E MS-60B FX-list

Effect Types and Parameters
2013 ZOOM CORPORATION

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Parameter
Parameter range
Effect type
SeqFLTR
Effect explanation
The sequence filter has the flavor of a Z.Vex Seek-Wah.

Knob1
Page01
Page02
Effect screen
Step
28
Knob2
PTTRN
Knob3
18
Speed
150
Adjusts number of sequence steps.
Sets effect pattern.
Sets modulation speed.
Shape
Reso
Level
010
Sets effect sound envelope.
010
Sets effect resonance.
0150
Adjusts the output level.
Tempo synchronization possible icon
Parameter explanation

[DYN/FLTR]
D Comp
This compressor in the style of the MXR Dyna Comp.

Knob1
Page01
Sense
Adjusts the effect sensitivity.

ATTCK
Page02
M Comp
010
Knob2
Tone
Adjusts the tone.
Knob3
Level
0150
Slow, Fast
Sets compressor attack speed to

Fast or Slow.
This compressor provides a more natural sound.

Knob1
THRSH
Page01
Page02
OptComp
010
050
Knob2
Ratio
110
Sets the level that activates the

Adjusts the compression ratio.
compressor.
ATTCK
Knob3
Level
0150
110
Adjusts the compressor attack rate.
This compressor is in the style of an APHEX Punch FACTORY.

Knob1
Page01
Drive
010
Knob2
Tone
0100
Adjusts the depth of the compression. Adjusts the tone.
Knob3
Level
0150
Page02
160 Comp
This compressor is in the style of the dbx 160A.

Knob1
THRSH
Page01
Page02
Limiter
-600
Knob2
Ratio
1.010.0
Adjusts the threshold that determines

Adjusts the compression ratio.
when the effect is activated.
Knee
Hard, Soft
Sets the type of knee.
Level
Knob3
Gain
020
Adjusts the gain after compression.
0150
This is a limiter that suppresses signal peaks above a certain reference level.
Knob1
THRSH
050
Knob2
Ratio
110
Knob3
Level
0150
Page01
Adjusts the reference signal level for Adjusts the compression ratio of the
the limiter action.
limiter.
Page02
Adjusts the delay between the point

where the signal level falls below the
threshold level and the limiter release.
REL
110

SlowATTCK
This effect slows the attack of each note, resulting in a violin-like performance.
Knob1
Time
Page01
150
Adjusts the attack time.
Knob2
Curve
010
Knob3
Level
0150
Set the curve of volume change during

attack.
Page02
ZNR
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Knob1
THRSH
Page01
125
Knob2
DETCT
GtrIn, EfxIn
Adjusts the threshold that determines

Sets control signal detected.
when the effect is activated.
Knob3
Level
0150
Page02
LineSel
Sound input into the LineSel effect is sent directly to the OUTPUT jacks when OFF and to the next
effect in order when ON.
Knob1
EFX_L
Page01
0150
Adjusts level sent to next effect.
Knob2
OUT_L
Knob3
0150
Adjusts level sent directly to the

outputs.
Page02
Ba GEQ
This 7-band graphic equalizer is suitable for the bass frequency range.
Knob1
50Hz
Page01
Ba PEQ
-1212
800Hz
-1212
-1212
4.5kHz
-1212
-1212
Level
0150
This 2-band parametric equalizer is suitable for the bass frequency range.
Page01
Page02
Page03
Freq1
20Hz20kHz
Knob2
Q1
0.5, 1, 2, 4, 8, 16
Adjusts center frequency of EQ1.
Adjusts EQ1 Q.
Freq2
Q2
20Hz20kHz
Adjusts center frequency of EQ2.

Level
0.5, 1, 2, 4, 8, 16
Adjusts EQ2 Q.
Knob3
Gain1
-2020
Adjusts EQ1 gain.

Gain2
-2020
Adjusts EQ2 gain.
0150
This effect divides the signal into two bands (high/low) and lets you freely adjust the mix
ratio of the two bands.
Knob1
Hi
Page01
Page02
Bottom B
Knob3
400Hz
Adjusts the amount of boost/cut at

10 kHz.
Knob1
Splitter
-1212
Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
500 Hz.
800 Hz.
4.5 kHz.
10kHz
Page03
Knob2
120Hz
Adjusts the amount of boost/cut at 50 Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
Hz.
120 Hz.
400 Hz.
500Hz
Page02
-1212
0100
Knob2
Lo
0100
Knob3
Freq
80Hz2.5kHz
Adjusts the mix ratio of the high Adjusts the mix ratio of the low Adjusts the crossover point between the
high frequency and low frequency band.
frequency band.
frequency band.
Level
0150
Emphasizes the low and high frequencies.

Knob1
Bass
Page01
010
Knob2
Trebl
010
Knob3
Level
0150
Adjusts the amount of low-frequency Adjusts the amount of high-frequency

boost.
boost.
Page02

Exciter
This exciter is in the style of the BBE Sonic Maximizer.

Knob1
Bass
Page01
0100
Knob2
Trebl
0100
Knob3
Level
0150
Adjusts the amount of low-frequency Adjusts the amount of high-frequency

phase correction.
phase correction.
Page02
BaAutoWah
You can adjust the mix of this bass guitar auto-wah with the original signal.
Knob1
Sense
Page01
Page02
Z Tron
-10 -1, 110
Adjusts the sensitivity of the effect.

Level
Knob2
Reso
0150
This is like a Q-Tron Envelope Filter in LP mode.
Page01
Page02
-10 -1, 110

Level
Knob2
Reso
Knob3
Dry
0100
Adjusts the intensity of the resonance

Adjusts level of original sound.
sound.
0150
This envelope filter with Moog MF-101 Low Pass Filter favor can be set in a wide range.
Knob1
Page01
Page02
Page03
0100
Knob2
Sense
010
Sets minimum frequency of envelope

Sets effect sensitivity.
filter.
Type
HPF, BPF, LPF
Chara
2Pole, 4Pole
Sets filter type.
Adjusts amount of filter applied.
Bal
Level
0100
Knob3
Reso
010

VLCTY
Fast, Slow
Sets speed of filter action.
0150
Adjusts the balance between original

and effect sounds.
This is a resonance filter with a sharp envelope.

Knob1
Sense
Page01
Page02
110
Knob2
Peak
010
Adjusts the Q value of the filter.
Dry
Level
0100
Knob3
Mode
Up, Down
Selects whether the direction of

filter change is up or down.
0150
This talking modulator is suitable for the bass frequency range.

Knob1
Range
Page01
110
Knob2
Reso
010
Knob3
Sense
-10 -1, 110
Adjusts the frequency range processed Adjusts the intensity of the modulation
by the effect.
resonance sound.
Bal
Page02
SeqFLTR
010
Freq
Ba Cry
0100
Adjusts the intensity of the resonance

sound.
Knob1
A-Filter
Knob3
Dry
Sense
M-Filter
010
0100
Level
0150

and effect sounds.
The sequence filter has the flavor of a Z.Vex Seek-Wah.

Knob1
Page01
Page02
Step
28
Knob2
PTTRN
18
Knob3
Speed
150
Adjusts number of sequence steps.
Sets effect pattern.
Sets modulation speed.
Shape
Reso
Level
010
Sets effect sound envelope.
010
0150
[OD/DIST]
Ba Boost
This is a simulation of the Xotic EP Booster, which is warm and firm.

Knob1
Page01
Page02
Bass OD
Gain
0100
Adjusts the gain.

Level
Knob2
Bass
Adjusts the low frequency level.
Page02
Gain
0100
Adjusts the gain.
Knob2
Tone
Adjusts the tone.
Knob3
Level
0150
0100
Adjusts the balance between the

original sound and the effected sound.
Knob1
Page02
Gain
0100
Knob2
Tone
0100
Adjusts the gain.
Adjusts the tone.
Mode
Bal
NORM, BsBST
Selects the distortion mode.
Knob3
Level
0150
0100

This BOSS DS-1 emulation has an added parameter that allows you to adjust the volume
balance between the original and distorted sounds.
Knob1
Page01
Gain
Page02
0100
Adjusts the gain.

Bal
Knob2
Tone
0100
Adjusts the tone.
Knob3
Level
0150
0100

This BOSS Metal Zone emulation has an added parameter that allows you to adjust the
volume balance between the original and distorted sounds.
Knob1
Page01
Gain
0100
Adjusts the gain.

Bal
Page02
Knob2
Tone
0100
Adjusts the tone.
Knob3
Level
0150
0100

Simulation of the SansAmp BASS DRIVER DI, highly popular among bass players.
Knob1
Page01
Page02
Page03
D.I Plus
0100
This is a simulation of the Electro-Harmonix Bass Big Muff.

Page01
BassDrive
Adjusts the high frequency level.
Bal
Ba Metal
-1010
0150
Knob1
Ba Dist 1
Knob3
Trebl
Simulates the ODB-3 overdrive bass machine from BOSS.

Page01
Bass Muff
-1010
Bass
-1010
Knob2
Trebl
-1010
Knob3
Prese
-1010
Adjusts the super-high frequency level.
Gain
Blend
Level
0100
Adjusts the gain.

Mid
0100
0150

-1010
Adjusts the middle frequency level.
This is a simulation of the MXR Bass D.I.+, which has both clean and distortion channels.
Knob1
Page01
Page02
Page03
Bass
-1010
Knob2
Mid
-1010
Knob3
Trebl
-1010
Gain
Blend
Level
0100
0100
0150
Adjusts the gain.

Color
CHAN
OFF, ON
Turns preset EQ OFF or ON.
CLN, DIST
Switches between clean and distortion

channels.

Bass BB
This is a simulation of the Xotic Bass BB Preamp, which has a tube-like, thick sound.
Knob1
Page01
Page02
DI5
Gain
0100
Knob2
Bass
Adjusts the gain.
Blend
Level
0100
-1010
0150

Knob1
Page02
Gain
0100
Adjusts the gain.

HiCut
Knob2
Tone
OFF, 16
Adjusts the tone.
Knob3
Level
0150
OFF, ON
Cuts high frequencies when ON.
This is a preamp model with a semi-parametric equalizer for the mid-range.

Knob1
Page01
Page02
AC Bs Pre
Knob3
Trebl
This simulates the AVALON DESIGN U5 preamp.

Page01
Bass Pre
-1010
Bass
010
Knob2
Trebl
010
Mid
Freq
-1010
Knob3
Level
0150
100Hz4.5kHz
Adjusts the center frequency of the

mid-range.
This is a preamp model with a graphic equalizer.

Knob1
Page01
Page02
Page03
Gain
0100
Knob2
Depth
010
Knob3
Level
0150
Adjusts the gain.
Bass
L-Mid
LM_F
-1010
-1010
32Hz6.3kHz
Adjusts the low mid frequency level. Adjusts the L-Mid center frequency.
Mid
H-Mid
-1010
-1010
Trebl
-1010
Adjusts the high mid frequency level. Adjusts the high frequency level.
[AMP]
SVT
Simulation of the ultimate rock bass amp, the Ampeg SVT.

Knob1
Page01
Page02
Bass
-1010
Knob2
Mid
-1010
-1010
Mid_F
Gain
Level
32Hz6.3kHz
0100

Adjusts the gain.
mid-range.
Ultra
Page03
OFF, Low, Hi,

Both, Cut
CAB
See Table 1
Emphasizes high and low frequencies. Selects the cabinet.
B-Man
Knob3
Trebl
0150

Mix
0100
Adjusts the mix balance of the signal after

the pre-amp and the signal after the cabinet.
Simulation of the Fender BASSMAN 100.

Knob1
Page01
Page02
Bass
Knob2
Mid
-1010
Knob3
Trebl
-1010
Mid_F
Gain
Level
32Hz6.3kHz
0100

Adjusts the gain.
mid-range.
Deep
Page03
-1010
OFF, ON
Adjusts the low-frequency character.
CAB
See Table 1
Selects the cabinet.
0150

Mix
0100


HRT3500
Simulation of the Hartke HA3500 famous for its aluminum cone.

Knob1
Page01
Page02
Bass
acoustic
Knob2
Mid
-1010
Mid_F
Tube
Level
32Hz6.3kHz
0100
0150
Adjusts the center frequency of the Adjusts the mix of tube and transistor
type sounds.
mid-range.
OFF,110
CAB
See Table 1
Adjusts the amount of compression. Selects the cabinet.
Knob1
Page02
Bass
Mix
0100

-1010
Knob2
Mid
-1010
Knob3
Trebl
-1010
Mid_F
Gain
Level
32Hz6.3kHz
0100

Adjusts the gain.
mid-range.
Bright
Page03
OFF, ON
CAB
See Table 1
Emphasizes high frequencies when

ON.
0150

Mix
0100

Simulation of the Aguilar DB750 famous for its powerful sound.

Knob1
Page01
Page02
Bass
-1010
Knob2
Mid
-1010
Knob3
Trebl
-1010
Mid_F
Gain
Level
32Hz6.3kHz
0100

Adjusts the gain.
mid-range.
Char
Page03
OFF, Deep,
Brght, Both
CAB
See Table 1
Selects one of 4 types of preset tones. Selects the cabinet.
Mark B
Knob3
Trebl
Simulation of the acoustic 360 well known for its gutsy midrange.
Page01
Ag Amp
-1010
Comp
Page03
-1010
0150

Mix
0100

This simulates the Italian Markbass Little Mark III.

Knob1
Page01
Page02
Bass
Knob2
Mid
-1010
Knob3
Trebl
-1010
Mid_F
Gain
Level
32Hz6.3kHz
0100

Adjusts the gain.
mid-range.
Color
Page03
-1010
06
Adjusts low and high frequencies.
CAB
See Table 1
0150

Mix
0100

[MOD/SFX]
Tremolo
This effect varies the volume at a regular rate.

Knob1
Page01
Page02
Depth
0100
Adjust the depth of the modulation.

Wave
Knob2
Rate
050
Adjusts the rate of the modulation.
Knob3
Level
0150
UP 0UP 9,
DWN 0DWN 9,
TRI 0TRI 9
Sets the modulation waveform.
Phaser
This effect adds a phasing variation to the sound.

Knob1
Page01
Rate
150
Sets the speed of the modulation.
Knob2
Color
4 STG, 8 STG,
inv 4, inv 8
Sets the tone of the effect type.
Knob3
Level
0150
Page02
Ba Chorus
You can cut the low frequencies of this bass chorus effect sound.
Knob1
Depth
Page01
Page02
Ba Detune
0100
Knob2
Rate
Adjusts the amount of effected sound

that is mixed with the original sound.
LoCut
Level
PreD
OFF800Hz
0150
Specifies the low-range cutoff point

for the effect sound.
OFF, ON
Turns pre-delay OFF or ON.
By mixing a small amount of the pitch-shifted effect sound with the original sound, a
natural bass chorus effect is achieved.
Page01
-5050
Knob2
PreD
050
Knob3
Mix
0100
Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound.
Tone
Page02
010
Adjusts the tone.
Level
0150
LoCut
OFF800Hz
Sets the cut frequency in the low

range of the effect sound.
This bass chorus ensemble features a sense of three-dimensional movement.

Knob1
Depth
Page01
Page02
0100
Knob2
Rate
150
Sets the depth of the modulation.
Tone
Level
010
Adjusts the tone.
Knob3
Mix
0100

0150
Modeled after the ADA Flanger, this effect has an added parameter that allows you to
adjust the volume balance between the original and effected sounds.
Knob1
Depth
Page01
Page02
0100
Knob2
Rate
050
Knob3
Reso
-1010
Adjusts the intensity of the modulation

resonance.
PreD
Mix
Level
050
Sets pre-delay time of effect sound.

LoCut
Page03
Ba Octave
0100
Knob1
BaFlanger
Knob3
Mix
Cent
Ba Ensmbl
150
0100
0150

OFF800Hz
Sets the cut-off frequency in the low

range of the effect sound.
This effect adds sound one octave below the original sound.
Knob1
Oct
Page01
Page02
0100
Knob2
Dry
0100
Knob3
Tone
010
Adjusts the tonal quality of the oneAdjusts the level of the one-octave
Adjusts the level of the original sound.
octave lower sound component.
lower sound component.
Low
010
Mid
010
Level
0150

PitchSHFT
This effect shifts the pitch up or down.

Knob1
Shift
Page01
Ba Pitch
Knob2
Tone
-2525
Level
Page01
Page02
-1212, 24
Knob2
Tone
-2525
Level
Knob3
Bal
0100

and effect sounds.
0150
This effect produces the sound of a monophonic (single-note playing) bass synthesizer that
detects the pitch of the input signal.
Knob1
0100
Page02
Knob2
Wave
Saw, Pulse,
PWM
Knob3
Reso
010
Adjusts the rate of sound change.
Sets the waveform type to "Saw"

(sawtooth), "Pulse" (square wave), Adjusts the intensity of the effect
or PWM (pulse width modulation character.
resulting in fatter sound).
Synth
Dry
Page01
0100
Adjusts level of synthesizer sound.
0100
Level
0150
ZOOM original bass synthesizer sound.

Knob1
Sense
Page01
Page02
0100
Knob2
Sound
14
Knob3
Tone
010
Adjusts the sensitivity for trigger

Selects a synthesizer variation.
detection.
Adjusts the tonal quality of the sound.
Synth
Level
0100
Dry
0100
0150
This effect produces a synthesizer sound similar to a talking modulator producing vowels.
Knob1
Page01
Page02
Decay
0100
Knob2
Type
iA, UE, UA, oA
Knob3
Tone
010
Adjusts the rate of sound change.
Selects a vowel variation.
Synth
Dry
Level
0100
0100
0150
This bass synthesizer sound adds analog synth fatness.

Knob1
Page01
Page02
Page03
Defret
010
Allows fine adjustment of pitch shift

amount in cent (1/100 semitone) steps.
Decay
Z-Syn

and effect sounds.
0150
Adjusts the pitch shift amount in semitones.

Adjusts the tone.
Selecting "0" gives a detuning effect.
Fine
SynTlk
0100
This pitch shifter was designed specifically for playing single notes in the bass frequency
range.
Knob1
StdSyn
Knob3
Bal
Allows fine adjustment of pitch shift

amount in cent (1/100 semitone) steps.
Shift
Ba Synth
010
Adjusts the pitch shift amount in semitones.

Adjusts the tone.
Selecting "0" gives a detuning effect.
Fine
Page02
-1212, 24
Wave
Saw, Sqr
Knob2
Decay
0100
Knob3
Tone
010
Selects the waveform.
Adjusts the speed of tone modulation. Adjusts the tone.
Freq
Range
010
020
Reso
020
Sets the cut-off frequency of the low- Adjusts the amount of cut-off frequency Adjusts the intensity of the filter
pass filter.
modulation.
resonance.
Synth
0100
Dry
0100
Level
0150
Turns the sound from any bass guitar into a fretless bass sound.
Knob1
Sense
Page01
Page02
030

Tone
Knob2
Color
110
Knob3
Level
0150
Adjusts the harmonics contents of

the sound. Higher setting values Adjusts the output level.
result in stronger effect character.
150
[DLY/REV]
Delay
This long delay has a maximum length of 4000 ms.

Knob1
Time
Page01
Page02
StompDly
HiDMP
P-P
Level
010
MONO, P-P
0150
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level.
delay sound.
pong.
OFF, ON
When ON, effect sound continues

even after effect is turned off. When
OFF, effect sound stops right when
effect is turned off.
By turning the feedback up on this stomp-style delay, you can make it self-oscillate.
Page01
Page02
F.B
OFF,
x8
Mode
0100
MONO, STR
Sets output to mono or stereo (STR).

When stereo, effect sound is output
from L channel and unchanged input
sound is output from R channel.
Activates tempo sync.

HiDMP
Page03
Knob2
0120
Adjusts amount of effect sound

Adjusts the feedback amount.
mixed with original sound.
Sync
Knob3
Time
1600
Sets the delay time.

Tail
OFF, ON

010
Adjusts the treble attenuation of the

delay sound.
You can adjust the depth of this modulation delay effect.

Knob1
Time
Page01
Page02
Knob2
F.B
12000
0100
Knob3
Mix
0100

Rate
Level
Depth
150

Tail
Page03
0150
0100
Adjust the depth of the modulation.
OFF, ON

This is a dense hall reverb.

Knob1
PreD
Page01
1200
Knob2
Decay
0100
Knob3
Mix
0100
Adjusts the delay between input of

the original sound and start of the Sets the duration of the reverberations.
reverb sound.
LoDMP
Page02
Room
0100

Knob1
HD Hall
Knob3
Mix
E.LVL
ModDelay2
0100
Tail
Page03
Knob2
F.B
14000
0100
HiDMP
0100
Tail
OFF, ON

Adjusts low frequency damping in Adjusts high frequency damping in even after effect is turned off. When
reverb sound.
reverb sound.
This reverb effect simulates the acoustics of a room.

Knob1
Decay
Page01
Page02
130
Knob2
Tone
010
Knob3
Mix
0100
Sets the duration of the reverberations. Adjusts the tone.

PreD
Tail
1100
Level
0150
Adjusts the delay between input of the

original sound and start of the reverb sound.
10
OFF, ON


Plate
This simulates a plate reverb.

Knob1
PreD
Page01
ModReverb
Knob3
Mix
0100
0100
LoDMP
0100
HiDMP
0100
OFF, ON
Level
0150

This reverb generates fluctuating echoes.

Knob1
Depth
Page01
Page02
Page03
SlapBack
0100
Adjusts the reverb time of the low Adjusts low frequency damping in Adjusts high frequency damping in
frequencies.
reverb sound.
reverb sound.
Tail
Page03
Knob2
Decay
Adjusts the delay between input of

the original sound and start of the Sets the duration of the reverberations.
reverb sound.
Color
Page02
1200
0100
Knob2
Decay
130
Knob3
Mix
0100
Adjusts the duration of the reverb.

Rate
Tone
PreD
150
010
Adjusts the tone.
Level
Tail
0150
1100
Adjusts the delay between input of the

original sound and start of the reverb sound.
OFF, ON

This reverb creates a repeating echo effect.

Knob1
Time
Page01
Page02
Page03
11000
Knob2
Decay
130
Knob3
Mix
0100
Sets the duration of the reverberations.

F.B
Tone
DRBal
0100
010
Adjusts the tone.
Level
Tail
0150
OFF, ON

11
0100
Sets the ratio of delay and reverb.
Table 1 CAB Parameter

Type
Modeled cabinet and speakers
AG 8x10
Ampeg 810E simulation.
BM 4x12
Fender BASSMAN simulation.
HA 4x10
Hartke 4.5XL simulation.
AC 1x18
acoustic 301 simulation.
AL 4X10
Aguilar GS410 simulation.
MB 1x12
Markbass 12-inch combo amp cabinet simulation.
OFF
No cabinet used.
12
Z2I-1668-01
MS-60B Patch Memory List
No.
NAME
COMMENT
Mark+
With modeling of a Markbass, this patch adds both thickness and shine to the original tone for use in all types of situations.
Rock SVT
Slap
MULTI
STOMP
This slap sound combines heavy lows with captivating highs.
Dragon Wah This auto-wah sound adds punch and sparkle to bass.
SANS UP
This rock sound features a distorted sound through a standard preamp model. Perfect for down-picking notes. Turn Para EQ
on to make the sound even thicker.
Flanger
This is a basic flanger sound that can be used any time in a song.
Octaver
This sound increases the thickness by using an octaver. Turn Detune on to make the sound even thicker.
Paul Bass
Chopper80'
10
FAT Drv
11
Phase
12
Reggae
This creates a low frequency boost sound typical in reggae. Turn the octaver on to make the sound even more extreme.
13
Red Hot
This emphasizes the middle frequencies and reproduces the sound of the bassist who is famous for active stage performances.
14
Thumb Wah
15
Rec Set
16
Jaco
17
HeavyBooty
18
Hello
19
Melody
20
Jet Fuzz
21
ARTIST
This go-to rock tone uses the distinctive SVT drive sound.
With Fender Bassman modeling, this recalls the bass sound of a classic English band.
This slap sound is doubled by a short delay. Turn the chorus on for a sound that has a thickness that is great for soloing.
This heavy sound is made thick and solid with midrange emphasis.
This phase sound is perfect for slap solos. Turn M-Filter on for an extreme but effective sound.
This retro auto-wah sound suits finger-playing. Turn M-Filter on for a sound that emphasizes the resonance even more.
This preset was designed for recording with a direct line input.
This sound, which is perfect for bass solos, was modeled on fretless bass. Turn the modulation delay on for a magical
melancholy sound.
This heavy funky sound adds auto-wah to an orthodox distortion. A key to using this patch is that your picking strength
changes the amount of filter.
This creates a typical synthesizer sound. In passages with long tones, it provides the undulations and a strong presence
characteristic of synthesizers.
This is a classic sound of delay added to chorus that is perfect for playing melodies in a ballad. Turn pitch-shifting on to add
a tone an octave above for an even more magical sound.
This is a distortion sound with prominent flanging. This sound adds thickness to ensemble playing.
Add4thMelo This is a beautiful mellow sound that blends harmony a fourth above with plate reverb.
22
WRATH
Heavy overdriven sound.
23
FREAK
Great for chords and sustaining harmonics.
24
HINTOPHIL
Tribute to Phil Lynott - Thin Lizzy Bass Sound.
25
TimeTravel
Its supported by...it starts off with a 160 Comp followed by a SeqFLTR followed by a SVT of which the
SVT is primarily active.
26
Dino-Bass
This sound is supported by a Bass Muff, cranked up, Bottom B, ModReverb which is mad cool.
27
The Owl
A combination of a 1. D Comp, 2. Z-Syn, 3. Ba Octave.
28
PB Clean
A great sounding clean tone to really cut through the mix.
29
PB Fuzz
30
PB OlSkool
A wicked fuzz, with just a hint of flanger, to really set it apart.
Frank
Bello
Doug
Wimbish
Phil
Buckman
I love this patch for playing Motown or country. PLENTY of low end, vintage-y tone!
*Patches 31-50 are empty by default.

Manufacturer names and product names mentioned in this patch memory list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
Z2I-1694-01

E MS-60B FX-list

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Effect Types and Parameters

2013 ZOOM CORPORATION

Effect Types and Parameters

The sequence filter has the flavor of a Z.Vex Seek-Wah.

Adjusts number of sequence steps.

Sets effect pattern.

Sets modulation speed.

Sets effect sound envelope.

Sets effect resonance.

Adjusts the output level.

Tempo synchronization possible icon

Effect Types and Parameters

This compressor in the style of the MXR Dyna Comp.

Adjusts the effect sensitivity.

Adjusts the tone.

Adjusts the output level.

Sets compressor attack speed to

This compressor provides a more natural sound.

Sets the level that activates the

Adjusts the output level.

Adjusts the compressor attack rate.

This compressor is in the style of an APHEX Punch FACTORY.

Adjusts the depth of the compression. Adjusts the tone.

Adjusts the output level.

This compressor is in the style of the dbx 160A.

Adjusts the threshold that determines

Sets the type of knee.

Adjusts the gain after compression.

Adjusts the output level.

Adjusts the delay between the point

Effect Types and Parameters

Adjusts the attack time.

Set the curve of volume change during

Adjusts the threshold that determines

Adjusts the output level.

Adjusts level sent to next effect.

Adjusts level sent directly to the

Adjusts center frequency of EQ1.

Adjusts center frequency of EQ2.

Adjusts EQ1 gain.

Adjusts EQ2 gain.

Adjusts the output level.

Adjusts the amount of boost/cut at

Adjusts the output level.

Emphasizes the low and high frequencies.

Adjusts the amount of low-frequency Adjusts the amount of high-frequency

Effect Types and Parameters

This exciter is in the style of the BBE Sonic Maximizer.

Adjusts the amount of low-frequency Adjusts the amount of high-frequency

-10 -1, 110

Adjusts the sensitivity of the effect.

This is like a Q-Tron Envelope Filter in LP mode.

-10 -1, 110

Adjusts the sensitivity of the effect.

Adjusts the intensity of the resonance

Sets minimum frequency of envelope

HPF, BPF, LPF

Sets filter type.

Adjusts amount of filter applied.

Sets effect resonance.

Sets speed of filter action.

Adjusts the balance between original

This is a resonance filter with a sharp envelope.