th Century Style
Figure Studies Portrait of the Virgin of Guadalupe

Initialed u.r., ink sketch of a horse verso. Inscribed “VERA EFFIGIES/B.[Beatae]V.[Virginis] MARIAE QUAM S.
Ink, washes, and varnishes on laid paper, with single fleur-de-lis [Sanctus] LUCAS PINXT...” l.c.
watermark, 12 1/2 x 7 5/8 in. (31.6 x 19.3 cm), framed. Oil on canvas mounted to board, 10 3/4 x 7 1/4 in. (27.3 x 18.4 cm),
Condition: Scattered foxing, toning, creasing, worn along edges, framed.
nicked along bottom edge. Condition: Abrasions/losses, retouch, craquelure.
$700-900 $700-900
313.
Spanish School, 16th Century Style
Ecco Homo
Unsigned.
Oil on panel, 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm), framed.
Condition: Restored vertical split to panel, fine
craquelure.
Provenance: Purportedly acquired in Spain, then by

descent to the present owner.
$2,000-3,000
313
314.
Italian School, 18th/19th Century
Madonna and Child Seated on a Cloud

Unsigned, indistinctly inscribed u.l., stamped
“RESIDENTIA...” on the reverse.
Sepia ink on laid paper, sheet size 8 1/4 x 6 3/4 in. (21.0
x 17.1 cm), framed.
Condition: Taped to window mat, trimmed sheet, foxing,
losses.
$400-600
314
314A
314A.
Joseph Blackburn (Anglo/American, c. 1700-1780)
Portrait of Colonel Benjamin Pollard (1696-1756)

Unsigned, identified on a partial label affixed to the reverse.
Oil on canvas, 33 1/2 x 26 in. (85.1 x 66.0 cm), framed.
Condition: Craquelure, lined, retouch.
N.B. The sitter descended from a Boston military family. Following in

the footsteps of his grandfather William Pollard, who was a 17th-
century member of the Ancient and Honorable Artillery Company of
Massachusetts, Benjamin Pollard became the fourth sergeant of the
Artillery Company in 1726. His uncle Edward Winslow was a sheriff
of Suffolk County, and Pollard assumed his position for thirteen years,
until 1756.1
1. Oliver Ayer Roberts, History of the Military Company of the Massachusetts, now
called the Ancient and Honorable Artillery Company of Massachusetts: 1637-1888,
(New York: A. Mudge & Son), 1895, p. 424.
$12,000-15,000
315.
British School, 18th/19th Century
Portrait of a Gentleman
Unsigned.
Condition: Lined, losses, surface grime, varnish inconsistencies, with
possible retouch and craquelure.
$1,200-1,800
315
316.
British School, 18th Century
Portrait of a Gentleman in a Red Cloak, Decorated with an Order

of Nobility
Unsigned, partial label “Venable’s/...Washington 9, D.C.” on the
reverse of the frame.
Condition: Retouch, craquelure, paint loss.
$1,000-2,000
316
317.
Continental School, 18th Century Style
Portrait of a Woman in Brocade

Unsigned.
Oil on canvas, 28 1/2 x 23 1/2 in. (72.4 x 59.7 cm), in an oval frame.
Condition: Lined, retouch, varnish inconsistencies, craquelure.
$1,500-2,000
317
318.
John Watson Gordon (Scottish, 1788-1864)
Portrait of Miss Elizabeth Mack, also known as Mrs. Thomas

Henderson of Press Castle, Edinburgh
Signed or inscribed “Mrs. Thomas Henderson/Painted by Watson
Gordon Edinburgh” and identified on a label on the reverse.
Oil on canvas, 50 1/4 x 40 1/4 in. (127.6 x 102.2 cm), in a period
frame.
Condition: Retouch, surface grime, retouch, canvas deformations,
craquelure.
$5,000-7,000
318
318A
318A.
Attributed to Bernardo Strozzi (Italian, 1581-1644)
Kopf einer Frau in mittleren Jahren

Unsigned, wax seal on the stretcher.
Condition: Lined, craquelure, retouch, losses/abrasions.
Provenance: Collection Eugen Platky, Leipzig, Germany, c. 1918,

then by descent to the present owner.
Literature: Hermann Voss, “Die Samnlung Platky in Leipzig” in

Zeitschrift für bildende Kunst, October-November, 1918, p. 28.
$10,000-15,000
318B
318B.
Alex de Andreis (British, 1880-1929)
Portrait of a Cavalier
Signed “A. de Andreis” l.r., identified on a presentation plaque.
Condition: Craquelure, minor surface grime.
$800-1,200
318C.
Continental School, 17th Century Style
Portrait of a Man Holding Lorgnette

Unsigned, inscribed “Kneller” on the reverse.
Condition: Scattered retouch, minor losses (primarily near edges),
areas of possible skinning, fine craquelure.
$600-800
319.
Continental School, 18th Century
Lot of Two Drawings for Punchinello

Unsigned.
Ink and wash on laid paper, approximate sizes to 7 x 4 3/4 in. (17.7 x
12.0 cm), in a common frame.
Condition: One with tiny hole, both with foxing and toning, both
affixed to window mat with tape.
$500-700
318C
319
319A.
James Wells Champney (American, 1843-1903)
Dreams of Love
Signed “J Wells Champney” l.r.
Pastel on paper, sight size 23 1/2 x 19 1/2 in. (59.7 x 49.5 cm),
framed.
$800-1,200
320.
Sydney Richmond Burleigh (American, 1853-1931)
Portrait of a Seated Odalisque

Signed “S.R. Burleigh” l.l.
Watercolor on paper, sight size 4 3/4 x 2 3/4 in. (12.1 x 7.0 cm),
framed.

$300-500
321.
School of Narcisse Virgile Diaz de la Peña (French, 1807-1876)
319A
Woman with Cupid in a Woodland Clearing
Indistinctly monogrammed l.l., identified on a presentation plaque.
Oil on canvas mounted to paper/board, 10 1/2 x 8 in. (26.7 x 20.3
cm), framed.
Condition: Surface grime, craquelure.
$1,200-1,800
320 321
322
322.
After Mark Matveevich Antokolsky (Russian, 1843-1902)
Nathan the Wise (Natan Mudryi)/A Posthumous Casting

Signed or inscribed “M.M. ANTOKOLSKY” in Cyrillic l.r. and “L.A ©
1927” l.l.
Bronze with a brown patina, height 9 1/4 in. (23.5 cm), on a green
stone base.
Condition: Felt adhered to the bottom, surface inconsistencies/
surface grime.
Provenance: By family descent from the artist to his nephew Louis

Antoville, Queens, New York, thence to Sol [Solomon] W. Antoville
and Sylvia Hepner Antoville, Manhattan, New York, thence by family
descent to private collection, Massachusetts.
$8,000-12,000
322A.
Nathaniel Sichel (Germany, 1843-1907)
Portrait of an Oriental Beauty

Signed “N. Sichel.” u.r.
Condition: Craquelure, patch reinforcements, surface grime, retouch.
$2,000-4,000
322A
323
323.
Adolphe Charles Edouard Steinheil (French, 1850-1908)
The Connoisseurs
Signed “A. STEINHEIL” l.l., identified on a presentation plaque.
Condition: Lined, retouch, skinning, subtle varnish inconsistencies,
craquelure.
Provenance: Purchased from Comenos Fine Art, Boston.

$10,000-15,000
324
324.
Franz (Francis H.) Heinrich (Austrian/American, 1802-1890)
Interior View of the Colonna Palace, Rome

Signed “F. Heinrich.” l.r.
Watercolor and graphite on paper, sight size 26 1/2 x 39 3/4 in. (67.3
x 101.0 cm), framed.
N.B. Franz (Francis H.) Heinrich was a painter of genre scenes,

architecture, and interiors, born in Nachod, Bohemia, in 1802. He
studied at the Academy of Vienna from 1819 to 1830. Heinrich
traveled to Italy, Holland, Germany, Switzerland, Belgium, and the
United States, before establishing himself in Vienna. He was a gifted
watercolorist, and is best known for his elaborate interiors of palaces
and churches and for his street views of European cities. The
Museum of Vienna holds several of his watercolors, including his
portrait and views of Rome and Venice.
$10,000-15,000
325 325A
325. 325A.
Heinrich Breling (German, 1849-1914) Italian School, 19th Century
Quiet Pursuits Portrait of a Restorer

Signed and dated “H. Breling/1891” u.r. Signed indistinctly l.r.
Oil on panel, 9 1/2 x 7 in. (24.1 x 17.8 cm), framed (under glass). Watercolor and ink on paperboard, 17 x 13 in. (43.2 x 33.0 cm),
Condition: Alligatoring, abrasions, varnish inconsistencies. framed.
$800-1,200 Condition: Subtle toning.
$800-1,200
325B
325B.
Oreste Cortazzo (Italian, 1836-1889)
A Corner at the Opera...

Signed “Cortazzo” l.l., titled in an inscription on the reverse.
Oil on paper/board, 10 x 7 1/4 in. (25.4 x 18.4 cm), framed (under
glass).
Condition: Minor surface grime, subtle bowing to board, minor
abrasions.
$3,000-5,000
326
326. 327.
Continental School, 17th/18th Century Style Sir Frank Dicksee, P.R.A. (British, 1853-1928)
An Intimate Concert The Duet

Unsigned. Signed and dated “F. Dicksee. 1897” l.l., with a label from M.
Oil on canvas, 44 1/4 x 55 in. (112.4 x 139.7 cm), framed. Grindley, Liverpool, England, on the stretcher.
Condition: Strip lined with patch reinforcement, retouch, scattered Oil on canvas, 24 x 33 1/4 in. (61.1 x 84.3 cm), framed.
abrasions, losses, craquelure, surface grime. Condition: Retouch, craquelure, small punctures/canvas
$1,500-3,500 deformations, abrasions, surface grime, varnish inconsistencies.
$1,500-2,000
327
328
328.
Fr. de Leub (Continental, 19th Century)
The Love Letter

Signed and dated “fr De Leub./1866” l.r.
Condition: Surface grime, craquelure, abrasions, alligatoring. 329A
$2,000-3,000
329. 329A.
Continental School, 19th Century Virgilio Tojetti (Italian/American, 1851-1901)
Her New Love The Swing

Monogram signature “JBach” l.l., identified on a presentation plaque. Signed and dated “V. Tojetti 96” l.l.
Oil on canvas, 25 x 37 in. (63.5 x 94.0 cm), framed. Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.
Condition: Lined, craquelure, retouch. Condition: Surface grime, minor loss in the u.r. quadrant.
$1,800-2,220 $800-1,200
329
329B
329B.
Attributed to Robert Farrier (British, 1796-1879)
Possibly a Study for The Recruit or Who’ll Serve the King

Unsigned, a print of this image after Farrier affixed to the reverse,
labels including one from Walker’s Galleries Ltd., London, affixed to
the reverse.
Condition: Retouch, craquelure.
$5,000-7,000
330
330.
Fabio Cipolla (Italian, 1852-1935)
A Surprise Encounter
Signed “F. Cipolla” l.r.
Condition: Lined, retouch, abrasions beneath frame liner, craquelure.

$12,000-18,000
331.
Henry James Johnstone (British, 1835-1907)
Old Rover
Signed “H.J. Johnstone” l.l., titled in a later hand on the reverse,
inscribed “Rover Johnstone” on the back of the window mat, a label
from Thomas Agnew & Sons, London, Manchester, and Liverpool,
affixed to the reverse.
Watercolor on paper mounted onto board, sight size 7 1/2 x 5 1/2 in.
(19.1 x 14.0 cm), framed.
Condition: Subtle rippling/mounting bubbles, supporting board
adhered to window mat at edges.
$1,500-2,000
331
331A.
George Henry Boughton (Anglo/American, 1833-1905)
The Little Dutch Girls

Initialed “GHB.” l.l.
Conté crayon on paper, sight size 9 7/8 x 8 1/4 in. (25.1 x 21.0 cm),
framed.
$800-1,200
331A
332
332.
Felix Schlesinger (German, 1833-1910)
The Pets
Signed “F. Schlesinger.” l.l., identified on a presentation plaque.
Oil on panel, 11 1/2 x 12 3/4 in. (29.2 x 32.4 cm), framed (within a
liner).
Condition: Craquelure, subtle varnish inconsistencies.
$8,000-12,000
334
333
333.
Night Scene with Street Musicians

Unsigned.
Oil on canvas, 16 x 11 in. (40.6 x 27.9 cm), framed in an oblong
lunette format.
Condition: Lined, retouch, varnish inconsistencies, abrasions, surface
grime, craquelure.
$3,000-5,000
334.
Attributed to Adolphe Piot (French, 1850-1910)
Portrait of a Young Girl with Cherries

Unsigned.
Oil on canvas, 21 3/8 x 18 in. (54.3 x 45.7 cm), framed in an oval
format.
Condition: Retouch, varnish inconsistencies, surface grime,
craquelure.
$1,500-2,000
334A.
The Boys’ Choir

Signed indistinctly l.r., with a label from the Museum of Fine Arts,
Boston, on the reverse.
Condition: Lined, craquelure, retouch.
$800-1,500
334A
335.
Jan Walraven (Dutch, 1827-1863)
Girl with Rabbits

Signed “J. Walraven” l.l. signed, dated, and identified in a painted
label “Je suis...est original et peint par moi...Bruxelles 1878 J.
Walraven” on the reverse.
Condition: Patches of craquelure, surface grime.
$1,000-1,500
335
336.
Charles Paul Gruppe (Canadian/American, 1860-1940)
Woman Polishing a Kettle

Signed “Chas. P. Gruppe” l.l.
Condition: Craquelure, surface grime.
$800-1,200
336
337.
Ernest Guillemer (French, 1839-1913)
The Road Home

Signed “E. Guillemer” l.r., Paris canvas stencil on the reverse.
Oil on canvas, 16 1/4 x 13 in. (41.3 x 33.0 cm), in a period frame.
Condition: Retouch, craquelure, surface grime.

$4,000-6,000
337A.
Henry Müller (American, fl. 1850-1852)
Return to the Mountain Village in Winter

Signed, dated, and inscribed “H. Müller N.Y. 51.” l.l.
Condition: Lined, retouch, craquelure.
$2,500-3,500
337
337A
338.
Alexandre Gabriel Decamps (French, 1803-1860)
Peasant Shacks with Clothesline

Signed “D. C.” l.l., identified on a presentation plaque.
Condition: Minor paint loss, abrasions, surface grime.
N.B. Alexandre-Gabriel Decamps, an Orientalist, genre, and

history painter, as well as a sometime caricaturist, was one of the
first French painters of the 19th century to turn from
Neoclassicism to Romanticism. Born in Paris in 1803, Decamps
spent time in the countryside as a youth, and there he developed
a love of drawing. His art training was uneven, studying briefly
with Etienne Bouhot and Alexandre-Denis Abel de Pujol, but he
338 admired the works of Rembrandt and Chardin and learned
extensively by studying their palette and use of glazes. Decamps’
travels as a young man in the Near East and Asia Minor, as well as
Italy, inspired his painting. As a result of his visit to the Middle
East, he was among the first European artists to represent Biblical
scenes with natural, local backgrounds. While at Smyrna it is said
that he made sketches enough to provide subject matter
throughout his career as an Orientalist painter. Decamps also
produced a number of genre scenes from France and Algeria. His
exhibition record is extensive, beginning at the Paris Salon of
1827, including many prizes, and he was elected an Officer of the
French Legion of Honor in 1851.
$1,500-2,500
339.
Attributed to George William Whitaker (American, 1840-1916)
View with a Figure in a Cobbled Alley

Unsigned, with a partial label inscribed “Near.../Geo. W...er/65
W...ster St. ...” on the reverse.
Oil on artist board, 12 5/8 x 9 in. (32.1 x 22.9 cm), framed.
Condition: Abrasions, surface grime.
N.B. Whitaker, who maintained a studio at 65 Westminster Street

in Providence, was the first painting instructor at the Rhode Island
School of Design and a founder of the Providence Art Club along
with Sydney R. Burleigh, Edward M. Bannister, and Charles W.
339 Stetson.
$1,500-2,000
340.
Paulus Adriaan Gildemeester (Dutch, 1858-1930)
Cottages on the Riverbank

Signed “P. A. Gildemeester” l.r.
Oil on canvas, 14 x 20 1/2 in. (35.6 x 52.1 cm), unframed.
Condition: Scattered retouch, extremely fine craquelure, mild
surface grime.
$1,200-1,800
340
341
341.
Nicolas Toussaint Charlet (French, 1792-1845)
Napoleon’s Return from Elba

Signed “Charlet” l.l., inscribed on the stretcher.
Condition: Craquelure, surface grime, retouch.
Provenance: Sotheby’s London, Wednesday, November 16, 1994,

lot 171; through to the estate of N. David Scotti, Providence, Rhode
Island.
$800-1,200
342.
Italian School, 19th Century
Arcadian Landscape with Figures by a Fountain

Unsigned.
Oil on panel, 19 x 16 in. (48.3 x 40.6 cm), framed.
Condition: Vertical splits to panel, losses/abrasion, varnish
inconsistencies.
$800-1,200
342
343
343. 343A.
Robert Léopold Leprince (French, 1800-1847) Jacques Willem van Blarenberghe (Dutch, 1679-1742)
Le Retour du Troupeau Lot of Two Works of Campaigns of Louis XIV: An Encampment

Signed “Leopold Leprince 183-...,” identified on a presentation with Troops and Camp Scene Beside a Stream
plaque and on a label from Kurt Schon, New Orleans, on the Unsigned, identified on labels affixed to the backing.
stretcher. Gouache on paper mounted to paper/board, sheet sizes to 7 x 8
Oil on canvas, 15 x 18 1/4 in. (38.1 x 46.4 cm), framed. 15/16 in. (17.8 x 22.7 cm), framed.
Condition: Lined, craquelure, retouch. Condition: Possibly trimmed sheets, minor surface grime, abrasions.
$2,000-3,000
Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury
under President Harding), Boston, Massachusetts; then by descent
within the family.
$3,000-5,000
343A
343B
344
343B. 344.
Michelangelo Meucci (Italian, 1840-1890) William Cruickshank (British, 1848-1922)
Lot of Three Trompe l’Oeil Bird Studies Still Life with Bird and Nest
Each signed and inscribed “-M. Meucci- Firenze-...” and dated Signed “W. Cruickshank” l.r.
“-1875-” or “-1876-” l.c. Watercolor with gouache on paper, sight size 9 x 12 in. (22.9 x 30.5
Oil on panel, oval formats, 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), two cm), matted, unframed.
framed, one unframed. Condition: Sandwiched between mats, subtle rippling to paper, light
Condition: Surface grime. scattered staining/soiling.
$1,500-2,500 $300-500
345.
Chickens and Ducklings in a Landscape

Signed “A-Franchin” l.l.
Condition: Minor retouch, subtle surface grime, fine scattered
craquelure.
$3,000-5,000
345
346
346.
Alexis Kreyder (French, 1839-1912)
Landscape with Grapes on the Vine

Signed and dated “A. Kreyder 83.” l.l., inscribed “Maison Merlin/Paul
Denis Succr/Paris...” in a canvas stencil on the reverse.
Condition: Craquelure, minor surface grime.
$4,000-6,000
347.
William Weekes (British, 1856-1909)
Darby and Joan

Monogram signature “WWeekes.” l.l., titled and inscribed
“...WWeekes” in pencil on the reverse.
Oil on artist board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.
Condition: Subtle varnish inconsistencies, abrasions beneath the
frame liner.
$2,500-3,500
348.
Attributed to Benjamin Barker (British, 1776-1838)
Cattle in a Mountainous Landscape

Signed “B Barker” l.l.
Condition: Tear in l.r. quadrant, craquelure, retouch, varnish
inconsistencies.
$1,200-1,800
347
348
349
349. 349A.
John Frederick Herring, Jr. (British, 1815-1907) James Lees Bilbie (British, d. 1945)
Horses in a Farmyard Figures by a Country Cottage

Signed “J.F. Herring” l.l., identified on a label from Richard Green Fine Signed “Jas. L. Bilbie” l.l.
Paintings, London, on the reverse. Oil on canvas mounted to fiberboard, 14 1/4 x 21 1/4 in. (36.2 x 54.2
Oil on panel, 6 5/8 x 8 1/2 in. (16.8 x 21.6 cm), framed. cm), framed.
Condition: Minor surface grime. Condition: Retouch, surface grime, craquelure.
$800-1,200
Provenance: Purchased from Richard Green, London, 1975, then
through to the present collector.
Literature: Richard Green, Annual Exhibition of Sporting Paintings,

1975, no. 41 (illus.), p. 86.
$3,000-5,000
349A
350
350. 350A.
William R.C. Watson (British, d. 1921) Alice Blair Thomas (American, 1857-1945)
By Loch Tay-Perthshire Shepherd Leading His Flock Through the Pass

Signed and dated “W. Watson 1916” l.r., titled and signed “...Wm Signed and dated “Alice Blair Thomas 1901.” l.r.
Watson” on the reverse, a label from Wunderly Bros. Fine Art, Oil on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed.
Pittsburgh, affixed to the reverse. Condition: Losses, flaking, surface grime, abrasions, craquelure.
Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), in a period frame (under $1,000-1,500
glass).
Condition: Retouch, varnish inconsistencies, possible areas of bloom
in the varnish layer, not examined out of frame.
$3,000-5,000
350A
351
351. 352.
Bryant Chapin (American, 1859-1927) Alfred Fontville de Breanski (British, 1877-1955)
Loch Lomond/A View of Scotland Snowden from Pen-y Gwryd, N. Wales

Signed, titled, and dated “BRYANT CHAPIN...1915.” l.l., identified on Signed “A de Breanski Jun.” l.r., titled and signed “...A de Breanski
a label affixed to the reverse. Jun” on the reverse, identified on a presentation plaque.
Condition: Extremely mild scattered craquelure. Condition: Scattered retouch, craquelure with lifting, minor scattered
losses.
Provenance: From the collection of the Fuller Museum of Art, $1,200-1,800
Brockton, Massachusetts.
$1,500-2,000
352
353
353.
Robert Salmon (Anglo/American, 1775-1844)
Ailsa Craig/A Firth of Clyde, Scotland, View

Signed, inscribed, and dated “No. 818/Painted by R. Salmon/1835” Dutch. In 1828 Salmon immigrated to the U.S., settling in Boston
on the reverse. where he established a successful career painting ship portraits and
Oil on panel, 10 x 12 1/2 in. (25.4 x 31.7 cm), framed. coastal views. Salmon had a great impact on the direction of
Condition: Fine craquelure, minor retouch. American marine painting. Using precise foreground detail and
devoting a large area of the composition to the atmospheric effects of
Provenance: Mr. Henry Channing Rivers, Northeast Harbor, Maine, the light-filled sky, Salmon’s works foreshadowed the Luminist style of
by family descent to a private New England collection. Fitz Henry Lane. Salmon left Boston in 1842, returning to Britain,
perhaps to the Scottish coast. In a catalogue of Robert Salmon’s
Literature: John Wilmerding, Robert Salmon: Painter of Ship & Shore, Pictures 1828-1840, which is reproduced as Appendix A of John
Boston: Peabody Museum of Salem and Boston Public Library, 1971, Wilmerding’s monograph on Salmon, the artist lists two paintings he
p. 95. made of Ailsa Craig in March of 1840. The Craig is listed as the
subject of three other earlier paintings from his inventory, and was a
N.B. Robert Salmon, an English-born marine artist, spent his early favored subject, whether painted on location or from the artist’s
years painting in England and Scotland, including the ports and memory. Ailsa Craig, rising some 1,100 feet high, is a well known
shipbuilding centers of Liverpool and Greenock. His style was based landmark in the Firth of Clyde where it joins the Irish Channel.
on the older English marine artists, themselves influenced by the $8,000-12,000
353A
354
353A. 354.
William Trost Richards (American, 1833-1905) Alfred Thompson Bricher (American, 1837-1908)
Coastal View, Possibly a Rhode Island Landscape Sailing off the Maine Coast
Signed “Wm T Richards” l.r. Monogram signature “ATBRICHER:” l.l., a label from the Vose
Watercolor on paper, sight size 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Galleries, Boston, on the backing.
framed. Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.
Condition: Repaired tear c.r., subtle toning, broad rippling, not Condition: Retouch, varnish inconsistencies, craquelure.
$3,000-5,000 Provenance: Purchased from Vose Galleries, Boston.
N.B. Born in 1837, Alfred Thompson Bricher grew up in

Newburyport, Massachusetts. He was largely self-taught until 1851,
when he enrolled in art lessons at the Lowell Institute in Boston.
Bricher painted in both oil and watercolor. He began his career
sketching and painting in the White Mountains and Maine. In 1868
the artist moved to New York, but summers found him on painting
excursions along the Maine coast, on Cape Ann, as well as in other
coastal regions of Rhode Island and Long Island. Bricher was a
member of the American Water Color Society and the Boston Art
Club, and he was elected an Associate of the National Academy in
1879. His paintings were exhibited at the Boston Athenaeum, the
National Academy, the Art Institute of Chicago, and the Pennsylvania
Academy of Fine Art, and they are held in major museum collections.
His work is associated with the second generation of Hudson River
School painters and with Luminism.
$15,000-25,000
355
355. 356.
Wesley Elbridge Webber (American, 1841-1914) Addison Thomas Millar (American, 1860-1913)
Paddle Steamer Moonlight Sail/A New England Coastal View

Signed “W. Webber” l.r. Signed “A.T. Millar” l.l., identified on a presentation plaque.
Condition: Punctures with losses, retouch, varnish inconsistencies, Condition: Lined, scattered retouch, craquelure, subtle varnish
damage to tacking edge, wear to corners, mild canvas deformations, inconsistencies.
scattered surface abrasions, craquelure, surface grime.
$3,000-5,000 N.B. Millar was a student of noted artist William Merritt Chase.
$5,000-7,000
356
357
357. 357A.
Mauritz Frederik Hendrick De Haas (Dutch, 1832-1895) American School, 19th Century
Coastal View with Craft Luminist Coastal View

Signed and dated “MFH de Haas./1868” l.l. Unsigned, inscribed indistinctly on the reverse.
Oil on canvas, 12 1/8 x 20 in. (30.8 x 50.8 cm), framed. Oil on canvas mounted to board, 5 x 9 in. (12.7 x 22.9 cm), framed.
Condition: Craquelure, lined, retouch. Condition: Surface grime, varnish inconsistencies, craquelure,
trimmed board.
Provenance: Purchased from Vose Galleries, Boston. $800-1,200
$8,000-12,000
357A
358.
Charles Henry Gifford (American, 1839-1904)
Fishermen at Work by Moonlight

Signed and dated “C.H. Gifford 86” l.r.
Oil on canvas, 18 x 13 in. (45.7 x 33.0 cm), framed.
Condition: Craquelure.

$1,000-1,500
359.
George Wattles Waters (American, 1832-1912)
Moonlit Harbor
Signed “G. W. Waters” l.r.
Oil on board, 7 1/2 x 10 1/2 in. (19.0 x 26.5 cm), framed.
Condition: Minor abrasions along frame liner, subtle craquelure.
$1,800-2,200
358
359
360
360.
William Edward Norton (American, 1843-1916)
Night/A Boston Harbor View

Signed and dated “William E. Norton 90.” l.l., identified on a label, probably in the artist’s hand, and with a
label from J. Eastman Chase, Boston, on the reverse.
Condition: Surface grime, abrasions/losses, minor retouch.
N.B. Noted marine painter William Edward Norton was born in Boston and discovered his love of the sea
and sailing as a young man aboard family-owned ships. He studied at the Lowell Institute and with George
Inness, before establishing a studio in Boston, where he was a member of the Boston Art Club, exhibiting
there from 1873 to 1909. In the early 1870s Norton left for Europe, living in Paris and then in London,
building his reputation on views of the Thames and coastal and marine paintings. Returning to the United
States around 1901, Norton settled in New York City and also spent time painting on Monhegan Island.
“Norton’s Ledge” on the south side of the island is named for him. Norton exhibited at the Royal Academy,
the Paris Salon, the 1893 Chicago Exposition, the Pennsylvania Academy, and the Art Institute of Chicago.1
A label on the stretcher of this nocturnal painting gives the artist’s address as 23 Camden Road NW, No. 4,
suggesting that it may have been painted or exhibited during the artist’s time in London. A similar but smaller
nocturnal view by the artist (possibly a study for the present work) was sold at a Skinner auction on
September 11, 2009, lot 385.
1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. II, p. 2441.
$10,000-15,000
361
361. 362.
Fritz Sigfried Georg Melbye (Danish, 1826-1896) Robert Arthur (American, 1850-1914)
Junk Crashing Waves at Dusk

Signed, inscribed, and dated “Fritz.G.Melbye Junk/Peking 1869” l.l. Signed and dated “Robert Arthur-1907” in pencil l.l.
Oil on canvas, 16 1/8 x 27 1/4 in. (41.0 x 69.3 cm), framed. Gouache on paper/board, 21 x 28 in. (53.3 x 71.1 cm), framed.
Condition: Strip lined, retouch, craquelure, surface grime. Condition: Subtle toning, abrasions, not examined out of frame.
$2,500-3,000 $800-1,200
362
363
363. 364.
Earl E. Collins (American, 1925-1992) James Gale Tyler (American, 1855-1931)
View of a Clipper Ship Off Grand Manan/A Canadian Coastal View

Signed “Earl Collins” l.r. Signed “JAMES G. TYLER” l.r., titled in pencil on the stretcher.
Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed. Oil on canvas, 10 x 19 3/4 in. (25.4 x 50.2 cm), framed.
Condition: Craquelure, surface grime. Condition: Surface grime, craquelure.
$800-1,200 $1,000-1,500
364
365
365.
Johann Hendrick van Mastenbroek (Dutch, 1875-1945)
Vessels in the Harbor

Signed “J.H. van. Mastenbroek” l.r., identified on a presentation
plaque, and with a label from J.H. Miller Co., Inc., Springfield,
Massachusetts, on the reverse.
Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.
Condition: Foxing, toning, not examined out of frame.
$700-900
366.
Walter Lofthouse Dean (American, 1854-1912)
View of a Boat by a Dock

Signed and dated “W.L. DEAN./1889” l.l., also signed and dated
“W.L. DEAN./18889.” [sic] with a label from Frost & Adams, Boston,
on the reverse.
$1,000-2,000
367.
No lot.
368.
Charles Augustus C. Lasar (American, 1856-1936)
Ship at Harbor
Signed “C. LASAR” l.r. and l.l., with a signature pentimento l.l.
Oil on canvas mounted to board, 10 3/4 x 13 3/4 in. (27.3 x 34.9
cm), framed.
Condition: Subtle bowing to board, scattered retouch.
$1,000-1,500
366
368
369
369.
Attributed to Thomas Hewes Hinckley (American, 1813-1896)
Traders Surprised on the Yellow Stone River

Unsigned, titled or inscribed and identified “...From Coopers novel -
Thos. H. Hinckley/the Artist” on the reverse.
Condition: Retouch, craquelure, surface grime, mild warping of
panel.
$2,500-3,500
370.
John White Allen Scott (American, 1815-1907)
View in Conway, New Hampshire, 1868

Initialed “S” l.r., titled, dated, and monogrammed “...68 J.W.A.S” in
pencil on the reverse.
Oil on artist board, 7 1/4 x 5 1/2 in. (18.4 x 14.0 cm), framed in an
oval format (under glass).
Condition: Surface grime, losses/punctures to support, abrasions,
varnish inconsistencies, craquelure, alligatoring, minor retouch.
$700-900
370
371
371. 371A.
Wesley Elbridge Webber (American, 1841-1914) William Ferdinand Macy (American, 1852-1901)
Maine View with Hunters Sunset on the Marsh

Signed and dated “W. Webber 1870” l.r. Signed “W. Ferdinand Macy” l.r.
Condition: Scattered retouch/varnish inconsistencies, surface rubs, Condition: Strip lined, retouch, craquelure, surface grime.
scattered craquelure, surface grime. $4,000-6,000
Provenance: Skinner, November 3, 1988 (sale no. 1224), lot 31.
Exhibitions: Nineteenth and Early Twentieth Century New England

Painters, Boston Athenaeum, Boston, February 7 to 28, 1983; The
Art of Collecting, The Danforth Museum of Art, Framingham,
Massachusetts, September 13 to November 29, 1981.
$4,000-6,000
371A
372
372.
Jeremiah Wilson (American, 1824-1899)
Children Gathering by the Woods

Signed “J Wilson” l.r., G. R. Dodge & Co., Baltimore, stencil on the
reverse.
Oil on panel, 6 1/2 x 10 in. (16.5 x 25.4 cm), framed.
Condition: Retouch, varnish inconsistencies.
$2,500-3,500
373
373. 374.
Edward B. Gay (Irish/American, 1837-1928) George Henry Smillie (American, 1840-1921)
Fête Champêtre A Recollection of Susquehanna Co. Pa.

Signed and dated “E. GAY. 56” l.r. Signed and dated “Geo. H. Smillie. ‘66” l.l., titled and inscribed
Oil on canvas, 15 x 21 in. (38.1 x 53.3 cm), framed. “...Painted by Geo H. Smillie. ‘66” on the reverse.
Condition: Craquelure, surface grime. Oil on canvas, 7 x 12 3/8 in. (17.8 x 31.4 cm), unframed.
$1,000-1,500 Condition: Surface grime.

$800-1,200
374
375
375. 376.
George Arthur Hays (American, 1854-1945) Joseph Foxcroft Cole (American, 1837-1892)
Lot of Two Works: Under the Oak and Mt. Tobie Cows by the Pasture Gate
Signed “G A Hays” l.l. and l.r., respectively, titled on labels on the Signed “J. Foxcroft Cole” l.r.
paper backing. Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.
Watercolor and gouache on paper/board, sight size to 8 3/8 x 10 in. Condition: Retouch, lined, craquelure.
(21.3 x 25.4 cm), framed. $800-1,200
Condition: One with small tear in l.r. corner, toning, not examined out
of frames.
$700-900
376
377
377.
Charles Paul Gruppe (Canadian/American, 1860-1940)
Under the Willows

Signed “Chas. P. Gruppe” l.r., identified on a label from the
Salmagundi Club Thumb Box Exhibition on the reverse.
Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), a Newcomb-Macklin
frame.
Condition: Minor surface grime, minor loss to l.r. quadrant.
$800-1,200
378
378.
Charles Wilson Knapp (American, 1823-1900)
Cattle Grazing on a Riverbank

Signed “C. W. Knapp” l.l.
Condition: Craquelure with minute scattered losses, surface grime.
$4,000-6,000
378A.
David Birdsey Walkley (American, 1849-1934)
Cows in a Landscape
Signed “D B Walkley” l.l.
Condition: Mounted onto Masonite, scattered retouch, fine
craquelure, surface grime.
$2,500-3,500
379.
John William Casilear (American, 1811-1893)
Cows in the Water

Monogrammed and dated “JWC 75” l.r., inscribed and titled “John-
Ester Gallery/Casilear John W./.../oil 0.49” on a label affixed to the
reverse.
Condition: Repair/patch reinforcement c.r., retouch, varnish
inconsistencies.
$2,500-3,500
378A
379
379A
379A. 380.
Samuel Lancaster Gerry (American, 1813-1891) William A. McIlvaine, Jr. (American, 1813-1867)
Haying Landscape Vista, Possibly Pennsylvania

Signed “S. L. Gerry” l.r. Signed and dated “McILvaine./1860-” l.r.
Oil on board, sight size 5 3/8 x 9 1/4 in. (13.7 x 23.5 cm), framed. Watercolor and graphite on paper, sight size 8 x 16 3/4 in. (20.3 x
Condition: Small scratch in sky u.r., surface grime. 42.5 cm), framed.
$300-500 Condition: Not examined out of frame.
$700-900
380
380A
380A.
Albert Thompson (American, b. 1853)
The Hay Wain

Signed and dated “Albert Thompson 1877” l.r.
Condition: Retouch, surface grime, craquelure.
$800-1,200
381.
Melbourne Havelock Hardwick (American, 1857-1916)
Autumn Landscape
Signed “MELBOURNE H. HARDWICK” l.r.
Condition: Retouch, flaking with losses, scattered craquelure.
$1,200-1,800
381
382.
Benjamin Osro Eggleston (American, 1867-1937)
The Wood’s Edge

Signed “BENJAMIN EGGLESTON” l.r.
Condition: Extremely fine scattered craquelure, surface grime.
$1,200-1,800
382
382A
382A.
Ernest Christian Rost (American, 1867-1940)
A Glimpse of the Connecticut

Signed “E C Rost-” l.r., titled and identified on a label affixed to the
reverse.
Condition: Craquelure, scattered retouch.
$1,000-1,500
383
383.
Richard Pauli (American, 1855-1892)
Cottage by the Water’s Edge

Signed “Richard Pauli” l.r.
Condition: Craquelure, retouch, losses, flaking, reinforced signature.
$1,000-1,500
384
384.
Julian Walbridge Rix (American, 1850-1903)
Landscape Study
Signed “RIX” l.r., stamped “From the JUL...SALE, MA...1913” on the
reverse.
Oil on board, 3 1/2 x 4 1/2 in. (8.9 x 11.4 cm), framed.
Condition: Scattered retouch, surface grime.
N.B. There was a two-day estate auction of Rix’s work at the

American Galleries, New York, on March 10th and 11th, 1913.1 The
partial stamp on the back indicates that is work was included in this
sale.
1. New York Times, “$12,402 for Rix Pictures,” March 11, 1913.
$1,200-1,800
385
385.
Portrait of John Foster Williams Lane as a Boy

Unsigned.
Oil on canvas mounted on board, sight size 22 1/2 x 16 1/2 in. (57.2 x 41.9 cm),
framed.
Condition: Retouch, craquelure, surface grime, backing board lined with muslin.
N.B. The subject of this portrait, John Foster Williams Lane (1817-1861), son of
Frederick and Eliza (Bonner) Lane, was born in Boston. He was descended from (and
named for) John Foster Williams (1743-1814), a Boston-born Naval officer in the
Revolutionary War. As a youngster, Lane attended the Boston Latin School. In 1831,
his parents, having thought him too young to enter college at the age of 13, sent him
to Italy and France for further studies. Lane graduated from Harvard University in
1837, where he was elected to the Alpha Chapter of Phi Beta Kappa, and he earned
his medical degree in 1840. He was awarded the Boylston premium in 1841 for his
dissertation on the relationship between the chemical properties of blood and disease.
He became a noted physician, who published on human anatomy and physiology and
also translated medical treatises.1
1. Memorials of The Class of 1837 of Harvard University, prepared for the Fiftieth Anniversary of their
Graduation by the Class Secretary, Henry Williams, pp. 36-37.
$2,500-3,500
386.
Anglo/American School, 19th Century
Portrait of a Boy with Book

Unsigned.
Oil on canvas mounted to Masonite, 30 x 25 in. (76.2 x 63.5 cm),
framed.
$1,200-1,800
386
387.
Still Life with Fish and Clams

Unsigned.
Condition: Lined, craquelure, varnish inconsistencies.

$800-1,200
387
387A
387A.
Harry Smith (American, 19th Century)
Trout and Rod in a Landscape

Signed “Harry Smith” l.l.
Oil on board, 14 x 22 in. (35.7 x 55.7 cm), unframed.
$2,200-2,800
388
388.
Charles Alfred Meurer (American, 1865-1955)
Trompe l’Oeil Still Life with Currency, Pipe, and Pistol

Signed and inscribed “CA Meurer Esq./Cincinnati Ohio” within the composition l.c., identified on a presentation
plaque, and with a label from J.H. Strauss Art Gallery, New York, on the reverse.
Condition: Craquelure, subtle varnish inconsistencies.
Provenance: Sotheby’s New York, September 14, 1995, lot 24.
N.B. Cincinnati-based artist Charles Meurer painted in the tradition of the American trompe l’oeil masters William
Michael Harnett and John Frederick Peto. The artist traced his fascination with trompe l’oeil painting to seeing
Harnett’s still lifes at the Cincinnati Industrial Exposition of 1886, and other works by Peto in Cincinnati art galleries
in the 1890s. Born in Germany in 1865 to American parents, Meurer was raised in Tennessee. As a young artist
he received a pivotal commission from Adolph Ochs, editor of the Chattanooga Times, to paint a still life
incorporating the front page of the paper along with books and other objects relating to the newspaper industry.
Successful with the commission, Meurer continued to elaborate on this theme. The artist included paper currency
in many of his still lifes.1
1. Frankenstein, Alfred Victor, After the Hunt; William Harnett and other American still life painters, 1870-1900 [by] Alfred Frankenstein, Rev.
ed., Berkeley, University of California Press, 1969.
$12,000-18,000
389
389.
William Preston Phelps (American, 1848-1923)
Headed for the Field

Signed “W. P. Phelps” l.l.
Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), in a period frame.
Condition: Scattered retouch, mild varnish inconsistencies, surface
rubs, craquelure, surface grime.
$3,000-5,000
390
390.
James Crawford Thom (American, 1835-1898)
The Knife Grinder

Partial signature “J.C. Tho...” l.r., identified on a presentation plaque.
Condition: Lined, trimmed canvas (through signature), retouch.
$800-1,200
391
391.
Hugo Breul (American, 1854-1910)
Leisure Hour
Signed “Hugo Breul” twice l.l., identified on a label affixed to the
reverse.
Condition: Craquelure, losses/abrasions, skinning l.l., canvas
deformations.

$3,000-5,000
392
392.
Henry Bacon (American, 1839-1912)
Outward Bound/A Sketch

Signed “Bacon” l.r., inscribed and dated “Colorado May 19/71” l.l.
Condition: Surface grime, retouch.

$1,000-1,500
392A.
William Verplanck Birney (American, 1858-1909)
A Break from Child’s Play

Signed and dated “W. Verplanck Birney...” l.r.
Condition: Surface grime, varnish inconsistencies, craquelure.
$800-1,200
392A
393
393.
Still Life with Ginger Jar

Signed and dated “L.E. Foote. 1895” l.l.
Condition: Lined, retouch, varnish inconsistencies.
$1,000-1,500
393A.
John William Hill (American, 1812–1879)
Lot of Five Bird Studies for Zoology of New York, Part 2, Birds,
including The Magpie (pl. 24, fig. 53), The Barn Swallow (pl. 29, fig.
64), The Great-crested Kingbird (pl. 32, fig. 70), The Hermit Thrush
(pl. 37, fig. 80), and The Green-winged Teal (pl. 112, fig. 249)
Each signed “J.W. Hill” l.l., each numbered u.r., and annotated l.c.
and on supporting boards.
Watercolor and ink on paper laid down onto board, image sizes
approximately 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm), two framed, three
unframed.
Condition: Toning, scattered soiling/staining, two not examined out of
frames.
$1,800-2,200
393A
394
394.
Interior of a Country Store

Signed or inscribed “S. R. Burleigh.” l.l., stray watercolor marks and 395A
inscription, possibly in the artist’s hand, on the reverse.
Watercolor on paper, sight size 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm),
framed.
Condition: Broad rippling, pale foxing, affixed to window mat with
paper tape verso.
Provenance: Estate of N. David Scotti, Providence, Rhode Island. 395A.

$200-250 Burr H. Nicholls (American, 1848-1915)
Chickens in the Barn

395.
Signed “Burr H. Nicholls” l.l.
Emma Levinia Swan (American, 1853-1927)
Still Life with Peach and Grapes Condition: Lined, craquelure, retouch.
Signed “·E L SWAN·” l.r., inscribed “...Nino Scotti” and with a label $1,000-1,500
from Charles G. Calder, Providence, Rhode Island, on the reverse.

$600-800
395
396
396. 397.
Frank Henry Shapleigh (American, 1842-1906) Walter J. Sherwood (American, b. 1865)
Old Kitchen in Scituate Mass./A Cottage Interior The Workroom of the Henri Dore Studio, Cheapside Building,
Signed and dated “F. H. Shapleigh 1885” l.r., inscribed “Old Kitchen Providence, Rhode Island, c. 1927
in Scituate Mass. by F H Shapleigh” on the lining canvas and Signed “W. Sherwood” l.l., identified on a note affixed to the reverse.
“SHAPLEIGH, F.H. ‘OLD KITCHEN IN SCITUATE MASS.’...” on the Oil on canvas, 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm), framed.
stretcher. Condition: Surface grime, craquelure, canvas deformations,
Oil on canvas, 10 1/4 x 16 1/8 in. (26.0 x 41.0 cm), framed. abrasions, losses.
Condition: Lined with tape to tacking edge, retouch, varnish
inconsistencies, craquelure (small area of lifting c.r.). Provenance: Estate of N. David Scotti, Providence, Rhode Island.
$3,000-5,000 $400-600
397
397A
397A.
Walter Gay (American, 1856-1937)
La Porte Ouverte, Chateau du Breau

Signed “Walter Gay” l.r., titled on a label affixed to the backing.
Watercolor and graphite on paper, sight size 21 x 17 1/2 in. (53.3 x
44.4 cm), framed.

within the family.
$4,000-6,000
397B
397B.
Antichambre, Chateau du Saussay

Signed “Walter Gay” l.r., titled and inscribed “...appartenant a la
Comtesse de Bourbon-Busse [sic] nee de Colbert” and “...Mrs.
Walter Gay May 10th 1980- at 180 Marlboro St...,” on labels in later
hands affixed to the backing.
Watercolor and graphite on paper, sight size 10 x 12 3/4 in. (25.4 x
32.4 cm), framed.

within the family.
$4,000-6,000
398
398.
View of a French Interior

Signed “Walter Gay” l.r., with labels from R. Lerondelle and E.
Bourdier, Paris, affixed to the backing.

within the family.
$7,000-9,000
398A
398A.
Abbott Fuller Graves (American, 1859-1936)
Still Life with Roses

Signed “Graves” l.r., inscribed “THIS FLOWER PIECE WAS
PRESENTED BY THE ARTIST ABBOTT GRAVES TO MR AND MRS
EDWARD J. EGAN ABOUT 1891” on the stretcher.
Condition: Craquelure, patch reinforcement, retouch, varnish
inconsistencies.
$12,000-18,000
399
399.
William Merritt Chase (American, 1849-1916)
Still Life: Fruit, alternatively titled Fruit and Porcelain, c. 1908

Signed “Wm M Chase.” l.l., identified on labels from the Corcoran Gallery of Art, Bernard and S. Dean Levy, New
York, and Maxwell Galleries, San Francisco, affixed to the backing.
Condition: Lined, retouch, fine craquelure.
Exhibitions: Summer’s Lease, Corcoran Gallery of Art, June 13 to August 31, 1972, Ex-collection of Mr. and Mrs.
Joseph H. Hennage; William Merritt Chase Memorial Exhibition, The Metropolitan Museum of Art, New York,
February 19 to March 18, 1917, No. 30 (lent by Content Johnson); Exhibition of Paintings by William Merritt
Chase, National Arts Club, New York, January 5 to 13, 1910, No. 86 (lent by Content Johnson).
N.B. We wish to thank D. Frederick Baker for confirming the authenticity of the present work, and for his
assistance with cataloguing the lot. The work is included in Ronald G. Pisano’s The Complete Catalogue of
Known and Documented Work by William Merritt Chase (1849-1916), Vol. 4 (Yale University Press, 2010, SL.127).
According to Baker, “the work was either purchased by Content Aline Johnson from Chase, or more likely given by
the artist to Johnson, a student of Chase’s and close friend of the Chase family. Chase’s youngest daughter, Mary
Content Johnson, born 1903, was named after Content Johnson. The painting is one of several by Chase that
were owned by Miss Johnson, whose portrait was painted by Chase, ca. 1902.”
$30,000-50,000
400
400.
Ciro Mazini (Italian, 19th/20th Century)
The Cloth Merchant/An Oriental Interior

Signed and inscribed “Mazini Cairo” l.l.
Watercolor and graphite on paper/board, sight size 12 1/2 x 19 in.
(31.8 x 48.3 cm), framed.
$800-1,200
401
401.
Adolf Schreyer (German, 1828-1899)
Arab Horsemen
Signed “Ad. Schreyer” l.r.
Condition: Lined, subtle canvas deformations, subtle retouch.
N.B. We wish to thank Dr. Christoph Andreas, who has kindly confirmed the authenticity of the lot.
Noted Orientalist and genre painter Adolf Schreyer (also referred to as Christian Adolf Schreyer) was born in Frankfurt,
Germany, in 1828. After early education at the Institut Staedel in Frankfurt, he studied at the Academy in Düsseldorf,
then settled in Vienna in 1849. During the Crimean War (1853-1856) Schreyer followed the Austrian Army through the
Wallachian frontier as a sketch artist.1 Schreyer went on to study in Paris and North Africa. In 1859 he traveled
extensively in Egypt and Syria, learning Arabic and immersing himself in the culture, and in 1861 he visited Algiers. From
1862 to 1870, Schreyer lived in Paris. He returned to Frankfurt in 1871. He was a member of the Academies in
Amsterdam and Rotterdam. His works were awarded medals in Paris in 1864, 1865 and 1867, and in Munich in 1876.
Schreyer died in Kronberg in 1899.
Schreyer painted the landscape and culture of foreign lands, from Russia to North Africa. His travels brought him
inspiration and also gave his work authenticity. He is regarded as a great painter of horses in all their aspects.2 His
works, well-conceived compositions, brilliantly colored and vigorously painted, were very popular in his time, and were
found in European and American private collections. Schreyer’s paintings are found today in major museums in Europe
and the United States, including museums in Frankfurt, Cologne, Hamburg, Paris, Boston, and San Francisco.
1. E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Librairie Grund, 1976., Vol. IX, p. 439-440.
2. http://encyclopedia.jrank.org/SAR_SCY/SCHREYER_ADOLF_1828_1899_.html, originally appearing in Volume V24, p. 378 of the 1911

Encyclopedia Britannica.
$20,000-30,000
402
402. 403.
Marco Grubas (Italian, 1839-1910) Paul Vernon (French, 1796-1875)
Lot of Two Venetian Views of San Giorgio Maggiore, Saint Mark’s Coastal Scene with Fishing Boats
Square and Palazzo Santa Sofia, c. 1890 Signed “Paul Vernon” l.r., with a partial label from H. L. Ross of
Signed “M. Grubas” l.l., identified on labels and export stamped Philadelphia on the stretcher.
“...zum Ausfuhr freigegeben” on the reverse. Oil on canvas mounted to rigid support, 14 x 24 in. (35.5 x 61.0 cm),
Oil on panel, 5 1/2 x 10 1/4 in. (14.0 x 26.0 cm), framed. framed.
Condition: Surface grime. Condition: Lined support, retouch, craquelure.
$1,500-2,500 $2,000-3,000
403
404
404. 405.
Martin Rico y Ortega (Spanish, 1833-1908) Charles Rowbotham (British, 1856-1921)
Calle Dietro il Campanile Italian Coastal View

Signed “RICO” l.l., identified within the composition. Signed “Chas Rowbotham.” l.r.
Watercolor and graphite on paper, sight size 13 1/4 x 20 3/4 in. (33.6 Gouache on paper/board, sight size 9 x 19 3/4 in. (22.8 x 50.1 cm),
x 52.5 cm), framed. framed.
Condition: Unobtrusive toning, staining, not examined out of frame. Condition: Toning, not examined out of frame.
$4,000-6,000 $1,800-2,200
405
406
406. 406A.
Arthur J. Hammond (American, 1875-1947) Sheldon Parsons (American, 1866-1943)
North Dome, Yosemite Desert Bloom

Signed “AJHammond” l.r., inscribed “North Dome...” and identified on Signed “-SHELDON PARSONS-” l.l., dated “Sept. 14” on the reverse.
a label from Vose Galleries, Boston, on the reverse. Oil on artist board, 9 x 12 in. (22.9 x 30.5 cm), framed.
Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed. Condition: Surface grime, subtle bowing to board.
Condition: Surface grime, craquelure, retouch. $1,000-1,500
$1,500-2,000
406A
407
407.
Charles Furneaux (American, 1835-1913)
View of a Volcanic Eruption, Purportedly Kilauea Caldera on Mauna Loa, c. 1886

Signed and dated “C. Furn.../188...” l.r.
Mixed media on paper mounted to Masonite, 22 3/8 x 50 1/2 in. (56.8 x 128.3 cm),
Condition: Surface dust.
Provenance: Purportedly given as a gift from the artist to King David Kalakaua and
displayed at the Iolani Palace; to the collection of Albert Solomon, Jr. and Harriet
Solomon, former owners of the Kamuela Museum, Waimea, Hawaii, by descent in the
Solomon family, and through to the present owners.
N.B. Although Furneaux was born and raised in Greater Boston, he is best known for
his work in Hawaii. In 1880, Furneuax traveled to Hawaii on the advice of, and as a
companion to William T. Bingham. The artist was immediately struck by the grandeur of
the volcanoes, and made numerous sketches on site of lava flows and eruptions, again
encouraged by Bingham who was a gentleman scientist and devoted student of
volcanoes. Furneaux’s success garnered him commissions from King Kalakaua. While
some of these were landscapes, many were portraits. Furneaux spent the rest of his life
in Hawaii as a painter, teacher and coffee farmer.
$25,000-35,000
408 409A
408.
Tim Solliday (American, b. 1952)
Two Native Americans in a Canoe

Signed “Tim Solliday” l.l.
Condition: Good.
N.B. We wish to thank the artist for his assistance with cataloguing
this lot.
$1,000-1,500
409.
Ila Mae McAfee (American, 1897-1995)
Portrait of a Taos Pueblo Woman on Horseback

Signed and dated “Ila McAfee 1933” l.l.
Oil on Masonite, 9 1/2 x 6 in. (24.1 x 15.2 cm), framed.
Condition: Surface grime.
$1,000-1,500
409A.
Paul Surber (American, b. 1942)
Indian Encampment
Signed “PAUL SURBER” l.r., with a label from Glacier Gallery,
Kalispell, Montana, on the backing.
Gouache on paper, sight size 7 3/8 x 11 1/2 in. (18.7 x 29.2 cm),
Condition: Very minor surface grime and abrasions, not examined
out of the frame.
$800-1,200
409
410
410.
Elling William (Bill) Gollings (American, 1878-1932)
Squaw/Landscape with Native American on Horseback

Signed "Gollings..." l.l., titled and inscribed "...M.H." on the reverse. catalogue.5 Golling's brother DeWitt acted as his promoter, first
Oil on canvas, 7 x 10 in. (17.8 x 25.4 cm), framed. pitching his works locally and then in Chicago. After some successful
Condition: Surface grime, minor craquelure, pigment fluorescence. sales and favorable press, on the encouragement of his brother,
Gollings attended The Chicago Academy of Fine Arts (now the
Provenance: Private collection, New Mexico. School of the Art Institute of Chicago). After his schooling, Gollings
returned to Sheridan, Wyoming, where he continued to work as a
N.B. By Golling’s account, his most vivid childhood memories cowhand, painting intermittently. By 1909, Gollings devoted himself
recalled ranch life, either on his grandmother's farm near St. Johns, to art in earnest, building a studio, marketing his own works, and
Michigan, or his father’s homestead in Lewiston, Idaho.1 Though his attending art exhibits.6
interest in drawing Western subjects had been sparked as a child by
his older brother Oliver, he did not attempt it until junior high when he 1. Scherger, R.H. (Bob), “Paint Bill: Elling W. Gollings, Working Cowboy and Unsung
began to follow the work of Frederick Remington.2 At the age of Artist, Finally Emerges From Some Self-Imposed Shadows,” Montana: The Magazine
of Western History, Volume 15, No. 2, (Spring 1965), Montana Historical Society, pp.
eighteen, along with a friend who also had the “western fever,”
72-75.
Gollings boarded a railcar from Chicago to the Great Plains state of
South Dakota, under an assumed name and misuse of a “drover's 2. Ibid., 76.
pass” (which allowed livestock caretakers to a free return fare).3 3. Ibid.
Gollings and his friend traveled through South Dakota and Nebraska 4. Ibid., 71, 79.
where they worked seasonal jobs as ranch hands, and eventually
5. Ibid.
Gollings settled on his own in Montana, near the Northern Cheyenne
Indian Reservation.4 Gollings began painting in 1903 when he 6. Ibid., 81-84.
acquired some oil paints through the Montgomery Ward & Company $30,000-50,000
411.
Earl Wesley Bascom (American, 1906-1995)
Rodeo’s First Hornless Bronc Saddle

Signed, titled, and dated “...DESIGNED AND MADE BY EARL
W. BASCOM/IN 1922/© 1982 EARL W. BASCOM.” and
numbered “23-100” within the cast on the base.
Bronze, 11 1/2 x 9 3/4 x 7 1/4 in. (29.2 x 24.8 x 18.4 cm),
mounted to a wooden plinth.
N.B. A certificate from John A. Bascom, son and trustee for

the Estate of Earl W. Bascom, accompanies the lot.
$2,000-3,000
411
412.
Tim Solliday (American, b. 1952)
Through the Snow, alternatively titled The Mountainman

Signed “Tim Solliday” l.r., titled, inscribed, and dated “...UOG-
70...1983” on the reverse.
Condition: Good.
N.B. We wish to thank the artist for his assistance with

cataloguing this lot.
$1,000-1,500
412
413
413.
Earl Wesley Bascom (American, 1906-1995)
Five Minutes to Midnight

Signed, numbered, and dated “AMIII... EARL W. BASCOM/© 1982”
in the cast on the base.
Bronze with dark brown patina, approximately 18 x 19 x 9 1/2 in.
(45.7 x 48.3 x 24.1 cm), mounted to a wooden plinth.
N.B. A certificate from John A. Bascom, son and trustee for the
Estate of Earl W. Bascom, accompanies the lot.
$5,000-7,000
414.
Aiden Lassell Ripley (American, 1896-1969)
Timberdoodles
Unsigned, graphite sketch of a hunting scene on the reverse, artist
identified on a label from The Guild of Boston Artists affixed to the
reverse.
Watercolor with graphite on board, sight size 8 3/8 x 6 3/8 in. (21.3 x
16.2 cm), framed.
Condition: Toning, soiling/staining, mild wear to edges.
$1,000-2,000
415.
Aiden Lassell Ripley (American, 1896-1969)
The Hunt
Unsigned, pencil sketch of hunting scene on the reverse, artist
identified on a label from The Guild of Boston Artists affixed to the
reverse.
Watercolor with gouache and graphite on paper, sight size 5 7/8 x 9
3/4 in. (14.9 x 24.8 cm), framed.
Condition: Extremely subtle toning, pinholes, possibly adhered or
hinged to back mat along the top edge.
$2,000-3,000
414
415
416
416. 417.
Aiden Lassell Ripley (American, 1896-1969) Frank Vining Smith (American, 1879-1967)
View with Ruffled Grouse White Tipped Coots, alternatively titled Sea Fowl
Signed and inscribed “Sketch A. Lassell Ripley” on the reverse, Signed “Frank Vining Smith” l.l. and l.r., titled and inscribed “Property
identified on a label affixed to the backing. of/Mildred L. Justice/June 1963” on the reverse.
Gouache, charcoal, and graphite on paper/board, 12 1/8 x 17 1/8 in. Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.
(30.8 x 43.5 cm), framed. Condition: Surface grime, varnish inconsistencies.
Condition: Brown gum taped to window mat, gridded composition.
$1,000-1,500 Provenance: Ex-collection of Mildred L. Justice, Hingham,
Massachusetts.
$5,000-7,000
417
418
418. 419.
Charles Albert Burlingame (American, 1860-1930) Ferenc Olgyai (Hungarian, 1872-1939)
View of a Pond on a Breezy Day Rose Trees by the Lake

Signed and dated “CA Burlingame 02” l.r. Signed “Olgyai F.” l.r., identified on a label on the reverse.
Oil on panel, 16 x 20 in. (40.6 x 50.8 cm), framed. Oil on canvas, 23 3/4 x 21 1/2 in. (60.3 x 54.6 cm), framed.
Condition: Minor skinning, retouch, varnish inconsistencies, signature Condition: Craquelure, subtle canvas deformations, surface grime,
reinforced. alligatoring.
$1,200-1,800 $800-1,200
419
420
420.
Hubert Vos (Dutch/American, 1855-1935)
Wooded Pond
Signed and dated “Hubert/VOS 1913” l.l.
Oil on canvas, sight size 20 7/8 x 28 1/4 in. (53.0 x 72.0 cm), framed.
Condition: Good.
$1,500-2,000
421
421. 422.
Elizabeth Boardman Warren (American, 1886-1980) Wayne Beam Morrell (American, b. 1923)
Lot of Two Landscapes: Landscape with Stream and Beach at Spring Meadows Weathersfield [sic], Conn., alternatively titled
Dusk Marshes in the Spring, 1963
Stream signed and dated “E B Warren 1903” l.l., Beach signed “E.B. Signed and dated “1963 WAYNE MORRELL” l.l., inscribed, titled, and
Warren” l.l. signed “...by Wayne Morrell...” on the backing.
Watercolor and gouache on paper/board, sight sizes to 8 3/4 x 13 Watercolor and pastel on paper, sight size 17 x 23 in. (43.2 x 58.4
1/2 in. (22.2 x 34.3 cm), framed. cm), framed.
Condition: Beach with rippling, toning, foxing, both not examined out Condition: Subtle rippling, not examined out of frame.
of frames.
$1,800-2,200 N.B. A copy of the monograph The Morrell Sketches: Quick...the
Speed of Light is Faster than my Pen! by Wayne and Lisa Morrell,
published by the Wayne Morrell Gallery, Rockport, accompanies the
lot.
$300-500
422
423
423. 424.
Hugh Bolton Jones (American, 1848-1927) Thomas Jefferson Willison (American, 1864-1940)
Landscape with Stream Fields and Stream

Signed “H. BOLTON JONES” l.r. identified on two labels from the Monogram signature “TJWillison” l.l.
Dawson Gallery, Annapolis, Maryland, affixed to the reverse. Oil on board, 6 x 9 1/4 in. (15.2 x 23.4 cm), framed (under glass).
Oil on board, 9 x 14 in. (22.9 x 35.6 cm), framed. Condition: Scattered retouch, mild surface grime.
Condition: Support mounted onto Masonite, retouch (including $300-500
repairs to corners), varnish inconsistencies, surface grime.
$2,500-3,000
424
425
425. 426.
Harold Broadfield Warren (American, 1859-1934) Eric L. (Frederic) Pape (American, 1870-1938)
View of the Homestead in Westminster, Possibly Vermont Lot of Three Views of The Plains, Manchester-by-the-Sea, Home
Signed and dated “H.B. WARREN 1903” l.r. of Eric Pape
Watercolor on paper, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed. Two signed and dated “Eric Pape 1925” and one signed and dated
Condition: Not examined out of frame. “Eric Pape 25” in pencil l.r., each stamped “ESTATE OF Eric Pape
1870-1938” and identified on the backing.
N.B. A handwritten letter dated July 2, 1903, from the artist in Graphite on paper, sight sizes to 17 3/4 x 12 in. (45.1 x 30.5 cm),
Dorset, Vermont, to his cousin Henry, regarding the present work, framed.
accompanies the lot. Condition: Not examined out of frames.
$1,000-1,500 $800-1,200
426 (2 of 3)
427
427.
Attributed to Paul Cornoyer (American, 1864-1923)
Landscape with Sheep by a River

Incised “PAU...” l.l., a plaque from Foster Brothers, Boston, affixed to
the reverse.
Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.
Condition: Surface grime, varnish inconsistencies.
Provenance: Through the family of Mr. and Mrs. Francis J. Oakes,

Jr., Brookline, Massachusetts, by family descent.
$1,000-1,500
428
428. 429.
Carl Gordon Cutler (American, 1873-1945) Carl Gordon Cutler (American, 1873-1945)
Scrub Pines with Boulder Lily Pads

Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on
the backing. the backing.
Watercolor and conté crayon on paper, sight size 16 5/8 x 24 1/2 in. Watercolor and conté crayon on paper, sight size 18 5/8 x 24 in.
(42.2 x 62.2 cm), framed. (47.3 x 61.0 cm), framed.
Condition: Subtle rippling, not examined out of frame. Condition: Subtle rippling, not examined out of frame.
$700-900 $700-900
429
430.
Carl Gordon Cutler (American, 1873-1945)
Dead Pines
Signed “Carl G. Cutler” l.l., titled in a later hand on the backing.
Watercolor and graphite on paper, sight size 20 3/4 x 14 in. (52.7 x
35.6 cm), framed.
$600-800
431.
Carl Gordon Cutler (American, 1873-1945)
Quarry Stones, #2
Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on
backing.
Watercolor and conté crayon on paper, sight size 16 1/2 x 25 in.
(41.9 x 63.5 cm), framed.
$800-1,200
430
431
432
432. 433.
Wayne Beam Morrell (American, b. 1923) Wayne Beam Morrell (American, b. 1923)
Cape Ann Lou-Striffe [sic] Pond The Apple Tree

Signed and dated “-1987 WAYNE MORRELL-” l.r., dedicated, titled, Incised signature “WAYNE MORRELL” l.l.
inscribed, and signed “...Aug. 1987/One of my very finest oils by Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.
Wayne Morrell” on the reverse. Condition: Good.
Oil on Masonite, 30 x 40 in. (76.2 x 101.6 cm), framed. $1,000-1,500
Condition: Pigment fluorescence.
$3,000-5,000
433
434
434. 435.
John Joseph Enneking (American, 1841-1916) Wayne Beam Morrell (American, b. 1923)
The Summer Forest Tital [sic] Marsh Morning Mist, 1972

Signed and dated “Enneking 90” l.r. Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...JUNE
Oil on artist board, 10 x 14 in. (25.4 x 35.6 cm), framed. 1972” on the reverse.
Condition: Minor losses/abrasions to margins. Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed.
Condition: Good.
N.B. The work is registered in the Catalogue Raisonné of John J. $1,800-2,200
Enneking by Patricia Jobe Pierce as number IV-A-255.
$1,500-2,500
435
436
436.
Emile Albert Gruppé (American, 1896-1978)
Rainy Day, Vermont

Signed “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A.
Gruppé” on the stretcher.
Condition: Minor surface grime.
$7,000-9,000
437
437.
Aldro Thompson Hibbard (American, 1886-1972)
Vermont Valley/An Autumn Landscape

Signed “A.T. Hibbard” l.l., inscribed and titled “4X-56...” on the
reverse.
Condition: Minor abrasions and surface grime, craquelure, pigment
fluorescence.
$8,000-12,000
438.
Ludwig Munninger (German, 20th Century)
Sunset on the Lake

Incised signature “L. Munninger” l.l.
Condition: Good.
$1,000-1,500
439.
George Gardner Symons (American, 1863-1930)
View by a Lake
Initialed “G.S.” l.r.
Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.
Condition: Retouch.
$1,500-2,500
438
439
440
440. 441.
Wayne Beam Morrell (American, b. 1923) Stanley Wingate Woodward (American, 1890-1970)
La Haska [sic] Pond, Pa., 1978 Landscape with Barn

Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...Spring Signed “St. Woodward” l.l.
1978” on the reverse, inscribed “Pond in Ipswich, Mass 1979 by Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Wayne Morrell” in a later hand on the backing. Condition: Surface grime.
Oil on artist board, 22 x 30 in. (55.9 x 76.2 cm), framed. $800-1,200
$1,200-1,800
441
442
442.
Thomas R. Curtin (American, 1899-1977)
Autumn Birches
Signed “Thos. R. Curtin” l.r.
$1,000-1,500
443.
Stanislaw Clastrier (French, 19th/20th Century)
Morning Mist
Signed “S. CLASTRIER·” l.r.
$800-1,200
443
443A
443A.
Paul Strisik (American, 1918-1998)
Autumn Mantle
Signed “P. Strisik” l.r., inscribed and titled “...#0-338” and stamped
“PAUL STRISIK/10 MAIN STREET/ROCKPORT, MASS. 01966” and
“REPRODUCTION RIGHTS RESERVED BY THE ARTIST” on the
reverse.
Condition: Good.
$1,000-1,500
444
444.
Eric Sloane (American, 1905-1985)
The Old Covered Bridge in Autumn

Signed “Eric Sloane” l.r.
Oil on Masonite, 24 x 35 3/4 in. (61.0 x 90.8 cm), framed.
Condition: Minor losses/abrasions along margins, surface grime,
pigment fluorescence.
Provenance: From the artist to a member of the Rolls-Royce Owner’s

Club (RROC), Connecticut; by family descent to a private New
England collection.
$10,000-15,000
445
445. 446.
Sydney Richmond Burleigh (American, 1853-1931) Pierre Emmanuel Damoye (French, 1847-1916)
Autumn Landscape Marais à Arleaux

Signed “S. R. Burleigh” l.r., a label from John W. Auty, Providence, Signed, inscribed, and dated “Damoye Paris 93” l.l., identified on
Rhode Island, affixed to the reverse. labels on the reverse.
Watercolor on paper/board, sight size 9 7/8 x 14 1/8 in. (25.0 x 35.9 Oil on canvas, 25 1/2 x 15 3/4 in. (64.8 x 40.0 cm), framed.
cm), framed. Condition: Lined, retouch, craquelure.
Condition: Mild foxing and toning, some subtle fading, not examined $1,200-1,800
out of frame.

$200-250
446
447
447.
Vermont Mountains at Dusk

Signed “A.T. Hibbard” l.r., stamped “REPRODUCTION RIGHTS
RESERVED” on the reverse and inscribed, probably in a later hand,
on the reverse.
Oil on canvas mounted onto board, 17 x 19 3/4 in. (43.2 x 50.2 cm),
framed.
Condition: Mild surface grime.
$6,000-8,000
448
448.
Vermont Valley/A Winter Landscape

Signed “A.T. Hibbard.” l.r., inscribed, titled, and stamped “#9...REPRODUCTION RIGHTS RESERVED” on the
reverse.
N.B. Aldro Hibbard was born in Falmouth, Massachusetts, in 1886, and grew up in Dorchester. A gifted artist, he
discovered his love of painting at an early age. He attended the Massachusetts Normal Art School and then the
School of the Museum of Fine Arts where he studied with Edmund Tarbell, Frank Benson, and Joseph DeCamp, and
was awarded the prestigious Paige Traveling Scholarship (1913-15) for study in Europe. With the onset of World
War I, Hibbard returned to the United States, settling for a time in Provincetown. He relocated to Rockport in 1920,
where he became very active in the art community. He and a group of other artists founded The Rockport Art
Association at a meeting in his studio in 1921. Hibbard was also a Founding Member and Director of the Rockport
Art Association (MA) Summer School of Drawing and Painting (1921-1928). Especially well regarded for his snow
scenes, Hibbard spent a great deal of time Vermont, where he painted out-of-doors throughout the winter.
$12,000-18,000
449
449.
John Fabian Carlson (American, 1874-1945)
Winter... the Wood

Signed “John F. Carlson” l.l., identified on a label from Henry M. Toch
affixed to the reverse.
Oil on canvas mounted onto board, 8 1/4 x 10 1/2 in. (21.0 x 26.7
cm), framed (under glass).
Condition: Supporting board mounted onto Masonite, mild surface
grime.
$2,500-3,500
450
450.
Winter Stream
Signed “A.T. Hibbard” l.l., inscribed “8X26” in marker and with a label
from the A.T. Hibbard Collection, Ledgendsea Gallery, Rockport,
Massachusetts, on the reverse.
Oil on canvas mounted to Masonite, 16 3/4 x 21 in. (42.5 x 53.3 cm),
framed.
Condition: Very minor surface grime.
$5,000-7,000
451
451.
Carroll Leja Nichols (American, b. 1882)
Stream in Winter
Signed “C.L. NICHOLS” l.l.
Condition: Retouch, patch reinforcements.
$3,000-5,000
452
452. 453.
Churchill Ettinger (American, 1903-1984) Frank Townsend Hutchens (American, 1869-1937)
Out of the Chute-Stratton An Ice Bound Brook

Signed “Churchill Ettinger” l.l., titled and with a label from Alice and Signed “Frank T. Hutchens” l.r., titled and inscribed “...Frank
Win Dibble, Shoreham, Vermont, on the backing. Townsend Hutchens/for...Elizabeth” on a label affixed to the stretcher.
Watercolor and graphite on paper, 14 x 20 in. (35.6 x 50.8 cm), Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.
framed. Condition: Surface grime, retouch, lined, craquelure.
Condition: Not examined out of frame. $1,200-1,800
$1,000-1,500
453
454
454. 455.
Robert Shaw Wesson (American, 1902-1967) Paul Starrett Sample (American, 1896-1974)
Winter Village at Tunbridge V.T. Farm in Snow

Signed “Robert Wesson” l.r., titled, signed, and dated “...Robert Signed “PAUL SAMPLE” l.r.
Wesson 51” on the reverse. Watercolor on paper/board, sight size 13 1/8 x 20 1/4 in. (33.3 x 51.4
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. cm), framed.
Condition: Craquelure, varnish inconsistencies, surface grime. Condition: Not examined out of frame.
$1,200-1,800 $2,500-3,500
455
456
456.
Robert Strong Woodward (American, 1885-1957)
Red Farm in Winter, alternatively titled Under the Hill

Signed and dated “Robert Strong Woodward...” l.l., identified on a presentation plaque.
N.B. Robert Strong Woodward was born in Northampton, Massachusetts, and lived in the area of
Shelburne Falls and Buckland, where this landscape was painted. Red Barn in Winter is also known by an
alternate title, Under the Hill. Woodward kept a diary of his artwork and a scrapbook of newspaper and
magazine clippings. He described this painting in his diary, “Painted circa 1925. Winter view of the present
Peltier house (next to the ‘Lightning Splitter’) where the S.F.- -Buckland Road crosses the Clessons River
(about halfway between S.F. and Buckland). Little dark red farm house under a tall slender elm, backed by
the rounded mountain dome and shoulder of the hill back of Leon Goodnow’s. This canvas was bought
from one of my early Boston exhibitions by Miss Eugenia B. Frothingham of Marlboro St. Boston.”1 There is
a second, slightly later version of this painting, whereabouts unknown. Dr. Mark L. Purington, Jr., a lifelong
friend of the artist, created a website in 2002 to catalog, document, and preserve information about the life
and work of Robert Strong Woodward.
1. From the artist’s diary, as transcribed on the Web site http://www.robertstrongwoodward.com/Gallery/u/1u.htm

$4,000-6,000
457
457.
Carl Frederick Gaertner (American, 1898-1952)
October Snow
Signed and dated “CARL GAERTNER/1945” l.r., inscribed “...104...”
and identified on labels, including one from the Ohio Water Color
Society Twenty-second Annual Circuit Exhibition, on the reverse.
Watercolor and gouache on Masonite, sight size 22 x 30 in. (55.9 x
76.2 cm), framed (under glass).
$1,000-1,500
458
458. 459.
Svend Rasmussen Svendsen (Norwegian/American, 1864-1945) Otto Bierhals (American, 1879-1944)
Country Road in Winter Winter View Through the Grove

Signed “SVEND SVENDSEN.” l.r. Signed “OTTO BIERHALS” l.r.
Oil on canvas, 15 3/4 x 20 in. (40.0 x 50.8 cm), framed. Oil on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.
Condition: Surface grime. Condition: Surface grime.
$1,000-1,500 $800-1,200
459
460
460. 461.
Wayne Beam Morrell (American, b. 1923) Bernard Corey (American, 1914-2000)
Vermont Mts. Near Middlebury Vermont, April 6 - 1987 Winter Landscape

Signed “WAYNE MORRELL” l.l., dedicated, titled, signed, dated, and Unsigned, identified on a label from Royka’s Fine Art “From the Estate
inscribed “To Our Good Friends EDITH & HENRY ROCK...by WAYNE of Bernard Corey... This is an original work by Bernard Corey/Certified
MORRELL, 1987, ‘One of my Finer Vermont Snow Scenes’” on the by Paul A. Royka/Paul A. Royka R525“ verso, estate stamps on the
reverse, identified on a label affixed to the reverse. reverse.
Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed. Oil on canvas, 12 x 16 in. (30.4 x 40.5 cm), framed.
Condition: Pigment fluorescence, surface grime. Condition: Good.
$1,200-1,800 $700-900
461
462
462.
Emile Albert Gruppé (American, 1896-1978)
First Snow Vermont

Signed “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A.
Gruppé” on the stretcher.
$7,000-9,000
463
463. 464.
Lawrence Nelson Wilbur (American, 1897-1988) Paul Lauritz (Norwegian/American, 1889-1975)
Rocky Coastal View with Gulls After the Storm, Carmel

Signed “LAWRENCE WILBUR” l.l. Signed “PAUL LAURITZ” l.r., titled on a label on the back of the frame
Oil on canvas, 27 x 36 in. (68.6 x 91.4 cm), framed. and on the stretcher.
Condition: Craquelure, surface grime, pigment fluorescence. Oil on canvas, 26 x 39 in. (66.0 x 99.0 cm), framed.
$1,000-1,500 Condition: Surface grime, craquelure, stain on back of canvas.
N.B. A brochure about the artist is tacked to the back of the frame.
Provenance: Bonhams & Butterfields, San Francisco, December 8,

2004, Lot 242.
$2,000-3,000
464
465
465. 466.
John Whorf (American, 1903-1959) Roger William Curtis (American, 1910-2000)
Rolling Surf on a Rocky Shoal Cape Ann Shore

Signed “John Whorf.” in pen l.r. Signed “Roger Curtis” l.r., identified on a label from North Shore Arts
Watercolor on paper, 14 1/2 x 21 1/4 in. (36.8 x 54.0 cm), framed. Association Silent Auction affixed to the reverse.
Condition: Not examined out of frame. Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.
Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury $800-1,200
within the family.
$3,000-5,000
466
467
467. 468.
Harry A. Neyland (American, 1877-1958) Don Stone (American, b. 1929)
The Lone Gate, Appledore Island, Isles of Shoals, New Rocky Coastal View with Sailboats
Hampshire Signed “Don Stone” l.l.
Signed and dated “Harry Neyland. 07” l.r., titled “the loan [sic] gate...” Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.
on the reverse. Condition: Minor surface grime, subtle varnish inconsistencies.
Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed. $1,000-1,500
Condition: Lined, craquelure.
$3,000-5,000
468
469
469.
Edmund Elisha Case (American, 1844-1919)
Coastal View
Signed “EDMUND E. CASE.” l.r.
Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), in a period frame.
Condition: Retouch.
$4,000-6,000
470
470. 471.
Jay Hall Connaway (American, 1893-1970) Charles Herbert Woodbury (American, 1864-1940)
Rocks and Surf at Monhegan Sea Spray

Signed and dated “Connaway/48” twice l.r., inscribed “Monhegan” l.l., Signed “Charles H. Woodbury” l.r.
identified on labels from The English Gallery, Boston, Doll & Richards, Oil on canvasboard, 8 x 10 in. (20.3 x 25.4 cm), framed.
Inc., Boston, and Vose Galleries of Boston on the backing. Condition: Very minor surface grime.
Tempera and oil on artist board, sight size 15 x 19 1/2 in. (38.1 x $800-1,200
49.5 cm), framed.
$1,000-1,500
471
472
472.
Lillian Mathilde Genth (American, 1876-1953)
River Torrent
Signed “L Genth” l.r., identified on a label from The New Britain
Museum of American Art on the backing.
Oil on canvas, sight size 8 13/16 x 11 3/4 in. (22.3 x 30.0 cm),
framed.
Condition: Good.
Provenance: Mrs. Sanford Low to The New Britain Museum of

American Art, New Britain, Connecticut.
Exhibitions: Lillian Mathilde Genth, 1876-1953, A Retrospective,

Hickory Museum of Art, Hickory, North Carolina, March 17 to May 27,
1990; St. John’s Museum of Art, Wilmington, North Carolina, June 8
to August 26, 1990; Fine Arts Center at Cheekwood, Nashville,
Tennessee, October 21 to December 30, 1990.
$1,800-2,200
473
473. 474.
Yong Mun Sen (Malaysian, 1896-1962) Fred Pye (American, 1882-1964)
View of Fisherman with a Catamaran Calm Sea, Ogunquit

Signed and dated “MUN SEN 52” l.l. Signed and inscribed “FRED PYE, OGUNQUIT, MAINE” in ink l.r.,
Watercolor and graphite on paper, sheet size 10 1/2 x 14 1/2 in. inscribed “FRED PYE, 1931 BROADWAY, STUDIO 607, ...TRAF
(26.7 x 36.8 cm), framed. 7139” in the artist’s hand on the reverse, titled on the artist’s invoice
Condition: Not examined out of frame. affixed to the backing.
$1,000-1,500 Oil on canvas mounted onto board, 12 1/4 x 16 1/4 in. (31.1 x 41.3
cm), in a Newcomb-Macklin frame (under glass).
Condition: Scattered retouch, mild surface grime, not examined out
of frame.
$1,200-1,800
474
475
475. 476.
Henry Curtis Ahl (American, 1905-1996) Yong Mun Sen (Malaysian, 1896-1962)
Rocky Coastal Surf Sailing Vessels on the Beach

Signed “Ahl” l.r. Signed and dated “MUN SEN 1952” l.l.
Oil on canvas, 7 1/8 x 10 in. (18.1 x 25.4 cm), framed. Watercolor and graphite on paper, sight size 10 1/2 x 14 1/2 in. (26.7
Condition: Surface grime, retouch. x 36.8 cm), framed.
$1,000-1,500 Condition: Not examined out of frame.
$1,000-1,500
476
477
477. 478.
John Whorf (American, 1903-1959) Carlos Vierra (American, 1876-1937)
Hurricane View of the Clipper Ship Shenandoah Assisted by the Kitty

Signed “John Whorf” l.r., indistinctly inscribed in pencil l.l., inscribed Murphy
and titled “13...” verso. Signed “Carlos Vierra” l.l.
Watercolor with gouache on paper, sight size 14 1/2 x 21 1/2 in. Oil (en grisaille) on canvas mounted to panel, 19 1/2 x 27 1/4 in.
(36.8 x 54.6 cm), framed. (49.5 x 69.2 cm), framed.
Condition: Subtle rippling, mild toning, pinholes to corners. Condition: Tack holes to corners and tacks to margins, surface
$4,000-6,000 grime, minor abrasions to tacking margin, craquelure.
$2,000-2,500
478
479
479. 480.
John Whorf (American, 1903-1959) Vladimir Pavlosky (American, 1884-1944)
A Mackerel Smack Boats at Rest

Signed “John Whorf.” l.r., identified on a label from Grace Horne Signed “V. Pavlosky” l.l., identified on a label from Doll & Richards,
Galleries, Boston, affixed to the backing. Inc., Boston, on the reverse.
Watercolor on paper, sight size 15 x 21 1/4 in. (38.1 x 54.0 cm), Watercolor and graphite on paper, sight size 14 1/2 x 20 1/4 in. (36.8
framed. x 51.4 cm), framed.
Condition: Not examined out of frame. Condition: Not examined out of frame.
$800-1,200
within the family.
$5,000-7,000
480
481
481. 482.
Ernest Lee Major (American, 1864-1950) Julian Walbridge Rix (American, 1850-1903)
A Breezy Day On the Path to the Water

Signed “Ernest L. Major.” l.l. Signed “Julian Rix” l.r.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed. Oil on board, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), framed.
Condition: Small tears, surface grime, losses, flaking. Condition: Highly varnished, retouch, surface grime, bowing to
$1,000-1,500 board.
$2,500-3,500
482
483
483. 484.
Kate Leah Cotharin (American, b. 1866) Margaret Baker (American, b. 1899)
Day at the Beach Wharf Road

Unsigned, identified on the backing. Monogram signature “MBaker” in ink l.r., identified on a label affixed
Pastel on paper/board, sheet size 4 1/2 x 10 1/2 in. (11.4 x 26.7 cm), to the reverse.
framed. Oil on artist board, 10 x 10 1/4 in. (25.4 x 26.0 cm), framed.
Condition: Surface imperfections. Condition: Craquelure.
$500-700 $1,200-1,800
484
485
485. 486.
Don Stone (American, b. 1929) Otis Pierce Cook, Jr. (American, 1900-1980)
From Wharf Hill, Monhegan Island, Me. Motif #1

Signed “Don Stone-” l.l., titled and inscribed “...by Don Stone Signed “Otis Cook” l.l., identified on an invoice from the artist dated
A.N.A./A.W.S./All reproduction rights reserved by the artist” on the 1975 affixed to the reverse.
reverse. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.
Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed. Condition: Good.
Condition: Good. $2,000-3,000
$1,000-1,500
486
487
487.
Harry Aiken Vincent (American, 1864-1931)
Harbor View, Probably Cape Ann

Signed “H.A. VINCENT” l.r.
$6,000-8,000
488
488. 489.
Wayne Beam Morrell (American, b. 1923) Florence Leif (American, 1913-1968)
Rockport Cove Sailboats, alternatively titled Off a Rockport Ma. Still Life with Shells
Cove, 2008 Signed and dated “F. Leif ‘53” l.r.
Signed “WAYNE MORRELL” l.l., titled and signed “...by Wayne Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.
Morrell...” on the backing. Condition: Mild surface grime.
Oil and graphite on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed. $1,200-1,800
Condition: Good.
$1,000-1,500
489
490
490.
Wayne Beam Morrell (American, b. 1923)
A Rockport Beach, alternatively titled A Rockport Low-Tide Beach

Signed “WAYNE MORRELL” l.l., titled in the artist’s hand on the
backing.
Oil and graphite on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed.
Condition: Subtle bowing.
$1,000-1,500
491
491.
Robert Strong Woodward (American, 1885-1957)
The Farm Yard, North Hadley

Signed “Robert Strong Woodward” in pencil l.l., titled l.r., identified on
a label affixed to the backing.
Pastel and conté crayon on paper, sight size 22 1/2 x 29 1/2 in. (57.2
x 74.9 cm), framed.
$1,000-1,500
492.
Stacy Tolman (American, 1860-1935)
Yard View, Purportedly Providence, Rhode Island

Signed “Stacy Tolman” l.r.
Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), unframed.
Condition: Craquelure, lined, subtle skinning.

$1,000-1,500
492
493
493.
Samuel Peter Rolt Triscott (American, 1846-1925)
Fishing Shacks, Probably Monhegan, Maine

Signed “S.P. Rolt Triscott” l.l.
Watercolor and graphite on paper, sight size 15 x 21 in. (38.1 x 53.3
cm), framed.
Condition: Foxing, not examined out of frame.
$1,000-1,500
494
494. 495.
Henry Martin Gasser (American, 1909-1981) Marshall Woodside Joyce (American, 1912-1998)
View from the Quarry House (Rockport) Motif #1/A Rockport Harbor View
Signed “HGASSER/” in pencil l.r., titled and signed “...HENRY Signed and dated “MARSHALL W. JOYCE 78” in pen l.r.
GASSER/NA.” on the backing. Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.
Watercolor, ink, and graphite on paper, sight size 8 3/4 x 11 1/4 in. Condition: Surface grime.
(22.2 x 28.6 cm), framed. $800-1,200
$500-700
495
496
496. 497.
William Lester Stevens (American, 1888-1969) Wayne Beam Morrell (American, b. 1923)
Harbor at Vinalhaven, Maine View of a Dory on the Beach

Signed “W. LESTER STEVENS, N.A.” l.l., titled on the reverse. Signed “WAYNE MORRELL” l.l.
Watercolor and graphite on paper, sheet size 15 x 22 in. (38.1 x 55.9 Oil on Masonite, 20 1/2 x 26 1/2 in. (52.1 x 67.3 cm), framed.
cm), unframed. Condition: Good.
Condition: Handling creases, tape residue on the reverse, cloth tape $1,000-1,500
hinged to backing mat, toning, surface abrasions.
$1,000-1,500
497
498
498. 499.
Will Low Bacher (American, 1898-1982) Lionel S. Reiss (American, 1894-1988)
New Paltz S.T.C. Pigeon Cove Harbor

Signed “Will Low Bacher” l.r., titled on the stretcher. Signed “Lionel S. Reiss” in pen l.l., identified on a label affixed to the
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. backing.
Condition: Surface grime. Watercolor and graphite on paper, sight size 18 1/4 x 23 1/4 in. (46.4
$1,000-1,500 x 59.1 cm), framed.
$1,000-1,500
499
500
500. 500A.
Hazel (Mrs. William C.) Finck (American, 1894-1977) Lee M. Loeb (American, 20th Century)
Harbor View, Possibly Wellfleet, Massachusetts Rockport Harbor

Signed “FiNCK” l.r. Signed “LEE LOEB” l.r., identified on a label from the Salmagundi
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Club Fall 1966 Auction Sale and Exhibition affixed to the reverse.
Condition: Craquelure, surface grime. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.
$1,000-1,500 Condition: Surface grime, retouch.
$1,000-1,500
500A
501.
Laurence Philip Sisson (American, b. 1928)
Lot of Two Harbor Views: Low Moon and Moon Fog

Both signed “L. Sisson” l.l., both titled and numbered verso.
Watercolor on paper, sheet sizes to 22 5/8 x 30 5/8 in. (57.5 x 77.8
cm), unframed.
Condition: Minor tack holes in corners or along one margin.
$1,000-1,500
502.
Lot of Two Coastal Views: Seining and Fiddleheads and

Fiddlehead Sun
Both signed “L. Sisson” l.r., both titled and numbered verso.
Watercolor on paper, sheet sizes to 30 1/4 x 22 1/2 in. (76.8 x 57.2
cm), unframed.
Condition: Tack holes along edges.
$1,200-1,800
501
502
503
503. 504.
John Cuthbert Hare (American, 1908-1978) Laurence Philip Sisson (American, b. 1928)
New Harbor, Maine Lot of Two Shore Views: Dance with Purple Moon and The Inlet
Signed “John Hare” l.r., titled and inscribed “...John Hare paid July Both signed "L. Sisson" l.l., one signed "L Sisson" c.r., both titled and
1965...” on the stretcher. numbered verso.
Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed. Watercolor on paper, sheet sizes to 30 3/4 x 22 5/8 in. (78.2 x 57.5
Condition: Surface grime, craquelure. cm), unframed.
$1,500-2,000 Condition: Tack holes in corners or along edges, two small tears (to
3/4 inch) l.c. along edge in The Inlet.
$1,200-1,800
504
505
505. 506.
Attributed to Arthur Franklyn Musgrave (American, 1878-1969) Continental School, 20th Century
Coastal Cliffs View of the French Riviera

Unsigned. Signed indistinctly l.r., with a label from Haley and Steele, Boston, on
Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed. the reverse.
Condition: Abrasion with loss in u.r. quadrant, scattered craquelure, Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.
surface grime. Condition: Subtle canvas deformations.
$1,500-2,000 $3,000-5,000
506
507
507.
Maxime Maufra (French, 1863-1918)
Marine par temps de pluie

Signed and dated “Maufra 94.” l.r., identified on a presentation plaque
and on labels from Durand-Ruel, Paris & New York, on the reverse,
also with a label from Doll & Richards, Boston, affixed to the frame.
$8,000-12,000
508
508.
Eastern European School, 20th Century
Summer Landscape with Poppies

Unsigned, stamped “...ZETI GALERIA/BUDAVARI PALOTA/...D
épület...,” probably from the Magyar Nemzeti Galéria [Hungarian
National Gallery], on the stretcher bar.
Condition: Lined, retouch, restored tear, craquelure, surface grime.
$1,500-2,000
509.
Yarnall Abbott (American, 1870-1938)
View of a Sun-dappled Road

Signed and dated “Yarnall Abbott 1...” l.r.
$800-1,200
510.
Attributed to Dawson Dawson-Watson (British/American, 1864-
1939)
Giverny Field
Unsigned, stamped “Toiles et Couleurs F.../L.AUBE.../Rue Brea...” on
the reverse.
Condition: Strip lined, retouch, surface grime.
$2,000-3,000
509
510
511
511. 512.
Frank Cohen Kirk (American, 1889-1963) Stanley Huber Wood (American, 1894-1949)
Desert Hot Springs/A Southern California Landscape View of a Village in Taxco, Mexico
Signed “F.C. KIRK” l.l., titled and inscribed “...Mrs. Kirk” on the Signed, dated, and inscribed “Stanley Wood/38/TAXCO- 723” l.l.
reverse. Watercolor and graphite on paper, sight size 14 1/4 x 20 in. (36.2 x
Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed. 50.8 cm), framed.
Condition: Surface grime, craquelure, tack holes. Condition: Not examined out of frame.
$500-700 $800-1,200
512
513
513.
Samuel Colman (American, 1832-1920)
Distant Town, Possibly a View of Mexico

Signed and dated “Sam. Colman 08” l.r.
Condition: Toning, pale staining/foxing, pinholes along edges, taped
along edge verso to window mat.
$1,500-2,000
514
514. 515.
Attributed to Hezekiah Anthony Dyer (American, 1872-1943) Raymond Quence (French/American, b. 1932)
View with a Woman on a Path by a Country House A Paimpol

Unsigned, with a label from Tilden-Thurber Co. Art Gallery, Signed “Quence” l.l., with a label from Wally Findlay Galleries affixed
Providence, Rhode Island, on the backing. to the backing.
Gouache on paper/board, sight size 6 1/2 x 9 1/4 in. (16.5 x 23.5 Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.
cm), framed. Condition: Good.
Condition: Toning.
N.B. A guarantee from Wally Findlay Galleries, Inc. identifiying the
Provenance: Estate of N. David Scotti, Providence, Rhode Island. present work accompanies the lot.
$300-500 $1,000-1,500
515
516
516. 517.
Louis Gustave Cambier (Belgian, 1874-1949) Wayne Beam Morrell (American, b. 1923)
Country Landscape Apple Orchards Near Giverny, France, 1988

Signed and dated “Cambier 1930” l.r., canvas stamped “Louis G. Signed “WAYNE MORRELL” l.l., titled, inscribed, and signed “(Near
CAMBIER....BRUXELLES” on the reverse, identified on a label on the Monet’s Garden)... Spring-...by Wayne Morrell” on the reverse.
back of the frame. Oil on Masonite, 10 x 14 in. (25.4 x 35.6 cm), framed.
Oil on canvas, 19 1/2 x 23 1/2 in. (50.0 x 49.5 cm), framed. Condition: Good.
Condition: Old repairs, paint loss, craquelure, surface grime. $1,000-1,500
$2,000-3,000
517
518.
Roger Casse (French, 1880-1944)
Jardin du Luxembourg
Signed and dated “Roger Casse 1911” l.r., identified on a label
on the reverse.
Condition: Craquelure, minor abrasions, retouch, surface grime.
$1,000-1,500
519.
Vladimir Lazarev (Russian/American, b. 1904)
Parisian Street View, Probably Le Boulevard des Capucines

Signed “V. LAZAREV.” l.l.
Condition: Craquelure, subtle surface grime.
$800-1,200
518
519
520
520. 521.
François Gall (French, 1912-1987) Andre Hambourg (French, 1905-1999)
Le Pont St. Michel a Paris Les Petits Anes de Champs Elysee or Les Petits Anes sur le
Signed “F. Gall” l.r., titled and signed “...F. GALL” with stamps from Champs Elysee, Paris
Carel Gallery, Miami Beach, Florida, on the reverse, identified on a Signed “a. hambourg” l.r., titled l.l., inscribed and titled “a. hambourg
presentation plaque. 39 rue Boissonade Paris XIV...7777...,” probably in the artist’s hand,
Oil on canvas, 21 1/4 x 25 1/2 in. (53.9 x 64.8 cm), framed. on the backing, a label from Karnig Gallery, New York, affixed to the
Condition: Minor surface grime. reverse.
$1,000-2,000 Ink and gouache on paper, sight size 17 5/8 x 23 3/4 in. (44.7 x 60.3
cm), framed.
Condition: Rippling, toning, not examined out of frame.
$4,000-6,000
521
522 (2)
522. 523.
French School, 20th Century Marcel Mettenhoven (French, 1891-1979)
Lot of Two Views of the Canal de la Giudecca, Venice Les Régates de l’Ile aux Moines
Signed “Maurice B...z” l.l., inscribed “Venise” l.r., titled on labels on Signed, titled, and dated “...Marcel Mettenhoven- 1910.” l.l.
the reverse. Gouache on laid paper, 21 x 15 in. (53.3 x 38.1 cm), framed.
Oil on panel, 10 1/4 x 13 1/2 in. (26.0 x 34.3 cm), framed. Condition: Not examined out of frame.
Condition: Partial split to panel, surface grime, craquelure. $700-900
$1,000-1,500
523
524
524.
William Lee-Hankey (British, 1869-1950)
View of Sailboats by a Rampart

Signed “W LEE-HANKEY.” l.l.
$5,000-7,000
525.
Maurice Grün (French, 1869-1947)
Quai de la Gare, Paris

Signed “M. Grün” l.l., titled on the stretcher and with stamps from
Carel Gallery, Miami Beach, Florida, on the reverse, identified on a
presentation plaque on the backing.
$1,500-2,500
526.
Hope Smith (American, b. 1879)
Lot of Four Genre Scene Sketches

All unsigned, artist identified on a label affixed to the reverse of each.
Two oil on panel, two oil on canvasboard, approximate sizes to 5 1/2
x 7 1/8 in. (14.0 x 18.2 cm), unframed.
Condition: One with pigment fluorescence, surface grime, mild wear
to edges.

$200-250
525
526
527
527.
Reginald Marsh (American, 1898-1954)
Hoboken Pier
Signed, dated, and inscribed “REGINALD MARSH ‘37/HOBOKEN
PIER” in pen l.r.
Watercolor and graphite on paper, sheet size 11 1/2 x 15 5/16 in.
(29.2 x 38.9 cm), framed.
Condition: Laid down to mat board, tape residue to margins.
N.B. Correspondence from Dr. Norman Sasowsky accompanies the

lot.
$7,000-9,000
528
528. 529.
Jean Lareuse (French, b. 1925) Alfred Conway Peyton (American, 1875-1936)
Au Paddock The Thoroughbred

Signed and dated “Jean Lareuse 73” l.r., identified on a presentation Signed “A Conway Peyton” l.r.
plaque, titled and inscribed “J. LAREUSE...,” with a label from Findlay Gouache, watercolor, and graphite on paper, sight size 14 x 19 1/4
Galleries, Paris, on the reverse. in. (35.6 x 48.9 cm), framed.
Oil on canvas, 14 x 16 in. (35.6 x 40.6 cm), framed. Condition: Not examined out of frame.
Condition: Minor surface grime. $800-1,200
$300-500
529
530
530.
Jean Lareuse (French, b. 1925)
Equitation
Signed “Jean Lareuse” l.r., identified on a presentation plaque,
inscribed and titled “...J. laReuse...,” with a label from Wally Findlay
Galleries International, on the reverse.
$300-500
531 532
531. 532.
Nikolay Evgenyevich Lansere (Russian, 1879-1942) Continental School, 20th Century
Bell Tower of the Church of Vasiliy the Blessed in Moscow Balinese Scene
Signed, dated, and inscribed “N. Lansere/1906/Moscow” in pen and Unsigned.
“Bell tower of Vas. the Bl./June 11, 1906” in pencil, both in Cyrillic l.r., Oil on canvas mounted to Masonite, 22 x 17 1/2 in. (55.9 x 44.4 cm),
titled and inscribed “...Property of the author, E.K. Lansere...Nicholas framed.
Lanceray/Old Church at Moscow.” in Cyrillic and Roman alphabet on Condition: Minor surface grime.
the reverse. $600-800
Watercolor and graphite on paper/board, 17 3/4 x 12 1/8 in. (45.1 x
30.8 cm), framed.
Condition: Toning, acid burn.
$1,000-2,000
533
533.
Jane Peterson (American, 1876-1965)
Market Scene
Signed “JANE PETERSON” l.l.
Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed (under glass).
Condition: Possible pentimento l.l. (in area of signature), varnish
inconsistencies, scattered craquelure, soiling/surface grime.
$5,000-7,000
534
534.
Cleaning the Shop Windows/A Street Scene

Signed “S. R. Burleigh” l.r., indistinctly inscribed “George...Apl 2...” l.l.,
inscribed “1902” on the reverse, partial gallery label affixed to the
frame.
Watercolor, gouache, and charcoal on paper mounted to board, 7 x
10 1/4 in. (17.8 x 26.0 cm), framed.
Condition: Subtle fading.

$300-500
535.
Angela O’Leary (American, 1879-1921)
Lot of Three Homestead Views

Signed “Angela O’Leary” in pencil l.l. or l.r., one titled or inscribed “A
Winters Day” in pencil on the reverse.
Watercolor on paper, sight sizes to 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm),
framed.

$400-600
535
536
536.
Mabel May Woodward (American, 1877-1945)
The Marketplace
Signed “M.M. Woodward” l.r.
Oil on artist board, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), framed.
Condition: Sandwiched between beveled mat and backing foamcore.

$1,500-2,500
537
537.
Kenneth Frazier (French/American, 1867-1949)
Winter Dreams
Unsigned, inscribed “Kenneth Frazier...” in pen and with partial labels
on the backing.
Condition: Lined, cut down, scattered retouch, craquelure.
$4,000-6,000
538.
Daniel Chester French (American, 1850-1931)
Portrait Bust of a Woman

Initialed “D.C.F” within the cast l.r.
Bronze with green patina, approximately 8 x 3 1/2 in. (20.3 x 8.9 cm).
Provenance: Gift from the artist’s daughter; Margaret French Cresson

(1889-1973) to Dr. and Mrs. D.J. MacPherson, Brookline,
Massachusetts; private New England collection.
$500-700
538
539
539.
George Henry (Scottish, 1858-1943)
Portrait of an Elegant Woman

Signed and dated “GEORGE HENRY 1901” l.r.
Condition: Retouch, varnish inconsistencies, losses to tacking margin, restretched, craquelure.
N.B. George Henry was born in Irvine (North Ayrshire), Scotland, in 1858. He trained at the Glasgow School of Art, and studied life
drawing with William MacGregor, one of the “Glasgow Boys,” a circle of painters with whom Henry would soon join. Working at
roughly the same time as the architect and designer, Charles Rennie Mackintosh, the “Glasgow Boys” revolutionized Scottish
painting from 1880 to about 1895, rebelling against Victorian sentimentality and painting everyday subjects in a fresh, new way,
often working outdoors. Henry’s painting, A Galloway Landscape (1889), now in the collection of the Kelvington Art Gallery and
Museum in Glasgow, has been described as “the nearest to a masterpiece ever painted by any of the Glasgow Boys.”1 While Henry
is known primarily as a landscape painter, he was also an able portraitist and figure painter. Using deft brushwork, he excelled at
creating rich surfaces and sparkling highlights. Henry shared a studio with Edward A. Hornel and together the artists traveled to
Japan, staying 18 months in 1893-94. Many of Henry’s works were unfortunately destroyed on the voyage back to Britain, but the
experience of visiting Japan provided a font for future paintings created in Scotland.
Henry was an associate member of the Royal Scottish Academy. He was elected an associate of the Royal Academy (London) in
1907, and a full member in 1920. He also exhibited with the Royal Scottish Painters of Watercolours in Scotland, the Aberdeen
Artists’ Society, the Royal Society of British Artists, the Royal Institute of Oil Painters, and at the Royal Glasgow Institute of Fine Arts.
1. www.artistsfootsteps.co.uk/artists_a_z.asp
$20,000-30,000
540.
Wilton Robert Lockwood (American, 1861-1914)
The Lady in White

Unsigned, identified on labels including one from the Museum of Fine
Arts, Boston, on the reverse.
Condition: Lined, craquelure.
Provenance: Ex-collection of artist Charles Hovey Pepper.

$5,000-7,000
540
541.
Philip Leslie Hale (American, 1865-1931)
Fashionable Woman
Signed “Philip L Hale” in pencil l.r., dated “1921” in pencil l.r.,
identified on a presentation plaque, with labels from Pierce Galleries,
Inc., Hingham, Massachusetts, affixed to the reverse.
Graphite, colored pencil, and chalk on paper, sight size 17 x 13 in.
(43.2 x 33.0 cm), framed.
Condition: Toning, foxing, not examined out of frame.
Literature: Paintings and Drawings by Philip Leslie Hale, 1865-1931:

from the Folts Collection at the Vose Galleries of Boston..., Vose
Galleries of Boston, November 1 to December 2, 1966, no. 51 (illus.).
$1,000-2,000
541
542.
Clement Rollins Grant (American, 1848-1893)
Portrait of a Young Woman in Profile

Signed “C.R. Grant.” l.l., with a label from Goupil’s, New
York, on the backing.
Watercolor on paper, sight size 7 3/4 x 7 in. (19.7 x 17.8
cm), framed.
$800-1,000
542
543.
Claudio Castelucho (American, 1870-1927)
Portrait of a Seated Woman

Signed “C. Castelucho” l.r., also identified on a label on the
reverse.
Condition: Craquelure, surface grime, losses/abrasions
along frame liner, weak tacking edges, subtle canvas
deformations, minor losses, retouch, subtle bloom.
$4,000-6,000
543
544.
Edward Chalmers Leavitt (American, 1842-1904)
Yellow Roses à Plein Air

Signed and dated “E. C. Leavitt. 1886.” l.l., with a label from
Charles G. Calder, Providence, Rhode Island, on the stretcher.
Oil on canvas, circular format, 10 in. diameter (25.4 cm),
framed.
Condition: Retouch, surface grime, craquelure.
$900-1,200
544
545.
Attributed to Karl Storch (German, 1864-1954)
Interior
Signed or inscribed and dated “K Storch 1914” l.r., inscribed,
possibly in a later hand, on the reverse.
Oil on panel mounted onto a supporting panel, 24 5/8 x 19 1/2
in. (62.5 x 49.5 cm), framed.
Condition: Retouch (including reinforced signature), varnish
inconsistencies, small splits to panel, surface grime.
$1,500-2,000
545
546
546.
Laura Coombs Hills (American, 1859-1952)
Yellow Zinnias and Larkspur

Signed “Laura Hills” in pencil u.l., identified on a label from Doll & Richards, Boston, on the reverse.
Pastel on paper/board, sight size 17 1/2 x 13 1/2 in. (44.5 x 34.3 cm), in original black frame.
Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then
by descent within the family.
N.B. Laura Coombs Hills’ favored mediums were watercolor and pastel. Born in Newburyport, Massachusetts, in 1859, Hills
studied at the Art Students League and later established her studio in Boston. Her first solo exhibition featured 16 pastels at
the J. Eastman Chase Gallery in Boston in 1889. After visiting England in 1893, Hills became fascinated with miniature painting
on ivory, which was enjoying a renaissance during the Arts & Crafts movement. Always gifted at working in tiny scale, Hills
entered a successful period of painting miniature portraits on commission that would last almost 30 years. She returned her
focus to rendering flowers in pastel after 1920. Using bouquets picked from the garden of her summer home in Newburyport,
Hills painted floral still life arrangements set against textured backdrops based on scarves and fabrics she had collected on her
travels. These works earned for her the critical distinction of Boston’s leading pastelist of the early 20th century.
Literature: Laura Coombs Hills, A Retrospective, Historical Society of Old Newbury, 1996, with essays by Erica E. Hirshler,
Sandra B. Lapore, and Martha D. Hamilton.
$6,000-8,000
547.
Elmer Wesley Greene (American, 1907-1964)
Portrait of Sara Athrop Thayer of Dedham, Massachusetts

Signed “ELMER W. GREENE” l.r.
Oil on canvas, 12 x 10 in. (30.5 x 25.4 cm), framed (under glass).
Condition: Minor abrasions and surface grime.
Provenance: Gift from the sitter to the family of the present owner.
N.B. The depicted pair of gemstone chandelier drop earrings

$1,500-2,000
547
548.
George Frederick Kaber (American, 1860-c. 1951)
Portrait of Nellie Robie Kaber, the Artist’s Wife, in Elegant Dress

Signed “G.F. Kaber” l.r., inscribed “Christmas 1933” on the reverse.
Condition: Losses/abrasions, surface grime, water staining to the
reverse, craquelure.
Provenance: By family descent to the grandson of the artist.

$400-600
548
549
549.
Albert Braitou-Sala (French, 1885-1972)
Standing Portrait of Young Woman with Red Shoes

Signed, inscribed, and dated “Braitou-Sala/Paris 1926” l.r., inscribed
“Braitou Sala” in pen on a partial label from Ch. Pottier, Paris, on the
stretcher.
Condition: Patch reinforcement, retouch, craquelure, surface grime.
$2,500-3,500
550
550. 551.
Frank Convers Mathewson (American, 1862-1941) Lynn Nelsen Aylsworth (American, 20th/21st Century)
The Parakeet, 1928 Still Life with Vase and Teapot

Signed “F.C. Mathewson.” l.r., identified on labels including one from Signed “Lynn Nelson Aylsworth” in pen l.l.
the Providence Art Club, on the reverse. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.
Oil on artist board, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm), framed (under Condition: Good.
glass). $1,000-1,500
Condition: Craquelure, subtle bowing to board.
N.B. A photograph of the artist and a letter concerning the artist

accompany the lot.
$400-600
551
552
552.
Frank Cohen Kirk (American, 1889-1963)
Still Life with Jar

Signed “F. C. KIRK.” l.r.
Condition: Good.
$2,000-2,500
553
553. 554.
Marguerite Stuber Pearson (American, 1898-1978) Mae Bennett Brown (American, 1887-1973)
Lilies Bouquet of Pink Roses

Signed “M S PEARSON” l.l. Signed “M. BENNETT BROWN” l.r.
Oil on canvasboard, 20 x 16 in. (50.8 x 40.6 cm), framed. Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Retouch (including signature), varnish inconsistencies, Condition: Surface grime.
rubs/losses at edges, surface grime. $800-1,200
$1,200-1,800
554
555
555.
Eric L. (Frederic) Pape (American, 1870-1938)
Portrait of a Clown
Signed and dated “Eric Pape/1930” l.r., estate stamped on the paper
backing.
Oil on canvas mounted to mat board, 20 1/8 x 16 in. (51.1 x 40.6
cm), framed.
Condition: Minor abrasion u.r., wear at corners, surface grime.
Provenance: Sharon Boccelli and Co., March 12, 1995, Lot 198.
$2,500-3,000
556
556.
Adelaide Cole Chase (American, 1868-1944)
Portrait of a Young Girl Seated with a Book

Signed “Adelaide Chase” u.l.
Condition: Paint and canvas losses/abrasions to the tacking edge,
craquelure, subtle canvas deformations.
$4,000-6,000
557.
Sarah De St. Prix Wyman Whitman (American, 1842-1904)
Portrait of a Young Girl with a Doll

Signed and dated “SW WHITMAN MDCCCLXXXIII [1883]” u.l., with a
label from J. Eastman Chase, Boston, on the reverse.
Condition: Patch reinforcement, losses, retouch, surface grime.
Provenance: Private Massachusetts collection.

$3,000-5,000
557
558.
Marie Louise Chapin (American, 1843-1898)
Portrait of a Young Girl with a Muff

Signed “Marie Louise Chapin.” l.c., inscribed “N.H.G. Temple” on the
reverse.
Condition: Minor surface grime, retouch.

$400-600
558
559
559.
Cecilia Beaux (American, 1855-1942)
Portrait of Joseph B. Thomas IV as an Infant, 1917

Dedicated and initialed “To Joseph Thomas and/his
mother/from...C.B.” l.l.
Charcoal on paper/board, 17 5/8 x 12 3/4 in. (44.8 x 32.4 cm),
framed.
Condition: Staining, foxing, toning.
Provenance: Through the estate of Joseph B. Thomas IV, Bar

Harbor, Maine.
$3,000-5,000
560
560.
Francesca with a Kitten, 1897

Monogram signature “CB” l.l.
Charcoal on paper, sheet size 14 5/8 x 9 1/4 in. (37.2 x 23.5 cm), framed.
Condition: Mended tears to the corners, cloth tape hinged to backing mat recto, unobtrusive toning and acid
burn.
N.B. Francesca Gilder Palmer was the daughter of Richard Watson Gilder, an editor of The Century Magazine,
as well as a friend and patron of Beaux. Francesca is perhaps best known by her portrait with her older sister
Dorothea in The Dancing Lesson, 1898, held in The Art Institute of Chicago permanent collection.
Provenance: By descent through the family of the sitter.
Literature: Tara Leigh Tappert, Cecilia Beaux and the Art of Portraiture, Washington, D.C.: Smithsonian
Institution Press, 1995, pp. 50-51 (illus. pl. 22).
Exhibitions: Cecilia Beaux and the Art of Portraiture, The National Portrait Gallery, Smithsonian Institution,
October 6, 1995 to January 28, 1996, exh. no. 69.
$10,000-15,000
561 562
561. 562.
Charles Allen Winter (American, 1869-1942) Charles Constantine Hoffbauer (American, 1875-1957)
Allegory of Victory over Struggle Christmas Eve, 1914

Monogram signature “CAW” l.l. Unsigned, inscribed “plus a...” in pencil l.r., identified on a label from
Oil, graphite, and ink on canvasboard, 22 1/2 x 15 3/4 in. (57.2 x Exeter Art Gallery, Marblehead, Massachusetts, affixed to the
40.0 cm), framed. backing.
Condition: Surface grime, minor abrasions, trimmed board, varnish Gouache and graphite on paper, sight size 11 7/8 x 8 7/8 in. (30.2 x
inconsistencies. 22.5 cm), framed.
$800-1,200 Condition: Not examined out of frame.
Provenance: Ex-collection of Mrs. George T. Metcalf; Estate of N.

David Scotti, Providence, Rhode Island.
N.B. An exhibition pamphlet, Charles Hoffbauer: 1875-1957, August

29 to September 26, 1964, Exeter Art Gallery, Marblehead,
$300-500
563
563.
Portrait of Joseph B. Thomas III

Signed and dedicated “To my friend/J.B. Thomas/Cecilia Beaux” l.l.
Charcoal on paper, sight size 21 x 13 1/2 in. (53.3 x 34.3 cm), framed.
Condition: Toning.
N.B. Cecilia Beaux was one of the most admired portrait painters of the turn of the 20th century.
Educated in Philadelphia and in Paris, she was the first full-time female instructor at the Pennsylvania
Academy of Fine Art. She had a very active career and was among the celebrated members of the
national and international artistic community of her time.1 In a letter from Cecilia Beaux that
accompanies this lot (dated Feb. 1914 and written on stationery bearing the address 20 Gramercy
Park), the artist addressed the sitter as “Dear Neighbor.” She wrote that she had signed the drawing
and left it for him to find when he got back. Beaux goes on to say that she may “…sometime bother
you to lend me the drawing to appease the Exhibition Wolf, which is always growling about my door…”
The artist compared the sitter to “the daring son of the Captain of the Bucentaure,” (the French flagship
at the Battle of Trafalgar). The letter is signed, “Your long-winded but true friend and neighbor, C.B.”
1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. I, p. 252.
$2,000-2,500
564.
Amleto Cataldi (Italian, 1882-1930)
Portrait of a Female Nude with Trident

Signed “A. CATALDI.” within the cast on the reverse.
Bronze with dark brown patina, approximately 44 1/2 x 13 x 13 in.
(113.0 x 33.0 x 33.0 cm).
Condition: Minor surface abrasions.
$3,000-5,000
564
565.
Charles Allen Winter (American, 1869-1942)
The Making of a Potion

Monogram signature “CAW” l.r.
Oil on canvasboard, 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm), framed.
Condition: Surface grime, punctures, abrasions, trimmed board,
varnish inconsistencies.
$600-800
565
566
566.
Mariano Alonso Pérez (Spanish, 1857-1930)
Allegorical View of a Bastille Day Parade

Signed “Alonso-PEREZ” l.l., inscribed “A450” on the reverse.
Oil on canvas, 40 1/8 x 30 in. (101.9 x 76.2 cm), unframed.

$8,000-12,000
567
567.
Vladimir Rozmainski (Russian, 1885-1943)
The Masquerade
Signed, inscribed, and dated “V. Rozmainski/Paris/1925” l.l.
Condition: Surface abrasions, craquelure, surface grime, subtle
varnish inconsistencies, tear to l.r. quadrant.
$8,000-12,000
568
568.
Sir William Russell Flint, RA (British, 1880-1969)
The Old Mill Studio

Signed “W. RUSSELL FLINT” l.r., titled, signed, and inscribed “The Old Mill Studio/W. Russell Flint/This
very old tidal mill was mentioned in Doomsday Book shortly after 1066...Birdham Mill Interior Studio” in
pencil on the reverse, a label from Arthur Ackermann & Sons, Inc., of London, New York, and Chicago,
affixed to the paper backing.
Watercolor on paper, sheet size 13 3/4 x 22 1/2 in. (34.9 x 57.2 cm), framed.
Condition: Adhered to window mat with paper tape.
N.B. Noted British watercolorist William Russell Flint was elected a full member of the Royal Academy
in 1933.1 He became President of the Royal Society of Painters in Watercolour in 1936 and was
knighted in 1947 by George VI. A retrospective of his work was held in the Diploma Gallery of the
Royal Academy in 1962 and was attended by more than 21,000 visitors.2 William Russell Flint was
born in Edinburgh, Scotland, and attended the Royal Institution School of Art in Edinburgh. He began
his career as an illustrator and designer, joining the staff of the Illustrated London News in 1903. In
1907 the artist also began illustrating limited editions of classic books, such as Mallory’s Morte D’Arthur
and Chaucer’s Canterbury Tales. After service in World War I, Russell Flint dedicated himself full time
to painting. He is best known for his skills as a watercolorist and as a painter of the female form.
1. www.racollection.org.uk
2. www.sirwilliamrussellflint.co.uk
$22,000-28,000
569
569.
Henri de Toulouse-Lautrec (French, 1864-1901)
L’Amazone/An Illustration for Chasseur de Chevelures

Monogram signature “TL” l.r., inscribed “...Amazone...” in pencil on the reverse, identified on a label affixed to
the backing.
Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm), framed.
Condition: Cloth taped to backing mat, masking tape residue along top margin, fold along left edge.
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.
Literature: Catalogue des Tableaux modernes, aquarelles, pastels, dessins, lithographies...composant la

collection Alexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10 Reunies, May 16, 1929, no. 39; Tristan
Bernard, “Chasseur de Chevelures,” Revue Blanche, no. 32, June 1894 (illus.)
$8,000-12,000
570
570.
Oronzio Maldarelli (American, 1892-1963)
Portrait of a Dancer with Maracas

Signed “O. MALDARELLI.” within the cast on the reverse.
Bronze with dark brown patina, 9 x 4 x 2 1/2 in. (22.9 x 10.2 x 6.4
cm).
$3,000-5,000
571
571.
Andre Dunoyer de Segonzac (French, 1884-1974)
Etude pour le Georgiques de “Virgile” Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très
Signed and inscribed “...A. Dunoyer de Segonzac” l.c. Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53
Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed. Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du
Condition: Acid burn to four corners from tape verso, not examined Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21
out of frame. May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue
108, no. 138, 1964.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New
York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, N.B. The work was one of eight original drawings included in a
Connecticut. presentation copy of Souvenirs d’un marchand de tableaux by
Ambroise Vollard, published by Éditions Albin Michel in 1937, which
was pen inscribed and gifted to his chauffeur Marcel Z. Méraud.
$1,000-1,500
572
572.
George Ehrenfried Grosz (German/American, 1893-1959)
Stille Nacht Heilige Nacht, c. 1922 The present work is a preliminary drawing related to a published work
Signed “Grosz” in pen l.r., inscribed and titled “...ca. 1922...Eltern...” of the same year, which has been reproduced under the titles,
with a stamp from the George Grosz Nachlass on the reverse. “Gottes sichtbarer Segen ist bei mir.,” from Friedrich Schiller, Die
Ink on paper, sheet size 23 1/8 x 15 3/4 in. (58.7 x 40.0 cm), framed. Raüber (Act II, Scene 3), Plate 6, Der Malik-Verlag, Berlin, 1922; “Ein
Condition: Center crease, subtle rippling and foxing, mat burn, subtle trautes Weib, ein herzig Kind, das ist mein Himmel auf der Erde.,”
toning, cloth tape hinged to backing mat, tape residue to the reverse. from George Grosz, Abrechnung folgt!, Der Malik-Verlag, Berlin, 1923,
p. 31; and “Gottes sichtbarer Segen ruht auf uns,” from George
N.B. We wish to thank Ralph Jentsch who kindly confirmed the Grosz, Die Gezeichneten, Der Malik-Verlag, Berlin, 1930, p. 43. A
authenticity of the lot and assisted with its cataloguing. The work is single plate from the portfolio Die Raüber has appeared annotated by
registered as no. 3-10-2 with the George Grosz Estate, and will be Grosz with the same title of the present work.
included in Ralph Jentsch’s forthcoming catalogue raisonné of the
artist. Provenance: Purchased from Galleria dell’Obelisco Rome, Italy;
collection of Melvin B. Nessel, Boston, Massachusetts.
$10,000-15,000
573
573.
François Gall (French, 1912-1987)
Woman in a Cafe
Signed and inscribed “F. Gall/Paris” l.r.
Condition: Minor retouch.
$1,500-2,500
574.
Lazzaro Donati (Italian, 1926-1977)
Figura in Grigio Porpora

Signed, inscribed, dated, and titled “LAZZARO DONATI FIRENZE
1960...” on the reverse.
Oil and graphite on panel, 27 5/8 x 19 7/8 in. (70.2 x 50.5 cm),
framed.

$400-600
574
575
575.
Jean Pierre Cassigneul (French, b. 1935)
Au Parc
Signed “CASSIGNEUL.” l.l., identified on a presentation plaque, inscribed and titled “WF-NY 61231...” on the
stretchers, with a label from the Wally Findlay Galleries, Palm Beach, Florida, on the backing.
Condition: Good.
N.B. We wish to thank the artist for kindly confirming the authenticity of the lot.
Jean-Pierre Cassigneul’s favorite subjects are women, often portraying them wearing large hats in garden settings.
He is a painter and a lithographer, and since 1980, his works have also been woven into tapestries. Born in Paris in
1935, Cassigneul began the study of art at the Academie Charpentier in 1954. He had already had his first private
show at Galerie Lucy Krogh at the age of 17. Seeking more thorough training, Cassigneul took and passed the
entrance exam for the Ecole des Beaux Arts de Paris and worked in the studio of Roger Chapelain-Midy from 1955-
60. Cassigneul’s style has also been influenced by the expressionist painter Kees van Dongen.
In the 1960s and 70s, Cassigneul met two dealers who would be central in his career: Kiyoshi Tamenaga, who
would promote his work in Japan, and Wally Findlay, who would become his dealer in the United States. Since that
time the artist has had numerous exhibitions in the United States and Japan, as well as in France. In 2005 a major
show of Cassigneul’s paintings, lithographs, and tapestries celebrated 50 years of work.
$15,000-25,000
576
576. 577.
Charles Haslewood Shannon (British, 1863-1937) Allan Albert Davidson (American, 1908-1988)
Lot of Two Figure Studies of Bathers, Possibly Fan Designs Corps de Ballet-Back Stage
Unsigned. Signed “Allan A. Davidson” l.l., titled and stamped “...ALLAN A.
Watercolor on silk, sight sizes to 5 3/4 x 15 1/2 in. (14.6 x 39.4 cm), DAVIDSON, A.W.S....ROCKPORT, MASS.” on the stretcher.
framed. Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.
Condition: Subtle rippling, taped to window mat. Condition: Good.
$1,000-1,500
Provenance: By descent within a family collection, New England.
$1,500-2,500
577
578.
Jacques Wely (French, 1873-1910)
The Dancer
Signed twice and dated “J. Wely/05/J. Wely” l.r.
Pastel on paper laid down onto canvas, sight size 21 x 17 in.
(53.3 x 43.2 cm), framed.
Condition: Tear/loss u.r., broad rippling, toning, not examined out
of frame.
$2,500-3,500
578
579.
Joseph Gary Sheahan (American, 1893-1978)
The Soloist
Signed and dated “Gary Sheahan Dec. 1945” in pencil l.r.
Graphite, whiting, and acrylic on paper, sight size 33 x 26 in.
(83.0 x 66.0 cm), framed.
Condition: Tears and restored tears, retouch, not examined out
of frame.
N.B. Joseph “Gary” Sheahan studied at the University of Notre

Dame and the School of the Art Institute of Chicago. He was a
staff artist for the Chicago Tribune where he worked for 33 years
until his retirement in 1958.1
1. New York Times, “Rites Set for Gary Sheahan, 84, Retired Tribune Artist,”
Jan. 17, 1978, p. B8.
$800-1,200
579
580
580. 581.
William Baxter Palmer Closson (American, 1848-1926) Elijah Baxter (American, 1849-1939)
At the Wood Springtime/Bacchantes with Floral Garlands and Herm

Signed “Closson” l.l. Signed “E. Baxter...” l.r., inscribed and titled “No. 73...” on a label,
Oil on board, 8 x 8 in. (20.4 x 20.4 cm), framed. possibly period, on the stretcher.
Condition: Minor paint loss, surface grime. Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed (in a liner).
$700-900 Condition: Surface grime.

$200-250
581
582
582.
William Baxter Palmer Closson (American, 1848-1926)
Lafayette Square
Signed “...losson” l.r., identified on a presentation plaque.
Oil on copper sheet, 9 15/16 x 8 in. (25.2 x 20.4 cm), framed.
Condition: Paint losses, one obscuring the “C” in the signature.
$1,000-1,500
583
583.
Allan Rohan Crite (American, 1910-2007)
Busy Street/A Study for a Mural

Signed, inscribed, and dated “Study for pencil sketch “Busy
Street”/Allan R. Crite ARC/Feb. 8, 1933” in pencil l.l.
Graphite on paper, sheet size 18 x 12 in. (45.7 x 30.5 cm), unframed.
Condition: Toning, cloth tape hinged to backing mat, minor tears to
the margins.
N.B. A photographic reproduction of the mural cartoon accompanies

the lot.
$800-1,200
310
584
584
584.
Donald Carlisle Greason (American, b. 1897)
Lot of Three Boxing Views of Al McCoy, Né Florian

LeBrasseur, Shadow Boxing at Sharkey’s Gym, 1936
One signed and dated “Greason 36” l.r., two signed,
inscribed, and dated “...November 1936/Greason” on the
reverse.
Oil on Masonite, 7 1/2 x 9 3/8 in. (19.1 x 23.8 cm), framed.
Condition: Minor retouch, subtle varnish inconsistencies.
$1,800-2,200
584
311
585
585.
Harrison Cady (American, 1877-1970)
Letting Yourself...As a Hanging Lamp

Signed “HARRISON·CADY” l.l., titled or inscribed “longlegs...” on a
label on the reverse.
Watercolor and ink on paper, sight size 17 x 12 3/4 in. (43.2 x 60.3
cm), framed.
$1,500-2,000
312
586
586.
Ethel Blanchard Collver (American, 1875-1955)
Central Park
Signed “Ethel Blanchard Collver” l.r.
Condition: Scattered flaking and losses, light scattered surface
rubs/abrasions, surface grime.
$2,000-3,000
313
587
587.
Rosebee (American, 20th/21st Century)
After the Snow

Signed “©Rosebee” l.r., dedicated and signed “...May I always bring
you love and joy through my miracle of painting./Love- Rosebee” on
the backing.
Oil on Masonite, 8 x 10 in. (20.3 x 25.4 cm), framed.
Condition: Good.
$800-1,200
314
588
588.
Ralph Eugene Cahoon, Jr. (American, 1910-1982)
Harbor View with Mermaids

Signed “R. CAHOON” l.r.
Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.
Condition: Good.
$5,000-7,000
315
591
589
589.
Isabel Bishop (American, 1902-1988)
Lot of Three Studies of Figures at a Drinking Fountain

Each initialed “IB.” l.l. or l.r.
Ink, graphite, and wash on paper, sheet sizes to 3 1/2 x 3 5/8 in. (8.9
x 9.2 cm), unframed.
Condition: Cloth tape hinged to backing mat, subtle handling
creases, former tape residue to margins, trimmed sheet, subtle
soiling.
Provenance: Ex-collection of the artist James Whitney Fosburgh,

New York.
$800-1,200
590.
Moses Soyer (American, 1899-1974)
Portrait of Lady Bird Johnson

Signed “M SOYER” u.r.
$1,000-1,500
591.
Isabel Bishop (American, 1902-1988)
Lot of Five Studies of Figures at a Drinking Fountain

Each initialed “IB.” l.l. or l.r., two works double-sided.
Ink, graphite, and wash on paper, sheet sizes to 5 1/4 x 6 1/4 in.
Condition: Cloth tape hinged to backing mat, subtle handling
creases, former tape residue and tack holes to margins, trimmed
sheet, subtle soiling.
Provenance: Ex-collection of the artist James Whitney Fosburgh,

New York.
$800-1,200
590
316
592.
Continental School, 20th/21st Century
Piccadilly Circus
Signed “E. del Arroyo” l.l., inscribed “PICCADILLY CIRCUS” l.r.
Condition: Good.
$1,000-1,500
592
593.
David Burliuk (Ukrainian/American, 1882-1967)
Portrait of Frank Banker

Signed “BuRLiuK” l.l.
Condition: Surface grime, craquelure, varnish inconsistencies.
N.B. The sitter, a hobbyist painter and antiques dealer, was a

friend of the Burliuk family in Quogue, Long Island.
$1,500-2,000
593
317
594.
David Aronson (American, b. 1923)
Ishmaelite, 1955
Signed “Aronson” u.l., identified on labels including those from The
American Federation of the Arts, New York, and the Rose Art
Museum, Brandeis University, Waltham, Massachusetts, on the
backing.
Graphite and charcoal on paper, sight size 17 1/4 x 11 3/4 in. (43.8 x
29.8 cm), framed.
Condition: Mat burn, not examined out of frame.
Provenance: Ex-collection of Daniel Weisberg, Boston,

Massachusetts.
Exhibitions: David Aronson: A Retrospective, Rose Art Museum,

Brandeis University, February 4 to March 18, 1979; The Jewish
Museum, June 5 to September 4, 1979, catalogue no. 63.
$800-1,200
595.
Lazzaro Donati (Italian, b. 1926)
Portrait of a Woman Seated

Signed “DONATI” within cast l.r.
Bronze, approximately 12 1/2 x 14 1/2 x 9 in. (31.8 x 36.8 x 22.9
cm).

$400-600
596.
594 Conger A. Metcalf (American, 1914-1998)
Portrait of a Boy
Signed “Metcalf” u.l.
Mixed media on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm),
framed.
$300-500
595 596
318
598
597
597. 598.
Cabot Lyford (American, b. 1925) Pavel Tchelitchew (Russian/American, 1898-1957)
Standing Nude Portrait of a Seated Figure

Unsigned. Signed and dated “P. Tchelitchew 54” l.r., inscribed “...KELLER” on
Carved granite, approximately 32 x 7 x 5 in. (81.3 x 17.8 x 12.7 cm), the reverse.
mounted to a wooden plinth. Oil on canvas, 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm), framed.
Condition: Minor surface grime. Condition: Trimmed canvas, craquelure.
$800-1,200 $1,500-2,000
319
599
599.
Henri Matisse (French, 1869-1954)
Femme nue allongée, 1928

Signed “Henri Matisse” in pencil l.r., inscribed “...TR 955 1145.64...”
in pencil on the reverse.
Graphite on paper, sheet size 13 1/2 x 19 1/8 in. (34.3 x 48.6 cm),
framed.
Condition: Restored tears, cloth tape hinged to backing mat, subtle
mat burn, tack holes to corners, deckled edges.
Provenance: Heinz Berggruen, Paris (by 1973), acquired by the

family of the present owner c. 1975.
N.B. We wish to thank Wanda de Guébriant for kindly confirming the

authenticity of the lot.
$40,000-60,000
320
600
600.
Aaron Ashkenazi (Bulgarian/Israeli, 1912-1993)
Portrait of a Reclining Nude

Signed “ASHKENAZI” within cast l.r.
Bronze with dark brown patina, 12 x 14 3/4 x 9 1/2 in. (30.5 x 37.5 x
24.1 cm), mounted to a travertine plinth.
$1,500-2,000
321
601
601. 602.
Cabot Lyford (American, b. 1925) Irving Petlin (American, b. 1934)
Kneeling Horse Study for the Clay Fountain... Morning, 1973

Incised signature “Lyford” l.l. Signed and dated “Petlin 73” l.r., identified on a label from Galleria
Carved marble, approximately 13 x 19 x 10 in. (33.0 x 48.3 x 25.4 Odyssia, New York, on the backing.
cm). Pastel on paper, 19 x 25 1/4 in. (48.3 x 64.1 cm), framed.
Condition: Minor surface grime. Condition: Not examined out of frame.
$800-1,200 $800-1,200
602
322
603
603.
Antonio Bueno (Italian, 1918-1984)
Girl and White Pipe

Incised signature “A. Bueno” l.l., identified on a partial label from Monede
Gallery, New York, on the reverse.
Condition: Subtle craquelure and surface grime.
N.B. We wish to thank Isabella Bueno, daughter of the artist, for kindly
confirming the authenticity of the lot; a photo-certificate from Isabella Bueno
$8,000-12,000
323
604
604.
David Burliuk (Ukrainian/American, 1882-1967)
Still Life with Flowers by the Shore

Signed and dated “BuRLiuK./1957.” l.r.
$2,000-4,000
324
605
605.
Bernard Buffet (French, 1928-1999)
Flowers, alternatively titled Fleur dans un Journal

Signed and dated “Bernard Buffet 59” c.r., identified on a label from Schoneman Galleries,
Inc., New York, stamped “DAVID ET GARNIER” and inscribed “57.B” and “McGraw” on the
reverse.
Condition: Mild surface grime.
N.B. We wish to thank Mr. Maurice Garnier for kindly confirming the authenticity of this lot; a
certificate of authenticity from Mr. Garnier accompanies the lot.
$30,000-50,000
325
606
606.
Sol Wilson (American, 1896-1974)
Boats on the Shore

Signed “Sol Wilson” l.r.
$1,000-1,500
326
607
607.
Bonnie Whittingham (American, 20th Century)
Fishermen by the Shore

Signed “Whittingham” l.l.
Oil on Masonite, 12 x 42 1/2 in. (30.5 x 108.0 cm), framed.
$700-900
327
608
328
608.
Georgia O’Keeffe (American, 1887-1986)
Alligator Pear in White Dish, 1921

Initialed, titled, and inscribed “OK...O’Keeffe...” on the backing.
Oil on canvas-covered board, 12 x 9 in. (30.5 x 22.9 cm), framed.
Provenance: From the artist to The Downtown Gallery, New York; thence to The Mayo Hill Galleries,
Wellfleet, Massachusetts, thence to Katrina Grullemans, Chatham, Massachusetts; by family descent
to present owners.
Literature: Barbara Buhler Lynes, Georgia O’Keeffe: Catalogue Raisonné, Volume Two, New Haven:
Yale University, 1999, no. 35, pp. 1102 and 1115 (illustrated).
Exhibitions: The Anderson Galleries, 1924; The Downtown Gallery, New York; The Mayo Hill Galleries,
Inc., Wellfleet, Massachusetts, July 1954.
N.B. In the forward to a 1936 exhibit at Alfred Stieglitz’s American Place gallery, Marsden Hartley
described the works of O’Keeffe’s earlier period—specifically her diminutive compositions of flowers
and vegetables—as contending with “the border-line between finity and infinity” and describing “nature
in her simplest appearance.”1 The present work illustrates these qualities recognized by Hartley, which
explores the relationship between the organic and inorganic, as well as the sculptural and two-
dimensional. The white dish is presented as full-bodied in its meticulously-worked modeling and yet
ethereal in its luminosity. The alligator pear, with its thin, reductive surface, is placidly poised both in
and on the dish. Through the illusion of symmetry, the viewer is led to see the objects as ideal forms,
and yet, as subtle irregularities reveal themselves, the materiality of the objects comes forth.
According to the stock book of The Downtown Gallery, as well as a letter from Georgia O’Keeffe to
Edith Halpert dated December 2, 1953, the present work is dated 1921.2 The stock book and sales
invoice also indicates that the work was lent and exhibited at The Mayo Hill Galleries in Wellfleet in July
1954, retained and sold to The Mayo Hill Galleries on September 7, 1954, and paid in full on October
5, 1954.3 The work was purchased by Ms. Grullemans, a resident of Chatham in the 1950s,
presumably around this time.
1. Hartley, Marsden, Georgia O’Keeffe: Exhibition of Recent Paintings, 1935 [January 7-February 27, 1936], New York: An
American Place, 1936.
2. Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:
Business Records: Gallery Stock. Stock Books, Stock, C-R (6 of 7), 1941-1960s. 4.2: Gallery Stock, 1926-1974, undated
(Box 62, reel 5606, frame 1017-1018). http://www.aaa.si.edu/collectionsonline/downgall/container197812.htm
3. Ibid.; Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:
Business Records: Sales Records, Artwork. Sales Slips (2 of 2), 1954, 4.3: Sales Records, Artwork, 1928-1972, undated (Box,
72, reel 5627, frame 970). http://www.aaa.si.edu/collectionsonline/downgall/container198008.htm
$100,000-150,000
329
609
330
609.
Alexander Calder (American, 1898-1976)
Germination, 1962
Signed and dated “Calder 62” l.r., inscribed and titled “331 Germination” in pencil and “coquelicots”
in pen on the reverse.
Gouache on paper, sheet size 29 3/8 x 43 1/8 in. (74.6 x 109.5 cm), framed.
Condition: Tape hinged to linen-backed mat board, minor creases and losses to corners.
Provenance: Acquired from the artist by Nicholas Guppy, London; thence to Obelisk Gallery,
Boston; thence to the collection of Melvin B. Nessel, Boston, Massachusetts.
N.B. This work is registered with the Calder Foundation, application number A14124.
$40,000-60,000
331
610
610.
Alexander Calder (American, 1898-1976)
Untitled, 1950
Signed and dated “Calder 50” l.r.
Ink, gouache, and graphite on BFK Rives paper, sheet size 29 5/8 x 41 1/2 in. (74.9
x 105.4 cm), framed.
Condition: Subtle mat burn, tape hinged to backing mat.
Provenance: Collection of Selma H. and Irving M. Sobin, Boston; private New

England collection by family descent.
N.B. This work is registered with the Calder Foundation, application number A24737.
$10,000-15,000
332
611
611.
Yves Tanguy (French/American, 1900-1955)
Sans Titre, 1943

Signed and dated “YVES TANGUY 43” l.r.
Gouache on paper, sheet size 2 7/8 x 13 7/8 in. (7.3 x 35.3 cm), framed.
Condition: Trimmed sheet (probably by the artist) along top margin, glued along several points on the margins’
verso to backing mat.
N.B. The work is registered as no. 871-167 by the Yves Tanguy Committee of the Pierre and Tana Matisse
Foundation, and the work will be included in the forthcoming revised edition of the Yves Tanguy catalogue
raisonné.
Paris-born Tanguy immigrated to the United States at the onset of war in 1939 and settled in New England
with his American wife, painter Kay Sage. When Tanguy was asked in 1946 about how his American work
differed from his European work, he pointed to an intensification of his color palette and “a feeling of greater
space here—more ‘room’.”1 Roland Penrose elaborated on Tanguy’s comment, nothing that “his palette
changed in the sense that the earth colors began to give place to more strident reds and blues and the sea
mists cleared in the intense sparkling light of New England.”2 Penrose also noted a change in style from
Tanguy’s animated biomorphism of the 1930s to more rigid and stark forms. The present work is punctuated
with the bold colors noted, as well sharply-outlined, ossified forms which suggest that the viewer is looking at
cast-offs instead of living inhabitants of the space.
1. Sweeney, James Johnson, “Eleven Europeans in America,” The Bulletin of the Museum of Modern Art, Vol. 13, No. 4/5, New York:
The Museum of Modern Art, 1946, p. 23.
2. Penrose, Roland, Yves Tanguy: A Retrospective, New York: The Solomon R. Guggenheim Foundation, 1983, p. 13.
$40,000-60,000
333
612
612.
Frank Stella (American, b. 1936)
Untitled [Study for a Painting], 1970-71

Signed “F. Stella” in pencil l.r., identified on a label from Lawrence Rubin Gallery, New York, on the
reverse.
Crayon and graphite on paper, sheet size 17 x 22 in. (43.2 x 55.9 cm), framed.
Condition: Affixed to backing mat at four corners, not examined out of frame.
Provenance: Purchased from Parker Street 470 Gallery Auction, Boston; collection of Melvin B.
Nessel, Boston, Massachusetts.
$15,000-25,000
334
613
613. 614.
Saul Steinberg (American, 1914-1999) Kenneth Noland (American, b. 1924)
Art Lovers Sailing, 1969

Signed and dated “STEINBERG 63” l.r., identified on a label from Signed, titled, and dated “...Kenneth Noland 1969” in pencil and with
Obelisk Gallery, Boston, affixed to the reverse. a label from Solomon & Co., New York, on the reverse.
Ink and colored pencil on paper, sheet size 9 1/2 x 10 3/8 in. (24.1 x Oil on canvas, 6 x 54 in. (15.2 x 137.2 cm), framed.
26.4 cm), framed. Condition: Minor surface grime.
Condition: Subtle acid burn to u.r. and u.l. corners, glued to backing
mat at u.r. and u.l. corners. Provenance: Purchased from Thomas Segal Gallery, Boston;
$3,000-5,000 collection of Melvin B. Nessel, Boston, Massachusetts.
$20,000-30,000
614
335
615
615.
Beverly Stoll Pepper (American, b. 1924 )
Untitled/A Sculpture Maquette

Incised signature, date, and inscription “Beverly Pepper ‘70...II” l.l.
Welded and brushed steel, approximately 25 x 78 1/2 x 8 in. (63.5 x
199.4 x 20.3 cm).
Condition: Minor surface dust, minor abrasions.
Provenance: Purchased from Obelisk Gallery, Boston; Collection of

Melvin B. Nessel, Boston, Massachusetts.
$5,000-7,000
336
616
616.
Allan M. D’Arcangelo (American, 1930-1998)
Constellation #7
Signed, inscribed, dated, and titled “© A. D. Arcangelo NYC 1970...”
on the reverse, identified on labels including one from Obelisk Gallery,
Boston, on the reverse.
Acrylic on canvas, 60 x 60 in. (152.4 x 152.4 cm), unframed.
Condition: Surface grime and abrasions.

$5,000-7,000
337
617
617. 618.
Igael Tumarkin (Israeli, b. 1933) Yaacov Agam (Israeli, b. 1928)
Untitled/A Sculpture Maquette, c. 1973 Hundred Gates/A Kinetic Sculpture

Signed and dated “TUMARKIN...3” l.r. Unsigned.
Mixed media (welded steel and acrylic), 3 x 13 3/4 x 6 7/8 in. (7.6 x Nickel-chromed steel, 15 15/16 x 12 1/8 in. (40.5 x 30.8 cm), set in a
34.9 x 17.5 cm), mounted to an acrylic plinth. chromed base.
Condition: Minor surface dust. Condition: Minor surface abrasions.
N.B. A copy of the exhibition booklet Made in U.S.A.: I. Tumarkin Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.
1974-1976, printed by Peli Printing Works, Ltd. accompanies the lot. $4,000-6,000
$1,500-2,500
618
338
619
619.
Victor Vasarely (French, 1908-1997)
TY-NEU, 1959
Signed “vasarely-” in pen l.c. and r.c.
Tempera on paper/board mounted to wooden panel, 25 x 17 1/4 in.
(63.5 x 43.8 cm), framed.
Condition: Minor losses, retouch, craquelure, mounting separation.
Provenance: Purchased from Obelisk Gallery, Boston, collection of

N.B. We wish to thank Madame Michèle Vasarely who will be

including the present work in the upcoming catalogue raisonné of the
artist, and a photo-certificate accompanies the lot.
$40,000-60,000
339
620
340
620.
Arnaldo Pomodoro (Italian, b. 1926)
Rotante primo sezionale n. 1 [Rotating First Section No. 1], 1966

Incised signature and number “Arnaldo Pomodoro -02 p.a.” on the plinth l.r., incised title and date “...1966-”
on the plinth l.l.
Bronze, 31 1/2 in. (80.0 cm) diameter, set on a cast acrylic plinth.
Condition: Minor surface abrasions to bronze and acrylic surfaces.
Provenance: Purchased from Marlborough Galleria d’Arte, Rome; collection of Melvin B. Nessel, Boston,
Massachusetts.
Literature: Flaminio Gualdoni and Arnaldo Pomodoro, Arnaldo Pomodoro: Catalogo ragionato della scultura,
Milan: Skira, 2007, p. 524, no. 396 (illustrated); Sam Hunter, Arnaldo Pomodoro, New York: Abbeville Press,
1982, no. 76 (final edition illustrated).
N.B. The present work is one of two artist proofs outside the edition of two, and is registered with the Archivio
Arnaldo Pomodoro, Milan, Italy, as AP 263. We wish to thank the Arnaldo Pomodoro Studio for their
assistance with cataloguing the lot.
Pomodoro began his experiments with “sculpture in the round” in the mid-1950s, moving away from his
carved bas-relief “tablets” toward penetrable, free-standing geometric volumes. This development for
Pomodoro was less a result of technical innovation than it was a search for “a more dialectical process of both
constructing and destroying geometric forms.”1 Pomodoro considered his bas-relief carving to represent a
form of abstract “writing,” and his search into the limit of this kind of symbolic representation resulted in
experiments with depth and surface.
By 1963, Pomodoro created his first sphere, which allowed him to express his “glyphs” in terms of an interior
and exterior dynamic. Inspired by Brancusi’s use of polished surfaces to unify a form, Pomodoro appropriated
the highly polished exterior to underscore the sphere’s built-up and torn-down interior—and thus its
disintegration of form. As in the present work, plaster debris from the casting process left deliberately on the
interior points to its own genesis, and yet, its crumbling texture alludes to its demise. Pomodoro saw his
“surface erosions and irregularities as symbols of the destructive impulse” in a technological age where the
“drama of erosion captures the sense of foreboding, of a certain anxiety about the course of events at that
time in our history.”2
1. Hunter, Sam, Pomodoro, New York: Abbeville Press, 1982, p. 194.

2. Ibid., 52, 57.
$100,000-150,000
341
621
621. 622.
Ernest Tino Trova (American, 1927-2009) Ernest Tino Trova (American, 1927-2009)
ALL UMANO E IL MIO SOLO RIMOR UNANO E IL MIO SOLO Hinged Falling Man
RIMORSO E’SONO UMANO LUOMO E SOLO UNA MEMORIA Unsigned, monogram stamped, and numbered “...3673” beneath the
Unsigned. bust.
Mixed media (metal, porcelain, glass, linen, and wood) installation, 24 Brass, 3 x 12 x 2 1/8 in. (7.6 x 30.5 x 5.4 cm), on a brass cradle.
1/2 x 23 1/2 x 8 in. (62.2 x 59.7 x 20.3 cm), in a glass case. Condition: Uneven patina, surface imperfections, oxidation.
Condition: Good. $2,000-3,000
$1,500-2,500
622
342
623
623.
Ernest Tino Trova (American, 1927-2009)
Falling Man [Suspended Relief], 1969

Monogram stamped “et” and numbered “102/175” at the center.
Brass mounted to an acrylic panel, 11 3/4 x 11 x 3 1/8 in. (29.8 x 7.9 cm),
set within a recessed acrylic plinth.
Condition: Surface abrasions to acrylic panel, oxidation to brass.
$1,500-2,500
343
624
624.
Peter Anthony Chinni (American, b. 1928)
Hortus Naturae
Signed, numbered, and dated “CHINNI 1/8 1969” on the reverse.
Chrome metal, approximately 43 x 14 x 13 1/2 in. (109.2 x 35.6 x
34.3 cm), mounted to a plaster base.
Condition: Chips to the base, minor rust/corrosion.
N.B. We wish to thank the artist and Christine Chinni, daughter of

the artist, for their assistance with cataloguing the lot.
$2,000-3,000
344
625
625.
Friedel Dzubas (American, 1915-1994)
Untitled, 1981
Unsigned.
Acrylic on canvas, 60 1/8 x 27 5/8 in. (152.7 x 70.2 cm), unframed.
Provenance: Gift from the artist to the family of the present owner.
N.B. A limited edition silkscreen was produced of this painting to

benefit the Museum of Fine Arts, Boston.
$8,000-12,000
345
626.
Antoine Poncet (Swiss, b. 1928)
Arcturus, 1975
Signed and numbered “1/8 Poncet” l.l.
Carved white Carrara marble bas-relief, 12 1/2 x 6 1/2 x 2 1/4
in. (31.8 x 16.5 x 5.8 cm), mounted to a black marble plaque.
Provenance: Collection of Melvin B. Nessel, Boston,

Massachusetts.
N.B. We wish to thank Armelle Le Gendre, archivist to Antoine

Poncet, for her assistance with cataloguing the lot.
$1,000-2,000
626
627.
Jack Youngerman (American, b. 1926)
Aug 4 1969
Initialed and dated “JY 69” in pencil l.r., inscribed “...Aug 4
Youngerman” and identified on a label from Obelisk Gallery,
Boston, on the backing.
Acrylic on paper, sheet size 28 7/8 x 23 in. (73.3 x 58.4 cm),
framed.
Provenance: Collection of Melvin B. Nessel, Boston,

Massachusetts.
$1,500-2,500
627
346
628
628.
Peter Anthony Chinni (American, b. 1928)
Trio
Signed, numbered, and dated “CHINNI 1/8 1968” in the cast.
Brass, 6 3/4 x 7 1/2 x 12 1/2 in. (17.1 x 19.1 x 31.8 cm), mounted to
a stone plinth.
Condition: Subtle surface impurities.
N.B. We wish to thank the artist and Christine Chinni, daughter of

the artist, for their assistance with cataloguing the lot.
$3,000-5,000
347
629
348
629.
Jesus Rafael Soto (Venezuelan, 1923-2005)
Struttura, 1968
Signed and dated “Soto 1968” on the reverse, identified on a label from Marlborough
Galleria d’Arte, Rome, affixed to the reverse.
Painted wood, steel, and nylon construction, 30 1/2 x 12 3/4 x 12 5/8 in. (77.5 x 32.4 x
32.1 cm).
Condition: Replaced strings to sixteen rods.

$30,000-40,000
349
630
630.
Ettore Colla (Italian, 1896-1968)
Senza Titolo [Meridiana quadrata], 1968 to be a contradiction in both classicism and “primitive directness.”
Unsigned, inscribed “E. COLLA” in marker beneath the base. His works showed “restraint and discipline” and “dedication to order
Iron, 28 1/2 x 20 x 8 1/2 in. (72.4 x 50.8 x 21.6 cm), on a white and form” but his technique and materials—which consisted of
painted wooden plinth. reclaiming and reconfiguring industrial materials—were handled with
Condition: Good. the “respect a cave artist gave the casual materials of his day.”1
Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. The raw innovation and balance that Sweeney spoke of can be seen
in the present work, where the surfaces have been exposed to the
Literature: Giorgio De Marchis and Sandra Pinto, Colla, Roma: elements, and the basic geometric forms of circle and square are
Bulzoni, 1972, no. 224 (illustrated). repeated, rotated, and suspended in space. It was completed at the
artist's home and studio at Viale Parioli, and is a larger version based
Exhibitions: 24 Presenze, Artisti romani non figurativi, Roma, Istituto on a prototype created in 1967.2
Italo-Latino-Americano (IILA), March 26 to April 9, 1969.
1. Giorgio De Marchis and Sandra Pinto, Colla, Roma: Bulzoni, 1972, p. 9.
N.B. Colla’s abstract work was considered by James Johnson 2. Ibid., 106.
Sweeney, the late director of the Solomon R. Guggenheim Museum, $30,000-40,000
350
631.
Louise Berliawsky Nevelson (American, 1900-1988)
Young Tree XXVII, 1971

Unsigned, marked “WEYCO” on one end.
Black painted wood, 27 1/2 x 6 x 5 3/4 in. (69.8 x 15.2 x 14.6 cm),
mounted to a wooden laminate plinth.
Condition: Minor chips.
Provenance: From the artist to Pace Gallery, New York (Pace Inv.
#3084); purchased from Harcus/Krakow Gallery, Boston; collection of
N.B. We wish to thank Mike Nevelson for his assistance with

cataloguing the lot.
$15,000-25,000
631
351
632
632.
William Walton (American, 1909-1994)
Courthouse
Signed “Walton” l.r., also titled, signed, and dated “...-WALTON-1961”
on the stretcher.
$1,000-1,500
633.
Joel Leonard Perlman (American, b. 1943)
Untitled/A Sculpture Maquette

Initialed and dated “JP 80” l.r.
Welded and brushed steel, 15 7/8 x 10 1/2 x 4 1/2 in. (40.3 x 26.7 x
11.4 cm).
Provenance: Purchased from Emmerich Gallery, New York; collection

of Melvin B. Nessel, Boston, Massachusetts.
N.B. The work is a study for an outdoor sculpture at 180 Beacon

Street, Boston, Massachusetts.
$400-600
633
352
634.
Beverly Stoll Pepper (American, b. 1924)
Untitled
Stamped “BP” on base l.r.
Iron, 35 x 13 7/8 x 11 7/8 in. (88.9 x 35.2 x 30.2 cm), mounted to an
iron base.
$6,000-8,000
635.
Max Günther (Swiss, 1934-1974)
Lot of Two Works: Tableautin and Some November Day, 1961

Both signed “Max Gunther” l.r., and signed, titled, dated, and
inscribed “...MAX GUNTHER...” on the reverse.
Oil on canvasboard, sizes to 5 3/4 x 7 7/8 in. (15.0 x 20.0 cm),
framed.
$1,000-1,500
634
635
353
636.
Gregory Kavalec (American, b. 1945)
Untitled
Signed “KAVALEC” in pencil l.r.
Acrylic and graphite on paper, sheet size 30 x 22 in. (76.2 x 55.9 cm),
within a Plexiglas frame.

$300-500
636
637.
Christopher Macdonald (American, b. 1957)
Untitled, 1988
Unsigned, identified on a label from David Betzel Gallery, Inc., New
York, on the reverse.
Mixed media with pastel and graphite on paper, 10 x 6 3/8 in. (25.4 x
16.0 cm), framed.
$300-500
637
354
638
638.
Robert Arthur Goodnough (American, b. 1917)
K-7
Signed and dated “Goodnough ‘86” l.r., also titled, inscribed, signed,
and dated “...Goodnough 86...” in pen on the reverse.
Oil and acrylic on canvas, 46 x 68 in. (116.8 x 172.7 cm), framed.
Provenance: Purchased from the artist; Collection of Melvin B.

Nessel, Boston, Massachusetts.
$6,000-8,000
355
639
639. 640.
Hannes Beckmann (German/American, 1909-1976) Michiel Theobald Gloeckner (American, 1915-1989)
RADIANT Pale Flower

Monogrammed and dated “h.b. 63.” l.l., inscribed “‘RADIANT’ oil Monogrammed “MG” l.r., titled, initialed, signed, and dated
1963 Hannes Beckmann” on the reverse and on the stretcher, “...MG/Michiel Gloeckner 1971” on the stretcher.
identified on a label from Kanegis Gallery, Boston, affixed to the Oil on canvas, 20 x 18 in. (50.8 x 45.7 cm), framed.
stretcher. Condition: Surface grime.
Oil on canvas, 18 x 18 in. (45.8 x 45.8 cm), framed. $1,000-1,500
Condition: Minor abrasion to center, surface grime.
$2,000-4,000
640
356
641.
Michiel Theobald Gloeckner (American, 1915-1989)
Of Forms and Sunlight

Monogrammed “MG” l.r., titled, signed, and dated “...Michiel
Gloeckner 1971” on the stretcher.
$800-1,200
642.
Alvin Demar Loving, Jr. (African/American, 1935-2005)
Untitled, 1981
Signed and dated “July 11 81 Al Loving” in pencil on the reverse.
Acrylic on canvas, 40 x 40 in. (101.6 x 101.6 cm), framed.
Condition: Good.
$4,000-6,000
641
642
357
643
643. 644.
Cleve Gray (American, 1918-2004) Yutaka Ohashi (Japanese/American, b. 1923)
Untitled Flight #6
Signed and dated “Gray ‘56” l.r. Signed “Ohashi” u.l., also signed, dated, and inscribed “YUTAKA
Oil on canvas, 8 x 13 in. (20.3 x 33.0 cm), framed. OHASHI/1979...” in English and Japanese on the reverse.
Condition: Surface grime, minor losses/abrasions. Oil, gold leaf, and paper collage on canvas, 16 x 20 in. (40.6 x 50.8
$400-600 cm), framed.
$800-1,200
644
358
645
645. 646.
Peter Busa (American, 1914-1985) Sylvia Miller (Ukrainian/American, 1910-1991)
Yellow Effussion [sic] Flatlands

Signed “Busa” l.r., titled or inscribed on the reverse. Signed and dated “S. MILLER ‘64” l.r., titled on the stretcher.
Oil on illustration board, 15 x 20 in. (38.1 x 50.8 cm), framed. Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm), framed.
Condition: Bowing to support, craquelure. Condition: Craquelure, surface grime.
$1,000-1,500
$300-500
646
359
647.
Jack Roth (American, 1927-2004)
Untitled [1201]
Signed and dated “Roth 61” l.l.
Oil on linen, 51 1/2 x 40 in. (130.8 x 101.6 cm), framed.
$1,000-2,000
647
648.
Ronaldo de Juan (American, 1931-1989)
Untitled, 1985
Signed, dated, and inscribed “R. DE JUAN/ NY. 1985” in pen
l.r., inscribed “RONALDO/DE JUAN/N.Y. 1985...” and
identified on a label affixed to the backing.
Acrylic on paper/board, 60 x 40 in. (152.4 x 101.6 cm),
framed.
Condition: Minor flaking/losses, tack/staple holes to margins.
$2,000-3,000
648
360
649
649.
John G. Walker (British, b. 1939)
Untitled, 1992
Signed, dated, and inscribed “Walker 92 OIL” with labels from
Knoedler & Company, New York, and Nielsen Gallery, Boston, on the
reverse.
Condition: Good.
$3,000-5,000
650.
No lot.
361
651
651.
Anne Ryan (American, 1889-1954)
Untitled
Signed “A Ryan” l.r.
Mixed media (paper and fabric) collage, 6 3/4 x 6 1/2 in. (17.1 x 16.5
cm), framed.
$1,500-2,000
362
652.
Robert G. Hamilton (American, 1916-2004)
Neanderthal Embrace, 1974

Signed “R...” in pencil l.l., titled on the stretcher.
Oil on canvas, 45 x 45 in. (114.3 x 114.3 cm),
framed.
N.B. Hamilton attended the Rhode Island School

of Design, where he was also a painting and
drawing instructor for thirty-four years.
$4,000-6,000
653.
No lot.
652
654.
Peter Sobin (American, 20th/21st Century)
Untitled, c. 1983
Signed “Sobi...” l.r.
Acrylic and mixed-media collage, sheet size 40 x
25 3/4 in. (101.6 x 65.4 cm), framed.
$300-500
654
363
655.
Donald Castell Kelley (American, b. 1928)
Untitled
Signed and dated “D.C. Kelley July 20, 08” in pencil l.l., signature and
date pentimento u.r.
Ink and pastel on paper, sheet size 29 1/2 x 22 in. (74.9 x 55.9 cm),
framed.
N.B. Donald C. Kelley trained at the School of the Museum of Fine

Arts, Boston, from 1952 to 1957. During a two-year period abroad,
he met fellow Museum School alum Cy Twombly in Mykonos,
Greece. Kelley attended Yale School of Art and Architecture in 1960
where he received his Bachelors and Masters degrees. He has had a
number of one-man and group exhibits in New England, and several
art residencies at the Wurlitzer Foundation and The MacDowell
Colony.
Based on the signatures, the present work is both figurative and

abstract from either vertical orientation.
$300-500
656.
Faiq Hussain (Iraqi, 20th Century)
My Wilderness Open for Others

Signed in Arabic l.r., signed or inscribed and dated “No.
178/BAGHDAD-IRAQ...FAIK HA HUSSAIN/1965” on the reverse.
Condition: Mildewing.
Provenance: From the collection of Louis Albert McMillen.

655 $5,000-7,000
657.
No lot.
656
364
658
658.
Sylvia Miller (Ukrainian/American, 1910-1991)
Bantu
Signed “SYLVIA MILLER” l.r., titled on the stretcher.
Condition: Patch reinforcement, surface grime, retouch.
$1,500-2,500
365
659.
Reba Stewart (American, 1930-1971)
River at Baños de Coamo/A Puerto Rico

Landscape
Signed and inscribed “Reba Stewart San Juan. P.R.”
in pencil l.r., titled and dated “...Jan. 24, 1971” l.l.
Ink and graphite on paper, sight size 19 1/4 x 27 in.
(48.9 x 68.6 cm), framed.
N.B. The beaches of San Juan, Puerto Rico, left a

lasting impression on Reba Stewart, who vacationed
there regularly between 1963 and her untimely death
in 1971. Reba was fascinated by the local
driftwood, which she would assemble into mobiles
and ship back to her studio in Baltimore, Maryland.1
The present work relates to a series of works
inspired by Puerto Rico which explore the fluctuating
boundaries between land, sky, and sea.
1. LaFleur, Helen Myrick, “Reminiscences of Reba Stewart,”

Reba Stewart: A Legacy, Massachusetts College of Art, October
9 to November 20, 2006 (exh. cat.), pp. 13-14, 22, 26.
659 $700-900
660.
Elof Wedin (American, 1901-1983)
View of a Modernist House

Signed and dated “Elof Wedin 1955” l.l.
Pastel and charcoal on paper, sight size 19 1/4 x 23
1/4 in. (48.9 x 59.1 cm), framed.
$1,000-1,500
660
366
661
661.
David Pearce (British, fl. 1987-present)
Plantlife
Signed and dated “David Pearce ‘94” on the reverse.
Acrylic on stitched canvas patches, 48 x 48 in. (121.9 x 121.9 cm),
unframed.
Condition: Very mild wear to edges.
Provenance: Purchased directly from the artist.

$1,500-2,000
367
662.
Lot of Two Landscapes: Cloud Shapes and Cold Sun

Both signed “L. Sisson” l.l., titled and numbered on the
reverse.
Watercolor on paper, sheet size to 30 1/4 x 22 1/4 in. (76.9 x
56.5 cm), unframed.
Condition: Tack holes in corners.
$1,000-1,500
663.
Lot of Two Evening Views: January Blue and Moonlit

Pilings
One signed “L. Sisson” l.r., the other signed “Laurence Sisson”
l.l., both titled and numbered verso.
Watercolor on paper, size to 22 1/8 x 30 1/4 in. (56.3 x 76.5
cm), unframed.
Condition: Minor wear along edges, tack holes in corners.
$1,000-1,500
662
663
368
664
664.
Leonardo M. Nierman (American, b. 1932)
Prehistoric Fire
Signed “Nierman” l.l., titled on the reverse.
Condition: Craquelure, minor surface abrasions.
$800-1,200
369
665
665.
Irene Rice Pereira (American, 1902-1971)
Reclining Nude in a Landscape

Incised signature, inscription, and date “I. RICE PEREIRA/-
WILTSHIRE/50” l.l.
Oil on cardstock, 10 1/2 x 13 5/8 in. (26.7 x 34.6 cm), framed.
800-1,200
666.
Karl Zerbe (American, 1903-1972)
Sitting Woman Variation #I, 1961

Signed or inscribed “Zerbe” l.r., titled in pen on the stretcher and
identified on a label from Nordness Gallery, New York, on the reverse.
Acrylic and collage on linen, 21 x 14 in. (53.3 x 35.6 cm), framed.
$800-1,200
666
370
667
667.
Romeo Villalva Tabuena (Filipino, b. 1921)
Nocturne
Signed and dated "TABUENA 1961" l.r., titled on the reverse.
$800-1,200
371
668
668. 669.
Joseph Piccillo (American, b. 1941) Walter (Sidney) Feldman (American, b. 1925)
Lot of Three Portraits: Witness #I, Witness #III, and Witness #IV, Untitled [Heart-Shaped Lock]
1968 Signed and dated “Walter Feldman 1966” in pencil l.l.
Signed, titled, and dated “...FEB 68 joseph piccillo” u.r., l.l., and l.r., Mixed media on paper/board, sight size 10 3/4 x 10 3/4 in. (27.3 x
respectively, one with a signed and dedicated exhibition notice affixed 27.3 cm), framed.
to the reverse. Condition: Not examined out of frame.
Graphite on paper, sight sizes to 10 x 8 3/4 in. (25.4 x 22.2 cm),
framed. Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.
Condition: Not examined out of frames. $300-500
$1,200-1,800
669
372
670
670. 671.
Bonnie Whittingham (American, 20th Century) Francisco Toledo (American, b. 1940)
Figures in Profile Lot of Two Works: Abstract Creatures and Interior Scene
Signed “Whittingham” l.l. Both signed “Toledo” l.r.
Oil and tissue collage on canvas, 34 x 72 in. (86.4 x 182.9 cm), Creatures gouache and ink on paper mounted onto board, sheet size
unframed. 8 3/4 x 12 in. (22.2 x 30.5 cm); Interior ink and watercolor on the
Condition: Minor surface grime. back of lithograph portfolio cover sheet, 12 3/4 x 15 7/8 in. (32.4 x
$1,500-2,500 40.3 cm); both unframed.
Condition: Creatures with bowing to support, Interior with deckled
edges, both with soiling/surface grime.
$1,500-2,000
671
373
672.
Peter Busa (American, 1914-1985)
Figure in Profile
Unsigned.
Oil on Masonite, 17 3/4 x 12 in. (45.1 x 30.5 cm), framed.
Condition: Surface grime, craquelure, losses/abrasions, retouch.
$2,000-3,000
673.
June Bellamy (Burmese/Italian, 20th Century)
Natura Morta Con Uva

Signed “Bellamy” l.l., also signed, inscribed, dated, and titled “JUNE
BELLAMY/FIRENZE/1968...” on the reverse.
Condition: Alligatoring, minor abrasions along frame.

$300-500
672
673
374
674
674.
Vito Acconci (American, b. 1940)
Mobius Bench/An Installation Study for the Shops at Lake

Avenue, 401 Lake Avenue, Pasadena, California
Inscribed, signed, and dated “Acconci Studio Vito Acconci ‘03” in
pencil l.r.
Ink and graphite on paper, sheet size 7 x 17 in. (17.8 x 43.2 cm),
framed.
Provenance: Acquired from the artist by commission, private New

England collection.
$1,500-2,000
375
675.
Gregory Amenoff (American, b. 1948)
Study for The Heart of the Matter II, 1982

Signed, dated, titled, and dedicated “for Dan &
Marlene...Gregory Amenoff 8/82...” in crayon on
the reverse and identified on a label from Nielsen
Gallery, Boston, on the stretcher.
Oil on canvas, 18 x 18 in. (45.7 x 45.7 cm),
unframed.
Condition: Good.
$1,000-1,500
675
676.
Carl Sprinchorn (American, 1887-1971)
Red Maple
Signed “CARL SPRINCHORN” l.r., identified on a
label from the New Bertha Schaefer Gallery, New
York, on the backing.
Watercolor on paper, sight size 22 1/2 x 18 in.
(57.1 x 45.7 cm), framed.
Condition: Toning, foxing, not examined out of
frame.
$1,000-1,500
676
376
677
677.
Karl Knaths (American, 1891-1971)
Abstract Garden
Signed “K. Knaths” and with a profile portrait sketch on the reverse,
stamped “B. BEAMSDERFER GALLERY, HIGHLAND PARK, NEW
JERSEY” on the backing.
Oil on canvas, sight size 38 3/4 x 31 1/2 in. (98.4 x 80.0 cm), framed.
Condition: Craquelure with lifting.
$1,500-2,000
377
678
678. 679.
Chen Chi-Kwan (Chinese, 1921-2007) Liu Tian Wei (Chinese, b. 1954)
Mother and Sons Abstract Composition

Signed “Chen Qi Kuan bi” in Chinese l.r. and titled “Muzi” in Chinese Sealed and dated “...1983” in Chinese l.l.
u.l. Ink wash on paper, sheet size 37 3/4 x 70 1/2 in. (95.9 x 179.1 cm),
Ink on paper, sight size 11 3/4 x 19 1/4 in. (29.8 x 48.9 cm), framed. framed.
Condition: Subtle rippling. Condition: Not examined out of frame.
Provenance: From the collection of Louis Albert McMillen. Provenance: From the collection of Louis Albert McMillen.
$1,500-2,500 $1,500-2,500
679
378
680
680. 681.
Chen Chi-Kwan (Chinese, 1921-2007) John Way [Wei Letang] (Chinese/American, b. 1921)
Cockfight Untitled [Abstract]

Signed and inscribed in Chinese l.l. and u.r. Signed and dated “John Way ‘75” l.r.
Ink wash on paper, sight size 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm), Oil on paper, 19 1/8 x 24 in. (48.6 x 61.0 cm), unframed.
framed. Condition: Good.
Provenance: From the collection of Louis Albert McMillen. $4,000-6,000
$1,500-2,500
681
379
682
682.
Walasse Ting (Chinese/American, b. 1929)
Grasshopper with Watermelon

Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.l.
Acrylic and ink on rice paper, sheet size 13 3/4 x 19 in. (34.9 x 48.3
cm), framed.
$2,200-2,800
683.
Noe Canjura (French, 1925-1973)
Éventaire au marché
Signed “CANJURA” l.l., titled and signed “...CANJURA” on the
reverse, identified on a presentation plaque, with a label from Findlay
Galleries, Inc., Chicago, on the backing.
Condition: Craquelure, surface grime, minor losses/abrasions.
$2,000-2,500
683
380
684.
Noe Canjura (French, 1925-1973)
La composition du bouquet
Signed “CANJURA” l.l., titled and signed “...CANJURA” on the
reverse, with a label from Findlay Galleries, Inc., Chicago, on
the backing.
$1,000-1,500
685.
Portrait of Two Beauties with a Red Horse

Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese
u.r.
Acrylic and ink on rice paper, sheet size 14 1/4 x 19 in. (36.2 x
48.3 cm), framed.
$2,500-3,500
684
685
381
686
686.
Portrait of Two Beauties with Parrots

Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.l.,
with a label from Lefebre Gallery, New York, on the reverse.
Acrylic and ink on rice paper, sheet size 70 x 38 in. (177.8 x 96.5
cm), framed.
Condition: Tape hinged to backing mat, subtle rippling, not examined
out of frame.
$15,000-25,000
382
687
687.
Portrait of a Reclining Woman with Parrot

Sealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese within
the composition.
Acrylic and ink on rice paper, sheet size 38 x 70 in. (96.5 x 177.8
cm), framed.
Condition: Tape hinged to linen-covered mat, subtle rippling, not
N.B. Ting, whose first name is the Westernized version of his

Chinese given name “Hua La Si,” adopted the moniker “thief who
steals flowers” to express his love of women and depicting the female
form.1
The present work relates to Ting’s Jolies Dames series of spring 1987
when he spent two months in Amsterdam photographing and
sketching sixty-six female models as the basis for full-scale studio
compositions (replete with cats, parrots, grasshoppers, and melons)
created in New York later that year.
1. Walasse Ting, Jolies Dames, Paris: Yves Riviere Editeur, 1988.
$15,000-25,000
383
688
688.
Lincoln Perry (American, b. 1949)
Work: Late Afternoon in the City

Initialed and dated “LP84” l.l., identified on a label on the backing.
Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.
Condition: Good.
Provenance: Commissioned by John Hancock Mutual Life Insurance

Company, purchased from the John Hancock Corporate Art
Collection, Boston.
$5,000-7,000
384
689
689.
Lincoln Perry (American, b. 1949)
Leisure: Summer Afternoon, The Esplanade

Initialed and dated “LP84” l.r., identified on a label on the backing.
Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.
Condition: Good.
Provenance: Commissioned by John Hancock Mutual Life Insurance

Company, purchased from the John Hancock Corporate Art
Collection, Boston.
$7,000-9,000
385
690
690. 691.
Richard Sheehan (American, 1953-2006) Richard Sheehan (American, 1953-2006)
New 100 Merit Ultra Lights, 1988 New Bridge, 1985

Unsigned, identified on a label affixed to the stretcher. Signed and dated “Sheehan 85” l.l., titled l.r., also signed and titled
Oil on canvas, 22 1/4 x 28 in. (56.5 x 71.1 cm), unframed. “...Sheehan” and identified on a label from Alpha Gallery, Boston, on
Condition: Minor abrasions along the tacking margin. the reverse.
Provenance: From the collection of Maria Christina Rago. Condition: Craquelure.
$800-1,200
Provenance: From the collection of Maria Christina Rago.
$800-1,000
691
386
692
692.
Richard Sheehan (American, 1953-2006)
Elevated
Unsigned, titled and dated “...198...” on the reverse.
Condition: Craquelure, flaking.

$1,000-1,500
387
693
693. 694.
Reed Kay (American, b. 1925) Richard Sheehan (American, 1953-2006)
View of Boston Common, 1981-2 Arlington St., Hyde Park, 1978

Signed and dated “Kay 82” l.r., identified on labels from the Alpha Incised signature “Richard Sheehan” l.r., dated, titled, and signed
Gallery, Boston, on the reverse. “1978...Richard S. Sheehan” in pencil on the reverse.
Oil on Masonite, 18 x 22 in. (45.7 x 55.9 cm), framed. Oil on canvas, 28 x 28 in. (71.1 x 71.1 cm), framed.
Condition: Good. Condition: Losses/flaking in the u.l. quadrant.
Provenance: From the collection of Maria Christina Rago. Provenance: From the collection of Maria Christina Rago.
$600-800 $1,000-1,500
694
388
695
695.
Reed Kay (American, b. 1925)
Boston Buildings I, 1983

Signed and dated “R. Kay- ‘83” l.r., identified on a label from Alpha
Gallery, Boston, on the backing.
Condition: Good.

$500-700
389
696
696. 697.
John Stuart Ingle (American, b. 1933) Lowell Blair Nesbitt (American, 1933-1993)
Still Life with Cookies Kilim Rug with Fruit

Signed, dated, and inscribed “John S Ingle 9/.../#6” in pencil l.r. Titled, dated, inscribed, and signed “’77-’78... L. NESBITT” on the
Watercolor with gouache on paper, image size 14 x 19 1/2 in. (35.6 x reverse.
49.5 cm), framed. Oil on canvas, 32 x 40 in. (81.3 x 101.5 cm), framed.
Condition: Deckled edges, broad rippling, not examined out of Condition: Surface grime.
frame. $2,000-2,500
Provenance: Purchased from Tatistcheff Gallery, New York.

$6,000-8,000
697
390
698
698.
Raymond Han (American, b. 1931)
The Pain Surprise

Unsigned.
Provenance: Purchased from Menconi & Schoelkopf Fine Art, New

York.
$8,000-12,000
END OF SALE
391
Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be

ascribed to the artist on the basis of style, but leaves some question as to actual
authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown

follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in

the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the

work of the artist.
American School, 19th Century. - In our judgment, the work of an

unknown hand that can only be identified as to period and culture.
Other terms:
Bears Signature. - In our judgment, the signature not of the artist. This term
is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.
392
Artist Index
Abbott, Yarnall ..............................................................................509 Cambier, Louis Gustave ..............................................................516

Acconci, Vito ................................................................................674 Cameron, David Young....................................................................44
Agam, Yaacov ..............................................................................618 Canjura, Noe ........................................................................683, 684
Ahl, Henry Curtis ..........................................................................475 Carigiet, Alois ..................................................................................45
Albers, Anni ......................................................................................1 Carlson, John Fabian ..................................................................449
Alechinsky, Pierre ..........................................................................2, 3 Cartier-Bresson, Henri ..................................................................269
Amenoff, Gregory ........................................................................675 Case, Edmund Elisha ..................................................................469
American School, 19th Century ..........................357A, 385, 387, 393 Casilear, John William ..................................................................379
American School, 20th Century ........................................................4 Casse, Roger ..............................................................................518
Andersen, Niels Yde ......................................................................5-9 Cassigneul, Jean Pierre ................................................................575
Anderson, Stanley ..........................................................................10 Castelucho, Claudio ....................................................................543
de Andreis, Alex ..........................................................................318B Cataldi, Amleto ............................................................................564
Anglo/American School, 19th Century ..........................................386 Chagall, Marc ............................................................................46-48
Antokolsky, Mark Matveevich (After) ..............................................322 Chahine, Edgar................................................................................49
Anuszkiewicz, Richard ....................................................................11 Chamberlain, Samuel V. ............................................................50-62
D’Arcangelo, Allan M. ..................................................................616 Champney, James Wells ............................................................319A
Arms, John Taylor............................................................................12 Chapin, Bryant ............................................................................351
Aronson, David ............................................................................594 Chapin, Marie Louise ....................................................................558
Arthur, Robert ..............................................................................362 Charlet, Nicolas Toussaint ............................................................341
Ashkenazi, Aaron ........................................................................600 Chase, Adelaide Cole ..................................................................556
Avery, Milton ....................................................................................13 Chase, William Merritt ..................................................................399
Aylsworth, Lynn Nelsen ................................................................551 Chen, Chi-Kwan ..................................................................678, 680
Chinni, Peter Anthony ..........................................................624, 628
Bacher, Will Low ..........................................................................498 de Chirico, Giorgio ....................................................................63-66
Bacon, Henry ..............................................................................392 Cipolla, Fabio ..............................................................................330
Baker, Margaret ............................................................................484 Clark, Roland ..................................................................................67
Barker, Benjamin (Attributed to) ....................................................348 Clastrier, Stanislaw ......................................................................443
Bascom, Earl Wesley ..........................................................411, 413 Clavé, Antoni ..................................................................................68
Baskin, Leonard ........................................................................14-23 Closson, William Baxter Palmer ............................................580, 582
Baxter, Elijah ................................................................................581 Coignard, James........................................................................69-71
Beaux, Cecilia ..............................................................559, 560, 563 Cole, Joseph Foxcroft ..................................................................376
Beckmann, Hannes ......................................................................639 Colla, Ettore ................................................................................630
Bellamy, June ..............................................................................673 Collins, Earl E. ..............................................................................363
Bellows, George Wesley............................................................23, 24 Collver, Ethel Blanchard ................................................................586
Benson, Frank Weston ..............................................................25-32 Colman, Samuel ..........................................................................513
Benton, Thomas Hart ................................................................33-35 Connaway, Jay Hall ......................................................................470
Bernard, Edouard Alexandre ..........................................................36 Continental School, 17th Century Style ......................................318C
Berry, Carroll Thayer ........................................................................37 Continental School, 17th/18th Century..................................311, 326
van Beyeren, Abraham (School of) ................................................301 Continental School, 18th Century..........................................317, 319
Bierhals, Otto ..............................................................................459 Continental School, 19th Century ......................329, 333, 334A, 345
Bilbie, James Lees ....................................................................349A Continental School, 20th Century..........................................506, 532
Birney, William Verplanck ............................................................392A Continental School, 20th/21st Century..........................................592
Bishop, Isabel ................................................................38, 589, 591 Cook, Jr., Otis Pierce ..................................................................486
Bishop, Richard Evett ......................................................................39 Corey, Bernard ............................................................................461
Blackburn, Joseph ....................................................................314A Corinth, Lovis ..................................................................................72
Blampied, Edmund....................................................................40, 41 Cornoyer, Paul (Attributed to) ........................................................427
van Blarenberghe, Jacques Willem ............................................343A Cortazzo, Oreste ........................................................................325B
Bonavita, Francesco Bianchi (Manner of) ......................................309 Cotharin, Kate Leah ....................................................................483
Boughton, George Henry ..........................................................331A Crane, Alan Horton..........................................................................73
Braitou-Sala, Albert ......................................................................549 Crite, Allan Rohan ........................................................................583
Braque, Georges (After) ..........................................................42, 42A Cruickshank, William ....................................................................344
de Breanski, Alfred Fontville ..........................................................352 Curry, John Steuart ..................................................................74, 75
Breling, Heinrich ..........................................................................325 Curtin, Thomas R. ........................................................................442
Breughel, Jan, the Younger (Manner of) ........................................300 Curtis, Roger William ....................................................................466
Breul, Hugo ..................................................................................391 Cutler, Carl Gordon ..............................................................428-431
Bricher, Alfred Thompson ............................................................354
British School, 18th Century..........................................................316 Dalí, Salvador ............................................................................76, 77
British School, 18th/19th Century..................................................315 Damoye, Pierre Emmanuel ..........................................................446
Brown, Mae Bennett ....................................................................554 Davidson, Allan Albert ..................................................................577
Buckle, Claude ................................................................................43 Dawson-Watson, Dawson (Attributed to) ......................................510
Bueno, Antonio ............................................................................603 Dean, Walter Lofthouse ................................................................366
Buffet, Bernard ............................................................................605 Decamps, Alexandre Gabriel ........................................................338
Burleigh, Sydney Richmond ................................320, 394, 445, 534 Dehn, Adolf Arthur ..........................................................................78
Burlingame, Charles Albert ..........................................................418 Dicksee, P.R.A., Sir Frank ............................................................327
Burliuk, David ......................................................................593, 604 Dickson, Jane Leone ......................................................................79
Busa, Peter ..........................................................................645, 672 Dine, Jim ........................................................................................80
Donati, Lazzaro ..............................................................81, 574, 595
Cady, Harrison ..............................................................................585 Dozier, Otis................................................................................82, 83
Cahoon, Jr., Ralph Eugene ..........................................................588 Dubuffet, Jean ................................................................................84
Calder, Alexander ................................................................609, 610 Duperac, Etienne ............................................................................85
393
Dürer, Albrecht ................................................................................86 Hardwick, Melbourne Havelock ....................................................381
Dutch School, 17th Century Style ................................................306 Hare, John Cuthbert ....................................................................503
Dyer, Hezekiah Anthony (Attributed to) ..........................................514 Hartung, Hans........................................................................123-126
Dzubas, Friedel ............................................................................625 Haynes, Frank Jay ........................................................................280
Hays, George Arthur ....................................................................375
Eastern European School, 20th Century........................................508 Hecht, Joseph ..............................................................................127
Edgerton, Harold Eugene ......................................................270-278 Heckel, Erich ................................................................................129
Eggleston, Benjamin Osro ............................................................382 Heinrich, Franz (Francis H.) ..........................................................324
Enneking, John Joseph ................................................................434 Henry, George ..............................................................................539
Ernst, Max ......................................................................................87 Hepworth, Dame Barbara..............................................................130
Ettinger, Churchill ..........................................................................452 Herring Jr., John Frederick ..........................................................349
Evans, Walker................................................................................279 Hibbard, Aldro Thompson ....................................437, 447, 448, 450
Hill, John William ........................................................................393A
Farrier, Robert (Attributed to) ......................................................329B Hills, Laura Coombs ....................................................................546
Feininger, Lyonel..............................................................................88 Hinckley, Thomas Hewes (Attributed to) ........................................369
Feldman, Walter (Sidney) ..............................................................669 Hine, Lewis Wickes ......................................................................281
Fenkohl, Erna ..................................................................................89 Hoffbauer, Charles Constantine ....................................................562
Fiene, Ernest ..................................................................................90 Hoffman, Irwin D. ..........................................................................131
Finck, Hazel (Mrs. William C.) ......................................................500 d’Hondecoeter, Melchior (Attributed to) ........................................303
Flint, RA, Sir William Russell ........................................................568 Hornby, Lester George ..........................................................132, 133
Francis, Sam ..................................................................................91 Hussain, Faiq ..............................................................................656
Frankenthaler, Helen ........................................................................92 Hutchens, Frank Townsend ..........................................................453
Frazier, Kenneth ..........................................................................537 Hutty, Alfred Heber ........................................................................134
French School, 19th/20th Century ......................................93-95, 97
French School, 20th Century ..................................................96, 522 Ingle, John Stuart ........................................................................696
French, Daniel Chester ................................................................538 Italian School, 18th Century ..........................................................302
Furneaux, Charles ........................................................................407 Italian School, 18th/19th Century ..................................304, 307, 314
Italian School, 19th Century ................................................325A, 342
Gaertner, Carl Frederick ................................................................457
Gag, Wanda ....................................................................................98 Johnston, John S...................................................................282-284
Galerie Maeght, editor ..........................................................164, 165 Johnstone, Henry James ..............................................................331
Gall, François ......................................................................520, 573 Jones, Hugh Bolton ....................................................................423
Gallagher, Sears ......................................................................99, 100 Joyce, Marshall Woodside ............................................................495
Gardiner, Eliza Draper ............................................................101-113 de Juan, Ronaldo ........................................................................648
Gasser, Henry Martin ....................................................................494
Gay, Edward B. ............................................................................373 Kaber, George Frederick ..............................................................548
Gay, Walter ........................................................................397A-398 Kappel, Philip ........................................................................135-137
Genth, Lillian Mathilde ..................................................................472 Kasimir, Luigi..........................................................................138-140
German School, 18th Century Style ..............................................308 Kavalec, Gregory ..........................................................................636
Gerry, Samuel Lancaster ............................................................379A Kay, Reed ............................................................................693, 695
Gifford, Charles Henry ..................................................................358 Kelley, Donald Castell ..................................................................655
Gildemeester, Paulus Adriaan ......................................................340 Kirk, Frank Cohen ................................................................511, 552
Gleizes, Albert ..............................................................................114 Kirmse, Marguerite ................................................................141, 142
Gloeckner, Michiel Theobald ................................................640, 641 Kisling, Moïse ................................................................................143
Gold, Albert ..................................................................................115 Knapp, Charles Wilson ................................................................378
Gollings, Elling William (Bill) ..........................................................410 Knaths, Karl ................................................................................677
Gooden, Stephen ..........................................................................116 Kolin, Sacha ..................................................................................144
Goodnough, Robert Arthur ..........................................................638 Kreyder, Alexis ..............................................................................346
Gordon, John Watson ..................................................................318 Kubinyi, Kalman ............................................................................145
Gorman, R.C. ................................................................................117
Grant, Clement Rollins ..................................................................542 Lansere, Nikolay Evgenyevich ......................................................531
Grant, Gordon Hope ....................................................................118 Lareuse, Jean ......................................................................528, 530
Graves, Abbott Fuller ................................................................398A Lasar, Charles Augustus C. ..........................................................368
Gray, Cleve ..................................................................................643 Lauritz, Paul ................................................................................464
Greason, Donald Carlisle ..............................................................584 Lazarev, Vladimir ..........................................................................519
Greene, Elmer Wesley ..................................................................547 Leavitt, Edward Chalmers ............................................................544
Griggs, Frederick Landseer Maur ..................................................119 Lee-Hankey, William ....................................................................524
Grosz, George Ehrenfried ............................................................572 Leheutre, Gustave ........................................................................146
Grubas, Marco ............................................................................402 Lehrer, Leonard ......................................................................147-149
Grün, Maurice ..............................................................................525 Leif, Florence ................................................................................489
Gruppe, Charles Paul ..........................................................336, 377 Leighton, Clare Veronica Hope ......................................................150
Gruppé, Emile Albert ............................................................436, 462 Leprince, Robert Léopold ............................................................343
Guillemer, Ernest ..........................................................................337 de Leub, Fr. ..................................................................................328
Günther, Max ................................................................................635 Levine, Jack ..........................................................................151-156
Lewis, Martin ................................................................................157
De Haas, Mauritz Frederik Hendrick ............................................357 Lichtenstein, Roy ..........................................................................158
Hale, Philip Leslie ........................................................................541 Lockwood, Wilton Robert ............................................................540
Hamaguchi, Yozo ..................................................................120-122 Loeb, Lee M. ............................................................................500A
Hambourg, Andre ........................................................................521 Lord, Elyse Ashe ....................................................................159-163
Hamilton, Robert G. ....................................................................652 Loving, Jr., Alvin Demar ................................................................642
Hammond, Arthur J. ....................................................................406 Lyford, Cabot ......................................................................597, 601
Han, Raymond ............................................................................698 Lynes, George Platt ......................................................................285
394
Macdonald, Christopher ..............................................................637 Perlman, Joel Leonard ................................................................633
Macy, William Ferdinand ............................................................371A Perry, Lincoln ......................................................................688, 689
Major, Ernest Lee ........................................................................481 Peterson, Jane ............................................................................533
Maldarelli, Oronzio ........................................................................570 Petlin, Irving ..................................................................................602
Margo, Boris ........................................................................166, 167 Peyton, Alfred Conway ................................................................529
Marini, Marino................................................................................168 Pfaff, Judy ....................................................................................200
Marsh, Reginald ..........................................................................527 Phelps, William Preston ................................................................389
De Martelly, John Stockton............................................................169 Picasso, Pablo ..............................................................................201
van Mastenbroek, Johann Hendrick ............................................365 Piccillo, Joseph ............................................................................668
Mathewson, Frank Convers ..........................................................550 Piot, Adolphe (Attributed to) ..........................................................334
Matisse, Henri ......................................................................170, 599 Pollak, Max....................................................................................202
Matsubara, Naoko ........................................................................171 Pomodoro, Arnaldo ......................................................................620
Matthey, L. ..................................................................................172 Poncet, Antoine ............................................................................626
Maufra, Maxime ..........................................................................507 Pye, Fred ......................................................................................474
Mazini, Ciro ..................................................................................400
McAfee, Ila Mae ..........................................................................409 Quence, Raymond ......................................................................515
McBey, James ..............................................................................173
McIlvaine, Jr., William A. ..............................................................380 Redon, Odilon ..............................................................................203
Melbye, Fritz Sigfried Georg ........................................................361 Reiss, Lionel S. ............................................................................499
Meltzer, Davis Paul ........................................................................174 Richards, Walter Dubois ................................................................205
Metcalf, Conger A. ......................................................................596 Richards, William Trost ..............................................................353A
Mettenhoven, Marcel ....................................................................523 Rico y Ortega, Martin ..................................................................404
Meucci, Michelangelo ................................................................343B van Rijn, Rembrandt......................................................................204
Meurer, Charles Alfred ..................................................................388 Ripley, Aiden Lassell ..............................................................414-416
Michals, Duane..............................................................................286 Rix, Julian Walbridge ............................................................384, 482
Millar, Addison Thomas ................................................................356 Rodin, Auguste..............................................................................206
Miller, Sylvia ..........................................................................646, 658 Rosebee........................................................................................587
Milton, Peter Winslow....................................................................175 Rosenquist, James........................................................................207
Miró, Joan..............................................................................176-182 Rost, Ernest Christian ................................................................382A
Moore, Henry ................................................................................183 Roth, Jack ....................................................................................647
Morley, Malcolm ............................................................................185 Rothenberg, Susan ..............................................................208, 209
Morrell, Wayne Beam ..................................422, 432, 433, 435, 440 Rouault, Georges ..................................................................210, 211
................................................................460, 488, 490, 497, 517 Row, David....................................................................................212
Müller, Henry ..............................................................................337A Rowbotham, Charles ....................................................................405
Munninger, Ludwig ......................................................................438 Rozmainski, Vladimir ....................................................................567
Murphy, John J. A. ........................................................................186 Rumert, Bengt ..............................................................................213
Murray, Elizabeth ..................................................................187, 188 Ryan, Anne ..........................................................................214, 651
Musgrave, Arthur Franklyn (Attributed to) ......................................505
Saito, Kiyoshi ........................................................................215, 216
Neopolitan School, 17th Century Style ..........................................310 Salmon, Robert ............................................................................353
Nesbitt, Lowell Blair ......................................................................697 Sample, Paul Starrett ..................................................................455
Nevelson, Louise Berliawsky ................................................189, 631 Schlesinger, Felix ..........................................................................332
Neyland, Harry A. ........................................................................467 Schön, Erhard ..............................................................................217
Nicholls, Burr H. ........................................................................395A Schreyer, Adolf ............................................................................401
Nichols, Carroll Leja ......................................................................451 Scott, John White Allen ................................................................370
Nicholson, William ................................................................190, 191 de Segonzac, Andre Dunoyer........................................................571
Nierman, Leonardo M. ..................................................................664 Sen, Yong Mun......................................................................473, 476
Nixon, Nicholas ............................................................................287 Serra, Richard ..............................................................................218
Noland, Kenneth ..........................................................................614 Severini, Gino ................................................................................219
Nooney, Ann..................................................................................192 Shannon, Charles Haslewood ......................................................576
Norton, William Edward ................................................................360 Shapleigh, Frank Henry ................................................................396
Sheahan, Joseph Gary ................................................................579
O’Higgins, Pablo Esteban..............................................................194 Sheehan, Richard ........................................................690-692, 694
O’Keeffe, Georgia ........................................................................608 Sherwood, Walter J. ....................................................................397
O’Leary, Angela ............................................................................535 Sichel, Nathaniel ........................................................................322A
Ogé, Eugène ................................................................................193 Sicilia, José María..........................................................................220
Ohashi, Yutaka ............................................................................644 Sidney, Andrew Fisher Bunner, Thomas (After) ..............................184
Olgyai, Ferenc ..............................................................................419 Simon, Tavik Frantisek ..................................................................221
Siqueiros, David Alfaro ..................................................................222
de Paléologue, Jean, known as Pal ..............................................195 Siskind, Aaron........................................................................288-291
Papart, Max ..........................................................................196-198 Sisson, Laurence Philip ................................501, 502, 504, 662, 663
Pape, Eric L. (Frederic) ........................................................426, 555 Sloane, Eric ..................................................................................444
Paradise, Philip Herschel ..............................................................199 Smillie, George Henry ..................................................................374
Parsons, Sheldon ......................................................................406A Smith, Frank Vining ......................................................................417
Pauli, Richard ..............................................................................383 Smith, Harry ..............................................................................387A
Pavlosky, Vladimir ........................................................................480 Smith, Hope ................................................................................526
Pearce, David ..............................................................................661 Sobin, Peter ................................................................................654
Pearson, Marguerite Stuber ..........................................................553 Solliday, Tim ........................................................................408, 412
de la Peña, Narcisse Virgile Diaz (School of) ..................................321 Soto, Jesus Rafael ......................................................................629
Pepper, Beverly Stoll ............................................................615, 634 Soulages, Pierre ............................................................................223
Pereira, Irene Rice ........................................................................665 Soyer, Moses ..............................................................................590
Pérez, Mariano Alonso ................................................................566 Soyer, Raphael ......................................................................224-227
395
Spanish or Spanish Colonial School, 18th Century Style ..............312 Whorf, John ................................................................465, 477, 479
Spanish School, 16th Century/Style ..............................................313 Wilbur, Lawrence Nelson ..............................................................463
Sprinchorn, Carl ..........................................................................676 Willison, Thomas Jefferson ..........................................................424
Steinberg, Saul ............................................................................613 Wilson, Jeremiah ..........................................................................372
Steinheil, Adolphe Charles Edouard ............................................323 Wilson, Robert ..............................................................................264
Steir, Pat........................................................................................228 Wilson, Sol ..................................................................................606
Stella, Frank ................................................................................612 Winter, Charles Allen ............................................................561, 565
Stevens, William Lester ................................................................496 Wood, Stanley Huber ..................................................................512
Stevovich, Andrew ................................................................229-234 Woodbury, Charles Herbert ..........................................................471
Stewart, Reba ..............................................................................659 Woodward, Mabel May ................................................................536
Stone, Don ..........................................................................468, 485 Woodward, Robert Strong ..................................................456, 491
Storch, Karl (Attributed to) ............................................................545 Woodward, Stanley Wingate ........................................................441
Strisik, Paul ................................................................................443A
Strozzi, Bernardo (Attributed to) ..................................................318A Youngerman, Jack ................................................................265, 627
Summers, Carol ....................................................................235-241
Sung, Chin ....................................................................................242 Zadkine, Ossip ..............................................................................266
Surber, Paul ..............................................................................409A Zerbe, Karl ..................................................................................666
Svendsen, Svend Rasmussen ......................................................458
Swan, Emma Levinia ....................................................................395
Symons, George Gardner ............................................................439
Tabuena, Romeo Villalva ..............................................................667

Tanguy, Yves ................................................................................611
Tchelitchew, Pavel ........................................................................598
Teniers, David, the Younger (Manner of) ........................................305
Thom, James Crawford ................................................................390
Thomas, Alice Blair ....................................................................350A
Thompson, Albert ......................................................................380A
Ting, Walasse ..............................................................682, 685-687
Tobiasse, Théo ......................................................................243-246
Tojetti, Virgilio ............................................................................329A
Toledo, Francisco ........................................................................671
Tolman, Stacy ..............................................................................492
de Toulouse-Lautrec, Henri....................................................247, 569
Triscott, Samuel Peter Rolt ..........................................................493
Trova, Ernest Tino ................................................................621-623
Tumarkin, Igael ............................................................................617
Tyler, James Gale ........................................................................364
Vasarely, Victor ............................................................................619

Vernon, Paul ................................................................................403
Vierra, Carlos ................................................................................478
Villon, Jacques ............................................................................248
Vincent, Harry Aiken ....................................................................487
Vos, Hubert ..................................................................................420
Vuillard, Edouard ..........................................................................249
Walker, John G. ............................................................................649

Walkley, David Birdsey ..............................................................378A
Walraven, Jan ..............................................................................335
Walton, William ............................................................................632
Ward, Lynd Kendall ......................................................................250
Warhol, Andy ................................................................................251
Warren, Elizabeth Boardman ........................................................421
Warren, Harold Broadfield ............................................................425
Washburn, Bradford ..............................................................292-296
Waters, George Wattles ................................................................359
Watson, William R.C. ....................................................................350
Way [Wei Letang], John ................................................................681
Webber, Wesley Elbridge ......................................................355, 371
Wedin, Elof ..................................................................................660
Weekes, William ..........................................................................347
Wei, Liu Tian ................................................................................679
Wely, Jacques ..............................................................................578
Weissman, Charles M. ..................................................................142
Wengenroth, Stow ................................................................252-255
Wesselmann, Tom ........................................................................256
Wesson, Robert Shaw ..................................................................454
Whistler, James Abbott McNeill..............................................257-263
Whitaker, George William (Attributed to) ........................................339
Whitman, Sarah De St. Prix Wyman ............................................557
Whittingham, Bonnie ............................................................607, 670
396
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all
items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the
United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other
qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
Revised September 29, 2009

397
Board of Directors Chairman of the Board - Nancy R. Skinner
Richard Albright
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Administration President/Chief Executive Officer - Karen M. Keane

Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,
Stuart G. Slavid, Stuart P. Whitehurst
Expert American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
Departments American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan Zacharias
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
Books & Manuscripts - Stuart P. Whitehurst
Assistant: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Stuart P. Whitehurst, Sara C. Wishart
Fine Wines - Marie Keep
Jewelry - Gloria Lieberman
SKINNER, INC. Assistants: Sheila Barron Smithie, F.G.A., G.G.; John Colasacco
Auctioneers and
Judaica - Kerry Shrives
Appraisers of Antiques
Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
and Fine Art
Jane D. Prentiss
63 Park Plaza Museum & Collections Services - Martha Hamilton
Boston, MA 02116 Musical Instruments - David Bonsey
617.350.5400 Oriental Rugs & Carpets - Gary Richards
Fax 617.350.5429 Science, Technology & Clocks - Robert C. Cheney
Assistant: Chris Barber
274 Cedar Hill Street Silver - Stuart G. Slavid
Marlborough, MA 01752 Assistant: Sara C. Wishart
508.970.3000 Toys & Dolls - Kerry Shrives
Fax 508.970.3100 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
www.skinnerinc.com Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
Stuart P. Whitehurst
Exhibitions and Marlborough: Warehouse Manager - Jonathan Dowling, ext. 3280
Property Manager - Samuel Combs, ext. 3262
Property Distribution 508.970.3000
Boston: Elisabeth Benson-Allott, ext. 4312; Kerryn Murphy, ext. 4329

Property Distribution Manager - Jessica R. Lincoln, ext. 4308
617.350.5400
Finance Department Marlborough: Accounts Receivable - Denise Johnson, ext. 3269

Accounts Payable - Kathleen Hayes, ext. 3268
Credit Supervisor - Joe Monteyro, ext. 3266
Subscriptions Marlborough: Karen Skinner, ext. 3240

508.970.3000
Service Departments Appraisal & Auction Services - Patricia Walker King, Beth Zwicker,
Katharine Holtman, Leah Skowron
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Katharine E. Hampson
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Assistant: Cheryl Freeman
Customer Relations - Carol McCaffrey
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Consignment Services - Deanna Williams, Megan J. Blomgren, Carol Zeigler
Managing Director - Marie C. Keep
Marketing & Public Relations - Catherine Riedel, Anne M. Trodella,
Karen Skinner
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Elizabeth H. Wilson, Judy McLeod
Boston: Erica Boccard
Transportation - Eric Jones
Assistants: Mark McCaffrey, John Williams
Absentee Bid Form
Sale Title Sale Date
First Time Bidder? YES NO Customer #
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required) Date
Lot # Description Bid Price
FOR OFFICE USE

Marlborough Boston Phone Fax Mail Person Employee:
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Directions to Skinner's Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
SKINNER C ATA L O G U E S U B S C R I P T I O N F O R M
PRICES EFFECTIVE JANUARY 1, 2008. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
P L E A S E C H E C K T H E A P P R O P R I AT E B O X E S : U.S./Canada Foreign (payable in U.S. dollars only)
Quarterly Brochure No charge No charge

Included with catalogue subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Toys, Dolls & Collectibles $60 $73
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science & Technology $60 $73
Fine Wines $60 $73
All Above Departments $800 $975
S U B T O TA L
MA RESIDENTS 6.25% S A L E S TA X
T O TA L
MasterCard/VISA # Exp. Date
Signature Check enclosed
Name __________________________________________ Business Name
Mailing Address ____________________________________________________
City ______________________________ State ______ Zip ______________
email address ______________________________________________ Tel: ( ) _____________________________
P L E A S E E N C L O S E PAY M E N T W I T H S U B S C R I P T I O N F O R M A N D M A I L O R FA X T O :
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
DOMESTICATED
photographs by AMY STEIN
© Amy Stein
January 22 through April 18, 2010
Harvard Museum of Natural History

26 Oxford Street
Cambridge, MA 02138
617.495.3045
www.hmnh.harvard.edu

American &amp; European Paintings &amp; Prints

Încărcat de

Informații document

Descriere originală:

Drepturi de autor

Formate disponibile

Partajați acest document

Partajați sau inserați document

Opțiuni de partajare

Vi se pare util acest document?

Este necorespunzător acest conținut?

Drepturi de autor:

Formate disponibile

American &amp; European Paintings &amp; Prints

Încărcat de

Drepturi de autor:

Formate disponibile

SKINNER

Robin S. R. Starr Kathy Wong

Elizabeth C. Haff - 508.970.3258

American & European Paintings & Prints Department - 508.970.3206

Friday, January 29, 2010

COVER : 608 ; FRONTISPIECE : 605 ; BACK COVER : 620

Preview Online Absentee Bidding/Tracking Lots

1 Auction & Specialist Information

2 Web Site & Online Bidding

7 Prints & Photography - Lots 1-296

111 Paintings & Sculpture - Lots 301-698

390 Glossary of Terms

391 Artist Index

395 Conditions of Sale

396 Company Directors & Specialty Departments

397 Administrative Staff & Client Services

398 Absentee Bid Form

399 Map & Driving Directions

400 Catalogue Subscription Form

Copyright © Skinner, Inc. 2010

Collection of Melvin B. Nessel, Boston, Massachusetts

Estate of Eleanor Kanegis Levin, East Gloucester, Massachusetts

Estate of Anna Eleanor Braman Grasso, Essex, Connecticut

Lots: 210, 269, 569, 571, 605, 611

Estate of N. David Scotti, Providence, Rhode Island

1. Providence Journal, “N. David Scotti” [obituary], August 26, 2008.

to be sold Friday, January 29th, 2010 at 12 noon

Thursday, January 28, 2010

5:30 p.m. Reception/6:00 p.m. Gallery Walk

Gallery Walk held in conjunction with a preview of Skinner’s

Lot of Five Images: A, 1968, edition of 50; B, 1968, edition

Figure, 1953, edition of 15. Numbered, signed, dated, and

Facteur Rhésus, 1967, edition of 75 (Rivière 342).

The White Slave, 1911. Identified within the matrix. Color

Lot of Four Harbor Scenes: Sailing with the Setting Sun,

Lot of Four Images of Factory Workers: Smelting;

Lot of Three Images of Factory Workers: All Together Now; Shift

View of Worcester, 1953, edition of 20 (Fern & O’Sullivan, 240).

Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan,

Study of Mary, 1923, edition of 50 (Mason, M.132). Signed “Geo.

Married Couple, 1923, edition of 44 (Mason, M.141). Signed “Geo.

Ducks at Play, 1923, published state, edition of 150 (Paff, 217).

Geese Over a Marsh, 1924, published state, edition of 150 (Paff,

Flying Brant, 1925, published state, edition of 150 (Paff, 241).

In Dropping Flight, 1926, published state, edition of 134 (Paff, 255).

Ascot Cycles. Signed and identified in the matrix. Color lithographic

N.B. A copy of Elwyn Dearborn’s The Down East Printmaker: Carroll

Federal Duck Stamp Design, 1936. Signed “RichardEBishop” in

Lot of Six Landscape Views from the COMPLETE ANGLER, 1902

David, portant la tête de Goliath, plate 64 from BIBLE, 1956,

Lot of Three Volumes: THE LITHOGRAPHS OF MARC CHAGALL,

Demoiselle au tennis, 1899, edition of approximately 70 (Tabanelli,

The Blacksmith Shop, edition of 100 plus proofs (Chamberlain &

Provenance: Through the family of the artist.

Amalfi, edition of 100 (Chamberlain & Kingsland, 8). Signed “Samuel

Provenance: Through the family of the artist.

Church of Saint Ayoul - Provins, 1924-28, edition of 68 plus proofs

Provenance: Through the family of the artist.

Soaring Steel, proof (Chamberlain & Kingsland, 79). Signed “Samuel

Provenance: Through the family of the artist.

Oil, c. 1930, edition of 100, but most destroyed, plus proofs

Provenance: Through the family of the artist.

Lower Manhattan - Old and New (Chamberlain & Kingsland, 81).

American & European Paintings & Prints

American & European Paintings & Prints