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For the beginner guitarist, harmonic intervals are the next step up from playing single notes. A
harmonic interval (also called a double stop, dyad, or less commonly couplet) are two notes
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played at the same time. The distance between the two notes is called an interval.
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A predominant type of harmonic interval know as the power chord consist of the root note of the
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chord and a fifth. An advantage to understanding power chords is their shape can be used to
quickly determine the location of perfect intervals. This improves ones overall understanding of the
location of notes on the fingerboard by relation to one another and builds the groundwork for
understanding scales.
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A chord is named after its root note, which is typically the lowest note. E.g. a C chord consists of
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the notes C E G, with C most likely to be the lowest note. Chords may be modified by "inverting"
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them, which means to reorder the pitch of the notes by raising or lowering them an octave, e.g.
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playing a C chord as E G C, which would be named C\E. However, the general rule of thumb
among guitarists is to refer to a chord by its lowest note. For details on variations, please see the
chords section.
A basic understanding of tablature is essential for understanding this, and most other sections of
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Contents [hide]
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1 Power Chords
1.1 Perfect Fifths
1.1.1 Alternate Fingerings
1.2 Perfect Fourths
2 Other Double Stops
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Power Chords
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(e.g., G-C), are the most consonant interval on the guitar (and
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Powerchord
The simplest perfect fifth power chord uses the same fingering
as an E minor chord, except only the thickest three strings are
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E5 Power Chord
When you play a power chord in the open position (or any power chord), you have to be careful to
mute the other strings so they do not ring out. In this case, if you also played the G string, you
would be playing a full chord, not a power chord. Use your extra fingers to lightly touch the other
strings, use your fretting fingers to smother the unnecessary strings, or just avoid hitting the
unnecessary strings with your impact hand.
Power chords, and really any chord types, are useful because they can be moved anywhere on
the neck, as long as the relationship between the notes is the same. For example, in the E5, the
thickest string plays an E, the next string plays a B (which is the fifth note of any E scale), and the
next string plays another E, but an octave above it.
If you take the same chord pattern, and move it up the neck to make a different power chord. For
example, take the two fretted notes, then use your first finger and fret the thick E string two frets
behind the others. For example, if you were fretting the E string at the third fret, you would be
playing a G5 which looks like this:
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G5 Power Chord
There are several different fingerings you can use to play a power chord, but it is best to choose
one that lets you easily move the power chord up and down the neck.
Here are three most common fingerings for a power chord, in this case, a G5. In the second and
third fingering, the two strings are barred at the fifth fret. The numbers indicate the number of
finger to use. Finger #1 is the index finger, #2 the middle finger, #3 the ring finger, and finger #4 is
the little finger.
1
2
3
4
5
EADGBE
---xxx
......
......
1.....
......
.34...
1
2
3
4
5
EADGBE
---xxx
......
......
1.....
......
.33...
1
2
3
4
5
EADGBE
---xxx
......
......
1.....
......
.44...
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G5 Power Chord
with the octave
omitted
These are easier to play because you only need two fingers and the sound is similar to the three
string version.
Since a power chord is just playing multiple strings that produce only two tones, it is possible to
play all six strings and still be playing a power chord. Some open tunings set the guitar up so that
when you strum it open, it plays a power chord. Here is an example of a full G5 chord, where all
strings are either playing a G or a D.
EADGBE
--00-1 ......
2 ......
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3 2...11
4 ......
5 .4....
This chord can be considered a non-traditional power chord, since in popular music, power chords
usually use only two or three strings. This is also a hard fingering for the beginner, but it
emphasizes an important fact about double stops: as long as you keep adding octave or unison
notes, you will always be playing the same interval. Playing a non-octave or unison note will
instead produce a chord.
Adding unison notes may sound different even though they are supposed to produce the same
pitch. This may be because the strings have different tension or thickness. In general, the guitar's
thinner strings will have a brighter, more ringing sound.
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D4 Power Chord
with the octave
omitted
EADGBE
xx00xx
These can easily be moved up the neck. For example, a G4 or a B4 would be played like this:
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G4 Power Chord
B4 Power Chord
omitted
omitted
EADGBE
(33xxxx)
EADGBE
(x22xxx)
Perfect fourths are the same as the upper two notes of the original three-string power chord. It is
rare to add a new top octave, but it may done. The following Power chords show the G4 and B4
with the octave added:
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G4 Power Chord
B4 Power Chord
EADGBE
(335xxx)
EADGBE
(x224xx)
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You can play a huge variety of different intervals by playing chords, and just plucking two notes at
the same time. Often you can add variety to chord strumming by playing a quick fill by playing
different sections of a chord, and achieving different intervals.
Guitar
Category: Guitar
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