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This short book is a collection of some of the posts made on the Elearning Network
website, as part of our annual "24 tips" programme.
We have tried to select those that would be most useful to someone starting out on their
journey with elearning (in all its guises). But don't let that put you off if you've already got
some experience under your belt. There'll be something in here for you too.
We would like to thank all the authors and ELN board members who have put time into
crafting these posts. You'll find a full list of authors at the end of the book. They come from
across the elearning industry, and include users, vendors, consultants and even learners!
Where there are any errors or inconsistencies, please blame the editing process and not
the original authors.
We hope you enjoy reading the book, and find something useful. Please let us have any
feedback on the Elearning Network website.
The book starts with a two sets of rules from Charles Jennings and from Martin Baker that
probably apply to every learning intervention that we might want to design.
Reviewers
The ELN Board
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in simple things, such as taking the time to stop, think and reflect on what went well, what
didnt work out and what youd do next time. As learning professionals, we need to design
learning environments, learning programmes, or elearning courses with plenty of time for
reflection preferably guided reflection built into them.
This helps community members discover common ground, and explore opportunities to work
together. It also provides a greater sense of where the community strengths and interests
lie.
Perhaps ask learners to record a video introduction and post this on YouTube. The key
outcome is to help people to build tangible relationships with each other.
Experiment
If you have an idea for an activity but no software to run it, dig around online for a free tool.
For instance, if you want to run a voting pool, a Google search for free voting poll
software produces dozens of results.
A positive about running your community online is that members can often be flexible in their
participation. They can record a screen cast using Screenr, or upload a presentation onto
SlideShare. Theyre not limited to just text.
Encourage reflection by promopting learners to keep a blog on Blogger or WordPress.
Lessons for L&D do we actually know what online villages our staff are comfortable in?
Are we meeting them there, or creating new sites that contribute to information overload?
Whats also invaluable is having a separate laptop logged on as an attendee, giving you
insight into what your learners are seeingor not seeing!
Relax!
Most people know to speak a little slower than usual when presenting. However, if youre
presenting online, particularly to groups of people at the end of a conference line, its even
more important to speak clearly.
Try to sound enthusiastic and positive, and let your personality shine through. Dont be
afraid of silence; pauses will help your listeners keep up and give them a chance to absorb
what youre saying.
Dont panic
Mistakes will be made, technical glitches will strike or the fire alarm may go off. It can be
stressful or downright baffling, so pause your presentation if you have to, keep your
audience informed, recover and move on.
No one will mind and it may even inject a bit of extra humour into the presentation.
Online networks
Building your network online follows a similar process, although, in this case, whilst the tools
can help build and maintain contacts, they can also make it too easy and we become overconnected with connections that have very little substance behind them.
Twitter and LinkedIn are probably the two most favoured locations for professional
networking. To the new person they can feel like a crowded conference room where you
dont know anyone, or the social norms.
Here are some simple steps to help you get the best out of them:
Introduce yourself via your profile. This is the way people will find you, or find out more
about you. If you dont write a little about who you are and what you do, then its
unlikely that anyone will connect with you unless they already know you.
Find people you already know and follow or connect with them.
Dip in to what your network is talking about at least once a week, if not more. Mobile
apps like Flipboard can help this. But, be careful they can be addictive!
If someone you are linked with posts something, consider replying. Networks are about
two way conversations. As soon as a network becomes reliant on a just a handful of
people pushing out ideas, then that network becomes very vulnerable. Strong networks
have multiple two-way connections.
Once a week or so, consider starting a conversation. Pose a question. Share a link to
something useful. Post a document. Think out loud. It doesnt have to be serious. It
could even be controversial. However, as in all contexts, the more useful and relevant
you are to other people in your network, the more likely they are to think of you next
time they need something doing.
LinkedIn, in particular, is very good at sending updates to prompt communication. So, if
someone gets a new job, send them a message to congratulate them.
Review the summary for each session, and consider whether youre aware of any
related content: blog posts, infographics, videos etc. Equip yourself with a list of links
that you can easily pull into tweets at the event.
Let your Twitter followers know which sessions you plan to attend and invite them to
send you any burning questions they have.
During the conference:
Shortly before each session, send an opening, context-setting tweet. Provide the
session title, the speakers Twitter handle and a summary of what to expect (okay, you
may need two opening, context-setting tweets!). You could even prepare these tweets
in advance, save them as drafts, and send them at the right time.
Be prepared to commit! If you start tweeting a session, stick with it. Dont just send
sporadic, apropos-of-nothing quotes if you hear a good soundbite: make sure you send
at least one tweet for each point the speaker makes. If you read back your tweet
stream from the session, would it provide a good executive summary?
Take advantage of any visuals. For example, if a chart or diagram is shown, dont
struggle to translate it into 140 characters. Instead, take a photo and upload it to
Twitter with an accompanying caption.
Focus on sharing the speakers content first, and your opinions second. Other people
may disagree with this, but I feel that if Im tweeting for non-attendees I have a
responsibility to share as much of the speakers expertise as possible. I can always
share my own opinions later, on Twitter or my blog.
Engage with other backchannel contributors as much as possible. You might want to
retweet someone elses commentary, if theyve captured a point you didnt quite get, or
linked to a related website. Or you may want to respond to a question from someone
following the backchannel remotely.
Dont delete any tweets! For whatever reason, youll sometimes find yourself drafting
something that doesnt warrant publishing to the backchannel, but dont delete it save
it as a draft. Come back to it later: it might be something you can craft into a
meaningful tweet later, or it might just be a useful reminder to yourself to explore
something further.
After the conference:
Take the time to thank the people who engaged with you during the event.
Dont abandon the backchannel as soon as you walk out of the door. If you said youd
follow up on something, do it and tag it with the conference hashtag for continuity.
Think creatively
Check out free stuff
Experiment
Prove the concept
Think creatively
Remember that elearning is more than the interactive self-study tutorials we often think
about. Think of elearning under the wider definition to include: podcasts, video clips, forums,
web-conferencing, blogs, online search, wikipedia and many more! These work superbly
together to create effective, bite-size content which will support learning, bringing it to life.
Experiment
Be in a better position to buy and experiment with the free tools and software trials. You
might be surprised at how straightforward they can be to use and theres a good chance
youll find a how-to video on YouTube or Vimeo to get you started. You will then be in a
better position to choose the right tools for the job.
managers, your learners and the rest of your stakeholders share your vision. Its also a
great opportunity to get their feedback and allow them feel part of the process.
Check out:
Moodle for course websites
Audacity for recording podcasts
Screenr for recording IT screencasts
Jane Harts Top Tools for learning
The third key element is ensuring we engage learners through good interactive design.
Asking questions of the learner encourages them to think and reflect. Inviting them to review
choices and commit to a decision, eg through scenarios, helps them process the content
and evaluate different options.
Getting it wrong and reflecting on why is a powerful way of learning. Most of all, telling
stories rather than presenting facts is proven to be much more memorable some say we
dont remember what people say, we remember how they made us feel. The same can be
said of engaging elearning.
havent plumbed in a sink before. So make use of a range of techniques and technology.
This might include audio, video, screen recordings, quizzes and interactive diagrams.
The idea is not to throw all these different methods at every project, but to consider how
different media might enhance learning.
If youre using a rapid development tool, for part or the entire project, search for solutions
and inspiration from user forums, blogs and YouTube. The Articulate community is a great
source of design ideas and is open to everyone, not just those using Articulate products.
working memory. So, for example, if you are using a narration track only provide (single)
words on screen to reinforce the message.
The first table summarises each screen, setting out the screen type, title and key message.
I use three colours (one for non-interactive text screens, one for telling interactions and one
for testing interactions) to create a patchwork representing the whole course. It's quick and
easy to see the balance of interactivity to non-interactivity, and of telling to testing.
Do you have far more telling interactions than testing interactions? If so, double check that
your key learning point screens test rather than tell. If you notice a constant stream of
interactions with no respite, consider whether theyre all needed interactivity for the sake
of interactivity has little value.
Use the screen type index to provide that little bit of distance and allow a degree of
objectivity in reviewing a storyboard youve authored yourself. Assess the balance and
spread of interactions and make any appropriate changes.
Of course, like any patchwork, theres no perfect design. Different courses justify different
combinations, but in every case the balance needs to be consciously considered, and the
screen type index encourages that thought process.
branched case studies all that creative effort and no-one ever goes down the wrong
route because the right route is too obvious.
8. Use high quality graphics and sound. The YouTube generation has made us remarkably
tolerant of low quality video, but this is not the case with audio or with the overall user
experience. Poor quality audio can be worse than none at all. We are all now so used
to high quality intuitive UX from our home and mobile technology that even with our
limited budgets, the quality of the graphic design is increasingly important to attracting
and retaining the learners attention.
9. Use peer motivation. We may not be able to compete with World of Warcraft, but we
can integrate simple social media tools into our elearning, add league tables in the
LMS, or show the learner the last five answers to an open question.
_________________________________
A headline could be the first thing a learner sees and it can make them want to read on.
So get seduction in your headlines and hook learners in with great titles:
Write to one person
Use psychological trigger words like secret, absolute, essential and free
Pick a benefit for the headline
Write a totally wacky headline
Be audacious
Why not stick your neck out a bit and really challenge the norm? elearning copy doesnt
have to be riddled with business-speak. Try some of these ideas:
Promise your reader something valuable
Dare them to read your article
Be bold, seductive and provocative
But make sure you can deliver!
Key takeaways
So, whether youre writing copy for online learning or designing a static resource for casual
readers, the quality of your copy is critical. So have in mind:
Who youre targeting and write for a single person
Use web psychology to optimise your content
Make sure you elicit emotions in your users
Think legibility
The easier it is to read, the more all learners can focus and pay attention to the content.
Do not use text effects do not add shadow, reflection etc. It makes it harder to read
the text.
Do not use images to convey large amounts of text. They pixelate easily and are hard
to read. Buttons are okay, but dont use a text box to hold more than a couple of
words.
Dont use watermarks or images as backgrounds. This impacts legibility and may
distort words.
Ensure you use a good font size 12-14pt (or equivalent ems) and a sans serif font
preferably Verdana. These are easier to read onscreen.
Ensure that there is a good contrast between text and colours used on screen.e.g.
black on white is good, but white on light blue isnt a great contrast. The less the
contrast, the harder it is to read. You can use contrast checkers such as
http://juicystudio.com/services/luminositycontrastratio.php.
Think ease
The easier it is to understand or navigate, the more the learner can concentrate on the
content.
Enable keyboard navigation for all screen elements not everyone uses a mouse, and
sometimes its easier to move around the page using a tab key.
Ensure consistent navigation throughout the content, e.g. key buttons should remain in
the same place. Its easier to move through the learning, and your learner isnt
distracted by having to work out what they need to do next.
Dont use colour to convey meaning alone, or to identify any elements on the screen
(e.g. click on the green box). Learners who are colour blind wont necessarily know
what you are referring to. (Theres some great guidance on how colour blindness
affects web users here: http://wearecolorblind.com/).
Write in plain English, using simple, clear wording. Keep sentences short and to the
point.
Limit the use of acronyms or abbreviations where possible.
Think choice
Is there an alternative to audio, image or text? As well as supporting learners with
disabilities, it presents learners with an alternative too.
Provide a Transcript of Audio/Video clips. Not only does this aid the hearing impaired,
other learners may not have audio enabled, be unable to use it in open plan offices, or
just prefer to read content.
Label your key images using the alt attribute this enables understanding through
screen readers, or if a page is slow to load. This is really important for a summary of
graphs or process flows.
Ensure that the learner can control the speed at which text builds in animations or
teasers. Theres nothing more annoying than being half way through a sentence and it
.(moves on before you can complete it). As well as being irritating for
most learners, its not an easy or positive experience for those with visual or learning
difficulties.
Create an accessible document. These are still useful. Use properly formatted
headings in MS Word or equivalent, so that screen readers can put the right emphasis
on content. Use images wisely to support content, and ensure images are meaningful,
not just there for effect. Accessible docs work well for those with Learning Difficulties,
or who simply struggle reading content online.
Accessible learning doesnt have to mean reducing the effectiveness or quality of your
learning. By making these changes you can make your learning more effective for all
learners. Content will be better presented, easier to navigate and simpler to take in.
But finally, a word of common sense. Whilst we should make our materials as accessible as
possible, elearning is a delivery method, not the learning itself. It may still be a better
learning experience to have a 1:2:1 session with a line manager to support the learner
further.
In the scripts:
Any objectives which mention understand.
I work on the principle that if it says the learner should understand, it should be a piece of
comms, not learning. Make the objectives more active what will learners be able to do at
the end?
Is it relevant?
Make sure the content fits the objectives it keeps to the point. If it dilutes the message or
doesnt even belong, it shouldnt be there.
Colour
Is the contrast right? Use white text on black backgrounds sparingly some people get
migraines from this. Have you used too many colours on the page? Does it just feel too
much? Do you need a pair of sunglasses to read the page?
As I said, this is just a starter for ten, there are many other things to consider. You might
have a brand guidelines checklist you can use that directs font or imagery. From the content
perspective, youll develop a feel for what will work with your learners. Spend the time and
be thorough. Youll get better content as a result.
Familiarise employees
To make elearning appear more accessible and less scary you could create an online
advert, an online guided tour, or set up a live demo so that people can have a look at it and
familiarise themselves with the system before they try it on their own.
Using incentives and formal recognition for elearning is a great way to encourage prolonged
take up amongst staff.
Track performance
There are many ways to track performance using Learning Management systems. It is
important that you know how many people are utilising elearning so you can adapt the way
it is used. This also enables you to track performance across departments. Individual
comparisons can be made among students and the results, perhaps suitably anonymised,
can be published for all to see to encourage better take up.
Shutterstock
Bigstock
It doesnt cost much to buy a few credits - particularly if you are only using the smaller
photos. Youll save time by searching through higher quality images that you can legally use,
so the extra cost is easily justified. These sites also give you more detailed search options.
Search by colour, search by copy space, filter by categories and you can create lightboxes,
which well come on to in a second.
If you really cant afford to pay there are other options:
Creative Commons Many images on the web are available under a Creative
Commons license. This means that you can legally use them for free as long as you
give credit to the people that created them. The Creative Commons portal makes it
easier to search a wide range of sites containing CC images.
Free stock sites these combine the powerful search tools and lightboxes of the
commercial sites above, but they contain images that you can legally use for free:
Stock Exchange
Morguefile
Always remember to check the license agreement!
Create lightboxes
While youre searching, you will inevitably find great images which dont fit what you are
looking for, but could still be useful in the future. Make sure you save them, or bookmark
them for another day. If you use a paid site you can create themed lightboxes to build up
your own library of quality images. Alternatively, you could use a social bookmarking tool
like diigo for Creative Commons images.
Be patient
If you get fed up looking, have a break and do something else for a bit. Remember, getting
the right images is important, so dont settle for second best.
DIY
Alternatively, stop moaning about the cost of stock photos and take your own!
Quality matters
The Youtube generation has made us remarkably tolerant of low quality video, but this is
not the case with audio. Poor quality audio can be worse than none at all.
Use professionals
There will be occasions where you want the genuine voices of colleagues, or an
inspirational opening address from the CEO. However, where you are asking the speaker to
play a role, professional actors will give you a far better outcome. The voice of a
professional can add depth, richness and character to your course. They are not expensive
and even when budgets are tight, this is not the place to economise.
Mix it up
Try using more than one audio character. If your content doesnt lend itself to dialogue and
scenarios, you can still add variety with different experts, or the man or woman in the
street. Use your imagination.
Ding dong
Sound effects are not used much in elearning, but can be very effective. Note how sound
effects are used in video games to give auditory clues. There are many familiar sounds all
around us that can be a quick and even amusing alternative to narration or text an
incoming email, ringing phone, knock on a door, alarm clock, the gentle thwack of leather on
willow but, dont overdo it!
People dont speak the way they write. So when writing an audio script you will usually want
a more informal and human tone. Dont ask the narrator to read out bullet lists. Dont let
your narrator lecture the user or talk down to them and avoid management speak. A friendly
tone will typically be the aim.
Keep it short
There is a temptation, particularly if you are trying to fit a lot of content into a 30 minute
elearning course, to give the narrator more to say just to keep the text off the screen. But
beware, audio takes control of the pace of the course away from the learner, and if the
clips are too long or too many, the user will tune out.
Narration style
Generally, for an internally-developed course, a more informal style of narration is
preferred. Remember that how you say things is just as important as what you say and as
its likely that many of the users will know you personally. They will expect you to sound like
you, not a professional voiceover artist.
Duration
When you design your on-screen content, its recommended that there be no more than five
bullet points on a screen. Not only does this make the content more legible, it also
encourages you to keep the narration short.
To maintain the concentration levels of the average learner, you should try to avoid
spending too long on any single screen. You can actually say a lot in 60 seconds and this is
a good average time when planning what you say.
As a rough guide, 150 to 175 words will typically take about one minute to narrate.
If you type your narration into the Notes View within PowerPoint, with a standard font size
of 12pt, once you have filled the available space, this is approximately a minute of audio.
On a practical level, when it comes to recording the audio, the longer your narration per
screen, the greater the risk that you will make more mistakes and have to repeat the take.
Generally, if you have a lot to say on a certain topic then consider:
How many topics you should include in a single course.
How you can divide up what you need to say, so that you spread your commentary
across multiple screens, but keep a good pace. Its acceptable to increase the number
of screens to facilitate this.
Although an informal narration style is preferred, you will still need to write out your
narration. This ensures that your recorded commentary is delivered in a slick manner. There
is nothing more frustrating for a learner having to listen to someone narrating off the cuff.
Unless youve delivered the same talk off-pat for years, the pauses and more frequent
stumbles will be soon become annoying. There is also a heightened risk of going off-tangent
and repeating oneself. If you then lose your train of thought, its very difficult to pick things
up, usually meaning you have to start all over again.
As you write, remember that we dont generally speak as we write, so its acceptable to
ignore the usual grammar rules, especially if they would make the narration sound too
formal.
Once you have typed your script, if youve already created your screen content, doublecheck that the bullet points still match the flow of your narration. Also consider if, based on
what you have said in the narration, you can further shorten or even remove some of the
existing bullet points.
In fact, theres a lot or merit in first of all writing out your script and only then deciding what
appears on each screen. This way, with the audio narration providing the primary channel of
delivery, you can ensure that what appears on the screen precisely provides the on-screen
visuals required. A common mistake is to write a bullet one way, but then to paraphrase it in
too different a way in the audio narration. Its very hard for a learner to hear something
different to what they are seeing.
Writing your narration first helps to ensure that your supporting bullets use the same
extracted words. Of course, you must never break golden rule number one never put full
sentences on a screen that you then read out verbatim, unless its a quote that would
benefit from being read out aloud.
During the recording session itself, its very off-putting to be reading something and then find
you are saying something different, when you realise its not making sense,or youve made
a fundamental mistake. This is one of the most common causes of stumbling, resulting in
the need for a retake.
Contributors
Martin Baker
Martin is the founder and CEO of The Charity Learning Consortium, the largest group of
charities in the UK collaborating to make elearning affordable.
Twitter: @martincbaker & @charitylearning
Website: http://www.charitylearning.org/
Mark Berthelemy
Mark was elected to the eLearning Network board in November 2012. He is a learning and
communications technology professional with many years experience across the
educational, corporate, and public sectors.
He runs a consultancy, Wyver Solutions Ltd, specialising in advising clients on the selection,
implementation and use of learning & communication technologies from learning content
management, through learning design, to social media and formal training administration.
Twitter: @berthelemy
Website: www.wyversolutions.co.uk
Sam Burrough
Sam Burrough gave up trying to be a professional DJ/snowboarder/bum about 5 years ago
when he became a dad. Since then hes turned himself into an Online Learning Consultant at
Unum, where hes responsible for pretty much anything that involves learning and
technology,from compliance training and LMS maintenance, to finding ways to use social
media and improving digital literacy.
Hes also partly responsible for WEElearning Bristols very own elearning social.
Twitter:@burrough
Website: http://www.weelearning.co.uk/
Gill Chester
Gill is a learning designer at Little Man Project, the company she founded in 2010. Prior to
this she ran a busy training department, which delivered a portfolio of courses across the
UK.
She has a Masters in Networked Learning, which was one of the first masters programmes
in this field (and it was only 12 years ago!).
Web site: www.littlemanproject.com
Blog: www.littlemanproject/blog
Contact: www.about.me/gillchester
Stephanie Dedhar
Stephanie spent the first four years of her working life on the supplier side, project
managing and designing bespoke elearning solutions on many and varied topics for a range
of organisations.
Along the way she developed a passion for online learning design, being named
Instructional Designer of the Year at the IT Training Awards 2010. In 2011 Stephanie made
the leap to an in-house role and now works as a learning and performance consultant within
leadership development at BP.
Blog: www.stephaniededhar.wordpress.com
Twitter: @StephanieDedhar
Tim Drewitt
Tim, a longstanding eLN member, has 17 years experience in learning technologies within
the leadership and management development, financial services and legal fields.
He coaches subject matter experts in rapid development and virtual facilitation techniques.
Tim also steers the evolution of the firms LMS and has recently implemented a mobile
learning pilot, alongside initiatives in social media, learning transfer and evaluation.
Twitter:@timdrewitt
Web: http://timdrewitt.typepad.com/tech4learning/
Kim George
Kim is a learning and development manager at Getty Images. At work, her favourite thing to
do is help new starters settle in, learn about the organisation and discover how they want to
develop their careers; outside work, shes reigniting her love for Pinterest, eating her way
around London, and playing netball.
Twitter: @KimSGeorge
Rob Hubbard
Rob is the founder of LearningAge Solutions the vehicle for his ongoing deep exploration
into technology and learning.
Rob loves the intersection of creativity and technology wherever that occurs. Video,
transmedia and low-budget filmmaking are some of current passions.
Twitter: http://twitter.com/RobHubbard
Website: http://www.learningagesolutions.com/
Richard Hyde
Richard is a Director the eLearning Network. An elearning specialist with significant
experience of bespoke elearning development over the past 15 years, he is a Director at
Mind-click.
Website:http://www.mind-click.com
Twitter: https://twitter.com/richardthyde
Joan Keevil
Joan is director of Designs on Learning, a consultancy specialising in elearning design,
leadership development and facilitation. She has produced and scripted many compliance
elearning courses for clients including the BBC and various blue-chip companies, and has
recently delivered a series of anti-corruption workshops for a global high-tech company, in
the Far East, India and the US.
Joan was a judge in the 2011 Elearning Age Awards in the rapid and compliance
categories. She is also a virtual tutor at Henley Business School and an enthusiastic
supporter of social media for learning.
Twitter: @Designs_JoanK
LinkedIn: http://uk.linkedin.com/in/joankeevill
Website: www.designsonlearning.co.uk
Charles Jennings
Learning and Working Smarter specialist/consultant. Work globally. Internet Time Alliance
team member. When working is learning, then learning is working
Website: http://www.duntroon.com
Twitter:@charlesjennings
Laura Layton-James
Laura has worked in Learning and Development for over 15 years and delivers classroom
workshops and online programmes on the topics of blended learning, elearning design,
elearning facilitation and elearning implementation. She is passionate about how technology
can help deliver and support learning more efficiently and yet still ensure effective learning
takes place by maintaining the human element.
James McLuckie
James is Learning Engagement Manager at Eden Tree, a resource bank for learning and
development professionals. He has worked in the field for over ten years, and has a
particular interest in online technology for learning. James recently completed his Masters in
E-Learning from the University of Edinburgh. He also manages the LDG (Learning and
Development Group) LinkedIn community.
Website: http://www.edentree.co.uk
Twitter: http://twitter.com/JamesMcLuckie
Laura Overton
Laura is MD of benchmarking company, Towards Maturity, a provider of independent expert
advice and support.
Towards Maturity helps organisations use learning technologies to accelerate business
performance. It leverages the data of its in-depth Benchmark Study, the UKs largest
learning technology benchmark, gathered by Towards Maturity over 8 years with over 1800
organisations.
Website: www.towardsmaturity.org
Twitter:@lauraoverton
Cat Oxley
Cat has been working in learning and development for eight years as the Learning
Innovations Lead at Great Ormond Street Hospital for Children NHS Foundation Trust
(GOSH).
Her role has been an exciting journey, from starting out with a pile of CDRoms on her desk
when she arrived, developing and implementing the Trusts first LMS, leading on technologyenhanced learning projects across the Trust for all levels of staff, to launching GOSHs first
ever Learning Innovations Conference 2013.
Peter Phillips
Peter is Chairman of the award winning Unicorn Training Group, which he founded with his
brother Andy in 1988. He led Unicorn to become a world leader in the development and use
of strategic business simulations, and major provider of elearning services to the UK
insurance and financial services sector.
In August 2002, he was appointed Chairman of AFC Bournemouth football club, but has
now returned full time to the calmer waters of Unicorn. In 2008 he was presented with the
elearning industry award for outstanding achievement.
Website: http://www.unicorntraining.com/
Louise Talbot
Louise has worked in Learning and Development for over 15 years and delivers classroom
workshops and online programmes on the topics of blended learning, elearning design,
elearning facilitation and elearning implementation.
She is passionate about how technology can help deliver and support learning more
efficiently and yet still ensure effective learning takes place by maintaining the human
element.
Sam Taylor
Sam is an elearning manager and self confessed social networking addict. She has been on
the board of the eLN since 2010 and was elected as Chair in 2013.
Website: http://www.elearningnetwork.org/users/sam-taylor
Twitter: http://twitter.com/samt_el
Chloe Weatherhead
Chloe is Head of the Housing e-Academy, which is part of Virtual College one of the UKs
leading providers of total solutions within the elearning arena.
The Housing e-Academy works specifically with the social housing sector and Chloe is
passionate about the benefits of elearning for both staff and tenants. She successfully uses
webinars, e-books, video, conferences and social media to spread the elearning message.
Website: http://www.virtual-college.co.uk/