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Mo Volans on Oct 28, 2013 in DJ & Live Performance 1 comments
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So, your mixes sound great live, but how can you ensure they stand out amongst professional
releases and promo CDs? Mo Volans delivers a useful tutorial for all DJs.
Lets say youve just completed a perfect mix full of your latest and greatest tunes and you want
to use it as a promo tool. If you plan to send your mix out, it really needs to be at its best.
With this in mind, lets take a look at some things you do to ensure your mix is firing on all
cylinders. Well cover manual editing, some basic mastering methods and essential conversion
techniques.
Once boosted, you should start to get a decent overview of the file. Make sure there are no
obvious faults, or dropouts at this point. It wont hurt to give the whole thing a listen. Once you
are happy... You can move on and start to think about some processing.
The first thing to sort here is the overall level of the mix. This really is key to be honest. Its quite
likely that there are some pretty serious peaks and troughs, especially where you have mixed a
couple of tracks or added effects on the fly.
We will be using some dynamics processing later but for reasons that will become clear, this
simply cant be overdone. Before we apply any plug-ins, I like to manually reduce the really
obvious peaks. This can be done using automation in your DAW or by careful selection in a
dedicated audio editor.
As long as you pick sensible points to apply your fades and you dont more than a 1-2db at a
time these changes should be transparent. The aim of the game here is to equalize the overall
level of the mix and reduce its dynamic range so that any processors used later are not
overloaded. You can generally get a good idea if you are done during a quick visual scan of the
whole file.
Once you have sorted any peaks and checked the whole thing flows nicely, you can normalize
again if you like to ensure you are squeezing as much level out of the recording as possible.
Other than this, I wouldnt advise you to apply any special effects, enhancers or anything else
that might overly color your sound. The only thing I might use myself is a touch of equalization,
well look at this next.
A touch of analysis, some low cut and very small amount of high end boost.
If you find its only a specific track or section of your mix that needs attention here you can use
automation to introduce the corrective EQ. Alternatively, a more drastic option is to chop out the
dull track, move it to another audio channel and treat it there.
Remember that if you are moving from a higher resolution to a lower one, you will need to use
dithering. This should only be applied once in the entire process and preferably at the end, so
now is the time to do it.
If you are sending your mix out to a large audience online, or need to email a link to a specific
person, then you will need a compressed format. You have a few to choose from here but of
course MP3 is still the most popular. 320 kbit/s is probably the best choice as its the highest bit
rate MP3 will support. Lower resolutions such as 192 kbit/s will reduce file size and are often
used for online playback.
Hopefully this has given you some pointers and will be some use to you next time you are
preparing your latest mix for delivery. Happy mixing!