Documente Academic
Documente Profesional
Documente Cultură
com 2007
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The Brass
Section
and Saxophone
Trumpets, Horns,
Trombones and Tubas
The Woodwind
Section
Flutes, Oboes,
Clarinets and Bassoons
Woodwind instruments are
not always made of wood.
They get their name from
HOW they are played, using
holes covered by fingers to
make the wind tube longer or
shorter.
The
Orchestra
The Percussion
Section
Bass drums, Side (snare)
drums, Cymbals, Wood blocks
and triangles
The String
Section
Violins, Violas,
Cellos and Double Basses
Piano
Considered both a
stringed and a
percussion instrument.
Melodic percussion
(xylophone, glockenspiel)
written as separate parts
in the musical score
The Timpani
The Harp
A stringed instrument with its
own special place in the
musical score
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SYMPHONY
CONCERTO
WIND QUINTET
A piece of music for five
wind instruments (usually
flute, oboe, clarinet, horn
and bassoon)
Musical
Forms
PIANO TRIO
A piece of music
usually for piano, violin
and cello (but sometimes
other instruments)
SONATA
STRING QUARTET
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Loudness
(volume)
pp is very soft,
mf is moderately loud
and ff is very loud.
Moderato (moderate
pace, approx. 96 bpm)
Allegro (lively, approx.
120 bpm)
Presto (very fast, approx.
140 bpm)
Articulation
(how notes are played)
Legato (smoothly)
Staccato (short and
detached)
A curved line over a group
of notes means to play
them smoothly (legato)
A dot under or over a note
means to play it short and
detached (staccato).
For extra emphasis a note
can also be accented (<)
which means play it louder
than the others near it.
Musical
Terms
The Stave
(music notation)
The five lines music is
written on are called the
stave.
Instruments use either the
Treble clef or the Bass
clef.
The Treble clef contains
most of the notes above
middle C.
The Bass clef contains
most of the notes below
middle C.
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DATES
Medieval
500-1450
Renaissance
Baroque
Classical
DEVELOPMENTS
Monophonic (single melody)
gives way to polyphonic
(more than one melody);
2- and 3-part songs written in
France;
First 6-part round
1450-1600
1600-1750
1750-1820
Development of symphonic
form, sonata form, piano
music, operas
Early Romantic
Romantic
1820-1910
Late Romantic
Orchestra continues to
expand;
Rise of Program Music
Post Romantic
COMPOSERS
Guido DArezzo
Guillame de Machaut
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Modern Romantic
Impressionist
Modern
1910-1930
Some
overlap
with
Modern
Romantic
Early 20th
century
th
Contemporary
Mid 20
century
and
onward
Richard Strauss
Carl Nielsen
Jean Sibelius
Sergei Rachmaninov
Claude Debussy
Maurice Ravel
Arnold Schoenberg
Bela Bartok
Igor Stravinsky
Anton Webern
Alban Berg
Sergei Prokofiev
George Gershwin
Dmitri Shostakovich
Olivier Messiaen
Benjamin Britten
Samuel Barber
John Cage
Karlheinz Stockhausen
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