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The Origin of Fire - Music and Visions of Hildegard von Bingen

1. Hymn: Veni Creator Spiritus


2. Sequence: Veni Spiritus Eternorum Alme
3. Antiphon: O Quam Mirabilis Est
4. Vision 1 "The Fire Of Creation": Et Ego Homus
5. Vision 1 "The Fire Of Creation": Et Audivi
6. Sequence: O Ignis Spiritus Paracliti
7. Vision 2 "Wisdom And Her Sisters": Vidi Etiam
8. Vision 2 "Wisdom And Her Sisters": Prima Autem
9. Responsory: O Felix Anima
10. Vision 3 "The Fiery Spirit": Iterumque Vocem
11. Vision 3 "The Fiery Spirit": Et Imago
12. Hymn: O Ignee Spiritus
13. Vision 4 "Love": In Vera
14. Vision 4 "Love": Et Audivi Vocem
15. Antiphon: Caritas Habundant In Omnia
16. Antiphon: O Eterne Deus
17. Hymn: Beata Nobis Gaudia
As a child, I often saw or felt 'entities' from other worlds. Many children repo
rt supersensory experiences and one such child was Hildegard von Bingen.
Hildegard of Bingen, (1098-1179) was born a tenth child to a German noble family
. She was an influential and spiritual woman whose fierce devotion paved the way
for future generations of women to succeed in fields from theology, to medicine
, to music and art. At a very early age she claimed to experience supernatural v
isions of a powerful, transformative light, but she hid her prophetic abilities
until much later in life. She was admitted into a convent at the age of eight, a
nd was prepared for a life of hermetic devotion and meditation.
Although Hildegard was not formally educated, her desire to record her visions a
nd messages into book form was undeterred. She relied on secretaries to help tra
nscribe her ideas onto paper and was a prolific writer on topics of philosophy,
herbal medicine, the natural world, and a noted composer of hauntingly beautiful
chants.
Hildegard became a well-regarded authority and the Mother Superior of her conven
t. Around 1135, at age 42, she undertook a series of visionary symbolic painting
s in unmistakable mandala-forms. While she did not make the illustrations hersel
f, it is thought that she oversaw their production. These cosmic memories occur
in myth and archetypes we readily recognize. The pictures were thought to be as
strong or stronger than the words themselves. There is a gesltalt immediacy, wha
t Hindu's refer to as darshan, meaning the simultaneous act of seeing and being
seen by a deity.
She created a drawing, or illumination, in her manuscript Scivias (Know the Ways
), circa 1140--50, of her defining vision, in which the great span of the univer
se revealed itself to her in a trance as "round and shadowy...pointed at the top
, like an egg...its outermost layer of a bright fire."
Hildegard's visions led her to channel cosmic laws into illuminations and illust
rate invisible concepts such as ethers, air, and wind. She assigns meaning to th
ese elements to represent such virtues as atonement, righteousness, and moderati
on.
Central to her mandala paintings is the understanding of a 'cosmic equilibrium'
and a reverence for all life. In her use of 'quartering of the circle' we recogn
ize the four elements (fire, air, water and earth), an archetypal depiction also
used by Native American sand painters for the four sacred directions. Her conce
pt of Viriditas, the Greening, was a precursor to our ecology movement. She desc

ribed this power as the agent of the God, a divine vitality, that was the animat
ing life-force within all creation. This 'Greenness' was the very expression of
Divine Power on Earth.

Anonymous 4 is a female a cappella quartet, based in New York City. Their main p
erformance genre is medieval music, although they have also premiered works by l
iving composers such as John Tavener and Steve Reich. The group currently compri
ses Marsha Genensky, Susan Hellauer, Ruth Cunningham, and Jacqueline Horner (Jac
queline Horner-Kwiatek in more recent listings, following a marriage in 2008). T
wo membership changes have occurred during the group's history. The original lin
eup included Johanna Maria Rose rather than Jacqueline Horner. In 1998, Ruth Cun
ningham left and was replaced by Jacqueline Horner. In 2008, Ruth Cunningham ret
urned to the group in place of Johanna Maria Rose.

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