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A Fine Art Poster Print Is Availible of the Above Artwork: Please CLICK Here!

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SEERIE LUNG-TA: The Seventieth Spirit is Seere, Sear, Seior, Seir, Seidhr or Seerie. She is a Mighty
Princess, and powerful, under AMAYAMONA, Shaman Queen of the far East Oriental. She appears in the
form of a beautiful naked teenage Tibetan Girl, riding upon a winged Mare or to manifest as a winged
Mare with the head of a Girl whose bare breasts to be seen, with the tail of a Peacock at times, as well as
to often appear as a living Rocking Horse or that of a bound Pony-Girl. However, she often manifests as
a Tibetan Cowgirl of a Gunfighter Centauress, or to be riding a winged horse whose abode is that of
Scientologist Kabbalah Clan Hollywood, which she will relate she had migrated to after fleeing Tibet
with the Daial Lama during the Chinese invasion of her land; she has an avid liking for Spaghetti
Western's and popcorn.
Some will say, when to Conjure her amidst their Triangle-of-Art Imagination, that she looks like a Native
American babe, but then the Tibetan's do have an ancient ancestral genetic link with their Amerindian
kin.
Her office is to go and come; and to bring abundance of things to pass on a sudden, and to carry one
upon her back, or to carry anything else wherever you would have it go, or where you would have it to
come from, but only when she has been carnally satisfied via those Erotic Lucid Dreams she will
induce as a most salacious Succubus Genie.
She can pass over the whole Earth and to travel the Multiverse throughout Space-Time whether into the
far distant Past or that of the Future as well as anywhere in the Present in the twinkling of a
Chintamanti-Stone Seers Eye; for she is the personification of the Lung-ta (Wind-Horse) Unmarked,
Marked State operator. Ones (Chintamanti Stone) Singular Eyed Consciousness at the Quantum level is
pure Information and everything is made of Light and likewise hence too Information, which can be
accessed via Conscious Dreaming; for ones own Brain is as a 'Quantum-Computer'. She will take one
through the Unmarked State Gateways of the void into other Marked State Universes as a Skywalking
Dakini. She also gives true relation of all sorts of theft, and of hidden Treasure, and of many other
things. She is of an indifferent good nature. One will find her to be most willing to do anything, which
the Exorcist desires. She governs 26 Legions of salacious Succubae like her self.
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CRITICAL PARANOIAC ROCKING HORSE OF

GOETIA W-UNDERLAND
The Paranoiac-Critical Method is a Surrealist Technique, which was developed by Salvador Dal in the
early 1930s. Dali employed its Methodology when producing his paintings and other artworks of
Wonderland Genius, especially those, which involved optical illusions and other multiple images whose
insight of technique Alice did ask a Gnat to reveal,
"All right, said the Gnat, half way up that bush, youll see a 'Rocking-Horse-Fly,' if you look. Its made
entirely of Wood, and gets about by swinging itself from Branch to Branch."
The Surrealists related theories of Psychology to the processes of Subconscious driven Creativity and
the production of Art. In the mid-1930s Andr Breton wrote about a fundamental crisis of the object.
The object began being thought of not as a fixed external object but also as an extension of our
Subjective Self, which asks the question, What does it live on? Alice asked, with great curiosity.
One of the types of 'Food' objects manifested in Surrealism was the Phantom Object such as dancing
Flames, Ink Spills, Scribbles and Cracked Pavements for example; according to Mad Hatter Dal, these
objects have a minimum of Linear Mechanical meaning, but when viewed by ones Mind it evokes
Phantom Images, which are the result of instantaneous Subconscious Associative acts. The ParanoiacCritical arose from similar Surrealistic experiments with Psychology and the creation of images such as
Max Ernsts Frottage Technique involving rubbing pencil or chalk on paper over a textured surface and
interpreting the Phantom Images visible in the texture on the paper, which be all, Sap and sawdust,
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said the Gnat. Go on with the list.

The aspect of Paranoia that Dal was interested in and which helped inspire the Method of Technique
was the ability of ones brain to perceive 'Associative links of Correspondence' between things, which
rationally are not at all linked. Dal described the Paranoiac-Critical Method as a "spontaneous method
of irrational knowledge based on the critical and systematic objectivity of the associations and
interpretations of delirious phenomena."
Alice looked up at the Rocking-Horse-Fly with great interest, and made up her mind that it must have
been just repainted, it looked so bright and sticky; and then she went on. "And theres the Dragon-fly."
Employing the Paranoia Critical Method when creating a work of Art uses an 'Active' process of ones
Mind to Visualise Separate Images such as a Chinese 'Dragon' and a Household 'Fly' in ones work to
thereby incorporate these apparently disassociated objects into the final product of fusion. An example
of the resulting work is a Double-Image or Multiple-Image in which an Ambiguous Image can be
interpreted in different ways. Andr Breton hailed the method, saying that Dals Paranoiac-Critical
Method was an "instrument of primary importance" and that it "has immediately shown itself capable of
being applied equally to Painting, Poetry, the Cinema, the construction of typical Surrealist Objects,
Fashion, Sculpture, the History of Art, and even, if necessary, all manner of exegesis." However, the
technique its self is nothing new, for Shamans have been utilising Split-Screen-Vision perception to
Sorcerer Seer into other realities since the dawning of Humanity, but it does require one to perceive in a
different way, "Look on the branch above your head, said the Gnat, and there youll find a snap-dragonfly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in
brandy."
Critical Paranoia is a Method of establishing a Creative state of Self-Induced Psychosis, which nears
the state of Trance. Consider the process akin to forcing a Waking Dream, a Conscious Transformation
led by Paranoid scrutiny of what presents itself in the surroundings. The simplest version, hardly
critical, hardly paranoid, begins with the Childs game of Alice staring into banks of clouds, looking for
the Chariot Riders, the Giants populating floating islands and other phantasms of humidity whose
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Associative reasoning needs to be fed, And what does it live on?

"Frumenty and mince pie, the Gnat replied; and it makes its nest in a Christmas box."
When to open the box of ones Imagination to set it free of initial Larvae one can thence utilise
elementary exercises such as practicing prolonged staring at ink blots and scribble drawings, which
will generate an array of optical illusions that sell themselves in one of many a new-age, self-help
manual designed to prove that you are on your way to a happier existence as a Caterpillar, "And then
theres the Butterfly, Alice went on, after she had taken a good look at the insect with its head on fire,
and had thought to herself, I wonder if thats the reason insects are so fond of flying into candles
because they want to turn into Snap-dragon-flies!"
Snap-Dragon-Flies flying around ones Mad Hatter Head all aflame while walking those cracks in the
sidewalk, which look like an outline of the West coast of Mexico; in fact those cracks in the sidewalk are
indeed the West coast of Mexico, can one not see it buddy; no doubt about it, that's for sure; and those
Ants are all tourists in the middle; they are eating up the Yucutan. An Alice of hitched up skirt little Girl
has just become one with her hop-scotch Rocking-Horse galloping into Panama leaving red menstrual
smudges all along the Pacific to ensnare with her coquette skipping rope. Ones advancement of Mad
Hatter practice will invariably find the intricacies of Television Static a delight to behold. The onset of
migraine headaches a resounding flourish to perceive such things, "Crawling at your feet, said the
Gnat (Alice drew her feet back in some alarm), you may observe a Bread-and-Butterfly. Its wings are thin
slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar."
There are no Preconceptions, no Paranoia to influence what one Perceives. The careful acquisition of
Critical Paranoia requires continued practice until it becomes a part of ones Subconscious way of
thinking, but one may ask, "And what does it live on?"
"Weak tea with cream in it," and when to have indulged ones fill, find a Bathroom with Tile Floors and
subdued fluorescent lighting; Bathroom Tiles one half inch by one half inch are far preferable. Those
Tiles with the speckles are the type to spy out with ones Split-Screen Vision. Find an empty stall and sit
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on the Toilet. Sit so one is comfortable to shit out Atom Bombs over the Pacific. Stare at the floor in
front of one, through the bottom edge of the closed stall door. Stare until columns of Tiles oscillate
rapidly back and forth, chaotically at first, but more rhythmically in passing. Move ones eyes towards
ones feet to perceive rows of Tiles moving against the columns of now Warped 'Chessboard;' Observe
the speckled patterns for insights as to the flux of images now ready to be accepted upon ones winged
'Third-Eye' of a 'Through the Looking Glass' internal retina finding Visions.
A new difficulty came into Alices head. "Supposing it couldnt find any?" she suggested.
"Paranoia makes use of the external world to impose the obsessive notion with the disturbing
particularity of making valid the reality of this notion for others . . . The reality of the external world
serves as an illustration and a proof, and is put in the service of the reality of our Mind" (Dali).
"It is a question of speculating ardently on that property of uninterrupted transformation of any object on
which the Paranoiac activity seizes; in other words, the ultra-confusional activity which takes its source
in the obsessive idea . . . This uninterrupted transformation permits the Paranoiac to regard the very
images of the external world as unstable and transitory, if not as suspect, and it is, disturbingly, in his
power to impose the reality of his impression on others . . . (Breton).
But if one does not exercise ones innate ability of Critical Paranoia Perception, which one as a Child to
have naturally known, that Shamans have utilised for Aeons, "Then it would die, of course."
"But that must happen very often," Alice remarked thoughtfully.
"It always happens," said the Gnat.
(Quotes: Lewis Carroll's, Alice's Adventures 'Through The Looking Glass', Chapter III)

ASSUMING THE ALTERNATE PERSONA OF A SURREALIST COWBOY

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When a Male practitioner Evokes Seerie he can assume the Alternate Persona of a Spaghetti Western
Gunfighter of similarity to Clint Eastwood's character in the film, 'For A Few Dollar's More,' to thence
ride Seerie as his bound Pony-Girl of a Succubus. She will empower ones Alternate Persona via vivid
Lucid Dreams to thereby carry ones Seer's vision into other realities. What one to thereby experience
within of Microcosmic Dreams made Lucid of Awareness one can thence communicate through ones
Macrocosmic Surrealist Artistry.

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