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Peter Skrzynecki
Feliks Skrzynecki
This poem is a tribute to the dignity and stoicism in the face of loss and hardship to the poets father Feliks whose
journey from Europe to Australia, from one culture to another, echoes through the poem and it s clear that the
impact of the journey is as strong for the son as for the father. This poem highlights that the hardest thing about
physical migration is whether to keep or let go of the memories as migration allows the person to destabilise both
physically and mentally. The poet deals with the emotional consequences of the physical journey.
Quote
Title: Feliks
Skrzynecki
My gentle father
Technique
Tells us that this poem is about how a person can affect your sense of belonging
Possessive noun my
Gentle sets the tone of the poem and reveals the poets perspective of his father as one
of love and admiration
Peter respects and honours Feliks with this kind salutation
Suggests that Feliks is his own man and only wants to do ordinary things well
This allusion to a famous clich sees Feliks reject the ambitions for bigger, better things
as others see the mark of success and belonging Feliks has all he needs, his contentment
is replete and he has achieved a sense of belonging. This sense of gratitude and only
desiring the simple pleasures of life is reflected in the second reference.
Alliteration to show how the poets father was his own man, not driven by pressures
enforced by others
Uses imagery to emphasise the place of belonging for Feliks
Similie like an only child shows the extent of love and devotion to the garden
Hands
darkened/From
cement, fingers
with cracks
Hands
darkened/From
cement, fingers
with cracks
Why his arms
didnt fall off
His Polish
friends/Always
shook hands too
violently Horses
they bred
I never got used
to
Always shook
hands too
Twin use of hyperbole in Spent years walking its perimeter and He swept its paths/Ten
times around the world expresses Feliks devotion to his garden, to a place where he
belongs
Narrows the focus from the man in his garden to the darkened cracked hands
Powerful images of hard, physical labour
Skrzynecki paints a picture of a man who is not afraid to work and who has come to a
place, his own place, where he is content (He respects his father because through all the
hardships, he still belongs)
Hyperbole creates a sense of belonging in this setting, as he chooses to stay within its
boundaries
Gives the readers a sense of the fathers dedication to his self-imposed task
Hard labour (but it is a labour of love contrasted with forced labour in Germany he is
working hard in this setting because he has a sense of belonging with it
Manual images help individualise him
Feliks friends are seen as further sources of acceptance & belonging for Feliks. They share
memories reminiscing about fertile farms and animals in their native Poland. The positive
connotations of the verbs suggest the immigrants shared nostalgia springing from their
common experiences
violently
Did not dull the
softness of his
blue eyes
I never once
heard/Him
complain
Dancing-bear
grunts
Happy as I have
never been
Hadrians Wall
His father is a survivor whose resilience to suffering has enabled his softness not to be
hardened or dulled by experience.
This imagery juxtaposes the fathers resilience and inner strength with his gentle
qualities
Courage and endurance are key traits in his fathers personality. These lines emphasise his
fortitude
Sense of awe and envy for the man whom he never once hear/Him complain and for
whom nothing, not Five years of forced labour in Germany nor When twice/They dug
cancer out of his foot could dull the softness of his blue eyes.
They are both affected by this curse of racial prejudice and discrimination
A tone of regret the poet cannot share his fathers contentment with the world he has
created for himself. With painful recognition, the poet sees that his father is happy as I
have never been
Reinforces the idea of separation
St Patricks College
This is a reflective appraisal, informed by the benefit of hindsight and subsequent experience. The overall tone is
condemnatory, hinting at institutional alienation rather than any imbuing of school spirit or inclusivity. St Pats is
not presented as a place that effective promoted learning or positive growth. (This poem is about parental
expectations and school)
Skrzynecki attended St Pats for 8 years but it had little impact on him and taught him so little that it left him with
a continued belief that he did not belong.
Mother wants Skrzynecki to belong to new land and right social milieu
Dialogue, clich
Migrant mother wants her son to be educated in a way that is best; that will help him
belong in a new country
Alliteration
face
overshadowed by
clouds
With outstretched
arms
Mother crossed
herself
I stuck pine
needles
I thought was a
brand of soap
Stanza 3
For eight years
I walked
Strathfields paths
and streets
Like a foreign
tourist
Uncertain of my
destination
Stanza 4
I carried the blue,
black and gold
Id been
privileged to wear
Like a burden
light shine
Ancestors
o Questions clearly speak of disconnectedness, a sense of not belong to something that may be
important. It is clear that Skrzynecki is not sure how important his past is or should be but his at least
willing to ask.
Quote
Technique
Stanza 1 sound device: sibilance conveys quiet/whisper/secrets/eerie
Who are these
- Metaphor indistinct but haunts his sense of self
shadows
- Figures have a nightmarish quality which is developed though simple but evocative visual
imagery
- Negative connotations of adjectives shadows and hang create a feeling of the personas
fear and uncertainty about these men
That hang over
- Verb implies threat
you in a dream
- You listener/reader drawn into this world this is a masterful strategy to highlight the
personas isolation; the responder empathetically engages with it
Standing
- First rhetorical question introduces persona s relationship with his ancestors rhetorical
shoulder to
question further highlights the personas isolation and state of confusion
shoulder?
- Makes them threatening in numbers and intimidating in their stance. Also, they belong
shoulder to shoulder whereas Skrzynecki is alone
- Contrast between the solitary persona & the group highlights the personas lack of
connection or belonging to this group
- The sibilance within the last line augments the tenor of disquiet created by the poets
reference to these nameless and faceless men
The bearded,
- Elusive imagery
faceless men
- Simply but evocative visual imagery
- Nightmarish quality
- Faceless = anonymity
- Their faces are obscured by the dark
Stanza 2
What secrets/Do
- Highlights personas lack of knowledge in contrast to the ancestors understanding
they whisper
Rhetorical question
Haunting, death mask, timeless
They have secrets that he will never know unless he crosses the mountains etc.
The ever-open eyes of these figures we wonder what they are looking at or for
To where?
Directions are unclear, mirroring the indistinct quality of dreams also raises the level of
uncertainty and apprehension felt by the dreamer
Pats)
Moonlit plain dreamlike landscape, creates a feeling of peace yet poet does not
participate in this world, but only sees it from a distance, behind them
- Out of reach
- Answers are there but he cannot reach them he will never know
Stanza 5 3 line stanza for dramatic emphasis
Why do
- Emphasis on never suggests the personas frustration with the recurrence of their images
they/Never speak
without allowing him insight
how long
- Urgency is created by the use of the hyphen creates a pregnant pause in the middle of
the question being asked involves reader in the questioning process challenging us to
respond from a personal perspective
how long/is their
- Continues paradox of pointing but where?
wait to be?
- He wants answers
- There is something external that keeps the ancestors from speaking. It is ambiguous what
this is, but it could be the personas fears of belonging in the world of his family and cultural
heritage. He wants their secrets without connecting with them or committing himself to
their cultural world. His attitude to their world is a barrier to his belonging.
Stanza 6 last two stanzas show personas insight into the consequences of his decision not to
belong
Why do you
- Irony of dreams wake before answers
wake/As their
- The nightmare quality is not relieved by wakefulness which brings limited relief
faces become
- Disquiet remains, for consciousness ironically makes their faces disappear just as they
clearer
become clearer. They remain metaphorically out of reach
Your tongue
- As metaphor
dry/As caked
- Visual intensity of metaphor emphasizes the negative impact of this ancestral visitation
mud?
which neither soothes nor appeases the dreamer
- Metaphor heightens responders awareness of his discomfort and anxiety about the world
that his ghostly ancestors represent
- Fear/anxiety
-
Stanza 7
From across the
plain
10 Mary Street
The poem encapsulates the story of a family life through reminiscing about the past. The house, the garden, the
activities and daily routine.
Free verse effect of a sudden flashback of memories that come unbidden from the past conveys palpable
sense of belonging
Quote
Stanza 1
For nineteen
years/We
departed
Technique
-
Poet depicts their domestic routine, unity of existence stressed by the use of the inclusive
term we generates a collaborative, inclusive image of routine family life
Repetition of nineteen years reinforces the tedium of routine & length of time spend in
family home highlights that the length of time spent in one place doesnt mean we will
Like a well-oiled
lock
Factory/That was
always burning
down
Stanza 2 conversational through enjambed lines
Washing clothes
- Metonymic device to convey parents working world
laying sewerage
pipes
My parents
- Juxtaposition of working lives with garden imagery evolving a sense of nurturing through
watered/Plants
verbs and emphasised by caesura
grew potatoes
- Garden imagery to depict the positive quality of his home life
Tended roses and
- Their tenderness is particularly conveyed in the simile Skrzynecki is comparatively
camellias/Like
thoughtless in his treatment of the garden where he belongs
adopted children
- Tendering garden is his parents routine he is excluded from this activity (similar to FS)
Like a hungry
- Similie reinforces the parenting duty of feeding and nurturing offspring, giving them a good
bird
start in life before they fly the nest
- Desire to be nourished
BIRDS symbols of freedom, flight & beauty, symbol of the soul. Poet is seeking a different
world to his parents he wants to fly the nest.
Stanza 3 - shift in focus from past to present, sad tone as house is rezoned for industry
The house
- Personification highlights the connection the persona feels towards the house (the ties
stands/In its
forged with this house)
china-blue coat
- Imagery such detail gives house a personality individualizes house
With paint
- Irony loss of that sense of permanency change is inevitable
guaranteed/For
- Mundane comment
another ten years
Stanza 4 inside the home
For nineteen
- Family life was harmonious and secure
years/We lived
- The home is a place of belonging, of togetherness; the persona includes himself in the
together
first person plural
- Familys sense of attachment to each other and the house
- Emphasis reinforces his sense of belonging to family and community
- Inclusive pronoun is repeated to convey their connection
KielbasaPuffing
- Juxtaposition of 2 cultures
Billies
- 2 worlds coalesce shaping the personas outlook and perception of self inner and outer
- Idiomatic expression alluding to Australia
- Parents strong cultural connection to food and drinks and pre-war
Europe(personification)
Stanza 5 bridges the gap between then and now and looks to the future
Naturalized more
- Now naturalized with Australia literally and figuratively
Inheritors of a key
- Key to country and house symbolized cultural identity, in tearing it down and naturalizing
the family there is a loss of cultural identity
- Linking past with future literal key in S1 and the metaphorical key in this stanza
- Key to a different world their next step in life
- Key = key to contentment in life connection with people, the land and a strong
understanding of your cultural history
Thatll open no
house/When this
one is pulled down
Ironically the image evokes a groundswell of feeling further irony is that its not for him
the friend recognizes he has no ties with Warsaw
He requests I
- Ironically the postcard would mean totally different things to his parents. He is
show it/To my
requested to show it to his parents and he knows their response will be personal and
parents
experiential
- The persona is positioned as beyond a connection to this place through his friends
request to show it to my parents
- The persona is presumed to lack interest, whereas the parents are assumed to be
interested because of their emotional connection to the city
Stanza 2 This section is deceptively simple for Skrzynecki has set up a clever puzzle by
juxtaposing a factual description of a post card in two stanzas with an emotional conundrum that
comes in two words Haunts me
Red buses on a
- There is nothing extraordinary on the postcard
bridge/and
- By highlighting features of the scene, the poet is stressing the commonplace aspect of
something/Like a
the card as well as using visual imagery that enables the reader to clearly picture the
park borders/The
scene emphasizes that the image has both literal and figurative connotations
river
Something/Like a
- The enjambment tells us that not all the detail is clear though The skys the brightest
park
shade.
- Indefinite words suggest the personas indifference to the scene
Section 2, Stanza 3
Warsaw, Old
- Apostrophe (directly addressing the old city of Warsaw as if it was living
Town,/I never
- This image leads to the persona addressing Warsaw in the 2nd person
knew you
- This personification attempts to bridge a divide between the city and the persona; the
city he had previously known only in the third person
- Personification allows him to debate within himself his relationship to this place
- Skrzynecki is speaking directly to the idea of Warsaw, referring to it in ode form
- Old Town something he can never know for it is gone
That bombs
- The destruction of the city and its inhabitants is listed in a series of verbs with negative
destroyed
In the minds/Of a
dying generation
Half a world
away./They shelter
you
Stanza 4
I repeat, I never
knew you
Let me be.
My father/will be
proud/Of your
domes and
towers./My
mother/will speak
of her/Beloved
Ukraine
Whats my
choice/To be?
praise
The city of his birth has a magnetic quality and demands an acknowledgement that he
is loath to give. There is an inkling fear of commitment, a hesitation to acknowledge
this vague but undeniable allegiance to our birthplace
The city is personified and given a force that demands the recognition and reverence
What more/Do
you want
Section 3, Stanza 6 The persona finally acknowledges the impact of his Polish heritage on his
identity but he has made up his mind to reject the tie of belonging to his past
I stare/At the
- I stare highlights how drawn he is to this place. It is almost as if there is a contest of
photograph
wills, he is refusing to answer/The voices calling to him. The bond is undeniable,
haunting and mesmerizing
- It is a photograph of a world he is not really part of and yet is strongly affected by it
And refuse to
- The city is alive with history and culture that the poet has little knowledge of
answer/The
- He comprehends the voices that whisper to people such as his parents but
voices
reservations make him want to refuse to answer them
And a cloudless
- The brightness of the Warsaw skies in S1 is mirrored by its cloudless skies in this
sky.
stanza. There is a crispness and clarity in the image that enhances its positive ability to
draw the viewer
Stanza 7 The prophetic last 4 lines signifies that although Skrzynecki denies empathetically the
call of his birthplace and his cultural heritage, he will always be connected to Europe;
communicating his reconciliation with his Polish heritage and culture and his legacy
A lone
- The poet has highlighted the significance and impact of cultural identity regardless of
tree/Whispers:
context. The city retains the power to whisper to him across the years and the miles. It
signifies a cultural element in his identity that cannot and should not be ignored
- The scene transfixes him, asserting a hold over him that he finds difficult to dismiss
- The city is given the qualities of a siren, tempting and alluring
- He is one of her own and she will not let him escape the spell she casts over all her
people, close or far
- lone tree inevitable
- Ambiguous can be a positive or a negative thing
We will meet
The word we personalizes the image of the city calling to him and making an
assignation before death
He might deny belonging to this past he cannot understand being a child of two worlds
and having only lived in one, but his blood and kin(family) connect him to the other and
this is something he will have to face at some time
The city has uttered a challenge that she will receive his homage as much as he may
resist her demands
The power of his cultural heritage is reinforced by the use of direct speech We will
meet/Before you die The high modality and imperious tone makes it seem preordained that he will return, albeit against his will
The final words come not from the persona, but from A lone tree on the rivers
bank. An ambiguous relationship is initiated by the tree, whispering, We will
meet/Before you die It is uncertain whether the meeting will be positive or negative,
but it is inevitable. The citys pull on the persona is inescapable, despite his resistance
and attempts to avoid connection. He belongs to his Polish heritage and must
eventually confront it