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Entry Pack
This resource pack will help with your submission to the Maggies Centre design competition. What you will
find in this pack:
scale 1:100
scale 1:50
Scale model
This is a small version or maquette of your design. Architects make a scale model to explain their design
to the client in three dimensions. You can use scale model people to make it easier to understand. A scale
model is ideal to photograph from an angle. In the design process, architects use scale models to explore
ideas, even at the very early beginning. The model doesnt need to reflect a realistic design, but could
explore shapes, spaces, material, openings, dimensions, colour, light, etc. Below are some images for
inspiration.
Drawings are an important way for an architect to communicate design ideas. A basic set of conventional
drawings that are used:
1. The elevation - This is a 2d representation of the vertical surfaces of the building, showing the
configuration of doors, windows and material. Depending on the shape of the design and relevance of the
drawing, there may be a front and back elevation and two side elevations. With more complicated designs,
you may need more elevation drawings to explain your design.
side elevation
front elevation
2. A plan drawing - This is a horizontal section, taken approximately a metre above the floor. Depending on
the shape and design of the building, there could be several plans for different floors.
plan drawing
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STN6
30.313
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bin
gate
gate
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3. A section drawing - This is a vertical section, taken at a location which can best explain the design, most
likely to show the window and door openings. Depending on the shape and design of the building, there
could be a series of section drawings to explain your design.
section drawing
4. A sketch - A sketch could be a scribble reflecting an initial idea. It could be a quick summarising drawing,
showing the essence of the design. Sketches can be used in the very beginning of the design process to
test and explore ideas. By sketching your ideas on paper, you can test the ideas youve got in your head.
Sketches are also ideal to communicate with fellow designers and to show the design essence to your
client.
Case Studies
When you start a design, it is helpful to look at inspiring examples of other buildings, shapes, layouts,
spaces, details, use of material, etc. Studying these examples will enrich your own design ideas. You can
find examples of architecture all around you. Is there an interesting building in your street, or do you have
an interesting school building? Have a look on the internet or visit a library. You decide what you think is
inspiring to you. Below is a selection of Maggies Centre designs to inspire you.
Maggies Dundee
opened in 2003
Maggies Highlands
opened in 2005
opened in 2011
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Concrete
Lining / non-structural
Fireplace
Roof
0 m
5 m
10 m
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Maggies Fife
opened in 2006
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Maggies Cheltenham
opened in 2010
Architect: Sir Richard MacCormac
Landscape Architect:
Dr Christine Facer Hoffman
What the architect says:
Its not really a building; its a large
piece of inhabited furniture with a roof
hovering above it. Furniture is more
immediate than buildings are: we use
it, touch it, engage with it. Through
the joinery we convey care, so that
when people come in they feel they
have come to a place about care
Sir Richard MacCormac
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An exercise for smaller groups in class, 4 or 5 pupils per group. Find and study existing floor plans, from a
library, the internet or in this entry pack. With a tape measure, the group can make measurements, length,
width and height of the classroom, but also position and dimension of windows and doors. The floor plan
drawing can be to scale 1:50 or 1:20. Indicate the layout of desks and chairs on your drawing.
An individual exercise. Every pupil picks two or three viewpoints from which to sketch the classroom. It
is helpful to include people in the sketches, to add a sense of the human scale in the built environment.
Alternatively, each pupil can pick one view, but use different techniques to make a sketch. For example,
working with charcoal, paint, pen, pencil or colour. Afterwards the work can be discussed in smaller groups.
This is not about assessing the accuracy of the drawing, but respecting each others work and comparing
the atmospheres that the finalised sketches convey. Allow only two to five minutes for each sketch.
Additional time can be given to work up the artwork, if needed.
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An individual exercise. In small groups, the pupils can mark a route through the school, making interior
sketches on key points. Ask pupils to imagine themselves as a film director making a film about the school.
Which viewpoint would they choose to record to explain the building best? Divide an A4 piece of paper
into nine rectangles, each rectangle allocated for a viewpoint. Eventually you will end up with a cartoon or
storyboard showing a story from beginning to end. The results can be discussed in the group. Is the story
clear for others to read and understand?
An exercise for small groups. Every pupil can pick two or three viewpoints of a building and make a sketch.
It is helpful to include people in the sketches to add a sense of the human scale in the built environment.
Alternatively each pupil can pick one view, but use different techniques to make a sketch. For example,
working with charcoal, paint, pen, pencil or colour. Afterwards the work can be discussed in smaller
groups. At the end the smaller groups can present their sketches of a building to the class. This is not about
assessing the accuracy of the drawing, but respecting each others work and comparing the atmospheres
that the finalised sketches convey. Allow only two to five minutes for each sketch. Additional time can be
given to work up the artwork, if needed.
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An exercise for small groups. Hand out a copy of the architectural brief for the Maggies design competition.
Let everybody read the brief and think of at least three questions. These questions can be discussed
within the group to reach a full understanding what the brief means. The answers may differ per group.
Remember, there is no wrong or right in architecture. Key for the architect is to have an understanding
of what the client wants. It may be helpful to make sketches of how you would interpret the brief as a
designer.
An exercise for small groups. Each group can pick one of the Maggies Centres as documented in this entry
pack. You can look for more information if you like, in a library or on the internet. Research the design
carefully, try to imagine walking through the building. You could draw the floorplan or elevation drawing,
trace the photographs, count the windows and doors or make other relevant notes. At the end of the
exercise each group can present their research to the class through sketches, drawings and models.
Tip: Remember to enjoy the design process. If youre stuck and are out
of ideas, loosen yourself up, share your thoughts with fellow pupils,
find inspiration, take a walk, etc. A good design comes from a well
inspired mind.
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These are the nine submission requirements as you will have seen in the architectural brief for the Maggies
design competition. Have a good look at the them. Do you understand what is being asked for? How much
time do you have to develop the design and produce the required drawings, models and photographs?
Here are some explanations:
Design Statement
A 50 word paragraph, similar to the paragraph in the case studies provided with this entry pack.The
statement describes your design intentions, the atmosphere you would like to achieve in your design and
your inspiration for the design.
Design development
This could be a sketch, a drawing, a scale model, a photograph of a scale model, a table full of materials,
testing different shapes, colours, etc. This should give the jury panel insight into the design process you
have been through.
Remember that the nine submission elements will need to represent your design without you. So make
sure that the elements tell your story in a clear and engaging manner.
If you have any questions, contact kathryn.lamont@maggiescentres.org
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We want to have the minimum possible administration office type atmosphere. No doors with
fundraiser on the outside. We want the ethos and scale to be domestic. We need to think of all the
aspects of hospital layouts, which reinforce institution corridors, signs, secrets, confusion and then
unpick them.
As a user of the building, we want you to approach the building, and see an obvious and enticing door.
When you come in, we want the first impression to be welcoming. People may come to have a look,
the first time.
We want Centre users to feel encouraged and not daunted: they are likely to be feeling frightened and
very low anyway. We want them to have an idea of what is going on in the whole building when they
come in. We want them to feel they have come into a family community in which they can participate,
make their own tea or coffee, use a computer, sit down and borrow a book, even find somewhere they
might have a sleep for half an hour. Things shouldnt be too perfect.
The rooms used for counselling should be completely private when they are in use; but it would be no
bad thing if they could be opened up when they were not. We want users to know that they can say
things in confidence and be quiet, but also be conscious that other things are going on around them
that they might be interested in. For instance, they might be able to see what is going on in the kitchen
but will not necessarily want to participate in the kitchen chat.
We want the building to feel like a home people wouldnt have quite dared build themselves, and which
makes them feel that there is at least one positive aspect about their visit to the hospital which they
may look forward to.
We want the building to make you feel, as Maggie made you feel when you had spent time with her,
more buoyant, more optimistic, that life was more interesting when you left the room than when you
walked into. Ambitious but possible?
I just felt the building enveloped me in love...its bright, its light and
the first thing you do is smile.
Trudy McLeay, Centre visitor
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Maggies Centres are places that follow the ideas about cancer care, originally laid out by Maggie Keswick
Jencks.
Maggie lived with terminal cancer for two years, and during that time she used her knowledge and
experience to create a blueprint for a new type of care. Care based around the places that let people with
cancer feel in control and not part of a production line; care that recognises the importance of reassuring
spaces when people are feeling vulnerable; and care that never allows people to lose the joy of living in
the fear of dying, as she put it. She died in 1995 but her ideas live on today in the Centres that bear her
name.
Above all what matters is to not lose the joy of living in the fear of
dying.
Maggie Keswick Jencks
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