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Women business owners are significant players in the nations economy and their momentum shows
no signs of slowing down.1
Marjorie Alfus, Chairperson, Womens Business Research
We expect to emerge stronger with a wider genre exposure. We dont just expect this wider spread to
progressively de risk our business but also expect the programs to generate attractive toplines and
bottomlines. This will enable us to enhance value for our share holders.2
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Family-owned businesses4 are the oldest and still continuing format of businesses across the
globe. In India, majority of the businesses are family-owned with management control in the hands
of the promoters or family members. Since ages, only male members of the family have been the
successors of the family-owned businesses. But this trend has changed with few empowered women
leading their family business or creating their own companies. Balaji Telefilms Ltd. (Balaji), promoted
by Shobha Kapoor is the prominent player in the Indian Media and Entertainment (M&E) industry,
holding strong position in the Indian television arena. Balaji raised its capital through Initial Public
Toh Alvin, Women Business Owners Making Their Mark in the 21 st Century, http://www.a1articles.com/
article_124217_15.html, January 29 th 2007
Ibid., page 9
A family business is a business in which one or more members of a family have significant ownership interest commitment
towards the business. A firm is said to be family-owned if a person is the controlling shareholder, i.e., the person has highest
percentage of voting rights in comparison to other shareholders.
Do
This case study was written by Fareeda under the direction of Fathima Reshma Taj H., IBSCDC. It is intended to be used as the basis
for class discussion rather than to illustrate either effective or ineffective handling of a management situation. The case was
compiled from published sources.
2009, IBSCDC.
No part of this publication may be copied, stored, transmitted, reproduced or distributed in any form or medium whatsoever
without the permission of the copyright owner.
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Offering (IPO) and remained cash rich with its consistent investments in the high quality debt funds.
As a matter of policy, the company remained completely debt-free. However, the question is to what
extent are the capital structure decisions of the company influenced by its woman leader?
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In India more than 95% of companies are family-owned businesses, contributing 60%70% of the
GDP.8 The family businesses are the backbone of Indian economy with their history dating back to preindependence period. In the late 19th century, traders and money lenders became industrialists and groups
such as Agarwals and Guptas in the North, the Chettiars in the South, the Gujarati Jains and Banias,
Muslim Khojas and Memons in the West and Marwaris all over India flourished. During 1950s, 18 Indian
families and two British houses hold major part of Indian businesses.9 The businesses during this period
were mainly in trade and small in size requiring less investment and controlled by a family.
During 1970s, the family businesses had undergone many changes along with the developments
in the Indian economy. Family businesses have shifted their focus to manufacturing and required
more investment. The infrastructure developments during this period supported the growth of the
businesses. The inception of financial institutions shifted the financial control of the businesses from
owners to institutions. Besides, the family businesses started splitting, Dalmia being the first business
house to break up followed by prominent groups such as Birla, Kirloskar, Shriram,Walchand, Thapar,
Mafatlal, Mahindra, Lalbhai, etc. Though the businesses had lost financial control and undergone
breakups, the control of family business over the management remained unimpaired.
Do
During 1990s, the economic reforms and open markets made the family businesses struggle with
the emergence of new businesses in the service sector. The family businesses which were enjoying
monopoly till then had to face stiff competition from new domestic players and international companies.
Though many family businesses faced crisis due to these economic reforms, few adapted the changes
well and remained major employers, largest creators and users of economic resources. According
to recent statistics, the management of as many as 461 of the 500 most valuable companies are
under family control.10 The biggest family-owned businesses in India are Tata, Ambani, Birla,
Mittal, Godrej, Wipro, etc.
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Family businesses are traditionally dominated by men, but the scenario changed with the rising
status of women in family businesses through globalisation, liberalisation and a growing emphasis on
education. Indian women are breaking traditional barriers and working their way to the top of
companies or creating their own businesses. Until 1970s, women in India were confined to traditional
roles (as a daughter, mother, sister and wife) within the family. However, in the last three decades,
few businesswomen in India have broken through the barriers of social conformity both at home
and in the workplace to become successful entrepreneurs and professionals. The list includes
Lalita Gupte of ICICI Bank (joint managing director), Kalpana Morparia of ICICI Bank (joined JP
Morgan as CEO), Anu Aga of Thermax India, Kiran Mazumdar-Shaw of Biocon Ltd. and Simone
Tata of Tata Group, to name a few. Despite their great strides in the corporate world, women are
often discouraged by family members from having careers that infringe too much on family life.
Though women in India do not have proportionate representation in the companies, they are
better off than other countries across globe. As per a study by EMA Partners, an executive search
firm, 11% of 240 large companies in India have women CEOs, whereas only 3% of Fortune 500
companies have women CEOs.11 Besides, 35% of the women CEOs are also promoters of their
companies. Women promoters have been outperforming in terms of both financials and management
performance. According to a Sunday Economic Times (SundayET) study in 2009, Nine listed
companies managed by prominent women promoters (excluding unlisted firms and non-promoter
women CEOs) fared better than the top 30 firms listed in the Bombay Stock Exchange in year-onyear growth rates for the last five years.12 The women promoters have made their marks through
their efficient performance in their respective industries (Exhibit I). During the last 5 years, the
companies income before tax grew by a Compounded Annual Growth Rate (CAGR) of around
35% as against a 21% CAGR for the BSE-30 firms; their profits had grown by around 56% whereas
BSE-30 companies posted a growth rate of 27%.13
Do
To achieve desirable results, the women owners had to work hard to succeed with their true
business sense. As stated by Kiran Mazumdar-Shaw, chairman and managing director, Biocon Ltd.,
Women have special attributes like compassion, sensitivity, multi-tasking and above all, the inner
strength to excel. Women can use these attributes as well as their instincts, intellects, thoughts and
ideas to their advantage.14 Again if a woman fails, its not seen as an individual failure but seen as
the collective failure of women, which puts extra pressure on women leaders to deliver.
10
11
12
13
Ibid.
14
Exhibit I
Leading Women Promoters in India in 2009 (in INR crore)
Promoter
Industry
Biocon Ltd.
Kiran
Mazumdar
Shaw
Pharmaceuticals
Apollo
Hospitals
Enterprise
Ltd.
Balaji
Telefilms Ltd.
Sangeeta
Reddy
Hospitals
Medical
Services
Shobha
Kapoor
Entertainment/
Media Industry
Thermax Ltd.
Meher
Pudumjee
Piramal
Healthcare
Ltd.
HT Media Ltd.
Swati Piramal
Pollution
Control
Equipment
Pharmaceuticals
Kinetic
Engineering
Ltd.
Jindal
Saw
Ltd.
Sulajja
Firodia
Motwani
Sminu Jindal
Auto - 2 & 3
Wheelers
Steel
Tubes/Pipes
Rajshree
Sugars
Chemicals
Ltd.
Rajshree
Pathy
Sugar
Integrated
* NA Not Available
&
EBIT as
%
of
Sales
904.2
Total
Income
in FY
2009
987.8
CAGR for
Last 5 Years
(in %)
4.9
Net
Profits
in
FY
2009
203.2
14.93
1,457.9
1,479.3
12.20
19.6
124.8
25
294.9
304.2
10.5
20.6
13
3,095.6
3,159.3
14.89
10.1
382.8
50
2,321.9
2,482.9
18.25
180.7
365.6
21
No
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&
Shobhana
Bhartia
Sales in
FY 2009
Entertainment/
Media Industry
Interest
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Company
28.41
1,323.0
1,352.3
10.62
31.7
108.9
NA
82.6
84.4
(57.20)
21.4
(66.9)
NA
5,003.3
5,029.9
12.64
197.6
339.1
58
354.4
358.1
16.62
26.0
24.7
19
Do
The efficiency of these women-led companies also attributes to their efficient capital structures.
Basically, family-owned businesses, led by women are risk averse. The Arthur Anderson/MassMutual
American Family Business Survey, 1997 notes that Family businesses tend to avoid debt. It notes
that 34.3% report no debt other than trade payables and another 34.2% have debt to equity levels of
1% to 25%.15 The family businesses avoid debt due to the risk of losing control over the firm as
higher degree of leverage increases the probability of bankruptcy. It has been noticed that, the
capital structures of the women-owned family businesses have low debt and efficient returns on
capital employed (Exhibit II).
One such prominent woman-led company is Balaji, leading the television fiction arena of the
Indian M&E industry.
15
McConaughy, Daniel L., Founding Family Control and Capital Structure: The Risk of Loss of Control and the Aversion
to..., http://www.allbusiness.com/specialty-businesses/family-owned-businesses/331244-1.html, June 22 nd 1999
Exhibit II
Financials of Leading Women-led Family Business in India (in INR crore)
Biocon
Ltd.
Apollo
Hospitals
Enterprise
Ltd.
Balaji
Telefilms
Ltd.
Thermax
Ltd.
Piramal
Healthcare
Ltd.
Net Worth
HT
Media Ltd.
Kinetic
Engineering
Ltd.
Jindal
Saw Ltd.
Rajshree
Sugars &
Chemicals Ltd.
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Particulars
1,374.8
1,370.8
388.8
961.8
1,189
91.6
36.8
2,350.7
116.0
Debt
163.9
449.5
976.9
369.8
221.7
1,636.6
399.1
Fixed Assets
713.2
662.7
40.67
439.9
1,018.7
559.4
51.8
1,076.6
410.5
Current Assets
777.0
786.8
85.61
1,630.4
1,533.3
711.8
175.8
3,395.4
207.4
Investments
346.7
538
245.67
196.8
129.9
405.6
110.9
215.3
47.6
EPS
10.93
22.91
4.04
22.31
16.43
5.21
(32.21)
69.49
8.46
2.31
1.91
2.25
1.23
2.73
1.22
2.10
2.25
1.38
Current Ratio
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The Indian M&E industry is one of the fastest growing sectors of the country. The sector grew
at a CAGR 15% in the last 5 years reaching INR 584 billion ($11.68 billion) in 2008 and expected to
reach INR 1,052 billion ($21.04) billion in 2013 with a CAGR of 12.5%.16 As per the Federation of
Indian Chambers of Commerce and Industry (FICCI)-KPMG17report the challenging global economic
environment has led for the moderate projections for the M&E industry as against the earlier projection
of 18% for 20082012. Amit Mitra, secretary general, FICCI, justifies India is one of the few
countries where economic growth will be led by domestic consumption. With a low advertising
spend to GDP ratio of 0.47 percent, a growing consumer class and middle class, young population,
low media penetration and increasing discretionary spending; India continues to be an attractive
market for Media & Entertainment.18
Do
Indian M&E industry spread across various segments television, print media, films, animation,
internet, music, radio. Television is the largest segment of the M&E industry occupying $4.81 billion,
of the M&E industry followed by print media, films and other segments (Exhibit III). The television
segment continues to dominate the Indian M&E by its revenue projections reaching $9.45 billion in
2013 at CAGR 14.5%. The Indian viewers are exposed to about 450 channels (in 2008) as compared
to 120 channels in 2003, classifying the television as one of the leading sectors of the economy. 19
The growth in the television industry stems from an upbeat television distribution with the emergence
of digital mediums in the form of Direct to Home television (DTH), Internet Protocol Television
(IPTV) and Digital Cable. This has led to the increase of service providers and subscribers and the
DTH subscribers are expected to increase to 28 million by 2013.20
16
Media & Entertainment: The Next Five Years Are Promising, http://www.theindusview.com/vol4Issue4/specialreport.html
17
KPMG is a global network of professional services firms providing Audit, Tax and Advisory services. It has about 137,000
professionals working together delivering value in about 144 countries worldwide.
18
Media & Entertainment Industry projected to grow at 12.5% over next five years to INR 1052 bn: FICCI-KPMG report,
http://www.in.kpmg.com/pressreleases/pdf/Press%20Release-%20FICCI%20Frames.pdf, February 17 th 2009, page 1
19
20
Exhibit III
Sector-wise Growth of the Media & Entertainment Industry (in $ billion)
2008
2013
% CAGR
Television
Print
Film
Animation
OOH
Gaming
Internet
Radio
Music
4.81
3.45
2.18
0.35
0.32
0.13
0.12
0.16
0.14
9.45
5.32
3.37
0.79
0.59
0.55
0.43
0.33
0.21
14.5
9.0
9.1
17.8
12.8
33.3
27.9
11.2
8
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Segment
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Source: Media & Entertainment: The Next Five Years Are Promising, http://www.theindusview.com/vol4Issue4/pdf/
20090312_IndusView_Publication_Vol4_Issue4_Special_Report_Media_Sector.pdf, 2009, page 2
Another prominent sector of Indian M&E industry after print media sector is the film industry.
India is the worlds largest film producer by volume, producing approximately 1,000 films a year and
accounts for over 3 billion theatrical admissions per annum.21 This growth is driven by the audiences,
who have been open to accepting national and international movies. The multiplex culture has resulted
in the audience accepting movies from all cultures and genres. The film industry is expected to grow
at CAGR 9% reaching $3.37 billion in 2013. The films have become the major source of content for
television, music and radio segments. For instance, the film songs become the content of the
programmes on television and radio. The increase in demand for the quality content for both television
and film segments have led to the development of numerous content providers and production houses.
The content providers are one of the primary entities of the M&E industry value chain, followed
by distributors and end users (Exhibit IV). The content generated by new agencies, individual movie/
tele-serial producers or companies takes the form of movies, general entertainment, sports, news,
current affairs, realty shows and game shows. Few companies also felt the need to be present
across the value chain. For instance, the conglomerates such as Walt Disney, Times Warner, etc.,
are well-integrated on the global stage. In India too, companies such as Zee Entertainment and Sun
TV are positioned across the value chain and are ready to exploit the benefits that arise in future.
Do
The Indian M&E industry is highly fragmented with numerous content providers providing
content to its different segments. The prominent content providers providing content for both
television and film segment were UTV Software Communications Ltd., B.A.G films, Creative
Eye, Balaji, etc. The companies in the entertainment content business are mostly equity financed
and less dependent on debt. The direct dependence of the companies on debt could discourage the
risk taking and growth prospects of the companies and hence the companies are largely equity
financed (Exhibit V). One such company with zero debt capital structure, reinforcing its net worth
with internal accruals and equity is Balaji.
21
No
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Exhibit IV
M&E Industry Value Chain
Exhibit V
Debt Equity Mix of Content Provider of Television and Film Industry as on
March 31st 2009 (in INR crore)
Company
Cinevistaas Ltd.
Do
Total
Income
57.7
Net Profit
Equity
Debt
0.93
166.3
17.7
Market
Capitalisation*
32.7
21.9
54.3
304.2
15.3
0.11
(3.8)
20.6
(1.7)
9.65
41.1
388.9
93.7
0
11.2
0
1.3
45.2
12.0
381.5
49.0
167.7
38.3
32.9
60.6
66.7
312.3
4.13
(6.9)
0.14
1.7
(4.3)
16.6
126.6
115.9
26.8
177.2
170.9
,
1056.5
28.2
16.7
6.95
0.99
35.6
346.7
109.1
140.7
18.95
215.5
107.4
,
1524.9
10.8
0.28
17.1
7.9
5.8
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Balaji is the leading television content provider, dominating the prime-time22 and non-prime-time
fictional content of Indian M&E industry. It was promoted in 1994 by veteran actor Jeetendra
Kapoor, his wife Shobha Kapoor and daughter Ekta Kapoor. Though the first few pilot projects of
company were not successful, it achieved its first breakthrough from its programmes Hum Paanch
(Indian sitcom) and Mano Ya Na Mano (fictional thriller) for Zee TV. The programmes such as
Kyunki Saas Bhi Kabhi Bahu Thi, Kahani Ghar Ghar Ki, Kaun Banega Crorepati, etc., were
the turning points in the companys journey to success.
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Besides television serials Balaji ventured into feature film production and new media (Internet)
(Exhibit VI). Balaji, under the banner name Balaji Motion Picture Ltd., has produced films such as
Kya Kool Hai Hum, Shootout at Lokhandwala, Sarkar Raj, etc. The company also has plans to
emerge as a content aggregator or a producer for new media sphere such as Internet, mobile phones
and gaming to develop efficient revenue generating models. Puneet Kinra, CEO, Balaji justified that
Balajis creative talent, superior execution capabilities and its ability to deliver scale are its forte.
Leveraging our inherent skills, we are gearing ourselves to cross new horizons of content creation.23
Exhibit VI
Balaji Telefilms Business Segment
Do
Balajis success over the years can be attributed to its creative abilities and its unique business
model (Exhibit VII). Balaji generates revenue by providing content to both sponsored24, commissioned25
programmes and events. It provides content in both national (Hindi) and regional languages such as
22
The hours between 7 p.m. and 11 p.m., when the largest TV audience is available.
23
24
Sponsored programmes: Content developers purchase time slots from the channel and get free commercial time in return.
The company retains the advertisement revenues and the Intellectual Property Rights (IPR). The sponsored programmes
generate variable income for the company.
25
Commissioned Programmes: The customer of the company channel, commissions it to produce episodes as per its requirement
against a fixed remuneration or cost-plus basis. The channel retains the IPR. It generates study income for the company.
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Telugu, Tamil, Kannada in various genres sitcoms, thrillers, game shows, fictional shows, etc.,
catering to all kinds of the customers. Ekta Kapoor, creative director, Balaji, stated we are now
present across all genres romance, horror as well as the conventional fiction programmes, with
success across them all.26 By the end of 2000 fiscal, the company enjoyed over 616.5 hours of
programming time across 10 channels DD National, DD Metro, Sun TV, Gemini TV, Udaya TV,
Star India, Sony TV, Zee TV, Metro Gold and SAB TV. As a matter of policy to increase flexibility
and save time, the company invests in its own equipment and studios.
No
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Exhibit VII
Pillars of Balajis Business Model
In October 2000, Balaji raised money from the market through IPO for its further expansion. The
company successfully raised INR 36.45 crore, by issuing and allotting 2,803,250 equity shares of INR
10 each for cash at a premium of INR 120 per share.27 The IPO proceeds were utilised to finance the
expansion of infrastructure facilities (equipments and building studios) and also to meet its long-term
working capital requirements. Balaji had set up offices and integrated studios in Mumbai, Bangalore,
Chennai and Kolkata. Post-issue, the companys paid-up capital was INR 10.30 crore (including equity
capital of INR 1 crore, INR 6.5 crore of bonus issue in June 2000 and IPO of INR 2.80 crore), with the
promoters stake being 69%.28 During 20002001 fiscal, the company repaid all its long-term debt
from its strong cash flows and IPO proceeds and emerged as a completely debt-free company. It had
reduced its debt-equity ratio to zero in 2001 from 1.09 in 2000 and 1.67 in 1999.29
Do
During 20022003 fiscal, the company increased its number of shares by splitting each share in
1:5 ratio. Balaji subdivided its equity share of INR 10 each into equity share of INR 2 each, increasing
its number of shares to 51,516,250 and its paid-up capital being same.30 The share capital of Balaji
had increased to INR 13.04 crore in 2005 fiscal from 10.30 crore in 2004 fiscal with the preferential
26
27
28
29
Ibid.
30
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allotment31 of 13,694,193 shares of INR 2 each at a premium of INR 88 to Asian Broadcasting FZLLC, an affiliate of Star Group Ltd.32 This preferential allotment provided 21% stake to Asian
Broadcasting and Balaji received INR 123.25 crore in return.33 The promoters of the company hold
40% of the total shares accounting 26,085,250 shares (Annexure I).
Since 2005 fiscal, the company has grown tremendously, occupying nearly every commercial
channel with its serials, events, etc., at prime time. The companys programming hours increased
from 1,720 hours in 20042005 to 1,820 hours in fiscal 2007 and declined to 1,571 hours in fiscal 2008
(Exhibit VIII). In course of time the company reduced its sponsored programming hours as the
commissioned programmes de-risk it from the market risk, providing steady income over the life of
the programmes. By 2009 fiscal, Balaji telecasted nearly 25 serials holding the total programming
hours of 1,497 hours on all general entertainment channels Star Plus, Colors (Annexure II).
Year
20042005
20052006
20062007
20072008
20082009
No
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Exhibit VIII
Balaji Telefilms Ltd.: Programming Hours Distribution
Sponsored Programming
Hours
Commissioned
Programming Hours
Total Programming
Hours
789
931
1,720
1,045
1,068
2,113
759
1,061
1,820
652
919
1,571
570
927
1,497
Do
Balaji evolved as the leading content provider with increasing revenues and net profits every
year. The companys revenue increased from INR 201.69 crore in 2005 fiscal to INR 328.97 crore
in 2008 and declined to INR 294.91 crore in 2009 (Annexure III). The decline in the revenue is
attributed to the decline in programming hours due to the adverse effects of economic slowdown on
advertisement industry. Even the companys profit before tax and profit after tax declined by 71%
and 70% respectively from its previous year. The Earnings Per Share (EPS) of the Balaji stood at
INR 4.04 in 2009, a decline of 69.85% from its previous year. Despite the decline in its profits, the
company paid dividend of INR 0.30, a 15% on the face value of equity share.34 As of March 31st
2009, the market price of the equity of the company was INR 29.55 (closing price on the BSE). 35
31
Preferential allotment is a way of infusing fresh equity in the business by issuing shares or warrants to the specified entities
at specific prices to a promoter or promoter group or a person acting in concert (PAC) or institutional players.
32
33
Balaji Tele to make pref allotment to Star group affiliate To offer 25.1% stake at Rs 90, http://
www.thehindubusinessline.com/bline/2004/08/19/stories/2004081902830100.htm, August 19 th 2004
34
35
Ibid.
10
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Balaji remained completely debt free since 2001 fiscal and met its long-term capital requirements
through its retained earnings and short-term investments. Balajis net worth has consistently grown
from INR 218.9 crore in 2005 to INR 388.88 crore in 2009 (Annexure IV). The surplus funds of the
company are employed for setting up studios, purchasing land for studios etc., with the objective of
strengthening companys competitive edge. The company invests its surplus funds mainly in debt
funds to preserve capital, liquidate at will and generate a fair return on investment. As a matter of
policy the company invests its major part of surplus funds in high credit quality funds and small
amount in equity funds.
Do
No
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As per company annual report, the investment of surplus funds continue to be focused on relatively
safe financial instruments with the overall philosophy of safety and liquidity.36 The total investment
made by Balaji in 2009 fiscal stood at INR 245.67 crore and 249.89 crore in 2008. Jeetendra Kapoor,
chairman, Balaji states, our initiatives will be directly proportionate to our top line over the coming
years. Correspondingly, we expect that our combination of de-risked and aggressive approach will
translate into enhanced value for all stakeholders.37
36
37
11
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Annexure I
Shareholding Pattern of Balaji Telefilms Ltd. (as on March 31st 2009)
No
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Do
12
No
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Annexure II
Balajis TV Programmes on Different TV Channels (as on March 31st 2009)
Do
13
2008-2009
2007-2008
Income
Turnover
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Annexure III
The Income and Expenses Statement of Balaji Telefilms Ltd. FY 20052009
(in INR crore)
2006-2007
2005-2006
2004-2005
294.91
328.97
317.46
280.37
196.75
21.27
17.28
9.41
8.69
4.94
Total
316.18
346.25
326.87
289.06
201.69
Expenditure
Cost of Production of TV serials/
feature films
180.66
161.20
159.49
156.41
106.38
13.20
13.62
11.57
7.17
5.40
61.28
30.24
26.82
23.13
17.61
0.05
0.19
Employee Costs
Administrative and Other
Expenses
Interest
Depreciation
Total
Profit Before Tax
Provision for tax
Current Tax
Deffered Tax
Fringe Benefit Tax
Profit After Tax
No
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Other Income
23.52
12.70
11.25
14.32
9.74
278.66
217.76
209.13
201.08
139.32
37.52
128.49
117.74
87.98
62.37
(18.60)
(40.30)
(37.40)
(29.48)
(20.86)
(0.21)
8.60
0.46
(0.20)
1.19
(0.85)
(0.72)
(0.71)
(0.27)
26.67
87.93
79.43
59.42
41.30
(0.35)
(0.55)
0.29
0.22
0.21
161.54
109.65
63.90
32.50
88.32
187.86
197.03
143.62
92.14
129.83
Appropriations
Interim Dividend
22.82
2.67
8.79
Proposed Dividend
1.96
22.82
0.33
3.88
3.20
2.74
10.77
182.90
161.54
109.66
63.90
32.50
4.04
13.40
12.23
9.15
7.61
Do
14
7.94
82.43
5.94
4.13
19.56
Annexure IV
Balance Sheet of Balaji Telefilms Ltd. FY 20052009 (in INR crore)
20082009
20072008
Sources of Funds
Shareholders Funds
Share Capital
13.04
20062007
20052006
20042005
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y
13.04
13.04
13.04
13.04
375.84
351.8
291.12
237.43
200.09
388.88
364.84
304.16
250.47
213.13
4.31
4.77
4.57
5.77
Total
388.88
369.15
308.93
255.04
218.9
98.14
94.77
77.68
66.95
55.93
57.68
50.49
38.1
30.69
21.29
40.46
44.28
39.58
36.26
34.64
51.39
17.62
3.82
5.07
1.2
91.85
61.9
43.4
41.33
35.84
Application of Funds
Gross Block
Less: Depreciation
Net Block
Capital Work in Progress
Investments
No
tC
Fixed Assets
245.67
4.29
249.89
178.76
162.38
113.75
0.9
9.57
6.87
11.62
23.87
50.57
68.55
66.84
73.7
53.5
11.13
7.62
6.38
6.23
23.01
40.47
42.99
17.05
17.45
85.61
126.21
123.08
108.6
97.82
35.49
41.43
34.56
34.34
28.32
3.05
27.42
1.75
22.93
0.19
38.54
68.85
36.31
57.27
28.51
Do
47.07
57.36
86.77
51.33
69.31
388.88
369.15
308.93
255.04
218.9
15