Documente Academic
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GUEST COMMENTARY
by Chad Nelson
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by Jeff Ignatius
jeff@rcreader.com
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going to be more
sensitive moving
forward. But I
do think this is a
very long process.
... Certainly,
weve seen the
first step toward
something. Its not
clear where that
first step is going.
Jamal said the people who went to the
streets during the Arab Spring feel burned
by the results. For widespread protests to
happen again, youre going to have to see
some kind of generational shift.
Surveys, she said, continue to show
that people in Arab countries want
change: Levels of discontent are still
very significant. Theres still a lot of
dissatisfaction with the status quo.
Grievances are still very severe.
But thats balanced by a new recognition
that dampens the push for revolution:
The only thing that I think is on the
minds of citizens in ways that werent
there [before the Arab Spring] is this
idea of whether citizens can really afford
sequential revolutions. ... The economic
challenges that citizens faced in these
countries after the Arab Spring were so
severe, its a legitimate concern to say that
if those economic worries are not met
with real, tangible economic policies for
reform, I doubt youre going to see the type
of mobilization on the streets from this
generation of protesters.
Understanding this dynamic, Jamal
said, requires an understanding of Arab
views on what democracy represents.
In surveys, she said, roughly half of
respondents believe democracy is about
political freedom the way we understand
democracy in the West. But another
50 percent will say its about economic
justice, economic opportunity, finding
employment, being able to feed my
children. And those people, she added, are
really disillusioned [with the Arab Spring]
because ... it wasnt good for the economy
for trade, for investment.
Fundamentally, she said, democratic
reform needs to be ... complemented
directly with How do we bring more
political stability to the region? and How
do we bring more economic stability to the
region?
And thats the reason for the reversals:
The people whove come to power after
regime changes have been ill-equipped to
Continued On Page 15
COVER STORY
Roots Seller
Banging It Out
Chinese Algebra
by Mike Schulz
mike@rcreader.com
I
The original Ellis Kell Band lineup: John Burchett, Rick Stoneking, Ellis Kell, Dennis Shineboy Hancq,
and Jeff Clark (circa 1990)
Siegel said: We didnt so much quit
college as we just stopped going. And I
stopped going more and more. And you
know, eventually the report cards come
out, and its like, Whereve you been?
Well, obviously not there ... .
So I took about a year and a half off.
Did some bartending jobs, worked in
a gas station ... . But I got in a bad car
accident. I didnt get hurt really bad, but
its a wonder Im even here, and after
I came out of the accident I realized I
wanted to go back to school. So I started
back at Augustana in 75, and I just went
straight through. And because I always
loved to write, I got an English major
with a minor in journalism, and ended
up going to work for the Rock Island
Argus, eventually the Dispatch, and was
with their organization for 15 years.
Originally, I was gonna try for a major
or minor in music, but I just couldnt
do it.
I tell people that when I look at a
page of printed music for piano, or try
to sight-read, its like Chinese algebra
to me. It just makes no sense. So I cant
read music very well. I for sure cant
sight-read. And I wish I could, because
its kept me from doing some things that
I really wanted to do, like play in a show
where you have to read charts. Which
is part of why Im such a big proponent
now for music education for kids. But I
got frustrated with it at Augustana, so I
thought, Well, Ill just jam on piano like
I always have, and jam on guitar like I
always have. And for me, it works.
After I got out of school in 79, Jeff
Clark and I joined this top-40 band
Continued On Page 16
n addition to
showcasing
musicians
in its Redstone
Room and on
its RME Community Stage,
Davenports
River Music
Experience
hosts weekly,
monthly,
and seasonal
programming
designed, as
Director of
Semenya McCord, performing February 15 in Polyrhythms
Programming
Third Sunday Jazz Series
& Community
p.m. on WVIK): We love that. We can
Outreach Ellis Kell says, for all age levplay anything we want, basically, as
els and interests, from little kids playing
long as its related to American roots
in drum circles to adults who want to
music. When we started, we thought,
study guitar or piano or recording. We
you know, Thats gonna be a pretty
try to touch on all those things.
broad swath there ... ! But it works.
Here, Kell himself touches on some
Ill play some classic stuff, or play
of the numerous RME programs hes
something from Woodstock, or the
particularly proud of, as well as the
early days of rock n roll way way way
scholarship fund established in memory
back. And Kate Benson, our director
of his and wife Kristis daughter, whom
of entertainment, has her finger on the
the Kells lost in an auto accident in 2002,
pulse of acts playing at Phases of the
when she was 17.
Moon or River Roots Live or different
Songwriters in the Round (the
festivals. We just did a little informal
second Saturday of the month at
tribute to Joe Cocker. It wasnt the
3 p.m.): Were re-invigorating that
whole show, but there were like four
program this year and sort of changed
cuts, and three of em werent prominent
the concept for it. Before, it was four
ones that people had heard before,
or five songwriters coming in once
and the rest of the show was Redstone
a month and playing to an audience.
Room performers and such ... . I think
But we want it to really be an exchange
the diversity of it is its strength. Its
between songwriters. A group of
definitely an interesting show to listen
songwriters getting together around a
to because you might hear anything.
table, saying, Hey, I cant find a middle
Acoustic Music Club (Tuesdays
eight for this song, or Ive got this great
at 4:30 p.m.): Thats a really special
hook but dont know where to take it
program we do for young adults who
after that, or What do you think of
are interested in music and have
these lyrics? Something thats more
either physical or mental challenges.
intimate, with people getting together
I think its in its third year, and were
to talk about writing songs and helping
really proud of it. West Music Therapy
each other. And then have a quarterly
brought the idea to us. Once these
songwriters showcase where it does
young adults with special needs are out
become a performance-oriented thing.
of high school, there arent really that
Im really looking forward to leading
many musical alternatives for them. So
the charge on this, and really making it
they, and we, wanted to do something
something that songwriters in the area
tailored toward them that gives them an
will be interested in.
alternative. And I think its a good thing
RME Radio Hour (Saturdays at 8
Continued On Page 16
An Anything-Goes Tapestry
by Jeff Ignatius
jeff@rcreader.com
ll Them
Witches
hails from
Nashville, and
the combination of name and
hometown gives
you a pretty good
sense of a split
personality. The
moniker hints at
a band in thrall to
Black Sabbath, and
the Tennessee city
hints at something
Southern although its debts
are to blues and
Southern rock and
not in any way country. (Bassist/singer
Michael Parks Jr. noted, however: We
have been known to just pop up on the
street somewhere during tour and playing
bluegrass on the street.)
But when the band returns to Rozz-Tox
on February 15, it will be apparent that
the quartet is far more expansive than
that would suggest. All Them Witches
embraces not just blues-based music
but the blues themselves, particularly on
The Marriage of Coyote Woman from
its most recent album, Lightning at the
Door. The elemental riffs of Ben McLeod
have the heaviness of Sabbaths Tommy
Iommi but also the razor-sharp lyricism
of Queens of the Stone Ages Joshua
Homme.
And, most importantly, theres
an experimental psychedelic core, a
grounding in improvisation that allows
each person in the band to bring a
distinct personality to tracks that might
go anywhere including, to cite just one
example, throat singing in the folk-ish
and completely un-metal Romany
Dagger.
And that anything-goes quality is the
reason I was curious about this comment
I read from drummer Robby Staebler: As
individual players we are more concerned
and focused on our own playing. We
are not focused on what the others are
playing. We all do what we want. Its why
it works.
All Them Witches is certainly not
a band that can be pigeonholed, but
Staeblers statement seemed at odds
with the music, which has a unity and
wholeness despite its variety.
We do listen to each other, Parks
explained in a phone interview last week.
Its constantly figuring out what the other
person is doing. At the same time, that
doesnt influence what each individual is
doing.
Fender Rhodes player Allan Van Cleave
added: I think hes trying to say that
Im not going to listen to what Robbys
playing and tell him to play something
else. ... Nobody cares about what the other
person is playing in that way. But we all
have to listen to each other. Its kind of
like jazz. You pick up somebody playing
a riff, or a different rhythm. Everybody
kind of falls in, and its kind of a tapestry.
Parks: A lot of eye contact, picking
whos leading, which is fun. Sometimes
youre not ready to lead and you have to
go for it.
Van Cleave: There really are no parts
per se in our songs. We kind of know how
the song goes, and everybody kind of
plays along.
One example of that process will most
likely be heard on All Them Witches
next album, which has been recorded but
doesnt yet have a title or a release date.
One song also untitled had its genesis
at a Halloween show
in California, one
the band decided
not to release
despite its habit of
making live shows
available on its
AllThemWitches.
org Web site. (The
plan was, This ones
so good we should
do something
special with it, Van
Cleave said. And
then we just never
did anything.)
We wrote a song
that night without
trying, and its on
the new record, and its my favorite song,
Van Cleave said. We wrote it while we
were playing it. McLeod started with a
guitar drone, Van Cleave started playing
the keyboards, Parks came in on bass,
and then Staebler joined in on drums.
And nobody knew what was happening,
but it lasted like 15 minutes, and it was
awesome.
On its first two records, All Them
Witches went into the studio with about
half the songs written, and half were
written in the studio.
For the new album, Parks said, Most
of all the songs were written, but nobody
had played them. We went into the studio
pretty much learning songs that I wrote a
while ago and seeing how it went.
Its a little more polished, Van Cleave
said. Its a little more cohesive because
the songs blend into each other a lot on
this album.
It went pretty well, Parks said. Im
pretty happy. Unless we decide to scrap
it.
All Them Witches will perform on Sunday,
February 15, at Rozz-Tox (2108 Third
Avenue, Rock Island; RozzTox.com).
Tickets for the 7 p.m. show (which also
features The Well) are $10.
For more information on All Them
Witches, visit AllThemWitches.org.
PUBLISHER
Todd McGreevy
EDITOR
Kathleen McCarthy
EDITORIAL
Managing Editor: Jeff Ignatius jeff@rcreader.com
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THEATRE
By Thom White
thomasjasonwhite@gmail.com
12:34
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(563) 359-8500
omething
eliminated
clicked
the previous
for the
productions
cast and crew
platforms
of the District
in favor of a
Theatres Angels
multifunctional
in America:
space that
Millennium Apdoesnt confine
proaches since
characters
November, and
to specific,
now Angels
and cramped,
second half,
locations.
Perestroika, is
Tapscotts
Nancy Teerlinck and Pat Flaherty
notably better
design also
for it. Director Deb Shippy and her cast
has a clear intent to it in the way it
have embraced the humor of playwright
incorporates Kushners themes and
Tony Kushners magnum opus, and the
tones, most distinctly in Tapscotts use
result is an emotionally-layered staging
of unnaturally placed windows, a door,
thats superior to last falls production.
and especially several open suitcases,
I went into Perestroika, the
each seeming to float as theyre attached
continuation of Kushners gay fantasia
to the walls, askew, in seemingly random
on national themes, somewhat dreading
places. However you interpret the
what I thought would be a four-hour
symbolism of the suitcases I see them as
experience, especially given my mixed
representative of the characters journeys,
feelings about the Districts Millenium
with their chaotic placement signifying
Approaches. Yet Shippy trimmed the
a lack of control when dealing with the
script and held tight to the pacing reins
consequences of their actions Tapscotts
(the show, including intermissions, runs
set is fascinating, and matches the fantasy
two hours 40 minutes), and I ended up
elements of Kushners story.
feeling a full spectrum of emotions
The design highlights, however, are
welling up, feeling pity, getting angry, and the Angels wings, which were designed
even, ahem, getting a little turned on in
by performer Sara Wegener for her
between laughs.
own character a heavenly visitor who
The turn-on was due to John Antonin
decrees Prior a prophet. Instead of the
Dieters take on the overly analytic,
usual white feathers, Wegener has built
all-too-critical Lewis, who, in Millenium
a contraption of paper, wood pieces,
Approaches, left his boyfriend Prior
cardboard, and junk shaped into the
(Anthony Natarelli) in the most painful
silhouette of angel wings in a tucked
throes of AIDS while Lewis explored a
position (as they would be at rest on an
physical relationship with the married,
angels back). When Wegener portrays
Mormon, just-peeking-out-of-the-closet
this being, she moves her arms outward,
Joe (Andy Curtiss). Early in Perestroika,
pulling strings that, in turn, unfold the
Louis tries to convince Joe to spend the
wings into an outstretched position.
night with him by talking about the sense The effect is marvelous, both for being
of smell, describing how it involves taking unexpected and for the large scale of
molecules of someone or something
the stunning wings themselves, which
into ones self. Its a geeky, science-y
magnify Wegeners already-authoritative
sort of conversation that could have
performance.
been boring if not for Dieters delivery.
In terms of individual performances,
While barely touching (though definitely however, nowhere is the improvement
sniffing) Curtiss, Dieter employs layers of over Millennium Approaches more
sensuality in his inflections as Louis woos evident than in Kaitlin Ross turn as
Joe, and in so doing, wooed me, too; the
Harper, Joes pill-popping, suicidal,
men are fully clothed and barely make
delusional wife. Previously, Ross
contact, but its one of the most effectively character was oppressively sad and
sexual scenes Ive witnessed on a local
little more. Her Harper in Perestroika,
stage.
however, has nuance and interest; shes
It helps that the actors are less
funny at times and passionate always.
constricted than they wouldve been in
She still has her depressive moments, but
Millenium Approaches. For Perestroika,
theyre layered with pleas for pity or even
scenic designer Tristan Tapscott has
Continued On Page 15
10
Movie Reviews
11
Brooks as Isaacs
just-naturalisticmenschy lawyer.
enough
Both Brooks and
Jillian Estell).
Isaac were also in
Thankfully, the
Nicolas Winding
trailers are as
Refns exhilarating
bad as writer/
Drive. Heres hoping
director Mike
they go three-forBinders effort
three, too.
gets although
Journey to Space
considering
Jessica Chastain and Oscar Isaac in
3D: The Putnam
those trailers
A Most Violent Year
Museums latest
are excruciating,
edu-tainment, written and directed by
thats not saying much. I actually really
Mark Krenzien, concerns NASAs advances liked both stars here, with Costner doing
in deep-space exploration in the wake of
his most moving work in ages, and really
2012s end of the shuttle program. And like enjoyed the fact that, misleading ads aside,
many such docs, it attempts to cover too
Costners perpetually angry lawyer wasnt
many bases in 45 minutes, even if most of
racist; happily, the film isnt the sitcommy
them such as the elegiac reminiscence
debacle its marketing and simplistic title
of the doomed Challenger and Columbia
suggest. Yet it all still feels incoherently
flights are covered with touching,
assembled, boasting such strange, random
unfussy sincerity. But there are captivating inconsistencies in plotting and character
factoids on current preparations for
that every third scene appears to have
treks to Mars and awesome Hubble
gone missing. And whenever the movie
shots of distant galaxies (they resemble
threatens to get into truly trenchant
watercolors painted by God Himself),
examinations of its themes, it chickens out
and kids, especially, should dig the giddy
with a lame punchline, or goofy reaction
images of space travelers cavorting in
shot, or baldly contrived narrative twist
zero gravity, playfully tossing one another
that nullifies whatever (moderate) goodwill
from compartment to compartment and
you have for it. Black or White? Try yellow.
shaving with their razors conveniently
The Loft: You know that horrible feeling
dangling mid-air. Says narrator Patrick
you get when you and your buddies
Stewart of the genial scientists on-screen,
collectively share an upscale apartment
Its all about getting the job done and
for secret rendezvous with women who
having a little fun an apt description for arent your wives and then one day bam!
Journey to Space 3D itself.
theres a dead naked lady in the bed?
Black or White: Its previews promised/
Im praying not, because that would mean
threatened a sentimental dramedy in
youve been through an experience as
which a drunken, racist Kevin Costner
contrived, convoluted, and icky as director
and a sassy, sassier Octavia Spencer engage Erik Van Looys mystery/thriller, which
in a verbal-slapstick fight for custody of
mightve supplied some Agatha Christietheir bi-racial granddaughter (the lovely,
esque pleasure if Christie wrote only about
12
Whats Happenin
Events
GUEST COMMENTARY
of Ted Kennedy
and nephew of
JFK. Appearing
at 6 p.m. at
Davenports Adler
Theatre, this night
co-sponsored by
the Vera French
Foundation and
UnityPoint Health
will find Kennedy
discussing
his myriad
accomplishments
in the field of
Patrick J. Kennedy
Victoria Maxwell
mental health
Duchovny, and Johnny Depp Im betting
particularly his authorship of the Mental
she might have an amusing story or two to
Health Parity & Addiction Equality Act of
share.
2008, the piece of legislation that provides
The following day, Maxwell will be the
tens of millions of Americans who were
special guest at Davenports Figge Art
previously denied health care with access to
Museum, delivering a 1 p.m. presentation
mental-health treatment.
titled Improving Outcomes: Enhancing
And wrapping up the Through My Eyes
Motivation & Removing Barriers to
series, Davenports Hotel Blackhawk will be
Recovery. Designed primarily for
the place to go on February 13, when Vera
psychologists, mental-health counselors, and French hosts a 7 p.m. Gold Room party
other allied health providers, Maxwells Figge complete with music, hors doeuvres, raffles,
program will cover such topics as defining
and community spirit, all blended under the
recovery, identifying barriers to adherence,
banner titled Celebration of Mental Health
and aligning treatment with wellness tools,
& Happiness. I must say its taking place in
all delivered with the intelligent and humane a smart location, because if you cant find
approach that has made her a popular
happiness in a venue that features a spa, a
touring speaker throughout America,
beignet shop, and a bowling alley, where on
Canada, England, and New Zealand.
Earth can you?
Yet Maxwell isnt the only famous figure
For more information on all the events
on hand during Through My Eyes week,
in the Vera French Foundations Through
because February 8 brings with it an evening My Eyes series, visit VeraFrenchMHC.org.
with Patrick J. Kennedy, who served 16
For more on the series guest speakers, visit
years in the U.S. House of Representatives,
VictoriaMaxwell.com and PatrickJKennedy.
co-founded the national coalition One Mind net.
for Research, and happens to be the son
Theatre
by Chad Nelson
by Mike Schulz
mike@rcreader.com
uary 8
ourse Theatre
s students to wear
under faculty
tioning, casting,
e managing,
work for paying
mprehensive 10ccessfully mount
ns Play Production
education on
ng that the recentd, as Coussens says,
e?
Augustanas Potter
itle suggests,
e Katrina, focusing
ew Orleans
after the levees
of Katrina, says
So the students,
happened, dont
eatre faculty
rtainly did. She
ns] Casino as head
says Coussens.
on the Mississippi
round that it didnt
mily did lose a car
gulf coast received
Katrina hit land the
hardest.
Its a different kind of hurricane experience than
what happened in New Orleans, he continues, where
the levees broke and the New Orleans flooding did most
of the damage. But Ellen has a lot of stories to tell, and
shes been very helpful to the cast in a dramaturgical
kind of way, helping them understand the devastation.
The play, a 2007 piece created by Lisa Brenner and
Suzanne Trauth, has certainly been useful in that regard,
too. Katrina: The K Word was developed through
transcripts of interviews conducted with survivors of the
New Orleans flooding, with the stories of 12 residents
telling the collective tale of those who tried to escape the
storm, those who chose to stay, and everyone forced to
deal with Katrinas nightmarish repercussions.
I found the script a couple years back, says
Coussens, and Ive had some interest in testimonial
theatre and devised work for a while now. So I brought
this play to the students and encouraged them to use it
as the piece they collaborated on. They all read it and
liked it and wanted to go ahead with it, and I think, as a
result, theyve learned a lot about Katrina.
13
What Else Is
Happenin
MUSIC
Continued On Page 14
14
COMEDY
EXHIBIT
THEATRE
EVENTS
GUEST COMMENTARY
by Thomas L. Knapp
THEATRE
By Thom White
thomasjasonwhite@gmail.com
EVENTS
15
by Jeff Ignatius
jeff@rcreader.com
16
COVER STORY
Roots Seller
This was a Tuesday. And I said,
When does this take place? He says,
We play Friday and Saturday. I said,
Youve got to be kidding! But we did
it, and I learned a lot from him and
Mark Spingler, the keyboard player,
about playing jazz favorites and classics.
It was a whole world I hadnt explored,
just learnin as I went. That was the City
Limits Band, which I named after the
saloon in Rock Island where we used
to play once in a while. I told John that
was the deal: Ill be in the band if I can
name it. He said, I dont care. We can
call it whatever you want.
So that went on for a few years,
and then in 1985, I was talking to Jim
Schwall from the Siegel-Schwall Band
in Chicago. At the time, everybody
knew who the Siegel-Schwall Band was.
I mean, these guys were on Vanguard
Records, and he was friends with Janis
Joplin and knew the Grateful Dead, and
Muddy Waters and Howlin Wolf would
sit in with them ... . They were known
all over. Jim was living here at the time
playing with a band called the Blue
Collar Boys. And one day he told me,
Im movin back home to Chicago ... .
Are you looking for a band? Cause you
need to meet my guys.
So he introduced me to Tony
Hoeppner, John Burchett, and Jim
Van Acker, who were, at the time, the
remaining members of the Blue Collar
Boys. I came in and took Jims [Schwalls]
place, and we played together from 1985
to 1989. But I didnt like the name Blue
Collar Boys, so I made em change it to
the Blue Collar Band. I just have this
thing about naming bands. I dunno.
But I eventually decided that I wanted
to do my own band, and wanted to play
what I wanted to play, including original
material. We were doing a few originals,
but very few. Two out of 300. So in 1989,
I decided to leave the Blue Collar Band,
and our bass player John Burchett said,
Im ready, too, and went with me.
And I got back with Jeff Clark and said,
Look, I want to do a house-rockin blues
band. Like Clapton blues, Stevie Ray
Vaughan blues, but our own brand of it.
And anything goes but I wanna drive
the bus. I have a vision for it and I want
to do it. And Jeff said, Im on board.
John called a friend, the keyboard
player Rick Stoneking, who came from
Natty Scratch, the band that was around
here for eons. And along with them, we
got Dennis Hancq, who was formerly in
the band the Mudcats with Jim Schwall,
back and finding out about the old guys and learning about
the traditions and we just sit back and smile. Its like, Yeah.
Therell be somebody to take it over and pass it on.
The Karli Rose Kell Music Scholarship Fund: Over the
first couple of years, we took $13,000 that was raised and
distributed all of it, down to the penny, to students from Rock
Island High School Karlis high school who intended on
continuing their study of music into college. And when I came
here [to RME], we re-activated the effort so that we could
serve students on both sides of the river, with the criteria being
that it had to involve programming at RME. It helps kids if
they need aid in getting into Winter Blues or Rock Camp, or
if they need financial help with private lessons, and were very
proud of it. And since Karis passing, weve raised over $70,000.
Sometimes Kristi and I cant believe its been that long since
shes been gone. But it keeps amazing us the generosity
of people in this community, and how long theyve kept
supporting the fund. I dont know if she wouldve gone on to
be a music major. But she was in the choir and sang with the
Nova Singers, so I think music wouldve always been a part
of her life. She wouldve always had a song, and she wouldve
always shared it with people. I still tell people that theres not
a day I come into the doors at work and dont think about
how much she wouldve loved this place. And thats a big, big
part of the reason Im so proud of what we do here, and make
possible for kids through her fund. She wouldve been here all
the time. Wed never have been able to get her out of here.
For more on River Music Experience programming
and a complete schedule of upcoming events, visit
RiverMusicExperience.org.
A Jillion Different
Directions
17
18
Ask
the
Rants Tomb
Advice
Goddess
BY AMY ALKON
Merchant of Vroom
19
by Rob Brezsny
the quaint, brick-paved road is lined with flower
beds, and creeping along its wacky route is a
whimsical amusement. I suspect you will soon
encounter experiences that have metaphorical
resemblances to Lombard Street, Sagittarius. In
fact, I urge you to seek them out.
CAPRICORN (December
22-January 19): In the baseball film
The Natural, the hero Roy Hobbs has
a special bat he calls Wonderboy. Carved out of
a tree that was split by a lightning bolt, it seems
to give Hobbs an extraordinary skill at hitting
a baseball. Theres a similar theme at work in
the Australian musical instrument known as
the didgeridoo. Its created from a eucalyptus
tree whose inner wood has been eaten away by
termites. Both Wonderboy and the didgeridoo
are the results of natural forces that could be
seen as adverse but that are actually useful. Is
there a comparable situation in your own life,
Capricorn? Im guessing there is. If you have not
yet discovered what it is, now is a good time to
do so.
AQUARIUS (January 20-February
18): In 1753, Benjamin Franklin
published helpful instructions on how to avoid
being struck by lightning during stormy weather.
Wear a lightning rod in your hat, he said, and
attach it to a long, thin metal ribbon that trails
behind you as you walk. In response to his
article, a fashion fad erupted. Taking his advice,
fancy ladies in Europe actually wore such hats.
From a metaphorical perspective, it would make
sense for you Aquarians to don similar headwear
in the coming weeks. Bolts of inspiration will
be arriving on a regular basis. To ensure you
are able to integrate and use them not just be
titillated and agitated you will have to be wellgrounded.
PISCES (February 19-March 20): According to
the Bible, Jesus said, You will know the
truth, and the truth will set you free.
Author David Foster Wallace added a
caveat. The truth will set you free, he wrote,
but not until it is finished with you. All this is
apropos for the current phase of your journey,
Pisces. By my estimation, you will soon discover
an important truth that you have never before
been ready to grasp. Once that magic transpires,
however, you will have to wait a while until the
truth is fully finished with you. Only then will it
set you free. But it will set you free. And I suspect
that you will ultimately be grateful that it took its
sweet time.
Homework: Whats the best possible mess you
could stir up a healing mess that would help
liberate you? Testify at FreeWillAstrology.com.
1-877-873-4888 or 1-900-950-7700
20
ACROSS
1. Become cracked
5. Tough tissue
10. Tussle
15. Greeces Mount _
19. Wash
20. Treasure _
21. Sang-froid
22. Get word
23. Too heavy, in a way
25. ER visitor
27. Part of g, j, p, q or y
28. Extra
29. Comfy
30. A Death in the Family author
31. City in Belgium
33. Inter _
35. Shawls
38. Dessert sandwich
39. Relating to tin
43. Bios
44. Immoderate
47. Serv. branch
48. Man in haberdashery
49. Pumps
50. Hirsch or Coue
51. Kind of beetle
52. Gentlemen
54. Reclined
55. Stole
56. Get by begging
57. Rope for flag-raising: Var.
59. Invents
60. Hordes
61. Managed-care giant
62. Stuck
63. Course of study
64. Mien
66. Kitchen gadget
67. Impresario
70. Profundity
71. Made to obey
72. One of the Olympians
73. Specify
74. Yellow water flag
75. Beverage sometimes mulled
76. Parting word
77. Sports org.
78. Bronze
37. Imbricated
38. Jelly bean shape
39. Hand shears
40. Surpass
41. Application
42. Gases anagram
44. Katie Scarlett _
45. More uncanny
46. Correct
49. Point of view
51. Legendary strongman
53. Precipitates
55. Did a kitchen job
56. Stuff
58. Longing
59. Old Roman statesman
60. At _ _
62. Old office tech
63. King of Thebes
64. Entrances
65. Eastern inn
66. _ Warbucks
67. Last king of Troy
68. Coal
69. Interprets
71. Proof of ownership
72. Apportion
75. Kind of following
76. _ Cinzano
79. Swearwords
80. Kitchen scrap
81. Sophia of films
82. Gave, in a way
84. Just about
86. Sums
88. Seaside air
89. Cut down
90. Londoners greeting
91. Middling
92. Declare
93. Old Spanish coin
94. Joss
96. Monad
97. Aswans river
98. _ quam videri
99. Simple structure
101. Topper
102. Da _ G Show
103. Unmatched
21
THURSDAY
2015/02/05 (Thu)
00
5
FRIDAY
2015/02/06 (Fri)
00
6
WEDNESDAY
30
2015/02/07 (Sat)
SATURDAY
2015/02/11 (Wed)
11
THURSDAY
00
12
FRIDAY
00
13
2015/02/12 (Thu)
SUNDAY
2015/02/08 (Sun)
MONDAY
2015/02/09 (Mon)
TUESDAY
2015/02/10 (Tue)
10
30
2015/02/14
(Sat)
SATURDAY
14
Continued On Page 22
22
15
SUNDAY
2015/02/15 (Sun)
All Them Witches - The Well -RozzTox, 2108 3rd Ave. Rock Island, IL
Dave Paris Group (4pm) -Parlor City
Pub & Eatery, 1125 3rd St. SE Cedar
Rapids, IA
Greg & Rich Acoustic Duo (2pm)
-Len Browns North Shore Inn, 700
N. Shore Dr. Moline, IL
Iowa Welcome: Nathan Bell - Marvin
Bell - Jenny Bienemann - Greg
Brown - Kerry Patrick Clark - Rick
Drost - Spook Handy - Laura
Joy - Radoslav Lorkovic - Mary
McAdams - Chuck Mitchell Dave Moore - Slewgrass - Lyal
Strickland - Emily White (1pm)
-The Mill, 120 E. Burlington St.
Iowa City, IA
Session Americana - Jefferson
Hamer - Dietrich Strause -CSPS/
Legion Arts, 1103 3rd St SE Cedar
Rapids, IA
Sunday Jazz Brunch (9am) -Bix
Bistro, 200 E. 3rd St. Davenport, IA
Sweet Dreams & Honky Tonks -Central Performing Arts Center, 519 E.
11th St. DeWitt, IA
That 1 Guy -Gabes, 330 E. Washington
St. Iowa City, IA
The Post Mortems -Rozz-Tox, 2108
3rd Ave. Rock Island, IL
Third Sunday Jazz: Semenya McCord Quintet (6pm) -The Redstone Room, 129 Main St Davenport, IA
MONDAY
2015/02/16 (Mon)
16
TUESDAY
2015/02/17 (Tue)
17
WEDNESDAY
2015/02/18 (Wed)
18
FREE ADMISSION
SATURDAY, MARCH 21
11:00AM3:00PM
THURSDAY
2015/02/19 (Thu)
19
FRIDAY
2015/02/20 (Fri)
00
20
SATURDAY
2015/02/21 (Sat)
21
30
2015/02/22
(Sun)
SUNDAY
Games
ities
Activ
strations
Demon
Presented by
Mr. Steve
from PBS KIDS
Get Your
Plus...
Tickets
Clifford
Today!
WordGirl
Peg+Cat
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and others!
SuperWHY!
Daniel Tiger
Sponsored by
Admission is FREE
Register & get your
tickets today at:
wqpt.org/station
22
23
DJs/Karaoke/
Jams/Open Mics
THURSDAYS
THURSDAYS
FRIDAYS
FRIDAYS
SATURDAYS
SATURDAYS
SUNDAYS
SUNDAYS
MONDAYS
MONDAYS
Comedy
TUESDAYS
TUESDAYS
WEDNESDAYS
WEDNESDAYS
THURSDAY
THURSDAY 5
FRIDAY
FRIDAY 6
00
6
SATURDAY
SATURDAY 7
SUNDAY
SUNDAY 8
MONDAY
WEDNESDAY
11
MONDAY 9
THURSDAY
THURSDAY 12
12
The Bix Beiderbomb Comedy Workshop (8pm) Boozies Bar & Grill,
114 W. 3rd St., Davenport, IA.
00
13
FRIDAY
FRIDAY 13
SATURDAY
SATURDAY 14
14
30
SUNDAY
15
SUNDAY
15
MONDAY
MONDAY 16
16
WEDNESDAY
WEDNESDAY 18
18
February 6 March 23
* See store for details.
In the Walnut Center | 4711 North Brady Street | Davenport, IA | www.LifeStylesFurniture.com | 563. 345. 6250
24
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