Documente Academic
Documente Profesional
Documente Cultură
SERIES-SPIN-OFFS SUCCESSFUL?
Thomas Kilian
Universitt Koblenz-Landau, Germany
Tessa Schwarz
Universitt Mannheim, Germany
ABSTRACT
KEY WORDS#
&
"
&
'
(((((((((((((((((((((((((((((((((((((
)
*&
$
+,,,-
"
*%
.//0-
*2
.///- 3
Copyright 2013 Journal of Media Business Studies. Tomas Kilian and Tessa Schwarz,
Spinning The Wheel: What Makes TV Series-Spin-Offs Successful?, 10(2): 39-61 (2013).
40
# '
.//,- '
4
+,,/-
55
*
3
.//:-
.//9-
*3
7
$ !
.///8
.//08 3
TV SPIN-OFFS
*3
*1
.//:- 4
.//+- $
)
*3
+,,/8 2
.///-
;
*4
<
.//.-# *+- 2
2
*.- )
*3
+,,/*9- =
"
*
"
.//,- &
!
)
8
&
*1
>
+,@A8 <
.//08
.//.-
EMPIRICAL STUDY
Research Design and Data Collection
*+!
*.)
*1
+,,A- )
!
=
"
)
+,,9
B
.//0
&
)
)
!
*
.//0- )
!
*C
.//A./
# $
+/
#$
*
%
.//.- 3
42
#)
#$
.9
%
#$
+9
)$;
3
!
*
1
.//+- 1
#
*A-
*+-
*.-
*9-
*5-
Spin-off
Title
(Genre)
No. of
seasons
Average
TV ratings
Average
fan ratings
Spin-off
type
Synopsis
Title
(Genre)
No. of
seasons
Average
TV ratings
Average
fan ratings
Spin-off
type
Synopsis
Parent series
Law & Order(Legal/ police drama)
20 (ended)
~ 12,710,000 viewers per episode
~ 8,5 out of 10 points (9,381 votes)
Guest appearance: Abbie Carmichael
(Angie Harmon)
The show resolves around detectives
and prosecutors, who solve severe
crimes, like murder, and to bring the
offenders to justice.
Law & Order: Special Victims
Unit (Legal/ police drama)
1 (canceled)
12 (ongoing)
Title
(Genre)
No. of
seasons
Average
TV ratings
Average
fan ratings
Spin-off
type
Synopsis
Title
(Genre)
No. of
seasons
Average
TV ratings
Average
fan ratings
Spin-off
type
Synopsis
Title
(Genre)
No. of
seasons
Average
TV ratings
Average
fan ratings
Spin-off
type
Synopsis
5 (ended)
7 (ended)
Frasier (Comedy)
Cheers (Comedy)
11 (ended)
11 (ended)
Joey (Comedy)
Friends (Comedy)
2 (canceled)
10 (ended)
Findings
Law & Order: Special Victims Unit
4
# $
&'
# $
;
7
44
=3% 7
# $
# $
&'
#
%
#$
$
&'
;
&
#$
#$
&'
# $
&'
4
&
4
%
#$
&'
# $
@@
+/ 4
&
# $
&'
#$
#$
#>
$
&'
%
+,,9
?
;
3 !
(
%
# $
3 !
B
#$
3 !
$
&'
0+
5@
+/
!
2
*4
(
#3 !
+,@,- &
2
# $
#
*1
.//+-
6
4
*.//,
#$
+0-
&'
E
F
4
"
*$
.//08 1
+,,@-
*
# $
.///- 4
'
C
&'
"
"
#$
&'
B
*3
.//+- &
4
# $
.//,- )
# $
&'
A/
*B
.//,7
4
# $
# $
&'
#$
)$;
#$
&'
@5
+/
, 9@+
#$
#$
4
46
#$
&'
+,,@ +,,,
+A
# $
.///
+,,,
+0 9
# $
#$
)$;
# $
6
# $
&'
#
$
)$;
&'
#$
Conviction
6
;
)
=3% H
+9
7
# $
7
;
7
)
#$
*
# $
4
)
*3
+,,/- 1
;
)
)
#$
4
4
&' 4
%
#$
4
&'
+/
# $
)
&'
,9
%
I2
1
#$
&
.//,- 4
&'
*
.//,- H
*B
)
*4
.//,)
# $
&'
3
)
#$
&'
)
#$
&'
&'
3
)
&
%
3
$
$
&'
&'
4
#$
)
)
)
$
&' 4
%
#
)
%
3
# $
&'
%
&
"
)
B
&
#$
%
$
&'
, 9@+
)$;
# $
+: ,9:
#
9 ::+
# $
)
#$
48
#$
+9 @
&'
'
+9 @
)
)$;
4
)
%
# $
#$
4
+9
)
::
1
)
)
+5 @.
.//: .//@
)
4
:9
+/
)$;
)
+ /A.
9/ :,@
)
$
&'
#
@9
:9
>
Angel
+
3
;
>
>
>
4 %
+
4
+
3
!
4
3
# %
D
%
4
;
%
%
3
+
*&
.//A-
7
4
"
+
4
D
"
)
)
+
#
)
3
1
7
J 1
) +
1
)
4
3
1
4
3
1
3
1
) +
4
1
4
+
&
4
4
)
+
50
4
)$;
@A
00 05.
' )$;
A '
+,,@
+/
0+9
4
,
+5/
./+. )
#$
+0 +/,
)$;
./
'
+
,
+
*+,,, .///+
1
+
)$;
+
4
+
)$;
+/
9: 0.,
+
+
@9
&
,
+
Frasier
.9,
>
$
9.
>
%
;
6
6 %
=
;
.:/
%
2
>
%
3
.0A
%
4
6
>
%
%
;
3
4
2
D
%
%
6
%
%
2
%
%
'
,.
%
*&
.//5-
%
+/
&
7
# $
)
&
*%
.//5- ;
4
3
3
*;
.//5)
4
1
;
F
%
=
D
&
)
*3"
+,,:-
4
%
&
#6
;
%
)$;
# +: A+5
%
%
)$;
%
&
%
+/
+A ,
+5 @
52
%
)$;
%
4
9+ +.A
@.
+/
Joey
;
C
*%
;
$
7
%
.//0%
$
+,
&
.9
2
.9@ %
%
A0
$
C
&
3
&
>
$
>
&
6 3
%
%
6
%
'
"
B
%
=
%
#
3
*&
.//:%
%
%
%
%
>
>
2
%
$
%
>
.//,- )
>
4
4
>
.+@- 4
%
*%
.//0
G
%
>
>
.//,- >
*K
4
>
>
>
%
)
>
)$;
%
+:0 ,@+
%
@,
+/
%
%
.. @
+@ 0
9
=
%
)$;
%
%
%
4
;
:
.9 0
+/
)$;
# .5 +55
05
+/
54
Discussion
*
+-
8
#$
&'
+
%
%
)
1
#$
*+
"
*%
*
*
&'-
Intertextuality
Spin-Off
Characteristics
Consistency in:
- Genre
- Plot Pattern or
Character
Constellation
- Character
Development
Moderators
- Overall Genre Performance
- Spin-Off-Type
*+
%
B
#
$
&'
)
7
#$
&'
#$
#$
#$
&'
1
)
,/L
+/L
# $
+/L
&'
,/L
)
4
)
%
)
)
)
# $
&'
)
)
%
# $
&'
4
)
+
56
+
# $
# $
&'
%
%
,
)
%
)
#
M
8
4
%
%
)
)
# $
&'
4
"
>
%
)
)$;
%
&
,
&
)$;
4
+@
&
*.//:-
&
# $
&'
#$
#$
'&,
#$
#
+
%
$
%
3
%
&
)
%
)
N
<
!
3
CONCLUSION
&
58
&
E
I
OPQG *$ )
.//,
.A:- 4
7
#
4
4
4
)
4
3
#
D
REFERENCES
4
;
(
$
4
3
4
<
%
.//.
D
.//,
3
D
;
<
( -
4 +,@, ((
(.#
( )
+,@,
((
( )
7
3
&
&
/
>
%
"
4
3
0:*+/-# +/9S++:
R
-
& ?
.//: E
G
.//9 E1
2 $ ;
#4
9+*+-# 5S.9
(
>
? 7
+,,/ E
#0
9A
+,,: *
%
3
4 .//+ *
% (
D
3
.//+ E6
G
>
%
A*A-# A50 A:.
.//:
11
?
%
.//0 2 1
$
- =
.//5
<
;
7
D
%
>
?
4
G
$
4
6
&
2
3&
=
6
.//, 0
>
1
>
(
.//0
(
3
.//5 *
<
D
)
( >
#'
A9*9-# 9A5S95A
(
.//@ E3
G ) 6
- 0
#$
.//0 E
3
? 6
H
>
>
) (1
B
$ !
/ -
+(
#
< B
B !
6 ?
++A +.,
%
(
D
60
.//.
&
(1
?
;
( 6
1 (
;
3
>
6
.//,
1
6
7
+
&
)
2
G
+
M
+,,@
&
$
D
$
3
4 $ 2
4
J3
'
7
(
/
/0 .//+
3 1
%
)
1 1
&
+(
5 1
.//+
.//+ E4
+*0-
3 )
2
# 4
#MM
.//: E;
G 3 )
+*+- 05 ,.
/
1
3 1
.//0 E
# 4
G
1
.//A %
7
G
.//@ E
N
#0
#4
5.*+-#
1 !
++, +95
1
+,,A
>
>
=
C
&
<
?
+(
>
G
> B
>
%
.//5 +(
7
7 .//A
*& =
?
(
+,@A ED
++*+-# 5A. 55/
*&
)
>
B
3
1 1
"7
.///
E&
# 4
0A*9- +@S99
$ )
> % 7
D
1 4
$B&
$
? 3
7
D
D
>
7 D
>
.//,
.//0
! -
( 5 (
.//, * )
>
3 "
*
D
%
G ) 2
<
*
)
#3
.//9 E
;
5A 0A
)
)
&
6
(
&
>
.//5 *
# (1
$
$
%
%
&
.//:
&
&
+,,, *
H
.//A $
!
3
)
(
8
;
.//: 9
+
7
! - 4
$B&
B%7
D
.//.
:;<;5=77: >
( %
.//, 0
>
D
<
:7 777 %
( :":
:;="
=77> &
:5<
T
$
7
*
$
&
D
*
5, :.
#?
B
4
4 1
D .//. E
G
./// E%
-/
+,,: /
G )
(
4
# 4
/ (
;
11
9/
Copyright of Journal of Media Business Studies is the property of Journal of Media Business
Studies and its content may not be copied or emailed to multiple sites or posted to a listserv
without the copyright holder's express written permission. However, users may print,
download, or email articles for individual use.